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Transmusic comp.
2017-03-31T08:49:29Z
<p>Vadpost: in 2016 and 2017</p>
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<div>Audiovisual performance collective (1989-1996, 2009-now). <br />
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{{TOC limit|3}}<br />
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'''TRANSMUSIC COMP.''' was formed in October [[1989]] by '''[[Milan Adamčiak]]''' and his friends '''[[Peter Machajdík]]''' and '''[[Michal Murin]]''' as an open ensemble of two or more members - professional and non-professional musicians, composers, visual artists, dancers, performers, authors of musical and audio-visual projects. The group began its activities with a series of music performances in connection with individual and collective exhibitions of contemporary Slovak and Czech artists, particularly non preferred, peaking between 1990 and 1992. The first performance of TRANSMUSIC COMP. took place on 15 October [[1989]] at the exhibition of artists' group Gerulata in Rusovce, Bratislava. Other performances took place at ''Querdurch'' (Feb 1990), ''Art Against Totality'' exhibition, ''Six "Fortitude" Artists'', [[Juraj Meliš]] retrospective, [[Vladimír Popovič]], [[Konvergencie]] festival, Third Festival of Alternative Art and others. The collective dissolved in [[1996]], to reunite in [[2009]]. Its activities led to foundation of the [[SNEH]] Society in January 1990.<br />
<br />
The repertoire of TRANSMUSIC COMP. has included musical works for conventional instruments, live electronics, computers and tape music by group members (Adamčiak, Machajdík, Murin, Burlas, Ďuriš, Horváth), musical graphics (E Brown, A Logorhetis, H Rechberger), Fluxus music and events (Georg Brecht, Ben Patterson, Thomas Schmitt, Ben Vautier, Yoko Ono, Y Yama aka Milan Adamčiak), instrumental theatre and acoustic performances, music for common things and found objects, sound objects and installations, free improvisations and intermedia. <br />
<br />
The most recent performances of TRANSMUSIC COMP. took place in the festivals in Prague, Bratislava and other places of former Czechoslovakia in 2016 and 2017.<br />
<br />
The ensemble recorded two TV programs and music for two short films, and collaborated with [[Experimental Studio of Slovak Radio]].<br />
<br />
For concerts, lectures etc. please '''contact Transmusic Comp.''' at bluedeepmusic ( @ ) gmx.at<br />
<br />
<br />
; Members<br />
* Founding members: [[Milan Adamčiak]], [[Peter Machajdík]], [[Martin Burlas]], [[Michal Murin]], [[Peter Horváth]].<br />
* Members: Michela Czinegeová, Zuzana Géczová, Oľga Smetanová, Peter Cón, Peter Zagar, [[Daniel Matej]], Peter Strassner, Vladimír Popovič, [[Juraj Bartusz]], [[Zbyněk Prokop]].<br />
* Group member: [[Balvan]].<br />
* Guest members: Peter Martinček, Marek Piaček, Ľubmír Burgr, Ivan Csudai, Eduard Krekovič, Vadimír Bokes, Jozef Baán, Juraj Ďuriš, Jozef Vlk, Dušan Beluš, and others.<br />
<br />
==Murin on Transmusic comp. {{sk}}==<br />
'''Transmusic Comp.''' je otvorený súbor dvoch a viacerých členov profesionálnych aj neprofesionálnych hudobníkov, výtvarných umelcov, tanečníkov, performerov a autorov hudobných, audiovizuálnych a audioartových projektov. Repertoár zahŕňa hudobnú produkciu na konvenčné nástroje, live elektroniku, počítačovú hudbu, realizáciu hudobných grafík, eventov, fluxových inštrukcií, inštrumentálneho divadla, akustických performancií, zvuku a hluku bežných a nájdených predmetov a inštalácií, voľnej improvizácie a intermediálnych akustických prostredí. Členovia súboru používali na koncertoch aj niektoré z 500 kusov „home made“ (DIY – do it yourself) nástrojov Milana Adamčiaka z bežne použitých materiálov v domácnosti. <br />
<br />
Súbor začal svoje vystupovania na vernisážach individuálnych a kolektívnych výstav súčasného výtvarného umenia, bývalej neoficiálnej výtvarnej scény. Zúčastňoval sa aj hudobných podujatí ako Medzinárodný festival experimentálnej hudby, Večery novej hudby, Dni novej slovenskej hudby, festival Konvergencie (všetky Bratislava, 1990), People to people, Praha, Slovenský týždeň v Regensburgu (1990), Dolnorakúska jeseň (1990), alebo v roku 1991 koncertov Konceptualizmus v hudbe - Fluxus v Prahe, festival Europäische Kulturwerkstatt vo Weimare, FIT – Festival intermediálnej tvorby v Bratislave, Béla Bartók symposium v Szombathely, Festival experimentálnej hudby v Brne (1992) a iné.<br />
<br />
Spolupráca jednotlivých členov pred samotným vznikom Transmusic Comp mala svoje prípravné obdobie. [[Milan Adamčiak]] v apríli roku 1987 spoznáva na umeleckej scéne mladú generáciu autodidaktov – amatérov, teda komunitu fanúšikov súčasnej hudby a intermédií, ktorí sa vygenerovali ako substitúcia hudobného „diania“ v informačnom vákuu. [[Peter Machajdík]] a [[Michal Murin]] tvoria dvojicu, ktorá spolupracovala už od roku 1984 a verejne vystupovala už pred vznikom Transmusic Comp. (Dni alternatívneho umenia, Rožnov pod Radhoštěm, 1986, Pamiatky a súčasnosť, 1987, Harmony, Slovenský rozhlas, 1987, Poetická lýra, 1988, Simultánne improvizácie Bratislava - Perth, 1. 5. 1989, a pod.). Na Adamčiakov podnet a za pomoci Juraja Ďuriša sa v lete 1987 realizovala v Elektro-akustickom štúdiu Slovenského rozhlasu v Bratislave nahrávka Machajdíkovej prvotiny s názvom Harmony, na ktorej okrem autora účinkoval aj Michal Murin, ktorý tiež často používal Machajdíkove skladby pre predstavenia experimentálnej pohybovej skupiny Balvan.<br />
<br />
Na druhej strane, ako vedec a pedagóg, Adamčiak spoznáva aj študentov VŠMU, ktorým s Jurajom Benešom a následne aj s Iljom Zelienkom neskôr predostrú možnosť založiť súbor Veni. Adamčiak sám vystavuje svoje akustické objekty a nástroje na výstave objektov a inštalácií Suterén (apríl, 1989). K zjednoteniu týchto dvoch prúdov dochádza pri príležitosti filmového portrétu Milana Adamčiaka od Samuela Ivašku (Sympózium dňa, STV, 1988), kde v pivnici lekárne oproti Univerzitnej knižnici si prizýva k interpretácii jednej skladby nastupujúcu generáciu z VŠMU ako Daniela Mateja, Petra Zagara, Martina Burlasa, ale aj autodidaktov – Petra Machajdíka a Michala Murina. Bolo to prvé prototransmusikovské stretnutie. Austrálsky hudobník Ross Bolleter vyzval Michala Murina k spoločnej simultánne prebiehajúcej improvizácii 1. 5. 1989, ktorej sa zúčastnili aj Peter Machajdík a Jozef Vlk. Následne v lete Adamčiak spolu s Machajdíkom vystúpili na vernisáži Juraja Meliša a Viktora Hulíka v pražskom Atriu a na samostatnej vernisáži Juraja Meliša v Slovnafte, tentokrát už aj s Martinom Burlasom.<br />
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Na základe týchto vystúpení je Adamčiakovi ponúknutá realizácia hudobného projektu „Per G“ na prvej výstave novovzniknutého výtvarného združenia Gerulata v Rusovciach, kde bol 15. 10. 1989 oficiálne prvý koncert pod jednotiacim názvom Transmusic Comp. (Milan Adamčiak, Peter Machajdík, Vladimír Bokes, Martin Burlas, Ivan Csudai, Peter Horváth, Jozef Baán). Zakladaciu listinu Transmusic Comp. sformuloval Milan Adamčiak 1.1.1990 a následne spolu s Petrom Machajdíkom a Michalom Murinom zakladajú SNEH – Spoločnosť pre nekonvenčnú hudbu (10.1.1990) ako združenie, ktorého kolektívnymi členmi boli [[Balvan]] a Transmusic Comp. Druhý koncert Transmusic comp. sa uskutočnil v Bratislave 27. januára 1990 v Dome umenia na vernisáži výstavy Querdurch - moderného rakúskeho maliarstva ([[Milan Adamčiak]], Peter Cón, [[Peter Machajdík]], Peter Horváth a [[Michal Murin]]).<br />
<br />
Od toho okamihu sa súbor považoval za reprezentačnú súčasť umeleckej scény a účasťou na kľúčových podujatiach kultúry po roku 1989 často vystupoval na prestížnych fórach, takmer vo vládnom záujme, napr. konferencia Etika a politika na Bratislavskom hrade, akcia People to People v Prahe (1990), konferencia Východ Západ v Bardejovských Kúpeľoch (1991), Všeobecná československá výstava, Praha, Totalitná zóna, Praha, ako jediný slovenský účastník otvorenia Múzea moderného umenia Andyho Warhola v Medzilaborciach (1991), festival Berlín – Praha (1991), najväčšia prehliadka umenia Československa v Nemecku, aká doteraz bola, výstava Querdurch – prvá výstava moderného rakúskeho umenia na Slovensku (1990), výstava sovietskych neoficiálnych výtvarníkov V komnatách (1992), ktorá sa vzápätí stala prvou zahraničnou výstavou slobodného Ruska. Ďalších 18 mesiacov prináša pre tento súbor akustickej performancie viac ako 60 koncertov a vystúpení a je jeho najaktívnejším obdobím, pričom je otvorený aj spoluprácam s občasnými členmi ako Oľga Smetanová, Peter Strassner, Zbyněk Prokop, Vladimír Popovič, Juraj Bartusz a iní. Ohlásený posledný koncert Transmusic Comp. sa konal na festivale [[MEDZI]] v Skalici v roku 1996 (Adamčiak - Murin). <br />
<br />
Pri príležitosti 60. narodením Milana Adamčiaka sa uskutočnilo na javisku v Empírovom divadle v Hlohovci (2007) spoločné stretnutie bývalých členov Transmusic Comp., o dva roky na to sa Adamčiak, Murin, Machajdík a Lujza Ďurišová stretli pri interpretácii hudobno tanečnej partitúry Diamant v podaní tanečnej skupiny Petry Fornayovej v A4 v Bratislave. V roku 2010 sa uskutočnil spoločný koncert Machajdík – Murin – Prokop na festivale Vlna na živo v Bratislave a v Banskej Bystrici. Nasledoval koncert na vernisáži a derniére výstavy Vladimíra Popoviča v Danubiane (2010, 2011) a spoločná cesta Murina a Adamčiaka na festival performancie do Japonska (2011). Jeseň 2011 už prináša sériu pozvaní do Ružomberka, Nitry, Bratislavy, Zvolena, Žiliny a Galanty, kde sa súbor stretáva v projekte Transmusic Comp. Revival.<br />
<br />
Text: Michal Murin. Source: ''[[Media:Transmusic Comp. (2011) - Melos Etos bulletin.pdf|Melos Etos]]'' bulletin, 2011, pp 103-105.<br><br />
(Milan Adamčiak a Peter Machajdík autorizovali správnosť údajov)<br />
<br />
==Literature==<br />
* Michal Murin, "Transmusic Comp. (hudobné performance)" ''Slovak Music'' 2 (1991), p 24. {{sk}}<br />
* "Transmusic comp.", ''Kultúrny život'' 20, 1991. {{sk}}<br />
* Michal Murin, [[Media:Murin_Michal_1991_Transmusic_Comp.pdf|"Transmusic Comp."]], ''Dotyky'' 10, Bratislava: Spolok slovenských spisovateľov, 1991, pp 30-31. [http://www.dotyky.net/?p=10854] {{sk}}<br />
* "Performance?", ''Profil súčasného výtvarného umenia'' 3 (1993). {{sk}}<br />
* "Transmusic Comp.", in ''[https://monoskop.org/log/?p=1549 Avalanches]'', Bratislava: SNEH, 1995, p 35. {{sk}}<br />
* Jozef Cseres, "Blázni sú tí, ktorí v hudbe vnímajú len zvuk", ''Os'' 8 (2000). [http://www.radioart.sk/avr/visuopage.php?id=7] {{sk}}<br />
* Július Fujak, [[Media:Fujak_Julius_2004_Slovenske_hudobne_alternativy_Transmusic_Comp_a_SNEH_Adamciak_Machajdik_Murin_Cseres.pdf|"Slovenské hudobné alternatívy. Transmusic Comp. a SNEH. Adamčiak, Machajdík, Murín, Cseres"]], ''Hudobný život'' 36:10, Bratislava: Hudobné centrum, 2004, pp 36-38. [http://xn--h-toa.hc.sk/2004/hz_10_2004.pdf#page=38] {{sk}}<br />
* Jozef Cseres, "Herci hudby", ''His Voice'' 6 (2006). {{sk}}<br />
* Július Fujak, "Transmusic comp. + SNEH", ''Radioart.sk''. [http://www.radioart.sk/avr/visuopage.php?id=117] [http://www.radioart.sk/avr/visuopage.php?id=124] {{sk}}/{{en}}<br />
* ''Otvorené diela'', Bratislava: Galéria Linea, 2009. Catalogue. {{sk}}<br />
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. {{sk}}<br />
* Rachel Rosenbach, [[Media:Transmusic Comp. (2011) - Melos Etos bulletin.pdf|"Transmusic comp."]], in ''Melos Etos'', 2011, pp 103-105 and 29-30. {{sk}},{{en}}<br />
<br />
==TV documentaries==<br />
* Jozef Kaiser, ''Peter Princ: UM'', Slovak Television (STV), 1990<br />
* Jozef Novan, ''Trans Media'', Slovak Television (STV), 1991<br />
* ''Podhubie - Podhudbie'', Slovak Television (STV), 1990<br />
<br />
==Concerts and vernissage performances (selection)==<br />
; 1989<br />
* Prvá výstava Združenia Gerulata, Rusovce (15. 10. 1989)<br />
<br />
; 1990<br />
* Querdurch moderného rakúskeho maliarstva, Dom umenia, Bratislava<br />
* Hulík-Jankovič-Kren-Meliš-Sikora-Tóth, Galéria P.M. Bohúňa, Liptovský Mikuláš<br />
* Umenie proti totalite, Bratislava – hrad<br />
* Vladimír Popovič – Retrospektiva (5 výstav: Galéria umelcov Spiša, Spišská Nová Ves, MM Levoča, Stredoslovenská galéria v Banskej Bystrici, Východoslovenská galéria v Košiciach, Umelecká Beseda, Bratislava)<br />
* Ján Meliš a Michal Kern ml., Galéria mladých, Bratislava<br />
* Súčasné slovenské umenie, SNG, Bratislava<br />
* 3. festival alternatívneho umenia, Nové Zámky<br />
* Ajhľa človek, ekologický projekt, Považská galéria, Žilina<br />
* Interpretácie, Slovenský rozhlas, Bratislava<br />
* Sen o múzeu, Považská galéria, Žilina<br />
* Konvergencie, Dom kultúry Ovsište, Bratislava<br />
* Podhubie - podhudbie, podchod na Mierovom /Hodžovom nám., dokument STV, Bratislava<br />
* Prvý salón architektov Slovenska, Dom techniky, Bratislava<br />
* Šarišská galéria, Prešov<br />
* Post Flux Fest, Bratislava<br />
* Noc v Ovsišti, Dom kultúry Ovsište, Bratislava<br />
* People to people, Praha<br />
* Slowakische Woche, Regensburg<br />
* Otvorenie galérie Art DECO, Nové Zámky<br />
* Medzinárodný festival experimentálnej hudby, Bratislava<br />
* Večery novej hudby, Bratislava<br />
* Dni novej slovenskej hudby, Bratislava<br />
<br />
; 1991<br />
* Konceptualizmus v hudbe, Fluxus, Dům u Kamenného zvonu, Praha<br />
* Dům u Divého muže, Linhartova nadácia, Sněmovní, Praha<br />
* FIT – Festival intermediálnej tvorby, Klarisky, Bratislava<br />
* Béla Bartók symposium, Szombathely, Maďarsko<br />
* Geometria v poľskom sochárstve, SNG, Bratislava<br />
* InterRooms, kult. projet na konferencii Východ -Západ, kurátori: Milan Adamčiak, Radislav Matuštík, Bardejovské Kúpele<br />
* San Francisco Performance Art Festival – Bratislava<br />
* Europäische Kulturwerkstadt, Weimar, Nemecko<br />
* Umění akce, Mánes, Praha<br />
* Všeobecná československá výstava, Praha<br />
* Totalitná zóna, Pod bývalým Stalinovým pamätníkom, Praha<br />
* Múzeum moderného umenia Andy Warhola v Medzilaborciach<br />
* Európske kultúrne dielne, Ettersburg<br />
* Večery novej hudby, Bratislava<br />
* Festival experimentálnej hudby, Brno<br />
* Komnaty, moskovské neoficiálne konceptuálne umenie, Dom umenia, Bratislava<br />
<br />
; 1992<br />
* Bazén – FIT, Bratislava.<br />
<br />
; 1994<br />
* Galéria Medium II, Ružomberok.<br />
<br />
Po roku 1992 sporadické spolupráce členov Transmusic Comp. napr. spoločné performancie M. Adamčiaka a M. Murina na TransArt Communication v Nových Zámkoch, 1995, festival Sound OFF 1996 - 1997 (PIANO HOTEL) a pod.<br />
<br />
; 1996<br />
Verejne ohlásený posledný koncert Transmusic Comp. (Adamčiak – Murin), Festival MEDZI, Skalica, október 1996<br />
<br />
; 2009<br />
Videozáznam ORF z vernisážového koncertu Querdurch bol prezentovaný v Tranzit dielne pri príležitosti výstavy venovanej Milanovi Adamčiakovi v roku 2009.<br />
<br />
Výstavu sprostredkúvajúca tento súbor zo svojich archívov pripravili Milan Adamčiak a Michal Murin a uskutočnila sa v Galérii Cypriána Majerníka v Bratislave, 13.11. - 22.12. 2009. Text k výstave napísal Július Fujak.<br />
<br />
[[Image:Pozvanka TMC 2009.png|thumb|center|800px]]<br />
<br />
; 2011<br />
* 12.2. Danubiana, Bratislava. [http://idm.aku.sk/michal-murin/transmusic-bastards]<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin, Zbyněk Prokop.<br />
* 6.6. "TRANSMUSIC COMP.1 An evening dedicated to Milan Adamčiak". Concert, screening (Muzikológ a tvorca), discussion. Tranzitdisplay, Prague. Moderated by Markéta Lisá. [http://www.tranzitdisplay.cz/cs/node/332] [http://cz.tranzit.org/en/exhibition/0/2011-06-06/transmusic-comp1-an-evening-dedicated-to-milan-adamiak] [http://www.skolska28.cz/page.php?event=475]<br />
<br />
; Transmusic Comp. Revival, 2011<br />
* 27.10. Ľudovít Fulla Gallery, Ružomberok. [http://www.ruzomberok.sk/spravy/2.-koncert-cyklu-komornych-koncertov-Hudba-u-Fullu/] [http://idm.aku.sk/michal-murin/tmc-ruzomberok] [http://tv.t2.sk/load.php?lang=sk&year=2011&server=ku&qual=hq&event=111027b&fb_source=message recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Peter Machajdík, Michal Murin, Róbert Bartko.<br />
* 10.11. [[Melos Ethos]] festival, [[A4 - Zero Space]], Bratislava. [http://www.hc.sk/melos-ethos/melos_program.php?lg=sk#497]<br />
**Transmusic comp. performance<br />
* 17.11. VAD (Víkend atraktívneho divadla) festival, Zvolen. [http://zvonline.sk/foto-vad-den-1-hviezdy-a-sloboda-1/ photos] [http://zvolen.sme.sk/c/6143475/dnes-festival-odstartuje-transmusic-comp-peter-huncik-atelier-307-a-iva-bittova.html] [http://soundcloud.com/obscuredtemptations/transmusic-comp-at-vad#new-timed-comment-at-237949 sound recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Peter Machajdík, Michal Murin, Róbert Bartko. <br />
* 24.11. [[PostmutArt]], Nitra. [http://soundcloud.com/obscuredtemptations/sets/transmusic-comp/ sound recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin, Peter Machajdík, Zbyněk Prokop.<br />
* 16.12. Galanta, [[4D Gallery]], [[Media:Adamciak-Galanta-2011-pozvanka.pdf|invitation]] [http://www.facebook.com/events/104349166350963/]<br />
**Book launch: Milana Adamčiaka: ''Expo - Archív 1 (Experimentálna poezia 1964-1972)'' published by Dzive Buki, Košice.<br />
**Opening of the exhibition curated by Michal Murin, after Adamčiak's 3-months long One Man Symposium in this gallery. Výstava prezentuje najnovšie práce na papieri z cyklu Typorastre ako aj najnovšie zvukové objekt realizované v bronze v dielni pri Galérii 4D.<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin.<br />
**Performance by ''Mi – 65'' (umelecký ved. Daniel Matej). Predstaví interpretácie Adamčiakových grafických partitúr (zo 60., a 70 rokov) v klasickom nástrojovom obsadení.<br />
* 17-18.12. ''Tichá noc'', 24-hour nonstop happening, Vážna hudba nevážne, [[Stanica]], Zilina, [http://www.stanica.sk/2011/12/17/ticha-noc/] [http://tichanoc.cluster-ensemble.com/]<br />
** performance by Cluster Ensemble (Ivan Šiller, art direction, Fero Király, Zuzana Biščáková, Andrea Bálešová, guests: Kamil Mihalov, Jakub Pišek) with Milan Adamčiak, Peter Machajdík, Michal Murin, Zbyněk Prokop (Transmusic Comp. members)<br />
<br />
==See also== <br />
* [[Milan Adamčiak]]<br />
* [[Michal Murin]]<br />
* [[SNEH]]<br />
* [[Sound art in Slovakia (1960s-2000s)]]<br />
* [[Performance art in Slovakia (1960s-2000s)]]</div>
Vadpost
https://monoskop.org/index.php?title=Transmusic_comp.&diff=78120
Transmusic comp.
