Difference between revisions of "Argentina"
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* [[CAYC]], the Art and Communication Centre founed in Buenos Aires, 1968, by [[Víctor Grippo]], [[Jacques Bedel]], [[Luis Fernando Benedit]], [[Alfredo Portillos]], [[Clorindo Testa]], [[Jorge Glusberg]] and [[Jorge González]]. | * [[CAYC]], the Art and Communication Centre founed in Buenos Aires, 1968, by [[Víctor Grippo]], [[Jacques Bedel]], [[Luis Fernando Benedit]], [[Alfredo Portillos]], [[Clorindo Testa]], [[Jorge Glusberg]] and [[Jorge González]]. | ||
* [[Jorge Glusberg]], the director of CAYC, 1968-2012. | * [[Jorge Glusberg]], the director of CAYC, 1968-2012. | ||
+ | * ''[[Arte de sistemas]]'' [Systems Art], exhibition, Museo de Arte Moderno, Buenos Aires, July 1971. | ||
* [[Marta Minujín]] | * [[Marta Minujín]] | ||
+ | |||
+ | ==Video art== | ||
+ | |||
+ | * [http://www.charlynijensohn.org/ Charly Nijensohn], [https://www.academia.edu/29002948/] | ||
+ | |||
+ | * ''[[Media:Videografias invisibles una seleccion de videoarte latinoamericano 2000-2005 2005.pdf|Videografías invisibles: una selección de videoarte latinoamericano 2000-2005]]'', eds. Jorge Villacorta and José Carlos Mariátegui, Museo Patio Herreriano, 2005, 140 pp. [https://arcavideoargentino.com.ar/exposicion/videograf%c3%adas-invisibles/ Exhibition]. [https://arcavideoargentino.com.ar/publicacion/videograf%c3%adas-invisibles/] {{es}} | ||
+ | |||
+ | * Jorge La Ferla (ed.), ''[[Media:La Ferla Jorge comp Historia critica del video argentino 2008.pdf|Historia crítica del video argentino]]'', Buenos Aires: MALBA, and Buenos Aires: Espacio Fundación Telefónica, 2008, 285 pp. [https://www.malba.org.ar/libro-historia-critica-del-video-argentino/ Publisher]. [https://arcavideoargentino.com.ar/publicacion/historia-cr%c3%adtica-del-video-argentino/ Details]. [https://www.academia.edu/11263610/] {{es}} | ||
+ | |||
+ | * [https://arcavideoargentino.com.ar/persona/ ARCA Video Argentino], La Plata, est 2008. | ||
+ | |||
+ | * [https://arcavideoargentino.com.ar/publicacion/ ARCA Video: Publicaciones] | ||
==Literature== | ==Literature== | ||
+ | |||
* [http://icaadocs.mfah.org/icaadocs/THEARCHIVE/Browse/GeographicDescriptors/tabid/170/k/A/e/1108578/language/en-US/Default.aspx Documents of 20th-Century Art in Argentina] | * [http://icaadocs.mfah.org/icaadocs/THEARCHIVE/Browse/GeographicDescriptors/tabid/170/k/A/e/1108578/language/en-US/Default.aspx Documents of 20th-Century Art in Argentina] | ||
+ | |||
* Ángel Rama, [[Media:Rama_Angel_1973_Las_dos_vanguardias_latinoamericanas.pdf|"Las dos vanguardias latinoamericanas"]], ''Maldoror'' 9 (Nov 1973). {{es}} | * Ángel Rama, [[Media:Rama_Angel_1973_Las_dos_vanguardias_latinoamericanas.pdf|"Las dos vanguardias latinoamericanas"]], ''Maldoror'' 9 (Nov 1973). {{es}} | ||
+ | |||
* http://scribd.com/doc/182487189/Argentina-en-la-decada-del-60-experimentalismo-y-politizacion | * http://scribd.com/doc/182487189/Argentina-en-la-decada-del-60-experimentalismo-y-politizacion | ||
+ | |||
* http://scribd.com/doc/182449070/Di-Tella-pdf | * http://scribd.com/doc/182449070/Di-Tella-pdf | ||
+ | |||
* Vicky Unruh, ''[http://publishing.cdlib.org/ucpressebooks/view?docId=ft638nb3gc&chunk.id=0&toc.depth=100&brand=ucpress Latin American Vanguards: The Art of Contentious Encounters]'', University of California Press, 1994. | * Vicky Unruh, ''[http://publishing.cdlib.org/ucpressebooks/view?docId=ft638nb3gc&chunk.id=0&toc.depth=100&brand=ucpress Latin American Vanguards: The Art of Contentious Encounters]'', University of California Press, 1994. | ||
