Difference between revisions of "Ariella Azoulay"

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'''Ariella Azoulay''' (born Tel Aviv, 1962) is an Israeli art curator, film-maker and theorist of photography and visual culture. She teaches visual culture and contemporary philosophy in the Hermeneutics and Cultural Studies program at Israel's Bar-Ilan University.
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'''Ariella Azoulay''' (אריאלה אזולאי‎; 21 February 1962, Tel Aviv) is an author, art curator, filmmaker, and theorist of photography and visual culture. She is Professor of Modern Culture and Media and the Department of Comparative Literature at Brown University.
  
 
==Works==
 
==Works==
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; Articles
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; Books
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* ''Imun le-omanut : biḳoret ha-kalkalah ha-muzeʼalit'' [TRAining for ART: Critique of Museal Economy], Tel Aviv: Hakibutz Hameuchad, and The Porter Institute, Tel Aviv University, 1999. {{he}}
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 +
* ''Ekh zeh nirʼeh lekha? 25 siḥot, 44 tatslumim'' [How Does it Look to You?], Tel Aviv: Bavel, 2000, 270 pp. {{he}}
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 +
* ''Death's Showcase: The Power of Image in Contemporary Democracy'', trans. Ruvik Danieli, MIT Press, 2001, x+303 pp. Collection of works previously published chiefly in Hebrew. {{en}}
 +
 
 +
* with Adi Ophir, ''Yamiym raʻiym: beyn ʻaswn lʼwṭwpyah'' [Bad Days: Between Disaster and Utopia], Tel Aviv: Resling, 2004, 207 pp. {{he}}
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* ''Hayoh hayah paʻam: ṣiylwm bʻiqbwt Walṭer Binyamiyn'' [Once Upon a Time: Photography Following Walter Benjamin], Ramat-Gan: Bar Ilan University Press, 2006. {{he}}
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* ''ha-Amanah ha-ezraḥit shel ha-tsilum'', Tel Aviv: Resling, 2006, 515 pp. {{he}}
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** ''[http://libgen.rs/book/index.php?md5=C8AE8D4E78D27D2B4702AF62B8F0296C The Civil Contract of Photography]'', Zone Books, 2008. [http://www.academia.edu/667308/ Leshem & Wright] (CRIQ). {{en}}
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* ''Maʻaśeh medinah: hisṭoryah metsulemet shel ha-Kibush 1967-2007'' [Act of State: Photographic History of the Israeli Rule in the Occupied Territories, 1967-2007], Etgar, 2008, 611 pp. {{he}}
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** ''Atto di Stato: Palestina-Israele, 1967-2007: storia fotografica dell'occupazione'', trans. Maria Nadotti, Milan: Bruno Mondadori, 2008, 325 pp. {{it}}
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* with Adi Ophir, ''Mishṭar zeh she-eno eḥad: kibush ṿe-demoḳraṭyah ben ha-yam la-nahar, 1967-'' [This Regime Which Is Not One], Tel Aviv: Resling, 2008. {{he}}
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** ''[http://libgen.rs/book/index.php?md5=3DA394D0C84EA8AF17238DAFA24A631F The One-State Condition: Occupation and Democracy in Israel/Palestine]'', Stanford University Press, 2012, 328 pp. [https://www.sup.org/books/title/?id=20882] {{en}}
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** ''Niẓām laysa wāḥidan: al-iḥtilāl wa-al-dīmuqrāṭīyah bayna al-baḥr wa-al-nahr (1967-)'', trans. Nabīl al-Ṣāliḥ, Rām Allāh: Madār, al-Markaz al-Filasṭīnī lil-Dirāsāt al-Isrāʼīlīyah, 2012, 430 pp. {{ar}}
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* ''Alimut mekhonenet, 1947-1950: geneʼalogyah ḥazutit shel mishṭar ṿa-hafikhat ha-ason le-'ason mi-neḳudat mabaṭam''' [Constituent Violence 1947-1950], Tel Aviv: Resling, 2009. {{he}}
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** ''[http://libgen.rs/book/index.php?md5=08A73CF7BDBE581E073CE97978D7E99B From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950]'', Pluto Press, 2011. {{en}}
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* ''Dimyon ezraḥi'', Tel Aviv: Resling, 2010, 237 pp. {{he}}
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** ''[http://libgen.rs/book/index.php?md5=6540C9BD4D78DA93F8A0295B1336F937 Civil Imagination: The Political Ontology of Photography]'', London: Verso, 2012. {{en}}
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** ''Civil imagination: ontologia politica della fotografia'', Milan: Postmedia, 2018, 271 pp. {{it}}
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* ''Aïm Deüelle Lüski: imatges residuals: fotografia documental en temps obscurs'', Barcelona: Ayuntamiento de Barcelona, 2012. {{ca}}
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** ''Aïm Deüelle Lüski and Horizontal Photography'', trans. Tal Haran, Leuven: Leuven University Press, 2013, 261 pp.  {{en}}
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** ''Ḥayim Deʻuʼel Lusḳi, tsilum ofḳi'', Tel Aviv: Resling, 2016. {{he}}
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* ''Historia potencial y otros ensayos'', México: Conaculta, 2014, 123 pp. Collection of essays. [http://www.t-e-e.org/index.php/tee-o-r-i-a/] {{es}}
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* with Miki Kratsman, ''The Resolution of The Suspect'', Santa Fe: Radius Books/Peabody Museum Press, 2015, 144 pp. {{en}}
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* ''[https://monoskop.org/log/?p=21793 Potential History: Unlearning Imperialism]'', London: Verso, 2019, 656 pp. {{en}}
  