2017-03-31T08:47:08Z
<p>Vadpost: </p>
<hr />
<div>Audiovisual performance collective (1989-1996, 2009-now). <br />
<br />
{{TOC limit|3}}<br />
<br />
'''TRANSMUSIC COMP.''' was formed in October [[1989]] by '''[[Milan Adamčiak]]''' and his friends '''[[Peter Machajdík]]''' and '''[[Michal Murin]]''' as an open ensemble of two or more members - professional and non-professional musicians, composers, visual artists, dancers, performers, authors of musical and audio-visual projects. The group began its activities with a series of music performances in connection with individual and collective exhibitions of contemporary Slovak and Czech artists, particularly non preferred, peaking between 1990 and 1992. The first performance of TRANSMUSIC COMP. took place on 15 October [[1989]] at the exhibition of artists' group Gerulata in Rusovce, Bratislava. Other performances took place at ''Querdurch'' (Feb 1990), ''Art Against Totality'' exhibition, ''Six "Fortitude" Artists'', [[Juraj Meliš]] retrospective, [[Vladimír Popovič]], [[Konvergencie]] festival, Third Festival of Alternative Art and others. The collective dissolved in [[1996]], to reunite in [[2009]]. Its activities led to foundation of the [[SNEH]] Society in January 1990.<br />
<br />
The repertoire of TRANSMUSIC COMP. has included musical works for conventional instruments, live electronics, computers and tape music by group members (Adamčiak, Machajdík, Murin, Burlas, Ďuriš, Horváth), musical graphics (E Brown, A Logorhetis, H Rechberger), Fluxus music and events (Georg Brecht, Ben Patterson, Thomas Schmitt, Ben Vautier, Yoko Ono, Y Yama aka Milan Adamčiak), instrumental theatre and acoustic performances, music for common things and found objects, sound objects and installations, free improvisations and intermedia. <br />
<br />
The most recent performances of TRANSMUSIC COMP. took place in the festivals in Prague, Bratislava and other places of former Czechoslovakia.<br />
<br />
The ensemble recorded two TV programs and music for two short films, and collaborated with [[Experimental Studio of Slovak Radio]].<br />
<br />
For concerts, lectures etc. please '''contact Transmusic Comp.''' at bluedeepmusic ( @ ) gmx.at<br />
<br />
<br />
; Members<br />
* Founding members: [[Milan Adamčiak]], [[Peter Machajdík]], [[Martin Burlas]], [[Michal Murin]], [[Peter Horváth]].<br />
* Members: Michela Czinegeová, Zuzana Géczová, Oľga Smetanová, Peter Cón, Peter Zagar, [[Daniel Matej]], Peter Strassner, Vladimír Popovič, [[Juraj Bartusz]], [[Zbyněk Prokop]].<br />
* Group member: [[Balvan]].<br />
* Guest members: Peter Martinček, Marek Piaček, Ľubmír Burgr, Ivan Csudai, Eduard Krekovič, Vadimír Bokes, Jozef Baán, Juraj Ďuriš, Jozef Vlk, Dušan Beluš, and others.<br />
<br />
==Murin on Transmusic comp. {{sk}}==<br />
'''Transmusic Comp.''' je otvorený súbor dvoch a viacerých členov profesionálnych aj neprofesionálnych hudobníkov, výtvarných umelcov, tanečníkov, performerov a autorov hudobných, audiovizuálnych a audioartových projektov. Repertoár zahŕňa hudobnú produkciu na konvenčné nástroje, live elektroniku, počítačovú hudbu, realizáciu hudobných grafík, eventov, fluxových inštrukcií, inštrumentálneho divadla, akustických performancií, zvuku a hluku bežných a nájdených predmetov a inštalácií, voľnej improvizácie a intermediálnych akustických prostredí. Členovia súboru používali na koncertoch aj niektoré z 500 kusov „home made“ (DIY – do it yourself) nástrojov Milana Adamčiaka z bežne použitých materiálov v domácnosti. <br />
<br />
Súbor začal svoje vystupovania na vernisážach individuálnych a kolektívnych výstav súčasného výtvarného umenia, bývalej neoficiálnej výtvarnej scény. Zúčastňoval sa aj hudobných podujatí ako Medzinárodný festival experimentálnej hudby, Večery novej hudby, Dni novej slovenskej hudby, festival Konvergencie (všetky Bratislava, 1990), People to people, Praha, Slovenský týždeň v Regensburgu (1990), Dolnorakúska jeseň (1990), alebo v roku 1991 koncertov Konceptualizmus v hudbe - Fluxus v Prahe, festival Europäische Kulturwerkstatt vo Weimare, FIT – Festival intermediálnej tvorby v Bratislave, Béla Bartók symposium v Szombathely, Festival experimentálnej hudby v Brne (1992) a iné.<br />
<br />
Spolupráca jednotlivých členov pred samotným vznikom Transmusic Comp mala svoje prípravné obdobie. [[Milan Adamčiak]] v apríli roku 1987 spoznáva na umeleckej scéne mladú generáciu autodidaktov – amatérov, teda komunitu fanúšikov súčasnej hudby a intermédií, ktorí sa vygenerovali ako substitúcia hudobného „diania“ v informačnom vákuu. [[Peter Machajdík]] a [[Michal Murin]] tvoria dvojicu, ktorá spolupracovala už od roku 1984 a verejne vystupovala už pred vznikom Transmusic Comp. (Dni alternatívneho umenia, Rožnov pod Radhoštěm, 1986, Pamiatky a súčasnosť, 1987, Harmony, Slovenský rozhlas, 1987, Poetická lýra, 1988, Simultánne improvizácie Bratislava - Perth, 1. 5. 1989, a pod.). Na Adamčiakov podnet a za pomoci Juraja Ďuriša sa v lete 1987 realizovala v Elektro-akustickom štúdiu Slovenského rozhlasu v Bratislave nahrávka Machajdíkovej prvotiny s názvom Harmony, na ktorej okrem autora účinkoval aj Michal Murin, ktorý tiež často používal Machajdíkove skladby pre predstavenia experimentálnej pohybovej skupiny Balvan.<br />
<br />
Na druhej strane, ako vedec a pedagóg, Adamčiak spoznáva aj študentov VŠMU, ktorým s Jurajom Benešom a následne aj s Iljom Zelienkom neskôr predostrú možnosť založiť súbor Veni. Adamčiak sám vystavuje svoje akustické objekty a nástroje na výstave objektov a inštalácií Suterén (apríl, 1989). K zjednoteniu týchto dvoch prúdov dochádza pri príležitosti filmového portrétu Milana Adamčiaka od Samuela Ivašku (Sympózium dňa, STV, 1988), kde v pivnici lekárne oproti Univerzitnej knižnici si prizýva k interpretácii jednej skladby nastupujúcu generáciu z VŠMU ako Daniela Mateja, Petra Zagara, Martina Burlasa, ale aj autodidaktov – Petra Machajdíka a Michala Murina. Bolo to prvé prototransmusikovské stretnutie. Austrálsky hudobník Ross Bolleter vyzval Michala Murina k spoločnej simultánne prebiehajúcej improvizácii 1. 5. 1989, ktorej sa zúčastnili aj Peter Machajdík a Jozef Vlk. Následne v lete Adamčiak spolu s Machajdíkom vystúpili na vernisáži Juraja Meliša a Viktora Hulíka v pražskom Atriu a na samostatnej vernisáži Juraja Meliša v Slovnafte, tentokrát už aj s Martinom Burlasom.<br />
<br />
Na základe týchto vystúpení je Adamčiakovi ponúknutá realizácia hudobného projektu „Per G“ na prvej výstave novovzniknutého výtvarného združenia Gerulata v Rusovciach, kde bol 15. 10. 1989 oficiálne prvý koncert pod jednotiacim názvom Transmusic Comp. (Milan Adamčiak, Peter Machajdík, Vladimír Bokes, Martin Burlas, Ivan Csudai, Peter Horváth, Jozef Baán). Zakladaciu listinu Transmusic Comp. sformuloval Milan Adamčiak 1.1.1990 a následne spolu s Petrom Machajdíkom a Michalom Murinom zakladajú SNEH – Spoločnosť pre nekonvenčnú hudbu (10.1.1990) ako združenie, ktorého kolektívnymi členmi boli [[Balvan]] a Transmusic Comp. Druhý koncert Transmusic comp. sa uskutočnil v Bratislave 27. januára 1990 v Dome umenia na vernisáži výstavy Querdurch - moderného rakúskeho maliarstva ([[Milan Adamčiak]], Peter Cón, [[Peter Machajdík]], Peter Horváth a [[Michal Murin]]).<br />
<br />
Od toho okamihu sa súbor považoval za reprezentačnú súčasť umeleckej scény a účasťou na kľúčových podujatiach kultúry po roku 1989 často vystupoval na prestížnych fórach, takmer vo vládnom záujme, napr. konferencia Etika a politika na Bratislavskom hrade, akcia People to People v Prahe (1990), konferencia Východ Západ v Bardejovských Kúpeľoch (1991), Všeobecná československá výstava, Praha, Totalitná zóna, Praha, ako jediný slovenský účastník otvorenia Múzea moderného umenia Andyho Warhola v Medzilaborciach (1991), festival Berlín – Praha (1991), najväčšia prehliadka umenia Československa v Nemecku, aká doteraz bola, výstava Querdurch – prvá výstava moderného rakúskeho umenia na Slovensku (1990), výstava sovietskych neoficiálnych výtvarníkov V komnatách (1992), ktorá sa vzápätí stala prvou zahraničnou výstavou slobodného Ruska. Ďalších 18 mesiacov prináša pre tento súbor akustickej performancie viac ako 60 koncertov a vystúpení a je jeho najaktívnejším obdobím, pričom je otvorený aj spoluprácam s občasnými členmi ako Oľga Smetanová, Peter Strassner, Zbyněk Prokop, Vladimír Popovič, Juraj Bartusz a iní. Ohlásený posledný koncert Transmusic Comp. sa konal na festivale [[MEDZI]] v Skalici v roku 1996 (Adamčiak - Murin). <br />
<br />
Pri príležitosti 60. narodením Milana Adamčiaka sa uskutočnilo na javisku v Empírovom divadle v Hlohovci (2007) spoločné stretnutie bývalých členov Transmusic Comp., o dva roky na to sa Adamčiak, Murin, Machajdík a Lujza Ďurišová stretli pri interpretácii hudobno tanečnej partitúry Diamant v podaní tanečnej skupiny Petry Fornayovej v A4 v Bratislave. V roku 2010 sa uskutočnil spoločný koncert Machajdík – Murin – Prokop na festivale Vlna na živo v Bratislave a v Banskej Bystrici. Nasledoval koncert na vernisáži a derniére výstavy Vladimíra Popoviča v Danubiane (2010, 2011) a spoločná cesta Murina a Adamčiaka na festival performancie do Japonska (2011). Jeseň 2011 už prináša sériu pozvaní do Ružomberka, Nitry, Bratislavy, Zvolena, Žiliny a Galanty, kde sa súbor stretáva v projekte Transmusic Comp. Revival.<br />
<br />
Text: Michal Murin. Source: ''[[Media:Transmusic Comp. (2011) - Melos Etos bulletin.pdf|Melos Etos]]'' bulletin, 2011, pp 103-105.<br><br />
(Milan Adamčiak a Peter Machajdík autorizovali správnosť údajov)<br />
<br />
==Literature==<br />
* Michal Murin, "Transmusic Comp. (hudobné performance)" ''Slovak Music'' 2 (1991), p 24. {{sk}}<br />
* "Transmusic comp.", ''Kultúrny život'' 20, 1991. {{sk}}<br />
* Michal Murin, [[Media:Murin_Michal_1991_Transmusic_Comp.pdf|"Transmusic Comp."]], ''Dotyky'' 10, Bratislava: Spolok slovenských spisovateľov, 1991, pp 30-31. [http://www.dotyky.net/?p=10854] {{sk}}<br />
* "Performance?", ''Profil súčasného výtvarného umenia'' 3 (1993). {{sk}}<br />
* "Transmusic Comp.", in ''[https://monoskop.org/log/?p=1549 Avalanches]'', Bratislava: SNEH, 1995, p 35. {{sk}}<br />
* Jozef Cseres, "Blázni sú tí, ktorí v hudbe vnímajú len zvuk", ''Os'' 8 (2000). [http://www.radioart.sk/avr/visuopage.php?id=7] {{sk}}<br />
* Július Fujak, [[Media:Fujak_Julius_2004_Slovenske_hudobne_alternativy_Transmusic_Comp_a_SNEH_Adamciak_Machajdik_Murin_Cseres.pdf|"Slovenské hudobné alternatívy. Transmusic Comp. a SNEH. Adamčiak, Machajdík, Murín, Cseres"]], ''Hudobný život'' 36:10, Bratislava: Hudobné centrum, 2004, pp 36-38. [http://xn--h-toa.hc.sk/2004/hz_10_2004.pdf#page=38] {{sk}}<br />
* Jozef Cseres, "Herci hudby", ''His Voice'' 6 (2006). {{sk}}<br />
* Július Fujak, "Transmusic comp. + SNEH", ''Radioart.sk''. [http://www.radioart.sk/avr/visuopage.php?id=117] [http://www.radioart.sk/avr/visuopage.php?id=124] {{sk}}/{{en}}<br />
* ''Otvorené diela'', Bratislava: Galéria Linea, 2009. Catalogue. {{sk}}<br />
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. {{sk}}<br />
* Rachel Rosenbach, [[Media:Transmusic Comp. (2011) - Melos Etos bulletin.pdf|"Transmusic comp."]], in ''Melos Etos'', 2011, pp 103-105 and 29-30. {{sk}},{{en}}<br />
<br />
==TV documentaries==<br />
* Jozef Kaiser, ''Peter Princ: UM'', Slovak Television (STV), 1990<br />
* Jozef Novan, ''Trans Media'', Slovak Television (STV), 1991<br />
* ''Podhubie - Podhudbie'', Slovak Television (STV), 1990<br />
<br />
==Concerts and vernissage performances (selection)==<br />
; 1989<br />
* Prvá výstava Združenia Gerulata, Rusovce (15. 10. 1989)<br />
<br />
; 1990<br />
* Querdurch moderného rakúskeho maliarstva, Dom umenia, Bratislava<br />
* Hulík-Jankovič-Kren-Meliš-Sikora-Tóth, Galéria P.M. Bohúňa, Liptovský Mikuláš<br />
* Umenie proti totalite, Bratislava – hrad<br />
* Vladimír Popovič – Retrospektiva (5 výstav: Galéria umelcov Spiša, Spišská Nová Ves, MM Levoča, Stredoslovenská galéria v Banskej Bystrici, Východoslovenská galéria v Košiciach, Umelecká Beseda, Bratislava)<br />
* Ján Meliš a Michal Kern ml., Galéria mladých, Bratislava<br />
* Súčasné slovenské umenie, SNG, Bratislava<br />
* 3. festival alternatívneho umenia, Nové Zámky<br />
* Ajhľa človek, ekologický projekt, Považská galéria, Žilina<br />
* Interpretácie, Slovenský rozhlas, Bratislava<br />
* Sen o múzeu, Považská galéria, Žilina<br />
* Konvergencie, Dom kultúry Ovsište, Bratislava<br />
* Podhubie - podhudbie, podchod na Mierovom /Hodžovom nám., dokument STV, Bratislava<br />
* Prvý salón architektov Slovenska, Dom techniky, Bratislava<br />
* Šarišská galéria, Prešov<br />
* Post Flux Fest, Bratislava<br />
* Noc v Ovsišti, Dom kultúry Ovsište, Bratislava<br />
* People to people, Praha<br />
* Slowakische Woche, Regensburg<br />
* Otvorenie galérie Art DECO, Nové Zámky<br />
* Medzinárodný festival experimentálnej hudby, Bratislava<br />
* Večery novej hudby, Bratislava<br />
* Dni novej slovenskej hudby, Bratislava<br />
<br />
; 1991<br />
* Konceptualizmus v hudbe, Fluxus, Dům u Kamenného zvonu, Praha<br />
* Dům u Divého muže, Linhartova nadácia, Sněmovní, Praha<br />
* FIT – Festival intermediálnej tvorby, Klarisky, Bratislava<br />
* Béla Bartók symposium, Szombathely, Maďarsko<br />
* Geometria v poľskom sochárstve, SNG, Bratislava<br />
* InterRooms, kult. projet na konferencii Východ -Západ, kurátori: Milan Adamčiak, Radislav Matuštík, Bardejovské Kúpele<br />
* San Francisco Performance Art Festival – Bratislava<br />
* Europäische Kulturwerkstadt, Weimar, Nemecko<br />
* Umění akce, Mánes, Praha<br />
* Všeobecná československá výstava, Praha<br />
* Totalitná zóna, Pod bývalým Stalinovým pamätníkom, Praha<br />
* Múzeum moderného umenia Andy Warhola v Medzilaborciach<br />
* Európske kultúrne dielne, Ettersburg<br />
* Večery novej hudby, Bratislava<br />
* Festival experimentálnej hudby, Brno<br />
* Komnaty, moskovské neoficiálne konceptuálne umenie, Dom umenia, Bratislava<br />
<br />
; 1992<br />
* Bazén – FIT, Bratislava.<br />
<br />
; 1994<br />
* Galéria Medium II, Ružomberok.<br />
<br />
Po roku 1992 sporadické spolupráce členov Transmusic Comp. napr. spoločné performancie M. Adamčiaka a M. Murina na TransArt Communication v Nových Zámkoch, 1995, festival Sound OFF 1996 - 1997 (PIANO HOTEL) a pod.<br />
<br />
; 1996<br />
Verejne ohlásený posledný koncert Transmusic Comp. (Adamčiak – Murin), Festival MEDZI, Skalica, október 1996<br />
<br />
; 2009<br />
Videozáznam ORF z vernisážového koncertu Querdurch bol prezentovaný v Tranzit dielne pri príležitosti výstavy venovanej Milanovi Adamčiakovi v roku 2009.<br />
<br />
Výstavu sprostredkúvajúca tento súbor zo svojich archívov pripravili Milan Adamčiak a Michal Murin a uskutočnila sa v Galérii Cypriána Majerníka v Bratislave, 13.11. - 22.12. 2009. Text k výstave napísal Július Fujak.<br />
<br />
[[Image:Pozvanka TMC 2009.png|thumb|center|800px]]<br />
<br />
; 2011<br />
* 12.2. Danubiana, Bratislava. [http://idm.aku.sk/michal-murin/transmusic-bastards]<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin, Zbyněk Prokop.<br />
* 6.6. "TRANSMUSIC COMP.1 An evening dedicated to Milan Adamčiak". Concert, screening (Muzikológ a tvorca), discussion. Tranzitdisplay, Prague. Moderated by Markéta Lisá. [http://www.tranzitdisplay.cz/cs/node/332] [http://cz.tranzit.org/en/exhibition/0/2011-06-06/transmusic-comp1-an-evening-dedicated-to-milan-adamiak] [http://www.skolska28.cz/page.php?event=475]<br />
<br />
; Transmusic Comp. Revival, 2011<br />
* 27.10. Ľudovít Fulla Gallery, Ružomberok. [http://www.ruzomberok.sk/spravy/2.-koncert-cyklu-komornych-koncertov-Hudba-u-Fullu/] [http://idm.aku.sk/michal-murin/tmc-ruzomberok] [http://tv.t2.sk/load.php?lang=sk&year=2011&server=ku&qual=hq&event=111027b&fb_source=message recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Peter Machajdík, Michal Murin, Róbert Bartko.<br />
* 10.11. [[Melos Ethos]] festival, [[A4 - Zero Space]], Bratislava. [http://www.hc.sk/melos-ethos/melos_program.php?lg=sk#497]<br />
**Transmusic comp. performance<br />
* 17.11. VAD (Víkend atraktívneho divadla) festival, Zvolen. [http://zvonline.sk/foto-vad-den-1-hviezdy-a-sloboda-1/ photos] [http://zvolen.sme.sk/c/6143475/dnes-festival-odstartuje-transmusic-comp-peter-huncik-atelier-307-a-iva-bittova.html] [http://soundcloud.com/obscuredtemptations/transmusic-comp-at-vad#new-timed-comment-at-237949 sound recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Peter Machajdík, Michal Murin, Róbert Bartko. <br />
* 24.11. [[PostmutArt]], Nitra. [http://soundcloud.com/obscuredtemptations/sets/transmusic-comp/ sound recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin, Peter Machajdík, Zbyněk Prokop.<br />
* 16.12. Galanta, [[4D Gallery]], [[Media:Adamciak-Galanta-2011-pozvanka.pdf|invitation]] [http://www.facebook.com/events/104349166350963/]<br />
**Book launch: Milana Adamčiaka: ''Expo - Archív 1 (Experimentálna poezia 1964-1972)'' published by Dzive Buki, Košice.<br />
**Opening of the exhibition curated by Michal Murin, after Adamčiak's 3-months long One Man Symposium in this gallery. Výstava prezentuje najnovšie práce na papieri z cyklu Typorastre ako aj najnovšie zvukové objekt realizované v bronze v dielni pri Galérii 4D.<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin.<br />
**Performance by ''Mi – 65'' (umelecký ved. Daniel Matej). Predstaví interpretácie Adamčiakových grafických partitúr (zo 60., a 70 rokov) v klasickom nástrojovom obsadení.<br />
* 17-18.12. ''Tichá noc'', 24-hour nonstop happening, Vážna hudba nevážne, [[Stanica]], Zilina, [http://www.stanica.sk/2011/12/17/ticha-noc/] [http://tichanoc.cluster-ensemble.com/]<br />
** performance by Cluster Ensemble (Ivan Šiller, art direction, Fero Király, Zuzana Biščáková, Andrea Bálešová, guests: Kamil Mihalov, Jakub Pišek) with Milan Adamčiak, Peter Machajdík, Michal Murin, Zbyněk Prokop (Transmusic Comp. members)<br />
<br />
==See also== <br />
* [[Milan Adamčiak]]<br />
* [[Michal Murin]]<br />
* [[SNEH]]<br />
* [[Sound art in Slovakia (1960s-2000s)]]<br />
* [[Performance art in Slovakia (1960s-2000s)]]</div>
Vadpost
https://monoskop.org/index.php?title=Transmusic_comp.&diff=78119
Transmusic comp.
