Difference between revisions of "Artists publishing"

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** [http://www.journalofartistsbooks.org/past/pdfs/JAB15.pdf ''The Journal of Artists' Books'' 15: "Book Unbound"], ed. Cathy Byrd, Spring 2001, [http://www.artistsbooksonline.org/works/ja15/imageindex/1.1.1.0.xml JPGs]. Exhibition catalogue.
 
** [http://www.journalofartistsbooks.org/past/pdfs/JAB15.pdf ''The Journal of Artists' Books'' 15: "Book Unbound"], ed. Cathy Byrd, Spring 2001, [http://www.artistsbooksonline.org/works/ja15/imageindex/1.1.1.0.xml JPGs]. Exhibition catalogue.
 
* Johanna Drucker, ''The Century of Artists’ Books'', New York: Granary Books, 1995; 2nd ed., 2004, 377 pp. [http://www.granarybooks.com/books/drucker2/drucker2.html ch 1], [http://www.arts.ucsb.edu/faculty/reese/classes/artistsbooks/Johanna%20Drucker,%20TCofAB,%20Chpt.%201.pdf ch 1]. [http://www.granarybooks.com/book/41/Johanna_Drucker+The_Century_of_Artists_Books/]  {{en}}
 
* Johanna Drucker, ''The Century of Artists’ Books'', New York: Granary Books, 1995; 2nd ed., 2004, 377 pp. [http://www.granarybooks.com/books/drucker2/drucker2.html ch 1], [http://www.arts.ucsb.edu/faculty/reese/classes/artistsbooks/Johanna%20Drucker,%20TCofAB,%20Chpt.%201.pdf ch 1]. [http://www.granarybooks.com/book/41/Johanna_Drucker+The_Century_of_Artists_Books/]  {{en}}
 +
* Stephen Bury, ''Artists’ Books: the Book as a Work of Art, 1963-1995'', Aldershot: Scolar Press, 1995.  {{en}}
 
* Charles Alexander (ed.), ''[http://monoskop.org/log/?p=11329 Talking the Boundless Book: Art, Language, & the Book Arts]'', Minnesota Center for Book Arts, 1995, 144 pp. {{en}}
 
* Charles Alexander (ed.), ''[http://monoskop.org/log/?p=11329 Talking the Boundless Book: Art, Language, & the Book Arts]'', Minnesota Center for Book Arts, 1995, 144 pp. {{en}}
 
* Johanna Drucker, [http://www.english.txstate.edu/cohen_p/Art/Artists'%20books/3684834.pdf "The Self-Conscious Codex: Artists' Books and Electronic Media"], ''SubStance'' 26(1): "Metamorphoses of the Book", 1997, pp 93-112. {{en}}
 
* Johanna Drucker, [http://www.english.txstate.edu/cohen_p/Art/Artists'%20books/3684834.pdf "The Self-Conscious Codex: Artists' Books and Electronic Media"], ''SubStance'' 26(1): "Metamorphoses of the Book", 1997, pp 93-112. {{en}}
 
* Stefan Klima, ''Artists Books: A Critical Survey of the Literature'', New York: Granary Books, 1998, 104 pp. [http://media.smith.edu/media/ereserves/pdf_files/hillyer/k-o/klima_beginning.pdf Excerpt], [http://www.granarybooks.com/book/83/Stefan_Klima+Artists_Books_A_Critical_Survey_of_the_Literature/]. {{en}}
 
* Stefan Klima, ''Artists Books: A Critical Survey of the Literature'', New York: Granary Books, 1998, 104 pp. [http://media.smith.edu/media/ereserves/pdf_files/hillyer/k-o/klima_beginning.pdf Excerpt], [http://www.granarybooks.com/book/83/Stefan_Klima+Artists_Books_A_Critical_Survey_of_the_Literature/]. {{en}}
 +
* ''Artist/Author: Contemporary Artists' Books'', eds. Cornelia Lauf and Clive Phillpot, New York: Art Publishers, 1998. {{en}}
 
* Renée Riese Hubert, Judd D. Hubert, ''The Cutting Edge of Reading: Artists’ Books'', New York: Granary Books, 1999, 280 pp. [http://www.granarybooks.com/book/77/Renee_Riese_Hubert_Judd_D_Hubert+The_Cutting_Edge_of_Reading_Artists_Books/] {{en}}
 
* Renée Riese Hubert, Judd D. Hubert, ''The Cutting Edge of Reading: Artists’ Books'', New York: Granary Books, 1999, 280 pp. [http://www.granarybooks.com/book/77/Renee_Riese_Hubert_Judd_D_Hubert+The_Cutting_Edge_of_Reading_Artists_Books/] {{en}}
  
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** ''[https://monoskop.org/log/?p=17545 El libro ruso de vanguardia, 1910-1934]'', New York: Museum of Modern Art, and Madrid: Museo Nacional Centro de Arte Reina Sofia, 2003, 304 pp. {{es}}
 
** ''[https://monoskop.org/log/?p=17545 El libro ruso de vanguardia, 1910-1934]'', New York: Museum of Modern Art, and Madrid: Museo Nacional Centro de Arte Reina Sofia, 2003, 304 pp. {{es}}
 
