Difference between revisions of "Art/Care"

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{{Art}}
 
{{Art}}
  
''This page collates resources on the conservation of modern and contemporary art. It originated as a collaborative effort in the [http://nacca.eu NACCA] research network and continues to be open to contributions.''
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''This page brings together resources on the conservation and care of modern and contemporary art. It originated as a collaborative effort within the [[#nacca|NACCA]] research network and remains open to contributions.''
  
== Institutes, Centres, Associations ==
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== Labs, initiatives, associations ==
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<div class=threecol>
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* [http://artistarchives.hosting.nyu.edu/projects/ Artist Archives Initiative] was founded at New York University to promote research and disseminate knowledge about the display and care of contemporary art. The initiative responds to a growing need for art world professionals and academic researchers to work with artists in building information resources to aid future exhibition and re-activation of their work. Resources: [http://artistarchives.hosting.nyu.edu/projects/the-david-wojnarowicz-knowledge-base/index.html David Wojnarowicz Knowledge Base], [http://artistarchives.hosting.nyu.edu/projects/the-joan-jonas-knowledge-base/index.html Joan Jones Knowledge Base].
  
<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3; font-size: .95em;">
 
 
* [http://obsolescence.hypotheses.org/ ARTOBS: Art contemporain - obsolescence technologique]. Est. 2006. Research department of C2RMF, Paris.
 
* [http://obsolescence.hypotheses.org/ ARTOBS: Art contemporain - obsolescence technologique]. Est. 2006. Research department of C2RMF, Paris.
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* [https://amianet.org/ Association of Moving Image Archivists (AMIA)], a non-profit professional association established to advance the field of moving image archiving by fostering cooperation among individuals and organizations concerned with the acquisition, description, preservation, exhibition and use of moving image materials. Est. 1990 by representatives of over eighty American and Canadian film and television archives.
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* [http://www.rijksmuseum.nl/en/general-information/facilities Ateliergebouw (Atelier Building), Rijksmuseum], Amsterdam.
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* [https://bavc.org/preserve-media BAVC Preservation]. Video preservation & digitization, serving other non-profits, cultural heritage orgs, and artists since 1994. Department of Bay Area Video Coalition (BAVC).
 +
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* [http://eaas.uni-freiburg.de/ bwFLA], a platform on emulation as an online service. Hosted by U Freiburg. [https://www.bw-cloud.org/en/ bwCloud].
 +
 
* [https://www.incca.org/cocare CoCARe PhD and Postdoc Network], network for conservation of contemporary art research. Est. 2010 as an INCCA initiative. [https://www.facebook.com/groups/cocare/ Facebook].
 
* [https://www.incca.org/cocare CoCARe PhD and Postdoc Network], network for conservation of contemporary art research. Est. 2010 as an INCCA initiative. [https://www.facebook.com/groups/cocare/ Facebook].
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* [https://www.collabjapan.org/ Collaborative Cataloging Japan] (CCJ), international non-profit organization dedicated to preserving the legacy of Japanese experimental moving image produced from the 1950s through 1980s, including fine art on film and video, documentations of performance, independently produced documentaries, experimental animation and experimental television.
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* [http://www.ccaha.org/ Conservation Center for Art & Historic Artifacts], a nonprofit facility specializing in paper conservation, Philadelphia.
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* [https://www.eai.org/ Electronic Arts Intermix] (EAI), New York City, est. 1971. Nonprofit organisation; distributes and preserves a major collection of recent and historical video works by artists. One of the leading organisations in the United States with regards to the production, exhibition, distribution and preservation of video art, and more recent also of digital art projects.
 +
 
* [http://www.sbmk.nl Foundation for the Conservation of Contemporary Art] (Stichting Behoud Moderne Kunst, SBMK) embarks on projects related to the conservation and care of contemporary visual art. Est. 1995 by a range of Dutch museums specialising in modern and contemporary art. A number of joint research projects with ICN.
 
* [http://www.sbmk.nl Foundation for the Conservation of Contemporary Art] (Stichting Behoud Moderne Kunst, SBMK) embarks on projects related to the conservation and care of contemporary visual art. Est. 1995 by a range of Dutch museums specialising in modern and contemporary art. A number of joint research projects with ICN.
 +
 
* [http://www.getty.edu/conservation/ Getty Conservation Institute], Los Angeles.
 
* [http://www.getty.edu/conservation/ Getty Conservation Institute], Los Angeles.
 +
 
* [http://incca.org International Network for the Conservation of Contemporary Art] (INCCA), est. 1999. A network that offers many resources including a database for members to share unpublished information about their conservation practices for contemporary artworks. [http://www.getty.edu/conservation/publications_resources/newsletters/24_2/incca.html Wharton 2009]. [http://www.kennisvoorcollecties.nl/en/projects/collection-accessibility/evaluation-of-incca-networks/ RCE 2012]. [https://orbi.ulg.ac.be/bitstream/2268/181465/1/MMCA_Newsletter_April_2014-1.pdf#page=16 Brake-Baldock 2014].  
 
* [http://incca.org International Network for the Conservation of Contemporary Art] (INCCA), est. 1999. A network that offers many resources including a database for members to share unpublished information about their conservation practices for contemporary artworks. [http://www.getty.edu/conservation/publications_resources/newsletters/24_2/incca.html Wharton 2009]. [http://www.kennisvoorcollecties.nl/en/projects/collection-accessibility/evaluation-of-incca-networks/ RCE 2012]. [https://orbi.ulg.ac.be/bitstream/2268/181465/1/MMCA_Newsletter_April_2014-1.pdf#page=16 Brake-Baldock 2014].  
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* [http://www.icom-cc.org/ International Council of Museums - Committee for Conservation] (ICOM-CC). Nongovernmental international organization of museums and museum professionals. Over 2600 members worldwide. Est. 1967.
 
* [http://www.icom-cc.org/ International Council of Museums - Committee for Conservation] (ICOM-CC). Nongovernmental international organization of museums and museum professionals. Over 2600 members worldwide. Est. 1967.
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* [[LIMA]], Amsterdam. Platform for distribution, preservation and research of media art. Dir. Gaby Wijers. The Foundation LIMA was established in 2012 by experts from the Netherlands Media Art Institute (NIMk, discontinued as of 1 January 2013) dedicated to providing continued, long-term access to works of media art. LIMA provides digitisation and preservation services and permanent digital storage for media artworks by more than five hundred artists, including Marina Abramovic, the Vasulkas, Nan Hoover, Stansfield/Hooykaas, Servaas and Jan Fabre, and for more than fifteen collections, including those of the Kröller-Müller Museum, the Van Abbemuseum, and the Netherlands Cultural Heritage Agency (RCE).
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* [http://twitter.com/lunder Lunder Conservation Center]. Art conservation laboratories at the Smithsonian American Art Museum & National Portrait Gallery.
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* [https://www.maastrichtuniversity.nl/research/maastricht-centre-arts-and-culture-conservation-and-heritage Maastricht Centre for Arts and Culture, Conservation and Heritage] (MACCH), research institute, Maastricht University. Led by Vivian van Saaze.
 
* [https://www.maastrichtuniversity.nl/research/maastricht-centre-arts-and-culture-conservation-and-heritage Maastricht Centre for Arts and Culture, Conservation and Heritage] (MACCH), research institute, Maastricht University. Led by Vivian van Saaze.
* [http://packed.be/en/ PACKED vzw] has grown from a platform organisation for the archiving and preservation of audiovisual arts into a centre of expertise for digital cultural heritage.
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* [https://myriadconsultants.org/ Myriad], a nonprofit consulting firm that specializes in collections preservation and planning for small to mid-sized cultural organizations. Director: Frances Harrell.
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* [http://packed.be/ PACKED vzw] has grown from a platform organisation for the archiving and preservation of audiovisual arts into a centre of expertise for digital cultural heritage.
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* [http://pamal.org/ Preservation & Art – Media Archaeology Lab] (PAMAL), Ecole Supérieure d’Art d’Avignon, founded 2013. Head: Emmanuel Guez.
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* [http://www.imal.org/resurrection Resurrection Lab: Preservation and Public Access to Born-Digital Art], iMAL, Brussels, started 2014.
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* [[Rhizome]] champions born-digital art and culture through commissions, exhibitions, scholarship, and digital preservation. Est. 1996. Since 2003, Rhizome has been an affiliate in residence at the New Museum of Contemporary Art in New York City.
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* [http://www.sral.nl Stichting Restauratie Atelier Limburg] (SRAL), Maastricht.
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* [http://www.voca.network Voices in Contemporary Art] (VoCA). Originated as INCCA North America.
 
* [http://www.voca.network Voices in Contemporary Art] (VoCA). Originated as INCCA North America.
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* [http://www.waac-us.org/ Western Association for Art Conservation] (WAAC), est. 1975.
 
* [http://www.waac-us.org/ Western Association for Art Conservation] (WAAC), est. 1975.
  
; Inactive
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* [https://xfrcollective.wordpress.com/ XFR Collective], partners with artists, activists, and community organizations to lower the barriers to preserving at-risk audiovisual media – especially unseen, unheard, or marginalized works – through digitization, screenings, educational workshops, and pop-up events. Est. 2014.
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* [https://netzkunst.berlin/ Zentrum für Netzkunst (Center for Net Art)] reconstructs, maintains and preserves net art and net culture. Est. 2019 in Berlin.
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* labs and studios in art museums: [https://www.tate.org.uk/about-us/conservation/time-based-media Tate], [https://www.sfmoma.org/artists-artworks/research/conservation/ SFMOMA], [https://www.guggenheim.org/conservation/time-based-media Guggenheim], [https://www.mediaconservation.io/ MoMA] [https://www.moma.org/research/conservation/], ...
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 +
; Private
  
* [http://web.archive.org/web/20180215051406/http://www.imappreserve.org/ Independent Media Arts Preservation] (IMAP). Nonprofit service, education, and advocacy organization committed to the preservation of non-commercial electronic media. Grew from a New York-based consortium of arts organizations and individuals to a national resource for preservation training, information, and advocacy. Est. 1999, c/o Lehman College, Bronx, NYC.
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* [http://bekandfrohnert.com/ Bek & Frohnert]. Christine Frohnert and Reinhard Bek.
* [http://web.archive.org/web/20120419003619/http://media.lbg.ac.at/en/index.php Ludwig Boltzmann Institute Media.Art.Research], closed down 2009.
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* Contemporary Conservation, New York.
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* [https://www.contemporaryart.plowden-smith.com/ Plowden & Smith Conservation for Modern and Contemporary Art]
  
 
=== National ===
 
=== National ===
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* [https://www.restauratoren.de/ Verband der Restauratoren VDR] (VDR - Association of Restorers, Germany), est. 2001.
 
* [https://www.restauratoren.de/ Verband der Restauratoren VDR] (VDR - Association of Restorers, Germany), est. 2001.
  
; Former
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=== Inactive and former initiatives ===
  
* Netherlands Institute for Cultural Heritage (ICN). Became part of RCE in Jan 2011.
 
* [http://nimk.nl Netherlands Media Art Institute] (NIMK), supported media art in three core areas: presentation, research and conservation. Closed in Dec 2012.
 
 
* Central Laboratory for Research of Objects of Art and Science, NL, est. 1963. One of the forerunners of ICN.
 
* Central Laboratory for Research of Objects of Art and Science, NL, est. 1963. One of the forerunners of ICN.
  
; more
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* [http://web.archive.org/web/20180215051406/http://www.imappreserve.org/ Independent Media Arts Preservation] (IMAP). Nonprofit service, education, and advocacy organization committed to the preservation of non-commercial electronic media. Grew from a New York-based consortium of arts organizations and individuals to a national resource for preservation training, information, and advocacy. Est. 1999, c/o Lehman College, Bronx, NYC.
  
* http://www.cool.conservation-us.org/byorg/orgs.html
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* [http://web.archive.org/web/20120419003619/http://media.lbg.ac.at/en/index.php Ludwig Boltzmann Institute Media.Art.Research], closed down 2009.
* http://www.cool.conservation-us.org/bytopic/orgs/
 
* http://nimk.nl/eng/preservation/media-art-preservation-links#institutions
 
  
=== Restauration and conservation studios and services ===
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* Netherlands Institute for Cultural Heritage (ICN). Became part of RCE in Jan 2011.
  
* [http://www.rijksmuseum.nl/en/general-information/facilities Ateliergebouw (Atelier Building), Rijksmuseum], Amsterdam.
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* [http://nimk.nl Netherlands Media Art Institute] (NIMK), supported media art in three core areas: presentation, research and conservation. Closed in Dec 2012.
* [https://bavc.org/preserve-media BAVC Preservation]. Video preservation & digitization, serving other non-profits, cultural heritage orgs, and artists since 1994. Department of Bay Area Video Coalition (BAVC).
 
* [http://eaas.uni-freiburg.de/ bwFLA], a platform on emulation as an online service. Hosted by U Freiburg. [https://www.bw-cloud.org/en/ bwCloud].
 
* [http://www.ccaha.org/ Conservation Center for Art & Historic Artifacts], a nonprofit facility specializing in paper conservation, Philadelphia.
 
* [https://www.eai.org/ Electronic Arts Intermix] (EAI), New York City, est. 1971. Nonprofit organisation; distributes and preserves a major collection of recent and historical video works by artists. One of the leading organisations in the United States with regards to the production, exhibition, distribution and preservation of video art, and more recent also of digital art projects.
 
* [http://www.li-ma.nl LIMA], Amsterdam. Platform for distribution, preservation and research of media art. Dir. Gaby Wijers. The Foundation LIMA was established in 2012 by experts from the Netherlands Media Art Institute (NIMk, discontinued as of 1 January 2013) dedicated to providing continued, long-term access to works of media art. LIMA provides digitisation and preservation services and permanent digital storage for media artworks by more than five hundred artists, including Marina Abramovic, the Vasulkas, Nan Hoover, Stansfield/Hooykaas, Servaas and Jan Fabre, and for more than fifteen collections, including those of the Kröller-Müller Museum, the Van Abbemuseum, and the Netherlands Cultural Heritage Agency (RCE).
 
* [http://twitter.com/lunder Lunder Conservation Center]. Art conservation laboratories at the Smithsonian American Art Museum & National Portrait Gallery.
 
* [http://pamal.org/ Preservation & Art – Media Archaeology Lab] (PAMAL), Ecole Supérieure d’Art d’Avignon, founded 2013. Head: Emmanuel Guez.
 
* [http://www.imal.org/resurrection Resurrection Lab: Preservation and Public Access to Born-Digital Art], iMAL, Brussels, started 2014.
 
* [http://www.sral.nl Stichting Restauratie Atelier Limburg] (SRAL), Maastricht.
 
* studios and centres in art museums
 
  
; Private
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===more===
  
* [http://bekandfrohnert.com/ Bek & Frohnert]. Christine Frohnert and Reinhard Bek.
+
[http://web.archive.org/web/20200217211853/http://www.cool.conservation-us.org/byorg/orgs.html]
* Contemporary Conservation, New York.
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[http://web.archive.org/web/20200217211853/http://www.cool.conservation-us.org/bytopic/orgs/]
* [https://www.contemporaryart.plowden-smith.com/ Plowden & Smith Conservation for Modern and Contemporary Art]
+
[http://web.archive.org/web/20200217211853/http://www.cool.conservation-us.org/byorg/deptpg.html]
 
+
[http://web.archive.org/web/20200217211853/http://www.cool.conservation-us.org/misc/commercial.html]
; more
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[http://nimk.nl/eng/preservation/media-art-preservation-links#institutions]
  
* http://www.cool.conservation-us.org/byorg/deptpg.html
 
* http://www.cool.conservation-us.org/misc/commercial.html
 
 
</div>
 
</div>
  
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* Gantzert-Castrillo, Erich (ed.), ''Archiv für Techniken und Arbeitsmaterialien zeitgenössischer Künstler. Band 1'', Wiesbaden: Harlekin Art, and Wiesbaden: Museum Wiesbaden, 1979, 110+[848] pp; repr., Stuttgart: Enke, 1996. Information collected from artists on their work and materials, incl. Baselitz, Immendorff, Klapheck, Kokoschka, Gerhard Richter, Christian Schad, Timm Ulrichs, Wolf Vostell, Paul Wunderlich, Dahmen, Lohse, Brehmer, Gerz, Rainer, Stenvert, Hauser, etc. {{de}}
 
* Gantzert-Castrillo, Erich (ed.), ''Archiv für Techniken und Arbeitsmaterialien zeitgenössischer Künstler. Band 1'', Wiesbaden: Harlekin Art, and Wiesbaden: Museum Wiesbaden, 1979, 110+[848] pp; repr., Stuttgart: Enke, 1996. Information collected from artists on their work and materials, incl. Baselitz, Immendorff, Klapheck, Kokoschka, Gerhard Richter, Christian Schad, Timm Ulrichs, Wolf Vostell, Paul Wunderlich, Dahmen, Lohse, Brehmer, Gerz, Rainer, Stenvert, Hauser, etc. {{de}}
 +
 
* Althöfer, Heinz, ''Moderne Kunst: Handbuch der Konservierung'', Düsseldorf: Schwann, 1980, 453 pp. {{de}}
 
* Althöfer, Heinz, ''Moderne Kunst: Handbuch der Konservierung'', Düsseldorf: Schwann, 1980, 453 pp. {{de}}
 +
 
* Althöfer, Heinz, et al., ''Die Kunst des zwanzigsten Jahrhunderts: Material, Technik, Restaurierung'', 2 vols., Düsseldorf: Restaurierungszentrum der Landeshauptstadt Düsseldorf, 1983, 630 & 326 pp. {{de}}
 
* Althöfer, Heinz, et al., ''Die Kunst des zwanzigsten Jahrhunderts: Material, Technik, Restaurierung'', 2 vols., Düsseldorf: Restaurierungszentrum der Landeshauptstadt Düsseldorf, 1983, 630 & 326 pp. {{de}}
 +
 
* Althöfer, Heinz (ed.), ''Restaurierung moderner Malerei. Tendenzen, Material, Technik'', Munich, 1985. {{de}}
 
* Althöfer, Heinz (ed.), ''Restaurierung moderner Malerei. Tendenzen, Material, Technik'', Munich, 1985. {{de}}
 
** ''Restauración de pintura contemporánea: tendencias, materiales, técnica'', Madrid, 2003. {{es}}
 
** ''Restauración de pintura contemporánea: tendencias, materiales, técnica'', Madrid, 2003. {{es}}
 +
 
* Althöfer, Heinz, ''Il restauro delle opere d'arte moderne e contemporanee'', ed. M. Cristina Mundici, trans. Massimo Tirotti and Reinhold Ferrari, Firenze: Nardini, 1991, 197 pp. Published on the occasion of ''Primo salone dell'Arte, del Restauro e della Conservazione'', Ferrara, Sep 1991. {{it}}
 
* Althöfer, Heinz, ''Il restauro delle opere d'arte moderne e contemporanee'', ed. M. Cristina Mundici, trans. Massimo Tirotti and Reinhold Ferrari, Firenze: Nardini, 1991, 197 pp. Published on the occasion of ''Primo salone dell'Arte, del Restauro e della Conservazione'', Ferrara, Sep 1991. {{it}}
 +
 
* Boyle, Deirdre, ''[https://archive.org/details/videopreservatio00boyl Video Preservation: Securing the Future of the Past]'', New York: Media Alliance, 1993, 66 pp.
 
* Boyle, Deirdre, ''[https://archive.org/details/videopreservatio00boyl Video Preservation: Securing the Future of the Past]'', New York: Media Alliance, 1993, 66 pp.
 +
 
* Sillé, Dionne (ed.), ''The Conservation of Modern Art Project'', Amsterdam: Stichting Behoud Moderne Kunst, 1996.
 
* Sillé, Dionne (ed.), ''The Conservation of Modern Art Project'', Amsterdam: Stichting Behoud Moderne Kunst, 1996.
 +
 
* Althöfer, Heinz, ''La radiologia per il restauro: delle opere moderne e contemporanee'', trans. Francesco Paoli, Fiesole: Nardini, 1997, 214 pp. {{it}}
 
* Althöfer, Heinz, ''La radiologia per il restauro: delle opere moderne e contemporanee'', trans. Francesco Paoli, Fiesole: Nardini, 1997, 214 pp. {{it}}
 +
 
* Althöfer, Heinz, ''Il restauro delle opere d’arte moderne e contemporanee'', ed. M. C. Mundici, Firenze, 1999. {{it}}
 
* Althöfer, Heinz, ''Il restauro delle opere d’arte moderne e contemporanee'', ed. M. C. Mundici, Firenze, 1999. {{it}}
 +
 
* Heuman, Jackie (ed.), ''Material Matters: The Conservation of Modern Sculpture'', London: Tate Publishing, 1999, 128 pp. Collection of essays written by sculpture conservators at Tate about works that have recently received conservation treatment (Degas, Lord Leighton, Onslow Ford, Brancusi, Skeaping, Henry Moore, Allen Jones, Antony Gormley, Matthew Barney, Naum Gabo, Tony Cragg, Bill Viola and Gary Hill). Reviews: [http://www.tandfonline.com/doi/abs/10.1179/sic.2003.48.2.139 Cone], [http://cool.conservation-us.org/jaic/articles/jaic41-01-006_indx.html Sturman], [http://circaartmagazine.website/backissues/autumn-2004-material-matters-the-conservation-of-modern-art/ McGrath].
 
* Heuman, Jackie (ed.), ''Material Matters: The Conservation of Modern Sculpture'', London: Tate Publishing, 1999, 128 pp. Collection of essays written by sculpture conservators at Tate about works that have recently received conservation treatment (Degas, Lord Leighton, Onslow Ford, Brancusi, Skeaping, Henry Moore, Allen Jones, Antony Gormley, Matthew Barney, Naum Gabo, Tony Cragg, Bill Viola and Gary Hill). Reviews: [http://www.tandfonline.com/doi/abs/10.1179/sic.2003.48.2.139 Cone], [http://cool.conservation-us.org/jaic/articles/jaic41-01-006_indx.html Sturman], [http://circaartmagazine.website/backissues/autumn-2004-material-matters-the-conservation-of-modern-art/ McGrath].
 +
 
* Muñoz-Viñas, Salvador, ''Teoría contemporánea de la restauración'', Madrid: Síntesis, 2003. {{es}}
 
* Muñoz-Viñas, Salvador, ''Teoría contemporánea de la restauración'', Madrid: Síntesis, 2003. {{es}}
 
** ''Contemporary Theory of Conservation'', Elsevier, 2005, xiii+239 pp. Reviews: [http://www.ceci-br.org/novo/revista/docs2008/CT-2008-138.pdf Hidaka] (City & Time, 2008), [https://www.jstor.org/stable/42751731 Pesme] (Studies in Conservation, 2010).
 
** ''Contemporary Theory of Conservation'', Elsevier, 2005, xiii+239 pp. Reviews: [http://www.ceci-br.org/novo/revista/docs2008/CT-2008-138.pdf Hidaka] (City & Time, 2008), [https://www.jstor.org/stable/42751731 Pesme] (Studies in Conservation, 2010).
** ''Současná teorie konzervování'', trans. Martina Poláková and Jaroslav J. Alt, Pardubice: Univerzita Pardubice, 2015, 174 pp. Review: [http://vvp.avu.cz/wp-content/uploads/2014/08/Sesit_2017_23_Strnad.pdf Strnad] (Sešit). {{cz}}
+
** ''Současná teorie konzervování'', trans. Martina Poláková and Jaroslav J. Alt, Pardubice: Univerzita Pardubice, 2015, 174 pp. [http://www.obalkyknih.cz/file/toc/158633/pdf TOC]. Review: [http://vvp.avu.cz/wp-content/uploads/2014/08/Sesit_2017_23_Strnad.pdf Strnad] (Sešit). {{cz}}
 +
** ''Teoria contemporanea del restauro'', Rome: Castelvecchi, 2017, 218 pp. {{it}}
 +
 
 
* Depocas, Alain, Jon Ippolito, and Caitlin Jones (eds.), ''[http://web.archive.org/web/20190803223833/http://variablemedia.net/e/preserving/html/var_pub_index.html Permanence Through Change: The Variable Media Approach / L'Approche des médias variables: la permanence par le changement]'', New York: Solomon R. Guggenheim Museum, with Montreal: Daniel Langlois Foundation, 2003, 137 pp. [http://web.archive.org/web/20190803223833/http://www.variablemedia.net/e/welcome.html Book website]. [http://www.fondation-langlois.org/html/e/page.php?NumPage=200] {{en}}/{{fr}}
 
* Depocas, Alain, Jon Ippolito, and Caitlin Jones (eds.), ''[http://web.archive.org/web/20190803223833/http://variablemedia.net/e/preserving/html/var_pub_index.html Permanence Through Change: The Variable Media Approach / L'Approche des médias variables: la permanence par le changement]'', New York: Solomon R. Guggenheim Museum, with Montreal: Daniel Langlois Foundation, 2003, 137 pp. [http://web.archive.org/web/20190803223833/http://www.variablemedia.net/e/welcome.html Book website]. [http://www.fondation-langlois.org/html/e/page.php?NumPage=200] {{en}}/{{fr}}
* Wijers, Gaby, Evert Rodrigo, and Ramon Coelho (eds.), ''De houdbaarheid van videokunst: Conservering van de Nederlandse videokunst collectie / The Sustainability of Video Art: Preservation of Dutch Video Art Collections'', Amsterdam: Foundation for the Conservation of Modern Art, 2003, 167 pp. [http://nimk.nl/_files/Files/CONSERVERING_1tm80.pdf PDF (pt 1)], [http://nimk.nl/_files/Files/CONSERVERING_81tm152.pdf PDF (pt 2)], [http://nimk.nl/_files/Files/CONSERVERING_153tm168.pdf PDF (pt 3)] (OA). [http://nimk.nl/eng/the-sustainability-of-video-art]. Outcome of ''Preservation Video Art'' project. /
+
 
 +
* Wijers, Gaby, Evert Rodrigo, and Ramon Coelho (eds.), ''De houdbaarheid van videokunst: Conservering van de Nederlandse videokunst collectie / The Sustainability of Video Art: Preservation of Dutch Video Art Collections'', Amsterdam: Foundation for the Conservation of Modern Art, 2003, 167 pp. [http://nimk.nl/_files/Files/CONSERVERING_1tm80.pdf PDF (pt 1)], [http://nimk.nl/_files/Files/CONSERVERING_81tm152.pdf PDF (pt 2)], [http://nimk.nl/_files/Files/CONSERVERING_153tm168.pdf PDF (pt 3)] (OA). [http://nimk.nl/eng/the-sustainability-of-video-art]. Outcome of ''Preservation Video Art'' project.
 +
 
 
* Waentig, Friederike, ''Kunststoffe in der Kunst: eine Studie unter konservatorischen Gesichtspunkten'', Petersberg: Imhof, 2004, 383 pp.
 
* Waentig, Friederike, ''Kunststoffe in der Kunst: eine Studie unter konservatorischen Gesichtspunkten'', Petersberg: Imhof, 2004, 383 pp.
 +
 
* ''Plastics in Art: A Study from the Conservation Point of View'', trans. Michael Scuffil, Petersberg: Imhof, 2008, 400 pp.
 
* ''Plastics in Art: A Study from the Conservation Point of View'', trans. Michael Scuffil, Petersberg: Imhof, 2008, 400 pp.
 +
 
* Schinzel, Hiltrud, ''Touching Vision: Essays on Restoration Theory and the Perception of Art'', Ghent: University of Ghent, and Brussels: VUB Brussels University Press, 2004, 262 pp. [http://www.aspeditions.be/en-gb/book/TOUCHI547S/touching-vision-essays-on-restoration-theory-and-the-perception-of-art-hiltrud-schinzel.htm Publisher].
 
* Schinzel, Hiltrud, ''Touching Vision: Essays on Restoration Theory and the Perception of Art'', Ghent: University of Ghent, and Brussels: VUB Brussels University Press, 2004, 262 pp. [http://www.aspeditions.be/en-gb/book/TOUCHI547S/touching-vision-essays-on-restoration-theory-and-the-perception-of-art-hiltrud-schinzel.htm Publisher].
 +
 
* Denslagen, Wim, ''Romantisch modernisme: nostalgie in de monumentenzorg'', Amsterdam: Sun, 2004, 255 pp. {{nl}}
 
* Denslagen, Wim, ''Romantisch modernisme: nostalgie in de monumentenzorg'', Amsterdam: Sun, 2004, 255 pp. {{nl}}
 
** ''[http://www.oapen.org/download?type=document&docid=340033 Romantic Modernism: Nostalgia in the World of Conservation]'', trans. Donald Gardner, Amsterdam: Amsterdam University Press, 2009, 264 pp. 
 
** ''[http://www.oapen.org/download?type=document&docid=340033 Romantic Modernism: Nostalgia in the World of Conservation]'', trans. Donald Gardner, Amsterdam: Amsterdam University Press, 2009, 264 pp. 
* Frohne, Ursula, Mona Schieren, Jean-François Guiton (eds.), ''Present Continuous Past(s): Media Art: Strategies of Presentation, Mediation and Dissemination'', Vienna: Springer, 2005.
+
 
* ''[http://www.sbmk.nl/uploads/sbmk-tienjaarverslag-1995-2005.pdf Tien jaar SBMK]'', Amsterdam: SBMK, c.2005, 33 pp. {{nl}}
+
* ''[http://www.sbmk.nl/source/documents/sbmk-tienjaarverslag-1995-2005.pdf Tien jaar SBMK]'', Amsterdam: SBMK, c.2005, 33 pp. {{nl}}
 +
 
 
* Chiantore, Oscar, and Antonio Rava, ''Conservare l'arte contemporanea: problemi, metodi, materiali, ricerche'', pref. Francesco Poli, Milan: Electa, 2005, 329 pp. [http://www.electaweb.it/libri/scheda/conservare-larte-contemporanea-problemi-metodi-materiali-ricerche/it Publisher]. {{it}}
 
* Chiantore, Oscar, and Antonio Rava, ''Conservare l'arte contemporanea: problemi, metodi, materiali, ricerche'', pref. Francesco Poli, Milan: Electa, 2005, 329 pp. [http://www.electaweb.it/libri/scheda/conservare-larte-contemporanea-problemi-metodi-materiali-ricerche/it Publisher]. {{it}}
 
** ''Conserving Contemporary Art: Issues, Methods, Materials, and Research'', Los Angeles: Getty Conservation Institute, 2013, 327 pp. [http://www.getty.edu/conservation/publications_resources/books/conserving_contemporary_art.html Publisher].
 
** ''Conserving Contemporary Art: Issues, Methods, Materials, and Research'', Los Angeles: Getty Conservation Institute, 2013, 327 pp. [http://www.getty.edu/conservation/publications_resources/books/conserving_contemporary_art.html Publisher].
 +
 +
* Frieling, Rudolf, and Wulf Herzogenrath (eds.), ''40jahrevideokunst.de – Teil 1. Digitales Erbe: Videokunst in Deutschland von 1963 bis heute'', Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. Outcome of the 40 Jahre Video Kunst project. [https://www.hatjecantz.de/40jahrevideokunstde---teil-1-1667-0.html Publisher]. [http://www.40jahrevideokunst.de/main.php?p=2&n1=7] [https://zkm.de/de/publikation/40jahrevideokunstde-teil-1] [https://zkm.de/de/publikation/40jahrevideokunstde-teil-1-40yearsvideoartde-part-1] {{de}}
 +
** ''40yearsvideoart.de – Part 1: Digital Heritage: Video Art in Germany from 1963 to the Present'', Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. [https://zkm.de/de/publikation/40yearsvideoartde-part-1-english Publisher].
 +
 +
* Gorman, G.E., and Sydney J. Shep (eds.), ''Preservation Management for Libraries, Archives and Museums'', London: Facet, 2006, 304 pp. [http://www.facetpublishing.co.uk/title.php?id=045742 Publisher].
 +
 +
* ''Techné'' 24: "Penser autrement l'art contemporain", Paris: Centre National de la Recherche Scientifique (C2RMF), Dec 2006, 91 pp. [https://c2rmf.fr/diffuser/techne/techne-ndeg-24 TOC]. {{fr}}
 +
 
* Willisch, Susanne, and Bruno Heimberg (eds.), ''Joseph Beuys, Das Ende des 20. Jahrhunderts: die Umsetzung vom Haus der Kunst in die Pinakothek der Moderne München / Joseph Beuys, the end of the 20th century: the move from the Haus der Kunst to the Pinakothek der Moderne Munich'', Munich: Doerner Institut & Schirmer/Mosel, 2007, 394 pp. [http://swbplus.bsz-bw.de/bsz263381374inh.pdf TOC]. {{de}}/{{en}}
 
* Willisch, Susanne, and Bruno Heimberg (eds.), ''Joseph Beuys, Das Ende des 20. Jahrhunderts: die Umsetzung vom Haus der Kunst in die Pinakothek der Moderne München / Joseph Beuys, the end of the 20th century: the move from the Haus der Kunst to the Pinakothek der Moderne Munich'', Munich: Doerner Institut & Schirmer/Mosel, 2007, 394 pp. [http://swbplus.bsz-bw.de/bsz263381374inh.pdf TOC]. {{de}}/{{en}}
* Gorman, G.E., and Sydney J. Shep (eds.), ''Preservation Management for Libraries, Archives and Museums'', London: Facet, 2006, 304 pp. [http://www.facetpublishing.co.uk/title.php?id=045742 Publisher].
+
 
* ''Techné'' 24: "Penser autrement l'art contemporain", Paris: Centre National de la Recherche Scientifique (C2RMF), Dec 2006, 91 pp. [https://c2rmf.fr/diffuser/techne/techne-ndeg-24 TOC]. {{fr}}
 
 
* Schachter, Judith, and Stephen Brockmann (eds.), ''(Im)permanence: Cultures in/out of Time'', Penn State University Press, 2008, 284 pp. [http://www.psupress.org/books/titles/978-0-9797664-0-4.html Publisher].
 
* Schachter, Judith, and Stephen Brockmann (eds.), ''(Im)permanence: Cultures in/out of Time'', Penn State University Press, 2008, 284 pp. [http://www.psupress.org/books/titles/978-0-9797664-0-4.html Publisher].
 +
 
* [https://ceroart.revues.org/58 ''CeROArt'' 2: "Regards contemporains sur la restauration"], ed. Muriel Verbeeck-Boutin, 2008.
 
* [https://ceroart.revues.org/58 ''CeROArt'' 2: "Regards contemporains sur la restauration"], ed. Muriel Verbeeck-Boutin, 2008.
* Shashoua, Yvonne, ''Conservation of Plastics: Materials Science, Degradation and Preservation'', Oxford: Elsevier/Butterworth Heinemann, 2008. [https://books.google.nl/books?id=cyRLvbEFosQC&printsec=frontcover Google Books preview]. Review: [http://sci-hub.tw/https://www.jstor.org/stable/27867055 Smith] (Studies in Conservation).
+
 
 +
* Shashoua, Yvonne, ''Conservation of Plastics: Materials Science, Degradation and Preservation'', Oxford: Elsevier/Butterworth Heinemann, 2008. [https://books.google.nl/books?id=cyRLvbEFosQC&printsec=frontcover Google Books preview]. Review: [http://sci-hub.st/https://www.jstor.org/stable/27867055 Smith] (Studies in Conservation).
 +
 
 
* ''Art press'' 2(12): "Arts technologiques: conservation et restauration / Media Arts Conservation and Restoration", Jan 2009. [http://www.artpress.com/2010/08/20/art-press-2-le-sommaire-du-numero-12/ TOC], [http://www.artpress.com/produit/art-press-2-n12-janvier-2009/] {{fr}}
 
* ''Art press'' 2(12): "Arts technologiques: conservation et restauration / Media Arts Conservation and Restoration", Jan 2009. [http://www.artpress.com/2010/08/20/art-press-2-le-sommaire-du-numero-12/ TOC], [http://www.artpress.com/produit/art-press-2-n12-janvier-2009/] {{fr}}
 +
 
* Llamas Pacheco, Rosario, ''Conservar y Restaurar el Arte Contemporáneo. Un campo abierto a la investigación'', Valencia: UPV, 2009. Review: [https://dialnet.unirioja.es/descarga/articulo/5056089.pdf Ruíz de Arcaute Martínez] (Ge-conservación 2009). {{es}}
 
* Llamas Pacheco, Rosario, ''Conservar y Restaurar el Arte Contemporáneo. Un campo abierto a la investigación'', Valencia: UPV, 2009. Review: [https://dialnet.unirioja.es/descarga/articulo/5056089.pdf Ruíz de Arcaute Martínez] (Ge-conservación 2009). {{es}}
 +
 
* Richmond, Alison, and Alison Bracker (eds.), [http://www.most.gov.et/documents/470456/482132/Conservation++Principles%2C+Dilemmas+and+Uncomfortable+Truths/7dcfbad1-e679-d5c8-94e5-c8ac0a737508?version=1.0 ''Conservation: Principles, Dilemmas and Uncomfortable Truths''], Elsevier, and Butterworth-Heinemann, with London: V&A Museum, 2009. [https://books.google.com/books?id=0x-y7evXfOUC&printsec=frontcover Google Books preview]. [https://sisis.rz.htw-berlin.de/inh2012/12421716.pdf TOC]. [http://samples.sainsburysebooks.co.uk/9781136441691_sample_900464.pdf Excerpt]. Review: [https://ceroart.revues.org/1336 Kapelouzou] (CeROArt).
 
* Richmond, Alison, and Alison Bracker (eds.), [http://www.most.gov.et/documents/470456/482132/Conservation++Principles%2C+Dilemmas+and+Uncomfortable+Truths/7dcfbad1-e679-d5c8-94e5-c8ac0a737508?version=1.0 ''Conservation: Principles, Dilemmas and Uncomfortable Truths''], Elsevier, and Butterworth-Heinemann, with London: V&A Museum, 2009. [https://books.google.com/books?id=0x-y7evXfOUC&printsec=frontcover Google Books preview]. [https://sisis.rz.htw-berlin.de/inh2012/12421716.pdf TOC]. [http://samples.sainsburysebooks.co.uk/9781136441691_sample_900464.pdf Excerpt]. Review: [https://ceroart.revues.org/1336 Kapelouzou] (CeROArt).
 +
 
* Ferriani, Barbara, and Marina Pugliese (eds.), ''Monumenti effimeri. Storia e conservazione delle installazioni'', intro. Germano Celant, Milan: Mondadori, 2009, 279 pp. [http://worldcat.org/oclc/311770760 TOC]. {{it}}
 
* Ferriani, Barbara, and Marina Pugliese (eds.), ''Monumenti effimeri. Storia e conservazione delle installazioni'', intro. Germano Celant, Milan: Mondadori, 2009, 279 pp. [http://worldcat.org/oclc/311770760 TOC]. {{it}}
** ''Ephemeral Monuments: History and Conservation of Installation Art'', intro. Germano Celant, Los Angeles: Getty Conservation Institute, 2013, 291 pp. Review: [http://sci-hub.tw/10.1080/19455224.2015.1104142 McConchie & Rolfe] (ICON). [http://www.getty.edu/conservation/publications_resources/books/ephemeral_monuments.html Publisher]. [https://books.google.com/books?id=IrilU_MmmLMC&printsec=frontcover Google Books preview]. [http://worldcat.org/oclc/811777240 TOC].
+
** ''Ephemeral Monuments: History and Conservation of Installation Art'', intro. Germano Celant, Los Angeles: Getty Conservation Institute, 2013, 291 pp. Review: [http://sci-hub.st/10.1080/19455224.2015.1104142 McConchie & Rolfe] (ICON). [http://www.getty.edu/conservation/publications_resources/books/ephemeral_monuments.html Publisher]. [https://books.google.com/books?id=IrilU_MmmLMC&printsec=frontcover Google Books preview]. [http://worldcat.org/oclc/811777240 TOC].
 +
 
 +
* Blase, Christoph, and Peter Weibel (eds.), ''Record again! 40JahreVideokunst.de Teil 2'', Ostfildern: Hatje Cantz, 2010, 535 pp. With DVD. Outcome of the Record > Again! project. [https://www.hatjecantz.de/record-again-2424-1.html Publisher]. [http://www.record-again.de/publikationen.html] [https://zkm.de/de/publikation/record-again] {{de}}/{{en}}
 +
 
 
* Dekker, Annet (ed.), ''[http://monoskop.org/log/?p=1354 Archive2020 – Sustainable Archiving of Born-Digital Cultural Content]'', Amsterdam: Virtueel Platform, 2010, 112 pp.
 
* Dekker, Annet (ed.), ''[http://monoskop.org/log/?p=1354 Archive2020 – Sustainable Archiving of Born-Digital Cultural Content]'', Amsterdam: Virtueel Platform, 2010, 112 pp.
 +
 
* deLahunta, Scott, and Bertha Bermúdez (eds.), [http://www.ahk.nl/fileadmin/download/ahk/Lectoraten/kunstpraktijk/RTRSRCH_4_final_version_low_res.pdf ''RTRSRCH'' 2(2): "<Notation>"], Amsterdam: Amsterdam School of the Arts, 2010, 44 pp. Special issue on the documentation, analysis, reconstruction and preservation of contemporary performance.
 
* deLahunta, Scott, and Bertha Bermúdez (eds.), [http://www.ahk.nl/fileadmin/download/ahk/Lectoraten/kunstpraktijk/RTRSRCH_4_final_version_low_res.pdf ''RTRSRCH'' 2(2): "<Notation>"], Amsterdam: Amsterdam School of the Arts, 2010, 44 pp. Special issue on the documentation, analysis, reconstruction and preservation of contemporary performance.
 +
 
* Kirschenbaum, Matthew G., et al., ''[http://www.clir.org/pubs/reports/pub149/reports/pub149/pub149.pdf Digital Forensics and Born-Digital Content in Cultural Heritage Collections]'', Council on Library and Information Resources, 2010, 93 pp. Report.
 
* Kirschenbaum, Matthew G., et al., ''[http://www.clir.org/pubs/reports/pub149/reports/pub149/pub149.pdf Digital Forensics and Born-Digital Content in Cultural Heritage Collections]'', Council on Library and Information Resources, 2010, 93 pp. Report.
 +
 
* Laforet, Anne, ''Le net art au musée. Stratégies de conservation des œuvres en ligne'', Paris: Questions théoriques, 2011, 180 pp. [http://www.questions-theoriques.com/extract/show/9 Excerpt]. Based on 2009 dissertation. [http://questions-theoriques.com/produit/5/9782917131046/Le%20Net%20Art%20au%20musee] [http://www.sakasama.net/conservationnetart/livre.html] {{fr}}
 
* Laforet, Anne, ''Le net art au musée. Stratégies de conservation des œuvres en ligne'', Paris: Questions théoriques, 2011, 180 pp. [http://www.questions-theoriques.com/extract/show/9 Excerpt]. Based on 2009 dissertation. [http://questions-theoriques.com/produit/5/9782917131046/Le%20Net%20Art%20au%20musee] [http://www.sakasama.net/conservationnetart/livre.html] {{fr}}
* Scholte, Tatja, and Glenn Wharton (eds.), ''[http://www.oapen.org/download?type=document&docid=467012 Inside Installations: Theory and Practice in the Care of Complex Artworks]'', Amsterdam: University of Amsterdam Press, 2011, 266 pp. 
+
 
 +
* Scholte, Tatja, and Glenn Wharton (eds.), ''[https://library.oapen.org/handle/20.500.12657/33489 Inside Installations: Theory and Practice in the Care of Complex Artworks]'', Amsterdam: University of Amsterdam Press, 2011, 266 pp. Outcome of the Inside Installation project.
 +
 
 
* Rotaeche González de Ubieta, Mikel, ''Conservación y restauración de materiales contemporáneos y nuevas tecnologías'', Madrid: Síntesis, 2011, 302 pp. [https://www.sintesis.com/patrimonio%20cultural-23/conservaci%C3%B3n%20y%20restauraci%C3%B3n%20de%20materiales%20contempor%C3%A1neos%20y%20nuevas%20tecnolog%C3%ADas-ebook-1580.html] {{es}}
 
* Rotaeche González de Ubieta, Mikel, ''Conservación y restauración de materiales contemporáneos y nuevas tecnologías'', Madrid: Síntesis, 2011, 302 pp. [https://www.sintesis.com/patrimonio%20cultural-23/conservaci%C3%B3n%20y%20restauraci%C3%B3n%20de%20materiales%20contempor%C3%A1neos%20y%20nuevas%20tecnolog%C3%ADas-ebook-1580.html] {{es}}
 +
 
* Wharton, Glenn, ''The Painted King: Art, Authenticity, and Activism in Hawai'i'', University of Hawai'i Press, 2012. Presents "a case for doing cultural work through conservation, using the community-based conservation of a sculpture of King Kamehameha I as a case study."
 
* Wharton, Glenn, ''The Painted King: Art, Authenticity, and Activism in Hawai'i'', University of Hawai'i Press, 2012. Presents "a case for doing cultural work through conservation, using the community-based conservation of a sculpture of King Kamehameha I as a case study."
 +
 
* Lavédrine, Bertrand, Alban Fournier, and Martin Graham (eds.), ''Preservation of Plastic Artefacts in Museum Collections'', Paris: CTHS, 2012, 325 pp. Outcome of POPART project. [http://popart-highlights.mnhn.fr/ PDF chapters (in respective website sections)]. [http://cths.fr/ed/edition.php?id=5879 Publisher]. [http://popart-highlights.mnhn.fr/multimedia-library/popart-book/]
 
* Lavédrine, Bertrand, Alban Fournier, and Martin Graham (eds.), ''Preservation of Plastic Artefacts in Museum Collections'', Paris: CTHS, 2012, 325 pp. Outcome of POPART project. [http://popart-highlights.mnhn.fr/ PDF chapters (in respective website sections)]. [http://cths.fr/ed/edition.php?id=5879 Publisher]. [http://popart-highlights.mnhn.fr/multimedia-library/popart-book/]
 +
 
* Szmelter, Iwona (ed.), ''Innovative Approaches to the Complex Care of Contemporary Art'', Warsaw: Academy of Fine Arts, and London: Archetype, 2012, 222 pp. [http://www.archetype.co.uk/publication-details.php?id=164 Publisher]. [https://www.researchgate.net/profile/Iwona_Szmelter3/publication/320812131_INNOVATIVE_APPROACHES_TO_THE_COMPLEX_CARE_OF_CONTEMPORARY_ART/links/59fba2c6aca272347a1e860e/INNOVATIVE-APPROACHES-TO-THE-COMPLEX-CARE-OF-CONTEMPORARY-ART.pdf Foreword]. Review: [https://ceroart.revues.org/2882 Mareaux] (CeROArt).
 
* Szmelter, Iwona (ed.), ''Innovative Approaches to the Complex Care of Contemporary Art'', Warsaw: Academy of Fine Arts, and London: Archetype, 2012, 222 pp. [http://www.archetype.co.uk/publication-details.php?id=164 Publisher]. [https://www.researchgate.net/profile/Iwona_Szmelter3/publication/320812131_INNOVATIVE_APPROACHES_TO_THE_COMPLEX_CARE_OF_CONTEMPORARY_ART/links/59fba2c6aca272347a1e860e/INNOVATIVE-APPROACHES-TO-THE-COMPLEX-CARE-OF-CONTEMPORARY-ART.pdf Foreword]. Review: [https://ceroart.revues.org/2882 Mareaux] (CeROArt).
 +
 
* Beerkens, Lydia, Paulien 't Hoen, IJsbrand Hummelen, Vivian van Saaze, Tatja Scholte, Sanneke Stigter (eds.), ''The Artist Interview: For Conservation and Presentation of Contemporary Art: Guidelines and Practice'', Heijningen: Jap Sam, 2012, 160 pp. Consists of two main parts: Guidelines: Practical Guide for the Artist Interview, and Practice: Case Examples of Artist Interviews. Based on the Artists Interviews project (1995-2002). Chapters online: [https://pure.uva.nl/ws/files/1812965/146276_Stigter_2012_Ger_van_Elk_The_Artist_Interview_Japsam_Books_102_111.pdf Ger van Elk], [https://pure.uva.nl/ws/files/1876633/146275_Stigter_2012_Buisman_The_Artist_Interview_Japsam_Books_68_77.pdf Sjoerd Buisman], [https://www.academia.edu/34772585/ Henk Peeters], [https://www.academia.edu/35374141/ André Volten], [https://www.academia.edu/34772543 Tom Claassen]. [https://www.japsambooks.nl/products/the-artist-interview-for-conservation-and-presentation-of-contemporary-art-guidelines-and-practice Publisher]. [https://www.sbmk.nl/en/publications/artist_interview].
 
* Beerkens, Lydia, Paulien 't Hoen, IJsbrand Hummelen, Vivian van Saaze, Tatja Scholte, Sanneke Stigter (eds.), ''The Artist Interview: For Conservation and Presentation of Contemporary Art: Guidelines and Practice'', Heijningen: Jap Sam, 2012, 160 pp. Consists of two main parts: Guidelines: Practical Guide for the Artist Interview, and Practice: Case Examples of Artist Interviews. Based on the Artists Interviews project (1995-2002). Chapters online: [https://pure.uva.nl/ws/files/1812965/146276_Stigter_2012_Ger_van_Elk_The_Artist_Interview_Japsam_Books_102_111.pdf Ger van Elk], [https://pure.uva.nl/ws/files/1876633/146275_Stigter_2012_Buisman_The_Artist_Interview_Japsam_Books_68_77.pdf Sjoerd Buisman], [https://www.academia.edu/34772585/ Henk Peeters], [https://www.academia.edu/35374141/ André Volten], [https://www.academia.edu/34772543 Tom Claassen]. [https://www.japsambooks.nl/products/the-artist-interview-for-conservation-and-presentation-of-contemporary-art-guidelines-and-practice Publisher]. [https://www.sbmk.nl/en/publications/artist_interview].
 +
 
* ''Born-Digital Kunstwerken in Nederland'', Amsterdam: Virtueel Platform, with DEN, SMBK and NIMk, 2012, [http://virtueelplatform.nl/g/content/download/virtueel-platform---born-digital-kunstwerken-in-nederland-2012.pdf PDF], [http://nimk.nl/_files/Files/borndigital.pdf PDF]. [http://virtueelplatform.nl/activiteiten/born-digital-kunstwerken Publisher]. [http://nimk.nl/eng/born-digital-art-research-in-the-netherlands-concluded-with-publication-and-action-plan Co-publisher]. {{nl}}
 
* ''Born-Digital Kunstwerken in Nederland'', Amsterdam: Virtueel Platform, with DEN, SMBK and NIMk, 2012, [http://virtueelplatform.nl/g/content/download/virtueel-platform---born-digital-kunstwerken-in-nederland-2012.pdf PDF], [http://nimk.nl/_files/Files/borndigital.pdf PDF]. [http://virtueelplatform.nl/activiteiten/born-digital-kunstwerken Publisher]. [http://nimk.nl/eng/born-digital-art-research-in-the-netherlands-concluded-with-publication-and-action-plan Co-publisher]. {{nl}}
 +
 
* Jadzińska, Monika, ''“Duże dzieło sztuki”. Sztuka Instalacji - autentyzm, zachowanie, konserwacja'', Kraków: Universitas, 2012. [http://universitas.com.pl/produkt/3044/Duze-dzielo-sztuki-Sztuka-Instalacji---autentyzm-zachowanie-konserwacja Publisher]. {{pl}}
 
* Jadzińska, Monika, ''“Duże dzieło sztuki”. Sztuka Instalacji - autentyzm, zachowanie, konserwacja'', Kraków: Universitas, 2012. [http://universitas.com.pl/produkt/3044/Duze-dzielo-sztuki-Sztuka-Instalacji---autentyzm-zachowanie-konserwacja Publisher]. {{pl}}
 +
 
* ''Techné'' 37: "Conserver l'art contemporain à l'èrede l'obsolescence technologique", eds. Marie-Hélène Breuil and Cécile Dazord, Paris: C2RMF, 2013. [http://c2rmf.fr/diffuser/publications-et-ressources/techne/techne-ndeg-37 TOC]. {{fr}}
 
* ''Techné'' 37: "Conserver l'art contemporain à l'èrede l'obsolescence technologique", eds. Marie-Hélène Breuil and Cécile Dazord, Paris: C2RMF, 2013. [http://c2rmf.fr/diffuser/publications-et-ressources/techne/techne-ndeg-37 TOC]. {{fr}}
* van Saaze, Vivian, ''[http://oapen.org/download?type=document&docid=449202 Installation Art and the Museum: Presentation and Conservation of Changing Artworks]'', Amsterdam: University of Amsterdam Press, 2013, 226 pp.
+
 
 +
*{{a|VanSaaze2013}}van Saaze, Vivian, ''[http://library.oapen.org/handle/20.500.12657/33884 Installation Art and the Museum: Presentation and Conservation of Changing Artworks]'', Amsterdam: University of Amsterdam Press, 2013, 226 pp, [[Media:Van Saaze Vivian Installation Art and the Museum 2013.pdf|PDF]]. Based on [[#VanSaaze2009|2009 PhD dissertation]]. [https://www.aup.nl/en/book/9789089644596/ Publisher].
 +
 
 
* Dekker, Annet (ed.), ''[http://monoskop.org/log/?p=8884 Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future?]'', Eindhoven: Baltan Laboratories, 2013, 144 pp.
 
