Difference between revisions of "Boris Groys"

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==Works==
 
==Works==
 
===Books, catalogues===
 
===Books, catalogues===
* {{a|Groys1988}} ''Gesamtkunstwerk Stalin: die gespaltene Kultur in der Sowjetunion'', trans. Gabriele Leupold, Munich: Carl Hanser, 1988, 135 pp. Trans. from Russian. {{de}}
+
*{{a|Groys1988}}''Gesamtkunstwerk Stalin: die gespaltene Kultur in der Sowjetunion'', trans. Gabriele Leupold, Munich: Carl Hanser, 1988, 135 pp. Trans. from Russian. {{de}}
 
** ''Staline, oeuvre d'art totale'', Nîmes: Chambon, 1990, 187 pp. {{fr}}
 
** ''Staline, oeuvre d'art totale'', Nîmes: Chambon, 1990, 187 pp. {{fr}}
** ''The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond'', trans. Charles Rougle, Princeton University Press, 1992, [http://monoskop.org/log/?p=2671 Log], [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0b628200 ARG]. Reviews: [http://www.jstor.org.sci-hub.cc/stable/3045922 Efimova] (AB 1992), [http://www.jstor.org.sci-hub.cc/stable/2499735 Ivanov] (SR 1993), [http://www.jstor.org.sci-hub.cc/stable/308486 Nicholas] (SEEJ 1993), [http://ojs.gc.cuny.edu/index.php/situations/article/download/1307/1463 Wolfe] (Situations c2011), [http://marxandphilosophy.org.uk/reviewofbooks/reviews/2013/844 Vivaldi] (MPRB 2013). {{en}}
+
** ''[http://monoskop.org/log/?p=2671 The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond]'', trans. Charles Rougle, Princeton University Press, 1992, [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0b628200 ARG]. {{en}}
** "Stilʹ Stalin", in Groys, ''Utopiya i obmen'', Moscow: Znak, 1993; repr. as "Gesamtkunstwerk Stalin", in Groys, ''Iskusstvo utopii'', Moscow: Khudozhestvennyy zhurnal, 2003; repr. as ''Gesamtkunstwerk Stalin'' [Gesamtkunstwerk Сталин], Moscow: Ad Marginem, 2013, 168 pp. [http://admarginem.ru/books/4257/] {{ru}}
+
** "Stilʹ Stalin", in Groys, ''Utopiya i obmen'', Moscow: Znak, 1993; repr. as "Gesamtkunstwerk Stalin", in Groys, ''Iskusstvo utopii'', Moscow: Khudozhestvennyy zhurnal, 2003; repr. as ''Gesamtkunstwerk Stalin'' [Gesamtkunstwerk Сталин], ed. Polina Kanyukova (Полина Канюкова), Moscow: Ad Marginem, and Garage Museum, 2013, 168 pp. [https://admarginem.ru/product/gesamtkunstwerk-stalin/] [https://garagemca.org/ru/publishing/boris-groys-gesamtkunstwerk-stalin] {{ru}}
** ''Lo stalinismo ovvero l'opera d'arte totale: arte e vita, estetica e politica, utopia e fine della storia dalle avanguardie al realismo socialista al postmoderno'', trans. Emanuela Guercetti, Milan: Garzanti, 1992, 151 pp. {{it}}
+
** ''[http://monoskop.org/log/?p=2671 Lo stalinismo ovvero l'opera d'arte totale: arte e vita, estetica e politica, utopia e fine della storia dalle avanguardie al realismo socialista al postmoderno]'', trans. Emanuela Guercetti, Milan: Garzanti, 1992, 151 pp; repr., 2018, 151 pp. {{it}}
 
** ''Celostna umetnina Stalin: razcepljena kultura v Sovjetski zvezi'', trans. Samo Krušič, afterw. Igor Zabel, Ljubljana: Založba, 1999, 171 pp. {{sl}}
 
