Difference between revisions of "Artists publishing"

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* Duncan Chappell, [[Media:Chappell_Duncan_2003_Typologising_the_Artists_Book.pdf|"Typologising the Artist's Book"]], ''Art Libraries'' 28:4 (2003), pp 12-20. {{en}}
 
* Duncan Chappell, [[Media:Chappell_Duncan_2003_Typologising_the_Artists_Book.pdf|"Typologising the Artist's Book"]], ''Art Libraries'' 28:4 (2003), pp 12-20. {{en}}
 
* Johanna Drucker, [[Media:Drucker_Johanna_2004_The_Artists_Book_as_an_Agent_of_Social_Change.pdf|"The Artist's Book as an Agent of Social Change"]], in Drucker, ''The Century of Artists' Books'', 2nd ed., New York: Granary Books, 2004, pp 287-308. {{en}}
 
* Johanna Drucker, [[Media:Drucker_Johanna_2004_The_Artists_Book_as_an_Agent_of_Social_Change.pdf|"The Artist's Book as an Agent of Social Change"]], in Drucker, ''The Century of Artists' Books'', 2nd ed., New York: Granary Books, 2004, pp 287-308. {{en}}
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* Janneke Adema, Gary Hall, [http://sci-hub.bz/10.3898/NewF.78.07.2013 "The Political Nature of the Book: On Artists' Books and Radical Open Access"], ''New Formations'' 78:1, 2013, pp 138-156. [http://academia.edu/6105770] [http://disruptivemedia.org.uk/thepoliticalnatureofthebook/fullarticle.html] {{en}}
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* Janneke Adema, Gary Hall, [http://sci-hub.tw/10.3898/NewF.78.07.2013 "The Political Nature of the Book: On Artists' Books and Radical Open Access"], ''New Formations'' 78:1, 2013, pp 138-156. [http://academia.edu/6105770] [http://disruptivemedia.org.uk/thepoliticalnatureofthebook/fullarticle.html] {{en}}
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* Tony White, [http://sci-hub.bz/10.1086/678548 "The Evolution of Artists’ Publishing"], ''Art Documentation'' 33:2 (Sep 2014), pp 227-242. {{en}}
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* Tony White, [http://sci-hub.tw/10.1086/678548 "The Evolution of Artists’ Publishing"], ''Art Documentation'' 33:2 (Sep 2014), pp 227-242. {{en}}
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* Amanda C.R. Clark, [http://sci-hub.bz/10.1086/680562 "Contemporary Chinese Artists' Books: New Artistic Voices in a Time of Transition"], ''Art Documentation'' 34:1 (Spring 2015), pp 15-28. {{en}}
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* Amanda C.R. Clark, [http://sci-hub.tw/10.1086/680562 "Contemporary Chinese Artists' Books: New Artistic Voices in a Time of Transition"], ''Art Documentation'' 34:1 (Spring 2015), pp 15-28. {{en}}
  
 
===Readers===
 
===Readers===
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* ''In Numbers: Serial Publications by Artists Since 1955'', eds. Philip E Aarons and Andrew Roth, Zurich: JRP Ringier, 2009, 440 pp. [http://balticplus.uk/in-numbers-serial-publications-by-artists-since-1955-c27294/] {{en}}
 
* ''In Numbers: Serial Publications by Artists Since 1955'', eds. Philip E Aarons and Andrew Roth, Zurich: JRP Ringier, 2009, 440 pp. [http://balticplus.uk/in-numbers-serial-publications-by-artists-since-1955-c27294/] {{en}}
 
* Sarah Bodman, Tom Sowden, ''[http://www.bookarts.uwe.ac.uk/pdf/publications/manifesto-of-the-book.pdf A Manifesto for the Book]'', Bristol: Impact Press, 2010, 185 pp.  {{en}}
 