 +
; Essays
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* [[Media:Azoulay_Ariella_2010_What_is_a_photograph.pdf|"What is a photograph? What is photography?"]], ''Philosophy of Photography'' 1:1, 2010, pp 9-13. {{en}}
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* [[Media:Azoulay_Ariella_2011_Photography_The_ontological_question.pdf|"Photography - The ontological question"]], ''Mafte’akh'' 2e, 2011, pp 65-80. {{en}}
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* "Outside The Political Philosophy Tradition and Still Inside Tradition: Two Traditions of Political Philosophy", ''Constellations'' 18:1, 2011, pp 91-105. {{en}}
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* [http://www.politicalconcepts.org/issue1/archive/ "Archive"], trans. Tal Haran, in ''Political Concepts: A Critical Lexicon'', 2012. {{en}}
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* [https://vivo.brown.edu/docs/a/aazoulay_cv.pdf?dt=561910191 more]
  
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; Books
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; Films
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* ''Death's Showcase: the power of image in contemporary democracy'', 2001.
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* ''A Sign from Heaven'', 1999.
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* ''The Civil Contract of Photography'', Zone Books, 2008 [https://www.academia.edu/667308/Why_Photography_Matters_as_Art_as_Never_Before_by_Michael_Fried_and_The_Civil_Contract_of_Photography_by_Ariella_Azoulay review].
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* ''[https://www.youtube.com/watch?v=OmowYd2hqhs The Angel of History]'', 2000.
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* ''From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950'', Pluto Press, 2011.
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* ''[https://www.youtube.com/watch?v=iGpfq6COz38 The Food Chain]'', 2004, [https://www.youtube.com/watch?v=_u7FEG8pJRU part 2]. [http://cargocollective.com/AriellaAzoulay/The-Food-Chain]
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* ''Civil Imagination: The Political Ontology of Photography'', 2011.
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* ''[https://www.youtube.com/watch?v=q0lP9UPwZbw I Also Dwell Among Your Own People: Conversations with Azmi Bishara]'', 2005, 50 min.
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* with Adi Ophir, ''This Regime Which Is Not One: Occupation and Democracy between the Sea and The River (1967 - )'', Stanford University Press, 2011.
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* ''At Nightfall'', 2005.
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* with Adi Ophir, ''The One-State Condition: Occupation and Democracy in Israel/Palestine'', Stanford University Press, forthcoming.
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* ''[https://www.youtube.com/watch?v=lqi4X_ptwWw Civil Alliance, Palestine, 47-48]'', 2012.
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* ''Un-Documented: Unlearning Imperial Plunder by Ariella Aïsha Azoulay'', 2020, 35 min. [https://twitter.com/AishaAriella/status/1315413664208478216]
  