** ''Celostna umetnina Stalin: razcepljena kultura v Sovjetski zvezi'', trans. Samo Krušič, afterw. Igor Zabel, Ljubljana: Založba, 1999, 171 pp. {{sl}}
** ''Gesamtkunstwerk Stalin'', Tokyo, 2000. {{jp}}
+
** ''Zentai geijutsu yoshiki Sutarin'' [全体芸術様式スターリン], trans. Ikuo Kameyama and Yoshiaki Koga, Tokyo: Gendai shicho shinsha, 2000, 262 pp. {{jp}}
 
** ''Obra de arte total Stalin'', trans. Desiderio Navarro, Valencia: Pre-Textos, 2008, 229 pp. {{es}}
 
** ''Obra de arte total Stalin'', trans. Desiderio Navarro, Valencia: Pre-Textos, 2008, 229 pp. {{es}}
 
** ''Stalin - opera de artă totală: cultura scindată din Uniunea Sovietică'', trans. Eugenia Bojoga and George State, Cluj: Idea Design & Print, 2007, 99 pp. {{ro}}
 
** ''Stalin - opera de artă totală: cultura scindată din Uniunea Sovietică'', trans. Eugenia Bojoga and George State, Cluj: Idea Design & Print, 2007, 99 pp. {{ro}}
** ''Stalin jako totalne dzieło sztuki'', trans. Piotr Kozak, Warsaw: Wydawnictwo Sic!, 2010, 156 pp. {{pl}}
+
** ''Stalin jako totalne dzieło sztuki'', trans. Piotr Kozak, Warsaw: Sic!, 2010, 156 pp. {{pl}}
** "Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu", in Groys, ''Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu. Komunistické postskriptum'', intro. Václav Magid, trans. Martin Ritter, Prague: VVP AVU, 2010, pp 23-124. [http://vvp.avu.cz/publikace/boris-groys-gesamtkunstwerk-stalin-rozpolcena-kultura-v-sovetskem-svazu-komunisticke-postskriptum/] {{cz}}
+
** "Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu", in Groys, ''Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu. Komunistické postskriptum'', intro. Václav Magid, trans. Martin Ritter, Prague: VVP AVU, 2010, pp 23-124. [http://amper.ped.muni.cz/~jonas/knihy/14_modernismus_avantgarda_neoavantgarda/groys-rusk%C3%A1-avantgarda.pdf Excerpt]. [http://vvp.avu.cz/publikace/boris-groys-gesamtkunstwerk-stalin-rozpolcena-kultura-v-sovetskem-svazu-komunisticke-postskriptum/] {{cz}}
 +
** ''Stalinismi totaalne kunstiteos'', trans. Kajar Pruul, forew. Liisa Kaljula, Tallinn: Tallinna Ülikooli Kirjastus, 2019, 243 pp. Trans. of "Stil' Stalin". {{ee}}
  
 
* with Ilya Kabakov, ''Die Kunst des Fliehens'', Munich: Hanser, 1991. {{de}}
 
* with Ilya Kabakov, ''Die Kunst des Fliehens'', Munich: Hanser, 1991. {{de}}
** ''Dialogi (1990-1994)'' [Диалоги (1990—1994)], Moscow: Ad Marginem, 1999. {{ru}}
+
** ''Dialogi (1990-1994)'' [Диалоги (1990—1994)], ed. Yelena Petrovskaya (Елена Петровская), Moscow: Ad Marginem, 1999, 192 pp. [https://admarginem.ru/product/dialogi/] {{ru}}
 
** ''[[Media:Kabakov_Groys_Dialogi_2010.pdf|Dialogi]]'' [Диалоги], Vologda, 2010, 346 pp. {{ru}}
 
** ''[[Media:Kabakov_Groys_Dialogi_2010.pdf|Dialogi]]'' [Диалоги], Vologda, 2010, 346 pp. {{ru}}
  
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** ''Du nouveau: essai d'économie culturelle'', trans. Jean Mouchard, Nîmes: Chambon, 1995, 213 pp. {{fr}}
 
** ''Du nouveau: essai d'économie culturelle'', trans. Jean Mouchard, Nîmes: Chambon, 1995, 213 pp. {{fr}}
 
** in Groys, ''Teorija sodobne umetnosti'', 2002. {{sl}}
 
** in Groys, ''Teorija sodobne umetnosti'', 2002. {{sl}}
 +
** ''Despre nou: eseu de economie culturală'', trans. Aurel Codoban, forew. Vasile Ernu, Cluj-Napoca: Idea Design & Print, 2003, 155 pp. {{ro}}
 