* Sarah Bodman, Tom Sowden, ''[http://www.bookarts.uwe.ac.uk/pdf/publications/manifesto-of-the-book.pdf A Manifesto for the Book]'', Bristol: Impact Press, 2010, 185 pp.  {{en}}
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* Anna Sigrídur Arnar, ''The Book as Instrument: Stéphane Mallarmé, The Artist's Book, and the Transformation of Print Culture'', University of Chicago Press, 2011, xi+395 pp. [http://www.bookasinstrument.com/] [http://www.press.uchicago.edu/ucp/books/book/chicago/B/bo5886904.html]. Reviews: [http://artinprint.org/review/the-book-as-instrument/ Salsbury] (AiP 2012), [http://www.caareviews.org/reviews/1889 Roos] (CAA 2012), [http://sci-hub.bz/10.1007/s12109-012-9277-0 Norrick-Rühl] (PRQ 2012), [http://academia.edu/8742154/ Wiedenfeld] (MLN 2013), [http://www.h-france.net/vol13reviews/vol13no174abbott.pdf Abbott] (H-France 2013), [http://sci-hub.bz/10.1080/00043079.2013.10786075 Palermo] (AB 2013), [http://bbf.enssib.fr/consulter/bbf-2013-02-0098-004 Melot] (BBF 2013 FR). {{en}}
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* Anna Sigrídur Arnar, ''The Book as Instrument: Stéphane Mallarmé, The Artist's Book, and the Transformation of Print Culture'', University of Chicago Press, 2011, xi+395 pp. [http://www.bookasinstrument.com/] [http://www.press.uchicago.edu/ucp/books/book/chicago/B/bo5886904.html]. Reviews: [http://artinprint.org/review/the-book-as-instrument/ Salsbury] (AiP 2012), [http://www.caareviews.org/reviews/1889 Roos] (CAA 2012), [http://sci-hub.tw/10.1007/s12109-012-9277-0 Norrick-Rühl] (PRQ 2012), [http://academia.edu/8742154/ Wiedenfeld] (MLN 2013), [http://www.h-france.net/vol13reviews/vol13no174abbott.pdf Abbott] (H-France 2013), [http://sci-hub.tw/10.1080/00043079.2013.10786075 Palermo] (AB 2013), [http://bbf.enssib.fr/consulter/bbf-2013-02-0098-004 Melot] (BBF 2013 FR). {{en}}
 
* Bernhard Cella, ''Collecting Books: A Selection of Recent Art and Artists' Books Produced in Austria'', Bernhard Cella / Hotel Ostblick, 2012, 150 pp. [http://collectingbooks.cella.at/] [https://artmetropole.com/shop/5942]  {{en}}
 
* Bernhard Cella, ''Collecting Books: A Selection of Recent Art and Artists' Books Produced in Austria'', Bernhard Cella / Hotel Ostblick, 2012, 150 pp. [http://collectingbooks.cella.at/] [https://artmetropole.com/shop/5942]  {{en}}
 
* Clive Phillpot, ''Booktrek: Selected Essays on Artists' Books (1972-2010)'', ed. Lionel Bovier, Zurich: JRP Ringier, 2013, 286 pp. [http://www.jrp-ringier.com/pages/index.php?id_r=4&id_t=&id_p=18&id_b=2102] {{en}}
 
* Clive Phillpot, ''Booktrek: Selected Essays on Artists' Books (1972-2010)'', ed. Lionel Bovier, Zurich: JRP Ringier, 2013, 286 pp. [http://www.jrp-ringier.com/pages/index.php?id_r=4&id_t=&id_p=18&id_b=2102] {{en}}

