Difference between revisions of "Ana Janevski"
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| − | Ana Janevski holds an MA at the École des hautes études en sciences sociales (EHESS) in Paris | + | '''Ana Janevski''' holds an MA at the École des hautes études en sciences sociales (EHESS) in Paris on the ''Articulation of Balkanism in contemporary art''. She is curator in the Museum of Modern Art in [[Warsaw]], where she curated ''As soon as I open my eyes I see a film - Experiments in Yugoslav art in 60s and 70s'' and ''Unhoming'', exhibition of Palestinian artist Ahlam Shibli. She is involved in freelance projects in France and Croatia and contributes to various art journals. She launched the periodical ''Muzeum'' in 2007 which has developed into quarterly publication inviting writers, philosophers and artists to discuss contemporary art. She has recently commissioned new project from artists such as Daniel, Knorr, Ahlam Shibli, Yael Bartana, Sanja Ivekovic etc. |
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| + | ; Works | ||
| + | * editor, with Roxana Marcoci and Ksenia Nouril, ''Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology'', Duke University Press (MoMA Primary Documents), 2018, 408 pp. [https://www.dukeupress.edu/art-and-theory-of-post-1989-central-and-eastern-europe] | ||
Revision as of 13:34, 17 June 2018
Ana Janevski holds an MA at the École des hautes études en sciences sociales (EHESS) in Paris on the Articulation of Balkanism in contemporary art. She is curator in the Museum of Modern Art in Warsaw, where she curated As soon as I open my eyes I see a film - Experiments in Yugoslav art in 60s and 70s and Unhoming, exhibition of Palestinian artist Ahlam Shibli. She is involved in freelance projects in France and Croatia and contributes to various art journals. She launched the periodical Muzeum in 2007 which has developed into quarterly publication inviting writers, philosophers and artists to discuss contemporary art. She has recently commissioned new project from artists such as Daniel, Knorr, Ahlam Shibli, Yael Bartana, Sanja Ivekovic etc.
- Works
- editor, with Roxana Marcoci and Ksenia Nouril, Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology, Duke University Press (MoMA Primary Documents), 2018, 408 pp. [1]
