Difference between revisions of "Bio art"

From Monoskop
Jump to navigation Jump to search
Line 11: Line 11:
 
==Literature==
 
==Literature==
 
* Karl Gerbel, Peter Weibel (eds.), ''Genetische Kunst (Ars Electronica 1993)'', PVS-Verleger, 1993.
 
* Karl Gerbel, Peter Weibel (eds.), ''Genetische Kunst (Ars Electronica 1993)'', PVS-Verleger, 1993.
* Christine Schöpf, Gerfried Stocker (eds.), ''Flesh Factor (Ars Electronica 1997)'', Springer, 1997.
+
* Christine Schöpf, Gerfried Stocker (eds.), ''Flesh Factor (Ars Electronica 1997)'', Springer, 1997. [https://ars.electronica.art/fleshfactor/]
  
 
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}
 
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}
Line 23: Line 23:
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009.
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009.
  
* George Gessert, ''Green Light: Toward an Art of Evolution'', MIT Press (Leonardo), 2010.
+
* George Gessert, ''[http://library.memoryoftheworld.org/b/80OLVkmm_KlCGS1wOjWuPx5GMSFePoCi4cltseKGtZsFaUG8 Green Light: Toward an Art of Evolution]'', MIT Press (Leonardo), 2010.
* Robert E. Mitchell, ''BioArt and the Vitality of Media'', Seattle: University of Washington Press, 2010.
+
* Robert Mitchell, ''[http://library.memoryoftheworld.org/b/WKlJu0CraFO54qTC1kw89ayUOiNw44NX5WEa4yHbblbzWW8F BioArt and the Vitality of Media]'', Seattle: University of Washington Press, 2010.
 +
* Ruth G. West, "Working With Wetware", in ''Context Providers: Conditions Of Meaning In Media Arts'', eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011. [https://books.google.com/books?id=Bmg_ZIseeUMC&pg=PA259]
 
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation.
 
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation.
 
* William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012.
 
* William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012.
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013.
 
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013.
 
* Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013.
 
* Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013.
* Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), ''Synthetic Aesthetics'', MIT Press, 2014.
+
* Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), ''[http://library.memoryoftheworld.org/b/9awZqqe0HLW4irI8-GhNmlLa2Os1ARSFZnQZnVG54EgOLCRU Synthetic Aesthetics: Investigating Synthetic Biology's Designs on Nature]'', MIT Press, 2014.
 
* Regine Rapp, Christian de Lutz (eds.), ''Art and the Biological Sublime in the 21st Century'', Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.  
 
* Regine Rapp, Christian de Lutz (eds.), ''Art and the Biological Sublime in the 21st Century'', Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.  
* Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), ''Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts'', MIT Press (Leonardo), 2014, 691 pp. [https://synthbioart.texashats.org/ Web companion]. Review: [https://muse.jhu.edu/article/577893/summary Etxeberria] (Leonardo).
+
* Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), ''[http://library.memoryoftheworld.org/b/QmVVFNfM-LQbND4EmF4MQiyHrozMosX-lm7fmtse6OZRZImW Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts]'', MIT Press (Leonardo), 2014, 691 pp. [https://synthbioart.texashats.org/ Web companion]. Review: [https://muse.jhu.edu/article/577893/summary Etxeberria] (Leonardo).
 
* William Myers, ''Bio Art: Altered Realities'', Thames & Hudson, 2015.
 
* William Myers, ''Bio Art: Altered Realities'', Thames & Hudson, 2015.
 
* Anne Byerley, Derrick Chong, [http://sci-hub.tw/10.1080/14759551.2013.836194 "Biotech Aesthetics: Exploring the Practice of Bio Art"], ''Culture and Organization'' 21:3, 2015, pp 197-216.
 
* Anne Byerley, Derrick Chong, [http://sci-hub.tw/10.1080/14759551.2013.836194 "Biotech Aesthetics: Exploring the Practice of Bio Art"], ''Culture and Organization'' 21:3, 2015, pp 197-216.

Revision as of 23:07, 2 December 2018

Pages

Mediamatic Biotoop

Literature

  • Karl Gerbel, Peter Weibel (eds.), Genetische Kunst (Ars Electronica 1993), PVS-Verleger, 1993.
  • Christine Schöpf, Gerfried Stocker (eds.), Flesh Factor (Ars Electronica 1997), Springer, 1997. [1]
  • Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur, eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. (German)
  • Suzanne Anker, Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
  • Jens Hauser, "Bio Art: Taxonomy of an Etymological Monster", in Hybrid: Living in a Paradox (Ars Electronica 2005), eds. Gerfried Stocker and Christiane Schöpf, Ostfildern-Ruit, Hatje Cantz, 2005, pp 181-192.
  • Inter 94: "L'art biotech et le posthumain", Fall 2006. (French)
  • Eduardo Kac (ed.), Signs of Life: Bio Art and Beyond, MIT Press, 2007, 420 pp.
  • Beatriz da Costa, Kavita Philip (eds.), Tactical Biopolitics: Art, Activism, and Technoscience, MIT Press, 2008, 504 pp.
  • Melentie Pandilovski, Art in the Biotech Era, Experimental Art Foundation, 2008.
  • Ingeborg Reichle, Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art, pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. TOC & Preface, Illustrations. [2]
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice), Kaliningrad: National Centre for Contemporary Arts, 2009.
Bibliography

See also

DIY biology


Visual art

Styles and movementsCollectionsHistorians and criticsPreservation and conservationReference works