https://monoskop.org/api.php?hidemyself=1&hidebots=1&hideminor=1&urlversion=1&days=30&limit=50&target=Performance_art&action=feedrecentchanges&feedformat=atom
Monoskop - Changes related to "Performance art" [en]
2024-03-28T12:33:40Z
Related changes
MediaWiki 1.33.0
https://monoskop.org/index.php?title=East_Central_Europe&diff=124364&oldid=124107
East Central Europe
2024-03-28T09:31:07Z
<p><span dir="auto"><span class="autocomment">Writers, historians, theorists, critics</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:31, 28 March 2024</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Ondřej Trhoň]] (1993), writer, cultural critic and game artist</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Ondřej Trhoň]] (1993), writer, cultural critic and game artist</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Jasmina Tumbas]], associate professor of contemporary art history and performance studies at SUNY Buffalo</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Jasmina Tumbas]], associate professor of contemporary art history and performance studies at SUNY Buffalo</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [[Lucia Udvardyová]], music journalist, curator and organiser</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Jiří Valoch]] (1946), art historian, curator, artist and poet</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Jiří Valoch]] (1946), art historian, curator, artist and poet</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Guy van Belle]], experimental artist, musician and writer</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Guy van Belle]], experimental artist, musician and writer</div></td></tr>
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Dusan
https://monoskop.org/index.php?title=1990s&diff=124361&oldid=124045
1990s
2024-03-28T09:25:48Z
<p><span dir="auto"><span class="autocomment">Germany</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:25, 28 March 2024</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Babias1995}}Marius Babias (ed.), ''Im Zentrum der Peripherie. Kunstvermittlung und Vermittlungskunst in den 90er Jahren. Texte-Interviews-Projekte'', Dresden: Verlag der Kunst (Fundus-Bücher 128), 1995, 351 pp. [https://www.via-regia.org/bibliothek/pdf/heft2627/babias_zentrum.pdf Excerpt]. [https://d-nb.info/943955475/04 TOC]. Review: [https://www.kunstforum.de/artikel/im-zentrum-der-peripherie/ Pesch] (Kunstforum). {{de}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Babias1995}}Marius Babias (ed.), ''Im Zentrum der Peripherie. Kunstvermittlung und Vermittlungskunst in den 90er Jahren. Texte-Interviews-Projekte'', Dresden: Verlag der Kunst (Fundus-Bücher 128), 1995, 351 pp. [https://www.via-regia.org/bibliothek/pdf/heft2627/babias_zentrum.pdf Excerpt]. [https://d-nb.info/943955475/04 TOC]. Review: [https://www.kunstforum.de/artikel/im-zentrum-der-peripherie/ Pesch] (Kunstforum). {{de}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{a|messe2ok1996}}</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></gallery></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* ''[[:File:Messe 2ok 1996.pdf|Messe 2ok: ökonoMiese machen]]'', eds. Alice Creischer, Dierk Schmidt, and Andreas Siekmann, Cologne/Berlin: Permanent Press, 1996, 120 pp. A reader from a fair for political initiatives and art groups, organised by Alice Creischer, Andreas Siekmann, Birger Huebel, Michaela Odinius and Dierk Schmidt; took place parallel to Art Cologne 1995. {{de}}</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|dagegendabei}}Hans-Christian Dany, Ulrich Dörrie, Bettina Sefkow (eds.), ''dagegen-dabei. Texte, Gespräche und Dokumente zu Strategien der Selbstorganisation seit 1969'', Hamburg: Kellner, 1998, 336 pp. Exh. series held at Kunstverein in Hamburg, 1.11.–18.12.1994, 8.1.–5.2.1995. Exh. reviews: [https://www.frieze.com/article/dagegen-dabei-production-strategy-art-projects-1969 Babias] (Frieze), [https://www.kunstforum.de/artikel/dagegen-dabei-2/ Babias] (Kunstforum), [https://taz.de/!1529017/ Schiff] (taz). Review: [https://www.springerin.at/1998/4/lektuere/dagegen-dabei/ Grzonka] (springerin). [http://web.archive.org/web/20070607145715/www.beatnet.de/public_html/docs/books/dag_dab.html] [https://www.bildwechsel.org/portal/bettinasefkow.html] {{de}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|dagegendabei}}Hans-Christian Dany, Ulrich Dörrie, Bettina Sefkow (eds.), ''dagegen-dabei. Texte, Gespräche und Dokumente zu Strategien der Selbstorganisation seit 1969'', Hamburg: Kellner, 1998, 336 pp. Exh. series held at Kunstverein in Hamburg, 1.11.–18.12.1994, 8.1.–5.2.1995. Exh. reviews: [https://www.frieze.com/article/dagegen-dabei-production-strategy-art-projects-1969 Babias] (Frieze), [https://www.kunstforum.de/artikel/dagegen-dabei-2/ Babias] (Kunstforum), [https://taz.de/!1529017/ Schiff] (taz). Review: [https://www.springerin.at/1998/4/lektuere/dagegen-dabei/ Grzonka] (springerin). [http://web.archive.org/web/20070607145715/www.beatnet.de/public_html/docs/books/dag_dab.html] [https://www.bildwechsel.org/portal/bettinasefkow.html] {{de}}</div></td></tr>
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Dusan
https://monoskop.org/index.php?title=The_Kitchen&diff=124332&oldid=120281
The Kitchen
2024-03-27T15:09:21Z
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:09, 27 March 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(2 intermediate revisions by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l14" >Line 14:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Nathan Lee, [http://as-ap.org/oralhistories/interviews/interview-debra-singer-executive-director-and-chief-curator-kitchen-0 "Interview with Debra Singer, Executive Director and Chief Curator, The Kitchen"], ''Art Spaces Archives Project'', Aug 2010. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Nathan Lee, [http://as-ap.org/oralhistories/interviews/interview-debra-singer-executive-director-and-chief-curator-kitchen-0 "Interview with Debra Singer, Executive Director and Chief Curator, The Kitchen"], ''Art Spaces Archives Project'', Aug 2010. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Miloš Vojtěchovský, [https://artalk.cz/2021/03/12/the-kitchen-jako-fermentacni-kotel-elektronickeho-umeni/ "The Kitchen jako fermentační kotel elektronického umění"], ''Artalk.cz'', 12 Mar 2021. {{cz}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Miloš Vojtěchovský, [https://artalk.cz/2021/03/12/the-kitchen-jako-fermentacni-kotel-elektronickeho-umeni/ "The Kitchen jako fermentační kotel elektronického umění"], ''Artalk.cz'', 12 Mar 2021. {{cz}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* https://onscreen.thekitchen.org/media/category/From+the+Archives</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Links==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Links==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* http://www.thekitchen.org/</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* http://www.thekitchen.org/</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [https://onscreen.thekitchen.org/ The Kitchen OnScreen], a home for The Kitchen’s online program offerings</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* http://archive.thekitchen.org/ </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* http://www.vasulka.org/Kitchen/ (1971-1973)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* http://www.vasulka.org/Kitchen/ (1971-1973)</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [https://www.getty.edu/research/special_collections/notable/the_kitchen.html The Kitchen Archive, Getty], 1971–1999</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://www.eai.org/webpages/1170 EAI resource on The Kitchen]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://www.eai.org/webpages/1170 EAI resource on The Kitchen]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://hdl.handle.net/10020/cifa2014m6 The Kitchen videos and records], Getty Archives</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://hdl.handle.net/10020/cifa2014m6 The Kitchen videos and records], Getty Archives</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Series:Art and technology centres|Kitchen, The]]</ins></div></td></tr>
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Dusan
https://monoskop.org/index.php?title=Template:Visual_art&diff=124321&oldid=124319
Template:Visual art
2024-03-27T14:13:55Z
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| colspan="3" align="center" class="tocpadding" | </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Art|Styles and movements]] – [[Art history|Historians]] – [[Art writers|Writers]] – [[Art/Museums|Museums]] – [[Art/Care|Care]] – [[1990s]] – [[East Central Europe]] – [[Art/Reference|Reference]]<br></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Art|Styles and movements]] – [[Art history|Historians]] – [[Art writers|Writers]] – [[Art/Museums|Museums]] – [[Art/Care|Care]] – [[1990s]] – [[East Central Europe]] – [[Art/Reference|Reference]]<ins class="diffchange diffchange-inline">.</ins><br></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">''See also'' </del>[[Art and culture]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Art and culture]]<ins class="diffchange diffchange-inline">, {{Meta}}.</ins></div></td></tr>
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</table>
Dusan
https://monoskop.org/index.php?title=Template:Art&diff=124319&oldid=0
Template:Art
2024-03-27T14:13:20Z
<p><a href="/User:Dusan" class="mw-userlink" title="User:Dusan"><bdi>Dusan</bdi></a> moved page <a href="/index.php?title=Template:Art&redirect=no" class="mw-redirect" title="Template:Art">Template:Art</a> to <a href="/Template:Visual_art" title="Template:Visual art">Template:Visual art</a></p>
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| <br />
|-<br />
| colspan="3" align="center" class="tocpadding" | <br />
[[Art|Styles and movements]] – [[Art history|Historians]] – [[Art writers|Writers]] – [[Art/Museums|Museums]] – [[Art/Care|Care]] – [[1990s]] – [[East Central Europe]] – [[Art/Reference|Reference]]<br><br />
''See also'' [[Art and culture]]<br />
|}</div>
Dusan
https://monoskop.org/index.php?title=Template:Meta&diff=124314&oldid=124313
Template:Meta
2024-03-27T14:09:15Z
<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 14:09, 27 March 2024</td>
