Difference between revisions of "Lucinda Furlong"
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− | '''Lucinda B. Furlong''' is a critic and curator. She was curator of Media Arts, American Center, Paris, and assistant curator (1986-1991), Film and Video Department, Whitney Museum of American Art, New York. | + | '''Lucinda B. Furlong''' (1954) is a critic and curator. She was curator of Media Arts, American Center, Paris, and assistant curator (1986-1991), Film and Video Department, Whitney Museum of American Art, New York. |
; Publications | ; Publications | ||
+ | * [http://www.vasulka.org/archive/4-30c/AfterImageJan81(6004).pdf "Recipes for Television: Theory Creams Practice at the Kitchen"], ''Afterimage'', Jan 1981, pp 3-4. | ||
+ | |||
* "New York Council on the Arts Revokes Rochester's TV Workshop Funding", ''Afterimage'' 9:6, Jan 1982, p 3. [https://www.vtape.org/critical-writing-index-article?id=3727] | * "New York Council on the Arts Revokes Rochester's TV Workshop Funding", ''Afterimage'' 9:6, Jan 1982, p 3. [https://www.vtape.org/critical-writing-index-article?id=3727] | ||
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* "Big Bird Goes to the Museum: Video + Satellite", ''Afterimage'' 10:6, Jan 1983, pp 15-16. [https://www.vtape.org/critical-writing-index-article?id=1789] | * "Big Bird Goes to the Museum: Video + Satellite", ''Afterimage'' 10:6, Jan 1983, pp 15-16. [https://www.vtape.org/critical-writing-index-article?id=1789] | ||
− | * "A Manner of Speaking: An Interview with Gary Hill", ''Afterimage'' 10:8, Mar 1983, pp 9-16. [https://www.vtape.org/critical-writing-index-article?id=1792] | + | * [https://pdfs.semanticscholar.org/d209/b9f4d3321f74cb70262f3cf397ff47c4e74e.pdf "A Manner of Speaking: An Interview with Gary Hill"], ''Afterimage'' 10:8, Mar 1983, pp 9-16. [https://www.vtape.org/critical-writing-index-article?id=1792] |
* [[Media:Furlong Lucinda 1983 Notes Towards a History of Image-processed Video Eric Siegel Stephen Beck Dan Sandin Steve Rutt Bill and Louise Etra.pdf|"Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra"]], ''Afterimage'', Summer 1983, pp 35-38. [https://www.vtape.org/critical-writing-index-article?id=1747] | * [[Media:Furlong Lucinda 1983 Notes Towards a History of Image-processed Video Eric Siegel Stephen Beck Dan Sandin Steve Rutt Bill and Louise Etra.pdf|"Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra"]], ''Afterimage'', Summer 1983, pp 35-38. [https://www.vtape.org/critical-writing-index-article?id=1747] | ||
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** "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in ''[http://www.vasulka.org/Catalogues/PDFs/Cat_Videastes.pdf Steina et Woody Vasulka: Vidéastes: 1969-1984]'', 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. {{fr}} | ** "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in ''[http://www.vasulka.org/Catalogues/PDFs/Cat_Videastes.pdf Steina et Woody Vasulka: Vidéastes: 1969-1984]'', 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. {{fr}} | ||
− | * "Raster Masters: Review of ''Video Art: A History''", ''Afterimage'' 11:8, Mar 1984, | + | * "Raster Masters: Review of ''Video Art: A History''", ''Afterimage'' 11:8, Mar 1984, pp 17-18. Review of Barbara London's MoMA exhibition. [https://www.vtape.org/critical-writing-index-article?id=1712] |
+ | |||
+ | * [https://archive.org/details/independent08foun/page/n93/mode/2up "Getting High Tech: The 'New' Television"], ''The Independent'' 8:2, Mar 1985, pp 14-16. | ||
* [[Media:Furlong Lucinda 1985 Tracking Video Art Image Processing as a Genre.pdf|"Tracking Video Art: ‘Image Processing’ as a Genre"]], ''Art Journal'' 45, Fall 1985, pp 233-237. [https://www.vtape.org/critical-writing-index-article?id=4376] | * [[Media:Furlong Lucinda 1985 Tracking Video Art Image Processing as a Genre.pdf|"Tracking Video Art: ‘Image Processing’ as a Genre"]], ''Art Journal'' 45, Fall 1985, pp 233-237. [https://www.vtape.org/critical-writing-index-article?id=4376] | ||