* Dekker, Annet (ed.), ''[http://monoskop.org/log/?p=8884 Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future?]'', Eindhoven: Baltan Laboratories, 2013, 144 pp.
 +
 
* Wysocka, Elżbieta, ''Wirtualne ciało sztuki. Ochrona i udostępnianie dzieł audiowizualnych'' [The Virtual Body of Art: Reflections on the Impossibility of Material Continuation], Warsaw: Narodowe Centrum Kultury, 2013, 488 pp. Based on 2012 PhD dissertation. Review: [https://www.academia.edu/27562491 Hölling] (VDR). {{pl}}
 
* Wysocka, Elżbieta, ''Wirtualne ciało sztuki. Ochrona i udostępnianie dzieł audiowizualnych'' [The Virtual Body of Art: Reflections on the Impossibility of Material Continuation], Warsaw: Narodowe Centrum Kultury, 2013, 488 pp. Based on 2012 PhD dissertation. Review: [https://www.academia.edu/27562491 Hölling] (VDR). {{pl}}
 +
 
* Hennermann, Célestine, and Scott deLahunta (eds.), ''Starting Points & Aspirations'', Motion Bank/The Forsythe Company, 2013, 130 pp. [http://motionbank.org/en/event/print-publication-starting-points-aspirations]
 
* Hennermann, Célestine, and Scott deLahunta (eds.), ''Starting Points & Aspirations'', Motion Bank/The Forsythe Company, 2013, 130 pp. [http://motionbank.org/en/event/print-publication-starting-points-aspirations]
* Hölling, Hanna Barbara, ''[https://dare.uva.nl/search?identifier=a7b8ee87-3188-44f1-aac3-25ccdf80aea5 Re: Paik: On Time, Changeability and Identity in the Conservation of Nam June Paik's Multimedia Installations]'', 's-Hertogenbosch: BOXPress, 2013, 347 pp. Based on dissertation from U Amsterdam.
+
 
 
* Montalbano, Letizia (ed.), ''Il futuro del contemporaneo: i cantieri del Master in Conservazione e Restauro delle opere d'arte contemporanee dell'Opificio delle Pietre Dure'', Firenze: Edifir, 2013, 158 pp. [http://biblio.iccrom.org/cgi-bin/koha/opac-detail.pl?biblionumber=113837&shelfbrowse_itemnumber=114196#shelfbrowser TOC]. {{it}}
 
* Montalbano, Letizia (ed.), ''Il futuro del contemporaneo: i cantieri del Master in Conservazione e Restauro delle opere d'arte contemporanee dell'Opificio delle Pietre Dure'', Firenze: Edifir, 2013, 158 pp. [http://biblio.iccrom.org/cgi-bin/koha/opac-detail.pl?biblionumber=113837&shelfbrowse_itemnumber=114196#shelfbrowser TOC]. {{it}}
* Buschmann, Renate, and Tiziana Caianiello (eds.), ''Medienkunst Installationen. Erhaltung und Präsentation. Konkretionen des Flüchtigen / Media Art Installations: Preservation and Presentation: Materializing the Ephemeral'', Berlin: Dietrich Reimer, 2013, 327 pp. Outcome of the research project ''Materializing the Ephemeral'' (2007-2009). [http://www.imaionline.de/images/stories/2013/1202_Buch-Fallstudien/Inhaltsverzeichnis_MedienkunstInstallationen.pdf TOC], [http://www.imaionline.de/content/view/216/74/lang,en/]. {{nl}}
+
 
 +
* Buschmann, Renate, and Tiziana Caianiello (eds.), ''Medienkunst Installationen. Erhaltung und Präsentation. Konkretionen des Flüchtigen / Media Art Installations: Preservation and Presentation: Materializing the Ephemeral'', Berlin: Dietrich Reimer, 2013, 327 pp. Outcome of the research project ''Materializing the Ephemeral'' (2007-2009). [http://www.gbv.de/dms/weimar/toc/679767843_toc.pdf TOC]. [https://www.stiftung-imai.de/publikationen/buch/medienkunst-installationen-erhaltung-und-prasentation]  {{de}},{{en}}
 +
 
 
* Noordegraaf, Julia, et al. (eds.), ''[http://oapen.org/download?type=document&docid=530353 Preserving and Exhibiting Media Art: Challenges and Perspectives]'', Amsterdam University Press, 2013, 428 pp. Outcome of the research project (2007-2010) between the Università degli studi di Udine, the University of Amsterdam, the Université Sorbonne Nouvelle-Paris 3, and the Ruhr-Universität Bochum that was sponsored by a grant from the Erasmus Lifelong Learning program.
 
* Noordegraaf, Julia, et al. (eds.), ''[http://oapen.org/download?type=document&docid=530353 Preserving and Exhibiting Media Art: Challenges and Perspectives]'', Amsterdam University Press, 2013, 428 pp. Outcome of the research project (2007-2010) between the Università degli studi di Udine, the University of Amsterdam, the Université Sorbonne Nouvelle-Paris 3, and the Ruhr-Universität Bochum that was sponsored by a grant from the Erasmus Lifelong Learning program.
 +
 
* Llamas, Rosario, ''De lo material a lo esencial en la conservación del arte contemporáneo, o cómo conservar los valores del bien simbólico'', Valencia: Low Cost Books, 2013, 209 pp. [http://www.lowcostbooks.es/Bellas_Artes.html]. {{es}}
 
* Llamas, Rosario, ''De lo material a lo esencial en la conservación del arte contemporáneo, o cómo conservar los valores del bien simbólico'', Valencia: Low Cost Books, 2013, 209 pp. [http://www.lowcostbooks.es/Bellas_Artes.html]. {{es}}
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*{{a|XFRSTN}}''[[Media:XFR STN 2013.pdf|XFR STN]]'', New York: New Museum of Contemporary Art, 2013, 8 pp, [https://archive.org/details/NewMuseumOfContemporaryArt_XFRSTN_NEWSPRINT-2013/ IA]. Catalogue. With essays and contributions by Liza Bear, Johanna Burton, Andrea Callard, Michael Carter, COLAB, Mitch Corber, Coleen Fitzgibbon, Walter Forsberg, Ilona Granet, Tessa Hughes-Freeland, Mary McFerran, Sherry Miller-Hocking, Terry Mohre, Alan W. Moore, Joseph Nechvatal, Benjamin Olin, Pam Payne, Cara Perlman, Lisa Phillips, Walter Robinson, Philip Sanders & Joanna Dawe, Franz Vila, Nick Zedd, and Neil Zusman.
 +
 
* Abram, Sarah (ed.), ''Il restauro del design / The Conservation of Design'', Umberto Allemandi & C., Torino, 2014. [http://www.centrorestaurovenaria.it/en/news/news/588-the-conservation-of-design-the-historical-collection-compasso-d-oro]. {{it}}
 
* Abram, Sarah (ed.), ''Il restauro del design / The Conservation of Design'', Umberto Allemandi & C., Torino, 2014. [http://www.centrorestaurovenaria.it/en/news/news/588-the-conservation-of-design-the-historical-collection-compasso-d-oro]. {{it}}
* Rinehart, Richard, and Jon Ippolito, ''[http://library.memoryoftheworld.org/#/book/0c9dc212-9d8a-415e-83a0-4f52622f5d58 Re-Collection: Art, New Media, and Social Memory]'', MIT Press, 2014, xii+297 pp. [https://worldcat.org/oclc/858975361 TOC]. [http://re-collection.net/ Book website]. Reviews: [http://computationalculture.net/re-collecting-the-museum/ Dekker] (Comp Cult), [https://muse.jhu.edu/article/577889 Leggett] (Leonardo), [https://blogs.lse.ac.uk/lsereviewofbooks/2014/10/25/book-review-re-collection-art-new-media-and-social-memory-by-richard-rinehart-and-jon-ippolito/ Maxwell] (LSE Rev Books), [https://sci-hub.tw/10.5749/futuante.12.1.0098 Ecker] (Future Anterior), [https://afterimage.ucpress.edu/content/42/5/33 Schafer] (Afterimage), [http://hyperrhiz.io/hyperrhiz11/reviews/lohmeyer.html Lohmeyer] (Hyperrhiz), [https://mediarep.org/bitstream/handle/doc/5988/MEDREZ_2015_2_288_Krewani_.pdf Krewani] (MedienWissenschaft), [https://karenorourke.files.wordpress.com/2014/08/orourkereviewre-collection.pdf O'Rourke].
+
 
 +
* Rinehart, Richard, and Jon Ippolito, ''[http://library.memoryoftheworld.org/#/book/0c9dc212-9d8a-415e-83a0-4f52622f5d58 Re-Collection: Art, New Media, and Social Memory]'', MIT Press, 2014, xii+297 pp. [https://worldcat.org/oclc/858975361 TOC]. [http://re-collection.net/ Book website]. Reviews: [http://computationalculture.net/re-collecting-the-museum/ Dekker] (Comp Cult), [https://muse.jhu.edu/article/577889 Leggett] (Leonardo), [https://blogs.lse.ac.uk/lsereviewofbooks/2014/10/25/book-review-re-collection-art-new-media-and-social-memory-by-richard-rinehart-and-jon-ippolito/ Maxwell] (LSE Rev Books), [https://sci-hub.st/10.5749/futuante.12.1.0098 Ecker] (Future Anterior), [https://afterimage.ucpress.edu/content/42/5/33 Schafer] (Afterimage), [http://hyperrhiz.io/hyperrhiz11/reviews/lohmeyer.html Lohmeyer] (Hyperrhiz), [https://mediarep.org/bitstream/handle/doc/5988/MEDREZ_2015_2_288_Krewani_.pdf Krewani] (MedienWissenschaft), [https://karenorourke.files.wordpress.com/2014/08/orourkereviewre-collection.pdf O'Rourke].
 +
 
 
* Llamas, Rosario, ''Arte contemporáneo y restauración. O cómo investigar entre lo material, lo esencial y lo simbólico'', Madrid: Tecnos, 2014, 384 pp. Review: [http://www.iaph.es/revistaph/index.php/revistaph/article/view/3699 Royo Naranjo] (PH). {{es}}
 
* Llamas, Rosario, ''Arte contemporáneo y restauración. O cómo investigar entre lo material, lo esencial y lo simbólico'', Madrid: Tecnos, 2014, 384 pp. Review: [http://www.iaph.es/revistaph/index.php/revistaph/article/view/3699 Royo Naranjo] (PH). {{es}}
 +
 
* Martore, Paolo (ed.), ''Tra memoria e oblio: percorsi nella conservazione dell’arte contemporanea'', intro. Massimo Carboni, Rome: Castelvecchi, 2014, 373 pp. {{it}}
 
* Martore, Paolo (ed.), ''Tra memoria e oblio: percorsi nella conservazione dell’arte contemporanea'', intro. Massimo Carboni, Rome: Castelvecchi, 2014, 373 pp. {{it}}
 +
 
* [https://interventionsjournal.net/category/vol-4/issue-1-object-lesson/ ''Interventions'' 4(1): "Object Lesson: Conservation and Contemporary Art"], eds. Anna Linehan and Béatrice Grenier, New York: Columbia University, Jan 2015.
 
* [https://interventionsjournal.net/category/vol-4/issue-1-object-lesson/ ''Interventions'' 4(1): "Object Lesson: Conservation and Contemporary Art"], eds. Anna Linehan and Béatrice Grenier, New York: Columbia University, Jan 2015.
* ''Neural'' 51: "Revive", Summer 2015. Interviews with Jon Ippolito, Ben Fido-Radin, Olia Lialina, Constant Dullaart, Graham Dunning, Museo dell’Informatica Funzionante (Working IT museum); essays by Anne Laforet, Annet Dekker, Paul Prudence, a.o.. [http://neural.it/issues/neural-51-revive/]
+
 
* Hölling, Hanna B., ''Revisions—Zen for Film'', New York: Bard Graduate Center, 2015, xii+100 pp. Catalogue accompanying the exhibition at Bard Graduate Center. [http://store.bgc.bard.edu/all-publications/revisions-zen-for-film-by-hanna-holling/ Publisher]. Reviews: [http://www.hannahoelling.com/wp-content/uploads/2015/08/Bodor_Journal-for-Curatorial-Studies.pdf Bodor] (JCS), [http://www.hannahoelling.com/wp-content/uploads/2016/03/Artforum-032016_Jeffrey-Weiss_Revisions.pdf Weiss] (Artforum), [http://criticalinquiry.uchicago.edu/hannah_higgins_reviews_revisions/ Higgins] (Critical Inquiry).
+
* ''Neural'' 51: "Revive", Summer 2015. Interviews with Jon Ippolito, Ben Fido-Radin, Olia Lialina, Constant Dullaart, Graham Dunning, Museo dell’Informatica Funzionante (Working IT museum); essays by Anne Laforet, Annet Dekker, Paul Prudence, a.o.. [http://neural.it/issues/neural-51-revive/ Publisher].
 +
 
 +
* Hölling, Hanna B., ''Revisions: Zen for Film'', New York: Bard Graduate Center, 2015, xii+100 pp. Catalogue accompanying the exhibition at Bard Graduate Center. [http://store.bgc.bard.edu/all-publications/revisions-zen-for-film-by-hanna-holling/ Publisher]. Reviews: [http://www.hannahoelling.com/wp-content/uploads/2015/08/Bodor_Journal-for-Curatorial-Studies.pdf Bodor] (JCS), [http://www.hannahoelling.com/wp-content/uploads/2016/03/Artforum-032016_Jeffrey-Weiss_Revisions.pdf Weiss] (Artforum), [http://criticalinquiry.uchicago.edu/hannah_higgins_reviews_revisions/ Higgins] (Critical Inquiry).
 +
 
 
* Smite, Rasa, Raitis Smits, and Lev Manovich (eds.), ''Data Drift: Archiving Media and Data Art in the 21st Century'', Riga: RIXC, 2015, 296 pp.
 
* Smite, Rasa, Raitis Smits, and Lev Manovich (eds.), ''Data Drift: Archiving Media and Data Art in the 21st Century'', Riga: RIXC, 2015, 296 pp.
 +
 
* [http://median.newmediacaucus.org/the_aesthetics_of_erasure/ ''Media-N'' 11(1): "The Aesthetics of Erasure"], eds. Paul Benzon and Sarah Sweeney, New Media Caucus, 2015.
 
* [http://median.newmediacaucus.org/the_aesthetics_of_erasure/ ''Media-N'' 11(1): "The Aesthetics of Erasure"], eds. Paul Benzon and Sarah Sweeney, New Media Caucus, 2015.
* Sanchez-Pons, M., Shank, W., Fuster-Lopez, L. (eds). ''Conservation Issues in Modern and Contemporary Murals'', Newcastle upon Tyne: Cambridge Scholars Publishing, 2015, 555 pp. [https://www.cambridgescholars.com/conservation-issues-in-modern-and-contemporary-murals] {{en}}/{{es}}
+
 
* Berns, Roy S., ''Color Science and the Visual Arts: A Guide for Conservators, Curators, and the Curious'', Getty Publications (GCI), 2016, 208 pp. [http://shop.getty.edu/products/color-science-and-the-visual-arts-a-guide-for-conservators-curators-and-the-curious-978-1606064818]
+
* Sanchez-Pons, M., Shank, W., Fuster-Lopez, L. (eds). ''Conservation Issues in Modern and Contemporary Murals'', Newcastle upon Tyne: Cambridge Scholars Publishing, 2015, 555 pp. [https://www.cambridgescholars.com/product/978-1-4438-7233-1 Publisher]. {{en}}/{{es}}
* Rotaeche González de Ubieta, Mikel, ''Museología y conservación de arte contemporáneo: un conflicto de intereses'', Gijón: Trea, 2016, 336 pp. [https://www.trea.es/books/museologia-y-conservacion-de-arte-contemporaneo-un-conflicto-de-intereses] {{es}}
+
 
 +
* Berns, Roy S., ''Color Science and the Visual Arts: A Guide for Conservators, Curators, and the Curious'', Getty Publications (GCI), 2016, 208 pp. [http://shop.getty.edu/products/color-science-and-the-visual-arts-a-guide-for-conservators-curators-and-the-curious-978-1606064818 Publisher].
 +
 
 +
* Rotaeche González de Ubieta, Mikel, ''Museología y conservación de arte contemporáneo: un conflicto de intereses'', Gijón: Trea, 2016, 336 pp. [https://www.trea.es/books/museologia-y-conservacion-de-arte-contemporaneo-un-conflicto-de-intereses Publisher]. {{es}}
 +
 
 
* Grau, Oliver, Wendy Coones, and Viola Rühse (eds.), ''[http://library.memoryoftheworld.org/#/book/6d8e786c-1d61-48bb-b8bb-52ca229ae930 Museum and Archive on the Move: Changing Cultural Institutions in the Digital Era]'', Berlin/Boston: De Gruyter, 2017, 316 pp. [https://www.degruyter.com/view/product/480930 Publisher].
 
* Grau, Oliver, Wendy Coones, and Viola Rühse (eds.), ''[http://library.memoryoftheworld.org/#/book/6d8e786c-1d61-48bb-b8bb-52ca229ae930 Museum and Archive on the Move: Changing Cultural Institutions in the Digital Era]'', Berlin/Boston: De Gruyter, 2017, 316 pp. [https://www.degruyter.com/view/product/480930 Publisher].
* Hölling, Hanna B., ''Paik's Virtual Archive: Time, Change, and Materiality in Media Art'', University of California Press, 2017, 264 pp. Reviews: [https://sci-hub.tw/10.1080/00043079.2018.1447719 Zinman] (Art Bulletin), [http://www.caareviews.org/reviews/3282 Gyorody] (CAA Reviews), [https://sci-hub.tw/https://www.tandfonline.com/doi/full/10.1080/1472586X.2019.1672976 Keyes] (Visual Studies), [https://sci-hub.tw/https://www.tandfonline.com/doi/full/10.1080/01971360.2019.1676902 Kemp] (J Am Inst Conservation). [https://www.ucpress.edu/book/9780520288904/] [https://books.google.com/books?id=Aaq2DQAAQBAJ&printsec=frontcover Google preview].  
+
 
 +
* Hölling, Hanna B., ''Paik's Virtual Archive: Time, Change, and Materiality in Media Art'', University of California Press, 2017, 264 pp. Based on 2013 dissertation. Reviews: [https://sci-hub.st/10.1080/00043079.2018.1447719 Zinman] (Art Bulletin), [http://www.caareviews.org/reviews/3282 Gyorody] (CAA Reviews), [https://sci-hub.st/https://www.tandfonline.com/doi/full/10.1080/1472586X.2019.1672976 Keyes] (Visual Studies), [https://sci-hub.st/https://www.tandfonline.com/doi/full/10.1080/01971360.2019.1676902 Kemp] (J Am Inst Conservation). [https://www.ucpress.edu/book/9780520288904/] [https://books.google.com/books?id=Aaq2DQAAQBAJ&printsec=frontcover Google preview].  
 +
 
 
* ''Getty Research Journal'' 9(S1): "Examining Pollock: Essays Inspired by the ''Mural'' Research Project", eds. Andrew Perchuk and Tom Learner, Los Angeles: Getty Research Institute, 2017, vii+199 pp. [https://www.journals.uchicago.edu/toc/grj/2017/9/S1 Subscription access].
 
* ''Getty Research Journal'' 9(S1): "Examining Pollock: Essays Inspired by the ''Mural'' Research Project", eds. Andrew Perchuk and Tom Learner, Los Angeles: Getty Research Institute, 2017, vii+199 pp. [https://www.journals.uchicago.edu/toc/grj/2017/9/S1 Subscription access].
 +
 +
* Büscher, Barbara, and Franz Anton Cramer (eds.), ''Fluid Access: Archiving Performance-Based Arts'', Hildesheim: Olms, 2017, 325 pp. [http://www.olms.de/inhalt_pdf/9783487154763.pdf TOC]. [https://www.olms.de/search/Detail.aspx?pr=2009176 Publisher]. [http://www.perfomap.de/news/fluid-access-archiving-performance-based-arts Editors].
 +
 
* Camporesi, Enrico, ''Futurs de l’obsolescence: essai sur la restauration du film d’artiste'', Sesto San Giovanni: Mimésis, 2018, 327 pp. {{fr}}
 
* Camporesi, Enrico, ''Futurs de l’obsolescence: essai sur la restauration du film d’artiste'', Sesto San Giovanni: Mimésis, 2018, 327 pp. {{fr}}
 +
 
* Dekker, Annet, ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', London/New York: Routledge, 2018, x+192 pp. Based on 2014 dissertation.
 
* Dekker, Annet, ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', London/New York: Routledge, 2018, x+192 pp. Based on 2014 dissertation.
 +
 
* Connor, Michael, Aria Dean, and Dragan Espenschied (eds.), ''The Art Happens Here: Net Art Anthology'', New York: Rhizome, 2019, 400 pp. Outcome of Net Art Anthology project.
 
* Connor, Michael, Aria Dean, and Dragan Espenschied (eds.), ''The Art Happens Here: Net Art Anthology'', New York: Rhizome, 2019, 400 pp. Outcome of Net Art Anthology project.
* ''Insite Magazine'': “Time Based Media”, AMaGA Victoria, Aug-Oct 2019. [https://amagavic.org.au/insite/editions?ed=12777 Publisher].
+
 
 +
* ''Insite Magazine'': “Time Based Media”, Melbourne: AMaGA Victoria, Aug-Oct 2019. Special magazine issue. [https://amagavic.org.au/insite/editions?ed=12777 Publisher].
 +
 
 +
* Sommermeyer, Barbara, and Claartje van Haaften (eds.), ''Back to the Future! Im Karussell der Diakonservierung / Riding the Slide Carousel'', Bielefeld: Kerber, and Hamburg: Hamburger Kunsthalle, Sep 2019, 192 pp. Outcome of the Project for the Conservation of Slide-based Artworks. [https://www.kerberverlag.com/en/1727/back-to-the-future Publisher]. {{de}}/{{en}}
 +
 
 
* Jadzińska, Monika, ''Tworzywa sztuczne w sztukach wizualnych'', Warsaw: Akademia Sztuk Pięknych w Warszawie, 2019, 390 pp. [https://wydawnictwo.asp.waw.pl/2020/01/31/monika-jadzinska-tworzywa-sztuczne-w-sztukach-wizualnych/ Publisher]. {{pl}}
 
* Jadzińska, Monika, ''Tworzywa sztuczne w sztukach wizualnych'', Warsaw: Akademia Sztuk Pięknych w Warszawie, 2019, 390 pp. [https://wydawnictwo.asp.waw.pl/2020/01/31/monika-jadzinska-tworzywa-sztuczne-w-sztukach-wizualnych/ Publisher]. {{pl}}
* Domínguez Rubio, Fernando, ''Still Life: Ecologies of the Modern Imagination at the Art Museum'', University of Chicago Press, forthcoming July 2020, 424 pp. [https://www.press.uchicago.edu/ucp/books/book/chicago/S/bo51203276.html] [https://fdrubio.ucsd.edu/writings]
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* Domínguez Rubio, Fernando, ''Still Life: Ecologies of the Modern Imagination at the Art Museum'', University of Chicago Press, Aug 2020, 424 pp. [https://press.uchicago.edu/ucp/books/book/chicago/S/bo51203276.html Publisher]. [https://fdrubio.ucsd.edu/writings]
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* [https://stedelijkstudies.com/journal-archive/issue-10-digital-archives-and-collections/ ''Stedelijk Studies'' 10: "Imagining the Future of Digital Archives and Collections"], eds. Vivian van Saaze, Claartje Rasterhoff, and Karen Archey, Amsterdam: Stedelijk Museum, Oct 2020. Special journal issue.
 +
 
 +
* Schäffler, Anna, ''Die Kunst der Erhaltung. Zeitgenössische Restaurierung und Nachlasspraxis im Wandel anhand von Anna Oppermanns prozesshaften Installationen'' [The Art of Preservation. Anna Oppermann's Ensembles, Contemporary Conservation and Estate Practice in Transition], Munich: Metzel, 2021, 336 pp. Based on PhD dissertation from the Freie Universität Berlin. [https://editionmetzel.de/buecher/die-kunst-der-erhaltung-zeitgenoessische-restaurierung-und-nachlasspraxis-im-wandel-anhand-von-anna-oppermanns-prozesshaften-installationen.html Publisher]. {{de}}
 +
 
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* Esmay, Francesca, Ted Mann, and Jeffrey Weiss (eds.), ''Object Lessons: Case Studies in Minimal Art—The Guggenheim Panza Collection Initiative'', New York: Guggenheim Museum, 2021, 324 pp. Outcome of the Panza Collection Initiative. [https://www.guggenheim.org/publication/object-lessons-case-studies-in-minimal-art-the-guggenheim-panza-collection-initiative Publisher]. Review: [https://hcommons.org/deposits/item/hc:42911 Donnelly] (Arlis/NA).
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* Sollfrank, Cornelia, and Winnie Soon, ''[https://eeclectic.de/produkt/fix-my-code/ Fix My Code]'', Berlin: Eeclectic, 2021, 180 pp, [[Media:Sollfrank Cornelia Soon Winnie Fix My Code 2021.epub|EPUB]]. [https://zkm.de/en/event/2021/04/the-art-of-fixing-code Book launch].
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* Castriota, Brian, Erma Hermens, Gunnar Heydenreich, Zoë Miller, and Dominic Paterson (eds.), [https://www.amjournal.org/special-issue-1 ''ArtMatters'' 1: "Expanding Notions of ‘Making’ for Contemporary Artworks"], Sep 2021. Special journal issue.
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* Opeña, Mareike, Martha Singer, and Delia Müller-Wüsten (eds.), ''Journal of the American Institute for Conservation'' 60(2-3): "Contemporary Art Conservation", Nov 2021. Special journal issue. [https://www.tandfonline.com/toc/yjac20/60/2-3 Subscription access].
 +
 
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* Sherring, Asti, and Amanda Pagliarino (eds.), ''AICCM Bulletin'' 42(1): "Time-Based Media Art Conservation Practices in Australia", Dec 2021. Special journal issue. [https://www.academia.edu/67455674/ Editorial]. [https://www.tandfonline.com/toc/ybac20/42/1 Subscription access].
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* Scholte, Tatja, ''[https://www.aup.nl/en/book/9789463723763/the-perpetuation-of-site-specific-installation-artworks-in-museums The Perpetuation of Site-Specific Installation Artworks in Museums: Staging Contemporary Art]'', Amsterdam: Amsterdam University Press, Dec 2021, 268 pp. Open access version at [https://library.oapen.org/handle/20.500.12657/52145 OAPEN]. Based on PhD dissertation.
 +
 
 +
* Miller, Peter N., and Soon Kai Poh (eds.), ''[https://exhibitions.bgc.bard.edu/cam/essays/ Conserving Active Matter]'', Bard Graduate Center, Feb 2022, 400 pp. Outcome of Cultures of Conservation project. [https://eblasts.bgcdml.net/wp-content/uploads/2022/03/Preface-from-Conserving-Active-Matter_Single_021522.pdf Preface]. [https://www.bgc.bard.edu/publications/all/99/conserving-active-matter Publisher]. [https://press.uchicago.edu/ucp/books/book/distributed/C/bo161737072.html Distributor]. Review: [https://doi.org/10.1515/zkg-2023-3008 Hölling] (ZfK).
 +
 
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* Hölling, Hanna B. (ed.), ''Object—Event—Performance: Art, Materiality, and Continuity Since the 1960s'', Bard Graduate Center, Apr 2022, 360 pp. [https://eblasts.bgcdml.net/wp-content/uploads/2022/03/Intro-from-Holling-ObjectEventPerformance_122221_Final.pdf Introduction]. [https://www.youtube.com/watch?v=SAZGyEcGFXk Book launch] (video). [https://press.uchicago.edu/ucp/books/book/distributed/O/bo86883609.html Distributor].
 +
 
 +
* van Oosten, Thea, ''Properties of Plastics – a Guide for Conservators'', Los Angeles: Getty Publications, Aug 2022, 320 pp. [https://shop.getty.edu/products/properties-of-plastics-a-guide-for-conservators-978-1606066935 Publisher].
 +
 
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* Zielińska, Joanna (ed.), ''[[Media:Zielinska_Joanna_ed_Performing_Collections_2022.pdf|Performing Collections]]'', L'Internationale Online, Sep 2022, 330 pp, [[Media:Zielinska Joanna ed Performing Collections 2022.epub|EPUB]]. The issue of how to collect performance is at the heart of this publication, organized in three parts: essays on the subject, case studies and a glossary. [https://www.internationaleonline.org/library/#performing_collections Publisher].
 +
 
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* Engel, Deena, and Joanna Phillips (eds.), ''Conservation of Time-Based Media Art'', Routledge, Nov 2022, 578 pp. [https://vimeo.com/827998618 Book launch] (video). [https://www.routledge.com/Conservation-of-Time-Based-Media-Art/Engel-Phillips/p/book/9780367460426 Publisher].
 +
 
 +
* Hinterwaldner, Inge, Daniela Hönigsberg, and Konstantin Mitrokhov (eds.), ''[[Media:Navigation Dealing with Jodis WRONG Browser 2022.pdf|Navigation]]'', Munich: Open Publishing LMU, Dec 2022, 125 pp. On [[jodi]]’s ''%WRONG Browser''. [https://publishing.ub.uni-muenchen.de/index.php/oplmu/catalog/book/120 Publisher].
 +
 
 +
* [https://www.tate.org.uk/research/tate-papers/35 ''Tate Papers'' 35], London: Tate, 2022-2023. Special journal issue on conservation.
 +
 
 +
* ''[https://www.tate.org.uk/research/reshaping-the-collectible/net-art-commissions-artwork-texts Reshaping the Collectible: The Lives of Net Art. Net Art Commissions, 2000–2011: Artwork Texts]'', London: Tate Research Publication, Oct 2023. Part of the Reshaping the Collectible project.
 +
 
 +
* Hölling, Hanna B., Jules Pelta Feldman, Emilie Magnin (eds.), ''[https://www.taylorfrancis.com/books/oa-edit/10.4324/9781003309987/ Performance: The Ethics and the Politics of Conservation and Care, Volume I]'', Routledge, Nov 2023, 416 pp, [[Media:Performance The Ethics and the Politics of Conservation and Care Vol 1 2023.pdf|PDF]]. Open access.
 +
 
 +
* van de Vall, Renée, Vivian van Saaze (eds.), ''[[:File:Conservation of Contemporary Art Bridging the Gap Between Theory and Practice 2024.pdf|Conservation of Contemporary Art: Bridging the Gap Between Theory and Practice]]'', Springer, Jan 2024, viii+401 pp. Open access.
  
 
=== Proceedings from conferences and symposia ===
 
=== Proceedings from conferences and symposia ===
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* Di Martino, Enzo (ed.), ''Conservazione e restauro dell'arte contemporanea'', Venice: Cassa di risparmio, 1996, xii+513+26 pp; repr. as ''Arte contemporanea: conservazione e restauro: atti del Convegno internazionale'', Torino: Umberto Allemandi, 2005, 317 pp. Proceedings from the 1996 workshop. {{it}}
 
* Di Martino, Enzo (ed.), ''Conservazione e restauro dell'arte contemporanea'', Venice: Cassa di risparmio, 1996, xii+513+26 pp; repr. as ''Arte contemporanea: conservazione e restauro: atti del Convegno internazionale'', Torino: Umberto Allemandi, 2005, 317 pp. Proceedings from the 1996 workshop. {{it}}
 
* ''Conservació i restauració d'art contemporani: seminari organitzat per l'Especialitat de Restauració del Departament de Pintura, Facultat de Belles Arts, Barcelona 15-18 novembre de 1993'', Barcelona: Universitat de Barcelona, 1996, 52 pp. {{ca}}
 
* ''Conservació i restauració d'art contemporani: seminari organitzat per l'Especialitat de Restauració del Departament de Pintura, Facultat de Belles Arts, Barcelona 15-18 novembre de 1993'', Barcelona: Universitat de Barcelona, 1996, 52 pp. {{ca}}
* ''Wie haltbar ist videokunst? Beiträge zur Konservierung und restaurierung audiovisueller kunstwerke: symposium im Kunstmuseum Wolfsburg / How Durable is Video Art? Contributions to preservation and restauration of the audiovisual works of art: symposium at the Kunstmuseum Wolfsburg, November 1995'', Kunstmuseum Wolfsburg, 1997, 114 pp. Proceedings from the 1995 symposium. [http://d-nb.info/952684055/04 TOC]. {{de}}
+
* Otterbeck, Bärbel, and Christian Scheidemann (eds.), ''Wie haltbar ist videokunst? Beiträge zur Konservierung und restaurierung audiovisueller kunstwerke: symposium im Kunstmuseum Wolfsburg / How Durable is Video Art? Contributions to preservation and restauration of the audiovisual works of art: symposium at the Kunstmuseum Wolfsburg, November 1995'', Wolfsburg: Kunstmuseum Wolfsburg, 1997, 114 pp. Proceedings from the 1995 symposium. [http://d-nb.info/952684055/04 TOC]. [http://www1.khm.de/kmw/reck/essays-ecrits-writings-saggi-ensayos/english/authenticity-in-the-fine-arts-to-the-present-day/ Essay by Hans Ulrich Reck]. [https://worldcat.org/oclc/38214037] {{de}}/{{en}}
* Fifer, Sally Jo, et al (eds.), ''Playback: A Preservation Primer for Video'', San Francisco: Bay Area Video Coalition, 1998, 79 pp. Proceedings from the 1996 symposium. [http://web.archive.org/web/20030310180141/http://www.bavc.org/about/publications/playback.htm] [http://cool.conservation-us.org/byorg/bavc/pb96/transc/]
+
* Fifer, Sally Jo, et al (eds.), ''Playback: A Preservation Primer for Video'', San Francisco: Bay Area Video Coalition, 1998, 79 pp. Proceedings from the 1996 symposium. [http://web.archive.org/web/19990428033626/http://www.bavc.org/html/publications/preservation.html Publisher], [http://web.archive.org/web/20030310180141/http://www.bavc.org/about/publications/playback.htm]. [http://cool.conservation-us.org/byorg/bavc/pb96/transc/ Session transcripts].
* Hummelen, IJsbrand, and Dionne Sillé (eds.), ''Modern Art: Who Cares? An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art'', Amsterdam: Foundation for the Conservation of Modern Art (SBMK), and Netherlands Institute for Cultural Heritage (ICN), 1999, 445 pp; repr., London: Archetype, 2005, 448 pp. Essays from the project and proceedings from the 1997 conference. [http://www.sbmk.nl/pubs/detail/id/2 Publisher]. [https://www.archetype.co.uk/publication-details.php?id=57 Publisher]. [https://archetype.co.uk/our-titles/modern-art/?id=57# TOC]. Review: [http://sci-hub.tw/10.2307/1506813 Hodge] (Studies in Conservation, 2001).
+
* Hummelen, IJsbrand, and Dionne Sillé (eds.), ''Modern Art: Who Cares? An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art'', Amsterdam: Foundation for the Conservation of Modern Art (SBMK), and Netherlands Institute for Cultural Heritage (ICN), 1999, 445 pp; repr., London: Archetype, 2005, 448 pp. Essays from the project and proceedings from the 1997 conference. [http://www.sbmk.nl/pubs/detail/id/2 Publisher]. [https://www.archetype.co.uk/publication-details.php?id=57 Publisher]. [https://archetype.co.uk/our-titles/modern-art/?id=57# TOC]. Review: [http://sci-hub.st/10.2307/1506813 Hodge] (Studies in Conservation, 2001).
* Corzo, Miguel Angel (ed.), ''Mortality Immortality? The Legacy of 20th-Century Art'', Los Angeles: Getty Conservation Institute, 1999, xx+192 pp. 34 essays. Proceedings from the 1998 conference. [http://www.getty.edu/conservation/publications_resources/books/mortality_immortality.html Publisher]. [https://worldcat.org/oclc/39658997 TOC]. [https://books.google.com/books?id=gH0BWUDuv9sC&printsec=frontcover]
+
* Corzo, Miguel Angel (ed.), ''[https://www.getty.edu/publications/virtuallibrary/9780892365289.html Mortality Immortality? The Legacy of 20th-Century Art]'', Los Angeles: Getty Conservation Institute, 1999, xx+192 pp, [https://www.getty.edu/publications/resources/virtuallibrary/9780892365289.pdf PDF]. 34 essays. Proceedings from the 1998 conference. [https://cool.culturalheritage.org/waac/wn/wn21/wn21-2/wn21-208.html Essay by Erich Gantzert-Castrillo]. [http://www.getty.edu/conservation/publications_resources/books/mortality_immortality.html Publisher]. [https://worldcat.org/oclc/39658997 TOC].  
* Misselbeck, Reinhold, Martin Turck (eds.), ''Video im Museum: Restaurierung und Erhaltung, neue Methoden der Präsentation, der Originalbegriff: internationales Symposium, Museum Ludwig Köln, 9. September 2000 / Video Arts in Museums: Restoration and Preservation, New methods of Presentation, The Idea of the Original: International Symposium, Museum Ludwig, Cologne, September 9, 2000'', Cologne: Museum Ludwig, 2000, 184 pp.
+
* Misselbeck, Reinhold, and Martin Turck (eds.), ''Video im Museum: Restaurierung und Erhaltung, neue Methoden der Präsentation, der Originalbegriff: internationales Symposium, Museum Ludwig Köln, 9. September 2000 / Video Arts in Museums: Restoration and Preservation, New methods of Presentation, The Idea of the Original: International Symposium, Museum Ludwig, Cologne, September 9, 2000'', Cologne: Museum Ludwig, 2000, 184 pp.
 
* [http://cool.conservation-us.org/jaic/tocvol.html#vol40 ''Journal of the American Institute for Conservation'' 40(3): "TechArchaeology"], eds. Mona Jimenez and Paul Messier, Autumn-Winter 2001. Based on the 2000 symposium at SFMOMA. [https://www.jstor.org/stable/i359248]
 
* [http://cool.conservation-us.org/jaic/tocvol.html#vol40 ''Journal of the American Institute for Conservation'' 40(3): "TechArchaeology"], eds. Mona Jimenez and Paul Messier, Autumn-Winter 2001. Based on the 2000 symposium at SFMOMA. [https://www.jstor.org/stable/i359248]
 
* ''[http://web.archive.org/web/20120412031448/http://www.imappreserve.org/educ/pdfs.html Looking Back, Looking Forward: A Symposium on Electronic Media Preservation]'', Owego, NY: Experimental Television Center, 2002, [http://www.experimentaltvcenter.org/looking-backlooking-forward HTML chapters], [http://www.experimentaltvcenter.org/book/export/html/5783 HTML]. Proceedings from the 2002 symposium.
 
* ''[http://web.archive.org/web/20120412031448/http://www.imappreserve.org/educ/pdfs.html Looking Back, Looking Forward: A Symposium on Electronic Media Preservation]'', Owego, NY: Experimental Television Center, 2002, [http://www.experimentaltvcenter.org/looking-backlooking-forward HTML chapters], [http://www.experimentaltvcenter.org/book/export/html/5783 HTML]. Proceedings from the 2002 symposium.
Line 234: Line 381:
 
* Roy, Ashok, and Perry Smith (eds.), ''Modern Art, New Museums: Contributions to the Bilbao Congress'', Special Issue of ''Studies in Conservation'', 2004, 264 pp. Preprints of the contributions to the 2004 congress. [http://www.tandfonline.com/toc/ysic20/49/sup2?nav=tocList] [https://www.archetype.co.uk/publication-details.php?id=139]
 
* Roy, Ashok, and Perry Smith (eds.), ''Modern Art, New Museums: Contributions to the Bilbao Congress'', Special Issue of ''Studies in Conservation'', 2004, 264 pp. Preprints of the contributions to the 2004 congress. [http://www.tandfonline.com/toc/ysic20/49/sup2?nav=tocList] [https://www.archetype.co.uk/publication-details.php?id=139]
 
* ''V Reunión de Arte Contemporáneo del GEIIC'', Madrid: Grupo Español del IIC, 2004. Proceedings from the 2004 congress.
 
* ''V Reunión de Arte Contemporáneo del GEIIC'', Madrid: Grupo Español del IIC, 2004. Proceedings from the 2004 congress.
 +
* Frohne, Ursula, Mona Schieren, and Jean-François Guiton (eds.), ''[https://monoskop.org/log/?p=5690 Present Continuous Past(s): Media Art: Strategies of Presentation, Mediation and Dissemination]'', Vienna: Springer, 2005, 223 pp. Based on 2004 symposium. [https://link.springer.com/book/10.1007/3-211-38033-7 Publisher].
 
* ''VI Reunión de Arte Contemporáneo del GEIIC'', Madrid: MNCARS, 2005, 116 pp. Proceedings from the 2005 congress.
 
* ''VI Reunión de Arte Contemporáneo del GEIIC'', Madrid: MNCARS, 2005, 116 pp. Proceedings from the 2005 congress.
 
* ''VII Reunión de Arte Contemporáneo del GEIIC'', Madrid: MNCARS, 2006, 140 pp. Proceedings from the 2006 congress.
 
* ''VII Reunión de Arte Contemporáneo del GEIIC'', Madrid: MNCARS, 2006, 140 pp. Proceedings from the 2006 congress.
Line 247: Line 395:
 
* Stefanaggi, Marcel (ed.), ''Art d'aujourd'hui, patrimoine de demain: conservation et restauration des œuvres contemporaines'', Champs-sur-Marne: SFIIC, 2009, 350 pp. Proceedings from the 2009 conference. [http://sfiic.free.fr/publications/art_contemp_angl.htm]. Review: [https://ceroart.revues.org/1387 Verbeeck-Boutin] (CeROArt). {{fr}}
 
* Stefanaggi, Marcel (ed.), ''Art d'aujourd'hui, patrimoine de demain: conservation et restauration des œuvres contemporaines'', Champs-sur-Marne: SFIIC, 2009, 350 pp. Proceedings from the 2009 conference. [http://sfiic.free.fr/publications/art_contemp_angl.htm]. Review: [https://ceroart.revues.org/1387 Verbeeck-Boutin] (CeROArt). {{fr}}
 
* Hofman, Vanina, Consuelo Rozo (eds.), [https://academia.edu/7769617 ''Conservación del arte electrónico: ¿qué preservar y cómo preservarlo?''], Buenos Aires: Centro Cultural de España (CCEBA), 2009. Proceedings from the 2008 seminar. [http://web.archive.org/web/20140322155732/http://taxonomedia.net/?p=157] [http://www.cceba.org.ar/v2/index.php?option=com_content&view=article&id=234:taxonomedia&catid=57:en-vivo&Itemid=98] {{es}}
 
* Hofman, Vanina, Consuelo Rozo (eds.), [https://academia.edu/7769617 ''Conservación del arte electrónico: ¿qué preservar y cómo preservarlo?''], Buenos Aires: Centro Cultural de España (CCEBA), 2009. Proceedings from the 2008 seminar. [http://web.archive.org/web/20140322155732/http://taxonomedia.net/?p=157] [http://www.cceba.org.ar/v2/index.php?option=com_content&view=article&id=234:taxonomedia&catid=57:en-vivo&Itemid=98] {{es}}
 +
 
* Airaud, Stéphanie, Stéphanie Elarbi (eds.), ''Date limite de conservation'', Vitry-sur-Seine: Musée d'art contemporain du Val-de-Marne (MAC/VAL), 2009, 159 pp. Proceedings from 2009 colloquium.
 
* Airaud, Stéphanie, Stéphanie Elarbi (eds.), ''Date limite de conservation'', Vitry-sur-Seine: Musée d'art contemporain du Val-de-Marne (MAC/VAL), 2009, 159 pp. Proceedings from 2009 colloquium.
* Schädler-Saub, Ursula, and Angela Weyer (eds.), ''Theory and Practice in the Conservation of Modern and Contemporary Art: Reflections on the Roots and the Perspectives'', London: Archetype, 2010, ix+221 pp. Proceedings from the 2009 conference. Text in English; Appendixes of interviews in German. [http://193.175.110.9/hornemann/english/books_tpcmca.php]. [https://worldcat.org/oclc/540182488 TOC]. [https://www.scribd.com/document/354215339/ Scribd]. {{en}},{{de}}
+
 
 +
* Schädler-Saub, Ursula, and Angela Weyer (eds.), ''Theory and Practice in the Conservation of Modern and Contemporary Art: Reflections on the Roots and the Perspectives'', London: Archetype, 2010, ix+221 pp. Proceedings from the 2009 conference. Text in English; Appendixes of interviews in German. [https://archetype.co.uk/our-titles/theory-and-practice-in-the-conservation-of-modern-and-contemporary-art/?id=9 Publisher]. [http://193.175.110.9/hornemann/english/books_tpcmca.php]. [https://worldcat.org/oclc/540182488 TOC]. [https://www.scribd.com/document/354215339/ Scribd]. {{en}},{{de}}
 +
 
 
* Couture, Francine, France Vanlaethem (eds.), ''Conservation de l'art contemporain et de l'architecture moderne: l'authenticité en question'', Québec: MultiMondes, 2010, viii+158 pp. Proceedings from the study day held 2007. {{fr}}
 
* Couture, Francine, France Vanlaethem (eds.), ''Conservation de l'art contemporain et de l'architecture moderne: l'authenticité en question'', Québec: MultiMondes, 2010, viii+158 pp. Proceedings from the study day held 2007. {{fr}}
 +
 
* ''Conservación de arte contemporáneo: 11ª jornada'', Madrid: MNCARS, 2010, 384 pp. Proceedings from Feb 2010 congress. [http://www.museoreinasofia.es/publicaciones/conservacion-arte-contemporaneo-11a-jornada] {{es}}
 
* ''Conservación de arte contemporáneo: 11ª jornada'', Madrid: MNCARS, 2010, 384 pp. Proceedings from Feb 2010 congress. [http://www.museoreinasofia.es/publicaciones/conservacion-arte-contemporaneo-11a-jornada] {{es}}
 +
 
* [https://run.unl.pt/handle/10362/12412 ''Revista do IHA'' 8: "Museus e Investigação"], Lisbon: Instituto de História da Arte/Universidade Nova de Lisboa, 2011. [https://issuu.com/ihafcshunl/docs/rha8/1 Issuu].
 
* [https://run.unl.pt/handle/10362/12412 ''Revista do IHA'' 8: "Museus e Investigação"], Lisbon: Instituto de História da Arte/Universidade Nova de Lisboa, 2011. [https://issuu.com/ihafcshunl/docs/rha8/1 Issuu].
 +
 
* Bechthold, Tim (ed.), ''Future Talks 009: the conservation of modern materials in applied arts and design: papers from the conference held at the Pinakothek der Moderne, Munich, 22-23 October 2009'', Munich: Die Neue Sammlung, the International Design Museum, 2011, 255 pp.
 
* Bechthold, Tim (ed.), ''Future Talks 009: the conservation of modern materials in applied arts and design: papers from the conference held at the Pinakothek der Moderne, Munich, 22-23 October 2009'', Munich: Die Neue Sammlung, the International Design Museum, 2011, 255 pp.
 +
 
* IIC Austrian Group (ed.), ''Kunst des 20. und 21. Jahrhunderts: Probleme und Perspektiven zur Erhaltung'', Klosterneuburg: Stift Klosterneuburg, 2011, 230 pp. {{de}}
 
* IIC Austrian Group (ed.), ''Kunst des 20. und 21. Jahrhunderts: Probleme und Perspektiven zur Erhaltung'', Klosterneuburg: Stift Klosterneuburg, 2011, 230 pp. {{de}}
 +
 
* ''Conservación de arte contemporáneo: 12ª jornada'', Madrid: MNCARS, 2011, 352 pp. Proceedings from Feb 2011 congress. [http://www.museoreinasofia.es/publicaciones/conservacion-arte-contemporaneo-12a-jornada]
 
* ''Conservación de arte contemporáneo: 12ª jornada'', Madrid: MNCARS, 2011, 352 pp. Proceedings from Feb 2011 congress. [http://www.museoreinasofia.es/publicaciones/conservacion-arte-contemporaneo-12a-jornada]
 +
 
* [http://www.museoreinasofia.es/sites/default/files/publicaciones/13-jornada-conservacion.pdf ''Conservación de arte contemporáneo: 13ª jornada''], Madrid: MNCARS, 2012, 343 pp. Proceedings from Feb 2012 congress.
 
* [http://www.museoreinasofia.es/sites/default/files/publicaciones/13-jornada-conservacion.pdf ''Conservación de arte contemporáneo: 13ª jornada''], Madrid: MNCARS, 2012, 343 pp. Proceedings from Feb 2012 congress.
 +
 
* [http://www.newtechnologicalartaward.be/en/verslag_colloquium_en.pdf ''New Technological Art Award (Update IV): Immortal''], 2012, 53 pp. Colloquium held 15-17 Nov 2012.
 
* [http://www.newtechnologicalartaward.be/en/verslag_colloquium_en.pdf ''New Technological Art Award (Update IV): Immortal''], 2012, 53 pp. Colloquium held 15-17 Nov 2012.
 +
 
* Ferriani, Barbara, and Marina Pugliese (eds.), ''Ephemeral Monuments: History and Conservation of Installation Art'', Los Angeles: Getty Conservation Institute, 2013. [http://www.getty.edu/conservation/publications_resources/books/ephemeral_monuments.html Publisher]. [https://www.youtube.com/watch?v=eT_74a2iSaE Short video interview].
 
* Ferriani, Barbara, and Marina Pugliese (eds.), ''Ephemeral Monuments: History and Conservation of Installation Art'', Los Angeles: Getty Conservation Institute, 2013. [http://www.getty.edu/conservation/publications_resources/books/ephemeral_monuments.html Publisher]. [https://www.youtube.com/watch?v=eT_74a2iSaE Short video interview].
* Serexhe, Bernhard (ed.), ''Digital Art Conservation: Konservierung digitaler Kunst: Theorie und Praxis'', Vienna: Ambra V, and Karlsruhe: ZKM, 2013, 665 pp. Incl. proceedings of the 2010 and 2011 symposia. Part of Digital Art Conservation. [http://zkm.de/en/publication/digital-art-conservation]
+
 
 +
* Serexhe, Bernhard (ed.), ''Digital Art Conservation: Konservierung digitaler Kunst: Theorie und Praxis'', Vienna: Ambra V, and Karlsruhe: ZKM, 2013, 665 pp. Incl. proceedings of the 2010 and 2011 symposia. Part of Digital Art Conservation. [http://zkm.de/en/publication/digital-art-conservation] {{de}}
 
** [https://mam201718.files.wordpress.com/2017/11/dac_englisch_screen.pdf ''Digital Art Conservation: Preservation of Digital Art: Theory and Practice''], Vienna: Ambra V, and Karlsruhe: ZKM, 2013, 665 pp. [http://www.digitalartconservation.org/images/stories/ZKM_digital_art_conservation_Inhalt_engl.pdf TOC], [http://www.digitalartconservation.org/images/stories/ZKM_digital_art_conservation_Auszug_engl.pdf Excerpt]. [http://zkm.de/en/publication/digital-art-conservation-english] [http://www.digitalartconservation.org/index.php/en/publication.html]
 
** [https://mam201718.files.wordpress.com/2017/11/dac_englisch_screen.pdf ''Digital Art Conservation: Preservation of Digital Art: Theory and Practice''], Vienna: Ambra V, and Karlsruhe: ZKM, 2013, 665 pp. [http://www.digitalartconservation.org/images/stories/ZKM_digital_art_conservation_Inhalt_engl.pdf TOC], [http://www.digitalartconservation.org/images/stories/ZKM_digital_art_conservation_Auszug_engl.pdf Excerpt]. [http://zkm.de/en/publication/digital-art-conservation-english] [http://www.digitalartconservation.org/index.php/en/publication.html]
 
** ''Digital Art Conservation: Conservation de l'art numérique: théorie et pratique'', Vienna: Ambra V, and Karlsruhe: ZKM, 2013, 665 pp. [http://www.digitalartconservation.org/images/stories/ZKM_digital_art_conservation_Inhalt_franz.pdf TOC]. [http://www.digitalartconservation.org/images/stories/ZKM_digital_art_conservation_Auszug_franz.pdf Excerpt]. [http://www.digitalartconservation.org/index.php/fr/publication-.html] {{fr}}
 
** ''Digital Art Conservation: Conservation de l'art numérique: théorie et pratique'', Vienna: Ambra V, and Karlsruhe: ZKM, 2013, 665 pp. [http://www.digitalartconservation.org/images/stories/ZKM_digital_art_conservation_Inhalt_franz.pdf TOC]. [http://www.digitalartconservation.org/images/stories/ZKM_digital_art_conservation_Auszug_franz.pdf Excerpt]. [http://www.digitalartconservation.org/index.php/fr/publication-.html] {{fr}}
 +
 
* Williams, Emily (ed.), ''The Public Face of Conservation'', London: Archetype, and Colonial Williamsburg, 2013, ix+288 pp. Proceedings from the 2011 conference. [http://www.archetype.co.uk/publication-details.php?id=186 Publisher].
 
* Williams, Emily (ed.), ''The Public Face of Conservation'', London: Archetype, and Colonial Williamsburg, 2013, ix+288 pp. Proceedings from the 2011 conference. [http://www.archetype.co.uk/publication-details.php?id=186 Publisher].
 +
 
* Mundici, Maria Cristina, and Antonio Rava (eds.), ''Cosa cambia: teorie e pratiche del restauro nell'arte contemporanea'', Milan: Skira, 2013, 314 pp. Proceedings from the 2012 conference. [http://biblio.iccrom.org/cgi-bin/koha/opac-detail.pl?biblionumber=113875&shelfbrowse_itemnumber=114235 TOC]. {{it}}
 
* Mundici, Maria Cristina, and Antonio Rava (eds.), ''Cosa cambia: teorie e pratiche del restauro nell'arte contemporanea'', Milan: Skira, 2013, 314 pp. Proceedings from the 2012 conference. [http://biblio.iccrom.org/cgi-bin/koha/opac-detail.pl?biblionumber=113875&shelfbrowse_itemnumber=114235 TOC]. {{it}}
 
** ''What's Changing: Theories and Practices in the Restoration of Contemporary Art'', trans. Lucian Henry Comoy, Milan: Skira, 2013, 314 pp. Proceedings from the conferences held in 1987 and 2012. [https://worldcat.org/oclc/913717118 TOC]. [https://www.castellodirivoli.org/en/shop/whats-changing-theories-and-practices-in-the-restoration-of-contemporary-art/]
 
** ''What's Changing: Theories and Practices in the Restoration of Contemporary Art'', trans. Lucian Henry Comoy, Milan: Skira, 2013, 314 pp. Proceedings from the conferences held in 1987 and 2012. [https://worldcat.org/oclc/913717118 TOC]. [https://www.castellodirivoli.org/en/shop/whats-changing-theories-and-practices-in-the-restoration-of-contemporary-art/]
 +
 
* ''[http://www.museoreinasofia.es/sites/default/files/publicaciones/14-jornada-conservacion.pdf.pdf Conservación de arte contemporáneo: 14ª jornada]'', Madrid: MNCARS, 2013, 248 pp. Proceedings from Feb 2013 congress.
 
