Difference between revisions of "Afrofuturism"

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* [https://monoskop.org/images/9/97/IDEA_52_2018.pdf#page=4 ''IDEA'' 52: "The Meaning of the Impossible"], Cluj, 2018, pp 5-31, [http://idea.ro/revista/en/issue/idea-52 HTML]. Special section of magazine. {{ro}}
 
* [https://monoskop.org/images/9/97/IDEA_52_2018.pdf#page=4 ''IDEA'' 52: "The Meaning of the Impossible"], Cluj, 2018, pp 5-31, [http://idea.ro/revista/en/issue/idea-52 HTML]. Special section of magazine. {{ro}}
 
* Erik Steinskog, ''[http://library.memoryoftheworld.org/#/book/1a9dd6d0-fb9e-4ac8-93f6-16b1a2e12cb2 Afrofuturism and Black Sound Studies: Culture, Technology, and Things to Come]'', Palgrave Macmillan, 2018.
 
* Erik Steinskog, ''[http://library.memoryoftheworld.org/#/book/1a9dd6d0-fb9e-4ac8-93f6-16b1a2e12cb2 Afrofuturism and Black Sound Studies: Culture, Technology, and Things to Come]'', Palgrave Macmillan, 2018.
* Inke Arns, Fabian Saavedra-Lara (eds.), ''Afro-Tech'', Dortmund: HMKV, Nov 2018, 164 pp. Magazine; documents the exhibition ''Afro-Tech and the Future of Re-Invention'' (2017-2018) and the festival ''Afro-Tech Fest'' (2017). [https://www.behance.net/gallery/72112759/Afro-Tech-Magazine Excerpt]. [https://www.hmkv.de/news-en/news-details/afro-tech-magazine-finally-published.html]
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* Inke Arns, Fabian Saavedra-Lara (eds.), ''Afro-Tech'', Dortmund: HMKV, Nov 2018, 164 pp. Magazine; documents the exhibition ''Afro-Tech and the Future of Re-Invention'' (2017-2018) and the festival ''Afro-Tech Fest'' (2017). [https://www.behance.net/gallery/72112759/Afro-Tech-Magazine Excerpt]. [https://www.hmkv.de/exhibition/exhibition-detail/afro-tech-and-the-future-of-re-invention-en.html?file=files/hmkv/ausstellungen/03_Archiv/2017/AFRO/05_Publikation/AFRO-TECH_Ausstellung_Kurzfuehrer_Exhibition_Booklet.pdf Handout]. [https://www.hmkv.de/news-en/news-details/afro-tech-magazine-finally-published.html]
 
* Pedro J.S. Vieira de Oliveira, [http://sci-hub.se/10.1080/17547075.2019.1609283 "Weaponizing Quietness: Sound Bombs and the Racialization of Noise"], ''Design and Culture'', 2019.
 
* Pedro J.S. Vieira de Oliveira, [http://sci-hub.se/10.1080/17547075.2019.1609283 "Weaponizing Quietness: Sound Bombs and the Racialization of Noise"], ''Design and Culture'', 2019.
 
* Sonya Linfors, Maryan Abdulkarim, [https://www.blackbox.no/wp-content/uploads/2019/09/Lindfors-Abdulkarim.pdf "Afrofuturistic Dreams: Soft Steps Towards Revolution"], in Black Box teater, ''Publikasjon 3'', Oslo, 2019.
 
* Sonya Linfors, Maryan Abdulkarim, [https://www.blackbox.no/wp-content/uploads/2019/09/Lindfors-Abdulkarim.pdf "Afrofuturistic Dreams: Soft Steps Towards Revolution"], in Black Box teater, ''Publikasjon 3'', Oslo, 2019.

Revision as of 10:06, 14 February 2021

In his book More Brilliant Than The Sun, Kodwo Eshun gives a concise summary of history of the term:

AfroFuturism comes from Mark Dery's '93 book [Flame Wars], but the trajectory starts with Mark Sinker. In 1992, Sinker starts writing on Black Science Fiction; that's because he's just been to the States and Greg Tate's been writing a lot about the interface between science fiction and Black Music. Tate wrote this review called "Yo Hermeneutics" which was a review of David Toop's Rap Attack plus a Houston Baker book, and it was one of the first pieces to lay out this science fiction of black technological music right there. And so anyway Mark went over, spoke to Greg, came back, started writing on Black Science Fiction. He wrote a big piece in The Wire, a really early piece on Black Science Fiction in which he posed this question, asks "What does it mean to be human?" In other words, Mark made the correlation between Blade Runner and slavery, between the idea of alien abduction and the real events of slavery. (cont.)

Music

Film

Fiction

Documentary

  • The Last Angel of History, dir. John Akomfrah, 45 min. Written and researched by Edward George of Black Audio Film Collective. Explores relationships between Pan-African culture, science fiction, intergalactic travel, and computer technology. Featuring Tate, Eshun, Goldie, Clinton, Derrick May and others. [1]

Communities, collectives

Resources

Criticism, reflection, historisation, statements

Kodwo Eshun, More Brilliant Than The Sun: Adventures In Sonic Fiction, 1998, Log, PDF.
Social Text 71: "Afrofuturism", ed. Alondra Nelson, 2002, Log, PDF.
  • Mark Dery, "Black to the Future: Interviews with Samuel R. Delany, Greg Tate, and Tricia Rose", in Flame Wars: The Discourse of Cyberculture, ed. Dery, Duke University Press, 1994, pp 179-222. [5]
    • "Black to the Future: Afro-Futurismus", in Loving the Alien, ed. Diedrich Diederichsen, Berlin: ID, 1998. (German)
  • Diedrich Diederichsen (ed.), Loving the Alien. Science Fiction, Diaspora, Multikultur, Berlin: ID, 1998, 224 pp. [7] (German)
  • Michelle-Lee White, Keith Piper, Alondra Nelson, Arnold J. Kemp, Erika Dalya Muhammad, "Aftrotech and Outer Spaces", Art Journal 60:3, Autumn 2001, pp 90-104.
  • Sandra Grayson, Visions of the Third Millennium, 2002.
  • Science Fiction Studies 34:2 (102): "Afrofuturism", Jul 2007. [10]
  • Adilifu Nama, Black Space: Imagining Race in Science Fiction Film, 2008.
Bibliographies

Events


Literature
groups, movements, cultures

Avant-garde and modernist magazines, Artists' publishing, Vorticism, Dada, Zenitism, Estridentismo, Surrealism, Concrete poetry, Zine culture, Afrofuturism, Shadow libraries, Code poetry, Conceptual writing, Alternative literature, Conceptual comics. Art and culture, Contents, Index, About.