* Jaroslav Andel, ''Avant Garde Book Design, 1900-1950'', New York: Delano Greenidge, 2002, 388 pp. Review: [http://www.mitpressjournals.org/doi/abs/10.1162/desi.2003.19.4.97?journalCode=desi Margolin] (DI 2003). {{en}}
 
* Jaroslav Andel, ''Avant Garde Book Design, 1900-1950'', New York: Delano Greenidge, 2002, 388 pp. Review: [http://www.mitpressjournals.org/doi/abs/10.1162/desi.2003.19.4.97?journalCode=desi Margolin] (DI 2003). {{en}}
 +
* Rob Perrée, ''Cover to Cover: The Artist's Book in Perspective'', Rotterdam: NAi Publishers, 2002. {{en}}
 
* Duncan Chappell, [[Media:Chappell_Duncan_2003_Typologising_the_Artists_Book.pdf|"Typologising the Artist's Book"]], ''Art Libraries'' 28:4 (2003), pp 12-20. {{en}}
 
* Duncan Chappell, [[Media:Chappell_Duncan_2003_Typologising_the_Artists_Book.pdf|"Typologising the Artist's Book"]], ''Art Libraries'' 28:4 (2003), pp 12-20. {{en}}
 
* ''Art Libraries'' 32(2): "Artists' ́Books", 2007. [http://www.arlis.net/sites/arlis.net/files/alj_abstract_2007_32_2.pdf Abstracts]. {{en}}
 
* ''Art Libraries'' 32(2): "Artists' ́Books", 2007. [http://www.arlis.net/sites/arlis.net/files/alj_abstract_2007_32_2.pdf Abstracts]. {{en}}

Revision as of 10:52, 12 June 2017

Works

Periodicals

Pre-1945 avant-garde
Lettrist


Situationist


Conceptual
  • 0-9, 6 numbers, eds. Bernadette Meyer and Vito Acconci, New York, 1967-1969. Reprint. [1], [2]. FSL. [3], [4], ccindex.
  • Art-Language, 19 numbers, eds. Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, et al., Coventry, UK: Art & Language Press, 1969-1978. First issue carried the subtitle The Journal of Conceptual Art. Covers, [5], [6].
  • Új Symposion, 77+ numbers, eds. Bálint Szombathy (1971-72, 1986-89), László Kerekes (1984-85), et al., Novi Sad: Tribina mladih, [1971]-[1989]. [7], [8], [9], [10], [11]. (Hungarian)
  • Index, eds. Slobodan Tišma, Janez Kocijanić, and Mirko Radojičić, Novi Sad, [1969]-[1972]. Student magazine. [12]. (Serbo-Croatian)
  • Data, 32 numbers, eds. Tommaso Trini (Castelli) and Ciacia Nicastro, Milan: Prearo, 1971-1978. [13]. [14] (Italian),(English)
  • Polja 156: "Konceptualna umetnost", ed. Mirko Radojičić, Novi Sad, Feb 1972. (Serbo-Croatian)
  • The Fox, 3 numbers, eds. Sarah Charlesworth, Michael Corns, Preston Heller, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Ian Burn, New York, 1975-1976. ccindex, [15].
  • Vision, 5 numbers, ed. Tom Marioni, Oakland, CA: Crown Point Press, 1975-1981. Issue 1. [16], [17], [18].
  • Red-herring, 2 numbers, eds. Karl Beveridge, Jill Breakstone, Ian Burn, Carole Conde, Michael Corns, Preston Heller, and Andrew Menard, New York: C.I.F., 1977-1978. ccindex, Allen.
Mail art
Neoist
  • The Neo, 10+2 numbers, ed. Monty Cantsin, Montreal, 1979-81. Last two numbers published with the title Organ.
  • PhotoStatic, 41 numbers, ed. Lloyd Dunn, Aug 1983-Jan 1993.
  • SMILE, ed. Monty Cantsin, Feb 1984-95. [20] [21] [22]
  • Retrofuturism, 11+6 numbers, ed. Tape-beatles, Jan 1988-Apr 1993.
  • Yawn, 45 numbers, Sep 1989-Mar 1993.
  • Re:Action newsletter, 10 numbers, ed. Stewart Home, Winter 1994-Spring 1999.
  • Psrf, 2 numbers, ed. Lloyd Dunn, Oct 1997-Oct 1998.

Anthologies, sourcebooks

  • Artists' Books: A Critical Anthology and Sourcebook, ed. Joan Lyons, Utah: Gibbs Smith Publishers, 1985.