* ''[http://www.museoreinasofia.es/sites/default/files/publicaciones/14-jornada-conservacion.pdf.pdf Conservación de arte contemporáneo: 14ª jornada]'', Madrid: MNCARS, 2013, 248 pp. Proceedings from Feb 2013 congress.
 +
 +
* Buschmann, Renate, and Darija Šimunović (eds.), ''Die Gegenwart des Ephemeren. Medienkunst im Spannungsfeld zwischen Konservierung und Interpretation'', Vienna: Wiener Verlag für Sozialforschung, 2014, 152 pp. [http://www.stiftung-imai.de/sites/default/files/media/files/2020-02/imai-Buch-Inhaltsverzeichnis_Die-Gegenwart-Des-Ephemeren.pdf TOC]. Proceedings from Nov 2012 conference. [https://www.viennaacademicpress.at/shop/5/Die-Gegenwart-des-Ephemeren-detail Publisher]. [https://www.stiftung-imai.de/publikationen/buch/die-gegenwart-des-ephemeren] {{de}}
 +
 
* ''[http://www.museoreinasofia.es/sites/default/files/publicaciones/textos-en-descarga/conservacion_de_arte_contemporaneo_15.pdf Conservación de arte contemporáneo: 15ª jornada]'', Madrid: MNCARS, 2014, 285 pp. Proceedings from Feb 2014 congress.
 
* ''[http://www.museoreinasofia.es/sites/default/files/publicaciones/textos-en-descarga/conservacion_de_arte_contemporaneo_15.pdf Conservación de arte contemporáneo: 15ª jornada]'', Madrid: MNCARS, 2014, 285 pp. Proceedings from Feb 2014 congress.
 +
 
* Gordon, Rebecca, Emma Hermens, and Frances Lennard (eds.), ''Authenticity and Replication: The 'Real Thing' in Art and Conservation'', London: Archetype, 2014, 224 pp. Proceedings from the 2012 conference. [https://www.archetype.co.uk/publication-details.php?id=198 Publisher].
 
* Gordon, Rebecca, Emma Hermens, and Frances Lennard (eds.), ''Authenticity and Replication: The 'Real Thing' in Art and Conservation'', London: Archetype, 2014, 224 pp. Proceedings from the 2012 conference. [https://www.archetype.co.uk/publication-details.php?id=198 Publisher].
 +
 
* Beiguelman, Giselle, and Ana Gonçalves Magalhães (eds.), ''Possible Futures: Art, Museums and Digital Archives / Futuros possíveis: arte, museus e arquivos digitais'', São Paulo: Peiropolis & Edusp, 2014. Proceedings from the 2012 symposium. [https://books.google.com/books?id=b3aCCwAAQBAJ&printsec=frontcover Google preview]. [https://simposiofuturospossiveis.wordpress.com/] [http://www.editorapeiropolis.com.br/livro/?id=353] [http://www.desvirtual.com/possible-futures-art-museums-and-digital-archives/] [http://domenicoquaranta.com/archives/2895] {{en}},{{br-pt}}
 
* Beiguelman, Giselle, and Ana Gonçalves Magalhães (eds.), ''Possible Futures: Art, Museums and Digital Archives / Futuros possíveis: arte, museus e arquivos digitais'', São Paulo: Peiropolis & Edusp, 2014. Proceedings from the 2012 symposium. [https://books.google.com/books?id=b3aCCwAAQBAJ&printsec=frontcover Google preview]. [https://simposiofuturospossiveis.wordpress.com/] [http://www.editorapeiropolis.com.br/livro/?id=353] [http://www.desvirtual.com/possible-futures-art-museums-and-digital-archives/] [http://domenicoquaranta.com/archives/2895] {{en}},{{br-pt}}
 +
 
* Graham, Beryl (ed.), ''New Collecting: Exhibiting and Audiences after New Media Art'', Routledge, 2014, 254 pp. [https://books.google.com/books?id=6noWDAAAQBAJ&printsec=frontcover Google preview]. [https://www.routledge.com/New-Collecting-Exhibiting-and-Audiences-after-New-Media-Art/author/p/book/9781409448952 Publisher].
 
* Graham, Beryl (ed.), ''New Collecting: Exhibiting and Audiences after New Media Art'', Routledge, 2014, 254 pp. [https://books.google.com/books?id=6noWDAAAQBAJ&printsec=frontcover Google preview]. [https://www.routledge.com/New-Collecting-Exhibiting-and-Audiences-after-New-Media-Art/author/p/book/9781409448952 Publisher].
 +
 
* Beerkens, Lydia, and Tom Learner (eds.), ''[http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/conserv_outdoor_painted.pdf Conserving Outdoor Painted Sculpture]'', Los Angeles: Getty Conservation Institute, 2014, 145 pp. Proceedings from the interim meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kröller-Müller Museum, Otterlo, 4-5 Jun 2013.
 
* Beerkens, Lydia, and Tom Learner (eds.), ''[http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/conserv_outdoor_painted.pdf Conserving Outdoor Painted Sculpture]'', Los Angeles: Getty Conservation Institute, 2014, 145 pp. Proceedings from the interim meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kröller-Müller Museum, Otterlo, 4-5 Jun 2013.
 +
 
* Delve, Janet, and David Anderson (eds.), ''Preserving Complex Digital Objects'', London: Facet, 2014, xlvii+375 pp. Based on the JISC-funded series of three ''Preservation of Complex Objects'' (POCOS) symposia. [http://www.facetpublishing.co.uk/title.php?id=049580 Publisher].
 
* Delve, Janet, and David Anderson (eds.), ''Preserving Complex Digital Objects'', London: Facet, 2014, xlvii+375 pp. Based on the JISC-funded series of three ''Preservation of Complex Objects'' (POCOS) symposia. [http://www.facetpublishing.co.uk/title.php?id=049580 Publisher].
 +
 
* [http://revistaharte.fcsh.unl.pt/rhaw4/RHAw4.pdf ''Revista de historia da arte'' 4: "Performing Documentation in the Conservation of Contemporary Art"], eds. Lúcia Almeida Matos, Rita Macedo, and Gunnar Heydenreich, Lisbon: Instituto de História da Arte/Universidade Nova de Lisboa, 2015, 196 pp. Proceedings from the 2013 conference.
 
* [http://revistaharte.fcsh.unl.pt/rhaw4/RHAw4.pdf ''Revista de historia da arte'' 4: "Performing Documentation in the Conservation of Contemporary Art"], eds. Lúcia Almeida Matos, Rita Macedo, and Gunnar Heydenreich, Lisbon: Instituto de História da Arte/Universidade Nova de Lisboa, 2015, 196 pp. Proceedings from the 2013 conference.
 +
 
* ''[http://www.museoreinasofia.es/sites/default/files/publicaciones/textos-en-descarga/restauracion_media_2.pdf Conservación de arte contemporáneo: 16ª jornada]'', Madrid: MNCARS, 2015, 244 pp. Proceedings from Feb 2015 congress. [http://www.museoreinasofia.es/actividades/15a-jornada-conservacion-arte-contemporaneo]
 
* ''[http://www.museoreinasofia.es/sites/default/files/publicaciones/textos-en-descarga/restauracion_media_2.pdf Conservación de arte contemporáneo: 16ª jornada]'', Madrid: MNCARS, 2015, 244 pp. Proceedings from Feb 2015 congress. [http://www.museoreinasofia.es/actividades/15a-jornada-conservacion-arte-contemporaneo]
 +
 
* Barranha, Helena, and Susana S. Martins (eds.), ''[http://unplace.org/sites/default/files/Uncertain_Spaces.pdf Uncertain Spaces: Virtual Configurations in Contemporary Art and Museums]'', Lisbon: Universidade Nova de Lisboa, 2015, 251 pp. Based on the conference produced in the framework of the ''unplace'' project.  
 
* Barranha, Helena, and Susana S. Martins (eds.), ''[http://unplace.org/sites/default/files/Uncertain_Spaces.pdf Uncertain Spaces: Virtual Configurations in Contemporary Art and Museums]'', Lisbon: Universidade Nova de Lisboa, 2015, 251 pp. Based on the conference produced in the framework of the ''unplace'' project.  
 +
 
* Freire, Cristina (ed.), ''[https://issuu.com/geaccmac/docs/preservar-o-que Arte contemporânea: preservar o quê?]'', São Paulo: Museu de Arte Contemporânea da Universidade de São Paulo, 2015, 194 pp. Proceedings from the 2014 conference. {{br-pt}}
 
* Freire, Cristina (ed.), ''[https://issuu.com/geaccmac/docs/preservar-o-que Arte contemporânea: preservar o quê?]'', São Paulo: Museu de Arte Contemporânea da Universidade de São Paulo, 2015, 194 pp. Proceedings from the 2014 conference. {{br-pt}}
 +
 
* Castilla, Américo (ed.), ''[https://www.teseopress.com/typamuseos/ Arte contemporáneo en sala de guardia: dilemas y sistemas para la conservación de arte contemporáneo]'', Buenos Aires: Teseo, 2015, 283 pp, [https://www.teseopress.com/typamuseos/ PDF, EPUB]. Based on the 2010 conference. {{es}}
 
* Castilla, Américo (ed.), ''[https://www.teseopress.com/typamuseos/ Arte contemporáneo en sala de guardia: dilemas y sistemas para la conservación de arte contemporáneo]'', Buenos Aires: Teseo, 2015, 283 pp, [https://www.teseopress.com/typamuseos/ PDF, EPUB]. Based on the 2010 conference. {{es}}
 +
 
* ''Cahiers de l'INCCA-F'' 1: "Documentation technique, techniques de documentation", Dec 2015. Based on 2nd meeting of INCCA-F on 7 Feb 2014 in the auditorium of the Municipal Archives of Marseille. [http://techniquesmixtes.hypotheses.org/705] [http://c2rmf.fr/actualite/documentation-technique-techniques-de-documentation] {{fr}}
 
* ''Cahiers de l'INCCA-F'' 1: "Documentation technique, techniques de documentation", Dec 2015. Based on 2nd meeting of INCCA-F on 7 Feb 2014 in the auditorium of the Municipal Archives of Marseille. [http://techniquesmixtes.hypotheses.org/705] [http://c2rmf.fr/actualite/documentation-technique-techniques-de-documentation] {{fr}}
 +
 
* Hermens, Erma, and Frances Robertson (eds.), ''Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation'', London: Archetype, 2016, 205 pp. Proceedings from the 2014 conference. [http://www.archetype.co.uk/publication-details.php?id=229 Publisher].
 
* Hermens, Erma, and Frances Robertson (eds.), ''Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation'', London: Archetype, 2016, 205 pp. Proceedings from the 2014 conference. [http://www.archetype.co.uk/publication-details.php?id=229 Publisher].
 +
 
* Cassese, Giovanna (ed.), ''Il futuro del contemporaneo: conservazione e restauro del design / The Future of the Contemporary: Conservation and Restoration of Design'', Rome: Gangemi, 2016, 207 pp. Proceedings from the conference organized by Fondazione Plart, held within the Festival internazionale del design in Naples, Italy, 14-15 May 2015. [https://arca.unive.it/retrieve/handle/10278/3671339/69222/downloadfile-3.pdf Excerpt]. {{it}},{{en}}
 
* Cassese, Giovanna (ed.), ''Il futuro del contemporaneo: conservazione e restauro del design / The Future of the Contemporary: Conservation and Restoration of Design'', Rome: Gangemi, 2016, 207 pp. Proceedings from the conference organized by Fondazione Plart, held within the Festival internazionale del design in Naples, Italy, 14-15 May 2015. [https://arca.unive.it/retrieve/handle/10278/3671339/69222/downloadfile-3.pdf Excerpt]. {{it}},{{en}}
 +
 +
* Lin, Tzu-Chuan, and Yu-Hsien Chen (eds.), ''International Symposium: Collecting and Exhibiting New Media Arts / 集新求變:新媒體藝術作品典藏保存與維護國際研討會 | 研討會文集'', Taiwan: National Taiwan Museum of Fine Arts (NTMoFA), 2016, 247 pp. Proceedings from the symposium held 2015. [https://www.ntmofa.gov.tw/en/ntmofapublish_115_2521.html Publisher]. [https://aaa.org.hk/en/collections/search/library/international-symposium-collecting-and-exhibiting-new-media-arts-collected-papers-of-symposium] {{cn}}/{{en}}
 +
 
* ''Saving the Now: Crossing the Boundaries to Conserve Contemporary Works: IIC 2016 Los Angeles Congress Preprints'', Supplement 2 of ''Studies in Conservation'' 61, Sep 2016. [http://www.tandfonline.com/toc/ysic20/61/sup2 Subscription access].
 
* ''Saving the Now: Crossing the Boundaries to Conserve Contemporary Works: IIC 2016 Los Angeles Congress Preprints'', Supplement 2 of ''Studies in Conservation'' 61, Sep 2016. [http://www.tandfonline.com/toc/ysic20/61/sup2 Subscription access].
 +
 
* Reyes-Garcia, Everardo, Pierre Châtel-Innocenti, and Khaldoun Zreik (eds.), ''[http://www.academia.edu/30033454/ Archiving and Questioning Immateriality: Proceedings of the 5th Computer Art Congress]'', Paris: Europia, 2016, 466 pp. [http://europia.org/edition/livres/art/CAC5Book.htm Publisher].
 
* Reyes-Garcia, Everardo, Pierre Châtel-Innocenti, and Khaldoun Zreik (eds.), ''[http://www.academia.edu/30033454/ Archiving and Questioning Immateriality: Proceedings of the 5th Computer Art Congress]'', Paris: Europia, 2016, 466 pp. [http://europia.org/edition/livres/art/CAC5Book.htm Publisher].
* [https://www.restauratoren.de/wp-content/uploads/2017/09/VDR_Beitraege_2-17_online.pdf ''VDR Beiträge zur Erhaltung von Kunst- und Kulturgut'' 2], Bonn: Verband der Restauratoren (VDR), 2017. Contains proceedings from ''Collecting and Conserving Performance Art'', Wolfsburg, 2016.
+
 
 +
* [https://www.restauratoren.de/wp-content/uploads/2017/09/VDR_Beitraege_2-17_online.pdf ''VDR Beiträge zur Erhaltung von Kunst- und Kulturgut'' 2], Bonn: Verband der Restauratoren (VDR), 2017. Contains proceedings from ''Collecting and Conserving Performance Art'', Wolfsburg, 2016 (part 1 of 2).
 +
 
 +
* [https://www.restauratoren.de/wp-content/uploads/2018/03/VDR_Beitraege_-01-18_online.pdf ''VDR Beiträge zur Erhaltung von Kunst- und Kulturgut'' 1], Bonn: Verband der Restauratoren (VDR), 2018. Contains proceedings from ''Collecting and Conserving Performance Art'', Wolfsburg, 2016 (part 2 of 2).
 +
 
 
* Rivenc, Rachel, and Reinhard Bek (eds.), ''[http://www.getty.edu/publications/keepitmoving/contents/ Keep It Moving? Conserving Kinetic Art]'', Los Angeles: Getty Conservation Institute, 2018, [http://www.getty.edu/publications/keepitmoving/downloads/RivencBek_KeepItMoving.pdf PDF]. Proceedings from an ICOM-CC MMCA meeting organized in 2016.
 
* Rivenc, Rachel, and Reinhard Bek (eds.), ''[http://www.getty.edu/publications/keepitmoving/contents/ Keep It Moving? Conserving Kinetic Art]'', Los Angeles: Getty Conservation Institute, 2018, [http://www.getty.edu/publications/keepitmoving/downloads/RivencBek_KeepItMoving.pdf PDF]. Proceedings from an ICOM-CC MMCA meeting organized in 2016.
 +
 
* Robinson, Lyn, and Joseph Dunne (eds.), [https://ideaexchange.uakron.edu/docam/vol5/iss1/ ''Proceedings from the Document Academy'' 5(1): "Proceedings from DocPerform 2017"], 2018.
 
* Robinson, Lyn, and Joseph Dunne (eds.), [https://ideaexchange.uakron.edu/docam/vol5/iss1/ ''Proceedings from the Document Academy'' 5(1): "Proceedings from DocPerform 2017"], 2018.
* Hölling, Hanna B., Francesca G. Bewer and Katharina Ammann (eds.), ''The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures'', Brill, 2019, xviii+290 pp. [https://brill.com/abstract/title/38670 Publisher]. [https://www.academia.edu/40881395/ Introduction]. [https://www.academia.edu/40899348/ Chapter 10].
 
* Grau, Oliver, Janina Hoth, and Eveline Wandl-Vogt, ''[[Media:Grau Hoth Wandl-Vogt eds Digital Art through the Looking Glass 2019.pdf|Digital Art through the Looking Glass: New Strategies for Archiving, Collecting and Preserving in Digital Humanities]]'', Krems: Donau-Universität Krems, and Vienna: Austrian Academy of Sciences, 2019, 312 pp. Based on the "Digital Arts, Archives and Museums" sessions of the ''Re:Trace'' conference (2017). Review: [https://link.springer.com/article/10.1007/s42438-020-00100-z?shared-article-renderer Dika] (Postdigital Sci Edu).
 
  
=== Dissertations ===
+
* Hölling, Hanna B., Francesca G. Bewer and Katharina Ammann (eds.), ''[https://aaaaarg.fail/thing/5ef3491e9ff37c0fc52e81da The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures]'', Leiden: Brill, 2019, xviii+290 pp. [https://brill.com/abstract/title/38670 Publisher]. [https://www.academia.edu/40881395/ Introduction]. [https://www.academia.edu/40899348/ Chapter 10].
 +
 
 +
* Grau, Oliver, Janina Hoth, and Eveline Wandl-Vogt (eds.), ''[[Media:Grau Hoth Wandl-Vogt eds Digital Art through the Looking Glass 2019.pdf|Digital Art through the Looking Glass: New Strategies for Archiving, Collecting and Preserving in Digital Humanities]]'', Krems: Donau-Universität Krems, and Vienna: Austrian Academy of Sciences, 2019, 312 pp. Based on the "Digital Arts, Archives and Museums" sessions of the ''Re:Trace'' conference (2017). Review: [https://link.springer.com/article/10.1007/s42438-020-00100-z?shared-article-renderer Dika] (Postdigital Sci Edu).
 +
 
 +
* Vojtěchovský, Miloš (ed.), ''[https://monoskop.org/log/?p=22620 Vasulka Kitchen Cooking Reader #1: Beyond Media Texts: Primal & Final / Vašulkova kuchyňská kniha #1: texty k médiím: první & poslední]'', Brno: Vašulka Kitchen Brno, Oct 2020, 253 pp. Based on the ''Digital Era Artworks in Galleries and Museums'' colloquium (2019). With English abstracts. {{cz}}
 +
 
 +
* Rivenc, Rachel, and Kendra Roth (eds.), ''[https://www.getty.edu/publications/living‑matter/ Living Matter: The Preservation of Biological Materials in Contemporary Art]'', Los Angeles: Getty Conservation Institute, 2022. Proceedings from the conference held in 2019.
 +
 
 +
*{{a|NewMediaMuseums2022}}Barok, Dušan (ed.), ''[https://newmediamuseums.multiplace.org/print/new_media_museums_2022.pdf New Media Museums: Collecting and Preserving Media Arts]'', Olomouc: Olomouc Museum of Art, 2022, 260 pp, [https://newmediamuseums.multiplace.org/proceedings HTML]. Based on the [[#NewMediaMuseums|New Media Museums]] project. [http://newmediamuseums.cead.space/ Project website].
 +
 
 +
=== Dissertations, theses ===
 +
 
 +
* Marontate, Jan, [http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp03/NQ26696.pdf ''Synthetic Media and Modern Painting: A Case Study in the Sociology of Innovation''], Montréal: Université de Montréal, 1996, 478+xlix pp. PhD thesis.
 +
 
 +
* Fiske, Tina, ''[https://theses.gla.ac.uk/71881/ Taking Stock: A Study of the Acquisition and Long Term Care of "Non-Traditional" Contemporary Artworks by British Regional Collections 1979 – Present]'', Glasgow: University of Glasgow, 2004. PhD thesis.
 +
 
 +
* Arase, Jacqueline Morton, ''[http://web.archive.org/web/20210416180803/http://library2.jfku.edu/Museum_Studies/Can%20museums%20save%20video.pdf Can Museums Save Video Installation Art at the Moment of Accession?]'', Pleasant Hill, CA: John F. Kennedy University, 2004, 204+74 pp. Master's thesis.
  
* Marontate, Jan, [http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp03/NQ26696.pdf ''Synthetic Media and Modern Painting: A Case Study in the Sociology of Innovation''], Montréal: Université de Montréal, 1996, 478+xlix pp. PhD dissertation.
 
* Fiske, Tina, ''Taking Stock: A Study of the Acquisition and Long Term Care of 'Non-Traditional' Contemporary Artworks by British Regional Collections 1979 – Present'', Glasgow: University of Glasgow, 2004. PhD dissertation.
 
 
* Soraluze Herrera, Ioseba, ''La conservación de los objetivos artísticos contemporáneos. Degradaciones, criterios de actuación y tratamientos de restauración'', 2006. {{es}}
 
* Soraluze Herrera, Ioseba, ''La conservación de los objetivos artísticos contemporáneos. Degradaciones, criterios de actuación y tratamientos de restauración'', 2006. {{es}}
* Gómez Pintado, Ainhoa, ''[http://hdl.handle.net/10810/12323 El oro en el arte: materia y espítu. Contribución a la restauración en el arte contemporáneo]'', Bilbao: Universidad del País Vasco, 2008, 501+50 pp. PhD dissertation. {{es}}
+
 
* Macedo, Rita, ''[https://run.unl.pt/bitstream/10362/13743/1/MacedoI_2008.pdf Desafios da Arte Contemporânea à Conservação e Restauro Documentar a Arte Portuguesa dos Anos 60/70]'', Lisbon, 2008, 399 pp. PhD dissertation. {{pt}}
+
* Gómez Pintado, Ainhoa, ''[http://hdl.handle.net/10810/12323 El oro en el arte: materia y espítu. Contribución a la restauración en el arte contemporáneo]'', Bilbao: Universidad del País Vasco, 2008, 501+50 pp. PhD thesis. {{es}}
 +
 
 +
* Macedo, Rita, ''[https://run.unl.pt/bitstream/10362/13743/1/MacedoI_2008.pdf Desafios da Arte Contemporânea à Conservação e Restauro Documentar a Arte Portuguesa dos Anos 60/70]'', Lisbon, 2008, 399 pp. PhD thesis. {{pt}}
 +
 
 
* Frasco, Lizzie, ''[http://repository.upenn.edu/cgi/viewcontent.cgi?article=1004&context=uhf_2009 The Contingency of Conservation: Changing Methodology and Theoretical Issues in Conserving Ephemeral Contemporary Artworks with Special Reference to Installation Art]'', Philadelphia: University of Pennsylvania, 2009. Master thesis.
 
* Frasco, Lizzie, ''[http://repository.upenn.edu/cgi/viewcontent.cgi?article=1004&context=uhf_2009 The Contingency of Conservation: Changing Methodology and Theoretical Issues in Conserving Ephemeral Contemporary Artworks with Special Reference to Installation Art]'', Philadelphia: University of Pennsylvania, 2009. Master thesis.
 +
 
* Laforet, Anne, ''[https://monoskop.org/log/?p=3229 La conservation du net art au musée. Les stratégies à l’œuvre]'', Avignon: University of Avignon, 2009. Published as book in 2011. {{fr}}
 
* Laforet, Anne, ''[https://monoskop.org/log/?p=3229 La conservation du net art au musée. Les stratégies à l’œuvre]'', Avignon: University of Avignon, 2009. Published as book in 2011. {{fr}}
* van Saaze, Vivian, ''Doing Artworks. A Study into the Presentation and Conservation of Installation Artworks'', Maastricht: Maastricht University, 2009. PhD dissertation. [https://www.oapen.org/search?identifier=449202 Published as a book in 2013].
+
*{{a|VanSaaze2009}}van Saaze, Vivian, ''[https://doi.org/10.26481/dis.20091217vs Doing Artworks: A Study into the Presentation and Conservation of Installation Artworks]'', Maastricht: Maastricht University, 2009, 193 pp. PhD thesis. [[#VanSaaze2013|Published as a book in 2013]].
* García Morales, Lino, ''[http://abacus.universidadeuropea.es/bitstream/handle/11268/1287/b11389990.pdf Conservación y restauración de arte digital]'', Madrid: Universidad Europea de Madrid, 2010. PhD dissertation. {{es}}
+
 
 +
* García Morales, Lino, ''[http://abacus.universidadeuropea.es/bitstream/handle/11268/1287/b11389990.pdf Conservación y restauración de arte digital]'', Madrid: Universidad Europea de Madrid, 2010. PhD thesis. {{es}}
 +
 
 
* Falcão, Patrícia, ''[https://www.academia.edu/6660777/ Developing a Risk Assessment Tool for the Conservation of Software-based Artworks]'', Bern: Berner Fachhochschule, 2010. Master's thesis.
 
* Falcão, Patrícia, ''[https://www.academia.edu/6660777/ Developing a Risk Assessment Tool for the Conservation of Software-based Artworks]'', Bern: Berner Fachhochschule, 2010. Master's thesis.
* Jadzińska, Monika, ''Autentyzm w sztuce instalacji'', Warszawa: Instytut Sztuki PAN, 2010. PhD dissertation. [http://universitas.com.pl/produkt/3044/Duze-dzielo-sztuki-Sztuka-Instalacji---autentyzm-zachowanie-konserwacja Published as a book in 2012]. {{pl}}
+
 
* Laurenson, Pip, ''Shifting Structures, Identity and Change in Conservation and Management of Time-Based Media Works of Art'', University College London, 2011. PhD dissertation.
+
* Jadzińska, Monika, ''Autentyzm w sztuce instalacji'', Warszawa: Instytut Sztuki PAN, 2010. PhD thesis. [http://universitas.com.pl/produkt/3044/Duze-dzielo-sztuki-Sztuka-Instalacji---autentyzm-zachowanie-konserwacja Published as a book in 2012]. {{pl}}
* Gordon, Rebecca Alison, ''Rethinking material significance and authenticity in contemporary art'', Glasgow: University of Glasgow, 2011. PhD dissertation. [http://theses.gla.ac.uk/3041/ Abstract].
+
 
* Hiiop, Hilkka, ''[https://issuu.com/incca/docs/hiiop_hilkka_contemporary_art_in_the_museum Nüüdiskunst muuseumis: kuidas säilitada mittesäilivat? / Contemporary Art in the Museum: How to Preserve the Ephemeral? The Preservation Strategy and Methods of the Contemporary Art Collection of the Art Museum of Estonia]'', Tallinn: Estonian Academy of Arts & Art Museum of Estonia, 2012. PhD dissertation. {{fi}}
+
* Laurenson, Pip, ''Shifting Structures, Identity and Change in Conservation and Management of Time-Based Media Works of Art'', University College London, 2011. PhD thesis.
* Wysocka, Elżbieta, ''Teoria i praktyka konserwatorska wobec filmu i sztuk mediów elektronicznych'', Krakow: Akademia Sztuk Pięknych, 2012. PhD dissertation. Published as a book in 2013. [https://wk.asp.krakow.pl/nagroda-nck-dla-absolwentki-wkirds-376/] {{pl}}
+
 
* Beerkens, Lydia, ''[https://www.academia.edu/34772841 Restauratie van moderne kunst. Een nieuwe specialisatie binnen het restauratievakgebied]'' [The Conservation of Modern Art: A New Specialization within the Field of Art Conservation], Nijmegen: Radboud Universiteit, 2012. PhD dissertation. {{nl}}
+
* Gordon, Rebecca Alison, ''Rethinking material significance and authenticity in contemporary art'', Glasgow: University of Glasgow, 2011. PhD thesis. [http://theses.gla.ac.uk/3041/ Abstract].
* Dekker, Antoinette, ''[http://research.gold.ac.uk/11155/1/CCS_thesis_DekkerA2014.pdf Enabling the Future, or How to Survive FOREVER: A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation]'', London: Goldsmiths University, 2014. PhD dissertation. Published as a book in 2018.
+
 
* Vanrell Vellosillo, Arianne, ''[https://eprints.ucm.es/33204/ Nuevas estrategias para la conservación de colecciones de arte con elementos tecnológicos: propuestas metodológicas de humanidades digitales]''. Madrid: Universidad Complutense de Madrid, 2015. PhD dissertation. {{es}}
+
* Hiiop, Hilkka, ''[https://issuu.com/incca/docs/hiiop_hilkka_contemporary_art_in_the_museum Nüüdiskunst muuseumis: kuidas säilitada mittesäilivat? / Contemporary Art in the Museum: How to Preserve the Ephemeral? The Preservation Strategy and Methods of the Contemporary Art Collection of the Art Museum of Estonia]'', Tallinn: Estonian Academy of Arts & Art Museum of Estonia, 2012. PhD thesis. {{fi}}
* Kromholz, Sophie C, ''The artwork is not present: An investigation into the durational engagement with temporary artworks''. Glasgow: University of Glasgow, 2016. PhD dissertation. [http://theses.gla.ac.uk/7716/ Abstract].
+
 
* Stigter, Sanneke, ''[https://pure.uva.nl/ws/files/2679847/174706_PhD_Stigter_20160527_Final_Manuscript_complete.pdf Between concept and material. Working with conceptual art: 'a conservator’s testimony']'', University of Amsterdam, 2016, 278 pp. PhD dissertation.
+
* Wysocka, Elżbieta, ''Teoria i praktyka konserwatorska wobec filmu i sztuk mediów elektronicznych'', Krakow: Akademia Sztuk Pięknych, 2012. PhD thesis. Published as a book in 2013. [https://wk.asp.krakow.pl/nagroda-nck-dla-absolwentki-wkirds-376/] {{pl}}
* Marchesi, Monica, ''[https://s3-eu-west-1.amazonaws.com/production-static-stedelijk/images/_verdieping/Onderzoek/sience4arts/M.%20Marchesi_Forever%20Young.pdf Forever Young: The Reproduction of Photographic Artworks as a Conservation Strategy]'', Leiden: Universiteit Leiden, 2017. PhD dissertation.
+
 
* Finbow, Acatia, ''The Value of Performance Documentation in the Contemporary Art Museum: A Case Study of Tate'', Exeter: University of Exeter, 2017. Dissertation. [https://ore.exeter.ac.uk/repository/handle/10871/32561?show=full#ZYRFKKoB1eMgT0B6.99 Abstract].
+
* Hölling, Hanna Barbara, ''[https://dare.uva.nl/search?identifier=a7b8ee87-3188-44f1-aac3-25ccdf80aea5 Re: Paik: On Time, Changeability and Identity in the Conservation of Nam June Paik's Multimedia Installations]'', 's-Hertogenbosch: BOXPress, 2013, 347 pp. PhD thesis from U Amsterdam. Published as a book in 2017.
 +
 
 +
* Beerkens, Lydia, ''[https://www.academia.edu/34772841 Restauratie van moderne kunst. Een nieuwe specialisatie binnen het restauratievakgebied]'' [The Conservation of Modern Art: A New Specialization within the Field of Art Conservation], Nijmegen: Radboud Universiteit, 2012. PhD thesis. {{nl}}
 +
 
 +
* Dekker, Antoinette, ''[http://research.gold.ac.uk/11155/1/CCS_thesis_DekkerA2014.pdf Enabling the Future, or How to Survive FOREVER: A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation]'', London: Goldsmiths University, 2014. PhD thesis. Published as a book in 2018.
 +
 
 +
* Mattock, Lindsay Kistler, ''[http://d-scholarship.pitt.edu/22859/ Media Arts Centers as Alternative Archival Spaces: Investigating the Development of Archival Practices in Non-Profit Media Organizations]'', Pittsburgh: University of Pittsburgh, 2014, 222 pp. PhD thesis.
 +
 
 +
* Vanrell Vellosillo, Arianne, ''[https://eprints.ucm.es/33204/ Nuevas estrategias para la conservación de colecciones de arte con elementos tecnológicos: propuestas metodológicas de humanidades digitales]''. Madrid: Universidad Complutense de Madrid, 2015. PhD thesis. {{es}}
 +
 
 +
* Kromholz, Sophie C, ''The artwork is not present: An investigation into the durational engagement with temporary artworks''. Glasgow: University of Glasgow, 2016. PhD thesis. [http://theses.gla.ac.uk/7716/ Abstract].
 +
 
 +
* Stigter, Sanneke, ''[https://pure.uva.nl/ws/files/2679847/174706_PhD_Stigter_20160527_Final_Manuscript_complete.pdf Between concept and material. Working with conceptual art: 'a conservator’s testimony']'', University of Amsterdam, 2016, 278 pp. PhD thesis.
 +
 
 +
* Kullberg, Mads, ''[https://curis.ku.dk/ws/files/161852520/Ph.d._2016_Kullberg1.pdf Om at samle på hændelser. Bevaring og registrering af flygtige kunstformer]'' [Collecting Occurrences: Safeguarding and Documenting Ephemeral Art Forms], Copenhagen: Copenhagen University, 2016, 182 pp. PhD thesis. {{da}}
 +
 
 +
* Marchesi, Monica, ''[https://s3-eu-west-1.amazonaws.com/production-static-stedelijk/images/_verdieping/Onderzoek/sience4arts/M.%20Marchesi_Forever%20Young.pdf Forever Young: The Reproduction of Photographic Artworks as a Conservation Strategy]'', Leiden: Universiteit Leiden, 2017. PhD thesis.
 +
 
 +
* Finbow, Acatia, ''[https://ore.exeter.ac.uk/repository/handle/10871/32561 The Value of Performance Documentation in the Contemporary Art Museum: A Case Study of Tate]'', Exeter: University of Exeter, 2017, 304 pp. PhD thesis. [https://ore.exeter.ac.uk/repository/handle/10871/32561?show=full#ZYRFKKoB1eMgT0B6.99 Abstract].
 +
 
 
* Petrelli, Valentina, ''[http://dspace.unive.it/bitstream/handle/10579/9751/804049-1199856.pdf La conservazione dell’arte contemporanea: problematiche e nuovi apporti teorici e metodologici]'', Venice: Universita Ca'Foscari Venezia, 2017, 143 pp. Thesis. {{it}}
 
* Petrelli, Valentina, ''[http://dspace.unive.it/bitstream/handle/10579/9751/804049-1199856.pdf La conservazione dell’arte contemporanea: problematiche e nuovi apporti teorici e metodologici]'', Venice: Universita Ca'Foscari Venezia, 2017, 143 pp. Thesis. {{it}}
* Marchesi, Monica, ''[https://openaccess.leidenuniv.nl/handle/1887/59473 Forever Young: the reproduction of photographic artworks as a conservation strategy]''. Leiden: Leiden University, 2017. PhD dissertation.
+
 
* Del Fresno-Guillem, Rut, ''[https://riunet.upv.es/handle/10251/90410 La entrevista al artista emergente como modo de conservación preventive. Estudio aplicado a los proyectos Perspectives Art Inflammation and Me y Perspectives, Art Liver Diseases and Me]'', Valencia: Univesidad Politecnica de Valencia, 2017. PhD dissertation. {{es}}
+
* Marchesi, Monica, ''[https://openaccess.leidenuniv.nl/handle/1887/59473 Forever Young: the reproduction of photographic artworks as a conservation strategy]''. Leiden: Leiden University, 2017. PhD thesis.
* Marçal, Hélia Pereira, ''From intangibility to materiality and back again: preserving Portuguese performance artworks from the 1970s'', Lisbon: Universidade Nova de Lisboa, 2018, xviii+231 pp. PhD dissertation. [http://hdl.handle.net/10362/59727 Abstract].
+
 
* De Wild, Karin, ''[https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency Internet Art and Agency: The Social Lives of Online Artworks]'', Dundee: University of Dundee, 2018, xvi+206 pp. PhD dissertation.  
+
* Del Fresno-Guillem, Rut, ''[https://riunet.upv.es/handle/10251/90410 La entrevista al artista emergente como modo de conservación preventive. Estudio aplicado a los proyectos Perspectives Art Inflammation and Me y Perspectives, Art Liver Diseases and Me]'', Valencia: Univesidad Politecnica de Valencia, 2017. PhD thesis. {{es}}
* Ensom, Tom, ''[https://kclpure.kcl.ac.uk/portal/en/theses/technical-narratives(e01bff94-08bd-4b83-aeef-4e7d6d5b0dfc).html Technical Narratives: Analysis, Description and Representation in the Conservation of Software-based Art]'', London: King’s College London, 2019. PhD dissertation.
+
 
* Kiliszek, Joanna, ''Wartości i wartościowanie nowoczesnej i współczesnej wizualnej sztuki. Rola praktyki refleksyjnej – kolekcja Muzeum Sztuki w Łodzi'' [Values and Valuation of Modern and Contemporary Visual Art. The Role of Reflective Practice – Collection of the Museum of Art in Łódź 1931-2018], Warsaw: Akademia Sztuk Pięknych w Warszawie, 2019. {{pl}}
+
* Marçal, Hélia Pereira, ''[http://hdl.handle.net/10362/59727 From intangibility to materiality and back again: preserving Portuguese performance artworks from the 1970s]'', Lisbon: Universidade Nova de Lisboa, 2018, xviii+231 pp. PhD thesis.
 +
 
 +
* De Wild, Karin, ''[https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency Internet Art and Agency: The Social Lives of Online Artworks]'', Dundee: University of Dundee, 2018, xvi+206 pp. PhD thesis.  
 +
 
 +
* Guzman Serrano, Rodrigo, ''[https://www.academia.edu/38149976/ Expanded (Im)materialities: A Postmedial and Neomaterial Discussion on the Collection and Preservation of Media Arts]'', Krems: Danube University Krems, 2018, 110 pp. Master's thesis.
 +
 
 +
* Ensom, Tom, ''[https://kclpure.kcl.ac.uk/portal/en/theses/technical-narratives(e01bff94-08bd-4b83-aeef-4e7d6d5b0dfc).html Technical Narratives: Analysis, Description and Representation in the Conservation of Software-based Art]'', London: King’s College London, 2019, 294 pp, [[Media:Ensom Tom Technical Narratives Analysis Description and Representation in the Conservation of Software-based Art 2019.pdf|PDF]]. PhD thesis.
 +
 
 +
* Kiliszek, Joanna, ''Wartości i wartościowanie nowoczesnej i współczesnej wizualnej sztuki. Rola praktyki refleksyjnej – kolekcja Muzeum Sztuki w Łodzi'' [Values and Valuation of Modern and Contemporary Visual Art. The Role of Reflective Practice – Collection of the Museum of Art in Łódź 1931-2018], Warsaw: Akademia Sztuk Pięknych w Warszawie, 2019. PhD thesis; carried out within [[#nacca|NACCA]]. {{pl}}
 +
 
 +
* Castriota, Brian Eric, ''Securing a Futurity: Artwork Identity and Authenticity in the Conservation of Contemporary Art'', Glasgow: University of Glasgow, 2019. PhD thesis; carried out within [[#nacca|NACCA]]. [https://theses.gla.ac.uk/75130/ Abstract].
 +
 
 +
* Quabeck, Nina, ''The Artist's Intent in Contemporary Art: Matter and Process in Transition'', Glasgow: University of Glasgow, 2019. PhD thesis; carried out within [[#nacca|NACCA]]. [https://theses.gla.ac.uk/75173/ Abstract].
 +
 
 
* Brum, Olivia, ''[http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf The Lives of Internet Artworks in Institutions: How to Begin to Construct a Long-term Conservation Strategy]'', Amsterdam: University of Amsterdam, 2019, 100 pp. Master's thesis.
 
* Brum, Olivia, ''[http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf The Lives of Internet Artworks in Institutions: How to Begin to Construct a Long-term Conservation Strategy]'', Amsterdam: University of Amsterdam, 2019, 100 pp. Master's thesis.
* Scholte, Tatja, ''Insite / Outsite. The Perpetuation of Site-Specific Installation Artworks in Museums'', Amsterdam: University of Amsterdam, 2020. PhD dissertation. [https://www.incca.org/news/tatja-scholte-receives-phd-research-site-specific-installation-artworks-museums TOC & Summary].
+
 
* Rotaeche González de Ubieta, Mikel.
+
* Scholte, Tatja, ''[https://hdl.handle.net/11245.1/a78ed10e-a316-4739-b315-781fc0a609e0 Insite / Outsite. The Perpetuation of Site-Specific Installation Artworks in Museums]'', Amsterdam: University of Amsterdam, 2020, 224 pp. PhD thesis. [[#Scholte2021|Published as a book in 2021]].
 +
 
 +
* Smith, Madeline Page, ''[https://miap.hosting.nyu.edu/program/student_work/2020spring/20s_thesis_Smith_deposit_copy_y.pdf Caring for the Moving Image in Art Museums: "Matters in Media Art" and the Stewardship of Time-Based Media Artworks]'', New York: New York University (MIAP), 2020, 115 pp. Master's thesis. [https://www.academia.edu/45087594/]
 +
 
 +
* Wielocha, Agnieszka B., ''[https://hdl.handle.net/11245.1/9916bb82-e5f9-4a78-9266-d47ff292104a Collecting Archives of Objects and Stories: On the Lives and Futures of Contemporary Art at the Museum]'', Amsterdam: University of Amsterdam, 2021, 358 pp. PhD thesis; carried out within [[#nacca|NACCA]].
 +
 
 +
* Klajbanová, Nela, ''[https://is.muni.cz/th/phos4/ Metody sbírání a uchovávání pohyblivého obrazu v České republice]'' [Methods of collecting and preserving moving image in the Czech Republic], Brno: Masarykova univerzita, 2023, 88 pp, [[Media:Klajbanova_Nela Metody sbirani a uchovavani pohybliveho obrazu v Ceske republice 2023.pdf|PDF]]. Master's thesis. {{cz}}
  
 
=== Surveys, reports ===
 
=== Surveys, reports ===
  
 
* Weiss, Karen, and Joyce Hill Stoner, [https://archive.org/stream/gri_33125002285563/#page/n14/mode/1up "Documenting Contemporary Art Collections: A Survey"], in ''Preprints: ICOM Committee for Conservation, 6th Triennial Meeting, Ottawa, 21-25 September 1981'', 1981. Created at the request of a committee of participants of the 1980 Ottawa conference on The Conservation of Contemporary Art.
 
* Weiss, Karen, and Joyce Hill Stoner, [https://archive.org/stream/gri_33125002285563/#page/n14/mode/1up "Documenting Contemporary Art Collections: A Survey"], in ''Preprints: ICOM Committee for Conservation, 6th Triennial Meeting, Ottawa, 21-25 September 1981'', 1981. Created at the request of a committee of participants of the 1980 Ottawa conference on The Conservation of Contemporary Art.
 +
 +
* ''[https://besser.tsoa.nyu.edu/howard/Tmp/Feb/LC-Moving%20Image%20Studies/tvstudy.html Television/Video Preservation Study: Volume 1: Report]'', Washington, DC: Library of Congress, Oct 1997.
 +
 
* Green, David, and Rachel Mustalish, ''Digital Technologies and the Management of Conservation Documentation'', New York: Andrew W. Mellon Foundation, 19 May 2009, 92 pp, [http://mac.mellon.org/mac-files/Mellon%20Conservation%20Survey.pdf PDF]. A survey commissioned by the Andrew W. Mellon Foundation.
 
* Green, David, and Rachel Mustalish, ''Digital Technologies and the Management of Conservation Documentation'', New York: Andrew W. Mellon Foundation, 19 May 2009, 92 pp, [http://mac.mellon.org/mac-files/Mellon%20Conservation%20Survey.pdf PDF]. A survey commissioned by the Andrew W. Mellon Foundation.
 +
 
* http://blogs.cornell.edu/dsps/2014/07/30/interactive-digital-media-art-survey-key-findings-and-observations/
 
* http://blogs.cornell.edu/dsps/2014/07/30/interactive-digital-media-art-survey-key-findings-and-observations/
 +
 
* The Smithsonian Interview Project: Questions on Technical Standards in the Care of Time-Based and Digital Art. Ten Insights from Artists and Experts in the Field, Jul 2014, [https://www.si.edu/content/tbma/documents/SI_TBMA_10_Insights.pdf PDF].
 
* The Smithsonian Interview Project: Questions on Technical Standards in the Care of Time-Based and Digital Art. Ten Insights from Artists and Experts in the Field, Jul 2014, [https://www.si.edu/content/tbma/documents/SI_TBMA_10_Insights.pdf PDF].
 +
 
* Rossenova, Lozana, ''[https://sites.rhizome.org/artbase-re-design/report-1.html Artbase Archive: Context & History]'', 2020, 114 pp, [[Media:Rossenova Lozana Artbase Archive Context and History 2020.pdf|PDF]]. Traces the development, database structure and interface design of Rhizome ArtBase.
 
* Rossenova, Lozana, ''[https://sites.rhizome.org/artbase-re-design/report-1.html Artbase Archive: Context & History]'', 2020, 114 pp, [[Media:Rossenova Lozana Artbase Archive Context and History 2020.pdf|PDF]]. Traces the development, database structure and interface design of Rhizome ArtBase.
 +
 +
* Schneeweisz, Damiët, ''[https://www.sbmk.nl/source/documents/Verkenning_.pdf Zorgen voor de toekomst van Moderne - en Hedendaagse kunst in Nederland - Verkenning / The State of Collection Care and Management for Modern and Contemporary Art in the Netherlands]'', Amsterdam: RCE & SBMK, Oct 2021, 42 pp. Report. [https://www.sbmk.nl/nl/over-SBMK/doelstelling] {{nl}},{{en}}
 +
 
* more: http://cool.conservation-us.org/bytopic/survres/
 
* more: http://cool.conservation-us.org/bytopic/survres/
 
* more: https://archive.org/search.php?query=creator%3A%22ICOM+Committee+for+Conservation%22
 
* more: https://archive.org/search.php?query=creator%3A%22ICOM+Committee+for+Conservation%22
Line 343: Line 596:
 
* http://www.getty.edu/conservation/publications_resources/
 
* http://www.getty.edu/conservation/publications_resources/
 
* http://www.docam.ca/en/resources/bibliography.html
 
* http://www.docam.ca/en/resources/bibliography.html
 +
* [https://activatingfluxus.com/towards-the-expanded-conservation-literature/ Towards Expanded Conservation], ''Activating Fluxus'', Bern: Bern Academy of the Arts, 2022 ff.
 
* http://www.imappreserve.org/info_res/bibliography.html
 
* http://www.imappreserve.org/info_res/bibliography.html
 
* http://nimk.nl/eng/preservation/media-art-preservation-links#texts
 
* http://nimk.nl/eng/preservation/media-art-preservation-links#texts
Line 355: Line 609:
  
 
* [http://vimeo.com/24535819 Installation Art: Who Cares?], dir. Maarten Tromp, 2012. Made in the framework of Access to Contemporary Art Conservation (Access2CA), which was part of [http://web.archive.org/web/20120508064742/http://www.incca.org/practics-film PRACTICs]. [https://www.youtube.com/watch?v=EE4zGHvPrhg YouTube]. [http://web.archive.org/web/20120604062211/http://www.incca.org/practics-access2ca/887-film-survey 141] [http://www.kennisvoorcollecties.nl/en/projects/collection-accessibility/practics-of-contemporary-art-the-future-en/installation-art-who-cares/]
 
* [http://vimeo.com/24535819 Installation Art: Who Cares?], dir. Maarten Tromp, 2012. Made in the framework of Access to Contemporary Art Conservation (Access2CA), which was part of [http://web.archive.org/web/20120508064742/http://www.incca.org/practics-film PRACTICs]. [https://www.youtube.com/watch?v=EE4zGHvPrhg YouTube]. [http://web.archive.org/web/20120604062211/http://www.incca.org/practics-access2ca/887-film-survey 141] [http://www.kennisvoorcollecties.nl/en/projects/collection-accessibility/practics-of-contemporary-art-the-future-en/installation-art-who-cares/]
 +
* [https://www.getty.edu/conservation/our_projects/science/art_LA/artist.html Art in L.A. Artist Dialogues], Getty Conservation Institute, 2013-2020-. Video series engages artists in conversations exploring their art, materials, fabrication processes and working methods, as well as their thoughts on conservation.
 
* [https://www.arttube.nl/en/videos/digital-art-who-cares-1 Digital Art: Who Cares?], dir. Maarten Tromp, 2016, 14 min. Video commissioned by SBMK as part of the research project Transformation Digital Art. It focuses on how the work of Dutch digital art pioneer Peter Struycken can be saveguarded for the future, and how this can inspire the durability of digital artworks of today. Created by Maarten Tromp and Sandra Fauconnier.
 
* [https://www.arttube.nl/en/videos/digital-art-who-cares-1 Digital Art: Who Cares?], dir. Maarten Tromp, 2016, 14 min. Video commissioned by SBMK as part of the research project Transformation Digital Art. It focuses on how the work of Dutch digital art pioneer Peter Struycken can be saveguarded for the future, and how this can inspire the durability of digital artworks of today. Created by Maarten Tromp and Sandra Fauconnier.
 
* [https://zkm.de/en/the-collection-and-preservation-of-digital-cultural-heritage Das Altern neuer Medien und die Kunst des Bewahrens. Ein ZKM-Werkstattbericht], dir. Dorcas Müller, ZKM, 2016, 28 min. [https://www.youtube.com/watch?v=VWh66AWsSw0]
 
* [https://zkm.de/en/the-collection-and-preservation-of-digital-cultural-heritage Das Altern neuer Medien und die Kunst des Bewahrens. Ein ZKM-Werkstattbericht], dir. Dorcas Müller, ZKM, 2016, 28 min. [https://www.youtube.com/watch?v=VWh66AWsSw0]
Line 360: Line 615:
 
* [https://www.nyu.edu/gsas/dept/fineart/conservation/preserving-the-futures-past.htm Preserving the Future’s Past: The Conservation of Time-Based Media Art], dir. Gabriela Tama, 2017, 15 min. [https://vimeo.com/215933187]
 
* [https://www.nyu.edu/gsas/dept/fineart/conservation/preserving-the-futures-past.htm Preserving the Future’s Past: The Conservation of Time-Based Media Art], dir. Gabriela Tama, 2017, 15 min. [https://vimeo.com/215933187]
 
* [https://www.youtube.com/watch?v=AKtDyVkGPT0 Things Change: Conservation and Display of Time-based Media Art], Tate, 2017, 22 min.
 
* [https://www.youtube.com/watch?v=AKtDyVkGPT0 Things Change: Conservation and Display of Time-based Media Art], Tate, 2017, 22 min.
* [https://www.tate.org.uk/about-us/projects/cleaning-modern-oil-paints/cleaning-modern-oil-paints-video Cleaning Modern Oil Paints], Tate, 2018, 4 min. Created as part of Cleaning Modern Oil Paints research project.
+
* [https://www.tate.org.uk/about-us/projects/cleaning-modern-oil-paints/cleaning-modern-oil-paints-video Cleaning Modern Oil Paints], Tate, 2018, 4 min. Created as part of the Cleaning Modern Oil Paints research project.
 +
* [https://www.tate.org.uk/art/artists/tony-conrad-25422/conserving-tony-conrad Tony Conrad – Keeping An Artwork Alive], Tate, 2020, 9 min. Created as part of the Reshaping the Collectible research project. [https://www.youtube.com/watch?v=f9NpaIX6CiQ]
 +
 
 +
=== Podcasts ===
 +
* [https://www.artandobsolescence.com/ Art and Obsolescence], hosted by Ben Fino-Radin, Sep 2021ff. Conversations with artists, collectors and professionals shaping art and technology. Sponsored by the New York Foundation for the Arts.
  
== Research projects, networks, consortiums ==
+
{{a|Research}}
 +
=={{a|Research}}Research projects, networks, consortiums ==
  
 
''The websites of most projects also function as resources.''
 
''The websites of most projects also function as resources.''
Line 368: Line 628:
 
===1990s===
 
===1990s===
  
<div class="dpl" style="-moz-column-count:2; -webkit-column-count:2; column-count:2">
+
<div class=twocol>
 +
 
 
* [http://adp.menil.org Artists Documentation Program (ADP)], 1990-2014. Initiated by Carol Mancusi Ungaro in the Menil Collection in Houston. From 2001, the project was continued in collaboration with the Whitney Museum of American Art and the Center for the Technical Study of Modern Art/Harvard Art Museums. Supported by the Andrew W Mellon Foundation. The artist interviews are made available online to professionals.
 
* [http://adp.menil.org Artists Documentation Program (ADP)], 1990-2014. Initiated by Carol Mancusi Ungaro in the Menil Collection in Houston. From 2001, the project was continued in collaboration with the Whitney Museum of American Art and the Center for the Technical Study of Modern Art/Harvard Art Museums. Supported by the Andrew W Mellon Foundation. The artist interviews are made available online to professionals.
 
* Conserveringsprojekt Video Kunstinstellingen, 1993-1995. Carried out by Montevideo/TBA. Video tapes from 10 Dutch collections (De Appel, MonteVideo, Time Based Arts, Lijnbaancentrum, Rijksdienst Beeldende Kunst, Rijksakademie van Beeldende Kunsten, Stedelijk van Abbemuseum, Museum Boijmans van Beuningen, Groninger Museum, World Wide Video Center) were catalogued and transferred to the high-grade (analog) Betacam SP. Catalogue appeared in print and as Amiga database. Financed by Dutch Ministery of Culture as part of its Deltaplan Cultuurbehoud. Followed by Preservation Video Art project.
 