** ''Sobre lo nuevo ensayo de una economía cultural'', trans. Manuel Fontán del Junco, Valencia: Pre-Textos, 2005, 249 pp. {{es}}
 
** ''Sobre lo nuevo ensayo de una economía cultural'', trans. Manuel Fontán del Junco, Valencia: Pre-Textos, 2005, 249 pp. {{es}}
** ''On the New'', trans. G.M. Goshgarian, London: Verso, 2014, vi+200 pp, [http://aaaaarg.fail/thing/5412a5e5334fe00b4a8d8d56 ARG]. {{en}}
+
** ''[http://aaaaarg.fail/thing/5412a5e5334fe00b4a8d8d56 On the New]'', trans. G.M. Goshgarian, London: Verso, 2014, vi+200 pp. {{en}}
 +
** ''O novom. Opyt ekonomiki kultury'' [О новом. Опыт экономики культуры], trans. Tatyana Zborovskaya (Татьяна Зборовская), Moscow: Ad Marginem, and Garage Museum, 2015, 240 pp. [https://admarginem.ru/product/o-novom/] [https://garagemca.org/ru/publishing/boris-groys-boris-groys-on-the-new-an-attempt-at-cultural-economy] {{ru}}
 +
** ''Lun xin: wen hua dang an ku yu shi su shi jie zhi jian de jia zhi jiao huan'' [论新: 文化档案库与世俗世界之间的价值交换], trans. Lü Pan, Chongqing Shi: Chongqing da xue chu ban she, 2018, xxx+179 pp. {{cn}}
  
* ''Utopiya i obmen (Stil' Stalin - O novom - Staty)'' [Утопия и обмен (Стиль Сталин - О новом - Статьи)], Moscow: Znak, 1993, 374 pp, [[Media:Groys_Boris_Utopiya_i_obmen.pdf|PDF]]. {{ru}}
+
* ''[[Media:Groys_Boris_Utopiya_i_obmen.pdf|Utopiya i obmen (Stil' Stalin - O novom - Staty)]]'' [Утопия и обмен (Стиль Сталин - О новом - Статьи)], Moscow: Znak, 1993, 374 pp. {{ru}}
  
 
* ''VIZIT. Roman'' [ВИЗИТ. Роман], Moscow: Obscuri Viri, 1995, 80 pp. Novel. {{ru}}
 
* ''VIZIT. Roman'' [ВИЗИТ. Роман], Moscow: Obscuri Viri, 1995, 80 pp. Novel. {{ru}}
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* with Ilya Kabakov, ''Die Kunst der Installation'', Munich: Hanser, 1996, 169 pp. {{de}}
 
* with Ilya Kabakov, ''Die Kunst der Installation'', Munich: Hanser, 1996, 169 pp. {{de}}
  
* ''Logik der Sammlung: am Ende des musealen Zeitalters'', Munich: Hanser, 1997, 226 pp. {{de}}
+
* ''Logik der Sammlung: am Ende des musealen Zeitalters'', Munich: Hanser, 1997, 226 pp; repr., 2009, 226 pp. {{de}}
 +
** ''Logica van de verzameling'', trans. Jan Sietsma, Amsterdam: Octavo, 2013, 275 pp. Contains 12 of 16 texts from the German edition, plus another 6 essays. [https://octavopublicaties.nl/boeken/logica-van-de-verzameling] {{nl}}
 +
** ''Logic of the Collection'', Berlin: Sternberg, 2021, 296 pp. [https://mitpress.mit.edu/books/logic-collection] {{en}}
  
 
* ''Kunst-Kommentare'', Vienna: Passagen, 1997, 238 pp. {{de}}
 
* ''Kunst-Kommentare'', Vienna: Passagen, 1997, 238 pp. {{de}}
** ''Kommentarii k iskusstvu'' [Комментарии к искусству], Moscow: Khudozhestvennyy zhurnal, 2003, [http://gen.lib.rus.ec/book/index.php?md5=04ca8b825de97254b532a46b80ca9806 PDF]. {{ru}}
+
** ''[http://libgen.rs/book/index.php?md5=04ca8b825de97254b532a46b80ca9806 Kommentarii k iskusstvu]'' [Комментарии к искусству], Moscow: Khudozhestvennyy zhurnal, 2003. {{ru}}
  
