Horea Avram is Assistant Professor at the Department of Cinema and Media, Faculty of Theatre and Television, Babeş-Bolyai University, Cluj, Romania. PhD in Art History and Communication Studies at McGill University, Montreal. He researches and writes about new media art, representation theory, technology and visual culture. He publishes essays in: Cultura: International Journal of Philosophy of Culture and Axiology,M/C Media and Culture Journal, International Journal of Arts and Technology, Kinephanos, Ekphrasis, Idea. Art + Society, Arta, etc. Independent curator since 1996. He has curated most notably for Venice Biennale in 1999. Research fellow of the New Europe College - Institute for advanced study in the humanities and social sciences, 2017-2018. Project Manager at ECCA (European Center for Contemporary Art), Cluj, Romania.
- Moving Images, Mobile Bodies. The Poetics and Practice of Corporeality in Visual and Performing Arts. Edited by Horea Avram. Newcastle upon Tyne: Cambridge Scholars Publishing, 2018.
- "Visual Regime of Augmented Space", in Theorizing Visual Studies: Writing Through the Discipline, ed James Elkins, New York: Routledge, 2013, pp 88-91, HTML.
- "Augmented Reality" in Oxford Encyclopedia of Aesthetics, 2nd ed, Editor in chief: Michael Kelly, Oxford and New York: Oxford University Press, 2014, vol. 1, pp 232-236, HTML.
- Photography on the spot. Locative image as collective memory, Catalogue of the International Media Arts Festival RAM, Arad, 2014; edited by Călin Man aka reVoltaire, 2015, HTML.
- "Shared Privacy and Public Intimacy: The Hybrid Spaces of Augmented Reality Art", Cultura: International Journal of Philosophy of Culture and Axiology, vol. 13, issue 2, dec. 2016, HTML.