* Conserveringsprojekt Video Kunstinstellingen, 1993-1995. Carried out by Montevideo/TBA. Video tapes from 10 Dutch collections (De Appel, MonteVideo, Time Based Arts, Lijnbaancentrum, Rijksdienst Beeldende Kunst, Rijksakademie van Beeldende Kunsten, Stedelijk van Abbemuseum, Museum Boijmans van Beuningen, Groninger Museum, World Wide Video Center) were catalogued and transferred to the high-grade (analog) Betacam SP. Catalogue appeared in print and as Amiga database. Financed by Dutch Ministery of Culture as part of its Deltaplan Cultuurbehoud. Followed by Preservation Video Art project.
* [https://www.sbmk.nl/en/projects/Modern_Art_Who_Cares Conservering Moderne Kunst / Conservation of Modern Art], 1995-1997. Conducted by SBMK. Decision-making model, data registration model and condition registration model developed, in parallel to the investigation of the ten pilot objects. Conference ''Modern Art: Who Cares?'' and exhibition held 1997, book published 1999. [http://web.archive.org/web/20010722053008/http://www.icn.nl:80/engels/6.4.1.html], [http://www.sbmk.nl/uploads/sbmk-tienjaarverslag-1995-2005.pdf#page=21], [https://www.incca.org/articles/project-conservation-modern-art-sbmk-1997].
+
 
* [http://web.archive.org/web/20010726072849/http://www.icn.nl:80/engels/6.4.3.html Pilot Project "Artists' Interviews": An interdisciplinairy approach towards artists' interviews], 1998-1999. Carried out by Netherlands Institute for Cultural Heritage (Hummelen, Menke, Petovic, Sillé, Scholte).
+
* [https://www.sbmk.nl/en/projects/Modern_Art_Who_Cares Conservering Moderne Kunst / Conservation of Modern Art], 1995-1997. Conducted by SBMK. Decision-making model, data registration model and condition registration model developed, in parallel to the investigation of the ten pilot objects. Conference ''Modern Art: Who Cares?'' and exhibition held 1997, book published 1999. [http://web.archive.org/web/20010722053008/http://www.icn.nl:80/engels/6.4.1.html], [http://www.sbmk.nl/source/documents/sbmk-tienjaarverslag-1995-2005.pdf#page=21], [https://www.incca.org/articles/project-conservation-modern-art-sbmk-1997].
* [http://www.sbmk.nl/projects/detail/id/3?lang=en Conservering van videokunst / Preservation Video Art], 1998-2003. Carried out by NIMK at the request of SBMK. 1700 analogue autonomous video works by 450+ artists held in 9 Dutch collections (De Appel, Museum Boijmans Van Beuningen, Groninger Museum, ICN, Kröller-Müller Museum, NIMk Montevideo/TBA, Rijksakademie, Stedelijk Museum Amsterdam, Van Abbemuseum) were transferred to Digital Betacam. Book published 2003. Built upon Conserveringsprojekt Video Kunstinstellingen project. [http://nimk.nl/eng/project-preservation-video-art] [http://www.sbmk.nl/uploads/sbmk-tienjaarverslag-1995-2005.pdf#page=22]
+
 
* [https://www.sbmk.nl/en/projects/artist_interviews Kunstenaarsinterviews] [Artists Interviews], 1998-2005. Conducted by ICN and SBMK. Twenty artists working in the Netherlands were interviewed (on film) about their working methods and their choice of materials. Consisted of two projects: Artist Interviews and Artist Interviews / Artist Archives (1/1998-2000 and 2001-2005). Book published 2012. [http://www.sbmk.nl/uploads/sbmk-tienjaarverslag-1995-2005.pdf#page=22]. [http://web.archive.org/web/20160808204610if_/http://sbmk.nl/uploads/concept_handreiking.pdf Concept-scenario] (Jun 1999). [https://www.sbmk.nl/source/documents/lijst_kunstenaarsinterviews.pdf]
+
* [https://www.sbmk.nl/en/projects/artist_interviews Artists' Interviews: An interdisciplinairy approach towards artists' interviews] [Kunstenaarsinterviews], 1998-2005. Conducted by ICN (Hummelen, Menke, Petovic, Sillé, Scholte) and SBMK. Twenty artists working in the Netherlands were interviewed (on film) about their working methods and their choice of materials. Consisted of two projects: Artist Interviews and Artist Interviews / Artist Archives (1/1998-2000 and 2001-2005). Book published 2012. [http://web.archive.org/web/20010726072849/http://www.icn.nl:80/engels/6.4.3.html]. [http://www.sbmk.nl/source/documents/sbmk-tienjaarverslag-1995-2005.pdf#page=22]. [http://web.archive.org/web/20160808204610if_/http://sbmk.nl/uploads/concept_handreiking.pdf Concept-scenario] (Jun 1999). [https://www.sbmk.nl/source/documents/lijst_kunstenaarsinterviews.pdf]
 +
 
 +
* [http://www.sbmk.nl/projects/detail/id/3?lang=en Conservering van videokunst / Preservation Video Art], 1998-2003. Carried out by NIMk at the request of SBMK. 1700 analogue autonomous video works by 450+ artists held in 9 Dutch collections (De Appel, Museum Boijmans Van Beuningen, Groninger Museum, ICN, Kröller-Müller Museum, NIMk Montevideo/TBA, Rijksakademie, Stedelijk Museum Amsterdam, Van Abbemuseum) were transferred to Digital Betacam. Book published 2003. Built upon Conserveringsprojekt Video Kunstinstellingen project. Followed by Conservation Media Art Collection Netherlands. [http://nimk.nl/eng/project-preservation-video-art] [http://www.sbmk.nl/source/documents/sbmk-tienjaarverslag-1995-2005.pdf#page=22]
 
</div>
 
</div>
  
 
===2000s===
 
===2000s===
  
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* [http://www.incca.org International Network for the Conservation of Contemporary Art] (INCCA), since 1999. Hosted by RCE (formerly ICN). [http://www.getty.edu/conservation/publications_resources/newsletters/24_2/incca.html], [http://www.sbmk.nl/uploads/sbmk-tienjaarverslag-1995-2005.pdf#page=24].
+
* [http://www.incca.org International Network for the Conservation of Contemporary Art] (INCCA), since 1999. Hosted by RCE (formerly ICN). [http://www.getty.edu/conservation/publications_resources/newsletters/24_2/incca.html], [http://www.sbmk.nl/source/documents/sbmk-tienjaarverslag-1995-2005.pdf#page=24].
  
 
* Methodology for the Documentation of Contemporary Art, 1999-2001. Realised at the interdisciplinary Kulturwissenschaftliches Forschungskolleg (SFB/FK 427) of the German Universities of Aachen, Bonn, and Cologne. The project (no. B4) was initiated by professors Hubertus Kohle and Harald Kraemer. The other members of the team were Nicole Birtsch, Kathrin Lucht, Martina Nied, Simone Schmickl, and Christina Hemsley. See [https://slowrotation.memoryoftheworld.org/Fiona%20Cameron/Theorizing%20Digital%20Cultural%20Herita%20%2811207%29/Theorizing%20Digital%20Cultural%20Her%20-%20Fiona%20Cameron.pdf#page=208 Kraemer 2007].
 
* Methodology for the Documentation of Contemporary Art, 1999-2001. Realised at the interdisciplinary Kulturwissenschaftliches Forschungskolleg (SFB/FK 427) of the German Universities of Aachen, Bonn, and Cologne. The project (no. B4) was initiated by professors Hubertus Kohle and Harald Kraemer. The other members of the team were Nicole Birtsch, Kathrin Lucht, Martina Nied, Simone Schmickl, and Christina Hemsley. See [https://slowrotation.memoryoftheworld.org/Fiona%20Cameron/Theorizing%20Digital%20Cultural%20Herita%20%2811207%29/Theorizing%20Digital%20Cultural%20Her%20-%20Fiona%20Cameron.pdf#page=208 Kraemer 2007].
  
* [http://web.archive.org/web/20190209014527/http://www.variablemedia.net/e/welcome.html Variable Media Network] (VMN), 2001-2004. A consortium of museums and archives aiming to develop a museum-standard, best practice for the collection and preservation of new media art. Co-founded by the Solomon R. Guggenheim Museum, New York, and The Daniel Langlois Foundation for Art, Science, and Technology, Montreal; other members: Berkeley Art Museum/Pacific Film Archives (Berkeley), Franklin Furnace (NYC), Performance Art Festival+Archives (Cleveland), Rhizome.org (NYC), Walker Art Center (Minneapolis). Coordinators: Jon Ippolito (U Maine, Guggenheim), Alain Depocas (Langlois). Conferences held 2001 and 2004, exhibition 2004, book published 2003. Followed by Archiving the Avant Garde.
+
* [https://www.variablemedia.net/ Variable Media Network] (VMN), 2001-2004. A consortium of museums and archives aiming to develop a museum-standard, best practice for the collection and preservation of new media art. Co-founded by the Solomon R. Guggenheim Museum, New York, and The Daniel Langlois Foundation for Art, Science, and Technology, Montreal; other members: Berkeley Art Museum/Pacific Film Archives (Berkeley), Franklin Furnace (NYC), Performance Art Festival+Archives (Cleveland), Rhizome.org (NYC), Walker Art Center (Minneapolis). Coordinators: Jon Ippolito (U Maine, Guggenheim), Alain Depocas (Langlois). Conferences held 2001 and 2004, exhibition 2004, book published 2003. Followed by Archiving the Avant Garde. [http://web.archive.org/web/20190209014527/http://www.variablemedia.net/e/welcome.html Archived website].
 
 
* ??* With the support of the New Art Trust and in conjunction with Tate, SFMOMA, and the Royal College of Art, Pip Laurenson began a three-year research project into the care and conservation of time-based media in fall 2001. failed??
 
  
 
* [http://web.archive.org/web/20070404033746/http://www.404project.net/ 404 Object Not Found: What Remains of Media Art?], Jul 2002-Aug 2003. Managed by medien_kunst_netz Dortmund (association between the HMKV, the Museum am Ostwall and the Administration of Cultural Affairs of the city of Dortmund); research in collaboration with NIMk, C3 Budapest, and Hans Dieter Huber of Staatliche Akademie der Bildenden Künste (Stuttgart). Directed by Hans D. Christ and Iris Dressler. Supported by EU programme Culture 2000. Congress held 2003. Followed upon by Seoul 2006 research project. [http://web.archive.org/web/20060516170800/http://www.404project.net/fallstudien/index_e.html Case studies], [http://nimk.nl/eng/404-object-not-found-what-remains-of-media-art].
 
* [http://web.archive.org/web/20070404033746/http://www.404project.net/ 404 Object Not Found: What Remains of Media Art?], Jul 2002-Aug 2003. Managed by medien_kunst_netz Dortmund (association between the HMKV, the Museum am Ostwall and the Administration of Cultural Affairs of the city of Dortmund); research in collaboration with NIMk, C3 Budapest, and Hans Dieter Huber of Staatliche Akademie der Bildenden Künste (Stuttgart). Directed by Hans D. Christ and Iris Dressler. Supported by EU programme Culture 2000. Congress held 2003. Followed upon by Seoul 2006 research project. [http://web.archive.org/web/20060516170800/http://www.404project.net/fallstudien/index_e.html Case studies], [http://nimk.nl/eng/404-object-not-found-what-remains-of-media-art].
  
* [http://www.tate.org.uk/about/projects/matters-media-art Matters in Media Art: Collaborating towards the care of time-based media], Jan 2003-Dec 2015. Project by MoMA, SFMOMA, and Tate. To establish guidelines for best practice in managing time-based media (e.g. video, film, audio and software-based installations). The consortium launched its first phase, on loaning time-based media works, in 2004, and its second phase, on acquiring time-based media works, in 2007. Supported by New Art Trust. Project leaders: Pip Laurenson (Tate), Jill Sterrett (SFMOMA), Glenn Wharton (MoMA). [http://web.archive.org/web/20121024214455/http://www.tate.org.uk/about/projects/matters-media-art] [https://www.moma.org/explore/collection/conservation/media_art]
+
* [http://mattersinmediaart.org/ Matters in Media Art: Collaborating towards the care of time-based media], Jan 2003-Dec 2015. Project by MoMA, SFMOMA, and Tate. To establish guidelines for best practice in managing time-based media (e.g. video, film, audio and software-based installations). The consortium launched its first phase, on loaning time-based media works, in 2004, and its second phase, on acquiring time-based media works, in 2007. Supported by New Art Trust. Project leaders: Pip Laurenson (Tate), Jill Sterrett (SFMOMA), Glenn Wharton (MoMA). [http://web.archive.org/web/20080621032706/http://www.tate.org.uk/research/tateresearch/majorprojects/mediamatters/ Earlier project website archived] (2008). [http://web.archive.org/web/20121024214455/http://www.tate.org.uk/about/projects/matters-media-art] [https://www.moma.org/explore/collection/conservation/media_art] [http://www.tate.org.uk/about/projects/matters-media-art]
  
 
* [http://web.archive.org/web/20071010084953/http://www.aktivearchive.ch/content/information_e.html AktiveArchive], Berne University of the Arts (BUA) & Swiss Institute for Art Research (SIAR), 2002-2011. Head: Johannes Gfeller ([https://www.scart.be/?q=en/content/interview-johannes-gfeller-aktivearchive interview]). [http://www.hkb.bfh.ch/en/research/forschungsschwerpunkte/fspmaterialitaet/aktivearchive1/ 15] [http://www.hkb.bfh.ch/en/research/forschungsschwerpunkte/fspmaterialitaet/aktivearchive2/]
 
* [http://web.archive.org/web/20071010084953/http://www.aktivearchive.ch/content/information_e.html AktiveArchive], Berne University of the Arts (BUA) & Swiss Institute for Art Research (SIAR), 2002-2011. Head: Johannes Gfeller ([https://www.scart.be/?q=en/content/interview-johannes-gfeller-aktivearchive interview]). [http://www.hkb.bfh.ch/en/research/forschungsschwerpunkte/fspmaterialitaet/aktivearchive1/ 15] [http://www.hkb.bfh.ch/en/research/forschungsschwerpunkte/fspmaterialitaet/aktivearchive2/]
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* [http://archive.bampfa.berkeley.edu/about/avantgarde Archiving the Avant Garde: Documenting and Preserving Digital/Media Art], c2004-2007. A consortium project of the University of California, Berkeley Art Museum and Pacific Film Archive, with the Solomon R. Guggenheim Museum, Cleveland Performance Art Festival and Archive, Franklin Furnace Archive, and Rhizome.org. Funded by NEA. Coordinator: Richard Rinehart. Symposium held 2007. Builds upon Variable Media Network. [https://web.archive.org/web/20070419010721/http://www.bampfa.berkeley.edu/about_bampfa/avantgarde.html]
 
* [http://archive.bampfa.berkeley.edu/about/avantgarde Archiving the Avant Garde: Documenting and Preserving Digital/Media Art], c2004-2007. A consortium project of the University of California, Berkeley Art Museum and Pacific Film Archive, with the Solomon R. Guggenheim Museum, Cleveland Performance Art Festival and Archive, Franklin Furnace Archive, and Rhizome.org. Funded by NEA. Coordinator: Richard Rinehart. Symposium held 2007. Builds upon Variable Media Network. [https://web.archive.org/web/20070419010721/http://www.bampfa.berkeley.edu/about_bampfa/avantgarde.html]
  
* [http://inside-installations.sbmk.nl/ Inside Installations: Preservation and Presentation of Installation Art], 2004-2007. Research into the care and administration of installation artworks; 30+ complex installations were selected as case studies and were re-installed, investigated and documented. Coordinated by Netherlands Institute for Cultural Heritage (ICN); in collaboration with Tate, SMAK Ghent, SBMK, Restaurierungszentrum der Landeshauptstadt Düsseldorf, and Museo Nacional Centro de Arte Reina Sofia; co-organizers worked together with national partners (mainly museums) making a total of 25 institutions. Funded by EU Culture 2000. Exhibitions held 2006-2007 and 2010-2011. [http://www.sbmk.nl/uploads/inside-installations-kl.pdf Report published 2007]. Book published 2011 as part of PRACTICs. [http://collections.europarchive.org/rce/20120208162002/http://www.inside-installations.org/ Old archive]. [http://web.archive.org/web/20150322050437/http://www.inside-installations.org:80/home/index.php Archived version]. [https://www.incca.org/news/inside-installations-website-restored Announcement about restored version] (2020). [http://nimk.nl/eng/archief/inside-installations/] [http://www.sbmk.nl/projects/detail/id/4?lang=en] [http://web.archive.org/web/20150424104750/http://www.inside-installations.org/]
+
* [http://inside-installations.sbmk.nl/ Inside Installations: Preservation and Presentation of Installation Art], 2004-2007. Research into the care and administration of installation artworks; 30+ complex installations were selected as case studies and were re-installed, investigated and documented. Coordinated by Netherlands Institute for Cultural Heritage (ICN); in collaboration with Tate, SMAK Ghent, SBMK, Restaurierungszentrum der Landeshauptstadt Düsseldorf, and Museo Nacional Centro de Arte Reina Sofia; co-organizers worked together with national partners (mainly museums) making a total of 25 institutions. Funded by EU Culture 2000. Exhibitions held 2006-2007 and 2010-2011. [https://www.sbmk.nl/source/documents/inside-installations-kl.pdf Report published 2007]. Book published 2011 as part of PRACTICs. [http://collections.europarchive.org/rce/20120208162002/http://www.inside-installations.org/ Old archive]. [http://web.archive.org/web/20150322050437/http://www.inside-installations.org:80/home/index.php Archived version]. [https://www.incca.org/news/inside-installations-website-restored Announcement about restored version] (2020). [http://nimk.nl/eng/archief/inside-installations/] [http://www.sbmk.nl/projects/detail/id/4?lang=en] [http://web.archive.org/web/20150424104750/http://www.inside-installations.org/] [http://web.archive.org/web/20080914112732/http://www.tate.org.uk/research/tateresearch/majorprojects/inside_installations.htm]
 +
 
 +
* [http://www.40jahrevideokunst.de/ 40 Jahre Videokunst in Deutschland von 1963 bis heute / Digital Heritage: Video art in Germany from 1963 to the present], 2004-2006. Project by the Kulturstiftung des Bundes (The German Federal Cultural Foundation). Coordinated by K21 Kunstsammlung Nordrhein-Westfalen Düsseldorf, organised by ZKM | Center for Art and Media Karlsruhe, partners: Kunsthalle Bremen, Lenbachhaus Munich, and Museum der bildenden Künste Leipzig. Initiated by Wulf Herzogenrath. Restoration supervising, documentation: Patrícia Falcão, Tina Weidner. Project director: Rudolf Frieling. Symposium held 2005. [http://www.40jahrevideokunst.de/main.php?p=2&n1=6 Five exhibitions] held 2006 simultaneously at different venues. Catalogue with DVD published 2006. [http://www.40jahrevideokunst.de/main.php?p=2&n1=7 Study edition of 12 DVDs] published 2006 [https://researchworks.oclc.org/archivegrid/collection/data/785697600 (TOC)]. Followed by Record > Again!.
  
 
* [http://www.tape-online.net/ Training for Audiovisual Preservation in Europe] (TAPE), 2005-2008. Coordinated by the European Commission for Preservation and Access (ECPA).
 
* [http://www.tape-online.net/ Training for Audiovisual Preservation in Europe] (TAPE), 2005-2008. Coordinated by the European Commission for Preservation and Access (ECPA).
  
* [http://www.imaionline.de/content/view/217/74/lang,en/ Materializing the Ephemeral], 2007-2009. Conducted by imai foundation, with support of Gerda Henkel Foundation. Project leader: Tiziana Caianiello. The aim was to develop guidelines for the preservation and presentation of different media art installations. Book published 2013.
+
* [http://www.record-again.de/ Record > Again! 40jahrevideokunst.de – Teil 2], 2006-2010. Partners: ZKM Medienmuseum, Ludwig Forum Aachen, Kunsthaus Dresden, and the Edith-Ruß-Haus für Medienkunst Oldenburg. Follow-up to the 40 Jahre Videokunst project. Artistic director: Peter Weibel. Project director: Christoph Blase. Travelling exhibition held at 4 venues (2009-2010). Catalogue with DVD published 2010. Study edition of 12 DVDs published 2010.
 +
 
 +
* [https://www.stiftung-imai.de/forschung/forschung/konkretionen-des-fluchtigen  Konkretionen des Flüchtigen. Zur Problematik der Erhaltung und Re-Inszenierung von Medienkunstinstallationen / Materializing the Ephemeral], 2007-2009. Conducted by imai foundation, with support of Gerda Henkel Foundation. Project leader: Tiziana Caianiello. The aim was to develop guidelines for the preservation and presentation of different media art installations. Book published 2013. [http://web.archive.org/web/20160706135221/http://www.imaionline.de/content/view/217/74/lang,en/ Archived website].
  
* [http://forging-the-future.net/ Forging the Future: New Tools for Variable Media Preservation] (FtF), 2008-09. "Refines and distributes free and open-source products that boost access and aid in preservation of our digital heritage." Coordinated by Jon Ippolito and Richard Rinehart. Builds upon Variable Media Network and Archiving the Avant-Garde.
+
* [http://forging-the-future.net/ Forging the Future: New Tools for Variable Media Preservation] (FtF), 2008-2009. "Refines and distributes free and open-source products that boost access and aid in preservation of our digital heritage." Coordinated by Jon Ippolito and Richard Rinehart. Builds upon Variable Media Network and Archiving the Avant-Garde. Produced the [https://variablemediaquestionnaire.net/ Variable Media Questionnaire].
  
* [http://www.docam.ca/en.html Documentation and Conservation of Media Art Heritage Research Alliance] (DOCAM), 2005-10. Offers five sections of research and implementation: conservation, documentation, cataloguing, history of technologies and terminology. A project of the Daniel Langlois Foundation. Dir. Alain Depocas.
+
* [http://www.docam.ca/en.html Documentation and Conservation of Media Art Heritage Research Alliance] (DOCAM), 2005-2010. Offers five sections of research and implementation: conservation, documentation, cataloguing, history of technologies and terminology. A project of the Daniel Langlois Foundation. Dir. Alain Depocas. Partners: McGill University (Montréal), Université du Québec à Montréal (UQAM), Université de Montréal, Canadian Centre for Architecture, Musée d’art contemporain de Montréal, National Gallery of Canada, The Montreal Museum of Fine Arts, Canadian Heritage Information Network (CHIN), a.o. Financed by Social Sciences and Humanities Research Council of Canada (SSHRC) as part of the CURA program (Community-University Research Alliances).
  
 
* [http://web.archive.org/web/20100612202351fw_/http://totalmuseum.org/404/objectnotfound_2006.html 404 Object Not Found_Seoul: International Project for Media Art / Data Archiving, Presentation, Preservation], Total Museum of Contemporary Art, Seoul, Jun-Oct 2006 & [http://web.archive.org/web/20100710000357/http://www.totalmuseum.org/404/index.php?/site/C12/ Oct 2007]. Presented & hosted by Total Museum of Contemporary Art; co-organized by Art Center Nabi, Alternative Space Loop; supported by 2006 Lottery Art Foundation/Art Supporting Program (2006), Seoul Foundation of Art and Culture (2007), a.o. Exhibition held 2006, symposiums held 2006 and 2007.
 
* [http://web.archive.org/web/20100612202351fw_/http://totalmuseum.org/404/objectnotfound_2006.html 404 Object Not Found_Seoul: International Project for Media Art / Data Archiving, Presentation, Preservation], Total Museum of Contemporary Art, Seoul, Jun-Oct 2006 & [http://web.archive.org/web/20100710000357/http://www.totalmuseum.org/404/index.php?/site/C12/ Oct 2007]. Presented & hosted by Total Museum of Contemporary Art; co-organized by Art Center Nabi, Alternative Space Loop; supported by 2006 Lottery Art Foundation/Art Supporting Program (2006), Seoul Foundation of Art and Culture (2007), a.o. Exhibition held 2006, symposiums held 2006 and 2007.
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===2010s===
 
===2010s===
  
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* [http://web.archive.org/web/20140517202318/http://newstrategiesinconservation.nl/ New Strategies in the Conservation of Contemporary Art (NewS)], Sep 2009-Sep 2013-Feb 2015. Research project of RCE, U Maastricht, and ASCA/UvA Amsterdam. Funded by [https://www.nwo.nl/en/research-and-results/research-projects/i/05/4905.html NWO] (projects 1, 4, 6: Hölling, van Saaze, van de Vall), ICN (projects 2, 5: Scholte, Hummelen) and UvA (project 3: Stigter). Project leader: Renée van de Vall. Incl. 5 PhD projects addressing the paradigm of ‘scientific freeze’ through biographies of artworks: Hanna Hölling (UvA), Tatja Scholte (RCE), Sanneke Stigter (UvA/Kröller-Müller Museum), Vivian van Saaze (UM), IJsbrand Hummelen (RCE). Followed upon by NeCCAR. [https://www.maastrichtuniversity.nl/fasos-research-institute/research-organisation/arts-media-and-culture/funded-projects] [http://www.kennisvoorcollecties.nl/programmas/object-in-context/new-strategies-in-conservation-of-contemporary-art/] [http://asca.uva.nl/content/research-groups/new-strategies-in-the-conservation-of-contemporary-art/new-strategies-in-the-conservation-of-contemporary-art.html?1552309721930]
 
* [http://web.archive.org/web/20140517202318/http://newstrategiesinconservation.nl/ New Strategies in the Conservation of Contemporary Art (NewS)], Sep 2009-Sep 2013-Feb 2015. Research project of RCE, U Maastricht, and ASCA/UvA Amsterdam. Funded by [https://www.nwo.nl/en/research-and-results/research-projects/i/05/4905.html NWO] (projects 1, 4, 6: Hölling, van Saaze, van de Vall), ICN (projects 2, 5: Scholte, Hummelen) and UvA (project 3: Stigter). Project leader: Renée van de Vall. Incl. 5 PhD projects addressing the paradigm of ‘scientific freeze’ through biographies of artworks: Hanna Hölling (UvA), Tatja Scholte (RCE), Sanneke Stigter (UvA/Kröller-Müller Museum), Vivian van Saaze (UM), IJsbrand Hummelen (RCE). Followed upon by NeCCAR. [https://www.maastrichtuniversity.nl/fasos-research-institute/research-organisation/arts-media-and-culture/funded-projects] [http://www.kennisvoorcollecties.nl/programmas/object-in-context/new-strategies-in-conservation-of-contemporary-art/] [http://asca.uva.nl/content/research-groups/new-strategies-in-the-conservation-of-contemporary-art/new-strategies-in-the-conservation-of-contemporary-art.html?1552309721930]
 +
 +
* [https://www.guggenheim.org/conservation/the-panza-collection-initiative Panza Collection Initiative (PCI)], Guggenheim Museum, 2010-2020. Focused on the long-term preservation and future exhibition of Minimalist, Post-Minimalist, and Conceptual art acquired by the Guggenheim from Italian collectors Giovanna and Giuseppe Panza di Biumo in 1990 and 1992. Project leaders: curator and scholar Jeffrey Weiss and conservator Francesca Esmay. Symposium held 2019. Funded by Andrew W. Mellon Foundation ([https://mellon.org/grants/grants-database/grants/solomon-r-guggenheim-foundation/11000602/ $1.23M], [https://mellon.org/grants/grants-database/grants/solomon-r-guggenheim-foundation/11300602/ $1.25M], [https://mellon.org/grants/grants-database/grants/solomon-r-guggenheim-foundation/1709-04915/ $745K]). [https://www.guggenheim.org/publication/object-lessons-case-studies-in-minimal-art-the-guggenheim-panza-collection-initiative Book] published 2021.
 +
 +
* [https://www.sbmk.nl/en/projects/conservation_media_art Conservation Media Art Collection Netherlands], SBMK and NIMk, 2010-2012. The project involved conservation of 3500 video art works from 1975-2005 (building upon Preservation Video Art project), development of strategies for preservation of computer-based art (in collaboration with Virtuel Platform), and research into copyright issues related to online presentation of video art (in collaboration with Kennisland). Partners: Van Abbemuseum, De Appel, Museum Boijmans Van Beuningen, Groninger Museum, Netherlands Institute for Cultural Heritage, Kröller-Müller Museum, Netherlands Media Art Institute (including LijnbaanCentrum, Montevideo and Time Based Arts, Amsterdam), Rijksakademie van beeldende kunsten, Stedelijk Museum Amsterdam, Centraal Museum Utrecht, Frans Hals Museum, Gemeentemuseum Helmond, V2_, SCHUNK*, Bonnefantenmuseum. [https://www.sbmk.nl/en/publications/preservation_media_art Project report]. Publications per project focus: [https://www.sbmk.nl/en/publications/sustainability_of_video_art Video art preservation], [https://www.sbmk.nl/en/publications/Born-digital_artworks Born-digital artworks], [https://www.sbmk.nl/en/publications/make_play_with_copyright Copyright].
  
 
* [http://www.digitalartconservation.org/ Digital Art Conservation], 2010-2012. Dedicated to researching strategies for the conservation of digital art, with a focus on artworks created with computer programming and digital technologies. Dir. Bernhard Serexhe. Symposia held 2010 and 2011, exhibition 2012-13, book published 2013. The project was initiated at the ZKM, Karlsruhe, and was carried out in collaboration with five other institutions from the Upper Rhine region. Supported by EU program INTERREG IV Oberrhein.
 
* [http://www.digitalartconservation.org/ Digital Art Conservation], 2010-2012. Dedicated to researching strategies for the conservation of digital art, with a focus on artworks created with computer programming and digital technologies. Dir. Bernhard Serexhe. Symposia held 2010 and 2011, exhibition 2012-13, book published 2013. The project was initiated at the ZKM, Karlsruhe, and was carried out in collaboration with five other institutions from the Upper Rhine region. Supported by EU program INTERREG IV Oberrhein.
  
 
* archiv performativ, Institute for Cultural Studies in the Arts (ICS)/Zürcher Hochschule der Künste ZHdK, 2010-2012.
 
* archiv performativ, Institute for Cultural Studies in the Arts (ICS)/Zürcher Hochschule der Künste ZHdK, 2010-2012.
 
* [https://www.sbmk.nl/en/projects/conservation_media_art Conservation Media Art Collection Netherlands], SBMK and NIMk, 2010-2012.
 
  
 
* [http://motionbank.org/en/ Motion Bank], Forsythe Company, 2010-2013. Focused on the creation of online digital scores in collaboration with choreographers. Book published 2013.
 
* [http://motionbank.org/en/ Motion Bank], Forsythe Company, 2010-2013. Focused on the creation of online digital scores in collaboration with choreographers. Book published 2013.
  
* [http://www.digitisingcontemporaryart.eu/ Digitising Contemporary Art (DCA)], PACKED, Jan 2011-Jul 2013 (30mo). Aimed to digitise contemporary art objects (i.e. art made after 1945, 27K artworks - paintings, photographs, sculptures, installations, videos and 2K contextual documents) from 12 European countries and make them accessible to the wider public through Europeana. Coordinator: [https://packed.be/en/projects/digitising-contemporary-art PACKED vzw]; partners include 21 art institutions and 4 technical institutions. Funded by [http://web.archive.org/web/20170314232631/https://cordis.europa.eu/project/rcn/191781_en.html EC CIP-ICT Policy Support Programme] (€1.97M).
+
* [http://web.archive.org/web/20191022045708if_/http://www.digitisingcontemporaryart.eu/ Digitising Contemporary Art (DCA)], PACKED, Jan 2011-Jul 2013 (30mo). Aimed to digitise contemporary art objects (i.e. art made after 1945, 27K artworks - paintings, photographs, sculptures, installations, videos and 2K contextual documents) from 12 European countries and make them accessible to the wider public through Europeana. Coordinator: [https://packed.be/en/projects/digitising-contemporary-art PACKED vzw]; partners include 21 art institutions and 4 technical institutions. Funded by [http://web.archive.org/web/20170314232631/https://cordis.europa.eu/project/rcn/191781_en.html EC CIP-ICT Policy Support Programme] (€1.97M).
  
 
* [https://www.tate.org.uk/about-us/projects/dying-technologies-end-35-mm-slide-transparencies Dying Technologies: The End of 35 mm Slide Transparencies], Tate, Jun 2011-Dec 2012. Project leader: Tina Weidner. Supported by the Esmée Fairbairn Foundation. [http://resources.conservation-us.org/emg-review/volume-two-2011-2012/fading-out-the-end-of-35-mm-slide-transparencies/ Paper published 2012].
 
* [https://www.tate.org.uk/about-us/projects/dying-technologies-end-35-mm-slide-transparencies Dying Technologies: The End of 35 mm Slide Transparencies], Tate, Jun 2011-Dec 2012. Project leader: Tina Weidner. Supported by the Esmée Fairbairn Foundation. [http://resources.conservation-us.org/emg-review/volume-two-2011-2012/fading-out-the-end-of-35-mm-slide-transparencies/ Paper published 2012].
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* [https://www.maastrichtuniversity.nl/research/institutes/macch/research/previous-projects#VAH Network for Conservation of Contemporary Art Research (NeCCAR)], Maastricht University, Jan 2012-Sep 2015. Aimed to develop joint research projects and a training curriculum on the theory, methodology and ethics of the conservation of contemporary art. Project leaders: Renée van de Vall and Vivian van Saaze (both U Maastricht); 10 partner organisations (incl. [http://www.tate.org.uk/about/projects/neccar-network-conservation-contemporary-art-research Tate], [https://www.th-koeln.de/kulturwissenschaften/neccar-network-for-conservation-of-contemporary-art-researchan-mikroskopspektrometrie_25126.php CICS], [http://www.uva.nl/en/discipline/conservation-and-restoration/research/research-projects/neccar/neccar.html UvA]). Follow-up to NewS. Conferences held 2012, 2013, 2014. Proceedings published 2015, 2016. Funded by [https://www.nwo.nl/en/research-and-results/research-projects/i/19/8119.html NWO]. Followed upon by NACCA.
 
* [https://www.maastrichtuniversity.nl/research/institutes/macch/research/previous-projects#VAH Network for Conservation of Contemporary Art Research (NeCCAR)], Maastricht University, Jan 2012-Sep 2015. Aimed to develop joint research projects and a training curriculum on the theory, methodology and ethics of the conservation of contemporary art. Project leaders: Renée van de Vall and Vivian van Saaze (both U Maastricht); 10 partner organisations (incl. [http://www.tate.org.uk/about/projects/neccar-network-conservation-contemporary-art-research Tate], [https://www.th-koeln.de/kulturwissenschaften/neccar-network-for-conservation-of-contemporary-art-researchan-mikroskopspektrometrie_25126.php CICS], [http://www.uva.nl/en/discipline/conservation-and-restoration/research/research-projects/neccar/neccar.html UvA]). Follow-up to NewS. Conferences held 2012, 2013, 2014. Proceedings published 2015, 2016. Funded by [https://www.nwo.nl/en/research-and-results/research-projects/i/19/8119.html NWO]. Followed upon by NACCA.
  
* [https://www.tate.org.uk/about-us/projects/collecting-performative Collecting the Performative: A Research Network Examining Emerging Practice for Collecting and Conserving Performance Based Art], Tate, Apr 2012-Jan 2014. Project leader: Pip Laurenson. Partners: Maastricht U, Van Abbemuseum, LIMA. Funded by Arts and Humanities Research Council (AHRC) and Netherlands Organisation for Scientific Research (NWO). [http://www.tate.org.uk/about/projects/collecting-performative Video documentation]. [https://www.li-ma.nl/lima/article/collecting-performative-%E2%80%93-research-network]
+
* [https://www.tate.org.uk/about-us/projects/collecting-performative Collecting the Performative: A Research Network Examining Emerging Practice for Collecting and Conserving Performance Based Art], Tate, Apr 2012-Jan 2014. Project leader: Pip Laurenson. Partners: Maastricht U, Van Abbemuseum, LIMA. Funded by Arts and Humanities Research Council (AHRC) and Netherlands Organisation for Scientific Research (NWO). [http://www.tate.org.uk/about/projects/collecting-performative Video documentation]. [https://doi.org/10.2307/j.ctv2rcnqpt.14 Paper] (2022). [https://www.li-ma.nl/lima/article/collecting-performative-%E2%80%93-research-network]
 +
 
 +
* [http://www.videoarchiv-ludwigforum.de/about-the-project/ Ludwig Forum für internationale Kunst Video Archive], Jun 2012-Mar 2018. Project by Ludwig Forum für Internationale Kunst, Aachen. Dir. Brigitte Franzen (2012-2018), Andreas Beitin (2016-2018). Conference held 2015. Three exhibitions held 2014-2015. Research website published. Funded by Volkswagen Stiftung (as part of Forschung in Museen / Research in Museums).
  
 
* [https://tablesdetravail.hypotheses.org/category/journees-detude-2/replace-or-remake Replace or Remake?], 2013-2015. Project by ER[cr]OS Tours, ESA Saint-Luc Liège, C2RMF, Capc Bordeaux, in collaboration with INCCA-F. [https://ceroart.revues.org/3868]
 
* [https://tablesdetravail.hypotheses.org/category/journees-detude-2/replace-or-remake Replace or Remake?], 2013-2015. Project by ER[cr]OS Tours, ESA Saint-Luc Liège, C2RMF, Capc Bordeaux, in collaboration with INCCA-F. [https://ceroart.revues.org/3868]
Line 466: Line 735:
 
* [http://www.imal.org/en/about/digital%20heritage Cultural Heritage in the Digital Age], iMAL and Packed, 2014-.
 
* [http://www.imal.org/en/about/digital%20heritage Cultural Heritage in the Digital Age], iMAL and Packed, 2014-.
  
* [http://www.sbmk.nl/projects/detail/id/33 Transformation Digital Art / Transformatie Digitale Kunst], 2014-2017. The researchprogram is concerned with the long-term preservation, presentation and distribution of software based artworks. Symposiums held 2016 & 2017. [http://www.sbmk.nl/uploads/tda_ned_interact.pdf Publication]. [http://www.den.nl/project/599/Transformatie-Digitale-Kunst]
+
* [http://web.archive.org/web/20160809013329/http://www.sbmk.nl/projects/detail/id/33 Transformation Digital Art / Transformatie Digitale Kunst], 2014-2016. A research programme concerned with the long-term preservation, presentation and distribution of software based artworks. Realised by LIMA, SBMK and collaborating museums. Symposiums held 2016, 2017, 2018, 2019. [https://www.sbmk.nl/source/documents/tda_eng_interactief.pdf Project report]. [http://www.den.nl/project/599/Transformatie-Digitale-Kunst]
  
 
* [http://web.archive.org/web/20161031195559/https://humanities.exeter.ac.uk/english/research/centres/intermedia/current/collecting_archiving_sharing/ Collecting, Archiving and Sharing Performance and the Performative], University of Exeter, Oct 2014-Sep 2016. Aimed to create an archive and a best practice framework for the collection, archivisation and exhibition of performance at Tate 1960 to today. Principal Investigator: Gabriella Giannachi. Funded by [https://gtr.ukri.org/projects?ref=AH%2FL003740%2F1 Arts and Humanities Research Council (AHRC)] (£282K).
 
* [http://web.archive.org/web/20161031195559/https://humanities.exeter.ac.uk/english/research/centres/intermedia/current/collecting_archiving_sharing/ Collecting, Archiving and Sharing Performance and the Performative], University of Exeter, Oct 2014-Sep 2016. Aimed to create an archive and a best practice framework for the collection, archivisation and exhibition of performance at Tate 1960 to today. Principal Investigator: Gabriella Giannachi. Funded by [https://gtr.ukri.org/projects?ref=AH%2FL003740%2F1 Arts and Humanities Research Council (AHRC)] (£282K).
Line 472: Line 741:
 
* [http://www.aim.humanities.uva.nl/ Archiving Interactive Media], ACHI/U Amsterdam + DEN Foundation + LIMA, 2015-. Project leader: Julia Noordegraaf.
 
* [http://www.aim.humanities.uva.nl/ Archiving Interactive Media], ACHI/U Amsterdam + DEN Foundation + LIMA, 2015-. Project leader: Julia Noordegraaf.
  
* [http://nacca.eu New Approaches in the Conservation of Contemporary Art (NACCA)], Jun 2015-May 2019 (48mo). Project leader: Renée van de Vall (Maastricht U). 15 PhD fellows investigated different, as yet under-explored aspects of contemporary art conservation: Brian Castriota (Glasgow U), Joanna Kiliszek (Art Academy Warsaw), Nina Quabeck (U Glasgow), Tomas Markevicius (Cologne UAS), Marta Garcia Celma (Cologne UAS), Claudia Röck (U Amsterdam), Caitlin Spangler-Bickell (Maastricht U & MUDEC), Panda de Haan (U Porto), Aga Wielocha (U Amsterdam), Iona Goldie-Scot (Maastricht U), Dušan Barok (U Amsterdam), Maria Theodoraki (U Nova de Lisboa), Sophie Lei (Roma III U & Maastricht U), Zoë Miller (Tate & Maastricht U), Artemis Rüstau (Maastricht U). Follow-up to NeCCAR. Conferences held 2017, 2018, 2019. Funded by [https://cordis.europa.eu/project/id/642892 EC Horizon2020] (€3.8M). [https://cordis.europa.eu/project/id/642892/results Project results].
+
*{{a|nacca}}[http://nacca.eu New Approaches in the Conservation of Contemporary Art (NACCA)], Jun 2015-May 2019 (48mo). Project leader: Renée van de Vall (Maastricht U). 15 PhD fellows investigated different, as yet under-explored aspects of contemporary art conservation: Brian Castriota (Glasgow U), Joanna Kiliszek (Art Academy Warsaw), Nina Quabeck (U Glasgow), Tomas Markevicius (Cologne UAS), Marta Garcia Celma (Cologne UAS), Claudia Röck (U Amsterdam), Caitlin Spangler-Bickell (Maastricht U & MUDEC), Panda de Haan (U Porto), [[Aga_Wielocha|Aga Wielocha]] (U Amsterdam), Iona Goldie-Scot (Maastricht U), Dušan Barok (U Amsterdam), Maria Theodoraki (U Nova de Lisboa), Sophie Lei (Roma III U & Maastricht U), Zoë Miller (Tate & Maastricht U), Artemis Rüstau (Maastricht U). Follow-up to NeCCAR. Conferences held 2017, 2018, 2019. Funded by [https://cordis.europa.eu/project/id/642892 EC Horizon2020] (€3.8M). [https://cordis.europa.eu/project/id/642892/results Project results].
 +
 
 +
* [https://www.hamburger-kunsthalle.de/en/long-term-project-conservation-slide-based-artworks-2015-2018 Project for the Conservation of Slide-based Artworks], Hamburger Kunsthalle, 2015-2018. Symposium held 2018. Book published 2019. Supported by Schoof'sche Stiftung and Wüstenrot Stiftung.
  
 
* [https://www.tate.org.uk/about-us/projects/cleaning-modern-oil-paints-0 Cleaning Modern Oil Paintings (CMOP)], University of Amsterdam / Cultural Heritage Agency of the Netherlands (RCE), Jun 2015-May 2018. Project leader: Klaas Jan van den Berg (RCE). Partners: Tate, Courtauld Institute of Art, and University of Pisa. Funded by [https://www.nwo.nl/en/research-and-results/research-projects/i/34/21434.html NWO] and [https://www.era-learn.eu/network-information/networks/heritage-plus/jpi-cultural-heritage-and-global-change/cleaning-modern-oil-paints EC Heritage Plus] (€695K). Short film produced (2018).
 
* [https://www.tate.org.uk/about-us/projects/cleaning-modern-oil-paints-0 Cleaning Modern Oil Paintings (CMOP)], University of Amsterdam / Cultural Heritage Agency of the Netherlands (RCE), Jun 2015-May 2018. Project leader: Klaas Jan van den Berg (RCE). Partners: Tate, Courtauld Institute of Art, and University of Pisa. Funded by [https://www.nwo.nl/en/research-and-results/research-projects/i/34/21434.html NWO] and [https://www.era-learn.eu/network-information/networks/heritage-plus/jpi-cultural-heritage-and-global-change/cleaning-modern-oil-paints EC Heritage Plus] (€695K). Short film produced (2018).
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* [https://www.cats-cons.dk/research-project-on-polyurethane-foam-has-begun/ Conserving large-scale works made of polyurethane foam in Danish art and design from the 1960's to today (PUR project)], Center for Art Technological Studies and Conservation (CATS), Oct 2015-Mar 2017. A collaborate research venture between Statens Museum for Kunst, the National Museum of Denmark and the School of Conservation at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation. Lead researchers: Louise Cone and Yvonne Shashoua.
 
* [https://www.cats-cons.dk/research-project-on-polyurethane-foam-has-begun/ Conserving large-scale works made of polyurethane foam in Danish art and design from the 1960's to today (PUR project)], Center for Art Technological Studies and Conservation (CATS), Oct 2015-Mar 2017. A collaborate research venture between Statens Museum for Kunst, the National Museum of Denmark and the School of Conservation at the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation. Lead researchers: Louise Cone and Yvonne Shashoua.
  
* [http://li-ma.nl/site/article/unfold-mediation-reinterpretation UNFOLD: Mediation by Reinterpretation], LIMA, 2016-2017. Practice-based research project aiming to examine re-interpretation as emerging practice for the preservation of media artworks. Project leader: Gaby Wijers, core researcher: Lara Garcia Diaz. Funded by Mondriaan Fund and Creative Industries Fund NL.
+
* [https://li-ma.nl/lima/article/unfold-mediation-reinterpretation UNFOLD: Mediation by Reinterpretation], LIMA, 2016-2017. Practice-based research project aiming to examine re-interpretation as emerging practice for the preservation of media artworks. Project leader: Gaby Wijers, core researcher: Lara Garcia Diaz. Funded by Mondriaan Fund and Creative Industries Fund NL. [https://li-ma.nl/lima/sites/default/files/UNFOLD_FirstNetworkMeeting_MINUTES.pdf First network meeting report] (2016). [https://li-ma.nl/lima/sites/default/files/UNFOLD_Presentation_LaraGarciaDiaz_2017.pdf Presentation] (2017).
  
 
* [https://anthology.rhizome.org Net Art Anthology], Rhizome, 2016-2019. Aimed to identify, preserve, and present 100 exemplary works of net art. [https://anthology.rhizome.org/ Online exhibition] ran throughout and after the project. [https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics Exhibition held 2019], US tour set for 2020. Book published 2019.
 
* [https://anthology.rhizome.org Net Art Anthology], Rhizome, 2016-2019. Aimed to identify, preserve, and present 100 exemplary works of net art. [https://anthology.rhizome.org/ Online exhibition] ran throughout and after the project. [https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics Exhibition held 2019], US tour set for 2020. Book published 2019.
 +
 +
* [https://www.tate.org.uk/about-us/projects/documentation-conservation-performance Documentation and Conservation of Performance], Tate, Mar 2016-Mar 2021. Conducted by Tate’s Time-based Media Conservation team. Outputs: strategy for the documentation and conservation of performance, and a set of documentation tools.
  
 
* [http://www.colby.edu/news/2016/06/03/six-college-and-university-art-museums-form-new-media-arts-consortium/ Midwest Media Arts Consortium], 2016-. A US midwestern forum for the care and conservation of time-based media art. The partner museums are the Bowdoin College Museum of Art in Brunswick, Maine; the Colby College Museum of Art in Waterville, Maine; the Middlebury College Museum of Art in Middlebury, Vt.; the Mount Holyoke College Art Museum in South Hadley, Mass.; the Rose Art Museum at Brandeis University in Waltham, Mass.; and the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, N.Y.
 
* [http://www.colby.edu/news/2016/06/03/six-college-and-university-art-museums-form-new-media-arts-consortium/ Midwest Media Arts Consortium], 2016-. A US midwestern forum for the care and conservation of time-based media art. The partner museums are the Bowdoin College Museum of Art in Brunswick, Maine; the Colby College Museum of Art in Waterville, Maine; the Middlebury College Museum of Art in Middlebury, Vt.; the Mount Holyoke College Art Museum in South Hadley, Mass.; the Rose Art Museum at Brandeis University in Waltham, Mass.; and the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, N.Y.
  
 
* [https://erfgoedmodernetijd.nl/project-installatiekunst-op-de-kaart Installatiekunst op de kaart!] [Installation Art on the Map!], RCE, 2016-2018. The aim of the project is to survey and improve the registration and documentation of installation art, with the underlying objective of enhancing the public profile of this art form. Developed an intake form, in collaboration with various partner museums. In addition to the intake form, work is in progress on the development of 4 guidelines for maintenance, registration, repository management and reinstallation. Project lead: Sylvia van Schaik (RCE). Part of the RCE's ''Heritage of the Modern Age'' research programme.
 
* [https://erfgoedmodernetijd.nl/project-installatiekunst-op-de-kaart Installatiekunst op de kaart!] [Installation Art on the Map!], RCE, 2016-2018. The aim of the project is to survey and improve the registration and documentation of installation art, with the underlying objective of enhancing the public profile of this art form. Developed an intake form, in collaboration with various partner museums. In addition to the intake form, work is in progress on the development of 4 guidelines for maintenance, registration, repository management and reinstallation. Project lead: Sylvia van Schaik (RCE). Part of the RCE's ''Heritage of the Modern Age'' research programme.
 +
 +
* [https://www.mediaconservation.io Media Conservation Initiative], MoMA, 2017-2021 (66mo). Hosted several postgraduate fellowships, workshops, and expert discussion meetings (referred to as peer forums) devoted to media art conservation. Project coordinator: Allison Spangler. [https://www.mediaconservation.io/new-page-1/ Fellows]: Amy Brost, Flaminia Fortunato, Caroline Gil, Lia Kramer. Built upon ''Matters in Media Art''. Funded by [https://mellon.org/grants/grants-database/grants/museum-of-modern-art/21600636/ Mellon Foundation] ($1.25M). [http://journal.voca.network/codifying-fluidity/ Interview 2017]. [https://www.mediaconservation.io/resources Resources].
 +
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* [https://www.bgc.bard.edu/research-forum/projects/3/cultures-of-conservation Cultures of Conservation], Bard Graduate Center, 2017-2022 (60mo). Aims to model the ways of integrating the approaches and insights of objects conservation and materials science with those of academics in the human sciences (anthropology, archaeology, art history, history). Funded by [https://mellon.org/grants/grants-database/grants/bard-college/11700625/ Mellon Foundation] ($0.75M). Follows upon [http://web.archive.org/web/20161222154045/http://cultures-of-conservation.wikis.bgc.bard.edu/ Phase I] funded by [https://mellon.org/grants/grants-database/grants/bard-college/21200714/ Mellon], 2012-2017. Symposia held 2017, 2018, 2019. Exhibition held 2022. Book published 2022.
  
 
* [http://daphnet.federicabressan.com/ DaphNet: Dynamic Preservation of Interactive Art], Ghent University, Feb 2017-Jan 2019 (24mo). Coordinated by Federica Bressan on behalf of the IPEM research center of Ghent University. Partner: Dutch Institute for Sound and Vision. Funded by [https://cordis.europa.eu/project/rcn/205228_en.html European Commission (Horizon2020)] (€161K).
 
* [http://daphnet.federicabressan.com/ DaphNet: Dynamic Preservation of Interactive Art], Ghent University, Feb 2017-Jan 2019 (24mo). Coordinated by Federica Bressan on behalf of the IPEM research center of Ghent University. Partner: Dutch Institute for Sound and Vision. Funded by [https://cordis.europa.eu/project/rcn/205228_en.html European Commission (Horizon2020)] (€161K).
  
* [https://www.sbmk.nl/en/projects/plastics_projects Plastics Project], RCE, Apr 2017-Apr 2019. Carried out by RCE together with the SMBK, NICAS and seven museums and a corporate collection - Bonnenfantenmuseum, Centraal Museum, Gemeentemuseum The Hague, Kröller-Müller Museum, Boijmans Van Beuningen Museum, Schunck, Stedelijk Museum and the Rabo Art Collection. [https://vanabbemuseum.nl/?id=555 Van Abbe].
+
* [https://www.sbmk.nl/en/projects/plastics_projects Plastics Project], RCE, Apr 2017-Nov 2019. Carried out by RCE together with the SMBK, NICAS and seven museums and a corporate collection - Bonnenfantenmuseum, Centraal Museum, Gemeentemuseum The Hague, Kröller-Müller Museum, Boijmans Van Beuningen Museum, Schunck, Stedelijk Museum and the Rabo Art Collection. Part of RCE-programme Heritage of the Contemporary Era. Followed by Project Photography. [https://vanabbemuseum.nl/?id=555 Van Abbe]. [https://www.sbmk.nl/source/documents/Projectplan_collectiekennis.pdf] [https://gieskesstrijbisfonds.nl/projecten/collectiekennis-pilot-plastics/]
  
 
* [http://www.getty.edu/conservation/our_projects/science/plastics/ Preservation of Plastics], Getty. A project of the Modern and Contemporary Art Research Initiative.
 
* [http://www.getty.edu/conservation/our_projects/science/plastics/ Preservation of Plastics], Getty. A project of the Modern and Contemporary Art Research Initiative.
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* [http://capusproject.eu/ CAPuS: Conservation of Art in Public Spaces], Turin University, Jan 2018-Dec 2020. A consortium of 15 partners and 2 associated partners from 6 countries led by the Turin University and including universities, academies, companies and research centres. Project manager: Dominique Scalarone (U Turin). Aims to develop guidelines and protocols for the protection and conservation of contemporary public art. Funded by [https://eacea.ec.europa.eu/sites/eacea-site/files/updated_31oct2017-publication_ka_selection_results_2017.pdf EC Erasmus+ Knowledge Alliances Programme] (€1M). [https://http://www.studyintorino.it/capus-unito-preserves-the-urban-art/]
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* [http://vangoghtv.hs-mainz.de/ Van Gogh TV], Apr 2018-Apr 2021. A DFG-funded project carried out by the University of Applied Sciences, Mainz, together with the University of Bonn. Deals with the media art project ''Piazza Virtuale'' by art group Van Gogh TV in the framework of ''documenta 9'' in 1992 which can be today regarded as a precursor of social media. The material and virtual relics of the 100-day media campaign are to be processed and prepared for long-term archiving. Concept: Anja Stöffler (IMG, HS Mainz) and Jens Schröter (U Bonn), project manager: [[Tilman Baumgärtel]] (Hochschule Mainz). [http://vangoghtv.hs-mainz.de/ Online resource] published. [https://monoskop.org/log/?p=23318 Book] published 2021.
 +
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* [https://www.tate.org.uk/about-us/projects/reshaping-the-collectible Reshaping the Collectible: When Artworks Live in Museums], Tate, Jan 2018-Jun 2021 (42mo). Aimed to develop new models for the conservation and management of contemporary art, particularly works "that challenge the structures of the museum" such as time-based media, digital and performance art. 6 works as case studies, 4 visiting fellows, 1 collaborative PhD with Maastricht U. Principal investigator: Pip Laurenson. Funded by [https://mellon.org/grants/grants-database/grants/tate-gallery/1708-04701/ Mellon Foundation] ($1.5M). Exhibition held 2022. Conference held 2022. [https://www.theartnewspaper.com/news/tate-awarded-usd1-5m-grant-for-research-into-time-based-media-digital-and-performance-art]
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* [https://www.hfbk-dresden.de/en/education-research/research/researchprojects/artemakx/ artemak+X Techniken und Materialien der modernen und zeitgenössischen Kunst] [artemak+X Techniques and Materials of Modern and Contemporary Art], Hochschule für Bildende Künste (HfBK) Dresden, Sep 2018-Aug 2021. Project heads: Ursula Haller and Christoph Herm. Funded by European Structural Funds (ESF) and the European Union. [http://web.archive.org/web/20130606093059/http://artemak-live.dev.hfg.edu/index.php/Hauptseite Archived runner-up to the project] (managed by Erich Gantzert-Castrillo and Elisabeth Bushart, online from 2011-?). [https://artemak.art/ Archive] launched 2021.
  