2017-03-31T08:46:08Z
<p>Vadpost: </p>
<hr />
<div>Audiovisual performance collective (1989-1996, 2009-now). <br />
<br />
{{TOC limit|3}}<br />
<br />
'''TRANSMUSIC COMP.''' was formed in October [[1989]] by '''[[Milan Adamčiak]]''' and his friends '''[[Peter Machajdík]]''' and '''[[Michal Murin]]''' as an open ensemble of two or more members - professional and non-professional musicians, composers, visual artists, dancers, performers, authors of musical and audio-visual projects. The group began its activities with a series of music performances in connection with individual and collective exhibitions of contemporary Slovak and Czech artists, particularly non preferred, peaking between 1990 and 1992. The first performance of TRANSMUSIC COMP. took place on 15 October [[1989]] at the exhibition of artists' group Gerulata in Rusovce, Bratislava. Other performances took place at ''Querdurch'' (Feb 1990), ''Art Against Totality'' exhibition, ''Six "Fortitude" Artists'', [[Juraj Meliš]] retrospective, [[Vladimír Popovič]], [[Konvergencie]] festival, Third Festival of Alternative Art and others. The collective dissolved in [[1996]], to reunite in [[2009]]. Its activities led to foundation of the [[SNEH]] Society in January 1990.<br />
<br />
The repertoire of TRANSMUSIC COMP. has included musical works for conventional instruments, live electronics, computers and tape music by group members (Adamčiak, Machajdík, Murin, Burlas, Ďuriš, Horváth), musical graphics (E Brown, A Logorhetis, H Rechberger), Fluxus music and events (Georg Brecht, Ben Patterson, Thomas Schmitt, Ben Vautier, Yoko Ono, Y Yama aka Milan Adamčiak), instrumental theatre and acoustic performances, music for common things and found objects, sound objects and installations, free improvisations and intermedia. <br />
<br />
The most recent performances of TRANSMUSIC COMP. took place in the festivals in Prague, Bratislava and other places of former Chechoslovakia.<br />
<br />
The ensemble recorded two TV programs and music for two short films, and collaborated with [[Experimental Studio of Slovak Radio]].<br />
<br />
For concerts, lectures etc. please '''contact Transmusic Comp.''' at bluedeepmusic ( @ ) gmx.at<br />
<br />
<br />
; Members<br />
* Founding members: [[Milan Adamčiak]], [[Peter Machajdík]], [[Martin Burlas]], [[Michal Murin]], [[Peter Horváth]].<br />
* Members: Michela Czinegeová, Zuzana Géczová, Oľga Smetanová, Peter Cón, Peter Zagar, [[Daniel Matej]], Peter Strassner, Vladimír Popovič, [[Juraj Bartusz]], [[Zbyněk Prokop]].<br />
* Group member: [[Balvan]].<br />
* Guest members: Peter Martinček, Marek Piaček, Ľubmír Burgr, Ivan Csudai, Eduard Krekovič, Vadimír Bokes, Jozef Baán, Juraj Ďuriš, Jozef Vlk, Dušan Beluš, and others.<br />
<br />
==Murin on Transmusic comp. {{sk}}==<br />
'''Transmusic Comp.''' je otvorený súbor dvoch a viacerých členov profesionálnych aj neprofesionálnych hudobníkov, výtvarných umelcov, tanečníkov, performerov a autorov hudobných, audiovizuálnych a audioartových projektov. Repertoár zahŕňa hudobnú produkciu na konvenčné nástroje, live elektroniku, počítačovú hudbu, realizáciu hudobných grafík, eventov, fluxových inštrukcií, inštrumentálneho divadla, akustických performancií, zvuku a hluku bežných a nájdených predmetov a inštalácií, voľnej improvizácie a intermediálnych akustických prostredí. Členovia súboru používali na koncertoch aj niektoré z 500 kusov „home made“ (DIY – do it yourself) nástrojov Milana Adamčiaka z bežne použitých materiálov v domácnosti. <br />
<br />
Súbor začal svoje vystupovania na vernisážach individuálnych a kolektívnych výstav súčasného výtvarného umenia, bývalej neoficiálnej výtvarnej scény. Zúčastňoval sa aj hudobných podujatí ako Medzinárodný festival experimentálnej hudby, Večery novej hudby, Dni novej slovenskej hudby, festival Konvergencie (všetky Bratislava, 1990), People to people, Praha, Slovenský týždeň v Regensburgu (1990), Dolnorakúska jeseň (1990), alebo v roku 1991 koncertov Konceptualizmus v hudbe - Fluxus v Prahe, festival Europäische Kulturwerkstatt vo Weimare, FIT – Festival intermediálnej tvorby v Bratislave, Béla Bartók symposium v Szombathely, Festival experimentálnej hudby v Brne (1992) a iné.<br />
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Spolupráca jednotlivých členov pred samotným vznikom Transmusic Comp mala svoje prípravné obdobie. [[Milan Adamčiak]] v apríli roku 1987 spoznáva na umeleckej scéne mladú generáciu autodidaktov – amatérov, teda komunitu fanúšikov súčasnej hudby a intermédií, ktorí sa vygenerovali ako substitúcia hudobného „diania“ v informačnom vákuu. [[Peter Machajdík]] a [[Michal Murin]] tvoria dvojicu, ktorá spolupracovala už od roku 1984 a verejne vystupovala už pred vznikom Transmusic Comp. (Dni alternatívneho umenia, Rožnov pod Radhoštěm, 1986, Pamiatky a súčasnosť, 1987, Harmony, Slovenský rozhlas, 1987, Poetická lýra, 1988, Simultánne improvizácie Bratislava - Perth, 1. 5. 1989, a pod.). Na Adamčiakov podnet a za pomoci Juraja Ďuriša sa v lete 1987 realizovala v Elektro-akustickom štúdiu Slovenského rozhlasu v Bratislave nahrávka Machajdíkovej prvotiny s názvom Harmony, na ktorej okrem autora účinkoval aj Michal Murin, ktorý tiež často používal Machajdíkove skladby pre predstavenia experimentálnej pohybovej skupiny Balvan.<br />
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Na druhej strane, ako vedec a pedagóg, Adamčiak spoznáva aj študentov VŠMU, ktorým s Jurajom Benešom a následne aj s Iljom Zelienkom neskôr predostrú možnosť založiť súbor Veni. Adamčiak sám vystavuje svoje akustické objekty a nástroje na výstave objektov a inštalácií Suterén (apríl, 1989). K zjednoteniu týchto dvoch prúdov dochádza pri príležitosti filmového portrétu Milana Adamčiaka od Samuela Ivašku (Sympózium dňa, STV, 1988), kde v pivnici lekárne oproti Univerzitnej knižnici si prizýva k interpretácii jednej skladby nastupujúcu generáciu z VŠMU ako Daniela Mateja, Petra Zagara, Martina Burlasa, ale aj autodidaktov – Petra Machajdíka a Michala Murina. Bolo to prvé prototransmusikovské stretnutie. Austrálsky hudobník Ross Bolleter vyzval Michala Murina k spoločnej simultánne prebiehajúcej improvizácii 1. 5. 1989, ktorej sa zúčastnili aj Peter Machajdík a Jozef Vlk. Následne v lete Adamčiak spolu s Machajdíkom vystúpili na vernisáži Juraja Meliša a Viktora Hulíka v pražskom Atriu a na samostatnej vernisáži Juraja Meliša v Slovnafte, tentokrát už aj s Martinom Burlasom.<br />
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Na základe týchto vystúpení je Adamčiakovi ponúknutá realizácia hudobného projektu „Per G“ na prvej výstave novovzniknutého výtvarného združenia Gerulata v Rusovciach, kde bol 15. 10. 1989 oficiálne prvý koncert pod jednotiacim názvom Transmusic Comp. (Milan Adamčiak, Peter Machajdík, Vladimír Bokes, Martin Burlas, Ivan Csudai, Peter Horváth, Jozef Baán). Zakladaciu listinu Transmusic Comp. sformuloval Milan Adamčiak 1.1.1990 a následne spolu s Petrom Machajdíkom a Michalom Murinom zakladajú SNEH – Spoločnosť pre nekonvenčnú hudbu (10.1.1990) ako združenie, ktorého kolektívnymi členmi boli [[Balvan]] a Transmusic Comp. Druhý koncert Transmusic comp. sa uskutočnil v Bratislave 27. januára 1990 v Dome umenia na vernisáži výstavy Querdurch - moderného rakúskeho maliarstva ([[Milan Adamčiak]], Peter Cón, [[Peter Machajdík]], Peter Horváth a [[Michal Murin]]).<br />
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Od toho okamihu sa súbor považoval za reprezentačnú súčasť umeleckej scény a účasťou na kľúčových podujatiach kultúry po roku 1989 často vystupoval na prestížnych fórach, takmer vo vládnom záujme, napr. konferencia Etika a politika na Bratislavskom hrade, akcia People to People v Prahe (1990), konferencia Východ Západ v Bardejovských Kúpeľoch (1991), Všeobecná československá výstava, Praha, Totalitná zóna, Praha, ako jediný slovenský účastník otvorenia Múzea moderného umenia Andyho Warhola v Medzilaborciach (1991), festival Berlín – Praha (1991), najväčšia prehliadka umenia Československa v Nemecku, aká doteraz bola, výstava Querdurch – prvá výstava moderného rakúskeho umenia na Slovensku (1990), výstava sovietskych neoficiálnych výtvarníkov V komnatách (1992), ktorá sa vzápätí stala prvou zahraničnou výstavou slobodného Ruska. Ďalších 18 mesiacov prináša pre tento súbor akustickej performancie viac ako 60 koncertov a vystúpení a je jeho najaktívnejším obdobím, pričom je otvorený aj spoluprácam s občasnými členmi ako Oľga Smetanová, Peter Strassner, Zbyněk Prokop, Vladimír Popovič, Juraj Bartusz a iní. Ohlásený posledný koncert Transmusic Comp. sa konal na festivale [[MEDZI]] v Skalici v roku 1996 (Adamčiak - Murin). <br />
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Pri príležitosti 60. narodením Milana Adamčiaka sa uskutočnilo na javisku v Empírovom divadle v Hlohovci (2007) spoločné stretnutie bývalých členov Transmusic Comp., o dva roky na to sa Adamčiak, Murin, Machajdík a Lujza Ďurišová stretli pri interpretácii hudobno tanečnej partitúry Diamant v podaní tanečnej skupiny Petry Fornayovej v A4 v Bratislave. V roku 2010 sa uskutočnil spoločný koncert Machajdík – Murin – Prokop na festivale Vlna na živo v Bratislave a v Banskej Bystrici. Nasledoval koncert na vernisáži a derniére výstavy Vladimíra Popoviča v Danubiane (2010, 2011) a spoločná cesta Murina a Adamčiaka na festival performancie do Japonska (2011). Jeseň 2011 už prináša sériu pozvaní do Ružomberka, Nitry, Bratislavy, Zvolena, Žiliny a Galanty, kde sa súbor stretáva v projekte Transmusic Comp. Revival.<br />
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Text: Michal Murin. Source: ''[[Media:Transmusic Comp. (2011) - Melos Etos bulletin.pdf|Melos Etos]]'' bulletin, 2011, pp 103-105.<br><br />
(Milan Adamčiak a Peter Machajdík autorizovali správnosť údajov)<br />
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==Literature==<br />
* Michal Murin, "Transmusic Comp. (hudobné performance)" ''Slovak Music'' 2 (1991), p 24. {{sk}}<br />
* "Transmusic comp.", ''Kultúrny život'' 20, 1991. {{sk}}<br />
* Michal Murin, [[Media:Murin_Michal_1991_Transmusic_Comp.pdf|"Transmusic Comp."]], ''Dotyky'' 10, Bratislava: Spolok slovenských spisovateľov, 1991, pp 30-31. [http://www.dotyky.net/?p=10854] {{sk}}<br />
* "Performance?", ''Profil súčasného výtvarného umenia'' 3 (1993). {{sk}}<br />
* "Transmusic Comp.", in ''[https://monoskop.org/log/?p=1549 Avalanches]'', Bratislava: SNEH, 1995, p 35. {{sk}}<br />
* Jozef Cseres, "Blázni sú tí, ktorí v hudbe vnímajú len zvuk", ''Os'' 8 (2000). [http://www.radioart.sk/avr/visuopage.php?id=7] {{sk}}<br />
* Július Fujak, [[Media:Fujak_Julius_2004_Slovenske_hudobne_alternativy_Transmusic_Comp_a_SNEH_Adamciak_Machajdik_Murin_Cseres.pdf|"Slovenské hudobné alternatívy. Transmusic Comp. a SNEH. Adamčiak, Machajdík, Murín, Cseres"]], ''Hudobný život'' 36:10, Bratislava: Hudobné centrum, 2004, pp 36-38. [http://xn--h-toa.hc.sk/2004/hz_10_2004.pdf#page=38] {{sk}}<br />
* Jozef Cseres, "Herci hudby", ''His Voice'' 6 (2006). {{sk}}<br />
* Július Fujak, "Transmusic comp. + SNEH", ''Radioart.sk''. [http://www.radioart.sk/avr/visuopage.php?id=117] [http://www.radioart.sk/avr/visuopage.php?id=124] {{sk}}/{{en}}<br />
* ''Otvorené diela'', Bratislava: Galéria Linea, 2009. Catalogue. {{sk}}<br />
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. {{sk}}<br />
* Rachel Rosenbach, [[Media:Transmusic Comp. (2011) - Melos Etos bulletin.pdf|"Transmusic comp."]], in ''Melos Etos'', 2011, pp 103-105 and 29-30. {{sk}},{{en}}<br />
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==TV documentaries==<br />
* Jozef Kaiser, ''Peter Princ: UM'', Slovak Television (STV), 1990<br />
* Jozef Novan, ''Trans Media'', Slovak Television (STV), 1991<br />
* ''Podhubie - Podhudbie'', Slovak Television (STV), 1990<br />
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==Concerts and vernissage performances (selection)==<br />
; 1989<br />
* Prvá výstava Združenia Gerulata, Rusovce (15. 10. 1989)<br />
<br />
; 1990<br />
* Querdurch moderného rakúskeho maliarstva, Dom umenia, Bratislava<br />
* Hulík-Jankovič-Kren-Meliš-Sikora-Tóth, Galéria P.M. Bohúňa, Liptovský Mikuláš<br />
* Umenie proti totalite, Bratislava – hrad<br />
* Vladimír Popovič – Retrospektiva (5 výstav: Galéria umelcov Spiša, Spišská Nová Ves, MM Levoča, Stredoslovenská galéria v Banskej Bystrici, Východoslovenská galéria v Košiciach, Umelecká Beseda, Bratislava)<br />
* Ján Meliš a Michal Kern ml., Galéria mladých, Bratislava<br />
* Súčasné slovenské umenie, SNG, Bratislava<br />
* 3. festival alternatívneho umenia, Nové Zámky<br />
* Ajhľa človek, ekologický projekt, Považská galéria, Žilina<br />
* Interpretácie, Slovenský rozhlas, Bratislava<br />
* Sen o múzeu, Považská galéria, Žilina<br />
* Konvergencie, Dom kultúry Ovsište, Bratislava<br />
* Podhubie - podhudbie, podchod na Mierovom /Hodžovom nám., dokument STV, Bratislava<br />
* Prvý salón architektov Slovenska, Dom techniky, Bratislava<br />
* Šarišská galéria, Prešov<br />
* Post Flux Fest, Bratislava<br />
* Noc v Ovsišti, Dom kultúry Ovsište, Bratislava<br />
* People to people, Praha<br />
* Slowakische Woche, Regensburg<br />
* Otvorenie galérie Art DECO, Nové Zámky<br />
* Medzinárodný festival experimentálnej hudby, Bratislava<br />
* Večery novej hudby, Bratislava<br />
* Dni novej slovenskej hudby, Bratislava<br />
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; 1991<br />
* Konceptualizmus v hudbe, Fluxus, Dům u Kamenného zvonu, Praha<br />
* Dům u Divého muže, Linhartova nadácia, Sněmovní, Praha<br />
* FIT – Festival intermediálnej tvorby, Klarisky, Bratislava<br />
* Béla Bartók symposium, Szombathely, Maďarsko<br />
* Geometria v poľskom sochárstve, SNG, Bratislava<br />
* InterRooms, kult. projet na konferencii Východ -Západ, kurátori: Milan Adamčiak, Radislav Matuštík, Bardejovské Kúpele<br />
* San Francisco Performance Art Festival – Bratislava<br />
* Europäische Kulturwerkstadt, Weimar, Nemecko<br />
* Umění akce, Mánes, Praha<br />
* Všeobecná československá výstava, Praha<br />
* Totalitná zóna, Pod bývalým Stalinovým pamätníkom, Praha<br />
* Múzeum moderného umenia Andy Warhola v Medzilaborciach<br />
* Európske kultúrne dielne, Ettersburg<br />
* Večery novej hudby, Bratislava<br />
* Festival experimentálnej hudby, Brno<br />
* Komnaty, moskovské neoficiálne konceptuálne umenie, Dom umenia, Bratislava<br />
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; 1992<br />
* Bazén – FIT, Bratislava.<br />
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; 1994<br />
* Galéria Medium II, Ružomberok.<br />
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Po roku 1992 sporadické spolupráce členov Transmusic Comp. napr. spoločné performancie M. Adamčiaka a M. Murina na TransArt Communication v Nových Zámkoch, 1995, festival Sound OFF 1996 - 1997 (PIANO HOTEL) a pod.<br />
<br />
; 1996<br />
Verejne ohlásený posledný koncert Transmusic Comp. (Adamčiak – Murin), Festival MEDZI, Skalica, október 1996<br />
<br />
; 2009<br />
Videozáznam ORF z vernisážového koncertu Querdurch bol prezentovaný v Tranzit dielne pri príležitosti výstavy venovanej Milanovi Adamčiakovi v roku 2009.<br />
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Výstavu sprostredkúvajúca tento súbor zo svojich archívov pripravili Milan Adamčiak a Michal Murin a uskutočnila sa v Galérii Cypriána Majerníka v Bratislave, 13.11. - 22.12. 2009. Text k výstave napísal Július Fujak.<br />
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[[Image:Pozvanka TMC 2009.png|thumb|center|800px]]<br />
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; 2011<br />
* 12.2. Danubiana, Bratislava. [http://idm.aku.sk/michal-murin/transmusic-bastards]<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin, Zbyněk Prokop.<br />
* 6.6. "TRANSMUSIC COMP.1 An evening dedicated to Milan Adamčiak". Concert, screening (Muzikológ a tvorca), discussion. Tranzitdisplay, Prague. Moderated by Markéta Lisá. [http://www.tranzitdisplay.cz/cs/node/332] [http://cz.tranzit.org/en/exhibition/0/2011-06-06/transmusic-comp1-an-evening-dedicated-to-milan-adamiak] [http://www.skolska28.cz/page.php?event=475]<br />
<br />
; Transmusic Comp. Revival, 2011<br />
* 27.10. Ľudovít Fulla Gallery, Ružomberok. [http://www.ruzomberok.sk/spravy/2.-koncert-cyklu-komornych-koncertov-Hudba-u-Fullu/] [http://idm.aku.sk/michal-murin/tmc-ruzomberok] [http://tv.t2.sk/load.php?lang=sk&year=2011&server=ku&qual=hq&event=111027b&fb_source=message recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Peter Machajdík, Michal Murin, Róbert Bartko.<br />
* 10.11. [[Melos Ethos]] festival, [[A4 - Zero Space]], Bratislava. [http://www.hc.sk/melos-ethos/melos_program.php?lg=sk#497]<br />
**Transmusic comp. performance<br />
* 17.11. VAD (Víkend atraktívneho divadla) festival, Zvolen. [http://zvonline.sk/foto-vad-den-1-hviezdy-a-sloboda-1/ photos] [http://zvolen.sme.sk/c/6143475/dnes-festival-odstartuje-transmusic-comp-peter-huncik-atelier-307-a-iva-bittova.html] [http://soundcloud.com/obscuredtemptations/transmusic-comp-at-vad#new-timed-comment-at-237949 sound recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Peter Machajdík, Michal Murin, Róbert Bartko. <br />
* 24.11. [[PostmutArt]], Nitra. [http://soundcloud.com/obscuredtemptations/sets/transmusic-comp/ sound recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin, Peter Machajdík, Zbyněk Prokop.<br />
* 16.12. Galanta, [[4D Gallery]], [[Media:Adamciak-Galanta-2011-pozvanka.pdf|invitation]] [http://www.facebook.com/events/104349166350963/]<br />
**Book launch: Milana Adamčiaka: ''Expo - Archív 1 (Experimentálna poezia 1964-1972)'' published by Dzive Buki, Košice.<br />
**Opening of the exhibition curated by Michal Murin, after Adamčiak's 3-months long One Man Symposium in this gallery. Výstava prezentuje najnovšie práce na papieri z cyklu Typorastre ako aj najnovšie zvukové objekt realizované v bronze v dielni pri Galérii 4D.<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin.<br />
**Performance by ''Mi – 65'' (umelecký ved. Daniel Matej). Predstaví interpretácie Adamčiakových grafických partitúr (zo 60., a 70 rokov) v klasickom nástrojovom obsadení.<br />
* 17-18.12. ''Tichá noc'', 24-hour nonstop happening, Vážna hudba nevážne, [[Stanica]], Zilina, [http://www.stanica.sk/2011/12/17/ticha-noc/] [http://tichanoc.cluster-ensemble.com/]<br />
** performance by Cluster Ensemble (Ivan Šiller, art direction, Fero Király, Zuzana Biščáková, Andrea Bálešová, guests: Kamil Mihalov, Jakub Pišek) with Milan Adamčiak, Peter Machajdík, Michal Murin, Zbyněk Prokop (Transmusic Comp. members)<br />
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==See also== <br />
* [[Milan Adamčiak]]<br />
* [[Michal Murin]]<br />
* [[SNEH]]<br />
* [[Sound art in Slovakia (1960s-2000s)]]<br />
* [[Performance art in Slovakia (1960s-2000s)]]</div>
Vadpost
https://monoskop.org/index.php?title=Transmusic_comp.&diff=78118
Transmusic comp.