Revision as of 15:47, 10 December 2017

Works

Periodicals

Pre-1945 avant-garde
Lettrist


Situationist


Conceptual
  • 0-9, 6 numbers, eds. Bernadette Meyer and Vito Acconci, New York, 1967-1969. Reprint. [1], [2]. FSL. [3], [4], ccindex.
  • Art-Language, 19 numbers, eds. Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, et al., Coventry, UK: Art & Language Press, 1969-1978. First issue carried the subtitle The Journal of Conceptual Art. Covers, [5], [6].
  • Új Symposion, 77+ numbers, eds. Bálint Szombathy (1971-72, 1986-89), László Kerekes (1984-85), et al., Novi Sad: Tribina mladih, [1971]-[1989]. [7], [8], [9], [10], [11]. (Hungarian)
  • Index, eds. Slobodan Tišma, Janez Kocijanić, and Mirko Radojičić, Novi Sad, [1969]-[1972]. Student magazine. [12]. (Serbo-Croatian)
  • Data, 32 numbers, eds. Tommaso Trini (Castelli) and Ciacia Nicastro, Milan: Prearo, 1971-1978. [13]. [14] (Italian),(English)
  • Polja 156: "Konceptualna umetnost", ed. Mirko Radojičić, Novi Sad, Feb 1972. (Serbo-Croatian)
  • The Fox, 3 numbers, eds. Sarah Charlesworth, Michael Corns, Preston Heller, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Ian Burn, New York, 1975-1976. ccindex, [15].
  • Vision, 5 numbers, ed. Tom Marioni, Oakland, CA: Crown Point Press, 1975-1981. Issue 1. [16], [17], [18].
  • Red-herring, 2 numbers, eds. Karl Beveridge, Jill Breakstone, Ian Burn, Carole Conde, Michael Corns, Preston Heller, and Andrew Menard, New York: C.I.F., 1977-1978. ccindex, Allen.
Mail art
Neoist
  • The Neo, 10+2 numbers, ed. Monty Cantsin, Montreal, 1979-81. Last two numbers published with the title Organ.
  • PhotoStatic, 41 numbers, ed. Lloyd Dunn, Aug 1983-Jan 1993.
  • SMILE, ed. Monty Cantsin, Feb 1984-95. [20] [21] [22]
  • Retrofuturism, 11+6 numbers, ed. Tape-beatles, Jan 1988-Apr 1993.
  • Yawn, 45 numbers, Sep 1989-Mar 1993.
  • Re:Action newsletter, 10 numbers, ed. Stewart Home, Winter 1994-Spring 1999.
  • Psrf, 2 numbers, ed. Lloyd Dunn, Oct 1997-Oct 1998.

Anthologies, sourcebooks

  • Artists' Books: A Critical Anthology and Sourcebook, ed. Joan Lyons, Utah: Gibbs Smith Publishers, 1985.

Artists, scholars, initiatives

Collections, archives

Online repositories

Resources

Literature

Selected essays

  • El Lissitzky, "Unser Buch", in Gutenberg Jahrbuch 1927, ed. Alois Ruppel, Mainz: Gutenberg-Gesellschaft, 1926-27. (German)
    • "The Future of the Book", New Left Review 41, Jan-Feb 1967, pp 39-44. (English)
    • "Our Book", trans. Helene Aldwinckle and Mary Whittall, in Lissitzky-Küppers, El Lissitzky, 1968; repr. in Graphic Design Theory: Readings From the Field, ed. Helen Armstrong, Princeton, 2009, pp 25-31. (English)

Readers

  • Artists' Books: A Critical Anthology and Sourcebook, ed. Joan Lyons, Utah: Gibbs Smith Publishers, and Visual Studies Workshop Press, 1985. TOC, TOC. (English)
  • Everything in the World: A Book Arts Reader, ed. Harry Reese, 2007. For an UCSB class.