 
* [https://www.uva.nl/en/discipline/conservation-and-restoration/research/research-projects/interviews-in-conservation-research/interviews-in-conservation-research.html Interviews in Conservation Research], University of Amsterdam, Jan 2019-Jan 2020. Aims for an integral approach in using oral history for research in art conservation. Project leader: Sanneke Stigter. Funded by [https://www.nwo.nl/onderzoek-en-resultaten/onderzoeksprojecten/i/69/33069.html NWO].
 
* [https://www.uva.nl/en/discipline/conservation-and-restoration/research/research-projects/interviews-in-conservation-research/interviews-in-conservation-research.html Interviews in Conservation Research], University of Amsterdam, Jan 2019-Jan 2020. Aims for an integral approach in using oral history for research in art conservation. Project leader: Sanneke Stigter. Funded by [https://www.nwo.nl/onderzoek-en-resultaten/onderzoeksprojecten/i/69/33069.html NWO].
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* [http://documentingdigitalart.exeter.ac.uk/ Documenting Digital Art: Re-thinking Histories and Practices of Documentation in the Museum and Beyond], University of Exeter, Jul 2019-Jun 2022. Project lead: Gabriella Giannachi. Partners: [https://thephotographersgallery.org.uk/content/documenting-digital-art-2019-2022 The Photographers’ Gallery], Institute Bevilacqua LaMasa Foundation (Venice Biennale), LIMA. Funded by [https://gtr.ukri.org/projects?ref=AH%2FS00663X%2F1 Arts and Humanities Research Council (AHRC)] (£371K). [http://humanities.exeter.ac.uk/english/news/title_708680_en.html Announcement].
  
 
</div>
 
</div>
  
=== Ongoing ===
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===2020s===
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<div class=twocol>
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 +
* [https://videoarchiv-nfa.cz/en/ Non-Cinematic Audiovisual Works: Documentation, Archival and Access] [Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění], Národní filmový archiv, Prague, Mar 2020-Dec 2022. [https://nfa.cz/cz/veda-a-vyzkum/projekty/ The project] involves the archiving of the [https://vvp.avu.cz/en/video-archive/ VVP AVU collection of Czech video art]. Coordinated by [[Martin Blažíček]] and [[Sylva Poláková]]. Funded by [https://www.rvvi.cz/cep?s=jednoduche-vyhledavani&ss=detail&n=0&h=DG20P02OVV025 Czech Ministry of Culture] (10M CZK).
 +
 
 +
* [https://www.sbmk.nl/en/projects/project-photography Project Photography (Collection Knowledge 2.0)], SBMK, Oct 2020-Oct 2023. Carried out by SBMK, RCE, UvA and 13 contemporary art collections. Follows the blueprint of the Plastics Project.
 +
 
 +
*{{a|NewMediaMuseums}}[http://newmediamuseums.cead.space/ New Media Museums: Creating Framework for Preserving and Collecting Media Arts in V4], Olomouc Museum of Art, Feb 2021-Sep 2022. An international platform for sharing experience with building and maintaining collections of new media artworks across different types of institutions. Partners: Olomouc Museum of Art, Slovak National Gallery, WRO Wroclaw, C3 Foundation Budapest, PAF Olomouc. Project lead: [[Dušan Barok]] and [[Jakub Frank]]. Funded by the International Visegrad Fund (€38K). Colloquium held in March 2022. [[#NewMediaMuseums2022|Book]] published 2022.
 +
 
 +
* [[Media:Collecting_and_Preserving_Research-based_and_Archive-based_Art_Projects_2022.pdf|Collecting and Preserving Research-Based and Archive-based Art Projects"]], M+ Museum Hong Kong, Feb-May 2022. A series of workshops involving guests and M+ staff from different departments.
 +
 
 +
* [https://sakipsabancimuzesi.org/en/collections-and-research/archive-and-research-area/19838 Variant. Documenting New Media Art], Sabanci University Sakip Sabanci Museum, Istanbul, Oct 2022-Mar 2023. Project management: Osman Serhat Karaman.
  
<div class="dpl" style="-moz-column-count:2; -webkit-column-count:2; column-count:2">
+
* [https://www.li-ma.nl/lima/article/digital-care Digital Care], LIMA, Mar-Oct 2023. Collaborative care for digital artworks through an open process. Presented at the exhibition ''[https://www.li-ma.nl/lima/news/li-ma-and-nieuwe-instituut-present-reboot-pioneering-digital-art REBOOT. Pioneering Digital Art]'' (Oct 2023-Apr 2024).
  
* [https://www.guggenheim.org/conservation/the-panza-collection-initiative Panza Collection Initiative (PCI)], Guggenheim Museum, 2010-2020. Focused on the long-term preservation and future exhibition of Minimalist, Post-Minimalist, and Conceptual art acquired by the Guggenheim from Italian collectors Giovanna and Giuseppe Panza di Biumo in 1990 and 1992. Project leaders: curator and scholar Jeffrey Weiss and conservator Francesca Esmay. Symposium held 2019. Funded by Andrew W. Mellon Foundation ([https://mellon.org/grants/grants-database/grants/solomon-r-guggenheim-foundation/11000602/ $1.23M], [https://mellon.org/grants/grants-database/grants/solomon-r-guggenheim-foundation/11300602/ $1.25M], [https://mellon.org/grants/grants-database/grants/solomon-r-guggenheim-foundation/1709-04915/ $745K]).
+
</div>
  
* [https://documentingperformance.com/ The Future of Documents Project: Documenting Performance (DocPerform)], City, University of London. Project of the Department of Library & Information Science (CityLIS), since 2016. Team: Lyn Robinson, Joseph Dunne, a.o. Symposia held 2016, 2017, 2019. Proceedings published 2018.
+
=== Ongoing ===
  
* [https://www.bgc.bard.edu/research-forum/projects/3/cultures-of-conservation Cultures of Conservation], Bard Graduate Center, 2017-2022 (60mo). Aims to model the ways of integrating the approaches and insights of objects conservation and materials science with those of academics in the human sciences (anthropology, archaeology, art history, history). Funded by [https://mellon.org/grants/grants-database/grants/bard-college/11700625/ Mellon Foundation] ($0.75M). Follows upon [http://web.archive.org/web/20161222154045/http://cultures-of-conservation.wikis.bgc.bard.edu/ Phase I] funded by [https://mellon.org/grants/grants-database/grants/bard-college/21200714/ Mellon], 2012-2017. Symposia held 2017, 2018, 2019.
+
<div class=twocol>
  
* [https://www.mediaconservation.io Media Conservation Initiative], MoMA, 2017-2021 (66mo). Project coordinator: Allison Spangler. [https://www.mediaconservation.io/new-page-1/ Fellows]: Amy Brost, Flaminia Fortunato, Caroline Gil. Builds upon ''Matters in Media Art''.F unded by [https://mellon.org/grants/grants-database/grants/museum-of-modern-art/21600636/ Mellon Foundation] ($1.25M). [http://journal.voca.network/codifying-fluidity/ Interview 2017].
+
* [https://documentingperformance.com/ The Future of Documents Project: Documenting Performance (DocPerform)], City, University of London. Project of the Department of Library & Information Science (CityLIS), since 2016. Team: Lyn Robinson, Joseph Dunne, a.o. Symposia held 2016, 2017, 2019, 2020. Proceedings published 2018.
  
* [https://www.tate.org.uk/about-us/projects/reshaping-the-collectible Reshaping the Collectible: When Artworks Live in Museums], Tate, Jan 2018-Jun 2021 (42mo). Aims to develop new models for the conservation and management of contemporary art, particularly works "that challenge the structures of the museum" such as time-based media, digital and performance art. 6 works as case studies, 4 visiting fellows, 1 collaborative PhD with Maastricht U. Principal investigator: Pip Laurenson. Funded by [https://mellon.org/grants/grants-database/grants/tate-gallery/1708-04701/ Mellon Foundation] ($1.5M). [https://www.theartnewspaper.com/news/tate-awarded-usd1-5m-grant-for-research-into-time-based-media-digital-and-performance-art]
+
* [https://hart.amsterdam/nl/page/33429/re-dds Re:DDS], Amsterdam Museum, since 2017. The reconstruction of ''De Digitale Stad'' (The Digital City), a virtual community platform first launched in 1994. Facilitated by Tjarda de Haan.
  
* [http://capusproject.eu/ CAPuS: Conservation of Art in Public Spaces], Turin University, Jan 2018-Dec 2020. A consortium of 15 partners and 2 associated partners from 6 countries led by the Turin University and including universities, academies, companies and research centres. Project manager: Dominique Scalarone (U Turin). Aims to develop guidelines and protocols for the protection and conservation of contemporary public art. Funded by [https://eacea.ec.europa.eu/sites/eacea-site/files/updated_31oct2017-publication_ka_selection_results_2017.pdf EC Erasmus+ Knowledge Alliances Programme] (€1M). [https://http://www.studyintorino.it/capus-unito-preserves-the-urban-art/]
+
* [https://www.tate.org.uk/about-us/projects/software-based-art-preservation Software-based Art Preservation], Tate, since Oct 2017. Research project into the care and preservation of software-based artworks in the Tate collection. [https://www.tate.org.uk/about-us/projects/software-based-art-preservation Outcomes]. Project team: Tom Ensom, Patricia Falcão, [[Christopher King|Chris King]].
  
* [http://vangoghtv.hs-mainz.de/ Van Gogh TV], Apr 2018-Apr 2021. A DFG-funded project carried out by the University of Applied Sciences, Mainz, together with the University of Bonn. Deals with the media art project ''Piazza Virtuale'' by art group Van Gogh TV in the framework of ''documenta 9'' in 1992 which can be today regarded as a precursor of social media. The material and virtual relics of the 100-day media campaign are to be processed and prepared for long-term archiving. Concept: Anja Stöffler (IMG, HS Mainz) and Jens Schröter (U Bonn), project manager: [[Tilman Baumgärtel]] (Hochschule Mainz).
+
* [https://www.tate.org.uk/about-us/projects/preserving-immersive-media Preserving Immersive Media], Tate, since Sep 2018. Research project developing strategies for the preservation of artworks which utilise immersive media such as 360 video, real-time 3D, virtual, augmented and mixed reality. Project team: Jack McConchie, Tom Ensom, Louise Lawson. Supported by Lumen Art Projects Ltd.
  
* [https://www.hfbk-dresden.de/en/studies/range-of-courses/faculty-2/art-technology-and-conservation-of-works-of-art/artemakx/ artemak+X Techniken und Materialien der modernen und zeitgenössischen Kunst], Hochschule für Bildende Künste (HfBK) Dresden, Sep 2018-Aug 2021. Project leaders: Ursula Haller and Christoph Herm. Funded by European Social Fund (ESF). [http://web.archive.org/web/20130606093059/http://artemak-live.dev.hfg.edu/index.php/Hauptseite Archived runner-up to the project] (managed by Erich Gantzert-Castrillo and Elisabeth Bushart, online from 2011-?).
+
* [https://networkedart.blog/ Networked Art Practice After Digital Preservation]. Explores challenges and solutions of preserving historical analogue and born-digital networked art practice. Led by Sarah Cook (U Glasgow) and Roddy Hunter (U Huddersfield). Supported by the School of Art, Design and Architecture at U Huddersfield and Museum Studies at U Glasgow.
  
* [http://documentingdigitalart.exeter.ac.uk/ Documenting Digital Art: Re-thinking Histories and Practices of Documentation in the Museum and Beyond], University of Exeter, Jul 2019-Jun 2022. Project leader: Gabriella Giannachi. Partners: The Photographers’ Gallery, Institute Bevilacqua LaMasa Foundation (Venice Biennale), LIMA. Funded by [https://gtr.ukri.org/projects?ref=AH%2FS00663X%2F1 Arts and Humanities Research Council (AHRC)] (£371K). [http://humanities.exeter.ac.uk/english/news/title_708680_en.html Announcement].
+
* [https://performanceconservationmaterialityknowledge.com/ Performance: Conservation, Materiality, Knowledge], Institute Materiality in Arts and Culture, Bern University of the Arts, Oct 2020-Sep 2024. Funded by the Swiss National Science Foundation. Project lead: Hanna B. Hölling. Colloquia held 2021, 2022, 2023. [https://www.bfh.ch/en/research/research-projects/2020-396-820-785/]
  
</div>
+
* [https://www.nicas-research.nl/projects/a-global-infrastructure-for-heritage-science/ A Global Infrastructure for Heritage Science], 2021-. Incl. section on Modern and Contemporary Art. Funded by the Mellon Foundation.
  
===Overviews===
+
* [http://www.estca.univ-paris8.fr/index.php/emergence-de-lart-video-en-europe-1960-1980/ Emergence of Video Art in Europe (1960-1980): History, Theory, Sources and Archives / L'émergence de l'art vidéo en Europe: historiographie, théorie, sources et archives], 2021-2025. Conducted by Grégoire Quenault at University of Paris 8 Vincennes - Saint-Denis and François Bovier at ECAL/University of Art and Design and the University of Lausanne, in partnership with the National Library of France (BnF). Funded by the Swiss National Science Foundation (SNSF) and the French National Research Agency (ANR). Follows on a research held from 2016-2019. [http://www.labex-arts-h2h.fr/emergence-de-l-art-video-en-europe.html?lang=fr] [https://zkm.de/en/project/emergence-of-video-art-in-europe-1960-1980]
* http://www.imappreserve.org/info_res/pres_orgs/consortiums.html
 
* http://www.docam.ca/en/resources/other-research-projects.html
 
* http://nimk.nl/eng/preservation/media-art-preservation-links#projects
 
* http://nimk.nl/eng/preservation/preservation-projects
 
* https://www.si.edu/tbma/majorprojects
 
  
=== Listservs ===
+
* [https://www.li-ma.nl/lima/article/collaborative-infrastructure-sustainable-access-digital-art Collaborative Infrastructure for Sustainable Access to Digital Art] (Infrastructuur Duurzame Toegankelijkheid Digitale Kunst), LIMA, Amsterdam, 2021-2024. Focuses on developing best practices in analyzing, documenting and storing digital artworks, using ten case studies from different collections. Funded by [https://www.gieskesstrijbisfonds.nl/projecten/infrastructuur-duurzame-toegankelijke-digitale-kunst Gieskes-Strijbis Fonds] (€225k). [https://doi.org/10.1080/00393630.2024.2325839 Project overview].
  
* [http://cool.conservation-us.org/byform/mailing-lists/cdl/ CoOL: Conservation DistList], est 1987.
+
* [https://myriadconsultants.org/maintenance-culture Maintenance Culture: Sustaining Digital Creative Works], Myriad, Mar 2022-Feb 2024. A project to address challenges related to preserving complex, born-digital, creative works in small institutions. Myriad and collaborators will create and present an innovative, collaborative, digital preservation training program, expanding on existing curricula to specifically cover preserving time-based media art and other complex, born-digital works. Funded by the [https://securegrants.neh.gov/publicquery/main.aspx?f=1&gn=PE-284461-22 National Endowment for the Humanities] ($347k). [https://myriadconsultants.org/blog/press-release Press release] (2022). [https://twitter.com/myriad_cxns/status/1600861590630596608 Poster] (2023).  
  
; more
+
* [https://activatingfluxus.com/ Activating Fluxus], Bern University of the Arts, Apr 2022-Mar 2026. Investigates the objects, events, scores and ephemera that emerged in the spirit of Fluxus in the 1960s–70s in Switzerland, Europe, the UK and the USA. Head: Hanna B. Hölling; staff: Marcus Gossolt, Aga Wielocha. Funded by the [http://www.snf.ch/SiteCollectionDocuments/Grantees-Projectfunding-WS20-21.pdf Swiss National Science Foundation] (SNSF, 680k CHF). [https://www.bfh.ch/en/research/research-projects/2022-402-711-998/]
  
* http://cool.conservation-us.org/publications.html
+
</div>
* http://www.imappreserve.org/info_res/internet/listservs.html
 
  
 
== Events ==
 
== Events ==
Line 543: Line 836:
  
 
* [http://www.conservation-us.org/annual-meeting/past-meetings AIC Annual Meetings], since 1973.
 
* [http://www.conservation-us.org/annual-meeting/past-meetings AIC Annual Meetings], since 1973.
 +
 
* [http://www.docam.ca/en/annual-summits/2005-summit.html DOCAM Annual Summits], Canadian Centre for Architecture, Montreal, 5 Oct 2005; McGill University Schulich School of Music, 26 Oct 2006; Montreal Fine Arts Museum, 26-27 Sep 2007; McGill University, 30-31 Oct 2008; Université du Québec à Montréal, 4-5 Mar 2010.
 
* [http://www.docam.ca/en/annual-summits/2005-summit.html DOCAM Annual Summits], Canadian Centre for Architecture, Montreal, 5 Oct 2005; McGill University Schulich School of Music, 26 Oct 2006; Montreal Fine Arts Museum, 26-27 Sep 2007; McGill University, 30-31 Oct 2008; Université du Québec à Montréal, 4-5 Mar 2010.
 +
 
* [http://nimk.nl/eng/to-transfer-or-to-transform To Transfer or to Transform], series of sessions, NIMk, 2007-2011. Talks by artists about new versions, remakes, reconstructions and emulation of their work.
 
* [http://nimk.nl/eng/to-transfer-or-to-transform To Transfer or to Transform], series of sessions, NIMk, 2007-2011. Talks by artists about new versions, remakes, reconstructions and emulation of their work.
 +
 
* [http://die-neue-sammlung.de/ft/ Future Talks: The Conservation of Modern Materials in Applied Arts and Design], Die neue Sammlung, Munich, since 2009. Proceedings published regularly.
 
* [http://die-neue-sammlung.de/ft/ Future Talks: The Conservation of Modern Materials in Applied Arts and Design], Die neue Sammlung, Munich, since 2009. Proceedings published regularly.
 +
 
* [https://www.museoreinasofia.es/actividades/20a-jornada-conservacion-arte-contemporaneo Jornada de Conservación de Arte Contemporáneo], annual event organized by MNCARS – Museo Nacional Centro de Arte Reina Sofía, Madrid (Spain); held in Spanish, with open-acess postprints.
 
* [https://www.museoreinasofia.es/actividades/20a-jornada-conservacion-arte-contemporaneo Jornada de Conservación de Arte Contemporáneo], annual event organized by MNCARS – Museo Nacional Centro de Arte Reina Sofía, Madrid (Spain); held in Spanish, with open-acess postprints.
 +
 +
* [https://mediaarea.net/NoTimeToWait5 No Time To Wait], annual conference series, Berlin, 2016; Vienna, 2017; London, 2018; Budapest, 2019; Hilversum, 2021. Focused on open media, open standards, and digital audiovisual preservation. Managed by MediaArea.net.
 +
 
* [http://nacca.eu/events/ NACCA conferences], annual conferences held 2017, 2018, 2019 (see below).
 
* [http://nacca.eu/events/ NACCA conferences], annual conferences held 2017, 2018, 2019 (see below).
  
Line 575: Line 875:
 
* [http://cool.conservation-us.org/byform/mailing-lists/cdl/2001/0844.html Contemporary Art: Creation, Curation, Collection and Conservation], Irish Museum of Modern Art, Dublin, 21-22 Sep 2001. Proceedings published 2002.
 
* [http://cool.conservation-us.org/byform/mailing-lists/cdl/2001/0844.html Contemporary Art: Creation, Curation, Collection and Conservation], Irish Museum of Modern Art, Dublin, 21-22 Sep 2001. Proceedings published 2002.
 
* [https://www.iiconservation.org/congress/2004bilbao Modern Art, New Museums], IIC 20th International Congress, Guggenheim Museum Bilbao, 13-17 Sep 2004. Organised by International Institute for Conservation of Historic and Artistic Works. [https://www.tandfonline.com/toc/ysic20/49/sup20 Preprints published 2004].
 
* [https://www.iiconservation.org/congress/2004bilbao Modern Art, New Museums], IIC 20th International Congress, Guggenheim Museum Bilbao, 13-17 Sep 2004. Organised by International Institute for Conservation of Historic and Artistic Works. [https://www.tandfonline.com/toc/ysic20/49/sup20 Preprints published 2004].
 +
* [https://cool.culturalheritage.org/byform/mailing-lists/cdl/2004/1145.html From Setback to Success / Durch Rückschläge zum Erfolg], symposium, Ludwig Museum, Cologne, 3-4 Dec 2004. Third symposium of VDR Working Group Modern Art--Modern Cultural Heritage (MKKM). Organised by Barbara Sommermeyer, Christine Frohnert, Ulrich Lang, et al.
 +
* Bewegliche Teile, symposium, Museum Tinguely, Basel, 8-9 Apr 2005. Organised by VDR Working Group Modern Art--Modern Cultural Heritage (MKKM) in collaboration with the magazine RESTAURO [http://web.archive.org/web/20050309002959/http://www.restauratoren.de/fach.html] [https://www.tinguely.ch/de/ausstellungen/ausstellungen/2005/bewegliche-teile.html]
 
* Du refus ou de l'impossibilité de la restauration, Ecole supérieure des Beaux-arts de Tours, 14 Feb 2007. Proceedings published 2008.
 
* Du refus ou de l'impossibilité de la restauration, Ecole supérieure des Beaux-arts de Tours, 14 Feb 2007. Proceedings published 2008.
 
* [http://www.tate.org.uk/context-comment/video/shifting-practice-shifting-roles Shifting Practice, Shifting Roles? Artists' Installations and the Museum], Tate, 22 Mar 2007. Incl. video documentation. Part of Inside Installations.
 
* [http://www.tate.org.uk/context-comment/video/shifting-practice-shifting-roles Shifting Practice, Shifting Roles? Artists' Installations and the Museum], Tate, 22 Mar 2007. Incl. video documentation. Part of Inside Installations.
Line 585: Line 887:
 
* Documenter l'art contemporain, École supérieure des beaux-arts de Tours, 5 Jun 2008. Proceedings published 2009.
 
* Documenter l'art contemporain, École supérieure des beaux-arts de Tours, 5 Jun 2008. Proceedings published 2009.
 
* A Arte Efémera e a Conservação: O paradigma da Arte Contemporânea e dos Bens Etnográficos, Instituto de História da Arte, Lisbon, 2008.
 
* A Arte Efémera e a Conservação: O paradigma da Arte Contemporânea e dos Bens Etnográficos, Instituto de História da Arte, Lisbon, 2008.
* The Inconvenient Truth: Threats to each of the stages in the life of a contemporary work of art, Van Abbemuseum, Eindhoven, 19 Jun 2008. Organised by SBMK. [http://www.sbmk.nl/uploads/sbmk-vijfjaarverslag-2006-2010.pdf#page=32]
+
* The Inconvenient Truth: Threats to each of the stages in the life of a contemporary work of art, Van Abbemuseum, Eindhoven, 19 Jun 2008. Organised by SBMK. [http://www.sbmk.nl/source/documents/sbmk-vijfjaarverslag-2006-2010.pdf#page=32]
 
* Theory and Practice in the Conservation of Modern and Contemporary Art, 13-14 Jan 2009, U Applied Sciences and Arts, Hildesheim/DE. Proceedings published 2010.
 
* Theory and Practice in the Conservation of Modern and Contemporary Art, 13-14 Jan 2009, U Applied Sciences and Arts, Hildesheim/DE. Proceedings published 2010.
 
* [http://www.getty.edu/conservation/publications_resources/videos/public_lecture_videos_audio/ethical_dilemmas.html Ethical Dilemmas in the Conservation of Modern and Contemporary Art], Getty Center, 29 Apr 2009. Panel of 4 experts. Incl. video. [http://www.getty.edu/conservation/publications_resources/newsletters/24_2/dialogue.html Transcript]. Organised by Getty Conservation Institute.
 
* [http://www.getty.edu/conservation/publications_resources/videos/public_lecture_videos_audio/ethical_dilemmas.html Ethical Dilemmas in the Conservation of Modern and Contemporary Art], Getty Center, 29 Apr 2009. Panel of 4 experts. Incl. video. [http://www.getty.edu/conservation/publications_resources/newsletters/24_2/dialogue.html Transcript]. Organised by Getty Conservation Institute.
Line 598: Line 900:
 
* [http://www.typa.org.ar/en/noticia.php?id=68 Arte contemporáneo en (sala de) guardia / Rescuing Contemporary Art: Conservation approaches], Buenos Aires, 16-17 Sep 2010. Organised by TyPA. [http://www.typa.org.ar/es/videos_museos.php Video documentation]. Proceedings published 2015.
 
* [http://www.typa.org.ar/en/noticia.php?id=68 Arte contemporáneo en (sala de) guardia / Rescuing Contemporary Art: Conservation approaches], Buenos Aires, 16-17 Sep 2010. Organised by TyPA. [http://www.typa.org.ar/es/videos_museos.php Video documentation]. Proceedings published 2015.
 
* Recollecting the Act: On the Transmission of Performance Art, 2011. Part of archiv performativ.
 
* Recollecting the Act: On the Transmission of Performance Art, 2011. Part of archiv performativ.
* [https://idw-online.de/en/event35176 Technologie und Konservierung zeitgenössischer Kunst: Projekte und Perspektiven], Cologne Institute of Conservation Sciences, Cologne, 14 May 2011. [https://www.th-koeln.de/mam/downloads/deutsch/hochschule/fakultaeten/kulturwissenschaften/f02_cics_gsm_a007_symposium_hey.pdf Program]. Organised by CICS and VDR as part of PRACTICS. 200 people attended. [https://www.th-koeln.de/kulturwissenschaften/archiv_12202.php]
+
* [https://idw-online.de/en/event35176 Technologie und Konservierung zeitgenössischer Kunst: Projekte und Perspektiven], Cologne Institute of Conservation Sciences, Cologne, 14 May 2011. [https://www.th-koeln.de/mam/downloads/deutsch/hochschule/fakultaeten/kulturwissenschaften/f02_cics_gsm_a007_symposium_hey.pdf Program]. Organised by CICS and VDR Working Group Modern Art--Modern Cultural Heritage (MKKM) as part of PRACTICS. 200 people attended. [https://www.th-koeln.de/kulturwissenschaften/archiv_12202.php] [https://www.incca.org/articles/2011-05-cologne-symposium-modern-and-contemporary-art]
 
* [http://www.history.org/history/institute/Images/ConservationConference.pdf Playing to the Galleries and Engaging New Audiences: The Public Face of Conservation], DeWitt Wallace Decorative Arts Museum, Williamsburg, VA, 13-17 Nov 2011. Proceedings published 2013.
 
* [http://www.history.org/history/institute/Images/ConservationConference.pdf Playing to the Galleries and Engaging New Audiences: The Public Face of Conservation], DeWitt Wallace Decorative Arts Museum, Williamsburg, VA, 13-17 Nov 2011. Proceedings published 2013.
 
* Cosa cambia: teorie e pratiche del restauro nell'arte contemporanea, Castello di Rivoli Museum of Contemporary Art, Rivoli-Turin, 10-11 Feb 2012. Organised by Maria Cristina Mundici and Antonio Rava. See also 1987 conference. Proceedings published 2013.
 
* Cosa cambia: teorie e pratiche del restauro nell'arte contemporanea, Castello di Rivoli Museum of Contemporary Art, Rivoli-Turin, 10-11 Feb 2012. Organised by Maria Cristina Mundici and Antonio Rava. See also 1987 conference. Proceedings published 2013.
Line 622: Line 924:
 
* [https://graycenter.uchicago.edu/events/symposium-conserving-industrial-materials-and-processes-in-art Conserving Industrial Materials in Art] symposium, University of Chicago & Art Institute of Chicago, 18-19 Nov 2016. [https://arts.uchicago.edu/sites/arts.uchicago.edu/files/uploads/ConservationSymposiumSchedule.pdf Schedule].
 
* [https://graycenter.uchicago.edu/events/symposium-conserving-industrial-materials-and-processes-in-art Conserving Industrial Materials in Art] symposium, University of Chicago & Art Institute of Chicago, 18-19 Nov 2016. [https://arts.uchicago.edu/sites/arts.uchicago.edu/files/uploads/ConservationSymposiumSchedule.pdf Schedule].
 
* [http://artistarchives.hosting.nyu.edu/Initiative/symposia/ Artist Archives Initiative Symposium], New York University, 21 Apr 2017. Incl. videos.
 
* [http://artistarchives.hosting.nyu.edu/Initiative/symposia/ Artist Archives Initiative Symposium], New York University, 21 Apr 2017. Incl. videos.
* [http://nacca.eu/conference-2017/ Material Futures: Matter, Memory and Loss in Contemporary Art Production and Preservation], Centre for Contemporary Arts, Glasgow, 28-30 Jun 2017. Part of NACCA.
+
* [http://nacca.eu/conference-2017/ Material Futures: Matter, Memory and Loss in Contemporary Art Production and Preservation], Centre for Contemporary Arts, Glasgow, 28-30 Jun 2017. Part of NACCA. Report: [https://www.iiconservation.org/system/files/publications/journal/2017/b2017_5.pdf#page=9 Quabeck & Castriota] (News in Cons).
 
* [https://www.schaulager.org/en/visit/events/symposium-2017 Fabrication and Disintegration in Contemporary Art] symposium, Schaulager, Münchenstein, Switzerland, 7-8 Sep 2017.
 
* [https://www.schaulager.org/en/visit/events/symposium-2017 Fabrication and Disintegration in Contemporary Art] symposium, Schaulager, Münchenstein, Switzerland, 7-8 Sep 2017.
 
* [https://en.louisiana.dk/museums-and-immaterial-art Museums and Immaterial Art], Louisiana Museum of Modern Art, Denmark, 8 Sep 2017.
 
* [https://en.louisiana.dk/museums-and-immaterial-art Museums and Immaterial Art], Louisiana Museum of Modern Art, Denmark, 8 Sep 2017.
 
* [https://www.bgc.bard.edu/research-forum/articles/239/symposium-conserving-active-matter Conserving Active Matter] symposium, Bard Graduate Center, New York, 27-28 Nov 2017. Part of Cultures of Conservation project. [https://www.bgc.bard.edu/research-forum/articles/239/symposium-conserving-active-matter Video documentation].
 
* [https://www.bgc.bard.edu/research-forum/articles/239/symposium-conserving-active-matter Conserving Active Matter] symposium, Bard Graduate Center, New York, 27-28 Nov 2017. Part of Cultures of Conservation project. [https://www.bgc.bard.edu/research-forum/articles/239/symposium-conserving-active-matter Video documentation].
* [https://www.hamburger-kunsthalle.de/back-future-im-karussell-der-diakonservierung Back to the Future! Im Karussell der Diakonservierung] workshop, Hamburger Kunsthalle, Hamburg, 18-19 Jan 2018.
 
 
* [https://www.bodyofwork2018.com/ Body of Work: Contemporary Artists' Estates and Conservation] symposium, SVA Theatre, New York City, 5-6 Apr 2018. Organised by Contemporary Conservation Ltd. [https://www.youtube.com/channel/UCRC9ygdlYFgEg29FDrLDP2g Video documentation]. Review: [https://www.iiconservation.org/content/event-review-body-work-contemporary-artists%E2%80%99-estates-and-conservation Sasha Drosdick].
 
* [https://www.bodyofwork2018.com/ Body of Work: Contemporary Artists' Estates and Conservation] symposium, SVA Theatre, New York City, 5-6 Apr 2018. Organised by Contemporary Conservation Ltd. [https://www.youtube.com/channel/UCRC9ygdlYFgEg29FDrLDP2g Video documentation]. Review: [https://www.iiconservation.org/content/event-review-body-work-contemporary-artists%E2%80%99-estates-and-conservation Sasha Drosdick].
 
* [http://artistarchives.hosting.nyu.edu/Initiative/symposia/ Artist Archives Initiative Symposium], New York University, 20 Apr 2018.
 
* [http://artistarchives.hosting.nyu.edu/Initiative/symposia/ Artist Archives Initiative Symposium], New York University, 20 Apr 2018.
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* [http://nacca.eu/conference-2019/ MACCH Conference 2019: Bridging the Gap. Theory and Practice in the Conservation of Contemporary Art], Jan van Eyck Academie, Maastricht, 24-27 Mar 2019. The closing event of NACCA project.
 
* [http://nacca.eu/conference-2019/ MACCH Conference 2019: Bridging the Gap. Theory and Practice in the Conservation of Contemporary Art], Jan van Eyck Academie, Maastricht, 24-27 Mar 2019. The closing event of NACCA project.
 
* [https://www.bgc.bard.edu/events/928/28-mar-2019-symposium-conserving Conserving Active Matter: Materials Science] symposium, Bard Graduate Center, New York, 28-29 Mar 2019. Part of Cultures of Conservation project.
 
* [https://www.bgc.bard.edu/events/928/28-mar-2019-symposium-conserving Conserving Active Matter: Materials Science] symposium, Bard Graduate Center, New York, 28-29 Mar 2019. Part of Cultures of Conservation project.
* [http://www.iiconservation.org/content/panza-collection-initiative-symposium Object Lessons: The Panza Collection Initiative Symposium], Solomon R. Guggenheim Museum, New York, 9-10 Apr 2019. Jointly produced and funded by Guggenheim Museum, New York, and Getty Conservation Institute, Los Angeles. The culminating event of Panza Collection Initiative project.
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* [https://www.guggenheim.org/conservation/the-panza-collection-initiative/object-lessons-the-panza-collection-initiative-symposium Object Lessons: The Panza Collection Initiative Symposium], Solomon R. Guggenheim Museum, New York, 9-10 Apr 2019. Jointly produced and funded by Guggenheim Museum, New York, and Getty Conservation Institute, Los Angeles. The culminating event of Panza Collection Initiative project. [https://www.guggenheim.org/conservation/the-panza-collection-initiative/object-lessons-the-panza-collection-initiative-symposium#videos Videos]. [http://www.iiconservation.org/content/panza-collection-initiative-symposium]
* [http://www.getty.edu/conservation/living_matter.html Living Matter: The Preservation of Biological Materials Used in Contemporary Art / La Materia Viva: Conservación de materiales orgánicos en el arte contemporáneo], MUAC and ENCRyM, Mexico City, 3-4 Jun 2019. Organised by the Getty Conservation Institute (GCI), the Museo Universitario Arte Contemporaneo (MUAC), and the Escuela Nacional de Conservación, Restauración y Museografía "Manuel del Castillo Negrete" ENCRyM).
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* [http://www.getty.edu/conservation/living_matter.html Living Matter: The Preservation of Biological Materials Used in Contemporary Art / La Materia Viva: Conservación de materiales orgánicos en el arte contemporáneo], MUAC and ENCRyM, Mexico City, 3-4 Jun 2019. Organised by the Getty Conservation Institute (GCI), the Museo Universitario Arte Contemporaneo (MUAC), and the Escuela Nacional de Conservación, Restauración y Museografía "Manuel del Castillo Negrete" ENCRyM). Proceedings published 2022.
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* The Conservation of Contemporary & Modern Art, symposium, Dedalus Foundation, New York, 24 Oct 2019. Videos: [https://www.dedalusfoundation.org/conservation-modern-contemporary-art-session-1 Session 1], [https://www.dedalusfoundation.org/conservation-modern-contemporary-art-session-2 Session 2], [https://www.dedalusfoundation.org/conservation-modern-contemporary-art-session-3 Session 3].
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* [http://www.iiconservation.org/content/conservation-and-philosophy-symposium Conservation and Philosophy Symposium: Intersections and Interactions], online, 26-27 Nov 2020. Convened by David A.Scott. Coordinated by Ellie Sweetnam. Organised by the International Institute for Conservation of Historic and Artistic Works (IIC).
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* [https://beuys2021.de/en/wwspace-and-time-kassel Space and Time: Joseph Beuys’ Installation Art, its Presentation and Conservation], conference, Museumslandschaft Hessen Kassel, Kassel, 16-17 Sep 2021. [https://www.incca.org/news/call-papers-international-conference-joseph-beuys’-installation-art CfP].
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* [https://event.culture.tw/TMOFA/portal/Registration/C0103MAction?actId=10049&request_locale=en&useLanguage=en Past/Present: Collecting, Exhibiting and Conserving Contemporary Art in Asia], symposium, online (Taoyuan Museum of Fine Arts, Taiwan), 5-8 Jan 2022. Supported  by  the  Asian  Cultural  Council (ACC) 2021 project grant. [[Media:Past Present Collecting Exhibiting and Conserving Contemporary Art in Asia 2022.pdf|Abstracts PDF]].
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* [https://www.hkb.bfh.ch/de/aktuell/fachveranstaltungen/symposium-mmm/ Contemporary Art Conservation Revisited: 20 Years Later], symposium, online (Bern University of the Arts), 27-28 Jan 2022. Organising committee: Martina Haidvogl, Martina Pfenninger Lepage, Dörte Doering, Kerstin Linder. [[Media:Contemporary Art Conservation Revisited 20 Years Later 2022.pdf|Abstracts PDF]]. [https://www.hkb.bfh.ch/de/aktuell/fachveranstaltungen/symposium-mmm/ Videos], [https://www.youtube.com/playlist?list=PLOoZOjueYnJssB0RxiElzz7ii0epo7BIu Videos].
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* [https://www.sbmk.nl/nl/activiteiten/SBMKdag-CAWS Contemporary Art: Who Shares?], De Pont, Tilburg, 29 Sep 2022. Organised by SBMK in collaboration with RaadSaam.
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* [https://sway.office.com/l1a0xaydi6XpGv4F Sustaining Art: People, Practice, Planet in Contemporary Art Conservation], Discovery Point, Dundee, and online, 9-11 Nov 2022. An affiliated SBMK and INCCA project in partnership with the DJCAD University of Dundee and Dundee & Angus Convention Bureau. [https://incca.org/events/sustaining-art-people-practice-planet-contemporary-art-conservation-call-contributions] [https://incca.org/events/sustaining-art-people-practice-planet-contemporary-art-conservation]
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* [https://arthist.net/archive/39925 Conservation and Replication of Immersive Artworks], symposium, Haus der Kunst, Munich, 11 Nov 2023. Addresses the possibilities, challenges and questions regarding conservation and replication of immersive artworks, including Environments. Co-organised with the [https://www.getty.edu/projects/outdoor-sculpture/challenging-the-narrative-symposium/ Getty Conservation Institute].
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* [https://www.nasjonalmuseet.no/om-nasjonalmuseet/forskning-og-utvikling/bridging-the-gap-synergies-between-art-history-and-conservation/ Bridging the Gap: Synergies Between Art History and Conservation], conference, The National Museum, Oslo, 23-24 Nov 2023. Organised in collaboration with the University of Amsterdam, the University of Oslo and the Cultural Heritage Agency of the Netherlands.
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==== Media art, Time-based art, Digital art, Software-based art, Performance art ====
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{{a|MediaArtsEvents}}
  
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==== Media art, Time-based art, Sound art, Digital art, Software-based art, Performance art ====
  
 
* Media Arts in Transition, Walker Art Center, Minneapolis, 8-11 Jun 1983. Conference on film and video; the opening panel was dedicated to the preservation of film and video: "Aspects of the problems of film and video preservation will be demonstrated through film and video clips. Speakers: Frank Hodsoll, Jean Firstenberg, Jay Leyda, Jonas Mekas, Lynn Blumenthal". [http://www.vasulka.org/archive/ExhFest6/Walker/MediaArtsInTransition.pdf Panel programme]. Proceedings published 1983.
 
* Media Arts in Transition, Walker Art Center, Minneapolis, 8-11 Jun 1983. Conference on film and video; the opening panel was dedicated to the preservation of film and video: "Aspects of the problems of film and video preservation will be demonstrated through film and video clips. Speakers: Frank Hodsoll, Jean Firstenberg, Jay Leyda, Jonas Mekas, Lynn Blumenthal". [http://www.vasulka.org/archive/ExhFest6/Walker/MediaArtsInTransition.pdf Panel programme]. Proceedings published 1983.
  
* Symposium on Video Preservation, Museum of Modern Art, New York, 13-14 Jun 1991. The first video preservation symposium for the media arts field in New York. Convened by Media Alliance (under the leadership of Mary Esbjornson) and the Electronic Media and Film Program (part of New York State Council on the Arts, NYSCA). [https://archive.org/stream/videopreservatio00boyl#page/31/mode/1up 60+ participants] (artists, activists, cataloguers, curators, distributors, librarians). The purpose was "to identify and share information about collections; network information on conservation, cataloging, and archiving techniques; discuss priorities for future funding and services; interface with national archival initiatives." A report was published in ''The Independent'' (Oct 1991), and expanded to a [https://archive.org/stream/videopreservatio00boyl 1993 by Deidre Boyle].
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* Symposium on Video Preservation, Museum of Modern Art, New York, 13-14 Jun 1991. The first video preservation symposium for the media arts field in New York. Convened by Media Alliance (under the leadership of Mary Esbjornson) and the Electronic Media and Film Program (part of New York State Council on the Arts, NYSCA). [https://archive.org/stream/videopreservatio00boyl#page/31/mode/1up 60+ participants] (artists, activists, cataloguers, curators, distributors, librarians). The purpose was "to identify and share information about collections; network information on conservation, cataloging, and archiving techniques; discuss priorities for future funding and services; interface with national archival initiatives." A report was published in ''The Independent'' (Oct 1991), and expanded to a [https://archive.org/stream/videopreservatio00boyl 1993 report by Deidre Boyle].
  
 
* Upstate Cataloging Project meeting, Aug 1994. Convened by Media Alliance; a workshop by Margaret Byrne, Director of NAMID. Representatives of ETC, Hallwalls, Syracuse University, and Visual Studies Workshop. This results in the adopting of a NAMID-compatible template, designed to allow conversion to USMARC. Preceded by a meeting in Rochester, NY, Jan 1994; followed by a training session in May 1995. Report published 1996.
 
* Upstate Cataloging Project meeting, Aug 1994. Convened by Media Alliance; a workshop by Margaret Byrne, Director of NAMID. Representatives of ETC, Hallwalls, Syracuse University, and Visual Studies Workshop. This results in the adopting of a NAMID-compatible template, designed to allow conversion to USMARC. Preceded by a meeting in Rochester, NY, Jan 1994; followed by a training session in May 1995. Report published 1996.
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* [http://web.archive.org/web/20080405003111/http://palimpsest.stanford.edu/byorg/bavc/pb96/ Playback '96: Video Preservation Roundtable], SFMOMA, San Francisco, 29-30 Mar 1996. The first international symposium bringing together the fields of conservation, museology, and media arts to address technical and ethical issues surrounding videotape preservation; participants included conservators, scientists, video artists, media curators, television engineers, archivists, librarians and preservation administrators. Organized by BAVC (Sally Fifer) with assistance from AIC (Debra Hess Norris) and Media Alliance (Mona Jimenez); supported by the Getty Foundation (Tim Whelen) and the Andy Warhol Foundation for the Visual Arts (Pamela Clapp). BAVC convened eight groups of professionals throughout the US to each discuss topics in the eight months prior to the event: Analysis and Evaluation Procedures; Cleaning and Remastering; Storage; Ethical Principles and Dilemmas; Changes in Technology and Practice; Maintaining Installation Art Using Technology; Current Preservation Practices & Education and Awareness; and Establishing Priorities for Preservation; each of the groups presented its findings to the conference in the form of white papers and panel presentations. Proceedings published 1998; DVD published. [http://cool.conservation-us.org/byorg/bavc/pb96/playbabs.html Abstracts]. [http://cool.conservation-us.org/byorg/bavc/pb96/transc/ Transcripts]. [http://cool.conservation-us.org/byorg/bavc/pb96/present/ Presentation slides]. [http://web.archive.org/web/20050214092212/http://bavc.org/preservation/dvd/resources/events.htm#play]
 
* [http://web.archive.org/web/20080405003111/http://palimpsest.stanford.edu/byorg/bavc/pb96/ Playback '96: Video Preservation Roundtable], SFMOMA, San Francisco, 29-30 Mar 1996. The first international symposium bringing together the fields of conservation, museology, and media arts to address technical and ethical issues surrounding videotape preservation; participants included conservators, scientists, video artists, media curators, television engineers, archivists, librarians and preservation administrators. Organized by BAVC (Sally Fifer) with assistance from AIC (Debra Hess Norris) and Media Alliance (Mona Jimenez); supported by the Getty Foundation (Tim Whelen) and the Andy Warhol Foundation for the Visual Arts (Pamela Clapp). BAVC convened eight groups of professionals throughout the US to each discuss topics in the eight months prior to the event: Analysis and Evaluation Procedures; Cleaning and Remastering; Storage; Ethical Principles and Dilemmas; Changes in Technology and Practice; Maintaining Installation Art Using Technology; Current Preservation Practices & Education and Awareness; and Establishing Priorities for Preservation; each of the groups presented its findings to the conference in the form of white papers and panel presentations. Proceedings published 1998; DVD published. [http://cool.conservation-us.org/byorg/bavc/pb96/playbabs.html Abstracts]. [http://cool.conservation-us.org/byorg/bavc/pb96/transc/ Transcripts]. [http://cool.conservation-us.org/byorg/bavc/pb96/present/ Presentation slides]. [http://web.archive.org/web/20050214092212/http://bavc.org/preservation/dvd/resources/events.htm#play]
  
* [http://www.imappreserve.org/educ/ Buying Time: Collecting Video] roundtable, Paula Cooper Gallery, New York City, 30 Jan 1999. Organized by Barbara London and Dara Meyers-Kingsley (IMAP) with ArtTable. The event focused on issues that arise when selling, collecting, and preserving video and installation art. Presenters included artists, collectors, distributors, gallery owners, and curators. [http://www.imappreserve.org/pdfs/Educate_Train_pdfs/ArtTable.pdf Transcript].
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* [http://www.imappreserve.org/educ/ Buying Time: Collecting Video] roundtable, Paula Cooper Gallery, New York City, 30 Jan 1999. Organized by Barbara London and Dara Meyers-Kingsley (IMAP) with ArtTable. The event focused on issues that arise when selling, collecting, and preserving video and installation art. Presenters included artists, collectors, distributors, gallery owners, and curators. [http://web.archive.org/web/20070808160821/http://www.imappreserve.org/pdfs/Educate_Train_pdfs/ArtTable.pdf Transcript].
  
 
* [http://web.archive.org/web/20010430220911/http://www.isea.qc.ca/carto/mobile.html Conserving and Archiving Digital Work] roundtable, part of Cartographies: The General Assembly on New Media Art, Ex-Centris Complex, Montreal, 14 Oct 1999.
 
* [http://web.archive.org/web/20010430220911/http://www.isea.qc.ca/carto/mobile.html Conserving and Archiving Digital Work] roundtable, part of Cartographies: The General Assembly on New Media Art, Ex-Centris Complex, Montreal, 14 Oct 1999.
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* [http://web.archive.org/web/20061222174907/http://www.404project.net/index_e.html 404 Object Not Found: What Remains of Media Art?], HMKV, Dortmund, 19-22 Jun 2003. International congress concerning the production, presentation and preservation of media art. [http://web.archive.org/web/20060426175133/http://www.404project.net/kongress/programm/index_e.html Programme]. [http://web.archive.org/web/20051024025811/http://www.404project.net/datenbank/ab_e.pdf Abstracts]. [http://web.archive.org/web/20070126023741/http://www.404project.net/datenbank/index.html] [http://www.c3.hu/c3/eu_projects/hartware/kutatas.html]
 
* [http://web.archive.org/web/20061222174907/http://www.404project.net/index_e.html 404 Object Not Found: What Remains of Media Art?], HMKV, Dortmund, 19-22 Jun 2003. International congress concerning the production, presentation and preservation of media art. [http://web.archive.org/web/20060426175133/http://www.404project.net/kongress/programm/index_e.html Programme]. [http://web.archive.org/web/20051024025811/http://www.404project.net/datenbank/ab_e.pdf Abstracts]. [http://web.archive.org/web/20070126023741/http://www.404project.net/datenbank/index.html] [http://www.c3.hu/c3/eu_projects/hartware/kutatas.html]
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* [http://netzspannung.org/tele-lectures/series/present-continuous-past/ Present Continuous Past(s). Videokunst. Präsentationsformen und Vermittlungsstrategien], symposium, Hochschule für Künste Bremen, Bremen, 14-15 May 2004. Incl. video documentation. Report: [https://arthist.net/reviews/448 Caroline Philipp] (Art-Hist). Proceedings published 2005. [http://www.filmbuero-bremen.de/present-continuos-past-s/]
  
 
* [http://web.archive.org/web/20080506213933/http://www.erpanet.org/events/2004/glasgowart/ The Preservation of Born-Digital Art] workshop, Centre for Contemporary Arts (CCA), Glasgow, 8 Oct 2004. Organised by Erpanet.
 
* [http://web.archive.org/web/20080506213933/http://www.erpanet.org/events/2004/glasgowart/ The Preservation of Born-Digital Art] workshop, Centre for Contemporary Arts (CCA), Glasgow, 8 Oct 2004. Organised by Erpanet.
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* [http://www.sbmk.nl/projects/detail/id/2?lang=en Preservation and Conservation of Artists' Films] session, Museum Boijmans Van Beuningen, Rotterdam, 16 Jun 2005. Organised by SBMK.
 
* [http://www.sbmk.nl/projects/detail/id/2?lang=en Preservation and Conservation of Artists' Films] session, Museum Boijmans Van Beuningen, Rotterdam, 16 Jun 2005. Organised by SBMK.
  
* [http://www.40jahrevideokunst.de/main.php?p=2&n1=4&n2=1 40yearsvideoart.de: Digital Heritage: Symposium on Video Art in Germany from 1963 to the Present] symposium, Kunstsammlung Nordrhein-Westfalen Düsseldorf, 1-2 Jul 2005. Part of 40yearsvideoart.de.
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* [http://www.40jahrevideokunst.de/main.php?p=2&n1=4&n2=1 40yearsvideoart.de: Digital Heritage: Symposium on Video Art in Germany from 1963 to the Present] symposium, Kunstsammlung Nordrhein-Westfalen Düsseldorf, 1-2 Jul 2005. Incl. video documentation. Part of the 40 Jahre Video Kunst project.
  
 
* [http://web.archive.org/web/20100612202351fw_/http://totalmuseum.org/404/objectnotfound_2006.html 404 Object Not Found_Seoul] symposium, Art Center Nabi, Seoul, 20 Oct 2006. Part of 404 Object Not Found_Seoul research project.
 
* [http://web.archive.org/web/20100612202351fw_/http://totalmuseum.org/404/objectnotfound_2006.html 404 Object Not Found_Seoul] symposium, Art Center Nabi, Seoul, 20 Oct 2006. Part of 404 Object Not Found_Seoul research project.
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* [https://lists.h-net.org/cgi-bin/logbrowse.pl?trx=vx&list=h-museum&month=0611&week=b&msg=w/HpEtC7Vz0XGVB4qfIN3g&user=&pw= Copy-Digitise-Restore? Strategies for the conservation of video], symposium, NRW-Forum/imai-inter media art institute, Düsseldorf, 7-8 Dec 2006. Prepared by Expertengruppe el_media im Verband der Restauratoren (VDR). [https://lsv.uky.edu/scripts/wa.exe?A2=ind0611&L=AMIA-L&P=58920]
  
 
* [http://archive.bampfa.berkeley.edu/about/newmedia New Media and Social Memory], UC Berkeley Art Museum and Pacific Film Archive, Berkeley, 18 Jan 2007. Incl. video documentation. Part of Archiving the Avant-Garde. [https://web.archive.org/web/20070419010721/http://www.bampfa.berkeley.edu/about_bampfa/avantgarde.html]
 
* [http://archive.bampfa.berkeley.edu/about/newmedia New Media and Social Memory], UC Berkeley Art Museum and Pacific Film Archive, Berkeley, 18 Jan 2007. Incl. video documentation. Part of Archiving the Avant-Garde. [https://web.archive.org/web/20070419010721/http://www.bampfa.berkeley.edu/about_bampfa/avantgarde.html]
  
* Preserving Nam June Paik’s Video Installations: the Importance of the Artist's Voice panel discussion, 16 Feb 2007. Organised (after Paik's death in 2006) by the INCCA-NA, together with MoMA, AIC and GCI.
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* [https://www.incca.org/news/panel-discussion-preservation-video-art-moma Preserving Nam June Paik’s Video Installations: the Importance of the Artist's Voice], panel discussion, 16 Feb 2007. Organised (after Paik's death in 2006) by the INCCA-NA, together with MoMA, AIC and GCI. [http://web.archive.org/web/20090922102556/http://conference.collegeart.org/2007/sessions/view/494]
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* [https://monoskop.org/images/6/6b/Loop_Barcelona_2007_Panels.pdf#page=5 Video Art Conservation], panel discussion, LOOP '07 festival, Barcelona, 1 Jun 2007.
  
 
* [http://www.imappreserve.org/educ/ IMAP Electronic Media Preservation Symposium], Theater on the Ridge, Rochester/NY, 29 Sep 2007. Organized by IMAP, EAI, and the AMIA Independent Media Interest Group.
 
* [http://www.imappreserve.org/educ/ IMAP Electronic Media Preservation Symposium], Theater on the Ridge, Rochester/NY, 29 Sep 2007. Organized by IMAP, EAI, and the AMIA Independent Media Interest Group.
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* DOCAM Summit, Montreal, Mar 2010.
 
* DOCAM Summit, Montreal, Mar 2010.
  