+ | |||
+ | * [https://archive.org/stream/independent09foun/#page/n63/mode/2up "Talking Union: The Screen Actors Guild and Independent Film"], ''The Independent'' 9:2, Mar 1986, pp 16-18. | ||
+ | |||
+ | * [[Media:Furlong Lucinda 1988 Electronic Backtalk The Art of Interactive Video.pdf|"Electronic Backtalk: The Art of Interactive Video"]], ''The Independent'' 11:4, May 1988, pp 14-20, [https://archive.org/details/independent11foun/page/n165/mode/2up IA]. | ||
* "AIDS Media: Counter-Representations", in ''New American Film and Video Series'', New York: Whitney Museum of American Art, 1989, pp 1-4. [https://www.vtape.org/critical-writing-index-article?id=637] | * "AIDS Media: Counter-Representations", in ''New American Film and Video Series'', New York: Whitney Museum of American Art, 1989, pp 1-4. [https://www.vtape.org/critical-writing-index-article?id=637] | ||
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* "From Object to Subject", program notes, New York: Whitney Museum of American Art, 1992. | * "From Object to Subject", program notes, New York: Whitney Museum of American Art, 1992. | ||
− | * [https://sci-hub. | + | * [https://sci-hub.st/10.2307/777697 "Shu Lea Cheang's Genre-Bending Affirmations"], ''Art Journal'' 54(4): "Video Art", Winter 1995, pp 65-68. [https://www.vtape.org/critical-writing-index-article?id=1933] |
; See also | ; See also | ||
* [[Video art]] | * [[Video art]] |
Latest revision as of 00:47, 28 January 2023
Lucinda B. Furlong (1954) is a critic and curator. She was curator of Media Arts, American Center, Paris, and assistant curator (1986-1991), Film and Video Department, Whitney Museum of American Art, New York.
- Publications
- "Recipes for Television: Theory Creams Practice at the Kitchen", Afterimage, Jan 1981, pp 3-4.
- "New York Council on the Arts Revokes Rochester's TV Workshop Funding", Afterimage 9:6, Jan 1982, p 3. [1]
- "State of the Art Scan: The Ithaca Video Festival", Afterimage 9:6, Jan 1982, pp 12-14. [2]
- "A Mixed Blessing: 1981 San Francisco International Travelling Video Festival", Afterimage 9:10, May 1982, p 17. [3]
- "Color My World: Chicago Video", Afterimage 10:3, Oct 1982, pp 18-19. [4]
- "Big Bird Goes to the Museum: Video + Satellite", Afterimage 10:6, Jan 1983, pp 15-16. [5]
- "A Manner of Speaking: An Interview with Gary Hill", Afterimage 10:8, Mar 1983, pp 9-16. [6]
- "Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra", Afterimage, Summer 1983, pp 35-38. [7]
- "Notes Towards a History of Image-processed Video: Steina and Woody Vasulka", Afterimage, Dec 1983, pp 12-17, HTML; repr. in Mémoires vives: From Nam June Paik to Sliders_Lab, ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, pp 56-73. [8]
- "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in Steina et Woody Vasulka: Vidéastes: 1969-1984, 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. (French)
- "Raster Masters: Review of Video Art: A History", Afterimage 11:8, Mar 1984, pp 17-18. Review of Barbara London's MoMA exhibition. [9]
- "Getting High Tech: The 'New' Television", The Independent 8:2, Mar 1985, pp 14-16.
- "Tracking Video Art: ‘Image Processing’ as a Genre", Art Journal 45, Fall 1985, pp 233-237. [10]
- "Talking Union: The Screen Actors Guild and Independent Film", The Independent 9:2, Mar 1986, pp 16-18.
- "Electronic Backtalk: The Art of Interactive Video", The Independent 11:4, May 1988, pp 14-20, IA.
- "AIDS Media: Counter-Representations", in New American Film and Video Series, New York: Whitney Museum of American Art, 1989, pp 1-4. [11]
- "From Object to Subject", program notes, New York: Whitney Museum of American Art, 1992.
- "Shu Lea Cheang's Genre-Bending Affirmations", Art Journal 54(4): "Video Art", Winter 1995, pp 65-68. [12]
- See also