2017-03-31T08:42:31Z
<p>Vadpost: The most recent performances of TRANSMUSIC COMP. took place in the festivals in Prague, Bratislava and other places of former Chechoslovakia. // For concerts, lectures etc. please contact Transmusic Comp. at bluedeepmusic ( & ) gmx.at</p>
<hr />
<div>Audiovisual performance collective (1989-1996, 2009-). <br />
<br />
{{TOC limit|3}}<br />
<br />
TRANSMUSIC COMP. was formed in October [[1989]] by [[Milan Adamčiak]] and his friends [[Peter Machajdík]] and [[Michal Murin]] as an open ensemble of two or more members - professional and non-professional musicians, composers, visual artists, dancers, performers, authors of musical and audio-visual projects. The group began its activities with a series of music performances in connection with individual and collective exhibitions of contemporary Slovak and Czech artists, particularly non preferred, peaking between 1990 and 1992. The first performance of TRANSMUSIC COMP. took place on 15 October [[1989]] at the exhibition of artists' group Gerulata in Rusovce, Bratislava. Other performances took place at ''Querdurch'' (Feb 1990), ''Art Against Totality'' exhibition, ''Six "Fortitude" Artists'', [[Juraj Meliš]] retrospective, [[Vladimír Popovič]], [[Konvergencie]] festival, Third Festival of Alternative Art and others. The collective dissolved in [[1996]], to reunite in [[2009]]. Its activities led to foundation of the [[SNEH]] Society in January 1990.<br />
<br />
The repertoire of TRANSMUSIC COMP. has included musical works for conventional instruments, live electronics, computers and tape music by group members (Adamčiak, Machajdík, Murin, Burlas, Ďuriš, Horváth), musical graphics (E Brown, A Logorhetis, H Rechberger), Fluxus music and events (Georg Brecht, Ben Patterson, Thomas Schmitt, Ben Vautier, Yoko Ono, Y Yama aka Milan Adamčiak), instrumental theatre and acoustic performances, music for common things and found objects, sound objects and installations, free improvisations and intermedia. <br />
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The most recent performances of TRANSMUSIC COMP. took place in the festivals in Prague, Bratislava and other places of former Chechoslovakia.<br />
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The ensemble recorded two TV programs and music for two short films, and collaborated with [[Experimental Studio of Slovak Radio]].<br />
<br />
For concerts, lectures etc. please contact Transmusic Comp. at bluedeepmusic ( & ) gmx.at<br />
<br />
; Members<br />
* Founding members: [[Milan Adamčiak]], [[Peter Machajdík]], [[Martin Burlas]], [[Michal Murin]], [[Peter Horváth]].<br />
* Members: Michela Czinegeová, Zuzana Géczová, Oľga Smetanová, Peter Cón, Peter Zagar, [[Daniel Matej]], Peter Strassner, Vladimír Popovič, [[Juraj Bartusz]], [[Zbyněk Prokop]].<br />
* Group member: [[Balvan]].<br />
* Guest members: Peter Martinček, Marek Piaček, Ľubmír Burgr, Ivan Csudai, Eduard Krekovič, Vadimír Bokes, Jozef Baán, Juraj Ďuriš, Jozef Vlk, Dušan Beluš, and others.<br />
<br />
==Murin on Transmusic comp. {{sk}}==<br />
'''Transmusic Comp.''' je otvorený súbor dvoch a viacerých členov profesionálnych aj neprofesionálnych hudobníkov, výtvarných umelcov, tanečníkov, performerov a autorov hudobných, audiovizuálnych a audioartových projektov. Repertoár zahŕňa hudobnú produkciu na konvenčné nástroje, live elektroniku, počítačovú hudbu, realizáciu hudobných grafík, eventov, fluxových inštrukcií, inštrumentálneho divadla, akustických performancií, zvuku a hluku bežných a nájdených predmetov a inštalácií, voľnej improvizácie a intermediálnych akustických prostredí. Členovia súboru používali na koncertoch aj niektoré z 500 kusov „home made“ (DIY – do it yourself) nástrojov Milana Adamčiaka z bežne použitých materiálov v domácnosti. <br />
<br />
Súbor začal svoje vystupovania na vernisážach individuálnych a kolektívnych výstav súčasného výtvarného umenia, bývalej neoficiálnej výtvarnej scény. Zúčastňoval sa aj hudobných podujatí ako Medzinárodný festival experimentálnej hudby, Večery novej hudby, Dni novej slovenskej hudby, festival Konvergencie (všetky Bratislava, 1990), People to people, Praha, Slovenský týždeň v Regensburgu (1990), Dolnorakúska jeseň (1990), alebo v roku 1991 koncertov Konceptualizmus v hudbe - Fluxus v Prahe, festival Europäische Kulturwerkstatt vo Weimare, FIT – Festival intermediálnej tvorby v Bratislave, Béla Bartók symposium v Szombathely, Festival experimentálnej hudby v Brne (1992) a iné.<br />
<br />
Spolupráca jednotlivých členov pred samotným vznikom Transmusic Comp mala svoje prípravné obdobie. [[Milan Adamčiak]] v apríli roku 1987 spoznáva na umeleckej scéne mladú generáciu autodidaktov – amatérov, teda komunitu fanúšikov súčasnej hudby a intermédií, ktorí sa vygenerovali ako substitúcia hudobného „diania“ v informačnom vákuu. [[Peter Machajdík]] a [[Michal Murin]] tvoria dvojicu, ktorá spolupracovala už od roku 1984 a verejne vystupovala už pred vznikom Transmusic Comp. (Dni alternatívneho umenia, Rožnov pod Radhoštěm, 1986, Pamiatky a súčasnosť, 1987, Harmony, Slovenský rozhlas, 1987, Poetická lýra, 1988, Simultánne improvizácie Bratislava - Perth, 1. 5. 1989, a pod.). Na Adamčiakov podnet a za pomoci Juraja Ďuriša sa v lete 1987 realizovala v Elektro-akustickom štúdiu Slovenského rozhlasu v Bratislave nahrávka Machajdíkovej prvotiny s názvom Harmony, na ktorej okrem autora účinkoval aj Michal Murin, ktorý tiež často používal Machajdíkove skladby pre predstavenia experimentálnej pohybovej skupiny Balvan.<br />
<br />
Na druhej strane, ako vedec a pedagóg, Adamčiak spoznáva aj študentov VŠMU, ktorým s Jurajom Benešom a následne aj s Iljom Zelienkom neskôr predostrú možnosť založiť súbor Veni. Adamčiak sám vystavuje svoje akustické objekty a nástroje na výstave objektov a inštalácií Suterén (apríl, 1989). K zjednoteniu týchto dvoch prúdov dochádza pri príležitosti filmového portrétu Milana Adamčiaka od Samuela Ivašku (Sympózium dňa, STV, 1988), kde v pivnici lekárne oproti Univerzitnej knižnici si prizýva k interpretácii jednej skladby nastupujúcu generáciu z VŠMU ako Daniela Mateja, Petra Zagara, Martina Burlasa, ale aj autodidaktov – Petra Machajdíka a Michala Murina. Bolo to prvé prototransmusikovské stretnutie. Austrálsky hudobník Ross Bolleter vyzval Michala Murina k spoločnej simultánne prebiehajúcej improvizácii 1. 5. 1989, ktorej sa zúčastnili aj Peter Machajdík a Jozef Vlk. Následne v lete Adamčiak spolu s Machajdíkom vystúpili na vernisáži Juraja Meliša a Viktora Hulíka v pražskom Atriu a na samostatnej vernisáži Juraja Meliša v Slovnafte, tentokrát už aj s Martinom Burlasom.<br />
<br />
Na základe týchto vystúpení je Adamčiakovi ponúknutá realizácia hudobného projektu „Per G“ na prvej výstave novovzniknutého výtvarného združenia Gerulata v Rusovciach, kde bol 15. 10. 1989 oficiálne prvý koncert pod jednotiacim názvom Transmusic Comp. (Milan Adamčiak, Peter Machajdík, Vladimír Bokes, Martin Burlas, Ivan Csudai, Peter Horváth, Jozef Baán). Zakladaciu listinu Transmusic Comp. sformuloval Milan Adamčiak 1.1.1990 a následne spolu s Petrom Machajdíkom a Michalom Murinom zakladajú SNEH – Spoločnosť pre nekonvenčnú hudbu (10.1.1990) ako združenie, ktorého kolektívnymi členmi boli [[Balvan]] a Transmusic Comp. Druhý koncert Transmusic comp. sa uskutočnil v Bratislave 27. januára 1990 v Dome umenia na vernisáži výstavy Querdurch - moderného rakúskeho maliarstva ([[Milan Adamčiak]], Peter Cón, [[Peter Machajdík]], Peter Horváth a [[Michal Murin]]).<br />
<br />
Od toho okamihu sa súbor považoval za reprezentačnú súčasť umeleckej scény a účasťou na kľúčových podujatiach kultúry po roku 1989 často vystupoval na prestížnych fórach, takmer vo vládnom záujme, napr. konferencia Etika a politika na Bratislavskom hrade, akcia People to People v Prahe (1990), konferencia Východ Západ v Bardejovských Kúpeľoch (1991), Všeobecná československá výstava, Praha, Totalitná zóna, Praha, ako jediný slovenský účastník otvorenia Múzea moderného umenia Andyho Warhola v Medzilaborciach (1991), festival Berlín – Praha (1991), najväčšia prehliadka umenia Československa v Nemecku, aká doteraz bola, výstava Querdurch – prvá výstava moderného rakúskeho umenia na Slovensku (1990), výstava sovietskych neoficiálnych výtvarníkov V komnatách (1992), ktorá sa vzápätí stala prvou zahraničnou výstavou slobodného Ruska. Ďalších 18 mesiacov prináša pre tento súbor akustickej performancie viac ako 60 koncertov a vystúpení a je jeho najaktívnejším obdobím, pričom je otvorený aj spoluprácam s občasnými členmi ako Oľga Smetanová, Peter Strassner, Zbyněk Prokop, Vladimír Popovič, Juraj Bartusz a iní. Ohlásený posledný koncert Transmusic Comp. sa konal na festivale [[MEDZI]] v Skalici v roku 1996 (Adamčiak - Murin). <br />
<br />
Pri príležitosti 60. narodením Milana Adamčiaka sa uskutočnilo na javisku v Empírovom divadle v Hlohovci (2007) spoločné stretnutie bývalých členov Transmusic Comp., o dva roky na to sa Adamčiak, Murin, Machajdík a Lujza Ďurišová stretli pri interpretácii hudobno tanečnej partitúry Diamant v podaní tanečnej skupiny Petry Fornayovej v A4 v Bratislave. V roku 2010 sa uskutočnil spoločný koncert Machajdík – Murin – Prokop na festivale Vlna na živo v Bratislave a v Banskej Bystrici. Nasledoval koncert na vernisáži a derniére výstavy Vladimíra Popoviča v Danubiane (2010, 2011) a spoločná cesta Murina a Adamčiaka na festival performancie do Japonska (2011). Jeseň 2011 už prináša sériu pozvaní do Ružomberka, Nitry, Bratislavy, Zvolena, Žiliny a Galanty, kde sa súbor stretáva v projekte Transmusic Comp. Revival.<br />
<br />
Text: Michal Murin. Source: ''[[Media:Transmusic Comp. (2011) - Melos Etos bulletin.pdf|Melos Etos]]'' bulletin, 2011, pp 103-105.<br><br />
(Milan Adamčiak a Peter Machajdík autorizovali správnosť údajov)<br />
<br />
==Literature==<br />
* Michal Murin, "Transmusic Comp. (hudobné performance)" ''Slovak Music'' 2 (1991), p 24. {{sk}}<br />
* "Transmusic comp.", ''Kultúrny život'' 20, 1991. {{sk}}<br />
* Michal Murin, [[Media:Murin_Michal_1991_Transmusic_Comp.pdf|"Transmusic Comp."]], ''Dotyky'' 10, Bratislava: Spolok slovenských spisovateľov, 1991, pp 30-31. [http://www.dotyky.net/?p=10854] {{sk}}<br />
* "Performance?", ''Profil súčasného výtvarného umenia'' 3 (1993). {{sk}}<br />
* "Transmusic Comp.", in ''[https://monoskop.org/log/?p=1549 Avalanches]'', Bratislava: SNEH, 1995, p 35. {{sk}}<br />
* Jozef Cseres, "Blázni sú tí, ktorí v hudbe vnímajú len zvuk", ''Os'' 8 (2000). [http://www.radioart.sk/avr/visuopage.php?id=7] {{sk}}<br />
* Július Fujak, [[Media:Fujak_Julius_2004_Slovenske_hudobne_alternativy_Transmusic_Comp_a_SNEH_Adamciak_Machajdik_Murin_Cseres.pdf|"Slovenské hudobné alternatívy. Transmusic Comp. a SNEH. Adamčiak, Machajdík, Murín, Cseres"]], ''Hudobný život'' 36:10, Bratislava: Hudobné centrum, 2004, pp 36-38. [http://xn--h-toa.hc.sk/2004/hz_10_2004.pdf#page=38] {{sk}}<br />
* Jozef Cseres, "Herci hudby", ''His Voice'' 6 (2006). {{sk}}<br />
* Július Fujak, "Transmusic comp. + SNEH", ''Radioart.sk''. [http://www.radioart.sk/avr/visuopage.php?id=117] [http://www.radioart.sk/avr/visuopage.php?id=124] {{sk}}/{{en}}<br />
* ''Otvorené diela'', Bratislava: Galéria Linea, 2009. Catalogue. {{sk}}<br />
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. {{sk}}<br />
* Rachel Rosenbach, [[Media:Transmusic Comp. (2011) - Melos Etos bulletin.pdf|"Transmusic comp."]], in ''Melos Etos'', 2011, pp 103-105 and 29-30. {{sk}},{{en}}<br />
<br />
==TV documentaries==<br />
* Jozef Kaiser, ''Peter Princ: UM'', Slovak Television (STV), 1990<br />
* Jozef Novan, ''Trans Media'', Slovak Television (STV), 1991<br />
* ''Podhubie - Podhudbie'', Slovak Television (STV), 1990<br />
<br />
==Concerts and vernissage performances (selection)==<br />
; 1989<br />
* Prvá výstava Združenia Gerulata, Rusovce (15. 10. 1989)<br />
<br />
; 1990<br />
* Querdurch moderného rakúskeho maliarstva, Dom umenia, Bratislava<br />
* Hulík-Jankovič-Kren-Meliš-Sikora-Tóth, Galéria P.M. Bohúňa, Liptovský Mikuláš<br />
* Umenie proti totalite, Bratislava – hrad<br />
* Vladimír Popovič – Retrospektiva (5 výstav: Galéria umelcov Spiša, Spišská Nová Ves, MM Levoča, Stredoslovenská galéria v Banskej Bystrici, Východoslovenská galéria v Košiciach, Umelecká Beseda, Bratislava)<br />
* Ján Meliš a Michal Kern ml., Galéria mladých, Bratislava<br />
* Súčasné slovenské umenie, SNG, Bratislava<br />
* 3. festival alternatívneho umenia, Nové Zámky<br />
* Ajhľa človek, ekologický projekt, Považská galéria, Žilina<br />
* Interpretácie, Slovenský rozhlas, Bratislava<br />
* Sen o múzeu, Považská galéria, Žilina<br />
* Konvergencie, Dom kultúry Ovsište, Bratislava<br />
* Podhubie - podhudbie, podchod na Mierovom /Hodžovom nám., dokument STV, Bratislava<br />
* Prvý salón architektov Slovenska, Dom techniky, Bratislava<br />
* Šarišská galéria, Prešov<br />
* Post Flux Fest, Bratislava<br />
* Noc v Ovsišti, Dom kultúry Ovsište, Bratislava<br />
* People to people, Praha<br />
* Slowakische Woche, Regensburg<br />
* Otvorenie galérie Art DECO, Nové Zámky<br />
* Medzinárodný festival experimentálnej hudby, Bratislava<br />
* Večery novej hudby, Bratislava<br />
* Dni novej slovenskej hudby, Bratislava<br />
<br />
; 1991<br />
* Konceptualizmus v hudbe, Fluxus, Dům u Kamenného zvonu, Praha<br />
* Dům u Divého muže, Linhartova nadácia, Sněmovní, Praha<br />
* FIT – Festival intermediálnej tvorby, Klarisky, Bratislava<br />
* Béla Bartók symposium, Szombathely, Maďarsko<br />
* Geometria v poľskom sochárstve, SNG, Bratislava<br />
* InterRooms, kult. projet na konferencii Východ -Západ, kurátori: Milan Adamčiak, Radislav Matuštík, Bardejovské Kúpele<br />
* San Francisco Performance Art Festival – Bratislava<br />
* Europäische Kulturwerkstadt, Weimar, Nemecko<br />
* Umění akce, Mánes, Praha<br />
* Všeobecná československá výstava, Praha<br />
* Totalitná zóna, Pod bývalým Stalinovým pamätníkom, Praha<br />
* Múzeum moderného umenia Andy Warhola v Medzilaborciach<br />
* Európske kultúrne dielne, Ettersburg<br />
* Večery novej hudby, Bratislava<br />
* Festival experimentálnej hudby, Brno<br />
* Komnaty, moskovské neoficiálne konceptuálne umenie, Dom umenia, Bratislava<br />
<br />
; 1992<br />
* Bazén – FIT, Bratislava.<br />
<br />
; 1994<br />
* Galéria Medium II, Ružomberok.<br />
<br />
Po roku 1992 sporadické spolupráce členov Transmusic Comp. napr. spoločné performancie M. Adamčiaka a M. Murina na TransArt Communication v Nových Zámkoch, 1995, festival Sound OFF 1996 - 1997 (PIANO HOTEL) a pod.<br />
<br />
; 1996<br />
Verejne ohlásený posledný koncert Transmusic Comp. (Adamčiak – Murin), Festival MEDZI, Skalica, október 1996<br />
<br />
; 2009<br />
Videozáznam ORF z vernisážového koncertu Querdurch bol prezentovaný v Tranzit dielne pri príležitosti výstavy venovanej Milanovi Adamčiakovi v roku 2009.<br />
<br />
Výstavu sprostredkúvajúca tento súbor zo svojich archívov pripravili Milan Adamčiak a Michal Murin a uskutočnila sa v Galérii Cypriána Majerníka v Bratislave, 13.11. - 22.12. 2009. Text k výstave napísal Július Fujak.<br />
<br />
[[Image:Pozvanka TMC 2009.png|thumb|center|800px]]<br />
<br />
; 2011<br />
* 12.2. Danubiana, Bratislava. [http://idm.aku.sk/michal-murin/transmusic-bastards]<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin, Zbyněk Prokop.<br />
* 6.6. "TRANSMUSIC COMP.1 An evening dedicated to Milan Adamčiak". Concert, screening (Muzikológ a tvorca), discussion. Tranzitdisplay, Prague. Moderated by Markéta Lisá. [http://www.tranzitdisplay.cz/cs/node/332] [http://cz.tranzit.org/en/exhibition/0/2011-06-06/transmusic-comp1-an-evening-dedicated-to-milan-adamiak] [http://www.skolska28.cz/page.php?event=475]<br />
<br />
; Transmusic Comp. Revival, 2011<br />
* 27.10. Ľudovít Fulla Gallery, Ružomberok. [http://www.ruzomberok.sk/spravy/2.-koncert-cyklu-komornych-koncertov-Hudba-u-Fullu/] [http://idm.aku.sk/michal-murin/tmc-ruzomberok] [http://tv.t2.sk/load.php?lang=sk&year=2011&server=ku&qual=hq&event=111027b&fb_source=message recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Peter Machajdík, Michal Murin, Róbert Bartko.<br />
* 10.11. [[Melos Ethos]] festival, [[A4 - Zero Space]], Bratislava. [http://www.hc.sk/melos-ethos/melos_program.php?lg=sk#497]<br />
**Transmusic comp. performance<br />
* 17.11. VAD (Víkend atraktívneho divadla) festival, Zvolen. [http://zvonline.sk/foto-vad-den-1-hviezdy-a-sloboda-1/ photos] [http://zvolen.sme.sk/c/6143475/dnes-festival-odstartuje-transmusic-comp-peter-huncik-atelier-307-a-iva-bittova.html] [http://soundcloud.com/obscuredtemptations/transmusic-comp-at-vad#new-timed-comment-at-237949 sound recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Peter Machajdík, Michal Murin, Róbert Bartko. <br />
* 24.11. [[PostmutArt]], Nitra. [http://soundcloud.com/obscuredtemptations/sets/transmusic-comp/ sound recording]<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin, Peter Machajdík, Zbyněk Prokop.<br />
* 16.12. Galanta, [[4D Gallery]], [[Media:Adamciak-Galanta-2011-pozvanka.pdf|invitation]] [http://www.facebook.com/events/104349166350963/]<br />
**Book launch: Milana Adamčiaka: ''Expo - Archív 1 (Experimentálna poezia 1964-1972)'' published by Dzive Buki, Košice.<br />
**Opening of the exhibition curated by Michal Murin, after Adamčiak's 3-months long One Man Symposium in this gallery. Výstava prezentuje najnovšie práce na papieri z cyklu Typorastre ako aj najnovšie zvukové objekt realizované v bronze v dielni pri Galérii 4D.<br />
**Transmusic comp. performance by Milan Adamčiak, Michal Murin.<br />
**Performance by ''Mi – 65'' (umelecký ved. Daniel Matej). Predstaví interpretácie Adamčiakových grafických partitúr (zo 60., a 70 rokov) v klasickom nástrojovom obsadení.<br />
* 17-18.12. ''Tichá noc'', 24-hour nonstop happening, Vážna hudba nevážne, [[Stanica]], Zilina, [http://www.stanica.sk/2011/12/17/ticha-noc/] [http://tichanoc.cluster-ensemble.com/]<br />
** performance by Cluster Ensemble (Ivan Šiller, art direction, Fero Király, Zuzana Biščáková, Andrea Bálešová, guests: Kamil Mihalov, Jakub Pišek) with Milan Adamčiak, Peter Machajdík, Michal Murin, Zbyněk Prokop (Transmusic Comp. members)<br />
<br />
==See also== <br />
* [[Milan Adamčiak]]<br />
* [[Michal Murin]]<br />
* [[SNEH]]<br />
* [[Sound art in Slovakia (1960s-2000s)]]<br />
* [[Performance art in Slovakia (1960s-2000s)]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=30247
Peter Machajdík
2013-04-29T20:54:55Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work ''Intimate Music'' featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include ''Double Bayan Concerto'', ''Nell'autunno del suo abbraccio insonne'' for Italian harpist Floraleda Sacchi, ''Nájdené zabudnuté'' for orchestra, and ''Namah 'for peace on earth' '' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD ''Namah'' with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art such as Sound City Days 2012 in Košice. <br />
His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Altenburg - Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdík often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
<br />
; Discography:<br />
* THE IMMANENT VELVET, CD © 2012 R266 0024-2-331<br />
* TYPORNAMENTO, CD © 2012 Guerilla Records 080-2<br />
* A MARVELOUS LOVE (Carson Cooman - organ), CD © 2012 Albany Records TROY1357<br />
* VIOLIN SOLO (Milan Paľa), Vol. 4, CD © 2012 Pavlik Records PA 0098-2/9<br />
* CZECHOSLOVAK CHAMBER DUO, CD © 2012 CR0591-2<br />
* INSIDE THE TREE, CD © 2011 AA 11003<br />
* VIOLIN SOLO (Milan Paľa), Vol. 3, CD © 2011 Pavlik Records PA0092-2/9<br />
* MINIMAL HARP (Floraleda Sacchi), CD © 2009 Universal/Decca 476 3856<br />
* NAMAH, CD © 2008 musica slovaca SF 00542131<br />
* R(A)DIO(CUSTICA) SELECTED 2008, CD © 2008 Czech Radio<br />
* NUOVE MUSICE PER TROMBA 6 (Ivano Ascari), CD © 2088 AZ 5005<br />
* NAMASTE SUITE (Guido Arbonelli), CD © 2003 Mnemes HCD 102 <br />
* THE RÈR QUARTERLY, CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
* POŽON SENTIMENTÁL, CD © 2000 musica slovaca SF 00252131<br />
; Official CD-Shop [http://petermachajdik.weebly.com/cd-shop.html]<br />
<br />
<br />
; Recent interviews with Machajdík<br />
* Oliver Rehák, [http://www.hc.sk/src/hudobny_zivot_clanok.php?hz_clid=218&hzid=131&menutyp=archiv "Peter Machajdík: Vždy unikám z toho, k čomu kráča väčšina"], ''Hudobný život'' 3, 2009. (Slovak) <br />
* Zuzana Kizáková, [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46 "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel"], ''Pravda'' 18 November, 2009. (Slovak) <br />