* [http://www.si.edu/tbma/symposiums#Collaborations Collaborations in Conserving Time-Based Art] symposium, Smithsonian Institution, Washington, DC, 17-19 Mar 2010. Coordinated by The Lunder Conservation Center, Smithsonian American Art Museum, National Portrait Gallery, and Hirshhorn Museum and Sculpture Garden. Incl. video documentation. [http://www.si.edu/content/tbma/documents/Time-Based-Art_Report.pdf Report]. [https://americanart.si.edu/art/conservation/programs/professional]
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* [http://web.archive.org/web/20190306000745if_/https://www.si.edu/tbma/symposiums#Collaborations Collaborations in Conserving Time-Based Art] symposium, Smithsonian Institution, Washington, DC, 17-19 Mar 2010. Coordinated by The Lunder Conservation Center, Smithsonian American Art Museum, National Portrait Gallery, and Hirshhorn Museum and Sculpture Garden. Incl. video documentation. [http://web.archive.org/web/20190307111417/https://www.si.edu/content/tbma/documents/Time-Based-Art_Report.pdf Report]. [https://americanart.si.edu/art/conservation/programs/professional]
  
 
* [http://cool.conservation-us.org/byform/mailing-lists/cdl/2010/0180.html Andrew W. Mellon Symposium in Conservation Science: Technical Conservation Issues of Time-Based Media], Harvard Art Museum, 10 Apr 2010.
 
* [http://cool.conservation-us.org/byform/mailing-lists/cdl/2010/0180.html Andrew W. Mellon Symposium in Conservation Science: Technical Conservation Issues of Time-Based Media], Harvard Art Museum, 10 Apr 2010.
  
* [http://resources.conservation-us.org/techfocus/ TechFocus I. Video Art], Guggenheim Museum, New York, 1-2 Sep 2010. Builds upon TechArchaeology symposium. See also TechFocus 2 (2012), TechFocus 3 (2015) and TechFocus 4 (2020).
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* [http://resources.conservation-us.org/techfocus/ TechFocus I. Video Art], Guggenheim Museum, New York, 1-2 Sep 2010. Builds upon TechArchaeology symposium. See also TechFocus 2 (2012), TechFocus 3 (2015) and TechFocus 4 (2021).
  
* [http://www.digitalartconservation.org/index.php/en/symposium-i.html The Digital Oblivion: Substance and Ethics in the Conservation of Computer-Based Art], ZKM, Karlsruhe, 4-5 Nov 2010. [https://itunes.apple.com/de/itunes-u/digital-oblivion-substanz/id423566107 Video documentation]. Proceedings published 2013. Part of Digital Art Conservation.
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* [http://www.digitalartconservation.org/index.php/en/symposium-i.html The Digital Oblivion: Substance and Ethics in the Conservation of Computer-Based Art], ZKM, Karlsruhe, 4-5 Nov 2010. [https://itunes.apple.com/de/itunes-u/digital-oblivion-substanz/id423566107 Video documentation]. Proceedings published 2013. Part of Digital Art Conservation. [https://www.yumpu.com/en/document/view/5130079/ Book of abstracts]. [https://zkm.de/en/event/2010/11/the-digital-oblivion]
  
* [http://www.si.edu/tbma/symposiums Collecting, Exhibiting, & Preserving Time-Based Media Art] roundtable, Smithsonian American Art Museum and National Portrait Gallery, Washington, DC, 1 Sep 2011. Incl. video documentation.
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* [http://web.archive.org/web/20190306000745if_/https://www.si.edu/tbma/symposiums Collecting, Exhibiting, & Preserving Time-Based Media Art] roundtable, Smithsonian American Art Museum and National Portrait Gallery, Washington, DC, 1 Sep 2011. Incl. video documentation.
  
 
* [http://web.archive.org/web/20131102192933/http://pocos.org/index.php/pocos-symposia/software-art Preservation of Complex Digital Objects Symposia (POCOS): Software Art], The Lighthouse, Glasgow, 11-12 Oct 2011. Part of POCOS. Book published 2014.
 
* [http://web.archive.org/web/20131102192933/http://pocos.org/index.php/pocos-symposia/software-art Preservation of Complex Digital Objects Symposia (POCOS): Software Art], The Lighthouse, Glasgow, 11-12 Oct 2011. Part of POCOS. Book published 2014.
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* [http://www.digitalartconservation.org/index.php/en/symposium-ii.html Digital Art Conservation: Practical Approaches. Artists, Programmers, Theorists], École supérieure des arts décoratifs de Strasbourg, 24-25 Nov 2011. Incl. video documentation. [http://193.197.169.205/digitalartconservation/images/stories/AFFICHE.pdf Leaflet]. Proceedings published 2013. Part of Digital Art Conservation.
 
* [http://www.digitalartconservation.org/index.php/en/symposium-ii.html Digital Art Conservation: Practical Approaches. Artists, Programmers, Theorists], École supérieure des arts décoratifs de Strasbourg, 24-25 Nov 2011. Incl. video documentation. [http://193.197.169.205/digitalartconservation/images/stories/AFFICHE.pdf Leaflet]. Proceedings published 2013. Part of Digital Art Conservation.
  
* [http://resources.conservation-us.org/techfocus/ TechFocus II. Film and Slide Art], Guggenheim Museum, New York, 27-28 Apr 2012. [http://resources.conservation-us.org/techfocus/techfocus-ii-caring-for-film-and-slide-art-tw/ Video documentation]. See also TechFocus 1 (2010), TechFocus 3 (2015) and  and TechFocus 4 (2020).
+
* [http://resources.conservation-us.org/techfocus/ TechFocus II. Film and Slide Art], Guggenheim Museum, New York, 27-28 Apr 2012. [http://resources.conservation-us.org/techfocus/techfocus-ii-caring-for-film-and-slide-art-tw/ Video documentation]. See also TechFocus 1 (2010), TechFocus 3 (2015) and TechFocus 4 (2021).
  
* [http://www.si.edu/tbma/symposiums Standards for the Preservation of Time-Based Media Art] roundtable, Smithsonian American Art Museum and National Portrait Gallery, Washington, DC, 12 Sep 2012.
+
* [http://web.archive.org/web/20190306000745if_/https://www.si.edu/tbma/symposiums Standards for the Preservation of Time-Based Media Art] roundtable, Smithsonian American Art Museum and National Portrait Gallery, Washington, DC, 12 Sep 2012.
 +
 
 +
* [http://web.archive.org/web/20121104054705/http://www.oestre.no/index.php/en/gruppe-program?group=3 Ephemeral Sustainability], Østre / Gimle / Stiftelsen 3.14, Bergen, 28 Oct-3 Nov 2012. A conference about presenting, documenting, collecting and archiving sound based contemporary art. Organised by the Resonance Network and Lydgalleriet. Curated by Carsten Seiffarth and Jørgen Larsson. Reports by Harold Schellinx: [https://resonancenetwork.wordpress.com/2012/12/15/ephemeral-sustainability-1-sound-art/ part 1], [https://resonancenetwork.wordpress.com/2013/01/19/ephemeral-sustainability-2-curating-presenting-writing/ part 2]. [https://resonancenetwork.wordpress.com/2012/10/16/ephemeral-sustainability-a-conference-on-sound-art/] [http://web.archive.org/web/20130915152259/http://www.lydgalleriet.no/?p=462] [http://web.archive.org/web/20121012043535/http://sonicstudies.org/post/32866091882/conference-ephemeral-sustainability]
  
 
* [http://mcn.edu/wp-content/uploads/2014/09/MCN2012_Program-2012_v25_23OCT.pdf#page=37 Preserving Digital Art: A Case Study], panel, part of the 40th MCN Conference, Seattle, 9 Nov 2012. Sponsored by INCCA-NA. [https://www.youtube.com/watch?v=uuLP_rTmTr4 Video documentation]. [http://magazine.art21.org/2013/02/26/no-preservatives-preserving-digital-art-a-case-study/ Summary by chair of the panel, Richard McCoy].
 
* [http://mcn.edu/wp-content/uploads/2014/09/MCN2012_Program-2012_v25_23OCT.pdf#page=37 Preserving Digital Art: A Case Study], panel, part of the 40th MCN Conference, Seattle, 9 Nov 2012. Sponsored by INCCA-NA. [https://www.youtube.com/watch?v=uuLP_rTmTr4 Video documentation]. [http://magazine.art21.org/2013/02/26/no-preservatives-preserving-digital-art-a-case-study/ Summary by chair of the panel, Richard McCoy].
  
* [http://www.si.edu/tbma/symposiums Trusted Digital Repositories for Time-Based Media Art] roundtable, Smithsonian American Art Museum and National Portrait Gallery, Washington, DC, 15 Apr 2013.
+
* [https://www.stiftung-imai.de/veranstaltungen/forschung/die-gegenwart-des-ephemeren Die Gegenwart des Ephemeren. Medienkunst im Spannungsfeld zwischen Konservierung und Interpretation], conference, NRW-Forum Düsseldorf, Düsseldorf, 15 Nov 2012. Concept and organisation: Renate Buschmann and Darija Šimunović (imai). Proceedings published 2014.
 +
 
 +
* [http://web.archive.org/web/20190306000745if_/https://www.si.edu/tbma/symposiums Trusted Digital Repositories for Time-Based Media Art] roundtable, Smithsonian American Art Museum and National Portrait Gallery, Washington, DC, 15 Apr 2013.
  
 
* [http://www.li-ma.nl/en/2013/05/digital-art-force/ Digital Art Force] seminar, New Institute, Rotterdam, 27 Jun 2013. The seminar focused on the impact of digital works in museums, on their management and preservation; organized by the Digital Art Force (DAF).
 
* [http://www.li-ma.nl/en/2013/05/digital-art-force/ Digital Art Force] seminar, New Institute, Rotterdam, 27 Jun 2013. The seminar focused on the impact of digital works in museums, on their management and preservation; organized by the Digital Art Force (DAF).
  
* [http://www.newmuseum.org/exhibitions/view/xfr-stn XFR STN], New Museum, New York, 17 Jul-8 Sep 2013.
+
* [http://www.newmuseum.org/calendar/view/194/born-digital-conservation-in-the-computer-age XFR STN Symposium: Always Already Obsolete: Considering the Convergence of Analog and Digital Media / Born Digital: Conservation in the Computer Age], New Museum, New York, 7 Sep 2013. [https://www.newmuseum.org/calendar/view/193/always-already-obsolete-considering-the-convergence-of-analog-and-digital-media-in-xfr-stn]
 
 
* [http://www.newmuseum.org/calendar/view/194/born-digital-conservation-in-the-computer-age Born Digital: Conservation in the Computer Age] panel, New Museum, New York, 7 Sep 2013.
 
  
 
* A Collection of Misfits: Time-Based Media and the Museum symposium, Carnegie Museum of Art, Pittsburgh, 22-23 Nov 2013. Part of CMOA's [http://collection.cmoa.org/time-based-media-project/ Time-Based Media Project]. [https://vimeo.com/channels/misfits/page:4 Video documentation].
 
* A Collection of Misfits: Time-Based Media and the Museum symposium, Carnegie Museum of Art, Pittsburgh, 22-23 Nov 2013. Part of CMOA's [http://collection.cmoa.org/time-based-media-project/ Time-Based Media Project]. [https://vimeo.com/channels/misfits/page:4 Video documentation].
  
* [http://www.si.edu/tbma/symposiums Technology Experiments In Art: Conserving Software-Based Artworks]. National Portrait Gallery and Smithsonian American Art Museum, Donald W. Reynolds Center, Washington, DC, 17 Jan 2014. Incl. videos. [http://www.voca.network/blog/2014/04/21/conserving-software-based-artworks-symposium/ Report by Alli Jessing] (VoCA blog).
+
* [http://web.archive.org/web/20190306000745if_/https://www.si.edu/tbma/symposiums Technology Experiments In Art: Conserving Software-Based Artworks]. National Portrait Gallery and Smithsonian American Art Museum, Donald W. Reynolds Center, Washington, DC, 17 Jan 2014. Incl. videos. [http://www.voca.network/blog/2014/04/21/conserving-software-based-artworks-symposium/ Report by Alli Jessing] (VoCA blog).
  
 
* Archiving the Arts symposium, Burchfield Penney Art Center/SUNY Buffalo State, 13 Jun 2015. Organized by IMAP on the occasion of the launch of its [http://www.imappreserve.org/archivingarts/ web resource]. Convened and facilitated by Andrew Ingall (IMAP), Jeff Martin, and Carolyn Tennant (Hallwalls). [https://vimeo.com/132643391 Video documentation].
 
* Archiving the Arts symposium, Burchfield Penney Art Center/SUNY Buffalo State, 13 Jun 2015. Organized by IMAP on the occasion of the launch of its [http://www.imappreserve.org/archivingarts/ web resource]. Convened and facilitated by Andrew Ingall (IMAP), Jeff Martin, and Carolyn Tennant (Hallwalls). [https://vimeo.com/132643391 Video documentation].
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* [http://www.bgc.bard.edu/news/events/revisions-symposium.html Revisions: Object—Event—Performance since the 1960s], Bard Graduate Center, 21 Sep 2015.
 
* [http://www.bgc.bard.edu/news/events/revisions-symposium.html Revisions: Object—Event—Performance since the 1960s], Bard Graduate Center, 21 Sep 2015.
  
* [http://resources.conservation-us.org/techfocus/techfocus-iii-caring-for-computer-based-art-software-tw/ TechFocus III: Caring for Software-based Art], Guggenheim Museum, New York, 25-26 Sep 2015. Organised by Guggenheim with AIC Electronic Media Group (EMG). [http://resources.conservation-us.org/techfocus/techfocus-iii-caring-for-computer-based-art-software-tw/ Video documentation]. [http://ndsr.nycdigital.org/preserving-variability/ Report]. See also TechFocus 1 (2010), TechFocus 2 (2012) and TechFocus 4 (2020).
+
* [http://www.videoarchiv-ludwigforum.de/conference/ Video Matters], conference, Ludwig Forum für Internationale Kunst, Cologne, 24-25 Sep 2015. Reflected on current challenges in the documentation, care, and presentation of time-based art. Organised as part of the research project Video Archive. Curators: Jenny Dirksen, Brigitte Franzen, Lou Jonas, Miriam Lowack, Anna Sophia Schultz. Incl. video documentation.
 +
 
 +
* [https://resources.culturalheritage.org/techfocus/techfocus-iii-caring-for-computer-based-art-software-tw-2/ TechFocus III: Caring for Software-based Art], Guggenheim Museum, New York, 25-26 Sep 2015. Organised by Guggenheim with AIC Electronic Media Group (EMG). Incl. video documentation. [http://ndsr.nycdigital.org/preserving-variability/ Report]. See also TechFocus 1 (2010), TechFocus 2 (2012) and TechFocus 4 (2021).
  
 
* [http://collection.cmoa.org/misfits/ Misfits: Time-Based Media and the Museum], Carnegie Museum of Art, Pittsburgh, 22-24 Oct 2015. [http://press.cmoa.org/2015/07/30/misfits-2015/ Press release]. Part of CMOA's [http://collection.cmoa.org/time-based-media-project/ Time-Based Media Project]. [https://vimeo.com/channels/misfits Video documentation].
 
* [http://collection.cmoa.org/misfits/ Misfits: Time-Based Media and the Museum], Carnegie Museum of Art, Pittsburgh, 22-24 Oct 2015. [http://press.cmoa.org/2015/07/30/misfits-2015/ Press release]. Part of CMOA's [http://collection.cmoa.org/time-based-media-project/ Time-Based Media Project]. [https://vimeo.com/channels/misfits Video documentation].
 +
 +
* International Symposium: Collecting and Exhibiting New Media Arts, National Taiwan Museum of Fine Arts (NTMoFA), Taiwan, 6-7 Nov 2015. Organised by Tzu-Chuan Lin and Yu-Hsien Chen. Proceedings published 2016. [https://aaa.org.hk/en/collections/event-database/international-symposium-collecting-and-exhibiting-new-media-arts]
  
 
* [http://www.tate.org.uk/whats-on/tate-modern/conference/media-transition Media in Transition], Tate Modern, 18-20 Nov 2015. [http://www.tate.org.uk/context-comment/video/media-transition Video documentation]. [https://news.artnet.com/art-world/hettie-judah-new-media-art-conference-tate-modern-367736]
 
* [http://www.tate.org.uk/whats-on/tate-modern/conference/media-transition Media in Transition], Tate Modern, 18-20 Nov 2015. [http://www.tate.org.uk/context-comment/video/media-transition Video documentation]. [https://news.artnet.com/art-world/hettie-judah-new-media-art-conference-tate-modern-367736]
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* [http://www.smb.museum/en/museums-institutions/hamburger-bahnhof/collection-research/restoration-and-conservation/symposium-on-process-art-and-the-museum.html Prozesskunst und das Museum] [Process Art and the Museum] symposium, Hamburger Bahnhof, Berlin, 19 Feb 2016. Developed and organized by Carolin Bohlmann (Hamburger Bahnhof – Museum für Gegenwart - Berlin) and Angela Matyssek (Philipps-U Marburg). Supported by the Volkswagen Stiftung.
 
* [http://www.smb.museum/en/museums-institutions/hamburger-bahnhof/collection-research/restoration-and-conservation/symposium-on-process-art-and-the-museum.html Prozesskunst und das Museum] [Process Art and the Museum] symposium, Hamburger Bahnhof, Berlin, 19 Feb 2016. Developed and organized by Carolin Bohlmann (Hamburger Bahnhof – Museum für Gegenwart - Berlin) and Angela Matyssek (Philipps-U Marburg). Supported by the Volkswagen Stiftung.
  
* [https://www.restauratoren.de/erfolgreiche-performance-tagung-in-wolfsburg/ Collecting and Conserving Performance Art], Kunstmuseum Wolfsburg, Wolfsburg, 9-11 Jun 2016. Organised by The German Association of Conservator-Restorers (VDR). [https://www.restauratoren.de/collecting-and-conserving-performance-art-videos/ Video documentation]. Proceedings published 2017.
+
* [https://www.restauratoren.de/erfolgreiche-performance-tagung-in-wolfsburg/ Collecting and Conserving Performance Art], Kunstmuseum Wolfsburg, Wolfsburg, 9-11 Jun 2016. Organised by The German Association of Conservator-Restorers (VDR). [https://www.restauratoren.de/collecting-and-conserving-performance-art-videos/ Video documentation]. Proceedings published in two parts in 2017 and 2018.
  
 
* [https://currentsnewmedia.org/new-old-media-2016/ New (+ Old) Media: Restoration, Preservation, Archiving & Access – 2016] symposium, Santa Fe, 10-11 Jun 2016. Follow-up to 2015 symposium. Hosted by 1st Mile Institute. Part of CURRENTS 2016: Santa Fe International New Media Festival.
 
* [https://currentsnewmedia.org/new-old-media-2016/ New (+ Old) Media: Restoration, Preservation, Archiving & Access – 2016] symposium, Santa Fe, 10-11 Jun 2016. Follow-up to 2015 symposium. Hosted by 1st Mile Institute. Part of CURRENTS 2016: Santa Fe International New Media Festival.
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* [https://www.mediaconservation.io/workshop-1 Media Conservation Initiative Workshop 1: Getting Started: A Shared Responsibility. Caring for Time-Based Media Artworks in Collections], Museum of Modern Art, New York, 2-5 May 2017. Part of MoMA's Media Conservation Initiative, funded by Mellon Foundation.
 
* [https://www.mediaconservation.io/workshop-1 Media Conservation Initiative Workshop 1: Getting Started: A Shared Responsibility. Caring for Time-Based Media Artworks in Collections], Museum of Modern Art, New York, 2-5 May 2017. Part of MoMA's Media Conservation Initiative, funded by Mellon Foundation.
 +
 +
* [http://twincities.arlisna.org/2017/10/23/from-creation-to-preservation-collaboratively-addressing-the-stewardship-of-time-based-media-art/ From Creation to Preservation: Collaboratively addressing the stewardship of time-based media art], panel discussion, Minneapolis Institute of Art, 30 Oct 2017.
  
 
* [https://documentingperformance.com/symposia/docperform-2/ DocPerform Symposium 2: New Technologies], City, University of London, 6-7 Nov 2017. Part of The Future of Documents Project. Proceedings published 2018.
 
* [https://documentingperformance.com/symposia/docperform-2/ DocPerform Symposium 2: New Technologies], City, University of London, 6-7 Nov 2017. Part of The Future of Documents Project. Proceedings published 2018.
  
* [http://www.li-ma.nl/lima/article/transformation-digital-art-2018-international-symposium-digital-art-preservation Transformation Digital Art 2018] symposium, LIMA, Amsterdam, 22-23 March 2018. On born-digital and software based art. [https://www.facebook.com/events/307189389783846/ FB event].
+
* [https://www.hamburger-kunsthalle.de/back-future-im-karussell-der-diakonservierung Back to the Future! Im Karussell der Diakonservierung], symposium, Hamburger Kunsthalle, 18-19 Jan 2018. Incl. video documentation. Book published 2019. Part of the Project for the Conservation of Slide-based Artworks.
 +
 
 +
* [http://www.li-ma.nl/lima/article/transformation-digital-art-2018-international-symposium-digital-art-preservation Transformation Digital Art 2018] symposium, LIMA, Amsterdam, 22-23 Mar 2018. On born-digital and software based art. [https://www.facebook.com/events/307189389783846/ FB event].
  
 
* [https://www.tbmsymposium2018.com/ TBM Symposium 2018: It’s About Time! Building a New Discipline: Time-Based Media Art Conservation], Institute of Fine Arts, New York University, New York, 20-22 May 2018. [https://www.nyu.edu/gsas/dept/fineart/events/tbmsymposium2018.htm NYU website]. [http://www.voca.network/blog/tag/its-about-time/ Reports].
 
* [https://www.tbmsymposium2018.com/ TBM Symposium 2018: It’s About Time! Building a New Discipline: Time-Based Media Art Conservation], Institute of Fine Arts, New York University, New York, 20-22 May 2018. [https://www.nyu.edu/gsas/dept/fineart/events/tbmsymposium2018.htm NYU website]. [http://www.voca.network/blog/tag/its-about-time/ Reports].
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* [https://registrars.org.au/event/arc-conference-2018/ Duration and Dimension] conference, Melbourne, 3-5 Oct 2018. [https://registrars.org.au/wp-content/uploads/2018/09/ARC-CONF-2018_Program_2Sep2018.pdf Program]. [https://registrars.org.au/wp-content/uploads/2018/09/ARC-CONF-2018_SpeakerNotes_2Sep2018.pdf Speaker notes].
 
* [https://registrars.org.au/event/arc-conference-2018/ Duration and Dimension] conference, Melbourne, 3-5 Oct 2018. [https://registrars.org.au/wp-content/uploads/2018/09/ARC-CONF-2018_Program_2Sep2018.pdf Program]. [https://registrars.org.au/wp-content/uploads/2018/09/ARC-CONF-2018_SpeakerNotes_2Sep2018.pdf Speaker notes].
  
* [https://www.jpf.go.jp/e/project/culture/exhibit/exchange/2018/09-01.html Play ⇔ Replay: Staging & Re-staging Time-based Media Art] symposium, 3 Nov 2018, Mito Art Museum, Mito, Japan.
+
* [https://www.jpf.go.jp/e/project/culture/exhibit/exchange/2018/09-01.html Play ⇔ Replay: Staging & Re-staging Time-based Media Art] symposium, Mito Art Museum, Mito, Japan, 3 Nov 2018.
 +
 
 +
* [https://hek.ch/programm/veranstaltungen/medial-digital-real-medienkunst-konservieren---aber-wie Medial. Digital. Real. Medienkunst konservieren – aber wie?] [Media-based. Digital. Real. Preserving Media Arts - but How?], HeK, Basel, 8 Nov 2018. KIK//CCI autumn conference.
  
 
* [http://www.li-ma.nl/lima/article/transformation-digital-art-2019 Transformation Digital Art 2019] symposium, LIMA, Amsterdam, 21-22 Mar 2019.
 
* [http://www.li-ma.nl/lima/article/transformation-digital-art-2019 Transformation Digital Art 2019] symposium, LIMA, Amsterdam, 21-22 Mar 2019.
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* [https://documentingperformance.com/symposia/docperform-3/ DocPerform Symposium 3: Postdigital], City, University of London, 16 May 2019. Part of The Future of Documents Project.
 
* [https://documentingperformance.com/symposia/docperform-3/ DocPerform Symposium 3: Postdigital], City, University of London, 16 May 2019. Part of The Future of Documents Project.
 +
 +
* [https://www.sakipsabancimuzesi.org/en/collections-and-research/archive-and-research-area/17294 Technological Arts Preservation], series of talks, Sabanci University Sakip Sabanci Museum, Istanbul, May 2019-Apr 2021. [https://vimeo.com/showcase/9465437 Video documentation].
  
 
* [https://www.artgallery.nsw.gov.au/calendar/towards-flexible-future/ Towards a Flexible Future: Managing Time-based Media Artworks in Collections], symposium, Art Gallery of New South Wales, Sydney, 4 Jun 2019. [https://www.artgallery.nsw.gov.au/blog/posts/saving-art/ Report]. [https://icon.org.uk/news/tru-vue-blog-towards-a-flexible-future-managing-time-based-media-artworks-in-collections Report].
 
* [https://www.artgallery.nsw.gov.au/calendar/towards-flexible-future/ Towards a Flexible Future: Managing Time-based Media Artworks in Collections], symposium, Art Gallery of New South Wales, Sydney, 4 Jun 2019. [https://www.artgallery.nsw.gov.au/blog/posts/saving-art/ Report]. [https://icon.org.uk/news/tru-vue-blog-towards-a-flexible-future-managing-time-based-media-artworks-in-collections Report].
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* [https://www.uva.nl/en/shared-content/faculteiten/en/faculteit-der-geesteswetenschappen/events/symposia/2019/10/re-new-media-art.html Re: New Media Art: Contemporary Art Conservation Student Symposium 2019], University of Amsterdam, Amsterdam, 7 Oct 2019.
 
* [https://www.uva.nl/en/shared-content/faculteiten/en/faculteit-der-geesteswetenschappen/events/symposia/2019/10/re-new-media-art.html Re: New Media Art: Contemporary Art Conservation Student Symposium 2019], University of Amsterdam, Amsterdam, 7 Oct 2019.
  
* [https://vasulkakitchen.org/en/umelecke-sbirky-digitalni-epochy-v-galerii-a-muzeu Digital Era Artworks in Galleries and Museums] colloquium, Brno House of Arts, Brno, 22-23 Oct 2019. Organised by Vašulka Kitchen Brno: Center for New Media Art. Report: [https://punkt.hu/en/2020/02/09/sustainable-technology/ Flóra Barkóczi] (Punkt).
+
* [https://vasulkakitchen.org/en/umelecke-sbirky-digitalni-epochy-v-galerii-a-muzeu Digital Era Artworks in Galleries and Museums] colloquium, Brno House of Arts, Brno, 22-23 Oct 2019. Organised by Vašulka Kitchen Brno: Center for New Media Art. Report: [https://punkt.hu/en/2020/02/09/sustainable-technology/ Flóra Barkóczi] (Punkt). Proceedings published 2020.
  
 
* [http://vangoghtv.hs-mainz.de/?page_id=589 Kultur-Back-Up. Ein Workshop zum Erhalt von digitalem Kulturgut], workshop, LUX, Mainz, 29-30 Oct 2019. Organised by the Institute for Media Design (img) of the Department of Design and the time-based media course at University of Applied Sciences, Mainz. Funded by the German Research Foundation as part of the DFG project ''Van Gogh TV: Indexing, multimedia documentation and analysis of estate''. [http://vangoghtv.hs-mainz.de/?lang=en Video documentation].
 
* [http://vangoghtv.hs-mainz.de/?page_id=589 Kultur-Back-Up. Ein Workshop zum Erhalt von digitalem Kulturgut], workshop, LUX, Mainz, 29-30 Oct 2019. Organised by the Institute for Media Design (img) of the Department of Design and the time-based media course at University of Applied Sciences, Mainz. Funded by the German Research Foundation as part of the DFG project ''Van Gogh TV: Indexing, multimedia documentation and analysis of estate''. [http://vangoghtv.hs-mainz.de/?lang=en Video documentation].
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* [http://maps2020.ludwigmuseum.hu/ MAPS - Media Art Preservation Symposium: The Dead Web - The End: Will the Internet End Soon?], Ludwig Museum, Budapest, 13-14 Feb 2020.
 
* [http://maps2020.ludwigmuseum.hu/ MAPS - Media Art Preservation Symposium: The Dead Web - The End: Will the Internet End Soon?], Ludwig Museum, Budapest, 13-14 Feb 2020.
  
* [https://www.li-ma.nl/lima/article/transformation-digital-art-2020 Transformation Digital Art 2020: Documenting Digital Art], symposium, LIMA, Amsterdam, <s>19-20 Mar 2020</s> (postponed).
+
* [https://sakipsabancimuzesi.org/en/exhibitions-and-events/event/192 Strategies of Keeping It Live: Conservation of Performance], Sabanci University Sakip Sabanci Museum, Istanbul, 28 Feb 2020.
  
* [https://www.lacma.org/events/all-together-now All Together Now: Time-Based Media Art and Collaborative Stewardship Colloquium], Los Angeles County Museum of Art (LACMA), Los Angeles, 25-26 Apr 2020. [https://www.incca.org/news/announcing-all-together-now-time-based-media-colloquium-lacma]
+
* [http://web.archive.org/web/20200303195829/https://www.lacma.org/events/all-together-now All Together Now: Time-Based Media Art and Collaborative Stewardship Colloquium], Los Angeles County Museum of Art (LACMA), Los Angeles, cancelled?. Postponed from 25-26 Apr 2020 until further notice. [https://www.incca.org/news/announcing-all-together-now-time-based-media-colloquium-lacma] [https://www.incca.org/news/postponed-all-together-now-time-based-media-colloquium-lacma]
  
* [https://www.mediaconservation.io/workshop-4 Media Conservation Initiative Workshop 4: Conservation of Video Art], Museum of Modern Art, New York, 8-12 Jun 2020. Part of MoMA's Media Conservation Initiative, funded by Mellon Foundation. [https://incca.org/events/workshop-conservation-video-art]
+
* [https://www.li-ma.nl/lima/news/documentation-digital-art Documentation of Digital Art], series of online workshops, LIMA, Amsterdam, 9-30 Jun 2020. Originally planned as the symposium [https://www.li-ma.nl/lima/article/postponed-transformation-digital-art-2020 Transformation Digital Art 2020: Documenting Digital Art] (19-20 Mar 2020) but this was cancelled due to the Covid-19 crisis.
  
* [https://learning.culturalheritage.org/p/techfocus_iv TechFocus IV: Caring for 3D Printed Art], SFMOMA, 5-6 Oct 2020. See also TechFocus 1 (2010), TechFocus 2 (2012) and TechFocus 3 (2015). Organised by a committee of the American Institute for Conservation’s Electronic Media Group (AIC EMG). [https://incca.org/events/techfocus-iv-caring-3d-printed-art]
+
* [https://isea2020.isea-international.org/summit-on-new-media-art-archiving/ Summit on New Media Art Archiving at ISEA2020], online (Montreal), 16 Oct 2020. Coordinated by representatives of the ISEA Symposium Archives, the Archive of Digital Art (ADA), the Ars Electronica Archive, and SIGGRAPH Digital Art Show Archive.  
  
* MAPS - Media Art Preservation Symposium: Beyond Matter, Ludwig Museum, Budapest, 22-23 Apr 2021.
+
* [https://www.li-ma.nl/lima/news/save-date-transformation-digital-art-symposium-2021-24-25-26-march-2021 Transformation Digital Art 2021], online (LIMA, Amsterdam), 24-26 Mar 2021. [https://www.li-ma.nl/lima/article/documenting-digital-art]
 +
 
 +
* [https://sakipsabancimuzesi.org/en/exhibitions-and-events/event/152 Preserving Immersive Media], Sabanci University Sakip Sabanci Museum, Istanbul, 8 Apr 2021. [https://vimeo.com/759080778 Video documentation].
 +
 
 +
* [https://performanceconservationmaterialityknowledge.com/events/colloquium-2021/ Performance: The Ethics and the Politics of Care #1. Mapping the Field], colloquium, online (Bern University of the Arts), 29-30 May 2021. First annual colloquium of the research project Performance: Conservation, Materiality, Knowledge. [https://performanceconservationmaterialityknowledgeart.files.wordpress.com/2021/02/cfp-performance-1-for-distrubution.pdf CfP]. [https://performanceconservationmaterialityknowledgeart.files.wordpress.com/2021/04/performance-conservation-colloquium-2021.pdf Program]. [https://performanceconservationmaterialityknowledge.com/events/colloquium-2021/ Video documentation].
 +
 
 +
* [https://www.mediaconservation.io/workshop-4 Media Conservation Initiative Workshop 4: Conservation of Video Art], online (Museum of Modern Art, New York), Jun-Jul 2021. Postponed from 8-12 Jun 2020. Part of MoMA's Media Conservation Initiative, funded by Mellon Foundation. [https://incca.org/events/workshop-conservation-video-art]
 +
 
 +
* [https://learning.culturalheritage.org/products/techfocus-iv-caring-for-3d-printed-art TechFocus IV: Caring for 3D-Printed Art], online (SFMOMA), 25-29 Oct 2021. Postponed from 5-6 Oct 2020 due to the COVID-19 health crisis. See also TechFocus 1 (2010), TechFocus 2 (2012) and TechFocus 3 (2015). Organised by a committee of the American Institute for Conservation’s Electronic Media Group (AIC EMG). [https://f9f7df2c79cc13143598-609f7062990e04dd7dd5b501c851683c.ssl.cf2.rackcdn.com/aichaw_b091b5fd7b40ab96fe6dca6572185c3d.pdf Schedule]. [https://incca.org/events/techfocus-iv-caring-3d-printed-art]
 +
 
 +
* [https://playitagainproject.com/conference/ Born Digital Cultural Heritage 2022 Conference], online & Australian Centre for the Moving Image, Melbourne, 16-19 Feb 2022. Conference on game history and digital preservation; incl. the series of events [https://www.acmi.net.au/whats-on/play-it-again-preserving-australias-videogames-from-the-1990s/ Play It Again: Preserving Australia's videogames from the 1990s]. Organised by Play IT Again in conjunction with ACMI and AARnet. [https://twitter.com/AgainPlay/status/1486860701104812033]
 +
 
 +
* [https://saltonline.org/en/2391/ Stage, Record, Archive: Performance], online (SALT, Istanbul), 22-23 Feb 2022. Conference addressing key issues regarding research, documentation and archival practices of performance art. Programmers: Amira Akbıyıkoğlu (SALT), Sezin Romi (SALT), Mine Söyler. [https://www.youtube.com/watch?v=XeWoNSDA0Lw&list=PLKU7ETbPIdf4SIrE9DYzhFp_aBwzovDCy Video documentation].
 +
 
 +
* [https://www.li-ma.nl/lima/article/transformation-digital-art-2022-0 Transformation Digital Art 2022], online (LIMA, Amsterdam), 17-18 Mar 2022. International symposium on the preservation of software-based art. [https://www.li-ma.nl/lima/article/transformation-digital-art-2022-0 Summaries and reflections].
 +
 
 +
* [http://cead.space/Detail/project-news/3841 New Media Museums Colloquium: Preserving and Collecting Media Arts], Olomouc Museum of Art, Olomouc, & online, 24-25 Mar 2022. Prepared by Dušan Barok in collaboration with Jakub Frank. Part of the New Media Museums project. [[Media:New Media Museums Colloquium 2022.pdf|Program leaflet]]. [https://www.youtube.com/watch?v=xuBEkiAB_qI&list=PLWRZTvgljmrgPWQtbK5Qi3ARi41SEHgYk&index=1 Video documentation].
 +
 
 +
* [https://isea2022.isea-international.org/event/2nd-summit-on-new-media-art-archiving/ Second Summit on New Media Art Archiving at ISEA2022], MACBA Barcelona & online, 10-11 Jun 2022. Organised by ISEA2022 Barcelona, the ISEA Symposium Archives, and SIGGRAPH History Archive, in cooperation with the Barcelona Museum of Contemporary Art (MACBA), FILE Festival archive, ADA Archive of Digital Art and Ars Electronica archive. [https://isea-archives.siggraph.org/second-summit-on-new-media-art-archiving-at-isea2022/ CfP].
 +
 
 +
* [https://www.tate.org.uk/whats-on/online-event/reshaping-the-collectible-learning-through-change Reshaping the Collectible: Learning through Change], conference, online (Tate London), 14-16 Sep 2022. Closing conference of the Reshaping the Collectible project.
 +
 
 +
* [https://performanceconservationmaterialityknowledge.com/events/2nd-annual-colloquium/ Performance Conservation: Interdisciplinary Perspectives], online (Bern University of the Arts), 30 Sep 2022. Second annual colloquium of the research project Performance: Conservation, Materiality, Knowledge. [https://performanceconservationmaterialityknowledge.com/2022/09/06/second-annual-colloquium/ Announcement]. [https://performanceconservationmaterialityknowledge.com/events/2nd-annual-colloquium/ Video documentation].
 +
 
 +
* [https://zkm.de/en/event/2022/10/just-in-time Just in Time: On the Status Quo and Future of Electronic Art Preservation], conference, ZKM Karlsruhe, 7-8 Oct 2022. Concept: Morgane Stricot, Margit Rosen. [https://zkm.de/en/video-documentation-of-the-conference-just-in-time Video documentation].
 +
 
 +
* [https://www.akbild.ac.at/en/institutes/conservation-restoration/events/lectures-events/2022/best-available-copy-3-the-preservation-of-time-based-media-art-again-and-again-and-again Best Available Copy 3 – the preservation of time-based media art ...again and again and again], lecture series, online (Academy of Fine Arts Vienna), 2 Nov 2022-1 May 2023. Organised by Carolin Bohlmann and Almut Schilling.
 +
 
 +
* [https://www.li-ma.nl/lima/article/transformation-digital-art-2023 Transformation Digital Art 2023], symposium, LIMA, Amsterdam, 16-17 Mar 2023.
 +
 
 +
* [https://www.li-ma.nl/lima/tags/digital-care Digital Care], event series, LIMA, Amsterdam, and elsewhere in the Netherlands, Mar 2023-. Artists, producers and technicians discuss what it means to present and preserve digital works today. In partnership with iii, Sonic Acts, V2, Creative Coding Utrecht, Royal Conservatoire, TETEM, MU, AKI ArtEZ, a.o. [https://www.eventbrite.nl/e/digital-care-lancering-tickets-569363620917]
 +
 
 +
* [https://performanceconservationmaterialityknowledge.com/events/third-annual-colloquium-performance-conservation-artists-speak/ Performance Conservation: Artists Speak], Bern University of the Arts, Bern, 16 May 2023. Third annual colloquium of the research project Performance: Conservation, Materiality, Knowledges.
 +
 
 +
* [https://www.isea-archives.org/about-3rd_summit Third Summit on New Media Art Archiving], ISEA2023, Forum des Images, Paris, 19-20 May 2023. Organised by the archivists of ISEA in co-operation with archivists of SIGGRAPH, Ars Electronica, ADA, ZKM, FILE, Media Art History & Memoduct Posthuman archive.
 +
 
 +
* [https://arthist.net/archive/40393 Performance/Archiv. Medien des Dokumentierens und Aufzeichnens], conference, VALIE EXPORT Center Linz, 16-17 Nov 2023. [[Media:Performance Archiv_Medien des Dokumentierens und Aufzeichnens 2023.pdf|Program PDF]].
 +
 
 +
* [https://www.li-ma.nl/lima/news/transformation-digital-art-2024 Transformation Digital Art 2024], symposium, ''REBOOT'', Nieuwe Instituut, Rotterdam, and LI-MA, Amsterdam, 21-22 Mar 2024.
  
 
==== Plastics ====
 
==== Plastics ====
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* [http://forum-kunststoffgeschichte.de/index.php Plastics Heritage: Forum Kunststoffgeschichte 2016] symposium, HTW Berlin University of Applied Science, Berlin, 27-29 Oct 2016. [https://www.incca.org/events/international-conference-plastics-heritage]
 
* [http://forum-kunststoffgeschichte.de/index.php Plastics Heritage: Forum Kunststoffgeschichte 2016] symposium, HTW Berlin University of Applied Science, Berlin, 27-29 Oct 2016. [https://www.incca.org/events/international-conference-plastics-heritage]
 
* [https://www.sbmk.nl/en/activities/SBMK_day_2018 SBMK Day: Plastics], Centraal Museum, Utrecht, 14 Nov 2018. [https://www.sbmk.nl/source/documents/SBMKday_programme2018.pdf Programme]. [https://www.sbmk.nl/source/documents/summit_2018-Z.pdf Abstracts].
 
* [https://www.sbmk.nl/en/activities/SBMK_day_2018 SBMK Day: Plastics], Centraal Museum, Utrecht, 14 Nov 2018. [https://www.sbmk.nl/source/documents/SBMKday_programme2018.pdf Programme]. [https://www.sbmk.nl/source/documents/summit_2018-Z.pdf Abstracts].
 +
* [https://incca.org/events/symposium-back-now-and-then-2023 Back, Now, and Then 2023: Understanding Dieter Roth’s POeMETRIE series & the Age of Plastics], Academy of Fine Arts Vienna, 12-13 Oct 2023.
  
 
==== Public Art (street art, outdoor sculpture, murals etc) ====
 
==== Public Art (street art, outdoor sculpture, murals etc) ====
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=== Exhibitions ===
 
=== Exhibitions ===
 
  
 
* Museum Boijmans Van Beuningen, Rotterdam, Sep 1997. Exhibition of the ten works investigated during the research project Modern Art: Who Cares?.
 
* Museum Boijmans Van Beuningen, Rotterdam, Sep 1997. Exhibition of the ten works investigated during the research project Modern Art: Who Cares?.
Line 844: Line 1,214:
  
 
* ''[http://www.digitalartconservation.org/index.php/en/exhibitions.html Digital Art Works. The Challenges of Conservation]'', ZKM, Karlsruhe, 29 Oct 2011-12 Feb 2012; Espace Multimédia Gantner, Bourogne, 25 Feb-28 Apr 2012; CEAAC, Strasbourg, 16 Jun-23 Sep 2012; House of Electronic Arts Basel, 18 Jan-31 Mar 2013. Part of Digital Art Conservation. Catalogue published 2011.
 
* ''[http://www.digitalartconservation.org/index.php/en/exhibitions.html Digital Art Works. The Challenges of Conservation]'', ZKM, Karlsruhe, 29 Oct 2011-12 Feb 2012; Espace Multimédia Gantner, Bourogne, 25 Feb-28 Apr 2012; CEAAC, Strasbourg, 16 Jun-23 Sep 2012; House of Electronic Arts Basel, 18 Jan-31 Mar 2013. Part of Digital Art Conservation. Catalogue published 2011.
 +
 +
* ''[https://www.newmuseum.org/exhibitions/view/xfr-stn XFR STN]'', New Museum of Contemporary Art, New York, 17 Jul-8 Sep 2013. An open-door artist-centered media archiving project. [[#XFRSTN|Catalogue]]. [https://archive.org/details/xfrstn Digitized material]. [https://www.artnews.com/art-in-america/features/salvaging-digital-art-at-the-new-museum-59521/] [https://www.nytimes.com/2013/08/12/arts/design/xfr-stn-offers-a-digital-update-at-the-new-museum.html]
 +
 +
* ''[https://legacy.imal.org/en/activity/welcome-future Welcome to the Future! The Floppy CD-ROM Revolution]'', iMAL, Brussels, 19 Mar-26 Apr 2015. [https://www.youtube.com/watch?v=7xKmmceto4k Video documentation].
  
 
* ''[http://www.bgc.bard.edu/gallery/gallery-at-bgc/past-exhibitions/revisions.html Revisions—Zen for Film]'', Bard Graduate Center Gallery, 18 Sep 2015-21 Feb 2016. Curated by Hanna Hölling. [http://www.voca.network/blog/2015/11/04/reflections-on-revisions-zen-for-film/ Reflections by Lara Schilling].
 
* ''[http://www.bgc.bard.edu/gallery/gallery-at-bgc/past-exhibitions/revisions.html Revisions—Zen for Film]'', Bard Graduate Center Gallery, 18 Sep 2015-21 Feb 2016. Curated by Hanna Hölling. [http://www.voca.network/blog/2015/11/04/reflections-on-revisions-zen-for-film/ Reflections by Lara Schilling].
Line 852: Line 1,226:
  
 
* ''[https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics The Art Happens Here: Net Art’s Archival Poetics]'', New Museum, New York, 22 Jan-26 May 2019. Organised by Rhizome as part of Net Art Anthology. Curated by Michael Connor with Aria Dean. Sponsored by Thoma Foundation. Catalogue published 2019.
 
* ''[https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics The Art Happens Here: Net Art’s Archival Poetics]'', New Museum, New York, 22 Jan-26 May 2019. Organised by Rhizome as part of Net Art Anthology. Curated by Michael Connor with Aria Dean. Sponsored by Thoma Foundation. Catalogue published 2019.
 +
 +
* ''[https://www.tate.org.uk/visit/tate-britain/display/lives-artworks The Lives of Artworks]'', Tate Britain, London, 1 Feb-10 Jul 2022. [https://www.tate.org.uk/visit/tate-britain/display/audio-tour-lives-of-artworks Audio tour]. Draws on ideas from the ''Reshaping the Collectible: When Artworks Live in the Museum'' research project.
 +
 +
* ''[https://www.bgc.bard.edu/exhibitions/exhibitions/115/conserving-active-matter Conserving Active Matter]'', Bard Graduate Center, 25 Mar-10 Jul 2022. [https://exhibitions.bgc.bard.edu/cam/ Online exhibition]. Outcome of Cultures of Conservation project.
 +
 +
* ''[https://nieuweinstituut.nl/en/projects/reboot-baanbrekende-digitale-kunst REBOOT. Pioneering Digital Art]'', Nieuwe Instituut, Rotterdam, 7 Oct 2023-1 Apr 2024. Exh. of twenty works from the [https://www.digitalcanon.nl Digital Canon (1960-2000)] project, along with nine newly commissioned works. Organised by [https://li-ma.nl/lima/news/reboot-pioneering-digital-art-opens-nieuwe-instituut LI-MA].
 +
 +
* ''[https://collegium.ethz.ch/veranstaltungen/?event=14031&cat=upcoming Docu & Demo: Exhibition on Archiving Programmed Media Art]'', Collegium Helveticum, Zurich, 15-29 Feb 2024. Organised by Inge Hinterwaldner.
  
 
== Software tools ==
 
== Software tools ==
  
 +
* [https://bavc.org/preserve-media/preservation-tools  Quality Control Tools for Video Preservation (QCTools)], enables the inspection of video signal characteristics for batches of digital media, in order to prioritize archival quality control, detect common errors in digitization, facilitate targeted response, and thus increase trust in video digitization efforts. FLOSS, developed by Bay Area Video Coalition.
 
* [https://webrecorder.io/ Webrecorder] provides an integrated platform for creating high-fidelity, ISO-compliant web archives in a user-friendly interface, providing access to archived content, and sharing collections. An open source initiative by Rhizome at the New Museum. [https://github.com/webrecorder/ Source code].
 
* [https://webrecorder.io/ Webrecorder] provides an integrated platform for creating high-fidelity, ISO-compliant web archives in a user-friendly interface, providing access to archived content, and sharing collections. An open source initiative by Rhizome at the New Museum. [https://github.com/webrecorder/ Source code].
 
* [http://oldweb.today/ OldWeb.today / Netcapsule], a proof-of-concept system for browsing old web sites from existing web archives in old browsers, inside a modern browser. [https://github.com/ikreymer/netcapsule Source code].
 
* [http://oldweb.today/ OldWeb.today / Netcapsule], a proof-of-concept system for browsing old web sites from existing web archives in old browsers, inside a modern browser. [https://github.com/ikreymer/netcapsule Source code].
Line 861: Line 1,244:
 
* [http://motionbank.org/en/event/pm2go-easy-use-video-annotation-tool PM2GO], free video annotation tool.
 
* [http://motionbank.org/en/event/pm2go-easy-use-video-annotation-tool PM2GO], free video annotation tool.
 
* [https://github.com/rhizomedotorg/conservation-tools Conservation tools from Rhizome]
 
* [https://github.com/rhizomedotorg/conservation-tools Conservation tools from Rhizome]
 +
* [https://artchive.cloud/en/ Art.c.HIVE], system for archiving and preserving digital components of artworks
  
 
== Resources, guides ==
 
== Resources, guides ==
Line 866: Line 1,250:
 
''See also [[#Research_projects.2C_networks.2C_consortiums|research projects]].''
 
''See also [[#Research_projects.2C_networks.2C_consortiums|research projects]].''
  
<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3; font-size: .95em;">
+
<div class=threecol>
 +
 
 
* AIC (American Institute for Conservation), ''The AIC Guide to Digital Photography and Conservation Documentation'', 3rd ed., 2017. [https://www.culturalheritage.org/publications/books-periodicals/the-aic-guide]
 
* AIC (American Institute for Conservation), ''The AIC Guide to Digital Photography and Conservation Documentation'', 3rd ed., 2017. [https://www.culturalheritage.org/publications/books-periodicals/the-aic-guide]
 +
 
* AIC (American Institute for Conservation), [http://www.conservation-wiki.com AIC Wiki: A Collaborative Knowledge Resource].
 
* AIC (American Institute for Conservation), [http://www.conservation-wiki.com AIC Wiki: A Collaborative Knowledge Resource].
* BAVC (Bay Area Video Coalition), [https://bavc.github.io/avaa/ AV Artifact Atlas], resource for identifying errors and anomalies in analog and digital video.
+
 
 +
* [https://github.com/amiaopensource AMIA Open Source], an organizational account for collaboration on resources that support the preservation and use of moving image media.
 +
 
 +
* [https://www.li-ma.nl/adt/ Artwork Documentation Tool], launched 2017 by [[LIMA]].
 +
 
 +
* BAVC (Bay Area Video Coalition), [http://www.avartifactatlas.com/ AV Artifact Atlas], resource for identifying errors and anomalies in analog and digital video. [https://bavc.org/preserve-media/preservation-tools]
 +
 
 +
* BAVC (Bay Area Video Coalition), [http://www.avcompass.bavc.org/ AV Compass], offers comprehensive instruction in organizing and preserving a media collection. [https://bavc.org/preserve-media/preservation-tools]
 +
 
 
* DCA (Digitising Contemporary Art), [http://web.archive.org/web/20160706034918/http://wiki.dca-project.eu/wiki/Main_Page DCA wiki], guidebook for the digitisation of contemporary art, c.2013 (archived). {{multi}}
 
* DCA (Digitising Contemporary Art), [http://web.archive.org/web/20160706034918/http://wiki.dca-project.eu/wiki/Main_Page DCA wiki], guidebook for the digitisation of contemporary art, c.2013 (archived). {{multi}}
 +
 
* DOCAM (Documentation and Conservation of the Media Arts Heritage), [http://www.docam.ca/en/conservation-guide.html Conservation Guide: A Preservation Guide for Technology-Based Artworks], 2010. {{en}}/{{fr}}
 
* DOCAM (Documentation and Conservation of the Media Arts Heritage), [http://www.docam.ca/en/conservation-guide.html Conservation Guide: A Preservation Guide for Technology-Based Artworks], 2010. {{en}}/{{fr}}
 +
 
* DOCAM (Documentation and Conservation of the Media Arts Heritage), [http://www.docam.ca/en/cataloguing-guide.html Cataloguing Guide for New Media Collections], 2010. {{en}}/{{fr}}
 
* DOCAM (Documentation and Conservation of the Media Arts Heritage), [http://www.docam.ca/en/cataloguing-guide.html Cataloguing Guide for New Media Collections], 2010. {{en}}/{{fr}}
 +
 
* DPC (Digital Preservation Coalition), [https://wiki.dpconline.org Digital Preservation Coalition Wiki]
 
* DPC (Digital Preservation Coalition), [https://wiki.dpconline.org Digital Preservation Coalition Wiki]
 +
 
* EAI (Electronic Arts Intermix), [http://www.eai.org/resourceguide/ Online Resource Guide for Exhibiting, Collecting, and Preserving Media Art]. Originally compiled by IMAP.
 
* EAI (Electronic Arts Intermix), [http://www.eai.org/resourceguide/ Online Resource Guide for Exhibiting, Collecting, and Preserving Media Art]. Originally compiled by IMAP.
 +
 
* FAIC (Foundation for Advancement in Conservation), [http://cool.conservation-us.org CoOL: Conservation OnLine], freely accessible platform to generate and disseminate vital resources for those working to preserve cultural heritage worldwide.
 
* FAIC (Foundation for Advancement in Conservation), [http://cool.conservation-us.org CoOL: Conservation OnLine], freely accessible platform to generate and disseminate vital resources for those working to preserve cultural heritage worldwide.
 +
 
* Guggenheim, [https://www.guggenheim.org/conservation/time-based-media Time-Based Media], incl. preservation models for video and templates for iteration report and media report.
 
* Guggenheim, [https://www.guggenheim.org/conservation/time-based-media Time-Based Media], incl. preservation models for video and templates for iteration report and media report.
 +
 
* Hocking, Sherry Miller, and Mona Jimenez, ''[http://www.experimentaltvcenter.org/book/export/html/5781 Video Preservation: The Basics]'', 2000. An activity of the Video History Project organized by the Experimental Television Center.
 
* Hocking, Sherry Miller, and Mona Jimenez, ''[http://www.experimentaltvcenter.org/book/export/html/5781 Video Preservation: The Basics]'', 2000. An activity of the Video History Project organized by the Experimental Television Center.
 +
 
* IMAP (Independent Media Arts Preservation), [http://web.archive.org/web/20170528101812/http://www.imappreserve.org/archivingarts/ Archiving the Arts], preservation resource for media artists (archived).
 
* IMAP (Independent Media Arts Preservation), [http://web.archive.org/web/20170528101812/http://www.imappreserve.org/archivingarts/ Archiving the Arts], preservation resource for media artists (archived).
 +
 
* IMAP (Independent Media Arts Preservation), [http://web.archive.org/web/20170408040206/http://www.imappreserve.org/cat_proj/tutorial.html Cataloging Template Tutorial], c.2003 (archived).
 