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Dusan
https://monoskop.org/index.php?title=Template:Meta&diff=124313&oldid=0
Template:Meta
2024-03-27T14:08:32Z
<p>Created page with "<a href="/Contents" class="mw-redirect" title="Contents">Contents</a>, <a href="/Index" title="Index">Index</a>, <a href="/About" class="mw-redirect" title="About">About</a>."</p>
<p><b>New page</b></p><div>[[Contents]], [[Index]], [[About]].</div>
Dusan
https://monoskop.org/index.php?title=Contents&diff=124305&oldid=0
Contents
2024-03-27T13:50:43Z
<p><a href="/User:Dusan" class="mw-userlink" title="User:Dusan"><bdi>Dusan</bdi></a> moved page <a href="/index.php?title=Contents&redirect=no" class="mw-redirect" title="Contents">Contents</a> to <a href="/Monoskop:Contents" title="Monoskop:Contents">Monoskop:Contents</a></p>
<p><b>New page</b></p><div>{{TOC limit|3}}<br />
<br />
<br />
{{Avant-garde and modernist magazines}}<br />
<br />
<br />
{{Art and culture}}<br />
<br />
<br />
{{Art}}<br />
<br />
<br />
{{Avant-garde art exhibitions and events}}<br />
<br />
<br />
{{Avant-garde art and design schools}}<br />
<br />
<br />
{{Moving Image}}<br />
<br />
<br />
{{Sound and Music}}<br />
<br />
<br />
{{Literature}}<br />
<br />
<br />
{{Software}}<br />
<br />
<br />
{{Countries}}<br />
<br />
<br />
{| class="toccolours"<br />
|- <br />
| <br />
! width="100%" style="text-align: center;" | Artists, makers and writers (selection)<br />
|}<br />
<div class=threecol><br />
* [[Ludwig Angerer]]<br />
* [[Arkzin]]<br />
* [[Arseny Avraamov]]<br />
* [[Mikhail Bakhtin]]<br />
* [[Henryk Berlewi]]<br />
* [[Gábor Bódy]]<br />
* [[Vladimir Bonačić]]<br />
* [[Étienne-Louis Boullée]]<br />
* [[Bertolt Brecht]]<br />
* [[Lucius Burckhardt]]<br />
* [[Jack Burnham]]<br />
* [[Ernst Chladni]]<br />
* [[Leon Chwistek]]<br />
* [[Devětsil]]<br />
* [[Stanisław Dróżdż]]<br />
* [[Dvizheniye]]<br />
* [[Viking Eggeling]]<br />
* [[Sergei Eisenstein]]<br />
* [[P. K. Engelmeyer]]<br />
* [[Alexandra Exter]]<br />
* [[Harun Farocki]]<br />
* [[Fluxus]]<br />
* [[Naum Gabo]]<br />
* [[Bulat Galeyev]]<br />
* [[Aleksei Gan]]<br />
* [[Kenneth Goldsmith]]<br />
* [[Milan Grygar]]<br />
* [[Alexandr Hackenschmied]]<br />
* [[Dušan Hanák]]<br />
* [[Oskar Hansen]]<br />
* [[Francisco Infante]]<br />
* [[Štefan Anián Jedlík]]<br />
* [[György Kepes]]<br />
* [[Velimir Khlebnikov]]<br />
* [[Alexander Kluge]]<br />
* [[Milan Knížák]]<br />
* [[Katarzyna Kobro]]<br />
* [[Ede Kozics]]<br />
* [[Nikolai Kulbin]]<br />
* [[Jiří Lehovec]]<br />
* [[El Lissitzky]]<br />
* [[Tomás Maldonado]]<br />
* [[Kazimir Malevich]]<br />
* [[Jozef Malovec]]<br />
* [[MaMa]]<br />
* [[Manakis brothers]]<br />
* [[Chris Marker]]<br />
* [[Voldemārs Matvejs]]<br />
* [[Vladimir Mayakovsky]]<br />
* [[Gustav Metzger]]<br />
* [[Trinh T. Minh-ha]]<br />
* [[Lucia Moholy]]<br />
* [[László Moholy-Nagy]]<br />
* [[Abraham Moles]]<br />
* [[Jozef Murgaš]]<br />
* [[Nettime]]<br />
* [[New Tendencies]]<br />
* [[Lev Nussberg]]<br />
* [[Zdeněk Pešánek]]<br />
* [[Joseph Petzval]]<br />
* [[Lyubov Popova]]<br />
* [[Prometei]]<br />
* [[Jan Evangelista Purkyně]]<br />
* [[Alexander Rodchenko]]<br />
* [[Aldo Rossi]]<br />
* [[Raymond Roussel]]<br />
* [[Zbigniew Rybczyński]]<br />
* [[Arnold Schoenberg]]<br />
* [[Nicolas Schöffer]]<br />
* [[Stefan Sebök]]<br />
* [[Situationist International]]<br />
* [[Robert Smithson]]<br />
* [[Varvara Stepanova]]<br />
* [[Władysław Strzemiński]]<br />
* [[Zdeněk Sýkora]]<br />
* [[Josef Svoboda]]<br />
* [[Mieczyslaw Szczuka]]<br />
* [[Vladimir Tatlin]]<br />
* [[Karel Teige]]<br />
* [[Steina and Woody Vasulka]]<br />
* [[Otakar Vávra]]<br />
* [[Dziga Vertov]]<br />
</div><br />
<br />
<br />
{{Cities}}<br />
<br />
<br />
{{Humanities}}<br />
<br />
<br />
{| class="toccolours"<br />
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| <br />
! width="100%" style="text-align: center;" | Writers (selection)<br />
|}<br />
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Dusan
https://monoskop.org/index.php?title=R%C3%B3bert_Cyprich&diff=124299&oldid=118340
Róbert Cyprich
2024-03-27T11:14:43Z
<p><span dir="auto"><span class="autocomment">Literature</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 11:14, 27 March 2024</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Literature==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Literature==</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Zora Rusinová, [[Media:Rusinova_Zora_2001_Milan_Adamciak_a_Robert_Cyprich.pdf|"Milan Adamčiak a Robert Cyprich"]], in ''Umenie akcie 1965-1989'', ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2001, pp 89-100. {{sk}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Zora Rusinová, [[Media:Rusinova_Zora_2001_Milan_Adamciak_a_Robert_Cyprich.pdf|"Milan Adamčiak a Robert Cyprich"]], in ''Umenie akcie 1965-1989'', ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2001, pp 89-100. {{sk}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Róbert Cyprich: Experiment'', eds. Jan Mlčoch, Beata Jablonská, and Ján Kralovič, Bratislava: tranzit.sk, 2020. Exh. catalogue. [http://sk.tranzit.org/sk/vystava/0/2020-12-11/experiment] {{sk}}/{{en}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Róbert Cyprich: Experiment'', eds. Jan Mlčoch, Beata Jablonská, and Ján Kralovič, Bratislava: tranzit.sk, 2020. Exh. catalogue. [http://sk.tranzit.org/sk/vystava/0/2020-12-11/experiment] {{sk}}/{{en}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Daniela Šiandorová, ''[http://opac.crzp.sk/?fn=docviewChild0006CF9A Teoretické a výtvarné dielo Roberta Cypricha v kontexte doby]'' [Theoretical and Art Work of Robert Cyprich in the Context of Time Period], Trnava: Trnavská univerzita, 2020, 185 pp. {{sk}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Daniela Šiandorová, ''[http://opac.crzp.sk/?fn=docviewChild0006CF9A Teoretické a výtvarné dielo Roberta Cypricha v kontexte doby]'' [Theoretical and Art Work of Robert Cyprich in the Context of Time Period], Trnava: Trnavská univerzita, 2020, 185 pp. {{sk}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Daniela Šiandorová, [http://www.profilart.sk/wp-content/uploads/2021/04/144-159-Causerie-o-Cyprichovi-1.pdf "Causerie o Cyprichovi"] [Causerie about Cyprich], ''Profil'' 1, 2021, pp 144-159. {{sk}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Daniela Šiandorová, [http://www.profilart.sk/wp-content/uploads/2021/04/144-159-Causerie-o-Cyprichovi-1.pdf "Causerie o Cyprichovi"] [Causerie about Cyprich], ''Profil'' 1, 2021, pp 144-159. {{sk}}</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Ján Kralovič, "Akcie, kontradiktie, negácie. Ranná tvorba a experimentální poézia Roberta Cypricha", ''Sešit'' 32, Prague: VVP AVU, 2022. [https://vvp.avu.cz/sesit/sesit-32/] {{sk}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Ján Kralovič<ins class="diffchange diffchange-inline">]]</ins>, "Akcie, kontradiktie, negácie. Ranná tvorba a experimentální poézia Roberta Cypricha", ''Sešit'' 32, Prague: VVP AVU, 2022. [https://vvp.avu.cz/sesit/sesit-32/] {{sk<ins class="diffchange diffchange-inline">}}</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">** [https://vvp.avu.cz/en/sesit/notebook-32/ "Actions, Contradictions, Negations. Robert Cyprich's Early Work and Experimental Poetry"], trans. John Minahane, ''Notebook'' 32, Prague: VVP AVU, 2022. [https://www.academia.edu/115389439/] {{en</ins>}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==See also==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==See also==</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=East_Central_Europe&diff=124107&oldid=123901
East Central Europe
2024-03-21T12:23:29Z
<p><span dir="auto"><span class="autocomment">Radio</span></span></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l590" >Line 590:</td>
<td colspan="2" class="diff-lineno">Line 590:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Radio==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Radio==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><gallery mode=packed heights=<del class="diffchange diffchange-inline">150px</del>></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><gallery mode=packed heights=<ins class="diffchange diffchange-inline">200px</ins>></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>20ft_Radio 2022.jpg<del class="diffchange diffchange-inline">|{{sm2</del>|[https://20ftradio.net/ 20ft Radio] "broadcasts music from the container based in former ribbon-weaving factory “Strichka” in [[Kyiv]]." Est. 2017.<del class="diffchange diffchange-inline">}}</del>|link=https://20ftradio.net/</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>20ft_Radio 2022.jpg|[https://20ftradio.net/ 20ft Radio] "broadcasts music from the container based in former ribbon-weaving factory “Strichka” in [[Kyiv]]." Est. 2017.|link=https://20ftradio.net/</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Gasoline Radio 2022</del>.<del class="diffchange diffchange-inline">jpg|{{sm2</del>|[https://<del class="diffchange diffchange-inline">gasolineradio</del>.<del class="diffchange diffchange-inline">com</del>/ <del class="diffchange diffchange-inline">Gasoline </del>Radio] <del class="diffchange diffchange-inline">is </del>"<del class="diffchange diffchange-inline">a non-commercial media platform, </del>based in [[<del class="diffchange diffchange-inline">Kyiv</del>]]<del class="diffchange diffchange-inline">. Its main goal is to disseminate Ukrainian culture and bring together artists</del>, <del class="diffchange diffchange-inline">DJ's and activists in Kyiv and beyond</del>."<del class="diffchange diffchange-inline">}}</del>|link=https://<del class="diffchange diffchange-inline">gasolineradio</del>.<del class="diffchange diffchange-inline">com</del>/</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Radio_Aparat 2024</ins>.<ins class="diffchange diffchange-inline">png</ins>|[https://<ins class="diffchange diffchange-inline">radioaparat</ins>.<ins class="diffchange diffchange-inline">rs</ins>/ Radio <ins class="diffchange diffchange-inline">Aparat</ins>]<ins class="diffchange diffchange-inline">, </ins>"<ins class="diffchange diffchange-inline">24/7 online radio station </ins>based <ins class="diffchange diffchange-inline">in an adapted garage of an old private house </ins>in [[<ins class="diffchange diffchange-inline">Belgrade</ins>]], <ins class="diffchange diffchange-inline">Serbia</ins>." <ins class="diffchange diffchange-inline">Est. 2016.