Filed under book | Tags: · aesthetics, art, cinema, film, film theory, image, machine, media, media technology, media theory, perception, phenomenology, philosophy of film, philosophy of technology, photography, technē, technology, television, video, vision
This fourth title in the series The Key Debates sets out where the term technē comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors – among them André Gaudreault, Geoffrey Winthrop-Young, Martin Lefebvre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie – investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.
Publisher Amsterdam University Press, Amsterdam, 2014
Creative Commons BY NC ND License 3.0
ISBN 9089645713, 9789089645715
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Filed under book | Tags: · book, graphic design, print, publishing, typography
This fully illustrated volume is a fine contribution to the history of books concerned with typography and bookmaking. Neither a printing manual nor a technical treatise, it was written by an accomplished designer and printer. It includes descriptions of the lives of the important printers, Gutenberg, de Tournes, Baskerville, Aldus, etc., and presents the historical backgrounds under which their folios were made.
Art of the Printed Book was written by Joseph Blumenthal, a practitioner whose Spiral Press set a long-acknowledged standard among fine printers. It is, in one sense, a personal selection, dependent on his aesthetic standards and, in another, a testament to the discrimination and collections of the Morgan Library. The 112 books selected and reproduced range from the Gutenberg Bible to the 20th-century works of Rogers, Gill, Updike, Meynell, and Mardersteig.
Art of the Printed Book, 1455-1955: Masterpieces of Typography Through Five Centuries From the Collections of the Pierpont Morgan Library, New York
With an essay by Joseph Blumenthal
Publisher Pierpont Morgan Library, New York, and David R. Godine, Boston, 1973
Second printing, 1974
125 full-page black-and-white illustrations
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Filed under book | Tags: · biography, composition, expressionism, music, music history, music theory, serialism
In this lucid, revealing book, pianist and scholar Charles Rosen sheds light on the elusive music of Arnold Schoenberg and his challenge to conventional musical forms. Rosen argues that Schoenberg’s music, with its atonality and dissonance, possesses a rare balance of form and emotion, making it, according to Rosen, “the most expressive music ever written.” Concise and accessible, this book will appeal to fans, non-fans, and scholars of Schoenberg, and to those who have yet to be introduced to the works of one of the greatest composers of the twentieth century.
Publisher Viking Press, New York, 1975
Filed under journal | Tags: · africa, afrofuturism, art, diaspora, internet, literature, music, poetry, posthuman, race, science fiction, subjectivity, technology
The issue guest edited and introduced by Alondra Nelson explores futurist themes, sci-fi imagery, and technological innovation in African diasporic culture. Contributors approach this under-explored theme from a variety of angles: as a novel frame of reference for visual culture; as fiction of the near-future; as poetry; as new forms of black subjectivity; as new narratives about the digital revolution; and as the imagining of future directions in African diasporic studies. Alexander G. Weheliye rethinks the category of the posthuman. Ron Eglash historicizes the nerd, while Anna Everett shows how the African diaspora prefigures the Internet. Kali Tal explores the utopian vision of black militant near-future fiction, whose heir apparent, Nalo Hopkinson, is interviewed by Alondra Nelson. The esthetic possibilities of this project are evident in poetry by Tracie Morris, and the images of Tana Hargest and Fatimah Tuggar.
Social Text 71, Summer 2002
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Filed under book | Tags: · labour, machine, society, technology, time
In this expanded edition of her 1989 CBC Massey Lectures, renowned scientist and humanitarian Ursula M. Franklin examines the social and political effects of technology. For her, technology is much more than machines, gadgets or electronic transmitters. It is a comprehensive system that includes methods, procedures, organization, “and most of all, a mindset”. She distinguishes between holistic technologies used by craft workers or artisans and prescriptive ones associated with a division of labour in large-scale production. Holistic technologies allow artisans to control their own work from start to finish. Prescriptive technologies organize work as a sequence of steps requiring supervision by bosses or managers. Franklin argues that the dominance of prescriptive technologies in modern society discourages critical thinking and promotes “a culture of compliance”.
In four added chapters, Franklin tackles issues such as the dilution of privacy and intellectual property rights, the impact of the current technology on government and governance, the shift from consumer capitalism to investment capitalism, and the influence of the Internet upon the craft of writing.
Franklin acknowledges her intellectual debt to Jacques Ellul, Lewis Mumford, C.B. Macpherson, E. F. Schumacher and Vandana Shiva, among others.
First published in 1990 by CBC Enterprises/les Entreprises Radio-Canada
Publisher House of Anansi Press, Toronto, 1992
Revised edition, 1999
ISBN 088784636X, 9780887846366
via seasounds, in the Unlimited Edition