* Petr Slabý, [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/ "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat"], ''UNI'' 8, 2011. (Czech) <br />
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. (Slovak) <br />
<br />
; See also<br />
[[Slovakia#Electroacoustic_music]]<br />
<br />
; External links<br />
* [http://petermachajdik.weebly.com Peter Machajdík's Official Web Site]<br />
* [http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br />
* [http://www.linkedin.com/profile/view?id=54838828&trk=tab_pro Peter Machajdík on LinkedIn]<br />
* [http://machajdik.bandcamp.com/ Peter Machajdík on BandCamp]<br />
* [http://twitter.com/PeterMachajdik Peter Machajdík on Twitter]<br />
* [http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br />
* [http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br />
* [http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839 Machajdík's profile at Osobnosti.sk]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=30246
Peter Machajdík
2013-04-29T20:54:11Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work ''Intimate Music'' featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include ''Double Bayan Concerto'', ''Nell'autunno del suo abbraccio insonne'' for Italian harpist Floraleda Sacchi, ''Nájdené zabudnuté'' for orchestra, and ''Namah 'for peace on earth' '' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD ''Namah'' with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art such as Sound City Days 2012 in Košice. <br />
His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Altenburg - Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdík often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
<br />
; Discography:<br />
* THE IMMANENT VELVET, CD © 2012 R266 0024-2-331<br />
* TYPORNAMENTO, CD © 2012 Guerilla Records 080-2<br />
* A MARVELOUS LOVE (Carson Cooman - organ), CD © 2012 Albany Records TROY1357<br />
* VIOLIN SOLO (Milan Paľa), Vol. 4, CD © 2012 Pavlik Records PA 0098-2/9<br />
* CZECHOSLOVAK CHAMBER DUO, CD © 2012 CR0591-2<br />
* INSIDE THE TREE, CD © 2011 AA 11003<br />
* VIOLIN SOLO (Milan Paľa), Vol. 3, CD © 2011 Pavlik Records PA0092-2/9<br />
* MINIMAL HARP (Floraleda Sacchi), CD © 2009 Universal/Decca 476 3856<br />
* NAMAH, CD © 2008 musica slovaca SF 00542131<br />
* R(A)DIO(CUSTICA) SELECTED 2008, CD © 2008 Czech Radio<br />
* NUOVE MUSICE PER TROMBA 6 (Ivano Ascari), CD © 2088 AZ 5005<br />
* NAMASTE SUITE (Guido Arbonelli), CD © 2003 Mnemes HCD 102 <br />
* THE RÈR QUARTERLY, CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
* POŽON SENTIMENTÁL, CD © 2000 musica slovaca SF 00252131<br />
; CD-Shop [http://petermachajdik.weebly.com/cd-shop.html]<br />
<br />
; Recent interviews with Machajdík<br />
* Oliver Rehák, [http://www.hc.sk/src/hudobny_zivot_clanok.php?hz_clid=218&hzid=131&menutyp=archiv "Peter Machajdík: Vždy unikám z toho, k čomu kráča väčšina"], ''Hudobný život'' 3, 2009. (Slovak) <br />
* Zuzana Kizáková, [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46 "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel"], ''Pravda'' 18 November, 2009. (Slovak) <br />
* Petr Slabý, [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/ "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat"], ''UNI'' 8, 2011. (Czech) <br />
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. (Slovak) <br />
<br />
; See also<br />
[[Slovakia#Electroacoustic_music]]<br />
<br />
; External links<br />
* [http://petermachajdik.weebly.com Peter Machajdík's Official Web Site]<br />
* [http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br />
* [http://www.linkedin.com/profile/view?id=54838828&trk=tab_pro Peter Machajdík on LinkedIn]<br />
* [http://machajdik.bandcamp.com/ Peter Machajdík on BandCamp]<br />
* [http://twitter.com/PeterMachajdik Peter Machajdík on Twitter]<br />
* [http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br />
* [http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br />
* [http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839 Machajdík's profile at Osobnosti.sk]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=30245
Peter Machajdík
2013-04-29T20:51:25Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work ''Intimate Music'' featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include ''Double Bayan Concerto'', ''Nell'autunno del suo abbraccio insonne'' for Italian harpist Floraleda Sacchi, ''Nájdené zabudnuté'' for orchestra, and ''Namah 'for peace on earth' '' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD ''Namah'' with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art such as Sound City Days 2012 in Košice. <br />
His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Altenburg - Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdík often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
<br />
; Discography:<br />
* THE IMMANENT VELVET, CD © 2012 R266 0024-2-331<br />
* TYPORNAMENTO, CD © 2012 Guerilla Records 080-2<br />
* A MARVELOUS LOVE (Carson Cooman - organ), CD © 2012 Albany Records TROY1357<br />
* VIOLIN SOLO (Milan Paľa), Vol. 4, CD © 2012 Pavlik Records PA 0098-2/9<br />
* CZECHOSLOVAK CHAMBER DUO, CD © 2012 CR0591-2<br />
* INSIDE THE TREE, CD © 2011 AA 11003<br />
* VIOLIN SOLO (Milan Paľa), Vol. 3, CD © 2011 Pavlik Records PA0092-2/9<br />
* MINIMAL HARP (Floraleda Sacchi), CD © 2009 Universal/Decca 476 3856<br />
* NAMAH, CD © 2008 musica slovaca SF 00542131<br />
* R(A)DIO(CUSTICA) SELECTED 2008, CD © 2008 Czech Radio<br />
* NUOVE MUSICE PER TROMBA 6 (Ivano Ascari), CD © 2088 AZ 5005<br />
* NAMASTE SUITE (Guido Arbonelli), CD © 2003 Mnemes HCD 102 <br />
* THE RÈR QUARTERLY, CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
* POŽON SENTIMENTÁL, CD © 2000 musica slovaca SF 00252131<br />
<br />
; Recent interviews with Machajdík<br />
* Oliver Rehák, [http://www.hc.sk/src/hudobny_zivot_clanok.php?hz_clid=218&hzid=131&menutyp=archiv "Peter Machajdík: Vždy unikám z toho, k čomu kráča väčšina"], ''Hudobný život'' 3, 2009. (Slovak) <br />
* Zuzana Kizáková, [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46 "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel"], ''Pravda'' 18 November, 2009. (Slovak) <br />
* Petr Slabý, [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/ "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat"], ''UNI'' 8, 2011. (Czech) <br />
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. (Slovak) <br />
<br />
; See also<br />
[[Slovakia#Electroacoustic_music]]<br />
<br />
; External links<br />
* [http://petermachajdik.weebly.com Peter Machajdík's Official Web Site]<br />
* [http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br />
* [http://www.linkedin.com/profile/view?id=54838828&trk=tab_pro Peter Machajdík on LinkedIn]<br />
* [http://machajdik.bandcamp.com/ Peter Machajdík on BandCamp]<br />
* [http://twitter.com/PeterMachajdik Peter Machajdík on Twitter]<br />
* [http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br />
* [http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br />
* [http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839 Machajdík's profile at Osobnosti.sk]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=29469
Peter Machajdík
2013-03-25T08:17:47Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art such as Sound City Days 2012 in Košice. <br />
His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Altenburg - Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdík often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
<br />
- THE IMMANENT VELVET <br />
CD © 2012 R266 0024-2-331<br />
- A MARVELOUS LOVE (Carson Cooman - organ)<br />
CD © 2012 Albany Records TROY1357<br />
- Czechoslovak Chamber Duo<br />
CD © 2012 CR0591-2<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO (Milan Paľa)<br />
CD © 2011 Pavlik Records PA0092-2/9<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
* Petr Slabý, "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat", ''UNI'' 8, 2011 (Czech) [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/]<br><br />
* Zuzana Kizáková, "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel", ''Pravda'' 18 November, 2009 (Slovak) [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46]<br><br />
* Oliver Rehák, "Peter Machajdík: Vždy unikám z toho, k čomu kráča väčšina", ''Hudobný život'' 3, 2009 (Slovak) [http://www.hc.sk/src/hudobny_zivot_clanok.php?hz_clid=218&hzid=131&menutyp=archiv]<br><br />
<br />
<br />
[http://petermachajdik.weebly.com Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.linkedin.com/profile/view?id=54838828&trk=tab_pro Peter Machajdík on LinkedIn]<br><br />
[http://machajdik.bandcamp.com/ Peter Machajdík on BandCamp]<br><br />
[https://twitter.com/PeterMachajdik Peter Machajdík on Twitter]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=29468
Peter Machajdík
2013-03-25T08:13:38Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art such as Sound City Days 2012 in Košice. <br />
His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Altenburg - Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdík often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
<br />
- THE IMMANENT VELVET <br />
CD © 2012 R266 0024-2-331<br />
- A MARVELOUS LOVE (Carson Cooman - organ)<br />
CD © 2012 Albany Records TROY1357<br />
- Czechoslovak Chamber Duo<br />
CD © 2012 CR0591-2<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO (Milan Paľa)<br />
CD © 2011 Pavlik Records PA0092-2/9<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
* Petr Slabý, "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat", ''UNI'' 8, 2011 (Czech) [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/]<br><br />
* Zuzana Kizáková, "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel", ''Pravda'' 18 November, 2009 (Slovak) [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46]<br><br />
* Oliver Rehák, "Peter Machajdík: Vždy unikám z toho, k čomu kráča väčšina", ''Hudobný život'' 3, 2009 (Slovak) [http://www.hc.sk/src/hudobny_zivot_clanok.php?hz_clid=218&hzid=131&menutyp=archiv]<br><br />
<br />
<br />
[http://petermachajdik.weebly.com Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=29467
Peter Machajdík
2013-03-25T08:12:06Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art such as Sound City Days 2012 in Košice. <br />
His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Altenburg - Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdík often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
- THE IMMANENT VELVET <br />
CD © 2012 R266 0024-2-331<br />
- A MARVELOUS LOVE (Carson Cooman - organ)<br />
CD © 2012 Albany Records TROY1357<br />
- Czechoslovak Chamber Duo<br />
CD © 2012 CR0591-2<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO (Milan Paľa)<br />
CD © 2011 Pavlik Records PA0092-2/9<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
* Petr Slabý, "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat", ''UNI'' 8, 2011 (Czech) [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/]<br><br />
* Zuzana Kizáková, "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel", ''Pravda'' 18 November, 2009 (Slovak) [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46]<br><br />
* Oliver Rehák, "Peter Machajdík: Vždy unikám z toho, k čomu kráča väčšina", ''Hudobný život'' 3, 2009 (Slovak) [http://www.hc.sk/src/hudobny_zivot_clanok.php?hz_clid=218&hzid=131&menutyp=archiv]<br><br />
<br />
<br />
[http://www.machajdik.de Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=R%C3%B3bert_Rudolf&diff=20730
Róbert Rudolf
2012-01-24T13:42:32Z
<p>Vadpost: Created page with "Robert RUDOLF, (1963) born in Bratislava, studied the composition and computer music at several music schools in Slovakia and France. After the composition studies at the Conserv..."</p>
<hr />
<div>Robert RUDOLF, (1963) born in Bratislava, studied the composition and computer music at several music schools in Slovakia and France. After the composition studies at the Conservatory (with Juraj Pospisil) and University of Fine Arts in Bratislava (with Ivan Hrusovsky), he continued his studies in Paris. The classes with Yoshihisha Taira and François-Bernard Mâche inspired his musical and compositional development.<br />
First contact with electro acoustic music made in Bratislava Experimental Studio of Slovak Radio revealed his interest in new technology and the stay in Stockholm Electro acoustic Studio confirmed this choice. Later he enters the class of electro acoustic music composition with Michel Zbar at Conservatory of Boulogne-Billancourt.<br />
Interested by visual art, since the 80’he works with painters, sculptors and designers on multimedia projects. These installations were exposed in France, Slovakia, Canada, and Austria.<br />
His recent work is inspired by electro acoustic live performance.<br />
He has taken part in different concerts and workshops of contemporary music and electro acoustic music as composer and interpreter.<br />
He works also as music programme producer at Radio France and he teaches the electro acoustic composition at the Noisy-le-Sec Conservatory.</div>
Vadpost
https://monoskop.org/index.php?title=Slovakia&diff=20729
Slovakia
2012-01-24T13:37:32Z
<p>Vadpost: /* Electroacoustic music */</p>
<hr />
<div>==Avant-garde==<br />
===School of Arts and Crafts, Bratislava (1928-1939)===<br />
{{:School of Arts and Crafts, Bratislava}}<br />
<br />
===Events===<br />
* Under the auspices of its director Josef Polák, the East Slovakia Museum in Košice organised exhibitions of contemporary European graphic art, for which a series of posters was created by the featured artists. The key figure amongst these artists was [[Eugen Krón]], who came from Hungarian avant-garde circles. Another Slovak, Martin Benka, presented a different kind of production in Slovak graphic design, with works that were close to the international art deco design movement, but which mainly tried to emphasise the national character of production. As the first Slovak to do so, Benka applied himself intensively to the creation of fonts. [http://www.slovakia.culturalprofiles.net/?id=-13068]<br />
* Fulla, Galanda, "Súkromné listy Fullu a Galandu", 1930-32, manifesto. [http://www.arslexicon.sk/?registre&objekt=sukromne-listy-teoreticko-graficka-iniciativa-ludovita-fullu-a-mikulasa-galandu]<br />
* 'Bauhaus im Osten', exhibition at Slovak National Gallery, Bratislava. Designed the director of the Stadtische Museum in Leverkusen, Susanne Anna.<br />
* 'SLOVENSKÁ TYPOGRAFIA V XX. STOROČÍ. Časť prvá: 1918 - 1970', exhibition, City Gallery of Bratislava, Oct 2004 - Jan 2005. Curator: [[Ľubomír Longauer]]. [http://www.sdc.sk/index.php?lang=sk&menu=aktivity&page=typo]<br />
* [[Hranice geometrie|Hranice geometrie: Geometrické a konštruktívne tendencie v slovenskom výtvarnom umení od roku 1960 po súčasnosť]], curated by [[Ľuba Belohradská]] and [[Eva Trojanová]], Dom umenia, Bratislava, 13 Jan - 13 Feb 2010.<br />
<br />
=== Journals===<br />
* [[Slovenská grafia]], *1929. The magazine intended to promote the modernization of polygraphy and applied graphics. Edited by [[Antonín Hořejš]], who gave lectures at the School of Applied Arts on contemporary taste, and Fulla designed the typographic layout.<br />
* [[nová bratislava]] review monthly, early 1930s. With functional design. Edited by Zdeněk Rossmann, [[Fridrich Weinwurm]] and [[Daniel Okáli]]. ([[Media:Nova-bratislava.png|cover]])<br />
<br />
=== Literature===<br />
{{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=avantgarde-sk}}<br />
<br />
== Video art (1960s-80s) ==<br />
; Artists<br />
* [[Stano Filko]], [[Vladimír Havrilla]], [[Vladimír Kordoš]], [[Ľubomír Ďurček]], [[Peter Meluzin]], [[Peter Rónai]].<br />
; Forms<br />
* diaprojections (*1966, Filko)<br />
* documentation recordings of performances, happenings, events (*1971, Mlynárčik, Kordoš, Meluzin, Rónai)<br />
* features, films incorporating video art techniques (*1972, Havrilla, Ďurček)<br />
* fine art films (*1977, Havrilla)<br />
* video installations (*1980s, Rónai's antivideos)<br />
* No references to the self-purpose videos, neither closed-circuit TV installations in this period.<br />
; More<br />
* [[Video art in Slovakia (1960s-80s)]]<br />
<br />
== Performance art (1960s-2000s) ==<br />
; Artists<br />
* [[Milan Adamčiak]] (1946), [[Ivan Štěpán]] (1937-86), [[Róbert Cyprich]] (1951-96), [[Peter Bartoš]], [[Ján Budaj]] (1952), [[Július Koller]] (1939) [http://www.fluxus-east.eu/index.php?item=exhib&sub=koller&lang=en], [[Peter Meluzin]], [[Ladislav Pagáč]] (1949), [[Viktor Oravec]] (1960), [[Milan Pagáč]] (1960), [[Vladimír Kordoš]] (1945), [[Ľubomír Ďurček]] (1948), [[Peter Rónai]] (1953), [[Michal Murin]] (1963), [[Richard Fajnor]] (1965), [[Vladimír Železný]], [[Juraj Bartusz]] (1933), [[Roland Farkas]], [[Jozsef R. Juhász]] (1963), [[Miroslav Nicz]] (1963), [[Juraj Dudáš]], [[Mário Chromý]].<br />
; Groups <br />
* [[Labyrint]] Theatre (1978-?, theatre + body art + performance, Budaj, Adamčiak), [[Temporary Society of Intensive Living]] (1979-81, Budaj), [[Artprospekt P.O.P.]] (1979-85, performance + body art + happening + rituals, L Pagáč, Oravec, M Pagáč), [[Balvan]] (1987-92, Beňo, Miklušičáková, Murin, Šefčáková), [[Transmusic comp.]] (1989-96, Adamčiak, Machajdík, Murin..), [[Disk]] Theatre (Uhlár, Karásek), [[Stoka]] Theatre (1991-2006, Uhlár), [[GUnaGU]] Theatre, Spoločnosť pre šírenie a pestovanie patafyziky, HUBRIS, [[Lengow & HEyeRMEarS]] (Murin, Cseres), [[Kafron]] (Kafúnová, Rónaiová).<br />
; Festivals <br />
* [[Transart Communication]] intermedia art festival (*1987, Nové Zámky, at the peak period 1990-92 and 1995-96 performances by Jana Želibská, Milan Adamčiak, Július Koller, Juraj Bartusz, Stanislav Filko, Anna Daučíková, Miroslav Nicz, Michal Murin, Ľubo Stacho, Peter Kalmus, Anabela Žigová and others), [[Evenings of New Music]] (*1990, Bratislava), [[San Francisco Performance Art Festival]] (1991, Bratislava), [[IFEM]] music forum (1992, 94, Dolná Krupa Castle), [[FEM]] music festival (1995, 96, Bratislava), [[Sound Off]] music festival (1995-2002, Bratislava, Šamorín, Nové Zámky, Nitra), [[...Medzi...]] (1996-2000, Skalica), [[Next]] music festival (*2000, Bratislava), [[Multiplace]] new media culture festival (*2002).<br />
; Exhibitions <br />
* '''Výhonok''', [[2000]] in GMB [[Bratislava]]. Curator: Radislav Matuštík.<br><br />
* '''Art of Action 1965-1989''', 26 April - 19 August [[2001]] in Slovak National Gallery. Curator: Zora Rusinová (Radislav Matuštík resigned).<br><br />
* '''Art of Action 1989-2000''', 7 April - 7 May [[2001]] in Elektráreň Tatranskej galérie, Poprad and 12 September - 20 October [[2001]] in Gallery of [[Nitra]]. Curator: Lucia Gregorová-Stachová. Iniciated by [[Michal Murin]].<br />
; More<br />
* [[Performance art in Slovakia (1960s-2000s)]]<br />
<br />
==Geometric abstraction, Neo-constructivism, Op art, Kinetic art==<br />
; Artists<br />
* E. Antal, [[Štefan Belohradský]], P. Binder, [[Milan Dobeš]], V. Hulík, A. Klimo, T. Klimová, M. Urbásek, R. Urbásek<br />
* [[Klub konkrétistov]] group<br />
<br />
; Exhibitions<br />
* [[Hranice geometrie|Hranice geometrie: Geometrické a konštruktívne tendencie v slovenskom výtvarnom umení od roku 1960 po súčasnosť]], curated by [[Ľuba Belohradská]] and [[Eva Trojanová]], Dom umenia, Bratislava, 13 Jan - 13 Feb 2010.<br />
<br />
; Literature<br />
{{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=visualresearch-sk}}<br />
<br />
== Sound art (1960s-2000s) ==<br />
; Artists <br />
* [[Milan Dobeš]], [[Alex Mlynárčik]], [[Milan Adamčiak]], [[Róbert Cyprich]], [[Vladimír Labat]], [[Transmusic comp.]] (1989-96), [[Juraj Ďuriš]], [[Lengow & HEyeRMEarS]], [[CUCU Ensemble]], [[Michal Murin]], [[Ladislav Kupkovič]]<br />
<br />
; Forms <br />
* audio-kinetic sculptures and environments (1960s, Dobeš, Mlynárčik)<br />
* graphic artists meeting composers (George Cup - [[Peter Machajdík]], mid-1970s; Daniel Fischer – Ilja Zelenka, 1979 and 1993; Svetozár Ilavský – Svetozár Ilavský, since 1991; Miloš Štofko – Martin Burlas, 1994; Viktor Hulík – [[Peter Machajdík]], 1993; Dirk Dietrich Hennig - [[Peter Machajdík]], since 2003; Bohuš Kubínsky and Monika Kubínska – Iris Szeghy, 1995; Jaroslav Drotár – Marek Piaček, 1995; Dorota Sadovská – Daniel Matej, 1997; [[Zbyněk Prokop]] - [[Peter Machajdík]], since 2010)<br />
* acoustic part of action art (1970, Adamčiak, Cyprich)<br />