</ins>|link=https://<ins class="diffchange diffchange-inline">radioaparat</ins>.<ins class="diffchange diffchange-inline">rs</ins>/</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Lahmacun_Radio 2022</del>.jpg<del class="diffchange diffchange-inline">|{{sm2</del>|[https://<del class="diffchange diffchange-inline">lahmacun</del>.<del class="diffchange diffchange-inline">hu</del>/ <del class="diffchange diffchange-inline">Lahmacun </del>Radio] <del class="diffchange diffchange-inline">is </del>"<del class="diffchange diffchange-inline">an online </del>music <del class="diffchange diffchange-inline">& more radio from </del>[[<del class="diffchange diffchange-inline">Budapest</del>]].<del class="diffchange diffchange-inline">" Est. 2019.}}</del>|link=https://<del class="diffchange diffchange-inline">lahmacun</del>.<del class="diffchange diffchange-inline">hu</del>/</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Black_Rhino_Radio_2024</ins>.jpg|[https://<ins class="diffchange diffchange-inline">blackrhinoradio</ins>.<ins class="diffchange diffchange-inline">com</ins>/ <ins class="diffchange diffchange-inline">Black Rhino </ins>Radio]<ins class="diffchange diffchange-inline">, </ins>"<ins class="diffchange diffchange-inline">project promoting artists, </ins>music<ins class="diffchange diffchange-inline">, and the culture behind the sound." Based in </ins>[[<ins class="diffchange diffchange-inline">Bucharest</ins>]].|link=https://<ins class="diffchange diffchange-inline">blackrhinoradio</ins>.<ins class="diffchange diffchange-inline">com</ins>/</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Mutant_Radio </del>2022.jpg<del class="diffchange diffchange-inline">|{{sm2</del>|[https://<del class="diffchange diffchange-inline">mutantradio</del>.<del class="diffchange diffchange-inline">net</del>/ <del class="diffchange diffchange-inline">Mutant </del>Radio] is "a media platform <del class="diffchange diffchange-inline">that focuses on various directions: mixes, interviews, educational shows</del>, <del class="diffchange diffchange-inline">live performances and discusssion broadcasts that are either live-streamed or filmed and streamed later on. The physical station is a fully-equipped caravan-wagon that is </del>based in [[<del class="diffchange diffchange-inline">Tbilisi</del>]] <del class="diffchange diffchange-inline">yet also streams from other regions </del>and <del class="diffchange diffchange-inline">special locations around Georgia</del>." <del class="diffchange diffchange-inline">Est. 2019.}}</del>|link=https://<del class="diffchange diffchange-inline">mutantradio</del>.<del class="diffchange diffchange-inline">net</del>/</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Gasoline Radio </ins>2022.jpg|[https://<ins class="diffchange diffchange-inline">gasolineradio</ins>.<ins class="diffchange diffchange-inline">com</ins>/ <ins class="diffchange diffchange-inline">Gasoline </ins>Radio] is "a <ins class="diffchange diffchange-inline">non-commercial </ins>media platform, based in [[<ins class="diffchange diffchange-inline">Kyiv</ins>]]<ins class="diffchange diffchange-inline">. Its main goal is to disseminate Ukrainian culture </ins>and <ins class="diffchange diffchange-inline">bring together artists, DJ's and activists in Kyiv and beyond</ins>."|link=https://<ins class="diffchange diffchange-inline">gasolineradio</ins>.<ins class="diffchange diffchange-inline">com</ins>/</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Palanga_Street_Radio 2022</del>.jpg<del class="diffchange diffchange-inline">|{{sm2</del>|[<del class="diffchange diffchange-inline">https</del>://www.<del class="diffchange diffchange-inline">palanga</del>.<del class="diffchange diffchange-inline">live/ Palanga Street Radio</del>] <del class="diffchange diffchange-inline">is "an independent DIY </del>community radio based in [[<del class="diffchange diffchange-inline">Vilnius</del>]]<del class="diffchange diffchange-inline">, Lithuania</del>. <del class="diffchange diffchange-inline">Our mission is to create a networking-arts platform for music lovers locally and online</del>. <del class="diffchange diffchange-inline">We foster a colourful & garshful cultural environment, making sound splashes on the oceans of internet since 2017</del>.<del class="diffchange diffchange-inline">"}}</del>|link=<del class="diffchange diffchange-inline">https</del>://www.<del class="diffchange diffchange-inline">palanga</del>.<del class="diffchange diffchange-inline">live/</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Kanal_103_2024</ins>.jpg|[<ins class="diffchange diffchange-inline">http</ins>://www.<ins class="diffchange diffchange-inline">kanal103.com</ins>.<ins class="diffchange diffchange-inline">mk Kanal 103</ins>]<ins class="diffchange diffchange-inline">, independent </ins>community radio <ins class="diffchange diffchange-inline">station </ins>based in [[<ins class="diffchange diffchange-inline">Skopje</ins>]]. <ins class="diffchange diffchange-inline">Est</ins>. <ins class="diffchange diffchange-inline">1991</ins>.|link=<ins class="diffchange diffchange-inline">http</ins>://www.<ins class="diffchange diffchange-inline">kanal103.com</ins>.<ins class="diffchange diffchange-inline">mk</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Radio_Kapital 2022.jpg<del class="diffchange diffchange-inline">|{{sm2</del>|[https://radiokapital.pl/ Radio Kapitał] is "a community-based, Internet radio station that broadcasts 24/7. It is a platform for social and artistic dialogue, presenting programs on culture, society, history, literature, art and music in a wide variety of genres." Est. 2019 in [[Warsaw]].<del class="diffchange diffchange-inline">}}</del>|link=https://radiokapital.pl/</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Radio_Kapital 2022.jpg|[https://radiokapital.pl/ Radio Kapitał] is "a community-based, Internet radio station that broadcasts 24/7. It is a platform for social and artistic dialogue, presenting programs on culture, society, history, literature, art and music in a wide variety of genres." Est. 2019 in [[Warsaw]].|link=https://radiokapital.pl/</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Radio_Punctum_2022</del>.jpg<del class="diffchange diffchange-inline">|{{sm2</del>|[https://<del class="diffchange diffchange-inline">radiopunctum</del>.<del class="diffchange diffchange-inline">cz</del>/ Radio <del class="diffchange diffchange-inline">Punctum</del>] is "[[<del class="diffchange diffchange-inline">Prague</del>]] <del class="diffchange diffchange-inline">based community radio station</del>. <del class="diffchange diffchange-inline">Broadcasting 24/7</del>.<del class="diffchange diffchange-inline">"}}</del>|link=https://<del class="diffchange diffchange-inline">radiopunctum</del>.<del class="diffchange diffchange-inline">cz</del>/</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Lahmacun_Radio 2022</ins>.jpg|[https://<ins class="diffchange diffchange-inline">lahmacun</ins>.<ins class="diffchange diffchange-inline">hu</ins>/ <ins class="diffchange diffchange-inline">Lahmacun </ins>Radio] is "<ins class="diffchange diffchange-inline">an online music & more radio from </ins>[[<ins class="diffchange diffchange-inline">Budapest</ins>]].<ins class="diffchange diffchange-inline">" Est. 2019</ins>.|link=https://<ins class="diffchange diffchange-inline">lahmacun</ins>.<ins class="diffchange diffchange-inline">hu</ins>/</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Tilos Radio </del>2022.<del class="diffchange diffchange-inline">png|{{sm2</del>|[<del class="diffchange diffchange-inline">[Tilos Rádió|Tilos </del>Radio]<del class="diffchange diffchange-inline">] FM 90.3 </del>is "<del class="diffchange diffchange-inline">&bull; interactive &bull; commercial-free &bull; independent</del>, <del class="diffchange diffchange-inline">diversified &bull; non-profit</del>, <del class="diffchange diffchange-inline">public and transparent &bull; caters for all musical audiences &bull; socially aware</del>, and <del class="diffchange diffchange-inline">in touch with listeners &bull; a forum of the past, present </del>and <del class="diffchange diffchange-inline">future generations</del>.<del class="diffchange diffchange-inline">" Est. 1991 </del>in [[<del class="diffchange diffchange-inline">Budapest</del>]].<del class="diffchange diffchange-inline">}}</del>|link=https://<del class="diffchange diffchange-inline">tilos</del>.<del class="diffchange diffchange-inline">hu</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Mutant_Radio </ins>2022.<ins class="diffchange diffchange-inline">jpg</ins>|[<ins class="diffchange diffchange-inline">https://mutantradio.net/ Mutant </ins>Radio] is "<ins class="diffchange diffchange-inline">a media platform that focuses on various directions: mixes</ins>, <ins class="diffchange diffchange-inline">interviews</ins>, <ins class="diffchange diffchange-inline">educational shows</ins>, <ins class="diffchange diffchange-inline">live performances </ins>and <ins class="diffchange diffchange-inline">discusssion broadcasts that are either live-streamed or filmed </ins>and <ins class="diffchange diffchange-inline">streamed later on</ins>. <ins class="diffchange diffchange-inline">The physical station is a fully-equipped caravan-wagon that is based </ins>in [[<ins class="diffchange diffchange-inline">Tbilisi</ins>]] <ins class="diffchange diffchange-inline">yet also streams from other regions and special locations around Georgia." Est. 2019</ins>.|link=https://<ins class="diffchange diffchange-inline">mutantradio</ins>.<ins class="diffchange diffchange-inline">net/</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Tirkultura 2022.jpg<del class="diffchange diffchange-inline">|{{sm2</del>|[https://www.tirkultura.lv/ Tīrkultūra / Unexpected Sources Audio Gallery] is "a global broadcasting platform streaming 24/7 sound and radio art, weird and wonderful, innovative, experimental music." Est. 2014 in [[Riga]].<del class="diffchange diffchange-inline">}}</del>|link=https://www.tirkultura.lv/</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Palanga_Street_Radio 2022.jpg|[https://www.palanga.live/ Palanga Street Radio] is "an independent DIY community radio based in [[Vilnius]], Lithuania. Our mission is to create a networking-arts platform for music lovers locally and online. We foster a colourful & garshful cultural environment, making sound splashes on the oceans of internet since 2017."