 
* ''Unter Verdacht: eine Phänomenologie der Medien'', Munich: Hanser, 2000, 231 pp. {{de}}
 
* ''Unter Verdacht: eine Phänomenologie der Medien'', Munich: Hanser, 2000, 231 pp. {{de}}
** ''Pod podozreniem: fenomenologiia media'' [Под подозрением: Феноменология медиа], trans. Andrei Fomenko, Moscow: Khudozhestvennyy zhurnal, 2006, 200 pp, [http://gen.lib.rus.ec/book/index.php?md5=07EB658CE09334FBB726567DE4ACF8D0 PDF]. {{ru}}
+
** ''[http://libgen.rs/book/index.php?md5=07EB658CE09334FBB726567DE4ACF8D0 Pod podozreniem: fenomenologiia media]'' [Под подозрением: Феноменология медиа], trans. Andrey Fomenko (Андрей Фоменко), Moscow: Khudozhestvennyy zhurnal, 2006, 200 pp. {{ru}}
** ''Bajo sospecha'', trans. Manuel Fontán del Junco and Alejandro Martín Navarro, Valencia: Pre-Textos, 2008, 300 pp. {{es}}
+
** ''[[Media:Groys_Boris_Bajo_sospecha.pdf|Bajo sospecha: una fenomenología de los medios]]'', trans. Manuel Fontán del Junco and Alejandro Martín Navarro, Valencia: Pre-Textos, 2008, 300 pp. {{es}}
 
** ''Il sospetto: per una fenomenologia dei media'', trans. Corrado Badocco, Milan: Bompiani, 2010, 201 pp. {{it}}
 
** ''Il sospetto: per una fenomenologia dei media'', trans. Corrado Badocco, Milan: Bompiani, 2010, 201 pp. {{it}}
** ''Under Suspicion: a Phenomenology of Media'', trans. Carsten Strathausen, Columbia University Press, 2012, xxviii+199 pp, [http://aaaaarg.fail/thing/51c58cf66c3a0edb0be01200 ARG]. {{en}}
+
** ''[http://library.memoryoftheworld.org/#/book/aa21a1b2-69dd-4c98-ad6d-91c061bd328e Under Suspicion: A Phenomenology of Media]'', trans. Carsten Strathausen, Columbia University Press, 2012, xxviii+199 pp, [http://aaaaarg.fail/thing/51c58cf66c3a0edb0be01200 ARG]. {{en}}
 
** ''Sumljivost: fenomenologija medijev'', trans. Alfred Leskovec, Maribor: Hiša knjig, 2012, 189 pp. {{sl}}
 
** ''Sumljivost: fenomenologija medijev'', trans. Alfred Leskovec, Maribor: Hiša knjig, 2012, 189 pp. {{sl}}
  
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** ''Politique de l'immortalité: quatre entretiens avec Thomas Knoefel'', trans. Olivier Mannoni, Paris: Marin Sell, 2005, 217 pp. {{fr}}
 
** ''Politique de l'immortalité: quatre entretiens avec Thomas Knoefel'', trans. Olivier Mannoni, Paris: Marin Sell, 2005, 217 pp. {{fr}}
 
** ''Política de la inmortalidad: cuatro conversaciones con Thomas Knoefel'', trans. Graciela Calderón, Buenos Aires/Madrid: Katz, 2008, 286 pp. {{es}}
 
** ''Política de la inmortalidad: cuatro conversaciones con Thomas Knoefel'', trans. Graciela Calderón, Buenos Aires/Madrid: Katz, 2008, 286 pp. {{es}}
 +
** ''Politica dell'immortalità arte e desiderio nel tardo capitalismo: quattro conversazioni con Thomas Knoefel'', pref. Paolo Perticari, trans. Eleonora Florio, Milan: Mimesis, 2016, 188 pp. {{it}}
  