 
==Links==
 
==Links==
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* http://en.wikipedia.org/wiki/Ariella_Azoulay
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* [http://cargocollective.com/AriellaAzoulay Personal website]
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* http://www.macba.cat/en/video-pei-azoulay
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* [https://www.youtube.com/channel/UCV8f_HngaqEyeu9kGaXO_MA Youtube]
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* http://news.brown.edu/new-faculty/2012-13/ariella-azoulay
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* [https://twitter.com/aishaariella Twitter]
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* [https://www.youtube.com/watch?v=mKviAvT_5iQ Revolution Is a Language], lecture, summer 2012
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[[Category:Media culture writers|Azoulay, Ariella]]
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* [https://vivo.brown.edu/display/aazoulay Profile on Brown U]
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* [https://web.archive.org/web/20090804151200/http://www.biu.ac.il/interdis/hermeneu/member-ariella-azoulay.html Profile on Ban-Ilan University] (archived)
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* [http://en.wikipedia.org/wiki/Ariella_Azoulay Wikipedia]

Revision as of 10:27, 5 March 2021

Ariella Azoulay (אריאלה אזולאי‎; 21 February 1962, Tel Aviv) is an author, art curator, filmmaker, and theorist of photography and visual culture. She is Professor of Modern Culture and Media and the Department of Comparative Literature at Brown University.

Works

Books
  • Imun le-omanut : biḳoret ha-kalkalah ha-muzeʼalit [TRAining for ART: Critique of Museal Economy], Tel Aviv: Hakibutz Hameuchad, and The Porter Institute, Tel Aviv University, 1999. (Hebrew)
  • Ekh zeh nirʼeh lekha? 25 siḥot, 44 tatslumim [How Does it Look to You?], Tel Aviv: Bavel, 2000, 270 pp. (Hebrew)
  • Death's Showcase: The Power of Image in Contemporary Democracy, trans. Ruvik Danieli, MIT Press, 2001, x+303 pp. Collection of works previously published chiefly in Hebrew. (English)
  • with Adi Ophir, Yamiym raʻiym: beyn ʻaswn lʼwṭwpyah [Bad Days: Between Disaster and Utopia], Tel Aviv: Resling, 2004, 207 pp. (Hebrew)
  • Hayoh hayah paʻam: ṣiylwm bʻiqbwt Walṭer Binyamiyn [Once Upon a Time: Photography Following Walter Benjamin], Ramat-Gan: Bar Ilan University Press, 2006. (Hebrew)
  • Maʻaśeh medinah: hisṭoryah metsulemet shel ha-Kibush 1967-2007 [Act of State: Photographic History of the Israeli Rule in the Occupied Territories, 1967-2007], Etgar, 2008, 611 pp. (Hebrew)
    • Atto di Stato: Palestina-Israele, 1967-2007: storia fotografica dell'occupazione, trans. Maria Nadotti, Milan: Bruno Mondadori, 2008, 325 pp. (Italian)
  • with Adi Ophir, Mishṭar zeh she-eno eḥad: kibush ṿe-demoḳraṭyah ben ha-yam la-nahar, 1967- [This Regime Which Is Not One], Tel Aviv: Resling, 2008. (Hebrew)
    • The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press, 2012, 328 pp. [1] (English)
    • Niẓām laysa wāḥidan: al-iḥtilāl wa-al-dīmuqrāṭīyah bayna al-baḥr wa-al-nahr (1967-), trans. Nabīl al-Ṣāliḥ, Rām Allāh: Madār, al-Markaz al-Filasṭīnī lil-Dirāsāt al-Isrāʼīlīyah, 2012, 430 pp. (Arabic)
  • Aïm Deüelle Lüski: imatges residuals: fotografia documental en temps obscurs, Barcelona: Ayuntamiento de Barcelona, 2012. (Catalan)
    • Aïm Deüelle Lüski and Horizontal Photography, trans. Tal Haran, Leuven: Leuven University Press, 2013, 261 pp. (English)
    • Ḥayim Deʻuʼel Lusḳi, tsilum ofḳi, Tel Aviv: Resling, 2016. (Hebrew)
  • Historia potencial y otros ensayos, México: Conaculta, 2014, 123 pp. Collection of essays. [2] (Spanish)
  • with Miki Kratsman, The Resolution of The Suspect, Santa Fe: Radius Books/Peabody Museum Press, 2015, 144 pp. (English)
Essays
Films

Links

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