|link=https://www.palanga.live/</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Radio_Punctum_2022.jpg|[https://radiopunctum.cz/ Radio Punctum] is "[[Prague]] based community radio station. Broadcasting 24/7."|link=https://radiopunctum.cz/</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Radio_Student_2024.jpg|[https://radiostudent.si/ Radio Študent] "was founded in 1969 to give a voice to students and under-represented groups in society." [[Ljubljana]].|link=https://radiostudent.si/</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Tilos Radio 2022.png|[[Tilos Rádió|Tilos Radio]] FM 90.3 is "&bull; interactive &bull; commercial-free &bull; independent, diversified &bull; non-profit, public and transparent &bull; caters for all musical audiences &bull; socially aware, and in touch with listeners &bull; a forum of the past, present and future generations." Est. 1991 in [[Budapest]].|link=https://tilos.hu</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Tirkultura 2022.jpg|[https://www.tirkultura.lv/ Tīrkultūra / Unexpected Sources Audio Gallery] is "a global broadcasting platform streaming 24/7 sound and radio art, weird and wonderful, innovative, experimental music." Est. 2014 in [[Riga]].|link=https://www.tirkultura.lv/</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></gallery></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></gallery></div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Art/Care&diff=124085&oldid=123884
Art/Care
2024-03-20T18:18:21Z
<p><span dir="auto"><span class="autocomment">Ongoing</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 18:18, 20 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l820" >Line 820:</td>
<td colspan="2" class="diff-lineno">Line 820:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://www.estca.univ-paris8.fr/index.php/emergence-de-lart-video-en-europe-1960-1980/ Emergence of Video Art in Europe (1960-1980): History, Theory, Sources and Archives / L'émergence de l'art vidéo en Europe: historiographie, théorie, sources et archives], 2021-2025. Conducted by Grégoire Quenault at University of Paris 8 Vincennes - Saint-Denis and François Bovier at ECAL/University of Art and Design and the University of Lausanne, in partnership with the National Library of France (BnF). Funded by the Swiss National Science Foundation (SNSF) and the French National Research Agency (ANR). Follows on a research held from 2016-2019. [http://www.labex-arts-h2h.fr/emergence-de-l-art-video-en-europe.html?lang=fr] [https://zkm.de/en/project/emergence-of-video-art-in-europe-1960-1980]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://www.estca.univ-paris8.fr/index.php/emergence-de-lart-video-en-europe-1960-1980/ Emergence of Video Art in Europe (1960-1980): History, Theory, Sources and Archives / L'émergence de l'art vidéo en Europe: historiographie, théorie, sources et archives], 2021-2025. Conducted by Grégoire Quenault at University of Paris 8 Vincennes - Saint-Denis and François Bovier at ECAL/University of Art and Design and the University of Lausanne, in partnership with the National Library of France (BnF). Funded by the Swiss National Science Foundation (SNSF) and the French National Research Agency (ANR). Follows on a research held from 2016-2019. [http://www.labex-arts-h2h.fr/emergence-de-l-art-video-en-europe.html?lang=fr] [https://zkm.de/en/project/emergence-of-video-art-in-europe-1960-1980]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [https://www.li-ma.nl/lima/article/collaborative-infrastructure-sustainable-access-digital-art Collaborative Infrastructure for Sustainable Access to Digital Art] (Infrastructuur Duurzame Toegankelijkheid Digitale Kunst), LIMA, Amsterdam, 2021-2024. Focuses on developing best practices in analyzing, documenting and storing digital artworks, using ten case studies from different collections. Funded by [https://www.gieskesstrijbisfonds.nl/projecten/infrastructuur-duurzame-toegankelijke-digitale-kunst Gieskes-Strijbis Fonds] (€225k). [https://doi.org/10.1080/00393630.2024.2325839 Project overview].</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://myriadconsultants.org/maintenance-culture Maintenance Culture: Sustaining Digital Creative Works], Myriad, Mar 2022-Feb 2024. A project to address challenges related to preserving complex, born-digital, creative works in small institutions. Myriad and collaborators will create and present an innovative, collaborative, digital preservation training program, expanding on existing curricula to specifically cover preserving time-based media art and other complex, born-digital works. Funded by the [https://securegrants.neh.gov/publicquery/main.aspx?f=1&gn=PE-284461-22 National Endowment for the Humanities] ($347k). [https://myriadconsultants.org/blog/press-release Press release] (2022). [https://twitter.com/myriad_cxns/status/1600861590630596608 Poster] (2023). </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://myriadconsultants.org/maintenance-culture Maintenance Culture: Sustaining Digital Creative Works], Myriad, Mar 2022-Feb 2024. A project to address challenges related to preserving complex, born-digital, creative works in small institutions. Myriad and collaborators will create and present an innovative, collaborative, digital preservation training program, expanding on existing curricula to specifically cover preserving time-based media art and other complex, born-digital works. Funded by the [https://securegrants.neh.gov/publicquery/main.aspx?f=1&gn=PE-284461-22 National Endowment for the Humanities] ($347k). [https://myriadconsultants.org/blog/press-release Press release] (2022). [https://twitter.com/myriad_cxns/status/1600861590630596608 Poster] (2023). </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://activatingfluxus.com/ Activating Fluxus], Bern University of the Arts, Apr 2022-Mar 2026. Investigates the objects, events, scores and ephemera that emerged in the spirit of Fluxus in the 1960s–70s in Switzerland, Europe, the UK and the USA. Head: Hanna B. Hölling; staff: Marcus Gossolt, Aga Wielocha. Funded by the [http://www.snf.ch/SiteCollectionDocuments/Grantees-Projectfunding-WS20-21.pdf Swiss National Science Foundation] (SNSF, 680k CHF). [https://www.bfh.ch/en/research/research-projects/2022-402-711-998/]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://activatingfluxus.com/ Activating Fluxus], Bern University of the Arts, Apr 2022-Mar 2026. Investigates the objects, events, scores and ephemera that emerged in the spirit of Fluxus in the 1960s–70s in Switzerland, Europe, the UK and the USA. Head: Hanna B. Hölling; staff: Marcus Gossolt, Aga Wielocha. Funded by the [http://www.snf.ch/SiteCollectionDocuments/Grantees-Projectfunding-WS20-21.pdf Swiss National Science Foundation] (SNSF, 680k CHF). [https://www.bfh.ch/en/research/research-projects/2022-402-711-998/]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">* [https://www.li-ma.nl/lima/article/collaborative-infrastructure-sustainable-access-digital-art Collaborative infrastructure for sustainable access to digital art], LIMA, Amsterdam, 2022-. Focuses on developing best practices in analyzing, documenting and storing digital artworks, using ten case studies from different collections.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></div></div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Central_and_Eastern_Europe_Bibliography&diff=124080&oldid=123902
Central and Eastern Europe Bibliography
2024-03-20T16:27:51Z
<p><span dir="auto"><span class="autocomment">Slovakia</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 16:27, 20 March 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(One intermediate revision by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1517" >Line 1,517:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Czech Republic===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Czech Republic===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><onlyinclude>{{#ifeq:{{{transcludesection|intermedia-cz}}}|intermedia-cz|</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><onlyinclude>{{#ifeq:{{{transcludesection|intermedia-cz}}}|intermedia-cz|</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jiří Valoch, ''Partitury: grafická hudba, fónická poezie, akce, parafráze, interpretace'', Prague, 1980. {{cz}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jiří Valoch, ''Partitury: grafická hudba, fónická poezie, akce, parafráze, interpretace'', Prague, 1980. {{cz}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jarmila Doubravová, ''Hudba a výtvarné umění'', Prague, 1982. {{cz}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jarmila Doubravová, ''Hudba a výtvarné umění'', Prague, 1982. {{cz}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Petr Dorůžka (ed.), ''Hudba na pomezí'', Prague, 1991. {{cz}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Petr Dorůžka (ed.), ''Hudba na pomezí'', Prague, 1991. {{cz}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Michal Rataj (ed.), ''Zvukem do hlavy'', Prague, 2012. {{cz}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Michal Rataj (ed.), ''Zvukem do hlavy'', Prague, 2012. {{cz}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jakub Frank, ''[https://theses.cz/id/wrhjju/ Konceptualizace zvuku a jeho recepce ve výtvarném umění v Československu]'', Olomouc: Univerzita Palackého v Olomouci, 2018, 81 pp. Master's thesis. {{cz}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jakub Frank, ''[https://theses.cz/id/wrhjju/ Konceptualizace zvuku a jeho recepce ve výtvarném umění v Československu]'', Olomouc: Univerzita Palackého v Olomouci, 2018, 81 pp. Master's thesis. {{cz}}</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jitka Hlaváčková, Miloš Vojtěchovský (eds.), ''Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images'', Prague: ArtMap, 2021, 288 pp. [http://www.ghmp.cz/zvuky-kody-obrazy-akusticky-experiment-ve-vizualnim-umeni/ Exhibition]. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/] {{cz}}/{{en}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jitka Hlaváčková, Miloš Vojtěchovský (eds.), ''<ins class="diffchange diffchange-inline">[[Media:Hlavackova Jitka Vojtechovsky Milos eds Zvuky kody obrazy Sounds Codes Images 2021.pdf|</ins>Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images<ins class="diffchange diffchange-inline">]]</ins>'', Prague: ArtMap, 2021, 288 pp<ins class="diffchange diffchange-inline">. [[Media:Sounds_Codes_Images_2021 extended excerpt.pdf|Extended excerpt]]</ins>. [http://www.ghmp.cz/zvuky-kody-obrazy-akusticky-experiment-ve-vizualnim-umeni/ Exhibition]. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/ <ins class="diffchange diffchange-inline">Publisher</ins>]<ins class="diffchange diffchange-inline">. Exh. review: [https://www.artantiques.cz/mezi-zvuky-kody-a-obrazy-napric-casem-a-prostorem Flašar] (Art&Antiques). Book reviews: [https://artalk.cz/2022/01/24/pruzkum-hranic-videneho-a-slyseneho/ Zahálková] (Artalk), [https://www.facebook.com/100006843614951/videos/416711640244586/?story_fbid=3039318796306211&id=100006843614951 Válek]. </ins>{{cz}}/{{en}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Helena Musilová, "Fluxus a československá scéna v 60. letech 20. století / Fluxus and the Czechoslovak Art Scene in the 1960s", in ''Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images'', eds. Jitka Hlaváčková and Miloš Vojtěchovský, Prague: ArtMap, 2021, pp 123-136. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/] {{cz}}/{{en}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Helena Musilová, "Fluxus a československá scéna v 60. letech 20. století / Fluxus and the Czechoslovak Art Scene in the 1960s", in ''Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images'', eds. Jitka Hlaváčková and Miloš Vojtěchovský, Prague: ArtMap, 2021, pp 123-136. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/] {{cz}}/{{en}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1535" >Line 1,535:</td>
<td colspan="2" class="diff-lineno">Line 1,543:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jozef Cseres, [http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-4a205b81-1fb8-43b9-af63-474ce08c1ce5 "Czar wahania się pomiędzy tym, co wirtualne, a tym, co możliwe. Sztuka efemeryczna we współczesnej estetyce i myśli o sztuce na przykładzie wybranych prac współczesnych artystów słowackich"], ''Sztuka i Dokumentacja'' 7 (2012), pp 44-53. {{pl}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jozef Cseres, [http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-4a205b81-1fb8-43b9-af63-474ce08c1ce5 "Czar wahania się pomiędzy tym, co wirtualne, a tym, co możliwe. Sztuka efemeryczna we współczesnej estetyce i myśli o sztuce na przykładzie wybranych prac współczesnych artystów słowackich"], ''Sztuka i Dokumentacja'' 7 (2012), pp 44-53. {{pl}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Miroslava Putišová, [http://www.slovakia.culturalprofiles.net/?id=-6353 "Intermedia arts - overview"], Slovakia Cultural Profile, n.d. {{en}}/[http://www.slovakia.culturalprofiles.net/?id=-13470 {{sk}}]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Miroslava Putišová, [http://www.slovakia.culturalprofiles.net/?id=-6353 "Intermedia arts - overview"], Slovakia Cultural Profile, n.d. {{en}}/[http://www.slovakia.culturalprofiles.net/?id=-13470 {{sk}}]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jitka Hlaváčková, Miloš Vojtěchovský (eds.), ''Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images'', Prague: ArtMap, 2021, 288 pp. [http://www.ghmp.cz/zvuky-kody-obrazy-akusticky-experiment-ve-vizualnim-umeni/ Exhibition]. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/] {{cz}}/{{en}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jitka Hlaváčková, Miloš Vojtěchovský (eds.), ''<ins class="diffchange diffchange-inline">[[Media:Hlavackova Jitka Vojtechovsky Milos eds Zvuky kody obrazy Sounds Codes Images 2021.pdf|</ins>Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images<ins class="diffchange diffchange-inline">]]</ins>'', Prague: ArtMap, 2021, 288 pp<ins class="diffchange diffchange-inline">. [[Media:Sounds_Codes_Images_2021 extended excerpt.pdf|Extended excerpt]]</ins>. [http://www.ghmp.cz/zvuky-kody-obrazy-akusticky-experiment-ve-vizualnim-umeni/ Exhibition]. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/ <ins class="diffchange diffchange-inline">Publisher</ins>]<ins class="diffchange diffchange-inline">. Exh. review: [https://www.artantiques.cz/mezi-zvuky-kody-a-obrazy-napric-casem-a-prostorem Flašar] (Art&Antiques). Book reviews: [https://artalk.cz/2022/01/24/pruzkum-hranic-videneho-a-slyseneho/ Zahálková] (Artalk), [https://www.facebook.com/100006843614951/videos/416711640244586/?story_fbid=3039318796306211&id=100006843614951 Válek]. </ins>{{cz}}/{{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=1990s&diff=124045&oldid=123885
1990s
2024-03-18T20:28:42Z
<p><span dir="auto"><span class="autocomment">Romania</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:28, 18 March 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(One intermediate revision by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l894" >Line 894:</td>
<td colspan="2" class="diff-lineno">Line 894:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Alexandru Solomon, [https://oneworld.ro/en/festival/section/RETROSPECTIVE-THE-VISUAL-ARTS-FOUNDATION-THE-1990-S/8 "Retrospective: The Visual Arts Foundation, the 1990s"], ''One World Romania'', 2023.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Alexandru Solomon, [https://oneworld.ro/en/festival/section/RETROSPECTIVE-THE-VISUAL-ARTS-FOUNDATION-THE-1990-S/8 "Retrospective: The Visual Arts Foundation, the 1990s"], ''One World Romania'', 2023.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ''[https://institutulprezentului.ro/en/event/performing-89-states-of-disillusion/ Performing 89. Stări de deziluzie / States of Disillusion]'', exhibition, Faber, Timișoara, 7 Sep-22 Oct 2023. Curated by Alina Șerban. Part of the [https://timisoara2023.eu/en/projects/uncensored-act/ Uncensored Act] programme organised by the Institute of the Present (2021-2023). [https://institutulprezentului.ro/en/event/opening-weekend-performing-89/ Opening weekend]. [https://www.e-flux.com/announcements/552522/performing-89-states-of-disillusion/ Announcement]. [https://facebook.com/events/242557421573470/] [https://timisoara2023.eu/en/events/performing-89-states-of-disillusion/] [https://timisoara2023.eu/en/events/collegium-art-and-society-in-1990ss-romania/]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* ''[https://institutulprezentului.ro/en/event/performing-89-states-of-disillusion/ Performing 89. Stări de deziluzie / States of Disillusion]'', exhibition, Faber, Timișoara, 7 Sep-22 Oct 2023. Curated by Alina Șerban. Part of the [https://timisoara2023.eu/en/projects/uncensored-act/ Uncensored Act] programme organised by the Institute of the Present (2021-2023). [https://institutulprezentului.ro/en/event/opening-weekend-performing-89/ Opening weekend]. [https://www.e-flux.com/announcements/552522/performing-89-states-of-disillusion/ Announcement]<ins class="diffchange diffchange-inline">. [https://institutulprezentului.ro/en/video/ {{sm|<code>VIDEO</code>}} interviews] (2023)</ins>. [https://facebook.com/events/242557421573470/] [https://timisoara2023.eu/en/events/performing-89-states-of-disillusion/] [https://timisoara2023.eu/en/events/collegium-art-and-society-in-1990ss-romania/]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></div></div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Video_art&diff=124011&oldid=123577
Video art
2024-03-16T10:27:35Z
<p><span dir="auto"><span class="autocomment">Anthologies</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 10:27, 16 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l358" >Line 358:</td>
<td colspan="2" class="diff-lineno">Line 358:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://www.medienkunstnetz.de/search/?qt=video#s Source texts on video art], in ''Media Art Net'', eds. Rudolf Frieling and Dieter Daniels, 2004.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://www.medienkunstnetz.de/search/?qt=video#s Source texts on video art], in ''Media Art Net'', eds. Rudolf Frieling and Dieter Daniels, 2004.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* ''[http://libgen.rs/book/index.php?md5=54D044BEBE99764F6DF6366DA2EDD90F Experimental Film and Video: An Anthology]'', ed. Jackie Hatfield, forew. Sean Cubitt and Al Rees, Eastleigh: John Libbey, 2006, 302 pp. Forty artists have contributed images, and 25 artists reflect on the diverse critical agendas, contexts, and communities that have affected their practice across the period from the late 1960s to date. [https://iupress.org/9780861969067/experimental-film-and-video/] [https://www.jstor.org/stable/j.ctt16gz6vq]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Video Writings by Artists (1970-1990)'', ed. Eugeni Bonet, Milan: Mousse, 2017, 309 pp. [https://www.moussepublishing.com/products-page/product/video-writings-artists-1970-1990/?status=moreinfo]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Video Writings by Artists (1970-1990)'', ed. Eugeni Bonet, Milan: Mousse, 2017, 309 pp. [https://www.moussepublishing.com/products-page/product/video-writings-artists-1970-1990/?status=moreinfo]</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Central_and_Eastern_Europe_Bibliography&diff=123902&oldid=123851
Central and Eastern Europe Bibliography
2024-03-05T18:24:50Z