 
* ''Teorija sodobne umetnosti: izbrani eseji'', trans. Špela Virant, ed. & afterw. Janez Strehovec, Ljubljana: Študentska založba, 2002, 253 pp. Selected essays. {{sl}}
 
* ''Teorija sodobne umetnosti: izbrani eseji'', trans. Špela Virant, ed. & afterw. Janez Strehovec, Ljubljana: Študentska založba, 2002, 253 pp. Selected essays. {{sl}}
  
* ''Iskusstvo utopii'' [Искусство утопии], Moscow: Khudozhestvennyy zhurnal, 2003, 319 pp. Review: [http://magazines.russ.ru/km/2003/3/matveeva.html Matveeva] (KM 2003). {{ru}}
+
* ''Iskusstvo utopii'' [Искусство утопии], Moscow: Khudozhestvennyy zhurnal, 2003, 319 pp. Review: [http://magazines.russ.ru/km/2003/3/matveeva.html Matveeva] (KM). {{ru}}
  
 
* ''Topologie der Kunst'', Munich: Hanser, 2003, 297 pp. {{de}}
 
* ''Topologie der Kunst'', Munich: Hanser, 2003, 297 pp. {{de}}
** ''Topologia aurei și alte eseuri", Cluj-Napoca: Idea&Print Design, 2007. {{ro}}
+
** ''Topologia aurei și alte eseuri'', trans. Aurel Codoban, George State, Lorin Ghiman, Cluj-Napoca: Idea&Print Design, 2007. [http://www.idea.ro/editura/ro/topologia-aurei-i-alte-eseuri-d81.html] {{ro}}
  
 
* editor, with Max Hollein, ''Traumfabrik Kommunismus: die visuelle Kultur der Stalinzeit / Dream Factory Communism: the Visual Culture of the Stalin Era'', Ostfildern: Hatje Cantz, and Frankfurt: Schirn Kunsthalle Frankfurt, 2003, 461 pp. Catalog of exhibition at Schirn Kunsthalle Frankfurt, Sept. 24, 2003-Jan. 4, 2004. {{de}}/{{en}}
 
* editor, with Max Hollein, ''Traumfabrik Kommunismus: die visuelle Kultur der Stalinzeit / Dream Factory Communism: the Visual Culture of the Stalin Era'', Ostfildern: Hatje Cantz, and Frankfurt: Schirn Kunsthalle Frankfurt, 2003, 461 pp. Catalog of exhibition at Schirn Kunsthalle Frankfurt, Sept. 24, 2003-Jan. 4, 2004. {{de}}/{{en}}
  
 
* ''Die Muse im Pelz: die Venus im Pelz als Muse der Massenkultur'', Graz: Droschl, 2004, 29 pp. {{de}}
 
* ''Die Muse im Pelz: die Venus im Pelz als Muse der Massenkultur'', Graz: Droschl, 2004, 29 pp. {{de}}
 +
** ''Portrait de l'artiste en masochiste: les paradoxes de la culture de masse'', trans. Peter Cockelbergh, Paris: Arkhê, 2013, 48 pp. [https://www.arkhe-editions.com/livre/portrait-de-lartiste-en-masochiste/] {{fr}}
  
* ''Ilya Kabakov: The Man Who Flew into Space from his Apartment'', trans. Fiona Elliott, London: Afterall, 2006, 43 pp, [http://archive.org/details/BorisGroysIlyaKabakovTheManWhoFlewIntoSpaceFromHisApartmentAfterall2006 IA], [http://gen.lib.rus.ec/book/index.php?md5=EB9138DDBF0368F4BBFD15566512650F PDF]. {{en}}
+
* editor, with Michael Hagemeister, ''Die neue Menschheit: biopolitische Utopien in Russland zu Beginn des 20. Jahrhunderts'', Frankfurt am Main: Suhrkamp, 2005, 688 pp; repr., 2016, 688 pp. {{de}}
  