* sound objects (1970s-90s, Polymúzický priestor I. exhibition, Labat, Transmusic Comp, Lengow & HEyeRMEarS)<br />
* sound environments (1990s-2010s, Machajdík)<br />
* home-made musical instruments (1980s-90s, Adamčiak, Sound Off festivals)<br />
* acoustic environments (1980s-90s, Murin)<br />
<br />
; Exhibitions <br />
* '''Polymúzický priestor I.''', 1970 in Piešťany. Concept by L Kár.<br />
* '''Touch to Connect''', 1985–1989, relaunched in 1997. Concept by [[Ladislav Snopko]] and [[Zuzana Bartošová]].<br />
* '''Image and Music''', 1989-90. Curated by [[Ivan Jančár]] and [[Zuzana Martináková]].<br />
* '''Priestor '93''', 1993 in Piešťany. [[Peter Machajdík]] - Viktor Hulík: Blikač & [[Peter Machajdík]] - Viktor Hulík: Music for the Glass Bridge. Concept by L Kára.<br />
* '''Piano Hotel''', 1997. Curated by [[Michal Murin]]. Five prepared pianos along with their parts were presented as acoustic objects (Viktor Lois, Otis Laubert, Milan Adamčiak, and Jozef Cseres). Part of [[Sound Off]] festival.<br />
* '''Fenomén Kafka''', 2010 Tatranská galéria Poprad, Elektráreň. [[Peter Machajdík]] - [[Zbyněk Prokop]] - Robo Kočan.<br />
<br />
; Works<br />
* '''The Pulsating Rhythm''', 1963. [[Milan Dobeš]]. Sound manipulated on the basis of the synchronization of impulses.<br />
* '''A Cathedral of Humanism''', 1968. [[Stanislav Filko]]. Exhibited at the international exhibition Danuvius ’68. The synthetic environment that utilized concrete music (sounds reproducing radio broadcast).<br />
* '''Chafing''', 1969. [[Milan Adamčiak]] and [[Róbert Cyprich]]. Created the musical component of Alex Mlynárčik's event in the High Tatras.<br />
* '''Miss Pogana’s Flirt''', 1969. [[Alex Mlynárčik]]. Exhibited in Apollinaire Gallery in Milan, Italy. (1934) in his homage to Constantin Brâncuşi used plastic eggs that emitted ringing sounds after being set in motion by spectators. Interactive environment changing, through a visitor’s gesture, was not merely the constellation of objects but also the acoustic quality of space.<br />
* '''Water Music''', 1969. [[Milan Adamčiak]] and [[Róbert Cyprich]]. Music project that modernized Georg Friedrich Händel’s original composition; together with Jozef Revallo, the piece was performed at the indoor swimming-pool of the college dormitory Juraja Hronca in Bratislava.<br />
* '''Spring Union''', 1970. [[Milan Adamčiak]]. Created the musical components of [[Jana Želibská]]'s event in Dolné Orešany.<br />
* '''The Yellow Environment''', 1970. [[Milan Adamčiak]]. Created the musical components of [[Jarmila Čihánková]]'s event at the exhibition Polymúzický priestor I. in Piešťany.<br />
* '''The Wheelwork of Time''', 1970. [[Vladimír Môťovský]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. Sculpturesque object in the shape of a clattering mill.<br />
* '''A Dwelling-Place''', 1970. [[Andrej Goliáš]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. <br />
* 1970. [[Ivan Štěpán]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. Optophonic space consisting of the synchronization of visual, acoustic, and architectural elements.<br />
* '''Three Graces''', 1970. [[Róbert Cyprich]]. Participated musically at the [[Alex Mlynárčik]]'s project at the I. Otvorený ateliér in Bratislava.<br />
* '''Acousticon''', 1970. [[Alex Mlynárčik]], [[Miroslav Filip]] and [[Viera Mecková]]. Project was begun but left unfinished; it had been intended as a programmed musical instrument whose sound depended on the movement of the spectator on an ascending and descending spiral. <br />
* 1971. [[Milan Dobeš]]. Wrote a special light-kinetic program for the American Wind Symphony Orchestra to accompany symphonic compositions by T. Mayazumi and Krzysztof Penderecki (a series of concerts in the United States). <br />
* '''Games of Games''', 1985. [[Michal Murin]]. Acoustic environment.<br />
* '''Earth Music''', 1986. [[Michal Murin]]. Part of Monuments and the Present Age project.<br />
* '''A Visual Composition''', 1987. [[Michal Murin]]. Acoustic environment.<br />
* '''Simultaneous Improvisations'''http://www.rainerlinz.net/NMA/repr/Synchronistic.html, 1989. [[Michal Murin]]. Acoustic environment. Music bridge Perth – Bratislava.<br />
* 1989. [[Milan Adamčiak]]. At the exhibition The Basement in Bratislava. Extensive installation consisting of sound objects and musical instruments constructed primarily from found materials.<br />
* '''The Schrattenberg Sprite''', 1991. [[Miloš Boďa]] and [[Juraj Ďuriš]]. Interactive acoustic object.<br />
* '''Archeomusic''', 1992. [[Michal Murin]]. Used natural material (wood, leaves, soil, straw) for creating sound objects brought into play during performances.<br />
* '''Sonic Environment''', 1993. [[Peter Machajdík]] and [[David Moss]]. Audio Art Festival, The Hague (NL).<br />
* '''Green Pianos''', 1993. Sound environment by [[Peter Machajdík]]. AVE Festival (internationaal audiovisueel experimenteel festival), Arnhem (NL).<br />
* '''Tanz-Klang-Raum I.''', 1993. Sound Environment by [[Peter Machajdík]]. With dancer-performer Dorothea Rust. Festival Hier und dort, Shedhallen, Zug (CH).<br />
* '''Tanz-Klang-Raum II.''', 1993. Sound Environment by [[Peter Machajdík]]. With dancer-performer Dorothea Rust. Performance-Tage, Seedam Kulturzentrum, Pfäffikon (CH).<br />
* '''Tanz-Klang-Raum III.''', 1994. Sound Environment by [[Peter Machajdík]]. With dancer-performer Dorothea Rust. Kunstmuseum Thun (CH).<br />
* '''TROMPeter''', 1995. Sound Environment by [[Peter Machajdík]]. [[Audio Art Festival]], Kraków (PL) and Melos-Ethos Festival, Bratislava (SK).<br />
* '''Tanz-Klang-Raum IV.''', 1995. Sound Environment by [[Peter Machajdík]]. With dancer-performer Dorothea Rust. International Festival Bollwerk Belluard, Fribourg (CH).<br />
* '''Tanz-Klang-Raum V.''', 1995. Sound Environment by [[Peter Machajdík]]. With violinist Malcolm Goldstein and dancer-performer Dorothea Rust. Aargauer Kunsthalle, Aarau (CH).<br />
* '''Soundscapes''', 1997. [[Peter Machajdík]] and [[Nicolas Collins]]. Studienwoche für Neue Musik, Lüneburg (DE).<br />
* '''Travelling Art Museum – Musical Ecofacts and Artifacts from the Eocene to the Futurocene''', 1997. [[Lengow & HEyeRMEarS]]. For the symposium Kép-Ze-Let at the Mining Museum in Tatabánya (HU). Sound object oscillating between a sound object and a conceptual visual acoustic installation.<br />
* '''SOUNDgARTen''', 1999. [[Peter Machajdík]]. Festival La Belle Jardinière, Künstlerhaus Schloss Wiepersdorf (DE).<br />
* '''Warholes''', 1999. [[Lengow & HEyeRMEarS]] and [[Otomo Yoshihide]]. Acoustic installation on the premises of the permanent exhibition at Andy Warhol’s Museum of Modern Art in Medzilaborce.<br />
* '''Personal Time Quartet''', 2003. Sound environment by [[Peter Machajdík]] for a mixed media installation by Gülsün Karamustafa. Historisches Museum, Hannover (DE).<br />
* '''Hannahver''', 2003. Sound environment by [[Peter Machajdík]]. Electric Rainbow Coalition Festival; Dartmouth College, Hanover (USA).<br />
* '''SOUNDpaik''', 2003. Sound environment by [[Peter Machajdík]]. Künstlerhaus Lukas, Ahrenshoop (DE).<br />
* '''The Healing Heating''', 2007. Sound environment by [[Peter Machajdík]]. With Petra Fornayová and Boris Lenko. Kunstforum Ostdeutsche Galerie, Regensburg (DE).<br />
* '''Sonic Situations''', 2010. By [[Peter Machajdík]] and [[Michal Rataj]]. International Festival [[Intermedia.bb]] in Banská Bystrica 2010 + Elektronischer Frühling 2011, Kunstverein Wien (AT).<br />
<br />
; Literature<br />
* Michal Murin: The Seeing Ear - Sound Object and Instalations II, [http://www.radioart.sk/frames.php?url=http%3A//www.radioart.sk/doc/soundart/inx_ucho_eng.html]<br />
<br />
== Audiovisual compositions ==<br />
; Literature <br />
{{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=audiovisual-sk}}<br />
<br />
== Computer art (1970s-80s) ==<br />
; Artists <br />
[[Jozef Jankovič]] with [[Imrich Bertók]], [[Juraj Bartusz]] with [[Vladimír Haltenberger]], [[Daniel Fischer]] with [[Igor Klačanský]], [[Martin Šperka]], [[Agnes Sigetová]].<br />
<br />
; Forms <br />
* lithographies and serigraphies based on computer-generated drawings (*1966/1973, Jankovič with Bertók)<br />
* manufactured sculptures based on computer-generated curves (*1973, Bartusz with Haltenberger)<br />
* computer morphing line drawings (*1975, Fischer with Klačanský)<br />
* computer animations (*1980s, Sigetová, Slivka)<br />
<br />
; Exhibitions <br />
* '''Československá počítačová grafika''' Institut průmyslového designu, Praha, 1976<br />
* '''Druhá celostátní výstava počítačového umění v ČSSR''', ÚKDŽ, Praha, 1985<br />
* '''Počítačové umění v ČSSR a ve světě''', Palác kultury, Praha, 1989<br />
<br />
; Works<br />
* '''decoration for facade of Výpočtové stredisko dopravy in Bratislava''', 1971-1974. [[Jozef Jankovič]] with [[Imrich Bertók]]. <br />
* Aluminium art objects from 1973- 1974. [[Juraj Bartusz]] with [[Vladimír Haltenberger]]. The objects were made according to computer drawings utilizing boundary curves generated by the HP 9030A computer.<br />
* '''Ikarus''', 1974. [[Jozef Jankovič]] with [[Imrich Bertók]]. <br />
* '''Movement in a circle''', 1974. [[Jozef Jankovič]] with [[Imrich Bertók]]. Transformation of figure into abstract image.<br />
* '''Spacetime sculpture''', 1976-78. [[Juraj Bartusz]] with [[Vladimír Haltenberger]].<br />
* '''Cosmic Head''', 1976-78. [[Juraj Bartusz]] with [[Vladimír Haltenberger]]<br />
* '''Altamira''', 1978-. [[Daniel Fischer]] with [[Peter Gerža]] /? [[Igor Klačanský]]. Cave bull morphing into sign of infinity, first computer animation in [[Slovakia]]. Single frames plotted by CalComp plotter were photographed step by step by 16mm animation camera, then processed by painter's interventions. Film was shown on Slovak television in Bratislava. Fischer: "Úlohou lineárnej transformácie je postihnúť kultúrne kontexty v čase fázovaním premien východiskových kresieb do cieľových, priamo modelovať časové premeny a vizualizovať čas ako fenomén spätý s ľudským bytím."<br />
* Exterior design for a general hospital in Bratislava IV, colored aluminium and epoxy, 6 x 6 m, 1981-1982. [[Jozef Jankovič]]. The artwork was created according to computer drawings using the PDP11 computer and the Calcomp plotter. Each column shows the morphing of an outline of part of the human body into an electrocardiograph signal.<br />
* '''Solentine Apocalypse''', 1982. [[Daniel Fischer]] with [[Igor Klačanský]]. Computer-generated illustrations for Slovak edition of the book by J Cortazar.<br />
* '''The Cubist's Pictures Can Be Read Like a Modern Poetry''', serigraph, 1983. [[Daniel Fischer]]. From the series Images-Poems, this artwork was generated by the CDC3000 computer and the Calcomp plotter. The artist used an earlier version of the image to create an oil painting in 1982.<br />
* '''Window''', 1984. [[Jozef Jankovič]] with [[Imrich Bertók]]. Dynamics of line in a given frame. <br />
* Interior design at the general hospital in Bratislava III, cast sand and epoxy, 3 x 3 m, 1984-1985. [[Jozef Jankovič]]. The casting form was produced from computer drawings using the SM4 computer and Calcomp plotter.<br />
* '''Squash''', 1985. [[Jozef Jankovič]] with [[Imrich Bertók]]. Dynamics of line in a given frame.<br />
* '''Neverending Line''', 1985. [[Jozef Jankovič]] with [[Imrich Bertók]]. Applied random number generator. <br />
* '''?''', 1986. [[Ondrej Slivka]]. 7' cartoon with some sections animated by a computer program of [[Martin Sepp]] and [[Martin Šperka]]. The film received awards at several international animation festivals abroad.<br />
* '''01''', 1987. [[Michal Murin]], project for [[Ars Electronica]], software art, performance, sound, concept in big computer hall MEOPTA - výpočtové stredisko.<br />
<br />
; Literature <br />
{{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=computerart-sk}}<br />
<br />
; Resources<br />
* Pioneers of the computer graphics art in the Czech and Slovak Republics, [http://web.archive.org/web/20021129093558/http://www.dcs.elf.stuba.sk/~sperka/emart/pioneers/cspion.htm]<br />
<br />
== Electroacoustic music ==<br />
; Composers <br />
* [[Miro Bázlik]], [[Roman Berger]], [[Peter Kolman]], [[Jozef Malovec]], [[Ivan Parík]], [[Tadeáš Salva]], [[Martin Burlas]], [[Juraj Ďuriš]], [[Peter Machajdík]], [[Viťazoslav Kubička]], [[Ivan Stadtrucker]], [[Ilja Zelenka]], [[Róbert Rudolf]], [[Marek Piaček]]<br />
<br />
; Centres<br />
* [[Experimental Studio of Slovak Radio]] & [[CECM]] Bratislava, *1965<br />
<br />
; Events<br />
* P. Kolman and L. Kupkovič organized New Music seminars (eight lessons since 1959 with the music by Stockhausen, Eimert, Křenek, and Schaeffer).<br />
* [[International Seminars on New Music, Smolenice]], 1968-70<br />
<br />
; Releases <br />
* Anthology of Slovak electroacoustic music 1966-1991. CECM, 2-CD, EMCD001-002, 1992. [http://web.archive.org/web/20050426032900/http://www.slovakradio.sk/radioinet/kultura/expstudio/cds.html]<br />
* Electroacoustic music Slovakia 1989-1994. CECM, EMCD003, 1994. [http://web.archive.org/web/20050426032900/http://www.slovakradio.sk/radioinet/kultura/expstudio/cds.html]<br />
* EXperimental edition. [[Experimental Studio of Slovak Radio]]. [http://www.radioart.sk/doc/exedition/exedition.html]<br />
* [[Peter Machajdík]], Soundscapes, Electro-Acoustic and Computer Music. Edition Hudba N81 0002 2 131, 2005. [http://www.machajdik.de/html/recordings.html]<br />
* Various – Electronic Music: Experimental Studios In Prague, Bratislava, Munich, University Of Illinois, Warsaw, Paris. Creel Pone #39, 2006. [http://www.discogs.com/Various-Electronic-Music-Experimental-Studios-In-Prague-Bratislava-Munich-University-Of-Illinois-War/release/695003] [http://www.mediafire.com/?1dy0js71yd3szbv download]<br />
* R(a)dio (Custica) Selected 2008. Czech Radio 3 - Vltava and His Voice, 2009-3. Works by [[Peter Machajdík]], Colin Black, Miloš Vojtĕchovský and Ladislav Železný, [http://www.discogs.com/Various-Radio-Custica-Selected-2008/release/1771487]<br />
<br />
; Literature<br />
{{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=eamusic-sk}}<br />
<br />
; Resources<br />
Slovak electroacoustic music archive, [http://web.archive.org/web/20050223075121/http://www.slovakradio.sk/radioinet/kultura/expstudio/frameset.html]<br />
<br />
== Experimental film ==<br />
; Artists, filmmakers, and works<br />
* [[Juraj Jakubisko]], filmmaker. Short student films: '''Mikulášsky týždenník''' (1961-1963), '''Posledný nálet''' (1960), '''Každý deň má svoje meno''' (1961), '''Mlčanie''' (1963), '''Dážď''' (1965). Feature films with experimental techniques: '''Kristove roky''' (1967), '''Zbehovia a pútnici''' (1968), '''Vtáčkovia, siroty a blázni''' (1969) a '''Dovidenia v pekle priatelia''' (1970). [http://www.inyfilm.sk/zhistorie/jakubisko/jakubisko.php]<br />
* [[Martin Slivka]], documentary filmmaker. '''Voda a práca''' (1963). [http://www.inyfilm.sk/zhistorie/slivka/slivka.php]<br />
* [[Dušan Hanák]], filmmaker. Made several experimental documentary films at Štúdio krátkych filmov, Bratislava. '''Zádumčivosť''' (1963), '''Variáce kľudu''' (1966), '''Metamorfózy''' (1965), '''Impresia''' (1966), '''Sonáta, alebo Hľadanie šťastného čísla''' (1966), '''Výzva do ticha''' (1966), '''Prišiel k nám Old Shatterhand''' (1966), '''Zanechať stopu''' (1970), '''Deň Radosti''' (1972). [http://www.inyfilm.sk/zhistorie/hanak/hanak.php]<br />
* [[Ctibor Kováč]], '''Ohnivé rieky''' (1965). [http://www.inyfilm.sk/zhistorie/kovac/kovac.php]<br />
* [[Dušan Trančík]], filmmaker. Short films: '''Fotografovanie obyvateľov domu''' (1968) a '''Šibenica''' (1969). [http://www.inyfilm.sk/zhistorie/trancik/trancik.php]<br />
* [[Peter Mihálik]], film theorist. '''Lilli Marlen''' (1970), short film. [http://www.inyfilm.sk/zhistorie/mihalik/mihalik.php]<br />
* [[Vladimír Havrilla]]. {{:Vladimír Havrilla}} See also his video works at [[Video art in Slovakia (1960s-80s)]].<br />
* [[Ľubomír Ďurček]], ''Home'' (Domov, 1983, 16mm). See his video works at [[Video art in Slovakia (1960s-80s)]].<br />
* [[Samo Ivaška]].<br />
* [[Vladimír Kordoš]], artist. Aténska škola (1981, 16mm). [http://www.inyfilm.sk/zhistorie/kordos/kordos.php]<br />
* [[Kvetoslav Hečko]], documentary filmmaker. '''Atď.''' (1987), '''Zo Suterénu''' (1989), '''Argíllia''' (1991), '''Squat''' (1991), '''Scénografický útok na Groningen''' (1992), '''Jana Želibská''' (1994), '''V. Oravec a M. Pagáč''' (1994), '''Kaplnka svätej Barbory''' (1995). [http://www.inyfilm.sk/zhistorie/hecko/hecko.php]<br />
<br />
; Literature<br />
{{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=expfilm-sk}}<br />
<br />
; Resources<br />
* http://www.inyfilm.sk<br />
<br />
== Video art (1990s-2000s) ==<br />
; Artists <br />
* [[Anetta Mona Chisa]], [[Anna Daučíková]], [[Anton Čierny]], [[Dušan Zahoranský]], [[Elena Pätoprstá]], [[Erik Binder]], [[Gabika Binderová]], [[Jana Želibská]], [[Juraj Dudáš]], [[Mário Chromý]], [[Ilona Németh]], [[Michal Murin]], [[Miroslav Nicz]], N. Ružičková, [[Pavlína Fichta Čierna]], [[Peter Agat Huba]], [[Richard Fajnor]], [[Roman Galovský]].<br />
; Forms <br />
* Features on identity, consummerism, body, gender, socio-cultural questions, ecology. <br />
* Film footage manipulations.<br />
* Video installations (Rónai, Meluzin, Želibská, Kvetán)<br />
* Interactive video installations (Rónai)<br />
* Video performances (Murin)<br />
; Exhibitions <br />
* '''Imago – Fin de siécle''', 30 May to 10 July 1991 in [[Bratislava]]. First video art exhibition in Slovakia. Art from Netherlands curated by René Coelho, premiered in 1988 in Amsterdam.<br><br />
* '''Oscillation''', 30 June to 20 September 1991 in [[Komárno]]. Slovak and Hungarian artists.<br><br />
* '''Objects and Installations''', 1992 in PGU [[Žilina]]. Included video-installations.<br> <br />
* '''New Acquisitions''', 1993 in PGU [[Žilina]]. Included video installations.<br> <br />
* '''First Floor''', 5-23 March 1993. Curated by [[Radoslav Matuštík]]. Exhibited [[Peter Meluzin]] (Impo(r)tant) and [[Roman Galovský]] (L.E.D1, L.E.D1).<br><br />
* '''Power Station T''', 1993 in Poprad. Exhibited [[Peter Rónai]] (Oheň-Voda-Zem-Duch), [[Jana Želibská]] (Dialóg) a [[Peter Meluzin]] (Life After Life).<br><br />
* '''ON/OFF''', 1993 in Škola úžitkového výtvarníctva J Vydru [[Bratislava]]. Exhibited the sampler of videos from six events of Slovak artists (Meluzin, Želibská, Oravec-Pagáč, Galovský, Nicz, Pisár) at various locations.<br><br />
* '''Video vidím ich sehe''', 1994 in PGU [[Žilina]]. Curated by [[Katarína Rusnáková]]. Videoart from Slovakia ([[Jana Želibská]], [[Peter Rónai]], [[Peter Meluzin]]), Czech Republic and Switzerland. The catalog contained first more complex texts on Slovak video art. The gallery was the only one consistently researching and acquiring Slovak video art. Later exhibition included retrospective of [[Jana Želibská]] (1996-97) and [[Peter Rónai]] (1997).<br><br />
* '''Peter Meluzin - Mouse Killer''', 1995 in PGU [[Žilina]]. Site-specific video-installation by [[Peter Meluzin]].<br> <br />
* '''Videoart VŠVU''', 1996 in Rock Café Gallery [[Prague]]. Curated by [[Juraj Čarný]]. [http://www.inyfilm.sk/zhistorie/vsvu/vsvu.php]<br><br />
* '''Videoanthology''', 1997 in PGU [[Žilina]]. Curated by [[Katarína Rusnáková]]. 13 video works by [[Peter Rónai]].<br />
* [[Tusovka]] screening, 2009, Bologna.<br />
; Publications <br />
* [[BARLA]] videojournal, videotape presenting a number of video artists from Slovakia, Czech Republic, and other countries. Three issues were published in 1996, 1997 and 1999 by editors [[Miroslav Nicz]] and [[Peter Rónai]]. The collection was released on CD-ROM in [[2000]].<br />
; More<br />
* [[Video art in Slovakia (1990s-2000s)]]<br />
<br />
== Digital prints ==<br />
; Exhibitions <br />
* ''Digital Male'', 6-27 October [[2000]] in Gallery Medium, [[Bratislava]]. Curated by [[Miloš Boďa]]. Co-organised by [[Patrik Kovačovský]] and [[Marek Kvetán]]. Exhibited: [[Miloš Boďa]], [[Patrik Kovačovský]], [[Marek Kvetán]], and others.<br />
* ''6G - Computer graphics of six artists'', October [[2002]] in Gallery Z at Zichy Palace, [[Bratislava]]. Curated by Andrea Kopernická. Exhibited: [[Jozef Jankovič]], [[Viktor Hulík]], [[Stanislav Stankóci]], [[Róbert Jančovič]], [[Vojtech Kolenčík]], [[Svätopluk Mikyta]]. [http://www.artgallery.sk/vystavyvstupte.php?getGaleria=347&getStrana=1000]<br />
* ''Powered by Circulation'', 4-24 April [[2003]]. [[Zdeno Hlinka]]. Curated by [[Mária Rišková]]. At [[Buryzone]]. Digital prints from [[Circulation]] visual software synthesizer. [http://www.buryzone.sk/?go=1&id=36]<br />
