Difference between revisions of "Andrey Smirnov"

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; Publications
 
; Publications
* with Liubov Pchelkina, ''[http://monoskop.org/log/?p=7911 Generation Z: Russian Pioneers of Sound Art and Musical Technology in 1910-1930]'', Budapest: OSA Archivum, 2011, 20 pp. (in English/Hungarian)
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* with Liubov Pchelkina, ''[http://monoskop.org/log/?p=7911 Generation Z: Russian Pioneers of Sound Art and Musical Technology in 1910-1930]'', Budapest: OSA Archivum, 2011, 20 pp. Booklet-newspaper. (in English/Hungarian)
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* with Liubov Pchelkina, ''[http://www.asmir.info/articles/GenerationZ_Polytech.pdf ПОКОЛЕНИЕ Z. Booklet-newspaper of the Generation Z exhibition]'', Moscow: Polytechnic Museum, 2011, 20 pp. Booklet-newspaper. (in Russian)
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* with Liubov Pchelkina, ''[http://www.asmir.info/articles/GazetaZ_ProArte.pdf ПОКОЛЕНИЕ Z. Booklet-newspaper of the Generation Z exhibition]'', St. Petersburg: PRO ARTE Foundation, 2010, 20 pp. (Russian).
 
* ''[http://monoskop.org/log/?p=8860 Sound in Z: Experiments in Sound and Electronic Music in Early 20th-century Russia]'', London: Koenig Books & Sound and Music, 2013, 281 pp.
 
* ''[http://monoskop.org/log/?p=8860 Sound in Z: Experiments in Sound and Electronic Music in Early 20th-century Russia]'', London: Koenig Books & Sound and Music, 2013, 281 pp.
 
* [http://www.asmir.info/publications.htm More]
 
* [http://www.asmir.info/publications.htm More]

Revision as of 18:09, 19 January 2014

Andrey Smirnov (1956) is an interdisciplinary artist, independent curator, collector, writer, composer, researcher and developer of new techniques in computer music. He is a Senior Lecturer and a Head of the Sector for Multimedia at the Center for Electroacoustic Music at Moscow State Conservatory and a Professor at the Rodchenko School for Photography and Multimedia where he teaches courses on history and aesthetics of electroacoustic music, sound design and composition, new musical interfaces and physical computing. In 1992-2012 he was the founding director of the Theremin Center in Moscow. He has conducted numerous workshops and master classes in the U.S., Europe and Russia, and participated in various festivals and conferences. Since 1976 he conducts research on the development of electronic music techniques and gestural interfaces. His collection of the historical documents and original electronic musical instruments has been combined with extensive research into the history of music technology with broad experience in composition, interactive performance and curatorial activities.

Publications
See also
External links