− | * Andres Burbano, Hernando Barragán (eds.), ''Hipercubo/ok/: arte, ciencia y tecnología en contextos próximos'', Bogotá: Universidad de los Andes, 2002, 223 pp | + | |
+ | * Jacqueline Barnitz, ''Twentieth-Century Art of Latin America'', 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp. | ||
+ | |||
+ | * Andrea Giunta, ''Vanguardia, internacionalismo y política. Arte argentino en los años sesenta'', Buenos Aires: Paidós, 2001. {{es}} | ||
+ | ** ''[http://library.memoryoftheworld.org/#/book/3d348b7a-c7f8-44db-98f5-bdc8e4c0bcd4 Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties]'', Duke University Press, 2007, [http://aaaaarg.fail/thing/5aa40bed9ff37c4dac622be0 ARG]. [https://www.dukeupress.edu/avant-garde-internationalism-and-politics/ Publisher]. | ||
+ | |||
+ | * Andres Burbano, Hernando Barragán (eds.), ''Hipercubo/ok/: arte, ciencia y tecnología en contextos próximos'', Bogotá: Universidad de los Andes, 2002, 223 pp. Monograph on science, art and technology in Latin America. [http://web.archive.org/web/20040724200247/http://hipercubo.uniandes.edu.co/] [http://www.banffcentre.ca/bnmi/programs/archives/2002/bridges/abstracts/bridges_abstract_andres_burbano_hernando_barragan.pdf] {{es}} | ||
** Rodrigo Alonso, [http://www.roalonso.net/es/pdf/arte_y_tec/low_tech.pdf "Elogio de la Low Tech"]. | ** Rodrigo Alonso, [http://www.roalonso.net/es/pdf/arte_y_tec/low_tech.pdf "Elogio de la Low Tech"]. | ||
+ | |||
* Rodrigo Alonso, [http://www.roalonso.net/es/pdf/arte_y_tec/cine_expandido.pdf "Fuera de las formas del cine. Experiencias de Cine Expandido en Argentina"], 2001. {{es}} | * Rodrigo Alonso, [http://www.roalonso.net/es/pdf/arte_y_tec/cine_expandido.pdf "Fuera de las formas del cine. Experiencias de Cine Expandido en Argentina"], 2001. {{es}} | ||
+ | |||
* Inés Katzenstein, ''Listen, Here, Now! Argentine Art of the 1960s: Writings of the Avant-garde'', New York: Museum of Modern Art, 2004, 376 pp. [http://post.at.moma.org/content_items/309-total-adventure-primary-documents-from-1960s-argentina Selected texts], [http://scribd.com/doc/138054177 Excerpt], [http://books.google.com/books?id=LQMPV1E3rjsC&printsec=frontcover]. | * Inés Katzenstein, ''Listen, Here, Now! Argentine Art of the 1960s: Writings of the Avant-garde'', New York: Museum of Modern Art, 2004, 376 pp. [http://post.at.moma.org/content_items/309-total-adventure-primary-documents-from-1960s-argentina Selected texts], [http://scribd.com/doc/138054177 Excerpt], [http://books.google.com/books?id=LQMPV1E3rjsC&printsec=frontcover]. | ||
+ | |||
+ | * Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/bc606a39-ab8a-47a6-966c-c377f7030bd1 Readings in Latin American Modern Art]'', Yale University Press, 2004, 288 pp. [https://yalebooks.yale.edu/book/9780300102550/readings-latin-american-modern-art] | ||
+ | |||
* Rodrigo Alonso, [http://www.roalonso.net/es/pdf/arte_y_tec/modelo_para_armar.pdf "Modelo para armar. Media Art Contemporáneo de Argentina"], 2005. {{es}} | * Rodrigo Alonso, [http://www.roalonso.net/es/pdf/arte_y_tec/modelo_para_armar.pdf "Modelo para armar. Media Art Contemporáneo de Argentina"], 2005. {{es}} | ||
+ | |||