* ''Digital@electronic graphic'', [[2004]], State gallery, Banská Bystrica. Curated by Alena Vrbanová. Exhibited: [[Vladimír Havrila]], [[Ivan Csudai]], [[Jozef Jankovič]], [[Michal Murin]], [[Miroslav Nicz]], [[Peter Rónai]], [[Svätopluk Mikyta]], Aneta Mona CHisa, Richard Fajnor, Robert Urbásek, Maroš Rovňák, Juraj Poliak, Marek Kvetán, Erik Binder, Patrik Kovačovský, Viktor Hulík, Roman Gálovský, Martin Gerboc, Marko Blažo, Pavlína Fichta Čierna, Martin Derner, Marek Kianička, Marianna Mlynarčíková. Reinstallation: Slovak institut, Budapest and East Slovakia Gallery, Košice in 2005.<br />
<br />
; Literature<br />
{{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=digitalprints-sk}}<br />
<br />
== New media art, Media culture (1990s-2000s) ==<br />
; Cities<br />
[[Banská Bystrica]], [[Banská Štiavnica]], [[Bratislava]], [[Kežmarok]], [[Košice]], [[Levoča]], [[Medzilaborce]], [[Michalovce]], [[Nitra]], [[Nové Zámky]], [[Považská Bystrica]], [[Prešov]], [[Šamorín]], [[Skalica]], [[Trenčín]], [[Trnava]], [[Žilina]].<br />
; Forms <br />
* digital signal processing and sound performances<br />
* visual performances<br />
* interactive software-based installations<br />
* computer animation<br />
* motion video<br />
* internet art<br />
; Exhibitions <br />
* ''Interactive installation, virtual reality, arteficial life'', 17-24 April [[2002]]. [[Ivor Diosi]]. Curated by [[Juraj Čarný]]. At [[SPACE Gallery]]. Part of [[Multiplace]] festival. http://www.multiplace.sk/2002/diosi.html<br><br />
* ''Športka'', 6 April [[2004]]. [[Erik Binder]] and [[Zdeno Hlinka]]. Processing and visualization of large set of winning numbers of Czechoslovak lottery system (1977-1993). At [[SPACE Gallery]], [[Bratislava]]. http://satori.sk/sportka.html<br />
* ''Processual design'', opened 17-24 April [[2005]]. [[Ján Šicko]]. Curated by [[Mária Rišková]]. At [[Galéria Veža]], [[Bratislava]]. Part of [[Multiplace]] festival. http://www.multiplace.sk/2005/?place=acte&id=3<br />
; Literature<br />
{{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=newmedia-sk}}<br />
; More<br />
* [[Digital art in Slovakia (1990s-2000s)]]<br />
<br />
== Bibliography ==<br />
* [[Bibliography of writings on media art in Slovakia]]<br />
* [[Bibliography of writings on media art (outside Slovakia) in Slovak]]<br />
<br />
==more==<br />
* [[Štefan Belohradský]]<br />
* [[Tamara Klimova]]<br />
* [[Miloš Urbásek]] <br />
<br />
<br />
{{MediaartinSlovakia}}<br />
<br />
{{Countries}}</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20725
Peter Machajdík
2012-01-23T07:57:13Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO (Milan Paľa)<br />
CD © 2011 Pavlik Records PA0092-2/9<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
* Petr Slabý, "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat", ''UNI'' 8, 2011 (Czech) [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/]<br><br />
* Zuzana Kizáková, "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel", ''Pravda'' 18 November, 2009 (Slovak) [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46]<br><br />
* Oliver Rehák, "Peter Machajdík: Vždy unikám z toho, k čomu kráča väčšina", ''Hudobný život'' 3, 2009 (Slovak) [http://www.hc.sk/src/hudobny_zivot_clanok.php?hz_clid=218&hzid=131&menutyp=archiv]<br><br />
<br />
<br />
[http://www.machajdik.de Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20724
Peter Machajdík
2012-01-23T07:55:42Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO 3 (Milan Paľa)<br />
CD © 2011 Pavlik Records<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
* Petr Slabý, "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat", ''UNI'' 8, 2011 (Czech) [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/]<br><br />
* Zuzana Kizáková, "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel", ''Pravda'' 18 November, 2009 (Slovak) [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46]<br><br />
* Oliver Rehák, "Peter Machajdík: Vždy unikám z toho, k čomu kráča väčšina", ''Hudobný život'' 3, 2009 (Slovak) [http://www.hc.sk/src/hudobny_zivot_clanok.php?hz_clid=218&hzid=131&menutyp=archiv]<br><br />
<br />
<br />
[http://www.machajdik.de Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20723
Peter Machajdík
2012-01-23T07:50:10Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO 3 (Milan Paľa)<br />
CD © 2011 Pavlik Records<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
* Petr Slabý, "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat", ''UNI'' 8, 2011 (Czech) [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/]<br><br />
* Zuzana Kizáková, "Peter Machajdík: Netvorím duchovnú hudbu. Ale hľadám zmysel", ''Pravda'' 18 November, 2009 (Slovak) [http://kultura.pravda.sk/machajdik-netvorim-duchovnu-hudbu-ale-hladam-zmysel-fyl-/sk_khudba.asp?c=A091114_173759_sk_khudba_p46]<br><br />
<br />
[http://www.machajdik.de Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20722
Peter Machajdík
2012-01-23T07:44:24Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO 3 (Milan Paľa)<br />
CD © 2011 Pavlik Records<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
* Petr Slabý, "Peter Machajdík: Baví mě skládat svobodně bez jakýchkoliv témat", ''UNI'' 8, 2011 (Czech) [http://magazinuni.cz/hudba/bavi-me-skladat-svobodne-bez-jakychkoliv-temat/]<br><br />
<br />
[http://www.machajdik.de Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20721
Peter Machajdík
2012-01-23T07:40:18Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO 3 (Milan Paľa)<br />
CD © 2011 Pavlik Records<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
<br />
<br />
[http://www.machajdik.de Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre Slovakia]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20720
Peter Machajdík
2012-01-23T07:39:10Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO 3 (Milan Paľa)<br />
CD © 2011 Pavlik Records<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
; Articles<br />
* Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", ''Kloaka'' 3, 2011 (Slovak) [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|PDF]]<br />
<br />
<br />
[http://www.machajdik.de Peter Machajdík's Official Web Site]<br><br />
[http://www.facebook.com/PeterMachajdikMusic Peter Machajdík on Facebook]<br><br />
[http://www.myspace.com/petermachajdikmusic Peter Machajdík on MySpace]<br><br />
[http://www.hc.sk/src/skladatel.php?lg=sk&oid=222 Peter Machajdík on Music Centre]<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Musicsolarium&diff=20557
Musicsolarium
2012-01-06T09:53:00Z
<p>Vadpost: </p>
<hr />
<div>Cycle of performances organised by [[SNEH]] in [[1993]]-[[1994]] in [[Bratislava]] including improvised music, experimental rock, live electronics, performance art, intermedia and multimedia projects. Concept by [[Peter Machajdík]] and [[Michal Murin]]. <br />
<br />
<br />
4 evenings:<br />
* July 1993, Boiler of the dilapitated swimming pool at Žižkova St., concert performance of the trio [[Jon Rose]] / [[Peter Machajdík]] / Peter Hollinger and concerts of alternative rock bands Vitebsk Broken ([[Martin Burlas]], [[Peter Machajdík]], Daniel Baláž) and Piecka A<br />
* September 1993, AF bookstore, [[Peter Machajdík]] with Tom Guralnick <br />
* 15 January 1994, concert by Požoň Sentimentál (composed program Jurassic Park), [[Phil Minton]]'s improvised jazz quartet (with Veryan Weston, John Butcher, Roger Turner)<br />
* June 1994, at the [[Evenings of New Music]], workshop by [[Hugh Davies]], installation by [[Jens Brand]] and Wald Riedl, performances by [[Vapori del Cuore]] (works by Burlas, Machajdík, Matej, Piaček, Earl Brown, David Dramm), performance of the saxophone quartet Rova (Bruce Ackley, Steve Adams, Larry Ochs, Jon Raskin)</div>
Vadpost
https://monoskop.org/index.php?title=Musicsolarium&diff=20556
Musicsolarium
2012-01-06T09:42:47Z
<p>Vadpost: </p>
<hr />
<div>Cycle of performances organised by [[SNEH]] in [[1993]]-[[1994]] in [[Bratislava]] including improvised music, experimental rock, live electronics, performance art, intermedia and multimedia projects. Concept by [[Peter Machajdík]] and [[Michal Murin]]. <br />
<br />
<br />
4 evenings:<br />
* July 1993, Boiler of the dilapitated swimming pool at Žižkova St., concert performance of the trio [[Jon Rose]] / [[Peter Machajdík]] / Peter Hollinger and concerts of alternative rock bands Vitebsk Broken ([[Martin Burlas]], [[Peter Machajdík]], Daniel Baláž) and Piecka A<br />
* September 1993, AF bookstore, [[Peter Machajdík]] with Tom Gurallnick <br />
* 15 January 1994, concert by Požoň Sentimentál (composed program Jurassic Park), [[Phil Minton]]'s improvised jazz quartet (with Veryan Weston, John Butcher, Roger Turner)<br />
* June 1994, at the [[Evenings of New Music]], workshop by [[Hugh Davies]], installation by [[Jens Brand]] and Wald Riedl, performances by [[Vapori del Cuore]] (works by Burlas, Machajdík, Matej, Piaček, Earl Brown, David Dramm), performance of the saxophone quartet Rova (Bruce Ackley, Steve Adams, Larry Ochs, Jon Raskin)</div>
Vadpost
https://monoskop.org/index.php?title=Musicsolarium&diff=20555
Musicsolarium
2012-01-06T09:41:04Z
<p>Vadpost: </p>
<hr />
<div>Cycle of performances organised by [[SNEH]] in [[1993]]-[[1994]] in [[Bratislava]] including improvised music, experimental rock, live electronics, performance art, intermedia and multimedia projects. Concept by [[Peter Machajdík]] and [[Michal Murin]]. <br />
<br />
<br />
4 evenings:<br />
* July 1993, Boiler of the dilapitated swimming pool at Žižkova St., concert performance of the trio [[Jon Rose]] / [[Peter Machajdík]] / Peter Hollinger and concerts of alternative rock bands Vitebsk Broken ([[Martin Burlas]], [[Peter Machajdík]], Daniel Baláž) and Piecka A<br />
* September 1993, AF bookstore, [[Peter Machajdík]] with Tom Gurallnick <br />
* 15 January 1994, concert by Požoň Sentimentál (composed program Jurassic Park), [[Phil Minton]]'s improvised jazz quartet (with Veryan Weston, John Butcher, Roger Turner)<br />
* June 1994, at the [[Evenings of New Music]], workshop by [[Hugh Davies]], installation by [[Jens Brand]] and Wald Riedl, performances by [[Vapori del Cuore]] (pieces by Burlas, Machajdík, Matej, Piaček, Earl Brown, David Dramm), performance by saxophone quartet Rova (Bruce Ackley, Steve Adams, Larry Ochs, Jon Raskin)</div>
Vadpost
https://monoskop.org/index.php?title=Musicsolarium&diff=20554
Musicsolarium
2012-01-06T09:38:18Z
<p>Vadpost: </p>
<hr />
<div>Cycle of performances organised by [[SNEH]] in [[1993]]-[[1994]] in [[Bratislava]] including improvised music, experimental rock, live electronics, performance art, intermedia and multimedia projects. Concept by [[Peter Machajdík]] and [[Michal Murin]]. <br />
<br />
<br />
4 evenings:<br />
* July 1993, boiler of the dilapitated swimming pool at Žižkova st., performance of the trio [[Jon Rose]] / [[Peter Machajdík]] / Peter Hollinger, alternative rock concerts by Vitebsk Broken and Piecka A<br />
* September 1993, AF bookstore, [[Peter Machajdík]] with Tom Gurallnick <br />
* 15 January 1994, concert by Požoň Sentimentál (composed program Jurassic Park), [[Phil Minton]]'s improvised jazz quartet (with Veryan Weston, John Butcher, Roger Turner)<br />
* June 1994, at the [[Evenings of New Music]], workshop by [[Hugh Davies]], installation by [[Jens Brand]] and Wald Riedl, performances by [[Vapori del Cuore]] (pieces by Burlas, Machajdík, Matej, Piaček, Earl Brown, David Dramm), performance by saxophone quartet Rova (Bruce Ackley, Steve Adams, Larry Ochs, Jon Raskin)</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20546
SNEH
2012-01-05T20:03:46Z
<p>Vadpost: </p>
<hr />
<div>The '''Society for Non-conventional Music''' [SNEH] was founded by Milan Adamčiak, [[Peter Machajdík]] and [[Michal Murin]] in Bratislava in January [[1990]] as a part of the Music Association. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and concert performances of [[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, trio [[Jon Rose]]/Peter Hollinger/[[Peter Machajdík]], Nicolas Collins, Phil Minton, and others. In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik Club in Bratislava in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] in Bratislava in June 1993).<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (moved to [[Berlin]] in 1992), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20545
SNEH
2012-01-05T20:03:08Z
<p>Vadpost: </p>
<hr />
<div>The '''Society for Non-conventional Music''' was founded by Milan Adamčiak, [[Peter Machajdík]] and [[Michal Murin]] in Bratislava in January [[1990]] as a part of the Music Association. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and concert performances of [[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, trio [[Jon Rose]]/Peter Hollinger/[[Peter Machajdík]], Nicolas Collins, Phil Minton, and others. In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik Club in Bratislava in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] in Bratislava in June 1993).<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (moved to [[Berlin]] in 1992), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20544
SNEH
2012-01-05T20:02:32Z
<p>Vadpost: </p>
<hr />
<div>The '''Society for Non-conventional Music''' was founded by Milan Adamčiak, [[Peter Machajdik]] and [[Michal Murin]] in Bratislava in January [[1990]] as a part of the Music Association. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and concert performances of [[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, trio [[Jon Rose]]/Peter Hollinger/[[Peter Machajdík]], Nicolas Collins, Phil Minton, and others. In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik Club in Bratislava in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] in Bratislava in June 1993).<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (moved to [[Berlin]] in 1992), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20543
SNEH
2012-01-05T19:59:24Z
<p>Vadpost: </p>
<hr />
<div>'''Society for Non-conventional Music''' was founded in January [[1990]] as a part of the Music Association by Milan Adamčiak, Peter Machajdik, Michal Murin. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and concert performances of [[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, trio [[Jon Rose]]/Peter Hollinger/[[Peter Machajdík]], Nicolas Collins, Phil Minton, and others. In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik Club in Bratislava in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] in Bratislava in June 1993).<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (moved to [[Berlin]] in 1992), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20542
SNEH
2012-01-05T19:56:45Z
<p>Vadpost: </p>
<hr />
<div>'''Society for Non-conventional Music''' was founded in January [[1990]] as a part of the Music Association by Milan Adamčiak, Peter Machajdik, Michal Murin. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and concert performances of [[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, trio [[Jon Rose]]/Peter Hollinger/[[Peter Machajdík]], Nicolas Collins, Phil Minton, and others. In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik Club in Bratislava in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] in Bratislava in June 1993).<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (in 1992 left to [[Berlin]]), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=Jon_Rose&diff=20541
Jon Rose
2012-01-05T19:54:19Z
<p>Vadpost: </p>
<hr />
<div>Jon Rose is an Australian violinist born in the UK in 1951. Rose began playing violin at age 7 after winning a music scholarship to King's School in Rochester. For over 35 years, Rose has been at the sharp end of new, improvised, and experimental music and media. A polymath, he is at much at home creating large environmental multi-media works as he is playing the violin on a concert stage. Central to this practice has been 'The Relative Violin' project, a unique output, rich in content, realising almost everything on, with, and about the violin and string music in general. Most celebrated is the worldwide Fence project; least known are the relative violins created specifically for and in Australia.<br />
<br />
He has appeared on over 60 albums, and worked with artists such as Kronos Quartet, Derek Bailey, Fred Frith, Shelley Hirsh, Chris Cutler, Otomo Yoshihide, KK Null, Alvin Curran, Evan Parker, Phil Minton, John Cage, Tony Oxley, Steve Beresford, Eugene Chadbourne, Bob Ostertag, Jim Denley, Elliott Sharp, George Lewis, Christian Marclay, Toshinori Kondo, Joelle Leandre, Frances-Marie Uitti, Barre Phillips, [[Július Fujak]], [[Peter Machajdík]], and [[John Zorn]].<br />
<br />
Throughout the 1970's, first in England and then in Australia (from 1976), he played, composed, and studied in a variety of genres: from sitar playing to country & western, from new music composition to commercial studio session work, from bebop to Italian club bands, from big band serial composition to sound installations. He became the central and best-known figure in the development of free improvisation and sound art in Australia, performing either solo, with fellow improvisers such as Rik Rue and Jim Denley, or with an international pool of improvising performers called The Relative Band. In 1977, he started Australia’s first musician run collective for the promotion and recording of improvised music, Fringe Benefit. The collaborative LP Tango (Hot Records) in 1983 with Martin Wesley-Smith was a world first in violin and (Fairlight) sampling improvisation.<br />
<br />
In 1986, he moved to [[Berlin]] in order to more fully realize his ongoing project, The Relative Violin, which is the development of a total artform based around the one instrument. This prompted innovation in the fields of new instrument design (over 20 deconstructed violin instruments including the legendary Double Piston Triple-neck Wheeling Violin), in environmental performance (such as bowing fences in the Australian outback), in new instrumental techniques (tested sometimes in uninterrupted marathon concerts of up to twelve hours), and in both analog (built into the violins themselves) and interactive electronics. His alternative, personal, and revised history for the violin used the mediums of radio (over 30 major international productions for radio stations like ABC, BBC, WDR, SR, BR, Radio France, RAI, ORF, and SFB), live-performance film (In the 1980s, he integrated Super 8 into his worldwide performances.), video, and television (ZDF).<br />
<br />
In the area of interactive electronics, his work is considered exemplary, having pioneered the use of the MIDI bow in the Hyperstring project in the 1980s in conjunction with the Steim Institute, Amsterdam, and with whom he continues to collaborate, often in interactive projects involving sport, games, or the environment. Another phenomena since 1980 is the violin-playing dynasty known as “The Rosenbergs,” part quasi-biographical appendage and part surrealist satire.<br />
<br />
In 2002 he set up the Australia Ad Lib website for the Australian Broadcasting Corporation: an interactive guide to the wild, the weird, and the vernacular in Australian music.<br />
<br />
Recently Jon Rose realised the bicycle-powered media performance Pursuit in Sydney and Hobart; performed a completely new and improvised solo part for the Tchaikovsky Violin Concerto with the BBC Scottish Symphony Orchestra conducted by Ilan Volkov; created two radiophonic works for the BBC on the history of the piano and the first Aboriginal string orchestra in 19th century Australia; concertized in Europe with musicians such as Veryan Weston, Johannes Bauer, Thomas Lehn, Aleks Kolkowksi, Chris Cutler, and Hollis Taylor; premiered his interactive multi-media commission “Internal Combustion” for violin and orchestra at The Philharmonic, Berlin; played the USA/Mexico border fence; and was apprehended by the Israeli Defence Forces at the Separation Fence near Ramallah in the Occupied Territories. His latest string trio, Strike, features two young Australian double bass virtuosos: Clayton Thomas and Mike Majowski.<br />
<br />