* {{a|Groys2006}} ''Das kommunistische Postskriptum'', Frankfurt am Main: Suhrkamp, 2006, 95 pp. {{de}}
+
* ''[http://libgen.rs/book/index.php?md5=EB9138DDBF0368F4BBFD15566512650F Ilya Kabakov: The Man Who Flew into Space from his Apartment]'', trans. Fiona Elliott, London: Afterall, 2006, 43 pp. {{en}}
** ''Kommunisticheskiĭ postskriptum'' [Коммунистический постскриптум], trans. Andrei Fomenko, Moscow: Ad Marginem, 2007, 123 pp, [http://gen.lib.rus.ec/book/index.php?md5=C6769EFBA1010F8FA0BCB9EA18F93E5B PDF]. {{ru}}
+
 
 +
*{{a|Groys2006}}''Das kommunistische Postskriptum'', Frankfurt am Main: Suhrkamp, 2006, 95 pp. {{de}}
 +
** ''[http://libgen.rs/book/index.php?md5=C6769EFBA1010F8FA0BCB9EA18F93E5B Kommunisticheskiĭ postskriptum]'' [Коммунистический постскриптум], trans. Andrey Fomenko (Андрей Фоменко), Moscow: Ad Marginem, 2007, 123 pp; repr., 2014, 112 pp. [https://admarginem.ru/product/kommunisticheskij-postskriptum/] [https://garagemca.org/ru/publishing/boris-groys-the-communist-postscript] {{ru}}
 
** ''Le post-scriptum communiste'', trans. Olivier Mannoni, Paris: Libella - Maren Sell, 2008, 138 pp. {{fr}}
 
** ''Le post-scriptum communiste'', trans. Olivier Mannoni, Paris: Libella - Maren Sell, 2008, 138 pp. {{fr}}
 +
** ''Post scriptum comunista'', trans. Gianluca Bonaiuti, Rome: Meltemi, 2008, 94 pp. {{it}}
 
** ''Het communistische postscriptum'', trans. & forew. Philip Westbroek, Utrecht: Ijzer, 2009, 133 pp. {{nl}}
 
** ''Het communistische postscriptum'', trans. & forew. Philip Westbroek, Utrecht: Ijzer, 2009, 133 pp. {{nl}}
 
** ''Post-scriptumul comunist'', trans. Maria-Magdalena Anghelescu, Cluj-Napoca: Idea Design & Print, 2009, 95 pp. [http://www.idea.ro/editura/ro/post-scriptumul-comunist-d97.html Review]. {{ro}}
 
** ''Post-scriptumul comunist'', trans. Maria-Magdalena Anghelescu, Cluj-Napoca: Idea Design & Print, 2009, 95 pp. [http://www.idea.ro/editura/ro/post-scriptumul-comunist-d97.html Review]. {{ro}}
** ''The Communist Postscript'', trans. Thomas Ford, London: Verso, 2010, xxiv+127 pp, [http://aaaaarg.fail/thing/51c58cf66c3a0edb0b370a00 ARG]. {{en}}
+
** ''[http://libgen.rs/book/index.php?md5=41DCD7E6EE55FFAA22979438A2BF2C0D The Communist Postscript]'', trans. Thomas Ford, London: Verso, 2010, xxiv+127 pp, [http://aaaaarg.fail/thing/51c58cf66c3a0edb0b370a00 ARG]. {{en}}
 
** "Komunistické postskriptum", in Groys, ''Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu. Komunistické postskriptum'', intro. Václav Magid, trans. Martin Ritter, Prague: VVP AVU, 2010, pp 125-178. [http://vvp.avu.cz/publikace/boris-groys-gesamtkunstwerk-stalin-rozpolcena-kultura-v-sovetskem-svazu-komunisticke-postskriptum/] {{cz}}
 
** "Komunistické postskriptum", in Groys, ''Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu. Komunistické postskriptum'', intro. Václav Magid, trans. Martin Ritter, Prague: VVP AVU, 2010, pp 125-178. [http://vvp.avu.cz/publikace/boris-groys-gesamtkunstwerk-stalin-rozpolcena-kultura-v-sovetskem-svazu-komunisticke-postskriptum/] {{cz}}
 