* Rodrigo Alonso, [http://www.roalonso.net/en/pdf/arte_y_tec/leonardo_origins.pdf "Art and Technology in Argentina: The Early Years"], ''Leonardo Electronic Almanac'', 13:4, April 2005. [http://www.roalonso.net/es/pdf/arte_y_tec/leonardo.pdf Spanish version]. | * Rodrigo Alonso, [http://www.roalonso.net/en/pdf/arte_y_tec/leonardo_origins.pdf "Art and Technology in Argentina: The Early Years"], ''Leonardo Electronic Almanac'', 13:4, April 2005. [http://www.roalonso.net/es/pdf/arte_y_tec/leonardo.pdf Spanish version]. | ||
+ | |||
* Rodrigo Alonso, [http://www.roalonso.net/en/pdf/videoarte/tacticas_ing.pdf "On Technological Tactics"], 2005. | * Rodrigo Alonso, [http://www.roalonso.net/en/pdf/videoarte/tacticas_ing.pdf "On Technological Tactics"], 2005. | ||
− | * Monica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] | + | |
+ | * ''Real/Virtual, arte cinético argentino en los años sesenta'', ed. María José Herrera, Buenos Aires: Museo Nacional de Bellas Artes, 2012. {{es}} | ||
+ | |||
+ | * Monica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627 Publisher]. | ||
+ | |||
+ | * Sophie Halart, Mara Polgovsky Ezcurra (eds.), ''[http://library.memoryoftheworld.org/#/book/a49879c8-8df1-49e9-8e54-fe64c0506000 Sabotage Art: Politics and Iconoclasm in Contemporary Latin America]'', London: I.B. Tauris, 2016, xvii+238 pp. | ||
+ | |||
+ | * Alexander Alberro, ''[http://libgen.rs/book/index.php?md5=D6628DE0310AA74196923D032EF18F1C Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art]'', University of Chicago Press, 2017. | ||
+ | |||
+ | * Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/#/book/a74b4682-51b4-4101-a6fe-9fc662fe5195 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo). | ||
+ | |||
+ | * Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.st/10.1080/08263663.2017.1415708 Boone] (CJLACS). | ||
+ | |||
+ | * ''Redes de vanguardia: Amauta y América Latina, 1926-1930'', eds. Beverly Adams and Natalia Majluf, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Exh. catalogue. [https://www.museoreinasofia.es/publicaciones/redes-vanguardia Publisher]. {{es}} | ||
+ | ** ''The Avant-garde Networks of ''Amauta'': Argentina, Mexico, and Peru in the 1920s'', Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. [https://www.museoreinasofia.es/en/publicaciones/avant-garde-networks-amauta Publisher]. | ||
+ | |||
+ | * Karen Benezra, ''Dematerialization: Art and Design in Latin America'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2020, 256 pp. [https://www.ucpress.edu/book/9780520307063/dematerialization Publisher]. [https://islaa.org/bookshop/dematerialization] | ||
+ | |||
+ | * Elize Mazadiego, ''[http://libgen.rs/book/index.php?md5=45EB26C6CED4E5BCA7B6291F3CECF3AB Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968]'', Leiden: Brill, Mar 2021, 173 pp. Based on [https://escholarship.org/content/qt31p8448f/qt31p8448f.pdf PhD thesis] (UC San Diego, 2015). [https://brill.com/display/title/58465 Publisher]. | ||
{{Countries}} | {{Countries}} |
Latest revision as of 00:13, 3 July 2024
Contents
Visual poetry[edit]
Asociación Arte Concreto — Invención (Concrete Art and Invention Association)[edit]
Arte y Comunicación[edit]
- CAYC, the Art and Communication Centre founed in Buenos Aires, 1968, by Víctor Grippo, Jacques Bedel, Luis Fernando Benedit, Alfredo Portillos, Clorindo Testa, Jorge Glusberg and Jorge González.
