Difference between revisions of "Bio art"
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==Literature== | ==Literature== | ||
* Karl Gerbel, Peter Weibel (eds.), ''Genetische Kunst (Ars Electronica 1993)'', PVS-Verleger, 1993. | * Karl Gerbel, Peter Weibel (eds.), ''Genetische Kunst (Ars Electronica 1993)'', PVS-Verleger, 1993. | ||
| − | * Christine Schöpf, Gerfried Stocker (eds.), ''Flesh Factor (Ars Electronica 1997)'', Springer, 1997. | + | * Christine Schöpf, Gerfried Stocker (eds.), ''Flesh Factor (Ars Electronica 1997)'', Springer, 1997. [https://ars.electronica.art/fleshfactor/] |
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}} | * Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}} | ||
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* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009. | * Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009. | ||
| − | * George Gessert, ''Green Light: Toward an Art of Evolution'', MIT Press (Leonardo), 2010. | + | * George Gessert, ''[http://library.memoryoftheworld.org/b/80OLVkmm_KlCGS1wOjWuPx5GMSFePoCi4cltseKGtZsFaUG8 Green Light: Toward an Art of Evolution]'', MIT Press (Leonardo), 2010. |
| − | * Robert | + | * Robert Mitchell, ''[http://library.memoryoftheworld.org/b/WKlJu0CraFO54qTC1kw89ayUOiNw44NX5WEa4yHbblbzWW8F BioArt and the Vitality of Media]'', Seattle: University of Washington Press, 2010. |
| + | * Ruth G. West, "Working With Wetware", in ''Context Providers: Conditions Of Meaning In Media Arts'', eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011. [https://books.google.com/books?id=Bmg_ZIseeUMC&pg=PA259] | ||
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation. | * Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation. | ||
* William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012. | * William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012. | ||
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013. | * Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013. | ||
* Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013. | * Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013. | ||
| − | * Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), ''Synthetic Aesthetics'', MIT Press, 2014. | + | * Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), ''[http://library.memoryoftheworld.org/b/9awZqqe0HLW4irI8-GhNmlLa2Os1ARSFZnQZnVG54EgOLCRU Synthetic Aesthetics: Investigating Synthetic Biology's Designs on Nature]'', MIT Press, 2014. |
* Regine Rapp, Christian de Lutz (eds.), ''Art and the Biological Sublime in the 21st Century'', Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015. | * Regine Rapp, Christian de Lutz (eds.), ''Art and the Biological Sublime in the 21st Century'', Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015. | ||
| − | * Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), ''Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts'', MIT Press (Leonardo), 2014, 691 pp. [https://synthbioart.texashats.org/ Web companion]. Review: [https://muse.jhu.edu/article/577893/summary Etxeberria] (Leonardo). | + | * Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), ''[http://library.memoryoftheworld.org/b/QmVVFNfM-LQbND4EmF4MQiyHrozMosX-lm7fmtse6OZRZImW Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts]'', MIT Press (Leonardo), 2014, 691 pp. [https://synthbioart.texashats.org/ Web companion]. Review: [https://muse.jhu.edu/article/577893/summary Etxeberria] (Leonardo). |
* William Myers, ''Bio Art: Altered Realities'', Thames & Hudson, 2015. | * William Myers, ''Bio Art: Altered Realities'', Thames & Hudson, 2015. | ||
* Anne Byerley, Derrick Chong, [http://sci-hub.tw/10.1080/14759551.2013.836194 "Biotech Aesthetics: Exploring the Practice of Bio Art"], ''Culture and Organization'' 21:3, 2015, pp 197-216. | * Anne Byerley, Derrick Chong, [http://sci-hub.tw/10.1080/14759551.2013.836194 "Biotech Aesthetics: Exploring the Practice of Bio Art"], ''Culture and Organization'' 21:3, 2015, pp 197-216. | ||
Revision as of 23:07, 2 December 2018
Pages
Literature
- Karl Gerbel, Peter Weibel (eds.), Genetische Kunst (Ars Electronica 1993), PVS-Verleger, 1993.
- Christine Schöpf, Gerfried Stocker (eds.), Flesh Factor (Ars Electronica 1997), Springer, 1997. [1]
- Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur, eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. (German)
- Suzanne Anker, Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
- Jens Hauser, "Bio Art: Taxonomy of an Etymological Monster", in Hybrid: Living in a Paradox (Ars Electronica 2005), eds. Gerfried Stocker and Christiane Schöpf, Ostfildern-Ruit, Hatje Cantz, 2005, pp 181-192.
- Inter 94: "L'art biotech et le posthumain", Fall 2006. (French)
- Eduardo Kac (ed.), Signs of Life: Bio Art and Beyond, MIT Press, 2007, 420 pp.
- Beatriz da Costa, Kavita Philip (eds.), Tactical Biopolitics: Art, Activism, and Technoscience, MIT Press, 2008, 504 pp.
- Melentie Pandilovski, Art in the Biotech Era, Experimental Art Foundation, 2008.
- Ingeborg Reichle, Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art, pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. TOC & Preface, Illustrations. [2]
- Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice), Kaliningrad: National Centre for Contemporary Arts, 2009.
- George Gessert, Green Light: Toward an Art of Evolution, MIT Press (Leonardo), 2010.
- Robert Mitchell, BioArt and the Vitality of Media, Seattle: University of Washington Press, 2010.
- Ruth G. West, "Working With Wetware", in Context Providers: Conditions Of Meaning In Media Arts, eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011. [3]
- Allison Kudla, Biological Systems Art: Artistic Research into the Algorithms of Living Systems, University of Washington, 2011. Dissertation.
- William Myers, BioDesign: Nature + Science + Creativity, Thames & Hudson, 2012.
- Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), Kaliningrad: National Centre for Contemporary Arts, 2013.
- Laura Beloff, Erich Berger, Terike Haapoja (eds.), Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon, Printon Printinghouse, 2013.
- Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), Synthetic Aesthetics: Investigating Synthetic Biology's Designs on Nature, MIT Press, 2014.
- Regine Rapp, Christian de Lutz (eds.), Art and the Biological Sublime in the 21st Century, Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.
- Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts, MIT Press (Leonardo), 2014, 691 pp. Web companion. Review: Etxeberria (Leonardo).
- William Myers, Bio Art: Altered Realities, Thames & Hudson, 2015.
- Anne Byerley, Derrick Chong, "Biotech Aesthetics: Exploring the Practice of Bio Art", Culture and Organization 21:3, 2015, pp 197-216.
- Magdalena Sick-Leitner, "There Is No Bio Art! Interview with Jens Hauser", Ars Electronica Blog, 2 Jun 2015.
- Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, "Bioart", Trends in Biotechnology 33:12, Dec 2015, pp 724-734.
- Lindsay Kelley, Bioart Kitchen: Art, Feminism and Technoscience, London and New York: I.B. Tauris, 2016.
- Jens Hauser, "Biomediality and Art", in Recomposing Art and Science: Artists-in-Labs, eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
- Assimina Kaniari (ed.), Institutional Critique to Hospitality: Bio Art Practice Now, Athens: Grigoris Books, 2017, 190 pp. Review: Terranova (Leonardo).
- Publications on bio art at Monoskop Log
- Bibliography
See also
| Visual art | ||
|---|---|---|
|
Styles and movements – Historians – Writers – Museums – Care – 1990s – East Central Europe – Reference. | ||