Rose has appeared at numerous music festivals throughout the world, including Strasbourg New Music Festival, New Music America, Moers New Jazz Festival, European Media Festival, The Vienne Festival, Ars Electronica, Northsea Jazz Festival, Dukumenta, Roma-Europa Festival, Festival D'Automne, Festival Musique Actuelle, and the Berlin Jazz Festival. Rose also curates his own festival, String 'Em Up, which focuses on innovative use of stringed instruments. The festival has travelled to Berlin, Rotterdam, New York, and Paris.</div>
Vadpost
https://monoskop.org/index.php?title=Jon_Rose&diff=20540
Jon Rose
2012-01-05T19:50:31Z
<p>Vadpost: </p>
<hr />
<div>Jon Rose is an Australian violinist born in the UK in 1951. Rose began playing violin at age 7 after winning a music scholarship to King's School in Rochester. For over 35 years, Rose has been at the sharp end of new, improvised, and experimental music and media. A polymath, he is at much at home creating large environmental multi-media works as he is playing the violin on a concert stage. Central to this practice has been 'The Relative Violin' project, a unique output, rich in content, realising almost everything on, with, and about the violin and string music in general. Most celebrated is the worldwide Fence project; least known are the relative violins created specifically for and in Australia.<br />
<br />
He has appeared on over 60 albums, and worked with artists such as Kronos Quartet, Derek Bailey, Fred Frith, Shelley Hirsh, Chris Cutler, Otomo Yoshihide, KK Null, Alvin Curran, Evan Parker, Phil Minton, John Cage, Tony Oxley, Steve Beresford, Eugene Chadbourne, Bob Ostertag, Jim Denley, Elliott Sharp, George Lewis, Christian Marclay, Toshinori Kondo, Joelle Leandre, Frances-Marie Uitti, Barre Phillips, Julo Fujak, Peter Machajdík, and John Zorn.<br />
<br />
Throughout the 1970's, first in England and then in Australia (from 1976), he played, composed, and studied in a variety of genres: from sitar playing to country & western, from new music composition to commercial studio session work, from bebop to Italian club bands, from big band serial composition to sound installations. He became the central and best-known figure in the development of free improvisation and sound art in Australia, performing either solo, with fellow improvisers such as Rik Rue and Jim Denley, or with an international pool of improvising performers called The Relative Band. In 1977, he started Australia’s first musician run collective for the promotion and recording of improvised music, Fringe Benefit. The collaborative LP Tango (Hot Records) in 1983 with Martin Wesley-Smith was a world first in violin and (Fairlight) sampling improvisation.<br />
<br />
In 1986, he moved to Berlin in order to more fully realize his ongoing project, The Relative Violin, which is the development of a total artform based around the one instrument. This prompted innovation in the fields of new instrument design (over 20 deconstructed violin instruments including the legendary Double Piston Triple-neck Wheeling Violin), in environmental performance (such as bowing fences in the Australian outback), in new instrumental techniques (tested sometimes in uninterrupted marathon concerts of up to twelve hours), and in both analog (built into the violins themselves) and interactive electronics. His alternative, personal, and revised history for the violin used the mediums of radio (over 30 major international productions for radio stations like ABC, BBC, WDR, SR, BR, Radio France, RAI, ORF, and SFB), live-performance film (In the 1980s, he integrated Super 8 into his worldwide performances.), video, and television (ZDF).<br />
<br />
In the area of interactive electronics, his work is considered exemplary, having pioneered the use of the MIDI bow in the Hyperstring project in the 1980s in conjunction with the Steim Institute, Amsterdam, and with whom he continues to collaborate, often in interactive projects involving sport, games, or the environment. Another phenomena since 1980 is the violin-playing dynasty known as “The Rosenbergs,” part quasi-biographical appendage and part surrealist satire.<br />
<br />
In 2002 he set up the Australia Ad Lib website for the Australian Broadcasting Corporation: an interactive guide to the wild, the weird, and the vernacular in Australian music.<br />
<br />
Recently Jon Rose realised the bicycle-powered media performance Pursuit in Sydney and Hobart; performed a completely new and improvised solo part for the Tchaikovsky Violin Concerto with the BBC Scottish Symphony Orchestra conducted by Ilan Volkov; created two radiophonic works for the BBC on the history of the piano and the first Aboriginal string orchestra in 19th century Australia; concertized in Europe with musicians such as Veryan Weston, Johannes Bauer, Thomas Lehn, Aleks Kolkowksi, Chris Cutler, and Hollis Taylor; premiered his interactive multi-media commission “Internal Combustion” for violin and orchestra at The Philharmonic, Berlin; played the USA/Mexico border fence; and was apprehended by the Israeli Defence Forces at the Separation Fence near Ramallah in the Occupied Territories. His latest string trio, Strike, features two young Australian double bass virtuosos: Clayton Thomas and Mike Majowski.<br />
<br />
Rose has appeared at numerous music festivals throughout the world, including Strasbourg New Music Festival, New Music America, Moers New Jazz Festival, European Media Festival, The Vienne Festival, Ars Electronica, Northsea Jazz Festival, Dukumenta, Roma-Europa Festival, Festival D'Automne, Festival Musique Actuelle, and the Berlin Jazz Festival. Rose also curates his own festival, String 'Em Up, which focuses on innovative use of stringed instruments. The festival has travelled to Berlin, Rotterdam, New York, and Paris.</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20539
SNEH
2012-01-05T19:49:15Z
<p>Vadpost: </p>
<hr />
<div>'''Society for Non-conventional Music''' founded in January [[1990]] as a part of Music Association by Milan Adamčiak, Peter Machajdik, Michal Murin. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and concert performances of [[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, trio [[Jon Rose]]/Peter Hollinger/[[Peter Machajdík]], Nicolas Collins, Phil Minton, and others. In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik Club in Bratislava in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] in Bratislava in June 1993).<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (in 1992 left to [[Berlin]]), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20538
SNEH
2012-01-05T18:47:23Z
<p>Vadpost: </p>
<hr />
<div>'''Society for Non-conventional Music''' founded in January [[1990]] as a part of Music Association by Milan Adamčiak, Peter Machajdik, Michal Murin. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and concert performances of [[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, Jon Rose, Nicolas Collins, Phil Minton, and others. In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik Club in Bratislava in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] in Bratislava in June 1993).<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (in 1992 left to [[Berlin]]), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20537
Peter Machajdík
2012-01-05T15:24:06Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO 3 (Milan Paľa)<br />
CD © 2011 Pavlik Records<br />
- MINIMAL HARP (Floraleda Sacchi)<br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NUOVE MUSICE PER TROMBA 6 (Ivano Ascari) <br />
CD © 2088 AZ 5005<br />
- NAMASTE SUITE (Guido Arbonelli)<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
Composer's official web site http://www.machajdik.de<br><br />
http://www.facebook.com/PeterMachajdikMusic<br><br />
http://www.myspace.com/petermachajdikmusic<br><br />
http://www.hc.sk/src/skladatel.php?lg=sk&oid=222<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20536
Peter Machajdík
2012-01-05T15:22:02Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- VIOLIN SOLO 3<br />
CD © 2011 Pavlik Records<br />
- MINIMAL HARP <br />
CD © 2009 Universal/Decca 476 3856<br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008 <br />
CD © 2008 Czech Radio<br />
- NAMASTE SUITE <br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY <br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL <br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
Composer's official web site http://www.machajdik.de<br><br />
http://www.facebook.com/PeterMachajdikMusic<br><br />
http://www.myspace.com/petermachajdikmusic<br><br />
http://www.hc.sk/src/skladatel.php?lg=sk&oid=222<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20535
Peter Machajdík
2012-01-05T15:16:30Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE (CD © 2011 AA 11003)<br />
- MINIMAL HARP (CD © 2009 Universal/Decca 476 3856) <br />
- NAMAH (CD © 2008 musica slovaca SF 00542131)<br />
- R(A)DIO(CUSTICA) SELECTED 2008 (CD © 2008 Czech Radio)<br />
- NAMASTE SUITE (CD © 2003 Mnemes HCD 102) <br />
- THE RÈR QUARTERLY (CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401)<br />
- POŽON SENTIMENTÁL (CD © 2000 musica slovaca SF 00252131)<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
Composer's official web site http://www.machajdik.de<br><br />
http://www.facebook.com/PeterMachajdikMusic<br><br />
http://www.myspace.com/petermachajdikmusic<br><br />
http://www.hc.sk/src/skladatel.php?lg=sk&oid=222<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20534
Peter Machajdík
2012-01-05T15:14:49Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Discography:<br />
<br />
- INSIDE THE TREE <br />
CD © 2011 AA 11003<br />
- MINIMAL HARP<br />
CD © 2009 Universal/Decca 476 3856 <br />
- NAMAH <br />
CD © 2008 musica slovaca SF 00542131<br />
- R(A)DIO(CUSTICA) SELECTED 2008<br />
CD © 2008 Czech Radio<br />
- NAMASTE SUITE<br />
CD © 2003 Mnemes HCD 102 <br />
- THE RÈR QUARTERLY<br />
CD © QUARTERLY, ReR Volume 4 No 1 CD - ReR 0401<br />
- POŽON SENTIMENTÁL<br />
CD © 2000 musica slovaca SF 00252131<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
Composer's official web site http://www.machajdik.de<br><br />
http://www.facebook.com/PeterMachajdikMusic<br><br />
http://www.myspace.com/petermachajdikmusic<br><br />
http://www.hc.sk/src/skladatel.php?lg=sk&oid=222<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20533
Peter Machajdík
2012-01-05T15:08:54Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world. Machajdík scored films such as 'Vier Schüler gegen Stalin' by Hanno Brühl, 'Návrat rysov' (Miloš and the Lynxes), 'Cesty Slovenskom' (Accross Slovakia) by Tomáš Hulík, and others.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
Composer's official web site http://www.machajdik.de<br><br />
http://www.facebook.com/PeterMachajdikMusic<br><br />
http://www.myspace.com/petermachajdikmusic<br><br />
http://www.hc.sk/src/skladatel.php?lg=sk&oid=222<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20532
Peter Machajdík
2012-01-05T15:01:24Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, [[Transmusic comp.]], Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
<br />
Composer's official web site http://www.machajdik.de<br><br />
http://www.facebook.com/PeterMachajdikMusic<br><br />
http://www.myspace.com/petermachajdikmusic<br><br />
http://www.hc.sk/src/skladatel.php?lg=sk&oid=222<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=Peter_Machajd%C3%ADk&diff=20531
Peter Machajdík
2012-01-05T14:53:51Z
<p>Vadpost: </p>
<hr />
<div>Composer, performer and sound artist [[Peter Machajdík]] was born in [[Bratislava]] in 1961.<br />
<br />
At six, he began music lessons and at seven, took up the piano. In the 1980's he was not accepted into the Music Academy of Bratislava because his concept of music, at that time, was heavily influenced by the Western avant-garde. At 27, Machajdík graduated from the University of Economics in Bratislava.<br />
<br />
Peter Machajdík first became internationally recognised after the success of his multi media work Intimate Music featuring [[David Moss]] at Inventionen 1994 in Berlin. His prolific output has since been performed and broadcast around the world, placing him in the front rank of today’s composers. His major works include Double Bayan Concerto, Nell'autunno del suo abbraccio insonne for Italian harpist Floraleda Sacchi, Nájdené zabudnuté for orchestra, and Namah 'for peace on earth' for string orchestra which was premiered by conductor Anu Tali at the Concert Hall of the Slovak Radio Bratislava in 2002, and was also a featured work at both the Epoche and Divertimento Musicale festivals in 2006. The CD Namah with guest appearances such as [[Jon Anderson]] of Yes, Floraleda Sacchi, [[David Moss]], Guido Arbonelli and others was released on musica slovaca label in October 2008.<br />
<br />
Machajdík has received numerous commissions and awards from, among others, the Kulturfonds Foundation, Russolo-Pratella Foundation, Slovak Music Fund, Czech Radio, German Accordion Society, Bratislava Music Festival, and International Visegrad Fund. In 1992 he was invited to live and work in [[Berlin]] as a guest of the prestigious DAAD Künstlerprogramm. Machajdík was also the artist in residence at Schloss Wiepersdorf, Germany, at Künstlerhäuser Worpswede, Germany, and at Künstlerhaus Lukas in Ahrenshoop on the German Baltic coast. In 2006 he was awarded the Jan Levoslav Bella Prize, the most significant classical music award in Slovakia.<br />
<br />
Since 1985, Machajdík's works have been performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Inventionen, [[Berlin]]; New Work Festival, Calgary; Hörgänge, Vienna; young.euro.classic, [[Berlin]]; Nuovi Spazi Musicali, Rome; Melos-Ethos, Bratislava; Kunstforum Ostdeutsche Galerie, Regensburg; 5 Giornate per la Nuova Musica, Milano; Festival de Jazz et Musiques d'Aujourd'hui, Mulhouse; Kunstverein Wien, Vienna; Bremer Kunstfrühling, Bremen; Review of Composers, Belgrade; [[Audio Art Festival]], Cracow, as well as in the Netherlands, Belgium, Canada, Switzerland, Denmark, Portugal, Uruguay, the Czech and Slovak Republics, the United Arab Emirates, and the U.S.A. Some of the venues where his compositions have received their first performances include Deutsche Oper Berlin, Slovak Philharmonic Hall Bratislava, Konzerthaus Berlin, Tenri Cultural Institute New York, Ignacy Paderewski Pomeranian Philharmonic Hall, Adolphus Busch Hall Cambridge (MA), and Sala Filarmonica in Trento. Performers of Machajdík's music have included artists such as [[David Moss]], Floraleda Sacchi, Carson Cooman, Elina Mustonen, Guido Arbonelli, Rocco Anthony Jerry, Boris Lenko, Milan Paľa, Natalia Pshenichnikova, Mayuko Kida, Piet Van Bockstal, conductors Anu Tali, Miran Vaupotić, Peter Breiner, Maria Makraki, Marián Lejava, Ondřej Kukal, Aleksander Gref and Karol Kevický, the Janáček Philharmonic Orchestra, the State Philharmonic Orchestra of Košice, ARTE Quartett, Slovak Chamber Orchestra, AccoDuo, Camerata Europea, Lugansk Symphony Orchestra, Ignacy Jan Paderewski Pomeranian Philharmonic, Quasars Ensemble, Veni Ensemble, Zwiebel Quartet, Slovenian Clarinet Quartet, and many others.<br />
<br />
Machajdík has also worked and performed with [[Jon Rose]], [[Nicolas Collins]], Dietmar Diesner, Malcolm Goldstein, Tom Guralnick, Peter Hollinger, [[Heiner Goebbels]], [[Martin Burlas]], Luc Houtkamp, and many others.<br />
<br />
Machajdík's interest in other performing arts and in collaborations led him to compose numerous works for film, theatre, modern dance companies and visual artists. He was co-founder of the [[Transmusic comp.]], which introduced mixed-media, free improvisation and performance work in former Czechoslovakia. In the late 1970s and early 1980s he had smuggled some of his compositions to the famous American minimalist duo George Cup & Steve Elliott, who used his music in their video works.<br />
<br />
Machajdík has lectured on new music and sound art, led workshops, and curated festivals of contemporary music and multimedia art. His music has been broadcast many times on radio and TV all over the world.<br />
<br />
Machajdik often chooses to compose his works in solitary places. His compositions draw on several sources of inspiration, especially from the polyphony and modal harmonies of early music. In recent years Machajdík's works have been typified by both economy of material and stringency of method, thereby demonstrating that what may be simple musical language can nevertheless be powerful. Also elements such as controlled use of dissonance, sustained sonorities, inconspicuous melodic motion and frequent use of minor tonalities apply to Machajdík's compositional style. Most of his compositions have a meditative character.<br />
<br />
Machajdik currently resides in north west [[Prague]].<br />
<br />
<br />
Composer's official web site http://www.machajdik.de<br><br />
http://www.facebook.com/PeterMachajdikMusic<br><br />
http://www.myspace.com/petermachajdikmusic<br><br />
http://www.hc.sk/src/skladatel.php?lg=sk&oid=222<br><br />
http://www.osobnosti.sk/index.php?os=zivotopis&ID=58839<br />
<br />
See also: [[Slovakia#Electroacoustic_music]]<br />
<br />
[[Category:Electroacoustic music|Machajdik, Peter]]</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20530
SNEH
2012-01-05T14:49:32Z
<p>Vadpost: </p>
<hr />
<div>'''Society for Non-conventional Music''' founded in January [[1990]] as a part of Music Association by Milan Adamčiak, Peter Machajdik, Michal Murin. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and individual concerts ([[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, Jon Rose, Nicolas Collins, Phil Minton, and others). In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik Club in Bratislava in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] in Bratislava in June 1993).<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (in 1992 left to [[Berlin]]), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20529
SNEH
2012-01-05T14:47:00Z
<p>Vadpost: </p>
<hr />
<div>'''Society for Non-conventional Music''' founded in January [[1990]] as a part of Music Association by Milan Adamčiak, Peter Machajdik, Michal Murin. SNEH organised festivals such as [[Convergences]] in [[1990]] and [[FIT - Festival of intermedia creativity]] in [[1991]]-[[1992]], co-organised the [[San Francisco Performance Art Festival]] in [[1991]], the concert cycle [[Musicsolarium]] in [[1993]]-[[1994]], and individual concerts ([[Richard Teitelbaum]], [[Transmusic comp.]], Hugh Davies, Phil Niblock, Jon Rose, Nicolas Collins, Phil Minton, and others). In [[1995]]-[[2003]], SNEH organised the [[Sound Off]] music festival. Since [[1995]], SNEH has published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik club in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] on June 1993).<br />
<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (in 1992 left to [[Berlin]]), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost
https://monoskop.org/index.php?title=SNEH&diff=20528
SNEH
2012-01-05T14:40:55Z
<p>Vadpost: </p>
<hr />
<div>'''Society for Non-conventional Music''' founded in January [[1990]] as a part of Music Association by Milan Adamčiak, Peter Machajdik, Michal Murin. In [[1990]] organised [[Convergences]] festival, in [[1991]]-[[1992]] [[FIT - Festival of intermedia creativity]], in [[1991]] co-organised [[San Francisco Performance Art Festival]], in [[1993]]-[[1994]] cycle [[Musicsolarium]], and individual concerts ([[Richard Teitelbaum]], Hugh Davies, Phil Niblock, Jon Rose, Nicolas Collins, Phil Minton..). In [[1995]]-[[2003]] organised [[Sound Off]] music festival. Since [[1995]] published a number of publications ([[Avalanches 1990-1995]], ed. by [[Michal Murin]], edition G.L.A.C.I.E.S. ([[J. Cage, M. Feldman: Radio Happenings I – V.]], K Langerová: Genesis of an art sense).<br />
<br />
Besides other artists invited to [[Bratislava]] [[Richard Teitelbaum]] (performance at the Rock Fabrik club in June 1992), [[Phil Niblock]] (performance and installation at the [[Evenings of New Music]] on June 1993).<br />
<br />
<br />
President: [[Milan Adamčiak]] (1990 - November 1993), [[Michal Murin]] (since November 1993).<br><br />
Members: Milan Adamčiak, [[Peter Machajdík]] (in 1992 left to [[Berlin]]), [[Michal Murin]], Peter Horváth, [[Olga Smetanová]], Peter Martinček, Peter Cón, [[Zbyněk Prokop]], [[Jozef Cseres]] .<br><br />
Group Members: [[Balvan]] (1987 - 92), [[Transmusic comp.]] (1989-96)<br />
<br />
<br />
http://www.radioart.sk/avr/visuopage.php?id=117<br><br />
http://www.radioart.sk/avr/visuopage.php?id=124<br><br />
Piano Hotel Sound Off 1997, http://www.radioart.sk/doc/soundoff97/ (Slovak)</div>
Vadpost