- Jorge Glusberg, the director of CAYC, 1968-2012.
- Arte de sistemas [Systems Art], exhibition, Museo de Arte Moderno, Buenos Aires, July 1971.
- Marta Minujín
Video art[edit]
- Videografías invisibles: una selección de videoarte latinoamericano 2000-2005, eds. Jorge Villacorta and José Carlos Mariátegui, Museo Patio Herreriano, 2005, 140 pp. Exhibition. [2] (Spanish)
- Jorge La Ferla (ed.), Historia crítica del video argentino, Buenos Aires: MALBA, and Buenos Aires: Espacio Fundación Telefónica, 2008, 285 pp. Publisher. Details. [3] (Spanish)
- ARCA Video Argentino, La Plata, est 2008.
Literature[edit]
- Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (Spanish)
- Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
- Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
- Andrea Giunta, Vanguardia, internacionalismo y política. Arte argentino en los años sesenta, Buenos Aires: Paidós, 2001. (Spanish)
- Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties, Duke University Press, 2007, ARG. Publisher.
- Andres Burbano, Hernando Barragán (eds.), Hipercubo/ok/: arte, ciencia y tecnología en contextos próximos, Bogotá: Universidad de los Andes, 2002, 223 pp. Monograph on science, art and technology in Latin America. [4] [5] (Spanish)
- Rodrigo Alonso, "Elogio de la Low Tech".
- Rodrigo Alonso, "Fuera de las formas del cine. Experiencias de Cine Expandido en Argentina", 2001. (Spanish)
- Inés Katzenstein, Listen, Here, Now! Argentine Art of the 1960s: Writings of the Avant-garde, New York: Museum of Modern Art, 2004, 376 pp. Selected texts, Excerpt, [6].
- Patrick Frank (ed.), Readings in Latin American Modern Art, Yale University Press, 2004, 288 pp. [7]
- Rodrigo Alonso, "Modelo para armar. Media Art Contemporáneo de Argentina", 2005. (Spanish)
- Rodrigo Alonso, "Art and Technology in Argentina: The Early Years", Leonardo Electronic Almanac, 13:4, April 2005. Spanish version.
- Rodrigo Alonso, "On Technological Tactics", 2005.
- Real/Virtual, arte cinético argentino en los años sesenta, ed. María José Herrera, Buenos Aires: Museo Nacional de Bellas Artes, 2012. (Spanish)
- Monica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. Publisher.
- Sophie Halart, Mara Polgovsky Ezcurra (eds.), Sabotage Art: Politics and Iconoclasm in Contemporary Latin America, London: I.B. Tauris, 2016, xvii+238 pp.
- Alexander Alberro, Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art, University of Chicago Press, 2017.
- Bill Kelley Jr., Grant H. Kester (eds.), Collective Situations: Readings in Contemporary Latin American Art, 1995-2010, Durham: Duke University Press, 2017, 456 pp. Reviews: Montgomery (CAA), Zilberg (Leonardo).
- Patrick Frank (ed.), Manifestos and Polemics in Latin American Modern Art, trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: Boone (CJLACS).
- Redes de vanguardia: Amauta y América Latina, 1926-1930, eds. Beverly Adams and Natalia Majluf, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Exh. catalogue. Publisher. (Spanish)
- The Avant-garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Publisher.
- Karen Benezra, Dematerialization: Art and Design in Latin America, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2020, 256 pp. Publisher. [8]
- Elize Mazadiego, Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968, Leiden: Brill, Mar 2021, 173 pp. Based on PhD thesis (UC San Diego, 2015). Publisher.
Countries avant-garde, modernism, experimental art, media culture, social practice |
||
---|---|---|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States |