* IMAP (Independent Media Arts Preservation), [http://web.archive.org/web/20170408040206/http://www.imappreserve.org/cat_proj/tutorial.html Cataloging Template Tutorial], c.2003 (archived).
 +
 
* IMAP (Independent Media Arts Preservation), [http://web.archive.org/web/20170409232806/http://www.imappreserve.org/pres_101/index.html Media Preservation 101] (archived).
 
* IMAP (Independent Media Arts Preservation), [http://web.archive.org/web/20170409232806/http://www.imappreserve.org/pres_101/index.html Media Preservation 101] (archived).
 +
 
* [https://incca.org/ INCCA: International Network for the Conservation of Contemporary Art]. INCCA members are dedicated to developing, sharing and preserving knowledge needed for the conservation of modern and contemporary art. INCCA is a network of like-minded professionals connected to the conservation of modern and contemporary art. Conservators, curators, scientists, registrars, archivists, art historians, artists, educators and students are among our members.
 
* [https://incca.org/ INCCA: International Network for the Conservation of Contemporary Art]. INCCA members are dedicated to developing, sharing and preserving knowledge needed for the conservation of modern and contemporary art. INCCA is a network of like-minded professionals connected to the conservation of modern and contemporary art. Conservators, curators, scientists, registrars, archivists, art historians, artists, educators and students are among our members.
 +
 
* Jimenez, Mona, and Liss Platt (eds.), ''Magnetic Media Preservation Sourcebook'', New York: Media Alliance, 1998. A directory of resources for the preservation of audio and video materials. [https://web.archive.org/web/20040805202052/http://www.mediaalliance.org/pres.srcbk.html]
 
* Jimenez, Mona, and Liss Platt (eds.), ''Magnetic Media Preservation Sourcebook'', New York: Media Alliance, 1998. A directory of resources for the preservation of audio and video materials. [https://web.archive.org/web/20040805202052/http://www.mediaalliance.org/pres.srcbk.html]
* Lozano-Hemmer, Rafael, [https://github.com/antimodular/Best-practices-for-conservation-of-media-art  Best practices for conservation of media art from an artist’s perspective], 2015.
+
 
 +
* Library of Congress, [https://www.loc.gov/preservation/digital/formats/ Formats / Sustainability of Digital Formats: Planning for Library of Congress Collections], 2004ff. Resource for in-depth information about digital file formats. It covers over 525 formats, encodings and wrappers in a variety of content categories – sound recordings, still images, datasets, textual materials, moving images, website and web archives, geospatial, music composition, 3D and architectural drawings and more. [https://blogs.loc.gov/thesignal/2021/12/fun-with-file-formats/ About].
 +
 
 +
* Lozano-Hemmer, Rafael, [https://github.com/antimodular/Best-practices-for-conservation-of-media-art  Best practices for conservation of media art from an artist’s perspective], 2015. [https://tldr.nettime.org/@errafael/110951732765697348 Toot].
 +
 
 
* Matters in Media Art, [http://mattersinmediaart.org/ Guidelines for the care of media artworks], 2016. A resource for collectors, artists, and institutions of all sizes caring for works of art that have moving image, electronic, and digital elements. Collaboration between MoMA, SFMOMA and Tate.
 
* Matters in Media Art, [http://mattersinmediaart.org/ Guidelines for the care of media artworks], 2016. A resource for collectors, artists, and institutions of all sizes caring for works of art that have moving image, electronic, and digital elements. Collaboration between MoMA, SFMOMA and Tate.
* The Met, [https://www.metmuseum.org/about-the-met/conservation-and-scientific-research/time-based-media-working-group/documentation Sample Documentation and Templates], Time-Based Media Working Group, The Met, NY.
+
** [http://mma-zh.savemediaart.tw/ Matters in Media Art Mandarin 媒體藝術事務中文網站], launched 2021. [https://www.incca.org/news/mandarin-chinese-version-matter-media-art-website-released] {{cn}}
 +
 
 +
* The Met's Time-Based Media Working Group, [https://www.metmuseum.org/about-the-met/conservation-and-scientific-research/time-based-media-working-group/documentation Sample Documentation and Templates], for artists, organizations, and collectors of time-based media artworks. Published c.2017-2019.
 +
 
 
* MFA Boston (Museum of Fine Arts), [http://cameo.mfa.org/wiki/ CAMEO: Conservation & Art Materials Encyclopedia Online]. The MATERIALS database contains chemical, physical, visual, and analytical information on historic and contemporary materials used in the production and conservation of artistic, architectural, archaeological, and anthropological materials.
 
* MFA Boston (Museum of Fine Arts), [http://cameo.mfa.org/wiki/ CAMEO: Conservation & Art Materials Encyclopedia Online]. The MATERIALS database contains chemical, physical, visual, and analytical information on historic and contemporary materials used in the production and conservation of artistic, architectural, archaeological, and anthropological materials.
 +
 +
* MoMA, [https://www.mediaconservation.io/resources Media Conservation Initiative Resources], a selection of presentations, templates and other resources related to collections care of media artworks. Published c.2021.
 +
 +
* Nagels, Katherine, [https://github.com/amiaopensource/time-based-media-art time-based-media-art], collects resources on the care and preservation of time-based media art. Part of AMIA Open Source.
 +
 
* National Park Service, [https://www.nps.gov/museum/publications/conserveogram/cons_toc.html Conserve O Grams], downloadable leaflets about caring for museum objects, published by The Museum Management Program of NPS.
 
* National Park Service, [https://www.nps.gov/museum/publications/conserveogram/cons_toc.html Conserve O Grams], downloadable leaflets about caring for museum objects, published by The Museum Management Program of NPS.
 +
 
* NIMk, [http://web.archive.org/web/20131026201643/www.dca-project.eu/images/uploads/varia/DCA_D61_Guidelines_Long_Term_Preservation_Strategy_20120213_V1.pdf Guidelines for a Long-term Preservation Strategy for Digital Reproductions and Metadata], 2012.
 
* NIMk, [http://web.archive.org/web/20131026201643/www.dca-project.eu/images/uploads/varia/DCA_D61_Guidelines_Long_Term_Preservation_Strategy_20120213_V1.pdf Guidelines for a Long-term Preservation Strategy for Digital Reproductions and Metadata], 2012.
 +
 
* NIMK, [http://nimk.nl/eng/preservation/preservation-resource Preservation resource], has sections on video art, computer-based art and media art installation preservation.
 
* NIMK, [http://nimk.nl/eng/preservation/preservation-resource Preservation resource], has sections on video art, computer-based art and media art installation preservation.
 +
 
* PACKED, [http://www.projectCEST.be Cultural Heritage Standards Toolbox] (Cultureel ErfgoedStandaarden Toolbox, CEST), toolbox to help cultural heritage institutions to select the right standards for the creation, management and dissemination of digital collections. {{nl}}
 
* PACKED, [http://www.projectCEST.be Cultural Heritage Standards Toolbox] (Cultureel ErfgoedStandaarden Toolbox, CEST), toolbox to help cultural heritage institutions to select the right standards for the creation, management and dissemination of digital collections. {{nl}}
 +
 
* PACKED, [https://www.scart.be/ Scart], website on audiovisual heritage with a focus on the preservation of audiovisual collections. {{nl}}/{{en}}/{{fr}}
 
* PACKED, [https://www.scart.be/ Scart], website on audiovisual heritage with a focus on the preservation of audiovisual collections. {{nl}}/{{en}}/{{fr}}
 +
 
* PACKED, [http://www.scoremodel.org Scoremodel], evaluation tool which determines the threats and risks regarding the long-term sustainability of your digital assets. {{nl}}/{{en}}
 
* PACKED, [http://www.scoremodel.org Scoremodel], evaluation tool which determines the threats and risks regarding the long-term sustainability of your digital assets. {{nl}}/{{en}}
 +
 
* PACKED, [http://www.projecttracks.be Tracks], toolbox and guidelines for the care of archives and collections in the arts field, c.2018. {{nl}}/{{en}}
 
* PACKED, [http://www.projecttracks.be Tracks], toolbox and guidelines for the care of archives and collections in the arts field, c.2018. {{nl}}/{{en}}
 +
 +
* [https://pimkb.gitbook.io/pimkb/ Preserving Immersive Media Knowledge Base], resource created to help share information between members of the digital preservation community who are caring for virtual reality (VR), augmented reality (AR), mixed reality (MR), 360 video, real-time 3D software and other similar materials.
 +
 
* RCE (Cultural Heritage Agency of the Netherlands), [http://www.kennisvoorcollecties.nl/en/researchagenda/ Knowledge for Collections] (Kennis voor collecties), documentation of 60 research projects on movable heritage conducted by RCE from 2008-2012.
 
* RCE (Cultural Heritage Agency of the Netherlands), [http://www.kennisvoorcollecties.nl/en/researchagenda/ Knowledge for Collections] (Kennis voor collecties), documentation of 60 research projects on movable heritage conducted by RCE from 2008-2012.
 +
 +
* Smithsonian, [https://www.si.edu/tbma/resources Time-based Media & Digital Art Resources].
 +
 
* [https://www.sustainabilityinconservation.com/ Sustainability in Conservation] (SiC), international NGO aimed at promoting sustainability and environmental awareness in conservation of cultural heritage and related fields. Founded 2016.
 
* [https://www.sustainabilityinconservation.com/ Sustainability in Conservation] (SiC), international NGO aimed at promoting sustainability and environmental awareness in conservation of cultural heritage and related fields. Founded 2016.
 +
 
* Tate, [https://www.tate.org.uk/about-us/conservation Conservation].
 
* Tate, [https://www.tate.org.uk/about-us/conservation Conservation].
 +
 
* [http://techniquesmixtes.hypotheses.org/ Techniques mixtes: conservation, restauration et art contemporain], une plateforme d’échange, de réflexion, de publication autour des enjeux théoriques et pratiques liés à la conservation-restauration de l’art contemporain. {{fr}}
 
* [http://techniquesmixtes.hypotheses.org/ Techniques mixtes: conservation, restauration et art contemporain], une plateforme d’échange, de réflexion, de publication autour des enjeux théoriques et pratiques liés à la conservation-restauration de l’art contemporain. {{fr}}
 +
 
* [http://web.archive.org/web/20170804020838/http://www.20thcpaint.org/ Twentieth Century in Paint], examines new media, pigments, dyes and additives that led to the creation of revolutionary works of art in the 20th century in Australia and Southeast Asia, c.2012 (archived). [https://arts.unimelb.edu.au/school-of-historical-and-philosophical-studies/research/projects/conservation/projects/past About research project].
 
* [http://web.archive.org/web/20170804020838/http://www.20thcpaint.org/ Twentieth Century in Paint], examines new media, pigments, dyes and additives that led to the creation of revolutionary works of art in the 20th century in Australia and Southeast Asia, c.2012 (archived). [https://arts.unimelb.edu.au/school-of-historical-and-philosophical-studies/research/projects/conservation/projects/past About research project].
 +
 +
* [https://variablemediaquestionnaire.net/ Variable Media Questionnaire]. Project of Forging the Future.
 +
 
* Vitale, Tim, and Paul Messier, [http://videopreservation.conservation-us.org/ Video Preservation: Video Migration in the Preservation Laboratory. Tools to Identify and Use Historic Video Equipment], 2013.
 
* Vitale, Tim, and Paul Messier, [http://videopreservation.conservation-us.org/ Video Preservation: Video Migration in the Preservation Laboratory. Tools to Identify and Use Historic Video Equipment], 2013.
 +
 
* Wheeler, Jim, [http://web.archive.org/web/20180111130359/www.amianet.org/sites/all/files/WheelerVideo.pdf Videotape Preservation Handbook], 2002.
 
* Wheeler, Jim, [http://web.archive.org/web/20180111130359/www.amianet.org/sites/all/files/WheelerVideo.pdf Videotape Preservation Handbook], 2002.
  
 
; more
 
; more
 +
 
* [http://cool.conservation-us.org/misc/conslink.html Conservation Resources compiled by CoOL].
 
* [http://cool.conservation-us.org/misc/conslink.html Conservation Resources compiled by CoOL].
 +
 
* [http://web.archive.org/web/20100122082432/http://www.hartware-projekte.de/programm/inhalt/eulink.htm Links compiled by 404 Object Not Found].
 
* [http://web.archive.org/web/20100122082432/http://www.hartware-projekte.de/programm/inhalt/eulink.htm Links compiled by 404 Object Not Found].
 +
 +
* [https://xfrcollective.wordpress.com/resources/ Video preservation resources compiled by XFR Collective]
 +
 
* Internet resources compiled by IMAP: [http://web.archive.org/web/20050123034348/http://www.imappreserve.org/info_res/internet/format_guides.html Format guides], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/cataloging.html Cataloging], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/storage.html Storage], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/disaster.html Disaster planning], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/treatment.html Treatment], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/medium-specific/video.html Video], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/medium-specific/audio.html Audio], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/medium-specific/digital.html Digital media], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/medium-specific/film.html Film], [http://web.archive.org/web/20050121032955/http://www.imappreserve.org/info_res/internet/websites.html Media Preservation Web Sites]. (all pages archived 2005)
 
* Internet resources compiled by IMAP: [http://web.archive.org/web/20050123034348/http://www.imappreserve.org/info_res/internet/format_guides.html Format guides], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/cataloging.html Cataloging], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/storage.html Storage], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/disaster.html Disaster planning], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/treatment.html Treatment], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/medium-specific/video.html Video], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/medium-specific/audio.html Audio], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/medium-specific/digital.html Digital media], [http://web.archive.org/web/20050121033157/http://www.imappreserve.org/info_res/internet/medium-specific/film.html Film], [http://web.archive.org/web/20050121032955/http://www.imappreserve.org/info_res/internet/websites.html Media Preservation Web Sites]. (all pages archived 2005)
 +
 
</div>
 
</div>
  
 
===Glossaries===
 
===Glossaries===
  
<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3; font-size: .95em;">
+
<div class=threecol>
* Bay Area Video Coalition (BAVC), [https://bavc.github.io/avaa/preservation_glossary.html AV Preservation Glossary], previously as [https://web.archive.org/web/20060708082822/http://www.bavc.org/preservation/dvd/resources/gloss.htm Video Preservation Glossary] (archived 2006), [http://cool.conservation-us.org/byorg/bavc/bavcterm.html Copy]. Originally developed to assist members of the BAVC Video Preservation Round Table working group who met in Minneapolis, Minnesota during 1995-1996.
+
 
 +
* Bay Area Video Coalition (BAVC), [http://www.avartifactatlas.com/preservation_glossary.html AV Preservation Glossary], previously as [https://web.archive.org/web/20060708082822/http://www.bavc.org/preservation/dvd/resources/gloss.htm Video Preservation Glossary] (archived 2006), [http://cool.conservation-us.org/byorg/bavc/bavcterm.html Copy]. Originally developed to assist members of the BAVC Video Preservation Round Table working group who met in Minneapolis, Minnesota during 1995-1996.
 +
 
 
* Conservation OnLine (CoOL), [http://cool.conservation-us.org/lex/ Lexical and Classification Resources]. The page offers dictionaries, thesauri, classification schemes, and related matter primarily of use to those managing preservation libraries, imaging projects, documentation systems, etc.  
 
* Conservation OnLine (CoOL), [http://cool.conservation-us.org/lex/ Lexical and Classification Resources]. The page offers dictionaries, thesauri, classification schemes, and related matter primarily of use to those managing preservation libraries, imaging projects, documentation systems, etc.  
 +
 
* DOCAM, [http://www.docam.ca/en/glossaurus.html Glossaurus], 2009. Based on SKOS (Simple Knowledge Organization System) standard; complements CDWA, AAT and DAM. [http://archives.docam.ca/en/?p=49]
 
* DOCAM, [http://www.docam.ca/en/glossaurus.html Glossaurus], 2009. Based on SKOS (Simple Knowledge Organization System) standard; complements CDWA, AAT and DAM. [http://archives.docam.ca/en/?p=49]
 +
 
* Electronic Arts Intermix (EAI), [http://www.eai.org/resourceguide/glossary.html Glossary of terms relating to electronic media]
 
* Electronic Arts Intermix (EAI), [http://www.eai.org/resourceguide/glossary.html Glossary of terms relating to electronic media]
 +
 
* The Foundation for the Conservation of Modern Art (SBMK), [http://web.archive.org/web/20100119145805/www.montevideo.nl/en/pdf/CONSERVERING_153tm168.pdf Preservation of Dutch Video Art Collections: Glossary of terms], 2003.
 
* The Foundation for the Conservation of Modern Art (SBMK), [http://web.archive.org/web/20100119145805/www.montevideo.nl/en/pdf/CONSERVERING_153tm168.pdf Preservation of Dutch Video Art Collections: Glossary of terms], 2003.
 +
 
* Getty Research Institute, [http://www.getty.edu/research/tools/vocabularies/aat/index.html Art and Architecture Thesaurus] (AAT), updated 2017.
 
* Getty Research Institute, [http://www.getty.edu/research/tools/vocabularies/aat/index.html Art and Architecture Thesaurus] (AAT), updated 2017.
 +
 
* Getty Research Institute, [http://www.getty.edu/research/publications/electronic_publications/cdwa/ Categories for the Description of Works of Art] (CDWA), eds. Patricia Harpring, Murtha Baca and Patricia Harpring, 2014. A set of guidelines for the description of art, architecture, and other cultural works. CDWA also provides a framework to which existing art information systems may be mapped, upon which new systems may be developed, or upon which data may be linked in an open environment. CDWA is mapped to the Cultural Objects Name Authority (CONA) and CIDOC CRM.
 
* Getty Research Institute, [http://www.getty.edu/research/publications/electronic_publications/cdwa/ Categories for the Description of Works of Art] (CDWA), eds. Patricia Harpring, Murtha Baca and Patricia Harpring, 2014. A set of guidelines for the description of art, architecture, and other cultural works. CDWA also provides a framework to which existing art information systems may be mapped, upon which new systems may be developed, or upon which data may be linked in an open environment. CDWA is mapped to the Cultural Objects Name Authority (CONA) and CIDOC CRM.
 +
 
* ICN Research Department Amsterdam & INCCA, [http://inside-installations.sbmk.nl/glossary/ Inside Installations Glossary], 2006. [http://inside-installations.sbmk.nl/research/detail.theory02.html About]. Largely based on quotations, includes a language switch option for translated terms to ES & IT; created by Tatja Scholte and Lora Markova (intern Maastricht U); ES trans. Arinne Vanrell, MNCARS; IT trans. Caterina Paolisso, MNCARS. [http://web.archive.org/web/20080405224859/http://glossary.inside-installations.org/categories.php]
 
* ICN Research Department Amsterdam & INCCA, [http://inside-installations.sbmk.nl/glossary/ Inside Installations Glossary], 2006. [http://inside-installations.sbmk.nl/research/detail.theory02.html About]. Largely based on quotations, includes a language switch option for translated terms to ES & IT; created by Tatja Scholte and Lora Markova (intern Maastricht U); ES trans. Arinne Vanrell, MNCARS; IT trans. Caterina Paolisso, MNCARS. [http://web.archive.org/web/20080405224859/http://glossary.inside-installations.org/categories.php]
 +
 
* ICOM-CC, [http://www.icom-cc.org/242/about-icom-cc/what-is-conversation/terminology/ Terminology to characterize the conservation of tangible cultural heritage], 2008.
 
* ICOM-CC, [http://www.icom-cc.org/242/about-icom-cc/what-is-conversation/terminology/ Terminology to characterize the conservation of tangible cultural heritage], 2008.
 +
 
* Netherlands Institute for Sound and Vision, [https://publications.beeldengeluid.nl/pub/84 Preservation Metadata Dictionary] (PMD) v1.2, 2015. Summary of the definitions of preservation metadata, a combination of a variety of existing standards, to best serve the needs of the institute as an audiovisual archive.
 
* Netherlands Institute for Sound and Vision, [https://publications.beeldengeluid.nl/pub/84 Preservation Metadata Dictionary] (PMD) v1.2, 2015. Summary of the definitions of preservation metadata, a combination of a variety of existing standards, to best serve the needs of the institute as an audiovisual archive.
 +
 
* NIMK, [http://nimk.nl/eng/preservation/media-art-preservation-links#glossaries list of media art preservation glossaries]
 
* NIMK, [http://nimk.nl/eng/preservation/media-art-preservation-links#glossaries list of media art preservation glossaries]
 +
 +
* [https://pimkb.gitbook.io/pimkb/glossary Preserving Immersive Media: Glossary]
 +
 
* UPF, [http://web.archive.org/web/20150329150443/info.wgbh.org/upf/glossary.html Universal Preservation Format Glossary] (archived 2015)
 
* UPF, [http://web.archive.org/web/20150329150443/info.wgbh.org/upf/glossary.html Universal Preservation Format Glossary] (archived 2015)
 +
 
* Variable Media Initiative, [http://web.archive.org/web/20170209021818/http://www.variablemedia.net/pdf/Glossary_ENG.pdf Variable Media Glossary], 2003; published in ''Permanence Through Change'', 2003, pp 123ff.  
 
* Variable Media Initiative, [http://web.archive.org/web/20170209021818/http://www.variablemedia.net/pdf/Glossary_ENG.pdf Variable Media Glossary], 2003; published in ''Permanence Through Change'', 2003, pp 123ff.  
 +
 
* V2, [http://v2.nl/archive/articles/capturing-unstable-media-glossary Capturing Unstable Media Glossary], 2003.
 
* V2, [http://v2.nl/archive/articles/capturing-unstable-media-glossary Capturing Unstable Media Glossary], 2003.
 +
 
</div>
 
</div>
  
  
 
{{Art}}
 
{{Art}}

Latest revision as of 19:18, 20 March 2024

Visual art

Styles and movementsHistoriansWritersMuseumsCare1990sEast Central EuropeReference.
Art and culture, Contents, Index, About.

This page brings together resources on the conservation and care of modern and contemporary art. It originated as a collaborative effort within the NACCA research network and remains open to contributions.

Labs, initiatives, associations[edit]

  • Artist Archives Initiative was founded at New York University to promote research and disseminate knowledge about the display and care of contemporary art. The initiative responds to a growing need for art world professionals and academic researchers to work with artists in building information resources to aid future exhibition and re-activation of their work. Resources: David Wojnarowicz Knowledge Base, Joan Jones Knowledge Base.
  • Association of Moving Image Archivists (AMIA), a non-profit professional association established to advance the field of moving image archiving by fostering cooperation among individuals and organizations concerned with the acquisition, description, preservation, exhibition and use of moving image materials. Est. 1990 by representatives of over eighty American and Canadian film and television archives.
  • BAVC Preservation. Video preservation & digitization, serving other non-profits, cultural heritage orgs, and artists since 1994. Department of Bay Area Video Coalition (BAVC).
  • bwFLA, a platform on emulation as an online service. Hosted by U Freiburg. bwCloud.
  • Collaborative Cataloging Japan (CCJ), international non-profit organization dedicated to preserving the legacy of Japanese experimental moving image produced from the 1950s through 1980s, including fine art on film and video, documentations of performance, independently produced documentaries, experimental animation and experimental television.
  • Electronic Arts Intermix (EAI), New York City, est. 1971. Nonprofit organisation; distributes and preserves a major collection of recent and historical video works by artists. One of the leading organisations in the United States with regards to the production, exhibition, distribution and preservation of video art, and more recent also of digital art projects.
  • Foundation for the Conservation of Contemporary Art (Stichting Behoud Moderne Kunst, SBMK) embarks on projects related to the conservation and care of contemporary visual art. Est. 1995 by a range of Dutch museums specialising in modern and contemporary art. A number of joint research projects with ICN.
  • LIMA, Amsterdam. Platform for distribution, preservation and research of media art. Dir. Gaby Wijers. The Foundation LIMA was established in 2012 by experts from the Netherlands Media Art Institute (NIMk, discontinued as of 1 January 2013) dedicated to providing continued, long-term access to works of media art. LIMA provides digitisation and preservation services and permanent digital storage for media artworks by more than five hundred artists, including Marina Abramovic, the Vasulkas, Nan Hoover, Stansfield/Hooykaas, Servaas and Jan Fabre, and for more than fifteen collections, including those of the Kröller-Müller Museum, the Van Abbemuseum, and the Netherlands Cultural Heritage Agency (RCE).
  • Myriad, a nonprofit consulting firm that specializes in collections preservation and planning for small to mid-sized cultural organizations. Director: Frances Harrell.
  • PACKED vzw has grown from a platform organisation for the archiving and preservation of audiovisual arts into a centre of expertise for digital cultural heritage.
  • Rhizome champions born-digital art and culture through commissions, exhibitions, scholarship, and digital preservation. Est. 1996. Since 2003, Rhizome has been an affiliate in residence at the New Museum of Contemporary Art in New York City.
  • XFR Collective, partners with artists, activists, and community organizations to lower the barriers to preserving at-risk audiovisual media – especially unseen, unheard, or marginalized works – through digitization, screenings, educational workshops, and pop-up events. Est. 2014.
Private

National[edit]

Inactive and former initiatives[edit]

  • Central Laboratory for Research of Objects of Art and Science, NL, est. 1963. One of the forerunners of ICN.
  • Independent Media Arts Preservation (IMAP). Nonprofit service, education, and advocacy organization committed to the preservation of non-commercial electronic media. Grew from a New York-based consortium of arts organizations and individuals to a national resource for preservation training, information, and advocacy. Est. 1999, c/o Lehman College, Bronx, NYC.
  • Netherlands Institute for Cultural Heritage (ICN). Became part of RCE in Jan 2011.

more[edit]

[4] [5] [6] [7] [8]

Publications[edit]

Magazines, journals[edit]

  • Studies in Conservation, ed. Chandra Reedy, London: IIC, since Oct 1952. Peer-reviewed academic journal. Published 8 times per year. Subscription access (Taylor & Francis). Publisher.
  • Studies in Conservation Abstracts, later IIC Abstracts (1955-1965), vols. 1-5, IIC; later as Art and Archaeology Technical Abstracts (AATA), Institute of Fine Arts/New York University (1966-1983) and Getty Trust (subsequently by Getty Conservation Institute) from 1983 (or 1985?), became available online in 2002 (http://aata.getty.edu/NPS). Preceded by: Gettens; Utilson, Abstracts of Technical Studies in Art and Archaeology 1943-1952, Freer Gallery of Art Occasional Paper 2, Washington DC (1955).
  • Journal of the American Institute for Conservation, Washington, DC: AIC, since 1960. Peer-reviewed academic journal. Published 4 times per year. Formerly as Bulletin of the American Institute for Conservation (1974-1976) and International Institute for Conservation of Historic and Artistic Works: Bulletin of the American Group (1960-1973). Subscription access (Taylor & Francis).
  • Journal of the Institute of Conservation, ed. Jonathan Kemp, London: ICON, since 1977. Peer-reviewed academic journal. Published 3 times per year. Formerly as The Conservator, London: IIC UK Group, 1977-2008. Before The Conservator was established, reports of meetings of the IIC UK Group were typed, duplicated and distributed to members. Subscription access (Taylor & Francis). Publisher.
  • Conservation Journal, London: V&A Museum, since 1991. Published once a year. Open Access.
  • Technè: revue de Centre de recherche et de restauration des Musées de France (C2RMF), ed. Brigitte Bourgeois, Paris: C2RMF, since 1994. Published 2 times per year. Publisher. [9] Multilingual ((French),(English),(German),(Italian),(Spanish))
  • Journal of Conservation and Museum Studies, London: Institute of Archaeology of UCL, since 1996. Peer-reviewed journal. Open Access. Published from 1996 to 2002, the journal was relaunched in 2011 in collaboration with the British Library. About journal.
  • ArtMatters: International Journal for Technical Art History, ed. Erma Hermens, Glasgow: University of Glasgow, since 2002. Peer-reviewed journal. Published irregularly. Open Access.
  • CeROArt: Conservation, exposition, restauration d'objets d'art, ed. Muriel Verbeeck-Boutin, since 2007. Webjournal. Published 2 times per year. Open Access.
  • The Electronic Media Review, Washington, DC: AIC, since 2011. Published once every two years. Open Access. Each issue consists of proceedings from two preceding editions of the Electronic Media Group Session at the AIC Annual Meeting.
  • VoCA Journal, ed. Robin Clark, New York: Voices in Contemporary Art, since 2015. Published 3 times per year. Open Access.
  • ICAR: International Journal of Young Conservators and Restorers of Works of Art, ed. Anna Kowalik, Warsaw: Faculty of Conservation and Restoration of Works of Art, since 2017. Published once a year. Open Access.
  • more
Defunct
  • Reviews in Conservation, 2000-2010. Published once a year, later incorporated into Studies in Conservation. Publisher.
  • E-Conservation Magazine, 2007-2012. Published twice a year (24 issues). Addressed all areas related to the conservation of cultural heritage.
more

Bulletins, newsletters[edit]

  • ICOM News, the International Council of Museums magazine, Paris: ICOM, 1948-. Three times a year. [10]
  • IIC Newsletter (5/1952-), later as IIC Bulletin, from 2007 as News in Conservation (electronic, monthly). [11]
  • Memoriav, since 1997.

Book series[edit]

more: AIC, bwFLA, CoOL, ICOM, NDIIPP, NIMk, SBMK.

Monographs, journal issues, and catalogues[edit]

  • Gantzert-Castrillo, Erich (ed.), Archiv für Techniken und Arbeitsmaterialien zeitgenössischer Künstler. Band 1, Wiesbaden: Harlekin Art, and Wiesbaden: Museum Wiesbaden, 1979, 110+[848] pp; repr., Stuttgart: Enke, 1996. Information collected from artists on their work and materials, incl. Baselitz, Immendorff, Klapheck, Kokoschka, Gerhard Richter, Christian Schad, Timm Ulrichs, Wolf Vostell, Paul Wunderlich, Dahmen, Lohse, Brehmer, Gerz, Rainer, Stenvert, Hauser, etc. (German)
  • Althöfer, Heinz, Moderne Kunst: Handbuch der Konservierung, Düsseldorf: Schwann, 1980, 453 pp. (German)
  • Althöfer, Heinz, et al., Die Kunst des zwanzigsten Jahrhunderts: Material, Technik, Restaurierung, 2 vols., Düsseldorf: Restaurierungszentrum der Landeshauptstadt Düsseldorf, 1983, 630 & 326 pp. (German)
  • Althöfer, Heinz (ed.), Restaurierung moderner Malerei. Tendenzen, Material, Technik, Munich, 1985. (German)
    • Restauración de pintura contemporánea: tendencias, materiales, técnica, Madrid, 2003. (Spanish)
  • Althöfer, Heinz, Il restauro delle opere d'arte moderne e contemporanee, ed. M. Cristina Mundici, trans. Massimo Tirotti and Reinhold Ferrari, Firenze: Nardini, 1991, 197 pp. Published on the occasion of Primo salone dell'Arte, del Restauro e della Conservazione, Ferrara, Sep 1991. (Italian)
  • Sillé, Dionne (ed.), The Conservation of Modern Art Project, Amsterdam: Stichting Behoud Moderne Kunst, 1996.
  • Althöfer, Heinz, La radiologia per il restauro: delle opere moderne e contemporanee, trans. Francesco Paoli, Fiesole: Nardini, 1997, 214 pp. (Italian)
  • Althöfer, Heinz, Il restauro delle opere d’arte moderne e contemporanee, ed. M. C. Mundici, Firenze, 1999. (Italian)
  • Heuman, Jackie (ed.), Material Matters: The Conservation of Modern Sculpture, London: Tate Publishing, 1999, 128 pp. Collection of essays written by sculpture conservators at Tate about works that have recently received conservation treatment (Degas, Lord Leighton, Onslow Ford, Brancusi, Skeaping, Henry Moore, Allen Jones, Antony Gormley, Matthew Barney, Naum Gabo, Tony Cragg, Bill Viola and Gary Hill). Reviews: Cone, Sturman, McGrath.
  • Muñoz-Viñas, Salvador, Teoría contemporánea de la restauración, Madrid: Síntesis, 2003. (Spanish)
    • Contemporary Theory of Conservation, Elsevier, 2005, xiii+239 pp. Reviews: Hidaka (City & Time, 2008), Pesme (Studies in Conservation, 2010).
    • Současná teorie konzervování, trans. Martina Poláková and Jaroslav J. Alt, Pardubice: Univerzita Pardubice, 2015, 174 pp. TOC. Review: Strnad (Sešit). (Czech)
    • Teoria contemporanea del restauro, Rome: Castelvecchi, 2017, 218 pp. (Italian)
  • Wijers, Gaby, Evert Rodrigo, and Ramon Coelho (eds.), De houdbaarheid van videokunst: Conservering van de Nederlandse videokunst collectie / The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Amsterdam: Foundation for the Conservation of Modern Art, 2003, 167 pp. PDF (pt 1), PDF (pt 2), PDF (pt 3) (OA). [13]. Outcome of Preservation Video Art project.
  • Waentig, Friederike, Kunststoffe in der Kunst: eine Studie unter konservatorischen Gesichtspunkten, Petersberg: Imhof, 2004, 383 pp.
  • Plastics in Art: A Study from the Conservation Point of View, trans. Michael Scuffil, Petersberg: Imhof, 2008, 400 pp.
  • Schinzel, Hiltrud, Touching Vision: Essays on Restoration Theory and the Perception of Art, Ghent: University of Ghent, and Brussels: VUB Brussels University Press, 2004, 262 pp. Publisher.
  • Chiantore, Oscar, and Antonio Rava, Conservare l'arte contemporanea: problemi, metodi, materiali, ricerche, pref. Francesco Poli, Milan: Electa, 2005, 329 pp. Publisher. (Italian)
    • Conserving Contemporary Art: Issues, Methods, Materials, and Research, Los Angeles: Getty Conservation Institute, 2013, 327 pp. Publisher.
  • Frieling, Rudolf, and Wulf Herzogenrath (eds.), 40jahrevideokunst.de – Teil 1. Digitales Erbe: Videokunst in Deutschland von 1963 bis heute, Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. Outcome of the 40 Jahre Video Kunst project. Publisher. [14] [15] [16] (German)
    • 40yearsvideoart.de – Part 1: Digital Heritage: Video Art in Germany from 1963 to the Present, Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. Publisher.
  • Gorman, G.E., and Sydney J. Shep (eds.), Preservation Management for Libraries, Archives and Museums, London: Facet, 2006, 304 pp. Publisher.
  • Techné 24: "Penser autrement l'art contemporain", Paris: Centre National de la Recherche Scientifique (C2RMF), Dec 2006, 91 pp. TOC. (French)
  • Willisch, Susanne, and Bruno Heimberg (eds.), Joseph Beuys, Das Ende des 20. Jahrhunderts: die Umsetzung vom Haus der Kunst in die Pinakothek der Moderne München / Joseph Beuys, the end of the 20th century: the move from the Haus der Kunst to the Pinakothek der Moderne Munich, Munich: Doerner Institut & Schirmer/Mosel, 2007, 394 pp. TOC. (German)/(English)
  • Schachter, Judith, and Stephen Brockmann (eds.), (Im)permanence: Cultures in/out of Time, Penn State University Press, 2008, 284 pp. Publisher.
  • Shashoua, Yvonne, Conservation of Plastics: Materials Science, Degradation and Preservation, Oxford: Elsevier/Butterworth Heinemann, 2008. Google Books preview. Review: Smith (Studies in Conservation).
  • Art press 2(12): "Arts technologiques: conservation et restauration / Media Arts Conservation and Restoration", Jan 2009. TOC, [17] (French)
  • Llamas Pacheco, Rosario, Conservar y Restaurar el Arte Contemporáneo. Un campo abierto a la investigación, Valencia: UPV, 2009. Review: Ruíz de Arcaute Martínez (Ge-conservación 2009). (Spanish)
  • Ferriani, Barbara, and Marina Pugliese (eds.), Monumenti effimeri. Storia e conservazione delle installazioni, intro. Germano Celant, Milan: Mondadori, 2009, 279 pp. TOC. (Italian)
  • Blase, Christoph, and Peter Weibel (eds.), Record again! 40JahreVideokunst.de Teil 2, Ostfildern: Hatje Cantz, 2010, 535 pp. With DVD. Outcome of the Record > Again! project. Publisher. [18] [19] (German)/(English)
  • deLahunta, Scott, and Bertha Bermúdez (eds.), RTRSRCH 2(2): "<Notation>", Amsterdam: Amsterdam School of the Arts, 2010, 44 pp. Special issue on the documentation, analysis, reconstruction and preservation of contemporary performance.
  • Laforet, Anne, Le net art au musée. Stratégies de conservation des œuvres en ligne, Paris: Questions théoriques, 2011, 180 pp. Excerpt. Based on 2009 dissertation. [20] [21] (French)
  • Rotaeche González de Ubieta, Mikel, Conservación y restauración de materiales contemporáneos y nuevas tecnologías, Madrid: Síntesis, 2011, 302 pp. [22] (Spanish)
  • Wharton, Glenn, The Painted King: Art, Authenticity, and Activism in Hawai'i, University of Hawai'i Press, 2012. Presents "a case for doing cultural work through conservation, using the community-based conservation of a sculpture of King Kamehameha I as a case study."
  • Szmelter, Iwona (ed.), Innovative Approaches to the Complex Care of Contemporary Art, Warsaw: Academy of Fine Arts, and London: Archetype, 2012, 222 pp. Publisher. Foreword. Review: Mareaux (CeROArt).
  • Beerkens, Lydia, Paulien 't Hoen, IJsbrand Hummelen, Vivian van Saaze, Tatja Scholte, Sanneke Stigter (eds.), The Artist Interview: For Conservation and Presentation of Contemporary Art: Guidelines and Practice, Heijningen: Jap Sam, 2012, 160 pp. Consists of two main parts: Guidelines: Practical Guide for the Artist Interview, and Practice: Case Examples of Artist Interviews. Based on the Artists Interviews project (1995-2002). Chapters online: Ger van Elk, Sjoerd Buisman, Henk Peeters, André Volten, Tom Claassen. Publisher. [24].
  • Born-Digital Kunstwerken in Nederland, Amsterdam: Virtueel Platform, with DEN, SMBK and NIMk, 2012, PDF, PDF. Publisher. Co-publisher. (Dutch)
  • Jadzińska, Monika, “Duże dzieło sztuki”. Sztuka Instalacji - autentyzm, zachowanie, konserwacja, Kraków: Universitas, 2012. Publisher. (Polish)
  • Techné 37: "Conserver l'art contemporain à l'èrede l'obsolescence technologique", eds. Marie-Hélène Breuil and Cécile Dazord, Paris: C2RMF, 2013. TOC. (French)
  • Wysocka, Elżbieta, Wirtualne ciało sztuki. Ochrona i udostępnianie dzieł audiowizualnych [The Virtual Body of Art: Reflections on the Impossibility of Material Continuation], Warsaw: Narodowe Centrum Kultury, 2013, 488 pp. Based on 2012 PhD dissertation. Review: Hölling (VDR). (Polish)
  • Hennermann, Célestine, and Scott deLahunta (eds.), Starting Points & Aspirations, Motion Bank/The Forsythe Company, 2013, 130 pp. [25]
  • Montalbano, Letizia (ed.), Il futuro del contemporaneo: i cantieri del Master in Conservazione e Restauro delle opere d'arte contemporanee dell'Opificio delle Pietre Dure, Firenze: Edifir, 2013, 158 pp. TOC. (Italian)
  • Buschmann, Renate, and Tiziana Caianiello (eds.), Medienkunst Installationen. Erhaltung und Präsentation. Konkretionen des Flüchtigen / Media Art Installations: Preservation and Presentation: Materializing the Ephemeral, Berlin: Dietrich Reimer, 2013, 327 pp. Outcome of the research project Materializing the Ephemeral (2007-2009). TOC. [26] (German),(English)
  • Noordegraaf, Julia, et al. (eds.), Preserving and Exhibiting Media Art: Challenges and Perspectives, Amsterdam University Press, 2013, 428 pp. Outcome of the research project (2007-2010) between the Università degli studi di Udine, the University of Amsterdam, the Université Sorbonne Nouvelle-Paris 3, and the Ruhr-Universität Bochum that was sponsored by a grant from the Erasmus Lifelong Learning program.
  • Llamas, Rosario, De lo material a lo esencial en la conservación del arte contemporáneo, o cómo conservar los valores del bien simbólico, Valencia: Low Cost Books, 2013, 209 pp. [27]. (Spanish)
  • XFR STN, New York: New Museum of Contemporary Art, 2013, 8 pp, IA. Catalogue. With essays and contributions by Liza Bear, Johanna Burton, Andrea Callard, Michael Carter, COLAB, Mitch Corber, Coleen Fitzgibbon, Walter Forsberg, Ilona Granet, Tessa Hughes-Freeland, Mary McFerran, Sherry Miller-Hocking, Terry Mohre, Alan W. Moore, Joseph Nechvatal, Benjamin Olin, Pam Payne, Cara Perlman, Lisa Phillips, Walter Robinson, Philip Sanders & Joanna Dawe, Franz Vila, Nick Zedd, and Neil Zusman.
  • Abram, Sarah (ed.), Il restauro del design / The Conservation of Design, Umberto Allemandi & C., Torino, 2014. [28]. (Italian)
  • Llamas, Rosario, Arte contemporáneo y restauración. O cómo investigar entre lo material, lo esencial y lo simbólico, Madrid: Tecnos, 2014, 384 pp. Review: Royo Naranjo (PH). (Spanish)
  • Martore, Paolo (ed.), Tra memoria e oblio: percorsi nella conservazione dell’arte contemporanea, intro. Massimo Carboni, Rome: Castelvecchi, 2014, 373 pp. (Italian)
  • Neural 51: "Revive", Summer 2015. Interviews with Jon Ippolito, Ben Fido-Radin, Olia Lialina, Constant Dullaart, Graham Dunning, Museo dell’Informatica Funzionante (Working IT museum); essays by Anne Laforet, Annet Dekker, Paul Prudence, a.o.. Publisher.
  • Hölling, Hanna B., Revisions: Zen for Film, New York: Bard Graduate Center, 2015, xii+100 pp. Catalogue accompanying the exhibition at Bard Graduate Center. Publisher. Reviews: Bodor (JCS), Weiss (Artforum), Higgins (Critical Inquiry).
  • Smite, Rasa, Raitis Smits, and Lev Manovich (eds.), Data Drift: Archiving Media and Data Art in the 21st Century, Riga: RIXC, 2015, 296 pp.
  • Sanchez-Pons, M., Shank, W., Fuster-Lopez, L. (eds). Conservation Issues in Modern and Contemporary Murals, Newcastle upon Tyne: Cambridge Scholars Publishing, 2015, 555 pp. Publisher. (English)/(Spanish)
  • Berns, Roy S., Color Science and the Visual Arts: A Guide for Conservators, Curators, and the Curious, Getty Publications (GCI), 2016, 208 pp. Publisher.
  • Rotaeche González de Ubieta, Mikel, Museología y conservación de arte contemporáneo: un conflicto de intereses, Gijón: Trea, 2016, 336 pp. Publisher. (Spanish)
  • Hölling, Hanna B., Paik's Virtual Archive: Time, Change, and Materiality in Media Art, University of California Press, 2017, 264 pp. Based on 2013 dissertation. Reviews: Zinman (Art Bulletin), Gyorody (CAA Reviews), Keyes (Visual Studies), Kemp (J Am Inst Conservation). [29] Google preview.
  • Getty Research Journal 9(S1): "Examining Pollock: Essays Inspired by the Mural Research Project", eds. Andrew Perchuk and Tom Learner, Los Angeles: Getty Research Institute, 2017, vii+199 pp. Subscription access.
  • Büscher, Barbara, and Franz Anton Cramer (eds.), Fluid Access: Archiving Performance-Based Arts, Hildesheim: Olms, 2017, 325 pp. TOC. Publisher. Editors.
  • Camporesi, Enrico, Futurs de l’obsolescence: essai sur la restauration du film d’artiste, Sesto San Giovanni: Mimésis, 2018, 327 pp. (French)
  • Connor, Michael, Aria Dean, and Dragan Espenschied (eds.), The Art Happens Here: Net Art Anthology, New York: Rhizome, 2019, 400 pp. Outcome of Net Art Anthology project.
  • Insite Magazine: “Time Based Media”, Melbourne: AMaGA Victoria, Aug-Oct 2019. Special magazine issue. Publisher.
  • Sommermeyer, Barbara, and Claartje van Haaften (eds.), Back to the Future! Im Karussell der Diakonservierung / Riding the Slide Carousel, Bielefeld: Kerber, and Hamburg: Hamburger Kunsthalle, Sep 2019, 192 pp. Outcome of the Project for the Conservation of Slide-based Artworks. Publisher. (German)/(English)
  • Jadzińska, Monika, Tworzywa sztuczne w sztukach wizualnych, Warsaw: Akademia Sztuk Pięknych w Warszawie, 2019, 390 pp. Publisher. (Polish)
  • Domínguez Rubio, Fernando, Still Life: Ecologies of the Modern Imagination at the Art Museum, University of Chicago Press, Aug 2020, 424 pp. Publisher. [30]
  • Schäffler, Anna, Die Kunst der Erhaltung. Zeitgenössische Restaurierung und Nachlasspraxis im Wandel anhand von Anna Oppermanns prozesshaften Installationen [The Art of Preservation. Anna Oppermann's Ensembles, Contemporary Conservation and Estate Practice in Transition], Munich: Metzel, 2021, 336 pp. Based on PhD dissertation from the Freie Universität Berlin. Publisher. (German)
  • Esmay, Francesca, Ted Mann, and Jeffrey Weiss (eds.), Object Lessons: Case Studies in Minimal Art—The Guggenheim Panza Collection Initiative, New York: Guggenheim Museum, 2021, 324 pp. Outcome of the Panza Collection Initiative. Publisher. Review: Donnelly (Arlis/NA).
  • Opeña, Mareike, Martha Singer, and Delia Müller-Wüsten (eds.), Journal of the American Institute for Conservation 60(2-3): "Contemporary Art Conservation", Nov 2021. Special journal issue. Subscription access.
  • Sherring, Asti, and Amanda Pagliarino (eds.), AICCM Bulletin 42(1): "Time-Based Media Art Conservation Practices in Australia", Dec 2021. Special journal issue. Editorial. Subscription access.
  • Hölling, Hanna B. (ed.), Object—Event—Performance: Art, Materiality, and Continuity Since the 1960s, Bard Graduate Center, Apr 2022, 360 pp. Introduction. Book launch (video). Distributor.
  • van Oosten, Thea, Properties of Plastics – a Guide for Conservators, Los Angeles: Getty Publications, Aug 2022, 320 pp. Publisher.
  • Zielińska, Joanna (ed.), Performing Collections, L'Internationale Online, Sep 2022, 330 pp, EPUB. The issue of how to collect performance is at the heart of this publication, organized in three parts: essays on the subject, case studies and a glossary. Publisher.
  • Engel, Deena, and Joanna Phillips (eds.), Conservation of Time-Based Media Art, Routledge, Nov 2022, 578 pp. Book launch (video). Publisher.
  • Hinterwaldner, Inge, Daniela Hönigsberg, and Konstantin Mitrokhov (eds.), Navigation, Munich: Open Publishing LMU, Dec 2022, 125 pp. On jodi’s %WRONG Browser. Publisher.
  • Tate Papers 35, London: Tate, 2022-2023. Special journal issue on conservation.