<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 18:24, 5 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l736" >Line 736:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''[https://monoskop.org/log/?p=22910 Artists & Agents: Performance Art and Secret Services]'', eds. Inke Arns, Kata Krasznahorkai, Sylvia Sasse, and HMKV, Dortmund: Kettler, 2019, 224 pp. Review: [https://artmargins.com/a-kind-of-perverse-novel-performance-art-and-the-secret-services/ Bátorová] (ArtMargins). {{de}}/{{en}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''[https://monoskop.org/log/?p=22910 Artists & Agents: Performance Art and Secret Services]'', eds. Inke Arns, Kata Krasznahorkai, Sylvia Sasse, and HMKV, Dortmund: Kettler, 2019, 224 pp. Review: [https://artmargins.com/a-kind-of-perverse-novel-performance-art-and-the-secret-services/ Bátorová] (ArtMargins). {{de}}/{{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, 408 pp. [https://walkerart.org/magazine/multiple-realities-navigating-experimental-art-in-central-eastern-europe-1960s-1980s Introduction]. [https://worldcat.org/title/1394106210 TOC]. [https://shop.walkerart.org/products/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Publisher]. Exh. held at [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Walker Art Center], 11 Nov 2023-10 Mar 2024; [https://phxart.org/exhibition/multiple-realities/ Phoenix Art Museum], 17 Apr−29 Sep 2024; Vancouver Art Gallery, 2 Nov 2024−23 Mar 2025. Exh. reviews: [[Media:Daring_to_Create_Art_Freely_Behind_the_Iron_Curtain_2024.pdf|Farago]] (NYT), [https://www.wsj.com/arts-culture/fine-art/multiple-realities-experimental-art-in-the-eastern-bloc-review-walker-art-center-minneapolis-f7848c35 Plagens] (WSJ). [https://www.minnpost.com/artscape/2023/11/artists-respond-to-censorship-and-surveillance-in-walkers-exhibit-about-experimental-art-in-the-eastern-bloc/] {{en}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, 408 pp. [https://walkerart.org/magazine/multiple-realities-navigating-experimental-art-in-central-eastern-europe-1960s-1980s Introduction]. [https://worldcat.org/title/1394106210 TOC]. [https://shop.walkerart.org/products/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Publisher]. Exh. held at [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Walker Art Center], 11 Nov 2023-10 Mar 2024; [https://phxart.org/exhibition/multiple-realities/ Phoenix Art Museum], 17 Apr−29 Sep 2024; Vancouver Art Gallery, 2 Nov 2024−23 Mar 2025. Exh. reviews: [[Media:Daring_to_Create_Art_Freely_Behind_the_Iron_Curtain_2024.pdf|Farago]] (NYT<ins class="diffchange diffchange-inline">), [[Media:Snodgrass Susan_2024 Multiple Realities Experimental Art in the Eastern Bloc 1960s-1980s.pdf|Snodgrass]] (Artforum</ins>), [https://www.wsj.com/arts-culture/fine-art/multiple-realities-experimental-art-in-the-eastern-bloc-review-walker-art-center-minneapolis-f7848c35 Plagens] (WSJ)<ins class="diffchange diffchange-inline">, [https://www.apollo-magazine.com/multiple-realities-experimental-art-eastern-bloc-walker-art-center-review/ Wetzler] (Apollo), [https://www.artnews.com/art-in-america/aia-reviews/multiple-realities-walker-art-center-eastern-bloc-art-review-1234694378/ Greenberger] (Art in America), [https://observer.com/2024/01/review-multiple-realities-walker-art-center/ Duray] (Observer), [https://artrevue.cz/vejce-evy-kmentove-a-dalsi-na-vystave-v-zamori/ ArtRevue.cz]</ins>. [https://www.minnpost.com/artscape/2023/11/artists-respond-to-censorship-and-surveillance-in-walkers-exhibit-about-experimental-art-in-the-eastern-bloc<ins class="diffchange diffchange-inline">/] [https://www.instagram.com/artbook/p/C2sqgUYpR0e</ins>/] {{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>; Journal issues</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>; Journal issues</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Petra Stegmann, "Fluxus and the East", ''Centropa'' 14:1, Jan 2014. {{en}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Petra Stegmann, "Fluxus and the East", ''Centropa'' 14:1, Jan 2014. {{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, 408 pp. [https://walkerart.org/magazine/multiple-realities-navigating-experimental-art-in-central-eastern-europe-1960s-1980s Introduction]. [https://worldcat.org/title/1394106210 TOC]. [https://shop.walkerart.org/products/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Publisher]. Exh. held at [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Walker Art Center], 11 Nov 2023-10 Mar 2024; [https://phxart.org/exhibition/multiple-realities/ Phoenix Art Museum], 17 Apr−29 Sep 2024; Vancouver Art Gallery, 2 Nov 2024−23 Mar 2025. Exh. reviews: [[Media:Daring_to_Create_Art_Freely_Behind_the_Iron_Curtain_2024.pdf|Farago]] (NYT), [https://www.wsj.com/arts-culture/fine-art/multiple-realities-experimental-art-in-the-eastern-bloc-review-walker-art-center-minneapolis-f7848c35 Plagens] (WSJ). [https://www.minnpost.com/artscape/2023/11/artists-respond-to-censorship-and-surveillance-in-walkers-exhibit-about-experimental-art-in-the-eastern-bloc/] {{en}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, 408 pp. [https://walkerart.org/magazine/multiple-realities-navigating-experimental-art-in-central-eastern-europe-1960s-1980s Introduction]. [https://worldcat.org/title/1394106210 TOC]. [https://shop.walkerart.org/products/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Publisher]. Exh. held at [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Walker Art Center], 11 Nov 2023-10 Mar 2024; [https://phxart.org/exhibition/multiple-realities/ Phoenix Art Museum], 17 Apr−29 Sep 2024; Vancouver Art Gallery, 2 Nov 2024−23 Mar 2025. Exh. reviews: [[Media:Daring_to_Create_Art_Freely_Behind_the_Iron_Curtain_2024.pdf|Farago]] (NYT<ins class="diffchange diffchange-inline">), [[Media:Snodgrass Susan_2024 Multiple Realities Experimental Art in the Eastern Bloc 1960s-1980s.pdf|Snodgrass]] (Artforum</ins>), [https://www.wsj.com/arts-culture/fine-art/multiple-realities-experimental-art-in-the-eastern-bloc-review-walker-art-center-minneapolis-f7848c35 Plagens] (WSJ)<ins class="diffchange diffchange-inline">, [https://www.apollo-magazine.com/multiple-realities-experimental-art-eastern-bloc-walker-art-center-review/ Wetzler] (Apollo), [https://www.artnews.com/art-in-america/aia-reviews/multiple-realities-walker-art-center-eastern-bloc-art-review-1234694378/ Greenberger] (Art in America), [https://observer.com/2024/01/review-multiple-realities-walker-art-center/ Duray] (Observer), [https://artrevue.cz/vejce-evy-kmentove-a-dalsi-na-vystave-v-zamori/ ArtRevue.cz]</ins>. [https://www.minnpost.com/artscape/2023/11/artists-respond-to-censorship-and-surveillance-in-walkers-exhibit-about-experimental-art-in-the-eastern-bloc<ins class="diffchange diffchange-inline">/] [https://www.instagram.com/artbook/p/C2sqgUYpR0e</ins>/] {{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===East-Central Europe===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===East-Central Europe===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><onlyinclude>{{#ifeq:{{{transcludesection|cybernetics-cee}}}|cybernetics-cee|</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><onlyinclude>{{#ifeq:{{{transcludesection|cybernetics-cee}}}|cybernetics-cee|</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Dušan Barok, "Looking to the Future: Science, Technology, and Utopia", in ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023. [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Exhibition]. {{en}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Dušan Barok<ins class="diffchange diffchange-inline">]]</ins>, <ins class="diffchange diffchange-inline">[[Media:Barok_Dusan_2023_Looking_to_the_Future_Science_Technology_and_Utopia.pdf|</ins>"Looking to the Future: Science, Technology, and Utopia"<ins class="diffchange diffchange-inline">]]</ins>, in ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023<ins class="diffchange diffchange-inline">, pp 445-460</ins>. [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Exhibition]. {{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Computing and cybernetics in CEE]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Computing and cybernetics in CEE]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===East-Central Europe===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===East-Central Europe===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><onlyinclude>{{#ifeq:{{{transcludesection|computerart-cee}}}|computerart-cee|</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><onlyinclude>{{#ifeq:{{{transcludesection|computerart-cee}}}|computerart-cee|</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Dušan Barok, "Looking to the Future: Science, Technology, and Utopia", in ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023. [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Exhibition]. {{en}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Dušan Barok<ins class="diffchange diffchange-inline">]]</ins>, <ins class="diffchange diffchange-inline">[[Media:Barok_Dusan_2023_Looking_to_the_Future_Science_Technology_and_Utopia.pdf|</ins>"Looking to the Future: Science, Technology, and Utopia"<ins class="diffchange diffchange-inline">]]</ins>, in ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023<ins class="diffchange diffchange-inline">, pp 445-460</ins>. [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Exhibition]. {{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</onlyinclude></div></td></tr>
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Dusan
https://monoskop.org/index.php?title=East_Central_Europe&diff=123901&oldid=123886
East Central Europe
2024-03-05T18:21:56Z
<p><span dir="auto"><span class="autocomment">2020s</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 18:21, 5 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1085" >Line 1,085:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''[[Media:Flashback_Hermit_1992-1999_2023.pdf|Flashback: Hermit 1992–1999]]'', eds. Miloš Vojtěchovský and Jakub Frank, Olomouc: Olomouc Museum of Art, 2023, 267 pp. [https://www.muo.cz/obchod/katalog--1/flashback-hermit-1992-1999--236/ Publisher], [https://cead.space/Detail/occurrences/3860]. [https://www.muo.cz/archiv-hermit--4468/ Exh.] held 4 May-17 Sep 2023. {{cz}}/{{en}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''[[Media:Flashback_Hermit_1992-1999_2023.pdf|Flashback: Hermit 1992–1999]]'', eds. Miloš Vojtěchovský and Jakub Frank, Olomouc: Olomouc Museum of Art, 2023, 267 pp. [https://www.muo.cz/obchod/katalog--1/flashback-hermit-1992-1999--236/ Publisher], [https://cead.space/Detail/occurrences/3860]. [https://www.muo.cz/archiv-hermit--4468/ Exh.] held 4 May-17 Sep 2023. {{cz}}/{{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Pys2023}}''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, 408 pp. [https://walkerart.org/magazine/multiple-realities-navigating-experimental-art-in-central-eastern-europe-1960s-1980s Introduction]. [https://worldcat.org/title/1394106210 TOC]. [https://shop.walkerart.org/products/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Publisher]. Exh. held at [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Walker Art Center], 11 Nov 2023-10 Mar 2024; [https://phxart.org/exhibition/multiple-realities/ Phoenix Art Museum], 17 Apr−15 Sep 2024; Vancouver Art Gallery, 2 Nov 2024−23 Mar 2025. Exh. reviews: [[Media:Daring_to_Create_Art_Freely_Behind_the_Iron_Curtain_2024.pdf|Farago]] (NYT), [https://www.wsj.com/arts-culture/fine-art/multiple-realities-experimental-art-in-the-eastern-bloc-review-walker-art-center-minneapolis-f7848c35 Plagens] (WSJ), [https://www.apollo-magazine.com/multiple-realities-experimental-art-eastern-bloc-walker-art-center-review/ Wetzler] (Apollo), [https://www.artnews.com/art-in-america/aia-reviews/multiple-realities-walker-art-center-eastern-bloc-art-review-1234694378/ Greenberger] (Art in America), [https://observer.com/2024/01/review-multiple-realities-walker-art-center/ Duray] (Observer), [https://artrevue.cz/vejce-evy-kmentove-a-dalsi-na-vystave-v-zamori/ ArtRevue.cz]. [https://www.minnpost.com/artscape/2023/11/artists-respond-to-censorship-and-surveillance-in-walkers-exhibit-about-experimental-art-in-the-eastern-bloc/] [https://www.instagram.com/artbook/p/C2sqgUYpR0e/] {{en}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Pys2023}}''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, 408 pp. [https://walkerart.org/magazine/multiple-realities-navigating-experimental-art-in-central-eastern-europe-1960s-1980s Introduction]. [https://worldcat.org/title/1394106210 TOC]. [https://shop.walkerart.org/products/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Publisher]. Exh. held at [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Walker Art Center], 11 Nov 2023-10 Mar 2024; [https://phxart.org/exhibition/multiple-realities/ Phoenix Art Museum], 17 Apr−15 Sep 2024; Vancouver Art Gallery, 2 Nov 2024−23 Mar 2025. Exh. reviews: [[Media:Daring_to_Create_Art_Freely_Behind_the_Iron_Curtain_2024.pdf|Farago]] (NYT<ins class="diffchange diffchange-inline">), [[Media:Snodgrass Susan_2024 Multiple Realities Experimental Art in the Eastern Bloc 1960s-1980s.pdf|Snodgrass]] (Artforum</ins>), [https://www.wsj.com/arts-culture/fine-art/multiple-realities-experimental-art-in-the-eastern-bloc-review-walker-art-center-minneapolis-f7848c35 Plagens] (WSJ), [https://www.apollo-magazine.com/multiple-realities-experimental-art-eastern-bloc-walker-art-center-review/ Wetzler] (Apollo), [https://www.artnews.com/art-in-america/aia-reviews/multiple-realities-walker-art-center-eastern-bloc-art-review-1234694378/ Greenberger] (Art in America), [https://observer.com/2024/01/review-multiple-realities-walker-art-center/ Duray] (Observer), [https://artrevue.cz/vejce-evy-kmentove-a-dalsi-na-vystave-v-zamori/ ArtRevue.cz]. [https://www.minnpost.com/artscape/2023/11/artists-respond-to-censorship-and-surveillance-in-walkers-exhibit-about-experimental-art-in-the-eastern-bloc/] [https://www.instagram.com/artbook/p/C2sqgUYpR0e/] {{en}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Sešit pro umění, teorii a příbuzné zóny / Notebook for Art, Theory and Related Zones'' 35, Prague: VVP AVU, 2023, 208 pp. Based on the ''[https://resonances.artpool.hu/conferences Resonances]'' conference series, 2022-2023. [https://vvp.avu.cz/en/sesit/notebook-35/ Publisher]. {{en}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Sešit pro umění, teorii a příbuzné zóny / Notebook for Art, Theory and Related Zones'' 35, Prague: VVP AVU, 2023, 208 pp. Based on the ''[https://resonances.artpool.hu/conferences Resonances]'' conference series, 2022-2023. [https://vvp.avu.cz/en/sesit/notebook-35/ Publisher]. {{en}}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=File:Snodgrass_Susan_2024_Multiple_Realities_Experimental_Art_in_the_Eastern_Bloc_1960s-1980s.pdf&diff=123900&oldid=0
File:Snodgrass Susan 2024 Multiple Realities Experimental Art in the Eastern Bloc 1960s-1980s.pdf
2024-03-05T18:21:29Z
<p><a href="/User:Dusan" class="mw-userlink" title="User:Dusan"><bdi>Dusan</bdi></a> uploaded <a href="/File:Snodgrass_Susan_2024_Multiple_Realities_Experimental_Art_in_the_Eastern_Bloc_1960s-1980s.pdf" title="File:Snodgrass Susan 2024 Multiple Realities Experimental Art in the Eastern Bloc 1960s-1980s.pdf">File:Snodgrass Susan 2024 Multiple Realities Experimental Art in the Eastern Bloc 1960s-1980s.pdf</a></p>
<p><b>New page</b></p><div></div>
Dusan
https://monoskop.org/index.php?title=East_Central_Europe&diff=123886&oldid=123650
East Central Europe
2024-03-01T06:45:13Z
<p><span dir="auto"><span class="autocomment">2000s</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 06:45, 1 March 2024</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Andras2009}}Edit András, ''Kulturális átöltözés. Művészet a szocializmus romjain'' [Cultural Cross-dressing: Art on the Ruins of Socialism], Budapest: Argumentum, 2009, 332 pp. [https://www.szaktars.hu/argumentum/view/andras-edit-kulturalis-atoltozes-muveszet-a-szocializmus-romjain-2009/] [https://moly.hu/konyvek/andras-edit-kulturalis-atoltozes] {{hu}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Andras2009}}Edit András, ''Kulturális átöltözés. Művészet a szocializmus romjain'' [Cultural Cross-dressing: Art on the Ruins of Socialism], Budapest: Argumentum, 2009, 332 pp. [https://www.szaktars.hu/argumentum/view/andras-edit-kulturalis-atoltozes-muveszet-a-szocializmus-romjain-2009/] [https://moly.hu/konyvek/andras-edit-kulturalis-atoltozes] {{hu}}</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>** ''Kulturní převlékání. Umění na troskách socialismu a na vrcholcích nacionalismu'', trans. Róbert Svoboda, intro. Jan Zálešák, Hradec Králové: Galerie moderního umění, Dec 2023, 344 pp. Partial trans. of ''Kulturális átöltözés'' (2009) and ''Határsértő képzelet. Kortárs művészet és kritikai elmélet Európa keleti felén'' (2023). [https://eshop.galeriehk.cz/edit-andras-kulturni-prevlekani--umeni-na-troskach-socialismu-a-na-vrcholcich-nacionalismu/ Publisher]. [https://www.galeriehk.cz/edice-stredni-a-vychodni-evropy/] {{cz}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>** ''Kulturní převlékání. Umění na troskách socialismu a na vrcholcích nacionalismu'', trans. Róbert Svoboda, intro. Jan Zálešák, Hradec Králové: Galerie moderního umění, Dec 2023, 344 pp. Partial trans. of ''Kulturális átöltözés'' (2009) and ''Határsértő képzelet. Kortárs művészet és kritikai elmélet Európa keleti felén'' (2023). [https://eshop.galeriehk.cz/edit-andras-kulturni-prevlekani--umeni-na-troskach-socialismu-a-na-vrcholcich-nacionalismu/ Publisher<ins class="diffchange diffchange-inline">]. [https://artycok.tv/cs/post/kultura-prevlekani-umeni-na-troskach-socialismu-a-vrcholcich-nacionalismu Book launch</ins>]. [https://www.galeriehk.cz/edice-stredni-a-vychodni-evropy/] {{cz}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Pejic2009}}''Gender Check: Femininity and Masculinity in the Art of Eastern Europe'', eds. [[Bojana Pejić]] and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Walther Koenig, 2009, 392 pp. Exh. cat. Texts by Edit András, Keti Chukhrov, Branislav Dimitrijević, Katrin Kivimaa, Izabela Kowalczyk, Suzana Milevska, Martina Pachmanová, Bojana Pejić, Piotr Piotrowski, Zora Rusinová, Hedwig Saxenhuber, Georg Schöllhammer. [http://gender-check.erstestiftung.net/ Project website]. [https://www.mumok.at/en/gender-check Publisher]. Exh. held at [https://www.mumok.at/en/events/gender-check mumok], Vienna, 13 Nov 2009-14 Feb 2010; [https://zacheta.art.pl/en/wystawy/plec-sprawdzam-kobiecosc-i-meskosc-w-sztuce-europy-wschodniej Zachęta National Gallery of Art], Warsaw, 19 Mar-13 Jun 2010. [http://gender-check.erstestiftung.net/files/2012/03/Gender-Check_list-of-works.pdf List of works]. Review: [https://edoc.hu-berlin.de/bitstream/handle/18452/8160/krueger.pdf Krüger] (Ostblick). [https://www.trafo-k.at/_media/download/Reading_Gender_English.pdf Symposium] (2009). [http://gender-check.erstestiftung.net/files/2012/03/reader-folder-LR.pdf Symposium] (2010). [http://gender-check.erstestiftung.net/publications/catalogue/]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Pejic2009}}''Gender Check: Femininity and Masculinity in the Art of Eastern Europe'', eds. [[Bojana Pejić]] and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Walther Koenig, 2009, 392 pp. Exh. cat. Texts by Edit András, Keti Chukhrov, Branislav Dimitrijević, Katrin Kivimaa, Izabela Kowalczyk, Suzana Milevska, Martina Pachmanová, Bojana Pejić, Piotr Piotrowski, Zora Rusinová, Hedwig Saxenhuber, Georg Schöllhammer. [http://gender-check.erstestiftung.net/ Project website]. [https://www.mumok.at/en/gender-check Publisher]. Exh. held at [https://www.mumok.at/en/events/gender-check mumok], Vienna, 13 Nov 2009-14 Feb 2010; [https://zacheta.art.pl/en/wystawy/plec-sprawdzam-kobiecosc-i-meskosc-w-sztuce-europy-wschodniej Zachęta National Gallery of Art], Warsaw, 19 Mar-13 Jun 2010. [http://gender-check.erstestiftung.net/files/2012/03/Gender-Check_list-of-works.pdf List of works]. Review: [https://edoc.hu-berlin.de/bitstream/handle/18452/8160/krueger.pdf Krüger] (Ostblick). [https://www.trafo-k.at/_media/download/Reading_Gender_English.pdf Symposium] (2009). [http://gender-check.erstestiftung.net/files/2012/03/reader-folder-LR.pdf Symposium] (2010). [http://gender-check.erstestiftung.net/publications/catalogue/]</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=1990s&diff=123885&oldid=123861
1990s
2024-03-01T06:45:04Z