Books

  • Susan Compton, World Backwards: Russian Futurist Book 1912-1916, London: British Library, 1978, 136 pp. (English)
  • Llibres d'artista / Artists' Books, ed. Tous i Giner Rafael, trans. Glòria Picazo, Barcelona: Metroǹom, 1981. (Catalan)/(English)
  • Johanna Drucker, The Century of Artists’ Books, New York: Granary Books, 1995; 2nd ed., 2004, 377 pp. ch 1, ch 1. [27] (English)
  • Stephen Bury, Artists’ Books: the Book as a Work of Art, 1963-1995, Aldershot: Scolar Press, 1995. (English)
  • Charles Alexander (ed.), Talking the Boundless Book: Art, Language, & the Book Arts, Minnesota Center for Book Arts, 1995, 144 pp. (English)
  • Stefan Klima, Artists Books: A Critical Survey of the Literature, New York: Granary Books, 1998, 104 pp. Excerpt, [28]. (English)
  • Artist/Author: Contemporary Artists' Books, eds. Cornelia Lauf and Clive Phillpot, New York: Art Publishers, 1998. (English)
  • Renée Riese Hubert, Judd D. Hubert, The Cutting Edge of Reading: Artists’ Books, New York: Granary Books, 1999, 280 pp. [29] (English)
  • Jaroslav Andel, Avant Garde Book Design, 1900-1950, New York: Delano Greenidge, 2002, 388 pp. Review: Margolin (DI 2003). (English)
  • Rob Perrée, Cover to Cover: The Artist's Book in Perspective, Rotterdam: NAi Publishers, 2002. (English)
  • In Numbers: Serial Publications by Artists Since 1955, eds. Philip E Aarons and Andrew Roth, Zurich: JRP Ringier, 2009, 440 pp. [30] (English)
  • Sarah Bodman, Tom Sowden, A Manifesto for the Book, Bristol: Impact Press, 2010, 185 pp. (English)
  • Anna Sigrídur Arnar, The Book as Instrument: Stéphane Mallarmé, The Artist's Book, and the Transformation of Print Culture, University of Chicago Press, 2011, xi+395 pp. [31] [32]. Reviews: Salsbury (AiP 2012), Roos (CAA 2012), Norrick-Rühl (PRQ 2012), Wiedenfeld (MLN 2013), Abbott (H-France 2013), Palermo (AB 2013), Melot (BBF 2013 FR). (English)
  • Bernhard Cella, Collecting Books: A Selection of Recent Art and Artists' Books Produced in Austria, Bernhard Cella / Hotel Ostblick, 2012, 150 pp. [33] [34] (English)
  • Clive Phillpot, Booktrek: Selected Essays on Artists' Books (1972-2010), ed. Lionel Bovier, Zurich: JRP Ringier, 2013, 286 pp. [35] (English)
  • Danske kunstnerbøger / Danish Artists' Books, eds. Thomas Hvid Kromann, Louise Hold Sidenius, Maria Kjær Themsen and Marianne Vierø, Copenhagen: Møller, and Cologne: Walther König, 2013, 300 pp. (Danish)/(English)
  • Annette Gilbert (ed.): Reprint: Appropriation (&) Literature, Wiesbaden: Lux Books, 2014, 580 pp. [36] (English)
  • Antoine Lefebvre, Portrait de l'artiste en éditeur, L'édition comme pratique artistique alternative, Paris: Université Paris 1 Panthéon-Sorbonne, 2014, 760 pp. PhD dissertation. (French)
  • Albert Coers, Kunstkatalog—Katalogkunst. Der Ausstellungskatalog als künstlerisches Medium am Beispiel von Thomas Demand, Tobias Rehberger und Olafur Eliasson, Berlin: De Gruyter, 2015. (German)
  • The Art of Collaboration: Poets, Artists, Books, eds. Anca Cristofovici and Barbara Montefalcone, Cuneiform Press, 2015, 198 pp. Based on the symposium ‘'Collaboration and the Artist’s Book: a Transatlantic Perspective held at the University of Caen, France, March-April 2011. [37] (English)
  • Annette Gilbert (ed.), Publishing as Artistic Practice, Berlin: Sternberg Press, 304 pp, 2016. TOC, Weinmayr's essay. Workshop. [38] (English)
  • Nicholas Thoburn, Anti-Book: On the Art and Politics of Radical Publishing, University of Minnesota Press, 2016, xvi+372 pp. (English)
  • Nancy Perloff, Explodity: Sound, Image, and Word in Russian Futurist Book Art, Los Angeles: Getty Publications, 2016 208 pp. Online companion. [39] (English)

Periodicals

Journal issues

Exhibition catalogues

Bibliography

Exhibitions

See also exhibition catalogues above.

Early

  • Artists Books, Moore College of Art, Philadelphia, 23 Mar-20 Apr 1973; University Art Museum, U California, Berkeley, 16 Jan-24 Feb 1974. Curated by Dianne Vanderlip; the first major exhibition of artists’ books in the United States; 77pp catalogue published.

Recent


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