Computer music

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Pages[edit]

Literature[edit]

  • Harald Heckmann (ed.), Elektronische Datenverarbeitung in der Musikwissenschaft, Regensburg: Bosse, 1967, xvii+237 pp. TOC. (German)
  • Gerald Lefkoff (ed.), Papers from the West Virginia University Conference on Computer Applications in Music, Morgantown, WV: West Virginia University Library, 1967, 105 pp. Conference proceedings.
  • Heinz von Foerster, James W. Beauchamp (eds.), Music by Computer, John Wiley & Sons, 1969, 139 pp.
  • Barry S. Brook (ed.), Musicology and the Computer: Musicology 1966-2000: A Practical Program. Three Symposia, New York: City University of New York Press, 1970, x+275 pp. Conference proceedings.
  • Computer Music Journal, quarterly, MIT Press, 1977-2020. [1]
  • Peter Manning, Electronic and Computer Music, New York: Oxford University Press, 1985, 291+[8] pp; 2nd ed., 1993, viii+399 pp; rev. & exp. ed., 2004, x+474 pp; 4th ed., 2013, xii+543 pp.
  • Curtis Roads, et al., The Computer Music Tutorial, Cambridge, MA: MIT Press, 1996, xx+1234 pp.
    • L'audionumérique, trans. Jean de Reydellet, Paris: Dunod, 1999, 679 pp; 2nd ed. as L'audionumérique: musique et informatique, Paris: Dunod, 2007, 658 pp; 3rd ed., Paris: Dunod, 2016, 674 pp. (French)
    • Konpyūta ongaku: rekishi tekunorojī āto. [コンピュータ音楽 : 歴史・テクノロジー・アート], Tokyo: Tōkyō Denki Daigaku Shuppankyoku, 2001, 1054 pp. (Japanese)
  • Curtis Roads, Microsound, Cambridge, MA: MIT Press, 2001, xii+409 pp. With an audio CD.

See also[edit]

Electroacoustic music, Sound art


Sound and Music
communities of practice

Radio art, Pirate radio, Electroacoustic music, Computer music, Field recording, Noise, Cassette culture, Zine culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding.
See also Artists' cultures.