<p><span dir="auto"><span class="autocomment">Central and Eastern Europe</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 06:45, 1 March 2024</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Andras2009}}Edit András, ''Kulturális átöltözés. Művészet a szocializmus romjain'' [Cultural Cross-dressing: Art on the Ruins of Socialism], Budapest: Argumentum, 2009, 332 pp. [https://www.szaktars.hu/argumentum/view/andras-edit-kulturalis-atoltozes-muveszet-a-szocializmus-romjain-2009/] [https://moly.hu/konyvek/andras-edit-kulturalis-atoltozes] {{hu}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Andras2009}}Edit András, ''Kulturális átöltözés. Művészet a szocializmus romjain'' [Cultural Cross-dressing: Art on the Ruins of Socialism], Budapest: Argumentum, 2009, 332 pp. [https://www.szaktars.hu/argumentum/view/andras-edit-kulturalis-atoltozes-muveszet-a-szocializmus-romjain-2009/] [https://moly.hu/konyvek/andras-edit-kulturalis-atoltozes] {{hu}}</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>** ''Kulturní převlékání. Umění na troskách socialismu a na vrcholcích nacionalismu'', trans. Róbert Svoboda, intro. Jan Zálešák, Hradec Králové: Galerie moderního umění, 2023, 344 pp. Partial trans. of ''Kulturális átöltözés'' (2009) and ''Határsértő képzelet. Kortárs művészet és kritikai elmélet Európa keleti felén'' (2023). [https://eshop.galeriehk.cz/edit-andras-kulturni-prevlekani--umeni-na-troskach-socialismu-a-na-vrcholcich-nacionalismu/ Publisher]. [https://www.galeriehk.cz/edice-stredni-a-vychodni-evropy/] {{cz}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>** ''Kulturní převlékání. Umění na troskách socialismu a na vrcholcích nacionalismu'', trans. Róbert Svoboda, intro. Jan Zálešák, Hradec Králové: Galerie moderního umění, 2023, 344 pp. Partial trans. of ''Kulturális átöltözés'' (2009) and ''Határsértő képzelet. Kortárs művészet és kritikai elmélet Európa keleti felén'' (2023). [https://eshop.galeriehk.cz/edit-andras-kulturni-prevlekani--umeni-na-troskach-socialismu-a-na-vrcholcich-nacionalismu/ Publisher<ins class="diffchange diffchange-inline">]. [https://artycok.tv/cs/post/kultura-prevlekani-umeni-na-troskach-socialismu-a-vrcholcich-nacionalismu Book launch</ins>]. [https://www.galeriehk.cz/edice-stredni-a-vychodni-evropy/] {{cz}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Transitland}}''[[Media:Andras_Edit_ed_Transitland_Video_Art_from_Central_and_Eastern_Europe_1989-2009.pdf|Transitland: Video Art from Central and Eastern Europe 1989–2009]]'', ed. Edit András, Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, 319 pp. Contributors: Edit András, Ruben Arevshatyan, Giorgio Bertellini, Konstantin Bokhorov, Svetlana Boym, [[Boris Buden]], Călin Dan, Margarita Dorovska, Zoran Erić, Antonio Geusa, [[Boris Groys]], [[Marina Gržinić]], [[Kathy Rae Huffman]], [[Ryszard Kluszczyński]], Mihnea Mircan, [[Miklós Peternák]], [[Tomáš Pospiszyl]], Boryana Rossa, [[Katarína Rusnáková]], [[Keiko Sei]]. [http://web.archive.org/web/20120702215401/https://www.transitland.eu/ Project website] (archived). [https://www.ludwigmuseum.hu/en/publication/transitland-video-art-central-and-eastern-europe-1989-2009 Publisher]. [https://www.ludwigmuseum.hu/en/exhibition/eastern-frontvideo-art-central-and-eastern-europe-1989-2009 Exhibition] ''...On the eastern front: video art from central and eastern europe 1989–2009'' curated by Rita Kálmán and Tijana Stepanović; held 22 Jan-7 Mar 2010. [https://artmargins.com/transitland-video-art-central-eastern-europe-1989-2009-interview/ Interview with curators] (ARTMargins).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*{{a|Transitland}}''[[Media:Andras_Edit_ed_Transitland_Video_Art_from_Central_and_Eastern_Europe_1989-2009.pdf|Transitland: Video Art from Central and Eastern Europe 1989–2009]]'', ed. Edit András, Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, 319 pp. Contributors: Edit András, Ruben Arevshatyan, Giorgio Bertellini, Konstantin Bokhorov, Svetlana Boym, [[Boris Buden]], Călin Dan, Margarita Dorovska, Zoran Erić, Antonio Geusa, [[Boris Groys]], [[Marina Gržinić]], [[Kathy Rae Huffman]], [[Ryszard Kluszczyński]], Mihnea Mircan, [[Miklós Peternák]], [[Tomáš Pospiszyl]], Boryana Rossa, [[Katarína Rusnáková]], [[Keiko Sei]]. [http://web.archive.org/web/20120702215401/https://www.transitland.eu/ Project website] (archived). [https://www.ludwigmuseum.hu/en/publication/transitland-video-art-central-and-eastern-europe-1989-2009 Publisher]. [https://www.ludwigmuseum.hu/en/exhibition/eastern-frontvideo-art-central-and-eastern-europe-1989-2009 Exhibition] ''...On the eastern front: video art from central and eastern europe 1989–2009'' curated by Rita Kálmán and Tijana Stepanović; held 22 Jan-7 Mar 2010. [https://artmargins.com/transitland-video-art-central-eastern-europe-1989-2009-interview/ Interview with curators] (ARTMargins).</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Art/Care&diff=123884&oldid=123086
Art/Care
2024-02-28T14:01:44Z
<p><span dir="auto"><span class="autocomment">Resources, guides: </span> ADT</span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 14:01, 28 February 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(2 intermediate revisions by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l336" >Line 336:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Engel, Deena, and Joanna Phillips (eds.), ''Conservation of Time-Based Media Art'', Routledge, Nov 2022, 578 pp. [https://vimeo.com/827998618 Book launch] (video). [https://www.routledge.com/Conservation-of-Time-Based-Media-Art/Engel-Phillips/p/book/9780367460426 Publisher].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Engel, Deena, and Joanna Phillips (eds.), ''Conservation of Time-Based Media Art'', Routledge, Nov 2022, 578 pp. [https://vimeo.com/827998618 Book launch] (video). [https://www.routledge.com/Conservation-of-Time-Based-Media-Art/Engel-Phillips/p/book/9780367460426 Publisher].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ''[https://<del class="diffchange diffchange-inline">www</del>.<del class="diffchange diffchange-inline">tate</del>.<del class="diffchange diffchange-inline">org</del>.<del class="diffchange diffchange-inline">uk</del>/<del class="diffchange diffchange-inline">research</del>/<del class="diffchange diffchange-inline">reshaping-the-collectible</del>/<del class="diffchange diffchange-inline">net-art-commissions-artwork-texts Reshaping the Collectible: The Lives of Net Art. Net Art Commissions, 2000–2011: Artwork Texts</del>]<del class="diffchange diffchange-inline">'', London: Tate Research Publication, Oct 2023. Part of the Reshaping the Collectible project</del>.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">Hinterwaldner, Inge, Daniela Hönigsberg, and Konstantin Mitrokhov (eds.), ''[[Media:Navigation Dealing with Jodis WRONG Browser 2022.pdf|Navigation]]</ins>''<ins class="diffchange diffchange-inline">, Munich: Open Publishing LMU, Dec 2022, 125 pp. On [[jodi]]’s ''%WRONG Browser''. </ins>[https://<ins class="diffchange diffchange-inline">publishing.ub</ins>.<ins class="diffchange diffchange-inline">uni-muenchen</ins>.<ins class="diffchange diffchange-inline">de/index</ins>.<ins class="diffchange diffchange-inline">php/oplmu</ins>/<ins class="diffchange diffchange-inline">catalog</ins>/<ins class="diffchange diffchange-inline">book</ins>/<ins class="diffchange diffchange-inline">120 Publisher</ins>].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://www.tate.org.uk/research/tate-papers/35 ''Tate Papers'' 35], London: Tate, 2022-2023. Special journal issue on conservation.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://www.tate.org.uk/research/tate-papers/35 ''Tate Papers'' 35], London: Tate, 2022-2023. Special journal issue on conservation.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* ''[https://www.tate.org.uk/research/reshaping-the-collectible/net-art-commissions-artwork-texts Reshaping the Collectible: The Lives of Net Art. Net Art Commissions, 2000–2011: Artwork Texts]'', London: Tate Research Publication, Oct 2023. Part of the Reshaping the Collectible project.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Hölling, Hanna B., Jules Pelta Feldman, Emilie Magnin (eds.), ''[https://www.taylorfrancis.com/books/oa-edit/10.4324/9781003309987/ Performance: The Ethics and the Politics of Conservation and Care, Volume I]'', Routledge, Nov 2023, 416 pp, [[Media:Performance The Ethics and the Politics of Conservation and Care Vol 1 2023.pdf|PDF]]. Open access. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Hölling, Hanna B., Jules Pelta Feldman, Emilie Magnin (eds.), ''[https://www.taylorfrancis.com/books/oa-edit/10.4324/9781003309987/ Performance: The Ethics and the Politics of Conservation and Care, Volume I]'', Routledge, Nov 2023, 416 pp, [[Media:Performance The Ethics and the Politics of Conservation and Care Vol 1 2023.pdf|PDF]]. Open access. </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''[https://nieuweinstituut.nl/en/projects/reboot-baanbrekende-digitale-kunst REBOOT. Pioneering Digital Art]'', Nieuwe Instituut, Rotterdam, 7 Oct 2023-1 Apr 2024. Exh. of twenty works from the [https://www.digitalcanon.nl Digital Canon (1960-2000)] project, along with nine newly commissioned works. Organised by [https://li-ma.nl/lima/news/reboot-pioneering-digital-art-opens-nieuwe-instituut LI-MA].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''[https://nieuweinstituut.nl/en/projects/reboot-baanbrekende-digitale-kunst REBOOT. Pioneering Digital Art]'', Nieuwe Instituut, Rotterdam, 7 Oct 2023-1 Apr 2024. Exh. of twenty works from the [https://www.digitalcanon.nl Digital Canon (1960-2000)] project, along with nine newly commissioned works. Organised by [https://li-ma.nl/lima/news/reboot-pioneering-digital-art-opens-nieuwe-instituut LI-MA].</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* ''[https://collegium.ethz.ch/veranstaltungen/?event=14031&cat=upcoming Docu & Demo: Exhibition on Archiving Programmed Media Art]'', Collegium Helveticum, Zurich, 15-29 Feb 2024. Organised by Inge Hinterwaldner.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Software tools ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Software tools ==</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1253" >Line 1,253:</td>
<td colspan="2" class="diff-lineno">Line 1,257:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://github.com/amiaopensource AMIA Open Source], an organizational account for collaboration on resources that support the preservation and use of moving image media.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://github.com/amiaopensource AMIA Open Source], an organizational account for collaboration on resources that support the preservation and use of moving image media.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [https://www.li-ma.nl/adt/ Artwork Documentation Tool], launched 2017 by [[LIMA]].</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* BAVC (Bay Area Video Coalition), [http://www.avartifactatlas.com/ AV Artifact Atlas], resource for identifying errors and anomalies in analog and digital video. [https://bavc.org/preserve-media/preservation-tools]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* BAVC (Bay Area Video Coalition), [http://www.avartifactatlas.com/ AV Artifact Atlas], resource for identifying errors and anomalies in analog and digital video. [https://bavc.org/preserve-media/preservation-tools]</div></td></tr>
</table>
Dusan