Computer music

Pages

• Anastasia Georgaki
• Lejaren A. Hiller
• ICMC
• Gottfried Michael Koenig
• Max Mathews
• John R. Pierce

Literature

• Harald Heckmann (ed.), Elektronische Datenverarbeitung in der Musikwissenschaft, Regensburg: Bosse, 1967, xvii+237 pp. TOC. (German)

• Gerald Lefkoff (ed.), Papers from the West Virginia University Conference on Computer Applications in Music, Morgantown, WV: West Virginia University Library, 1967, 105 pp. Conference proceedings.

• Heinz von Foerster, James W. Beauchamp (eds.), Music by Computer, John Wiley & Sons, 1969, 139 pp.

• Barry S. Brook (ed.), Musicology and the Computer: Musicology 1966-2000: A Practical Program. Three Symposia, New York: City University of New York Press, 1970, x+275 pp. Conference proceedings.

• Harry B. Lincoln (ed.), The Computer and Music, Ithaca, NY: Cornell University Press, 1970, xvi+354 pp, OL.

• Computer Music Journal, quarterly, MIT Press, 1977-2020. [1]

• Curtis Roads (ed.), Composers and the Computer, Los Altos, CA: William Kaufmann, 1985, xx+201 pp.

• Curtis Roads, John Strawn (eds.), Foundations of Computer Music, Cambridge, MA: MIT Press, 1985, xiii+712 pp. [2]

• Peter Manning, Electronic and Computer Music, New York: Oxford University Press, 1985, 291+[8] pp; 2nd ed., 1993, viii+399 pp; rev. & exp. ed., 2004, x+474 pp; 4th ed., 2013, xii+543 pp.

• CARL (Computer Audio Research Laboratory) Startup Kit, La Jolla, CA: University of California San Diego, Jun 1985.

• Max V. Mathews, John R. Pierce (eds.), Current Directions in Computer Music Research, Cambridge, MA: MIT Press, 1989, vi+432 pp. With an audio CD. TOC.

• Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde, University of California Press, 1995, xvi+390 pp.

• Curtis Roads, et al., The Computer Music Tutorial, Cambridge, MA: MIT Press, 1996, xx+1234 pp.
  • L'audionumérique, trans. Jean de Reydellet, Paris: Dunod, 1999, 679 pp; 2nd ed. as L'audionumérique: musique et informatique, Paris: Dunod, 2007, 658 pp; 3rd ed., Paris: Dunod, 2016, 674 pp. (French)
  • Konpyūta ongaku: rekishi tekunorojī āto. [コンピュータ音楽 : 歴史・テクノロジー・アート], Tokyo: Tōkyō Denki Daigaku Shuppankyoku, 2001, 1054 pp. (Japanese)

• Curtis Roads, Microsound, Cambridge, MA: MIT Press, 2001, xii+409 pp. With an audio CD.

• Paul Doornbusch, The Music of CSIRAC: Australia’s First Computer Music, Common Ground Publishing, 2005.

• more

See also

Electroacoustic music, Sound art

	Sound and Music communities of practice
Radio art, Pirate radio, Electroacoustic music, Computer music, Field recording, Noise, Cassette culture, Zine culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding. See also Artists' cultures.