Artists, scholars, initiatives

Archives

Online repositories

Resources

Collections

Literature

  • El Lissitzky, "Unser Buch", in Gutenberg Jahrbuch 1927, ed. Alois Ruppel, Mainz: Gutenberg-Gesellschaft, 1926-27. (German)
    • "The Future of the Book", New Left Review 41, Jan-Feb 1967, pp 39-44. (English)
    • "Our Book", trans. Helene Aldwinckle and Mary Whittall, in Lissitzky-Küppers, El Lissitzky, 1968; repr. in Graphic Design Theory: Readings From the Field, ed. Helen Armstrong, Princeton, 2009, pp 25-31. (English)
  • Ulises Carrión, "El arte nuevo de hacer libros", Plural (literary supplement in newspaper Excélsior) 4:41, México, Feb 1975, pp 33-38. Written in Amsterdam in May 1974. [24] (Spanish)
    • "The New Art of Making Books", Kontexts 6-7, Maastricht, 1975; repr. in Contents, Warsaw: Remont Gallery, 1976; repr. in Art Contemporary 3:1, San Francisco, 1977; repr. in Carrión, Second Thoughts, Amsterdam: VOID, 1980; repr. in Artists' Books: A Critical Anthology and Sourcebook, ed. Lyons, 1985; repr. in Ulises Carrion: We have won! Haven’t we?, ed. Guy Schraenen, Amsterdam: Fodor Museum, 1992. (English)
    • more translations
  • Lucy R. Lippard, "The Artist's Book Goes Public", Art in America, Jan-Feb 1977; repr. in Lippard, Get the Message? A Decade of Art for Social Change, E.P. Dutton, 1984, pp 48-52; repr. in Artists' Books: A Critical Anthology and Sourcebook, ed. Lyons, 1985, pp 45-48. (English)
  • Llibres d'artista / Artists' Books, ed. Tous i Giner Rafael, trans. Glòria Picazo, Barcelona: Metroǹom, 1981. (Catalan)/(English)
  • Art Documentation 1(6): "An ABC of Artists’ Books Collections", ed. Clive Phillpot, ARLIS/NA, Dec 1982, 13 pp. Special section of the journal. (English)
  • Richard Kostelanetz, "Book Art", in Artists' Books: A Critical Anthology and Sourcebook, ed. Lyons, 1985, pp 27-30, HTML. (English)
  • Lucy R. Lippard, "Conspicuous Consumption: New Artists' Books", in Artists' Books: A Critical Anthology and Sourcebook, ed. Lyons, 1985, pp 49-59. (English)
  • Shelley Rice, "Words and Images: Artists' Books as Visual Literature", in Artists' Books: A Critical Anthology and Sourcebook, ed. Lyons, 1985, pp 59-85. (English)
  • Barbara Moore, Jon Hendricks, "The Page as Alternative Space: 1950 to 1969", in Artists' Books: A Critical Anthology and Sourcebook, ed. Lyons, 1985, pp 87-95. (English)
  • Clive Phillpot, "Some Contemporary Artists and Their Books", in Artists' Books: A Critical Anthology and Sourcebook, ed. Lyons, 1985, pp 97-132. (English)
  • Robert C. Morgan, "Systemic Books by Artists", in Artists' Books: A Critical Anthology and Sourcebook, ed. Lyons, 1985, pp 207-222. (English)
  • Livres d'artistes, ed. Anne Moeglin-Delcroix, Paris: Centre Pompidou & Herscher, 1985. Catalogue. (French)
  • Audrey Isselbacher, Iliazd and the Illustrated Book, New York: Museum of Modern Art, 1987, 85 pp. Catalogue. [25] (English)
  • Guy Schraenen, Out of Print: An Archive as Artistic Concept, Bremen: Neues Museum Weserburg, 2001, 255 pp. Catalogue. Selection of 700 works and documents drawn from the Archive for Small Press & Communication (ASPC) founded by Anner Marsily and Guy Schraenen in 1974. [32] (English)
  • Margit Rowell, Deborah Wye, The Russian Avant-Garde Book, 1910-1934, New York: Museum of Modern Art, 2002, 304 pp. [33] [34] (English)
  • Jaroslav Andel, Avant Garde Book Design, 1900-1950, New York: Delano Greenidge, 2002, 388 pp. Review: Margolin (DI 2003). (English)
  • Rob Perrée, Cover to Cover: The Artist's Book in Perspective, Rotterdam: NAi Publishers, 2002. (English)
  • Duncan Chappell, "Typologising the Artist's Book", Art Libraries 28:4 (2003), pp 12-20. (English)
  • Art Libraries 32(2): "Artists' ́Books", 2007. Abstracts. (English)
  • In Numbers: Serial Publications by Artists Since 1955, eds. Philip E Aarons and Andrew Roth, Zurich: JRP Ringier, 2009, 440 pp. [35] (English)

Readers

  • Artists' Books: A Critical Anthology and Sourcebook, ed. Joan Lyons, Utah: Gibbs Smith Publishers, and Visual Studies Workshop Press, 1985. TOC, TOC. (English)
  • Everything in the World: A Book Arts Reader, ed. Harry Reese, 2007. For an UCSB class.

Bibliography

Exhibitions

Early

  • Artists Books, Moore College of Art, Philadelphia, 23 Mar-20 Apr 1973; University Art Museum, U California, Berkeley, 16 Jan-24 Feb 1974. Curated by Dianne Vanderlip; the first major exhibition of artists’ books in the United States; 77pp catalogue published.

Recent


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