Proceedings from conferences and symposia[edit]

  • Althöfer, Heinz (ed.), Restaurierung moderner Kunst. Das Düsseldorfer Symposion 1977, Düsseldorf: Restaurierungszentrum, 1977, 102 pp. Incl. Althöfer, "Arbeitsprogramm für die Restaurierung moderner und zeitgenössischer Kunst", 6-8. (German)
  • International Symposium on the Conservation of Contemporary Art / Symposium international sur la conservation de l'art contemporain, Ottawa: National Gallery of Canada, 1980, 49+50 pp. Abstracts from the 1980 symposium. [31]
  • Boiret, Y. (ed.), Arts contemporains et édifices anciens: actes de la rencontre internationale organisée par la Section française de l'ICOMOS, Paris 26-28 novembre 1981, Paris: La Section, 1983, 146 pp. Proceedings of the international meeting on the integration of contemporary art in old buildings. (French)
  • Horrigan, Bill (ed.), The Media Arts in Transition, Minneapolis: Walker Art Center, 1983, 63 pp. [32]
  • Conservation and Contemporary Art: ICCM 1984 National Conference, April 16-19, Sydney: abstracts, Sydney: Institute for the Conservation of Cultural Material (ICCM), 1984, 35 leaves.
  • Bogner, Dieter, Peter Müller (eds.), Alte Bauten, neue Kunst: Denkmalpflege und zeitgenössisches Kunstgeschehen: Symposionsbericht, Schloss Buchberg am Kamp, 1985, Vienna: Bundesverlag, 1986, 120 pp. (German)
  • Fairbrass, Sheila, and Johan Hermans (eds.), Modern Art: The Restoration and Techniques of Modern Paper and Paints, London: United Kingdom Institute of Conservation, 1989, 36 pp. Proceedings from the 1989 conference.
  • Comunicaciones de la 2a reunión de trabajo. Grupo Español de trabajo sobre la conservación y restauración del arte contemporáneo, Álava: Diputación Foral, 1990, 84 pp. Proceedings from the 1990 conference. (Spanish)
  • Keens Company (ed.), Conservation and Contemporary Art: Summary of a Workshop, Los Angeles: Frederick R. Weisman Foundation, 1991, 66 pp. Based on the 1990 workshop.
  • Comunicaciones de la 3a reunión de trabajo, Álava: Diputación Foral, c1992, 107 pp. Proceedings from the 1991 conference. (Spanish)
  • Van Damme, Claire (ed.), Conservatie en restauratie van moderne en actuele kunst: een interdisciplinair gebeuren, Ghent: CoReModAc: Snoeck-Ducaju & Zoon, 1992, 236 pp. Proceedings from the 1990 conference. (Dutch)
  • Righi, Lidia (ed.), Conservare l'arte contemporanea, Firenze: Nardini, 1992, 222 pp. Proceedings from the conference La conservazione e il restauro oggi: dalla manualità artigiana alla ricerca pluridisciplinare, 26-29 Sep 1991. (Italian)
    • Conservare l'arte contemporáneo, San Sebastian, 2004. (Spanish)
  • Grattan, David W. (ed.), Symposium '91: Saving the Twentieth Century: The Conservation of Modern Materials / Symposium 91: sauvegarder le XXe siècle: la dégradation et la conservation des matériaux modernes, Ottawa: Canadian Conservation Institute, 1993, xiii+41+41+xiii pp. Proceedings from the 1991 conference. (English),(French)
  • Kaeppelin, Oliver (ed.), Conservation et restauration des oeuvres d'art contemporain, Paris: Documentation française, 1994, 308 pp. Proceedings from the 1992 colloquium. Discusses the work of Alechinsky, Beuys, Boetti, Boltanski, Morellet, Paik, Sarkis, Soulages, Tinguely, et al. [33] (French)
  • Angelucci, Sergio (ed.), Arte contemporanea, conservazione e restauro, Firenze: Nardini, 1994, 336 pp. Proceedings from the Colloquio sul restauro dell'arte moderna e contemporanea, Prato, 4-5 Nov 1994. (Italian)
  • Heuman, Jackie (ed.), From Marble to Chocolate: The Conservation of Modern Sculpture, London: Archetype, 1995, 172 pp. Proceedings from the conference, Tate Gallery, 18-20 Sep 1995. TOC.
  • Hubbard, Jim, and Mona Jimenez, Meeting the Challenges of Video Preservation: A Progress Report on Initiatives Within the Media Arts Field, New York: Media Alliance, 1996, 23 pp. Report from two Media Alliance conferences of 1994.
  • Raymakers, Marina, and Jaap Mosk (eds.), Project "Conservation of Modern Art": Proceedings of the Presentation of the Project on 12 May 1996, Amsterdam: Foundation for the Conservation Modern Art (SBMK), 1996, 57 pp. Proceedings from the 1996 symposium. [34]
  • Di Martino, Enzo (ed.), Conservazione e restauro dell'arte contemporanea, Venice: Cassa di risparmio, 1996, xii+513+26 pp; repr. as Arte contemporanea: conservazione e restauro: atti del Convegno internazionale, Torino: Umberto Allemandi, 2005, 317 pp. Proceedings from the 1996 workshop. (Italian)
  • Conservació i restauració d'art contemporani: seminari organitzat per l'Especialitat de Restauració del Departament de Pintura, Facultat de Belles Arts, Barcelona 15-18 novembre de 1993, Barcelona: Universitat de Barcelona, 1996, 52 pp. (Catalan)
  • Otterbeck, Bärbel, and Christian Scheidemann (eds.), Wie haltbar ist videokunst? Beiträge zur Konservierung und restaurierung audiovisueller kunstwerke: symposium im Kunstmuseum Wolfsburg / How Durable is Video Art? Contributions to preservation and restauration of the audiovisual works of art: symposium at the Kunstmuseum Wolfsburg, November 1995, Wolfsburg: Kunstmuseum Wolfsburg, 1997, 114 pp. Proceedings from the 1995 symposium. TOC. Essay by Hans Ulrich Reck. [35] (German)/(English)
  • Fifer, Sally Jo, et al (eds.), Playback: A Preservation Primer for Video, San Francisco: Bay Area Video Coalition, 1998, 79 pp. Proceedings from the 1996 symposium. Publisher, [36]. Session transcripts.
  • Hummelen, IJsbrand, and Dionne Sillé (eds.), Modern Art: Who Cares? An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art, Amsterdam: Foundation for the Conservation of Modern Art (SBMK), and Netherlands Institute for Cultural Heritage (ICN), 1999, 445 pp; repr., London: Archetype, 2005, 448 pp. Essays from the project and proceedings from the 1997 conference. Publisher. Publisher. TOC. Review: Hodge (Studies in Conservation, 2001).
  • Corzo, Miguel Angel (ed.), Mortality Immortality? The Legacy of 20th-Century Art, Los Angeles: Getty Conservation Institute, 1999, xx+192 pp, PDF. 34 essays. Proceedings from the 1998 conference. Essay by Erich Gantzert-Castrillo. Publisher. TOC.
  • Misselbeck, Reinhold, and Martin Turck (eds.), Video im Museum: Restaurierung und Erhaltung, neue Methoden der Präsentation, der Originalbegriff: internationales Symposium, Museum Ludwig Köln, 9. September 2000 / Video Arts in Museums: Restoration and Preservation, New methods of Presentation, The Idea of the Original: International Symposium, Museum Ludwig, Cologne, September 9, 2000, Cologne: Museum Ludwig, 2000, 184 pp.
  • Journal of the American Institute for Conservation 40(3): "TechArchaeology", eds. Mona Jimenez and Paul Messier, Autumn-Winter 2001. Based on the 2000 symposium at SFMOMA. [37]
  • Looking Back, Looking Forward: A Symposium on Electronic Media Preservation, Owego, NY: Experimental Television Center, 2002, HTML chapters, HTML. Proceedings from the 2002 symposium.
  • Gogarty, Claire, Zoë Reid (eds.), Post Prints of Contemporary Art: Creation, Curation, Collection and Conservation: Proceedings of a Conference held at the Irish Museum of Modern Art, 21st-22nd September, 2001, Dublin: Irish Professional Conservators' and Restorers' Association (IPCRA), 2002, iii+65+[9] pp. TOC.
  • Oosten, Thea van, Yvonne Shashoua, and Frederike Waentig (eds.), Plastics in Art: History, Technology, Preservation, Munich: Siegl, 2002, 176 pp. Papers read at the Interim Meeting of the ICOM-CC Modern Materials Working Group, held in Cologne early in 2001.
  • Fidelis, Gaudencio (ed.), Dilemas da matéria: procedimento, permanência e conservação em arte contemporânea / Material dilemmas: Procedure, permanence and conservation in contemporary art, Porto Alegre: Museu de Arte Contemporanea do Rio Grande Do Sul, 2002, 241 pp. (Portuguese)/(English)
  • Roy, Ashok, and Perry Smith (eds.), Modern Art, New Museums: Contributions to the Bilbao Congress, Special Issue of Studies in Conservation, 2004, 264 pp. Preprints of the contributions to the 2004 congress. [38] [39]
  • V Reunión de Arte Contemporáneo del GEIIC, Madrid: Grupo Español del IIC, 2004. Proceedings from the 2004 congress.
  • Frohne, Ursula, Mona Schieren, and Jean-François Guiton (eds.), Present Continuous Past(s): Media Art: Strategies of Presentation, Mediation and Dissemination, Vienna: Springer, 2005, 223 pp. Based on 2004 symposium. Publisher.
  • VI Reunión de Arte Contemporáneo del GEIIC, Madrid: MNCARS, 2005, 116 pp. Proceedings from the 2005 congress.
  • VII Reunión de Arte Contemporáneo del GEIIC, Madrid: MNCARS, 2006, 140 pp. Proceedings from the 2006 congress.
  • Tate Papers 8, ed. Bryony Bery, London: Tate, Autumn 2007. Papers from the 2007 workshop Inherent Vice: The Replica and its Implications in Modern Sculpture Workshop.
  • Conservación de arte contemporáneo: 8ª jornada, Madrid: MNCARS, 2007, 142 pp. Proceedings from Feb 2007 congress.
  • Conservación de arte contemporáneo: 9ª jornada, Madrid: MNCARS, 2008, 218 pp. Proceedings from Feb 2008 congress.
  • Keneghan, Brenda, and Louise Egan (eds.), Plastics: Looking at the Future & Learning from the Past, London: Victoria & Albert Museum, 2008. Proceedings from the 2007 conference.
  • Černá, Iveta, and Ivo Hammer (eds.), Materiality, Brno: Brno City Museum, and Hildesheim: Hornemann Institut, 2008, 224 pp. Proceedings from the international symposium on the Preservation of Modern Movement Architecture, 27-29 Apr 2006, Brno/CZ. [40]
  • Breuil, Marie-Hélène (ed.), Restauration et non-restauration en art contemporain, 1, Tours: ARSET, 2008, 152 pp. Proceedings from the 2007 conferences Du refus ou de l'impossibilité de la restauration and Répliques et restitutions. (French)
  • Conservación de arte contemporáneo: 10ª jornada, Madrid: MNCARS, 2009, 221 pp. Proceedings from Feb 2009 congress. [41]
  • Breuil, Marie-Hélène (ed.), Restauration et non-restauration en art contemporain, 2, Tours: ARSET, 2009, 107 pp. Proceedings from the 2008 conference Documenter l'art contemporain. (French)
  • Hermens, Erma, and Tina Fiske (eds.), Art, Conservation and Authenticities: Material, Concept, Context, London: Archetype, 2009, xiii+266 pp. Proceedings from the 2007 conference. TOC.
  • Stefanaggi, Marcel (ed.), Art d'aujourd'hui, patrimoine de demain: conservation et restauration des œuvres contemporaines, Champs-sur-Marne: SFIIC, 2009, 350 pp. Proceedings from the 2009 conference. [42]. Review: Verbeeck-Boutin (CeROArt). (French)
  • Hofman, Vanina, Consuelo Rozo (eds.), Conservación del arte electrónico: ¿qué preservar y cómo preservarlo?, Buenos Aires: Centro Cultural de España (CCEBA), 2009. Proceedings from the 2008 seminar. [43] [44] (Spanish)
  • Airaud, Stéphanie, Stéphanie Elarbi (eds.), Date limite de conservation, Vitry-sur-Seine: Musée d'art contemporain du Val-de-Marne (MAC/VAL), 2009, 159 pp. Proceedings from 2009 colloquium.
  • Schädler-Saub, Ursula, and Angela Weyer (eds.), Theory and Practice in the Conservation of Modern and Contemporary Art: Reflections on the Roots and the Perspectives, London: Archetype, 2010, ix+221 pp. Proceedings from the 2009 conference. Text in English; Appendixes of interviews in German. Publisher. [45]. TOC. Scribd. (English),(German)
  • Couture, Francine, France Vanlaethem (eds.), Conservation de l'art contemporain et de l'architecture moderne: l'authenticité en question, Québec: MultiMondes, 2010, viii+158 pp. Proceedings from the study day held 2007. (French)
  • Conservación de arte contemporáneo: 11ª jornada, Madrid: MNCARS, 2010, 384 pp. Proceedings from Feb 2010 congress. [46] (Spanish)
  • Bechthold, Tim (ed.), Future Talks 009: the conservation of modern materials in applied arts and design: papers from the conference held at the Pinakothek der Moderne, Munich, 22-23 October 2009, Munich: Die Neue Sammlung, the International Design Museum, 2011, 255 pp.
  • IIC Austrian Group (ed.), Kunst des 20. und 21. Jahrhunderts: Probleme und Perspektiven zur Erhaltung, Klosterneuburg: Stift Klosterneuburg, 2011, 230 pp. (German)
  • Conservación de arte contemporáneo: 12ª jornada, Madrid: MNCARS, 2011, 352 pp. Proceedings from Feb 2011 congress. [47]
  • Ferriani, Barbara, and Marina Pugliese (eds.), Ephemeral Monuments: History and Conservation of Installation Art, Los Angeles: Getty Conservation Institute, 2013. Publisher. Short video interview.
  • Serexhe, Bernhard (ed.), Digital Art Conservation: Konservierung digitaler Kunst: Theorie und Praxis, Vienna: Ambra V, and Karlsruhe: ZKM, 2013, 665 pp. Incl. proceedings of the 2010 and 2011 symposia. Part of Digital Art Conservation. [48] (German)
  • Williams, Emily (ed.), The Public Face of Conservation, London: Archetype, and Colonial Williamsburg, 2013, ix+288 pp. Proceedings from the 2011 conference. Publisher.
  • Mundici, Maria Cristina, and Antonio Rava (eds.), Cosa cambia: teorie e pratiche del restauro nell'arte contemporanea, Milan: Skira, 2013, 314 pp. Proceedings from the 2012 conference. TOC. (Italian)
    • What's Changing: Theories and Practices in the Restoration of Contemporary Art, trans. Lucian Henry Comoy, Milan: Skira, 2013, 314 pp. Proceedings from the conferences held in 1987 and 2012. TOC. [52]
  • Buschmann, Renate, and Darija Šimunović (eds.), Die Gegenwart des Ephemeren. Medienkunst im Spannungsfeld zwischen Konservierung und Interpretation, Vienna: Wiener Verlag für Sozialforschung, 2014, 152 pp. TOC. Proceedings from Nov 2012 conference. Publisher. [53] (German)
  • Gordon, Rebecca, Emma Hermens, and Frances Lennard (eds.), Authenticity and Replication: The 'Real Thing' in Art and Conservation, London: Archetype, 2014, 224 pp. Proceedings from the 2012 conference. Publisher.
  • Beiguelman, Giselle, and Ana Gonçalves Magalhães (eds.), Possible Futures: Art, Museums and Digital Archives / Futuros possíveis: arte, museus e arquivos digitais, São Paulo: Peiropolis & Edusp, 2014. Proceedings from the 2012 symposium. Google preview. [54] [55] [56] [57] (English),(Brazilian Portuguese)
  • Graham, Beryl (ed.), New Collecting: Exhibiting and Audiences after New Media Art, Routledge, 2014, 254 pp. Google preview. Publisher.
  • Beerkens, Lydia, and Tom Learner (eds.), Conserving Outdoor Painted Sculpture, Los Angeles: Getty Conservation Institute, 2014, 145 pp. Proceedings from the interim meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kröller-Müller Museum, Otterlo, 4-5 Jun 2013.
  • Delve, Janet, and David Anderson (eds.), Preserving Complex Digital Objects, London: Facet, 2014, xlvii+375 pp. Based on the JISC-funded series of three Preservation of Complex Objects (POCOS) symposia. Publisher.
  • Freire, Cristina (ed.), Arte contemporânea: preservar o quê?, São Paulo: Museu de Arte Contemporânea da Universidade de São Paulo, 2015, 194 pp. Proceedings from the 2014 conference. (Brazilian Portuguese)
  • Cahiers de l'INCCA-F 1: "Documentation technique, techniques de documentation", Dec 2015. Based on 2nd meeting of INCCA-F on 7 Feb 2014 in the auditorium of the Municipal Archives of Marseille. [59] [60] (French)
  • Hermens, Erma, and Frances Robertson (eds.), Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation, London: Archetype, 2016, 205 pp. Proceedings from the 2014 conference. Publisher.
  • Cassese, Giovanna (ed.), Il futuro del contemporaneo: conservazione e restauro del design / The Future of the Contemporary: Conservation and Restoration of Design, Rome: Gangemi, 2016, 207 pp. Proceedings from the conference organized by Fondazione Plart, held within the Festival internazionale del design in Naples, Italy, 14-15 May 2015. Excerpt. (Italian),(English)
  • Lin, Tzu-Chuan, and Yu-Hsien Chen (eds.), International Symposium: Collecting and Exhibiting New Media Arts / 集新求變:新媒體藝術作品典藏保存與維護國際研討會 | 研討會文集, Taiwan: National Taiwan Museum of Fine Arts (NTMoFA), 2016, 247 pp. Proceedings from the symposium held 2015. Publisher. [61] (Chinese)/(English)
  • Saving the Now: Crossing the Boundaries to Conserve Contemporary Works: IIC 2016 Los Angeles Congress Preprints, Supplement 2 of Studies in Conservation 61, Sep 2016. Subscription access.

Dissertations, theses[edit]

  • Soraluze Herrera, Ioseba, La conservación de los objetivos artísticos contemporáneos. Degradaciones, criterios de actuación y tratamientos de restauración, 2006. (Spanish)
  • Jadzińska, Monika, Autentyzm w sztuce instalacji, Warszawa: Instytut Sztuki PAN, 2010. PhD thesis. Published as a book in 2012. (Polish)
  • Laurenson, Pip, Shifting Structures, Identity and Change in Conservation and Management of Time-Based Media Works of Art, University College London, 2011. PhD thesis.
  • Gordon, Rebecca Alison, Rethinking material significance and authenticity in contemporary art, Glasgow: University of Glasgow, 2011. PhD thesis. Abstract.
  • Wysocka, Elżbieta, Teoria i praktyka konserwatorska wobec filmu i sztuk mediów elektronicznych, Krakow: Akademia Sztuk Pięknych, 2012. PhD thesis. Published as a book in 2013. [62] (Polish)
  • Kromholz, Sophie C, The artwork is not present: An investigation into the durational engagement with temporary artworks. Glasgow: University of Glasgow, 2016. PhD thesis. Abstract.
  • Kiliszek, Joanna, Wartości i wartościowanie nowoczesnej i współczesnej wizualnej sztuki. Rola praktyki refleksyjnej – kolekcja Muzeum Sztuki w Łodzi [Values and Valuation of Modern and Contemporary Visual Art. The Role of Reflective Practice – Collection of the Museum of Art in Łódź 1931-2018], Warsaw: Akademia Sztuk Pięknych w Warszawie, 2019. PhD thesis; carried out within NACCA. (Polish)
  • Castriota, Brian Eric, Securing a Futurity: Artwork Identity and Authenticity in the Conservation of Contemporary Art, Glasgow: University of Glasgow, 2019. PhD thesis; carried out within NACCA. Abstract.
  • Quabeck, Nina, The Artist's Intent in Contemporary Art: Matter and Process in Transition, Glasgow: University of Glasgow, 2019. PhD thesis; carried out within NACCA. Abstract.

Surveys, reports[edit]

  • Weiss, Karen, and Joyce Hill Stoner, "Documenting Contemporary Art Collections: A Survey", in Preprints: ICOM Committee for Conservation, 6th Triennial Meeting, Ottawa, 21-25 September 1981, 1981. Created at the request of a committee of participants of the 1980 Ottawa conference on The Conservation of Contemporary Art.
  • Green, David, and Rachel Mustalish, Digital Technologies and the Management of Conservation Documentation, New York: Andrew W. Mellon Foundation, 19 May 2009, 92 pp, PDF. A survey commissioned by the Andrew W. Mellon Foundation.
  • The Smithsonian Interview Project: Questions on Technical Standards in the Care of Time-Based and Digital Art. Ten Insights from Artists and Experts in the Field, Jul 2014, PDF.

Blogs[edit]

Bibliographies[edit]

Fiction[edit]

Films[edit]

Podcasts[edit]

  • Art and Obsolescence, hosted by Ben Fino-Radin, Sep 2021ff. Conversations with artists, collectors and professionals shaping art and technology. Sponsored by the New York Foundation for the Arts.

Research projects, networks, consortiums[edit]

The websites of most projects also function as resources.

1990s[edit]

  • Artists Documentation Program (ADP), 1990-2014. Initiated by Carol Mancusi Ungaro in the Menil Collection in Houston. From 2001, the project was continued in collaboration with the Whitney Museum of American Art and the Center for the Technical Study of Modern Art/Harvard Art Museums. Supported by the Andrew W Mellon Foundation. The artist interviews are made available online to professionals.
  • Conserveringsprojekt Video Kunstinstellingen, 1993-1995. Carried out by Montevideo/TBA. Video tapes from 10 Dutch collections (De Appel, MonteVideo, Time Based Arts, Lijnbaancentrum, Rijksdienst Beeldende Kunst, Rijksakademie van Beeldende Kunsten, Stedelijk van Abbemuseum, Museum Boijmans van Beuningen, Groninger Museum, World Wide Video Center) were catalogued and transferred to the high-grade (analog) Betacam SP. Catalogue appeared in print and as Amiga database. Financed by Dutch Ministery of Culture as part of its Deltaplan Cultuurbehoud. Followed by Preservation Video Art project.
  • Conservering Moderne Kunst / Conservation of Modern Art, 1995-1997. Conducted by SBMK. Decision-making model, data registration model and condition registration model developed, in parallel to the investigation of the ten pilot objects. Conference Modern Art: Who Cares? and exhibition held 1997, book published 1999. [69], [70], [71].
  • Conservering van videokunst / Preservation Video Art, 1998-2003. Carried out by NIMk at the request of SBMK. 1700 analogue autonomous video works by 450+ artists held in 9 Dutch collections (De Appel, Museum Boijmans Van Beuningen, Groninger Museum, ICN, Kröller-Müller Museum, NIMk Montevideo/TBA, Rijksakademie, Stedelijk Museum Amsterdam, Van Abbemuseum) were transferred to Digital Betacam. Book published 2003. Built upon Conserveringsprojekt Video Kunstinstellingen project. Followed by Conservation Media Art Collection Netherlands. [75] [76]

2000s[edit]

  • Methodology for the Documentation of Contemporary Art, 1999-2001. Realised at the interdisciplinary Kulturwissenschaftliches Forschungskolleg (SFB/FK 427) of the German Universities of Aachen, Bonn, and Cologne. The project (no. B4) was initiated by professors Hubertus Kohle and Harald Kraemer. The other members of the team were Nicole Birtsch, Kathrin Lucht, Martina Nied, Simone Schmickl, and Christina Hemsley. See Kraemer 2007.
  • Variable Media Network (VMN), 2001-2004. A consortium of museums and archives aiming to develop a museum-standard, best practice for the collection and preservation of new media art. Co-founded by the Solomon R. Guggenheim Museum, New York, and The Daniel Langlois Foundation for Art, Science, and Technology, Montreal; other members: Berkeley Art Museum/Pacific Film Archives (Berkeley), Franklin Furnace (NYC), Performance Art Festival+Archives (Cleveland), Rhizome.org (NYC), Walker Art Center (Minneapolis). Coordinators: Jon Ippolito (U Maine, Guggenheim), Alain Depocas (Langlois). Conferences held 2001 and 2004, exhibition 2004, book published 2003. Followed by Archiving the Avant Garde. Archived website.
  • 404 Object Not Found: What Remains of Media Art?, Jul 2002-Aug 2003. Managed by medien_kunst_netz Dortmund (association between the HMKV, the Museum am Ostwall and the Administration of Cultural Affairs of the city of Dortmund); research in collaboration with NIMk, C3 Budapest, and Hans Dieter Huber of Staatliche Akademie der Bildenden Künste (Stuttgart). Directed by Hans D. Christ and Iris Dressler. Supported by EU programme Culture 2000. Congress held 2003. Followed upon by Seoul 2006 research project. Case studies, [79].
  • Matters in Media Art: Collaborating towards the care of time-based media, Jan 2003-Dec 2015. Project by MoMA, SFMOMA, and Tate. To establish guidelines for best practice in managing time-based media (e.g. video, film, audio and software-based installations). The consortium launched its first phase, on loaning time-based media works, in 2004, and its second phase, on acquiring time-based media works, in 2007. Supported by New Art Trust. Project leaders: Pip Laurenson (Tate), Jill Sterrett (SFMOMA), Glenn Wharton (MoMA). Earlier project website archived (2008). [80] [81] [82]
  • AktiveArchive, Berne University of the Arts (BUA) & Swiss Institute for Art Research (SIAR), 2002-2011. Head: Johannes Gfeller (interview). 15 [83]
  • Capturing Unstable Media, Mar-Dec 2003. A research project on archiving and preserving unstable media. Conducted by V2_. Report published 2003.
  • Archiving the Avant Garde: Documenting and Preserving Digital/Media Art, c2004-2007. A consortium project of the University of California, Berkeley Art Museum and Pacific Film Archive, with the Solomon R. Guggenheim Museum, Cleveland Performance Art Festival and Archive, Franklin Furnace Archive, and Rhizome.org. Funded by NEA. Coordinator: Richard Rinehart. Symposium held 2007. Builds upon Variable Media Network. [84]
  • Record > Again! 40jahrevideokunst.de – Teil 2, 2006-2010. Partners: ZKM Medienmuseum, Ludwig Forum Aachen, Kunsthaus Dresden, and the Edith-Ruß-Haus für Medienkunst Oldenburg. Follow-up to the 40 Jahre Videokunst project. Artistic director: Peter Weibel. Project director: Christoph Blase. Travelling exhibition held at 4 venues (2009-2010). Catalogue with DVD published 2010. Study edition of 12 DVDs published 2010.
  • Documentation and Conservation of Media Art Heritage Research Alliance (DOCAM), 2005-2010. Offers five sections of research and implementation: conservation, documentation, cataloguing, history of technologies and terminology. A project of the Daniel Langlois Foundation. Dir. Alain Depocas. Partners: McGill University (Montréal), Université du Québec à Montréal (UQAM), Université de Montréal, Canadian Centre for Architecture, Musée d’art contemporain de Montréal, National Gallery of Canada, The Montreal Museum of Fine Arts, Canadian Heritage Information Network (CHIN), a.o. Financed by Social Sciences and Humanities Research Council of Canada (SSHRC) as part of the CURA program (Community-University Research Alliances).
  • Documentare Installazioni Complesse (DIC, Documenting Complex Installations), Museo del Novecento Milan & DARC Rome, 2006-2008. Included 5 case studies of documenting complex works. Book published 2009 (English edition 2013).
  • Réexposition, réactualisation et pérennité des œuvres contemporaines, directed by Francine Couture in Montreal, 2007-2010.
  • New Media Art Network on Authenticity and Performativity, Tate, Sep 2008-Aug 2010. Over a series of five meetings at Tate Modern, the network brought together a range of different voices including artists, academics, curators and conservators to identify the key research questions pertaining to the contemporary art museum’s response to new media artworks and to examine specific questions around authenticity and performativity. Led by Kelli Dipple (Tate curator of Intermedia Arts), in collaboration with Frederico Fazanda Rodrigues and Pip Laurenson. Funded by Arts and Humanities Research Council (AHRC) (£23K). Report published 2010.
  • Inside Movement Knowledge (IMK), 2009-2010. A research project into new methods for documentation, transmission and conservation of contemporary choreographic and dance knowledge. The primary partners were ICK Amsterdam - Emio Greco I PC, NIMK, Faculty for Media and Culture of the University of Utrecht and the Dance training program and research group of the Lecturship in art practice and artistic development (ARTI) at the Amsterdam Hogeschool voor de Kunsten. Journal issue published 2010. Documentation model published 2010. [91]
  • Migrating Media: Upstate Preservation Network, since Apr 2009. A partnership of Hallwalls Contemporary Arts Center, Squeaky Wheel, Burchfield Penney Art Center and the ETC. Offers non-profit arts and cultural organizations in Upstate New York a means to safeguard significant video collections of tapes. Dir. Jim Lindner. Funded by NYSCA and NEA.
  • Documentação de Arte Contemporânea, Lisbon, 2009-2013.

2010s[edit]

  • New Strategies in the Conservation of Contemporary Art (NewS), Sep 2009-Sep 2013-Feb 2015. Research project of RCE, U Maastricht, and ASCA/UvA Amsterdam. Funded by NWO (projects 1, 4, 6: Hölling, van Saaze, van de Vall), ICN (projects 2, 5: Scholte, Hummelen) and UvA (project 3: Stigter). Project leader: Renée van de Vall. Incl. 5 PhD projects addressing the paradigm of ‘scientific freeze’ through biographies of artworks: Hanna Hölling (UvA), Tatja Scholte (RCE), Sanneke Stigter (UvA/Kröller-Müller Museum), Vivian van Saaze (UM), IJsbrand Hummelen (RCE). Followed upon by NeCCAR. [94] [95] [96]
  • Panza Collection Initiative (PCI), Guggenheim Museum, 2010-2020. Focused on the long-term preservation and future exhibition of Minimalist, Post-Minimalist, and Conceptual art acquired by the Guggenheim from Italian collectors Giovanna and Giuseppe Panza di Biumo in 1990 and 1992. Project leaders: curator and scholar Jeffrey Weiss and conservator Francesca Esmay. Symposium held 2019. Funded by Andrew W. Mellon Foundation ($1.23M, $1.25M, $745K). Book published 2021.
  • Conservation Media Art Collection Netherlands, SBMK and NIMk, 2010-2012. The project involved conservation of 3500 video art works from 1975-2005 (building upon Preservation Video Art project), development of strategies for preservation of computer-based art (in collaboration with Virtuel Platform), and research into copyright issues related to online presentation of video art (in collaboration with Kennisland). Partners: Van Abbemuseum, De Appel, Museum Boijmans Van Beuningen, Groninger Museum, Netherlands Institute for Cultural Heritage, Kröller-Müller Museum, Netherlands Media Art Institute (including LijnbaanCentrum, Montevideo and Time Based Arts, Amsterdam), Rijksakademie van beeldende kunsten, Stedelijk Museum Amsterdam, Centraal Museum Utrecht, Frans Hals Museum, Gemeentemuseum Helmond, V2_, SCHUNK*, Bonnefantenmuseum. Project report. Publications per project focus: Video art preservation, Born-digital artworks, Copyright.
  • Digital Art Conservation, 2010-2012. Dedicated to researching strategies for the conservation of digital art, with a focus on artworks created with computer programming and digital technologies. Dir. Bernhard Serexhe. Symposia held 2010 and 2011, exhibition 2012-13, book published 2013. The project was initiated at the ZKM, Karlsruhe, and was carried out in collaboration with five other institutions from the Upper Rhine region. Supported by EU program INTERREG IV Oberrhein.
  • archiv performativ, Institute for Cultural Studies in the Arts (ICS)/Zürcher Hochschule der Künste ZHdK, 2010-2012.
  • Motion Bank, Forsythe Company, 2010-2013. Focused on the creation of online digital scores in collaboration with choreographers. Book published 2013.
  • Digitising Contemporary Art (DCA), PACKED, Jan 2011-Jul 2013 (30mo). Aimed to digitise contemporary art objects (i.e. art made after 1945, 27K artworks - paintings, photographs, sculptures, installations, videos and 2K contextual documents) from 12 European countries and make them accessible to the wider public through Europeana. Coordinator: PACKED vzw; partners include 21 art institutions and 4 technical institutions. Funded by EC CIP-ICT Policy Support Programme (€1.97M).
  • Network for Conservation of Contemporary Art Research (NeCCAR), Maastricht University, Jan 2012-Sep 2015. Aimed to develop joint research projects and a training curriculum on the theory, methodology and ethics of the conservation of contemporary art. Project leaders: Renée van de Vall and Vivian van Saaze (both U Maastricht); 10 partner organisations (incl. Tate, CICS, UvA). Follow-up to NewS. Conferences held 2012, 2013, 2014. Proceedings published 2015, 2016. Funded by NWO. Followed upon by NACCA.
  • Ludwig Forum für internationale Kunst Video Archive, Jun 2012-Mar 2018. Project by Ludwig Forum für Internationale Kunst, Aachen. Dir. Brigitte Franzen (2012-2018), Andreas Beitin (2016-2018). Conference held 2015. Three exhibitions held 2014-2015. Research website published. Funded by Volkswagen Stiftung (as part of Forschung in Museen / Research in Museums).
  • Replace or Remake?, 2013-2015. Project by ER[cr]OS Tours, ESA Saint-Luc Liège, C2RMF, Capc Bordeaux, in collaboration with INCCA-F. [98]
  • Conserving Computer-Based Art (CCBA), Guggenheim Museum, New York, 2013-c.2019. A research and treatment initiative to preserve software and computer-based artworks in the Guggenheim Museum’s permanent collection. Initiated by Joanna Phillips (Guggenheim TBMA) in collaboration with Deena Engel (NYU Dept of Comp Sci). Supported by Carl & Marilynn Thoma Art Foundation, the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature, and Josh Elkes. Paper, 2017-2018. Paper, 2017-2018. Paper, 2019.
  • New Approaches in the Conservation of Contemporary Art (NACCA), Jun 2015-May 2019 (48mo). Project leader: Renée van de Vall (Maastricht U). 15 PhD fellows investigated different, as yet under-explored aspects of contemporary art conservation: Brian Castriota (Glasgow U), Joanna Kiliszek (Art Academy Warsaw), Nina Quabeck (U Glasgow), Tomas Markevicius (Cologne UAS), Marta Garcia Celma (Cologne UAS), Claudia Röck (U Amsterdam), Caitlin Spangler-Bickell (Maastricht U & MUDEC), Panda de Haan (U Porto), Aga Wielocha (U Amsterdam), Iona Goldie-Scot (Maastricht U), Dušan Barok (U Amsterdam), Maria Theodoraki (U Nova de Lisboa), Sophie Lei (Roma III U & Maastricht U), Zoë Miller (Tate & Maastricht U), Artemis Rüstau (Maastricht U). Follow-up to NeCCAR. Conferences held 2017, 2018, 2019. Funded by EC Horizon2020 (€3.8M). Project results.
  • Cleaning Modern Oil Paintings (CMOP), University of Amsterdam / Cultural Heritage Agency of the Netherlands (RCE), Jun 2015-May 2018. Project leader: Klaas Jan van den Berg (RCE). Partners: Tate, Courtauld Institute of Art, and University of Pisa. Funded by NWO and EC Heritage Plus (€695K). Short film produced (2018).
  • Documentation and Conservation of Performance, Tate, Mar 2016-Mar 2021. Conducted by Tate’s Time-based Media Conservation team. Outputs: strategy for the documentation and conservation of performance, and a set of documentation tools.
  • Midwest Media Arts Consortium, 2016-. A US midwestern forum for the care and conservation of time-based media art. The partner museums are the Bowdoin College Museum of Art in Brunswick, Maine; the Colby College Museum of Art in Waterville, Maine; the Middlebury College Museum of Art in Middlebury, Vt.; the Mount Holyoke College Art Museum in South Hadley, Mass.; the Rose Art Museum at Brandeis University in Waltham, Mass.; and the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, N.Y.
  • Installatiekunst op de kaart! [Installation Art on the Map!], RCE, 2016-2018. The aim of the project is to survey and improve the registration and documentation of installation art, with the underlying objective of enhancing the public profile of this art form. Developed an intake form, in collaboration with various partner museums. In addition to the intake form, work is in progress on the development of 4 guidelines for maintenance, registration, repository management and reinstallation. Project lead: Sylvia van Schaik (RCE). Part of the RCE's Heritage of the Modern Age research programme.
  • Media Conservation Initiative, MoMA, 2017-2021 (66mo). Hosted several postgraduate fellowships, workshops, and expert discussion meetings (referred to as peer forums) devoted to media art conservation. Project coordinator: Allison Spangler. Fellows: Amy Brost, Flaminia Fortunato, Caroline Gil, Lia Kramer. Built upon Matters in Media Art. Funded by Mellon Foundation ($1.25M). Interview 2017. Resources.
  • Cultures of Conservation, Bard Graduate Center, 2017-2022 (60mo). Aims to model the ways of integrating the approaches and insights of objects conservation and materials science with those of academics in the human sciences (anthropology, archaeology, art history, history). Funded by Mellon Foundation ($0.75M). Follows upon Phase I funded by Mellon, 2012-2017. Symposia held 2017, 2018, 2019. Exhibition held 2022. Book published 2022.
  • Plastics Project, RCE, Apr 2017-Nov 2019. Carried out by RCE together with the SMBK, NICAS and seven museums and a corporate collection - Bonnenfantenmuseum, Centraal Museum, Gemeentemuseum The Hague, Kröller-Müller Museum, Boijmans Van Beuningen Museum, Schunck, Stedelijk Museum and the Rabo Art Collection. Part of RCE-programme Heritage of the Contemporary Era. Followed by Project Photography. Van Abbe. [100] [101]
  • CAPuS: Conservation of Art in Public Spaces, Turin University, Jan 2018-Dec 2020. A consortium of 15 partners and 2 associated partners from 6 countries led by the Turin University and including universities, academies, companies and research centres. Project manager: Dominique Scalarone (U Turin). Aims to develop guidelines and protocols for the protection and conservation of contemporary public art. Funded by EC Erasmus+ Knowledge Alliances Programme (€1M). [102]
  • Van Gogh TV, Apr 2018-Apr 2021. A DFG-funded project carried out by the University of Applied Sciences, Mainz, together with the University of Bonn. Deals with the media art project Piazza Virtuale by art group Van Gogh TV in the framework of documenta 9 in 1992 which can be today regarded as a precursor of social media. The material and virtual relics of the 100-day media campaign are to be processed and prepared for long-term archiving. Concept: Anja Stöffler (IMG, HS Mainz) and Jens Schröter (U Bonn), project manager: Tilman Baumgärtel (Hochschule Mainz). Online resource published. Book published 2021.
  • Reshaping the Collectible: When Artworks Live in Museums, Tate, Jan 2018-Jun 2021 (42mo). Aimed to develop new models for the conservation and management of contemporary art, particularly works "that challenge the structures of the museum" such as time-based media, digital and performance art. 6 works as case studies, 4 visiting fellows, 1 collaborative PhD with Maastricht U. Principal investigator: Pip Laurenson. Funded by Mellon Foundation ($1.5M). Exhibition held 2022. Conference held 2022. [103]
  • Interviews in Conservation Research, University of Amsterdam, Jan 2019-Jan 2020. Aims for an integral approach in using oral history for research in art conservation. Project leader: Sanneke Stigter. Funded by NWO.

2020s[edit]

Ongoing[edit]

  • Re:DDS, Amsterdam Museum, since 2017. The reconstruction of De Digitale Stad (The Digital City), a virtual community platform first launched in 1994. Facilitated by Tjarda de Haan.
  • Preserving Immersive Media, Tate, since Sep 2018. Research project developing strategies for the preservation of artworks which utilise immersive media such as 360 video, real-time 3D, virtual, augmented and mixed reality. Project team: Jack McConchie, Tom Ensom, Louise Lawson. Supported by Lumen Art Projects Ltd.
  • Networked Art Practice After Digital Preservation. Explores challenges and solutions of preserving historical analogue and born-digital networked art practice. Led by Sarah Cook (U Glasgow) and Roddy Hunter (U Huddersfield). Supported by the School of Art, Design and Architecture at U Huddersfield and Museum Studies at U Glasgow.
  • Activating Fluxus, Bern University of the Arts, Apr 2022-Mar 2026. Investigates the objects, events, scores and ephemera that emerged in the spirit of Fluxus in the 1960s–70s in Switzerland, Europe, the UK and the USA. Head: Hanna B. Hölling; staff: Marcus Gossolt, Aga Wielocha. Funded by the Swiss National Science Foundation (SNSF, 680k CHF). [107]

Events[edit]

Conferences, symposia and workshops[edit]

Recurrent[edit]

  • DOCAM Annual Summits, Canadian Centre for Architecture, Montreal, 5 Oct 2005; McGill University Schulich School of Music, 26 Oct 2006; Montreal Fine Arts Museum, 26-27 Sep 2007; McGill University, 30-31 Oct 2008; Université du Québec à Montréal, 4-5 Mar 2010.
  • To Transfer or to Transform, series of sessions, NIMk, 2007-2011. Talks by artists about new versions, remakes, reconstructions and emulation of their work.
  • No Time To Wait, annual conference series, Berlin, 2016; Vienna, 2017; London, 2018; Budapest, 2019; Hilversum, 2021. Focused on open media, open standards, and digital audiovisual preservation. Managed by MediaArea.net.

General[edit]


Media art, Time-based art, Sound art, Digital art, Software-based art, Performance art[edit]

  • Media Arts in Transition, Walker Art Center, Minneapolis, 8-11 Jun 1983. Conference on film and video; the opening panel was dedicated to the preservation of film and video: "Aspects of the problems of film and video preservation will be demonstrated through film and video clips. Speakers: Frank Hodsoll, Jean Firstenberg, Jay Leyda, Jonas Mekas, Lynn Blumenthal". Panel programme. Proceedings published 1983.
  • Symposium on Video Preservation, Museum of Modern Art, New York, 13-14 Jun 1991. The first video preservation symposium for the media arts field in New York. Convened by Media Alliance (under the leadership of Mary Esbjornson) and the Electronic Media and Film Program (part of New York State Council on the Arts, NYSCA). 60+ participants (artists, activists, cataloguers, curators, distributors, librarians). The purpose was "to identify and share information about collections; network information on conservation, cataloging, and archiving techniques; discuss priorities for future funding and services; interface with national archival initiatives." A report was published in The Independent (Oct 1991), and expanded to a 1993 report by Deidre Boyle.
  • Upstate Cataloging Project meeting, Aug 1994. Convened by Media Alliance; a workshop by Margaret Byrne, Director of NAMID. Representatives of ETC, Hallwalls, Syracuse University, and Visual Studies Workshop. This results in the adopting of a NAMID-compatible template, designed to allow conversion to USMARC. Preceded by a meeting in Rochester, NY, Jan 1994; followed by a training session in May 1995. Report published 1996.
  • Multiple Currents: Toward an Interactive Media Community. Convened by Media Alliance. Supported by NYSCA. Report published 1996.
  • Wie haltbar ist Videokunst? / How Durable is Video Art?, Kunstmuseum Wolfsburg, 25 Nov 1995. Held on the occasion of the exhibition of Nam June Paik, High-Tech-Allergy. Proceedings published 1997.
  • Playback '96: Video Preservation Roundtable, SFMOMA, San Francisco, 29-30 Mar 1996. The first international symposium bringing together the fields of conservation, museology, and media arts to address technical and ethical issues surrounding videotape preservation; participants included conservators, scientists, video artists, media curators, television engineers, archivists, librarians and preservation administrators. Organized by BAVC (Sally Fifer) with assistance from AIC (Debra Hess Norris) and Media Alliance (Mona Jimenez); supported by the Getty Foundation (Tim Whelen) and the Andy Warhol Foundation for the Visual Arts (Pamela Clapp). BAVC convened eight groups of professionals throughout the US to each discuss topics in the eight months prior to the event: Analysis and Evaluation Procedures; Cleaning and Remastering; Storage; Ethical Principles and Dilemmas; Changes in Technology and Practice; Maintaining Installation Art Using Technology; Current Preservation Practices & Education and Awareness; and Establishing Priorities for Preservation; each of the groups presented its findings to the conference in the form of white papers and panel presentations. Proceedings published 1998; DVD published. Abstracts. Transcripts. Presentation slides. [132]
  • Buying Time: Collecting Video roundtable, Paula Cooper Gallery, New York City, 30 Jan 1999. Organized by Barbara London and Dara Meyers-Kingsley (IMAP) with ArtTable. The event focused on issues that arise when selling, collecting, and preserving video and installation art. Presenters included artists, collectors, distributors, gallery owners, and curators. Transcript.
  • TechArchaeology: A Symposium on Installation Art Preservation, SFMOMA, San Francisco, 5-6 Jan 2000. Twenty-five curators, conservators, and artists examined works from the exhibition Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art at SFMOMA. Conceived by Mona Jimenez and Paul Messier; organized by the Bay Area Video Coalition; funded by the Getty Foundation. Special journal issue published 2001. See also TechArchaeology Reformatted (2002) and TechFocus (2010ff).
  • Video im Museum: Restaurierung und Erhaltung, neue Methoden der Präsentation, der Originalbegriff: internationales Symposium / Video Arts in Museums: Restoration and Preservation, New methods of Presentation, The Idea of the Original: International Symposium, Museum Ludwig, Cologne, 9 Sep 2000. Proceedings published 2000.
  • Video Capsule: An Evening of Social Memory and Video Art, SF State University's Coppola Theater, San Francisco, 25 Oct 2001. Organized by Bay Area Video Coalition (BAVC). The underlining concern of the event was to raise awareness of the fragile state of aging video formats and the ongoing preservation efforts. Presentations by Christina Yang (The Kitchen), Kate Horsfield (Video Data Bank), Chip Lord (UC Santa Cruz), and Steve Seid (Pacific Film Archive). The event closed with a reception at BAVC, in which the entire facility was transformed into video installations featuring collection highlights from The Smithsonian, Pacific Film Archive, and the Kitchen that have been preserved at BAVC.
  • Independent Media Arts Preservation Salon, online, 7 Jan-7 Feb 2002. Hosted by NAMAC, facilitated by Jim Hubbard and Mona Jimenez of IMAP. Panelists included Sherry Miller Hocking (ETC), Karan Sheldon (Northeast Historic Film), Toni Treadway (International Center for 8mm Film), Stepen Vitiello (The Kitchen), Heather Weaver (BAVC), a.o. The salon featured weekly topics, including guidelines for establishing an archive; decision-making issues for reformatting collections; and the collaboration of media arts organization in preservation initiatives.
  • Looking Back, Looking Forward: A Symposium on Electronic Media Preservation, Downtown Community Television Center, New York, 31 May-1 Jun 2002. Organized by the ETC (its assistant director Sherry Miller Hocking) in association with IMAP, BAVC and the Electronic Media Specialty Group (EMG) of the AIC, with independent consultant Mona Jimenez. Funded from the Electronic Media and Film Program of the NYS Council on the Arts, and assistance from IMAP and Dave Jones Design. The symposium served as a working session where artists, media arts staff, conservators, and technical experts focused on the physical preservation of independent electronic media. 45 participants from the US and Canada. Announcement, Program. Proceedings published.
  • TechArchaeology Reformatted forum, New York City, 17 Apr 2002. Hosted by ArtTable Inc, IMAP, and AIC. Organized by Dara Meyers-Kingsley (IMAP). Follow-up to TechArchaeology (2000).
  • Echoes of Art: Emulation As a Preservation Strategy, Guggenheim Museum, New York City, 8 May 2003. Part of the museum's Variable Media Initiative. Held in conjunction with the exhibition Seeing Double: Emulation in Theory and Practice. Website incl. transcripts.
  • Moving Parts symposium, Museum Tinguely, 2005. On the preservation and documentation of kinetic artworks.
  • New Media and Social Memory, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, 18 Jan 2007. Incl. video documentation. Part of Archiving the Avant-Garde. [138]
  • 404 Object Not Found_Seoul symposium and workshop, Gyeonggi Cultural Foundation, Seoul, 22-26 Oct 2007. Part of 404 Object Not Found_Seoul research project.
  • DOCAM Summit, Montreal, Mar 2010.
  • Collaborations in Conserving Time-Based Art symposium, Smithsonian Institution, Washington, DC, 17-19 Mar 2010. Coordinated by The Lunder Conservation Center, Smithsonian American Art Museum, National Portrait Gallery, and Hirshhorn Museum and Sculpture Garden. Incl. video documentation. Report. [140]
  • TechFocus I. Video Art, Guggenheim Museum, New York, 1-2 Sep 2010. Builds upon TechArchaeology symposium. See also TechFocus 2 (2012), TechFocus 3 (2015) and TechFocus 4 (2021).
  • Ephemeral Sustainability, Østre / Gimle / Stiftelsen 3.14, Bergen, 28 Oct-3 Nov 2012. A conference about presenting, documenting, collecting and archiving sound based contemporary art. Organised by the Resonance Network and Lydgalleriet. Curated by Carsten Seiffarth and Jørgen Larsson. Reports by Harold Schellinx: part 1, part 2. [142] [143] [144]
  • Digital Art Force seminar, New Institute, Rotterdam, 27 Jun 2013. The seminar focused on the impact of digital works in museums, on their management and preservation; organized by the Digital Art Force (DAF).
  • Archiving the Arts symposium, Burchfield Penney Art Center/SUNY Buffalo State, 13 Jun 2015. Organized by IMAP on the occasion of the launch of its web resource. Convened and facilitated by Andrew Ingall (IMAP), Jeff Martin, and Carolyn Tennant (Hallwalls). Video documentation.
  • Video Matters, conference, Ludwig Forum für Internationale Kunst, Cologne, 24-25 Sep 2015. Reflected on current challenges in the documentation, care, and presentation of time-based art. Organised as part of the research project Video Archive. Curators: Jenny Dirksen, Brigitte Franzen, Lou Jonas, Miriam Lowack, Anna Sophia Schultz. Incl. video documentation.
  • TechFocus III: Caring for Software-based Art, Guggenheim Museum, New York, 25-26 Sep 2015. Organised by Guggenheim with AIC Electronic Media Group (EMG). Incl. video documentation. Report. See also TechFocus 1 (2010), TechFocus 2 (2012) and TechFocus 4 (2021).
  • International Symposium: Collecting and Exhibiting New Media Arts, National Taiwan Museum of Fine Arts (NTMoFA), Taiwan, 6-7 Nov 2015. Organised by Tzu-Chuan Lin and Yu-Hsien Chen. Proceedings published 2016. [146]
  • Prozesskunst und das Museum [Process Art and the Museum] symposium, Hamburger Bahnhof, Berlin, 19 Feb 2016. Developed and organized by Carolin Bohlmann (Hamburger Bahnhof – Museum für Gegenwart - Berlin) and Angela Matyssek (Philipps-U Marburg). Supported by the Volkswagen Stiftung.
  • Keep it Moving? Conserving Kinetic Art, Palazzo Reale, Milan, 30 Jun-2 Jul 2016. ICOM-CC Modern Materials and Contemporary Art Working Group's interim meeting. Organised in partnership with Getty Conservation Institute, Museo del Novecento, and INCCA. Coordinated by Rachel Rivenc and Lydia Beerkens. Program. Report: Beau R. Ott. Proceedings published 2018.
  • DocPerform Symposium, City, University of London, 31 Oct 2016. Part of The Future of Documents Project.
  • Kultur-Back-Up. Ein Workshop zum Erhalt von digitalem Kulturgut, workshop, LUX, Mainz, 29-30 Oct 2019. Organised by the Institute for Media Design (img) of the Department of Design and the time-based media course at University of Applied Sciences, Mainz. Funded by the German Research Foundation as part of the DFG project Van Gogh TV: Indexing, multimedia documentation and analysis of estate. Video documentation.
  • Summit on New Media Art Archiving at ISEA2020, online (Montreal), 16 Oct 2020. Coordinated by representatives of the ISEA Symposium Archives, the Archive of Digital Art (ADA), the Ars Electronica Archive, and SIGGRAPH Digital Art Show Archive.
  • TechFocus IV: Caring for 3D-Printed Art, online (SFMOMA), 25-29 Oct 2021. Postponed from 5-6 Oct 2020 due to the COVID-19 health crisis. See also TechFocus 1 (2010), TechFocus 2 (2012) and TechFocus 3 (2015). Organised by a committee of the American Institute for Conservation’s Electronic Media Group (AIC EMG). Schedule. [154]
  • Stage, Record, Archive: Performance, online (SALT, Istanbul), 22-23 Feb 2022. Conference addressing key issues regarding research, documentation and archival practices of performance art. Programmers: Amira Akbıyıkoğlu (SALT), Sezin Romi (SALT), Mine Söyler. Video documentation.
  • Second Summit on New Media Art Archiving at ISEA2022, MACBA Barcelona & online, 10-11 Jun 2022. Organised by ISEA2022 Barcelona, the ISEA Symposium Archives, and SIGGRAPH History Archive, in cooperation with the Barcelona Museum of Contemporary Art (MACBA), FILE Festival archive, ADA Archive of Digital Art and Ars Electronica archive. CfP.
  • Digital Care, event series, LIMA, Amsterdam, and elsewhere in the Netherlands, Mar 2023-. Artists, producers and technicians discuss what it means to present and preserve digital works today. In partnership with iii, Sonic Acts, V2, Creative Coding Utrecht, Royal Conservatoire, TETEM, MU, AKI ArtEZ, a.o. [156]
  • Third Summit on New Media Art Archiving, ISEA2023, Forum des Images, Paris, 19-20 May 2023. Organised by the archivists of ISEA in co-operation with archivists of SIGGRAPH, Ars Electronica, ADA, ZKM, FILE, Media Art History & Memoduct Posthuman archive.

Plastics[edit]

Public Art (street art, outdoor sculpture, murals etc)[edit]

Exhibitions[edit]

  • Museum Boijmans Van Beuningen, Rotterdam, Sep 1997. Exhibition of the ten works investigated during the research project Modern Art: Who Cares?.
  • 404 Object Not Found, Total Museum of Contemporary Art, Seoul, 20 Oct-19 Nov 2006. In the framework of 404 Object Not Found research project.
  • Inside Installations, Kroller-Muller Museum, Otterlo, 25 Oct 2006-7 Jan 2007 & 21 Mar-3 Jun 2007. Flyer. Video introduction (Sanneke Stigter).
  • Digital Art Works. The Challenges of Conservation, ZKM, Karlsruhe, 29 Oct 2011-12 Feb 2012; Espace Multimédia Gantner, Bourogne, 25 Feb-28 Apr 2012; CEAAC, Strasbourg, 16 Jun-23 Sep 2012; House of Electronic Arts Basel, 18 Jan-31 Mar 2013. Part of Digital Art Conservation. Catalogue published 2011.
  • The Lives of Artworks, Tate Britain, London, 1 Feb-10 Jul 2022. Audio tour. Draws on ideas from the Reshaping the Collectible: When Artworks Live in the Museum research project.

Software tools[edit]

  • Quality Control Tools for Video Preservation (QCTools), enables the inspection of video signal characteristics for batches of digital media, in order to prioritize archival quality control, detect common errors in digitization, facilitate targeted response, and thus increase trust in video digitization efforts. FLOSS, developed by Bay Area Video Coalition.
  • Webrecorder provides an integrated platform for creating high-fidelity, ISO-compliant web archives in a user-friendly interface, providing access to archived content, and sharing collections. An open source initiative by Rhizome at the New Museum. Source code.
  • OldWeb.today / Netcapsule, a proof-of-concept system for browsing old web sites from existing web archives in old browsers, inside a modern browser. Source code.
  • EaaSI emulators. Sandbox. Blog post.
  • Rekall, an open-source documentation and analysis environment for digital performances and media art.
  • PM2GO, free video annotation tool.
  • Conservation tools from Rhizome
  • Art.c.HIVE, system for archiving and preserving digital components of artworks

Resources, guides[edit]

See also research projects.

  • AIC (American Institute for Conservation), The AIC Guide to Digital Photography and Conservation Documentation, 3rd ed., 2017. [161]
  • AMIA Open Source, an organizational account for collaboration on resources that support the preservation and use of moving image media.
  • BAVC (Bay Area Video Coalition), AV Artifact Atlas, resource for identifying errors and anomalies in analog and digital video. [162]
  • BAVC (Bay Area Video Coalition), AV Compass, offers comprehensive instruction in organizing and preserving a media collection. [163]
  • DCA (Digitising Contemporary Art), DCA wiki, guidebook for the digitisation of contemporary art, c.2013 (archived). (multiple languages)
  • FAIC (Foundation for Advancement in Conservation), CoOL: Conservation OnLine, freely accessible platform to generate and disseminate vital resources for those working to preserve cultural heritage worldwide.
  • Guggenheim, Time-Based Media, incl. preservation models for video and templates for iteration report and media report.
  • Hocking, Sherry Miller, and Mona Jimenez, Video Preservation: The Basics, 2000. An activity of the Video History Project organized by the Experimental Television Center.
  • IMAP (Independent Media Arts Preservation), Archiving the Arts, preservation resource for media artists (archived).
  • INCCA: International Network for the Conservation of Contemporary Art. INCCA members are dedicated to developing, sharing and preserving knowledge needed for the conservation of modern and contemporary art. INCCA is a network of like-minded professionals connected to the conservation of modern and contemporary art. Conservators, curators, scientists, registrars, archivists, art historians, artists, educators and students are among our members.
  • Jimenez, Mona, and Liss Platt (eds.), Magnetic Media Preservation Sourcebook, New York: Media Alliance, 1998. A directory of resources for the preservation of audio and video materials. [164]
  • The Met's Time-Based Media Working Group, Sample Documentation and Templates, for artists, organizations, and collectors of time-based media artworks. Published c.2017-2019.
  • MFA Boston (Museum of Fine Arts), CAMEO: Conservation & Art Materials Encyclopedia Online. The MATERIALS database contains chemical, physical, visual, and analytical information on historic and contemporary materials used in the production and conservation of artistic, architectural, archaeological, and anthropological materials.
  • Nagels, Katherine, time-based-media-art, collects resources on the care and preservation of time-based media art. Part of AMIA Open Source.
  • National Park Service, Conserve O Grams, downloadable leaflets about caring for museum objects, published by The Museum Management Program of NPS.
  • NIMK, Preservation resource, has sections on video art, computer-based art and media art installation preservation.
  • PACKED, Cultural Heritage Standards Toolbox (Cultureel ErfgoedStandaarden Toolbox, CEST), toolbox to help cultural heritage institutions to select the right standards for the creation, management and dissemination of digital collections. (Dutch)
  • PACKED, Scart, website on audiovisual heritage with a focus on the preservation of audiovisual collections. (Dutch)/(English)/(French)
  • PACKED, Scoremodel, evaluation tool which determines the threats and risks regarding the long-term sustainability of your digital assets. (Dutch)/(English)
  • PACKED, Tracks, toolbox and guidelines for the care of archives and collections in the arts field, c.2018. (Dutch)/(English)
  • Preserving Immersive Media Knowledge Base, resource created to help share information between members of the digital preservation community who are caring for virtual reality (VR), augmented reality (AR), mixed reality (MR), 360 video, real-time 3D software and other similar materials.
  • RCE (Cultural Heritage Agency of the Netherlands), Knowledge for Collections (Kennis voor collecties), documentation of 60 research projects on movable heritage conducted by RCE from 2008-2012.
  • Sustainability in Conservation (SiC), international NGO aimed at promoting sustainability and environmental awareness in conservation of cultural heritage and related fields. Founded 2016.
more

Glossaries[edit]

  • Conservation OnLine (CoOL), Lexical and Classification Resources. The page offers dictionaries, thesauri, classification schemes, and related matter primarily of use to those managing preservation libraries, imaging projects, documentation systems, etc.
  • DOCAM, Glossaurus, 2009. Based on SKOS (Simple Knowledge Organization System) standard; complements CDWA, AAT and DAM. [166]
  • Getty Research Institute, Categories for the Description of Works of Art (CDWA), eds. Patricia Harpring, Murtha Baca and Patricia Harpring, 2014. A set of guidelines for the description of art, architecture, and other cultural works. CDWA also provides a framework to which existing art information systems may be mapped, upon which new systems may be developed, or upon which data may be linked in an open environment. CDWA is mapped to the Cultural Objects Name Authority (CONA) and CIDOC CRM.
  • ICN Research Department Amsterdam & INCCA, Inside Installations Glossary, 2006. About. Largely based on quotations, includes a language switch option for translated terms to ES & IT; created by Tatja Scholte and Lora Markova (intern Maastricht U); ES trans. Arinne Vanrell, MNCARS; IT trans. Caterina Paolisso, MNCARS. [167]
  • Netherlands Institute for Sound and Vision, Preservation Metadata Dictionary (PMD) v1.2, 2015. Summary of the definitions of preservation metadata, a combination of a variety of existing standards, to best serve the needs of the institute as an audiovisual archive.


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