** ''Kommunista utóirat'', trans. Nagy Edina, Budapest: Műcsarnok, 2011, 63 pp. {{hu}}
 
** ''Kommunista utóirat'', trans. Nagy Edina, Budapest: Műcsarnok, 2011, 63 pp. {{hu}}
** ''ha-Mispaḥ ha-ḳomunisṭi'', Tel Aviv: Pitom, 2014. {{he}}
+
** ''ha-Mispaḥ ha-ḳomunisṭi'', trans. Adam Ṭenenbaum, Tel Aviv: Pitom, 2014, 156 pp. {{he}}
 +
** ''La posdata comunista'', trans. Griselda Mársico, Buenos Aires: Cruce, 2015, 87 pp. {{es}}
 +
** ''Komyuniseuteu hugi'' [코뮤니스트 후기], trans. Suhwan Gim, Seoul: Munhak gwa Jiseongsa, 2017, 194 pp. {{ko}}
  
 
* ''Groysaufnahme: philosophische Gedanken zum Kino'', Cologne: Schnitt, 2007, 189 pp. With photographs by Natalia Nikitin. {{de}}
 
* ''Groysaufnahme: philosophische Gedanken zum Kino'', Cologne: Schnitt, 2007, 189 pp. With photographs by Natalia Nikitin. {{de}}
Line 84: Line 97:
 
** ''La Ilustración total: arte conceptual de Moscú, 1960-1990 / Total Enlightenment: Conceptual Art in Moscow, 1960-1990'', Madrid: Fundación Juan March, and Ostfildern: Hatje Cantz, 2008, 424 pp. {{es}}/{{en}}
 
** ''La Ilustración total: arte conceptual de Moscú, 1960-1990 / Total Enlightenment: Conceptual Art in Moscow, 1960-1990'', Madrid: Fundación Juan March, and Ostfildern: Hatje Cantz, 2008, 424 pp. {{es}}/{{en}}
  
* {{a|Groys2008}} ''Art Power'', MIT Press, 2008, 187 pp, [http://monoskop.org/log/?p=173 Log], [http://archive.org/details/BorisGroysArtPower2008]. {{en}}
+
*{{a|Groys2008}}''[http://monoskop.org/log/?p=173 Art Power]'', MIT Press, 2008, 187 pp. {{en}}
 
** ''Art power'', Milan: Postmedia, 2012, 206 pp. {{it}}
 
** ''Art power'', Milan: Postmedia, 2012, 206 pp. {{it}}
 +
** ''[http://libgen.rs/book/index.php?md5=2237988BB0F122D9CE28455C55E3C652 Arte poder]'', trans. Virgínia Starling, Belo Horizonte: UFMG, 2015, 238 pp, [http://aaaaarg.fail/thing/5b2804f09ff37c4bc1622bd6 ARG]. {{br-pt}}
 +
** ''Yi shu li'' [藝術力], Taipei: Yi shu jia chu ban, and Tao yuan shi: Shi bao wen hua zong jing xiao, 2015, 252 pp. {{cn}}
 +
** ''Yi shu li'' [艺术力], Zhangchun: Ji lin chu ban ji tuan gu fen you xian gong si, 2016, 221 pp. {{cn}}
 +
** ''Āto pawā'' [アート・パワー], Tokyo: Gendaikikakushitsu, 2017, 344 pp. {{jp}}
  
 
* ''Einführung in die Anti-Philosophie'', Munich: Hanser, 2009, 289 pp. {{de}}
 
* ''Einführung in die Anti-Philosophie'', Munich: Hanser, 2009, 289 pp. {{de}}
 
** ''Uvod v antifilozofijo'', trans. Tanja Petrič and Tomaž Grušovnik, Ljubljana: Študentska založba, 2010, 236 pp. {{sl}}
 
** ''Uvod v antifilozofijo'', trans. Tanja Petrič and Tomaž Grušovnik, Ljubljana: Študentska založba, 2010, 236 pp. {{sl}}
** ''Introduction to Antiphilosophy'', trans. David Fernbach, London: Verso, 2012, xxiii+248 pp, [http://aaaaarg.fail/thing/51c58dd26c3a0ec1119f1800 ARG]. Review: [http://www.lrb.co.uk/v35/n15/benjamin-kunkel/just-dont-think-about-it Kunkel] (LRB 2013). {{en}}
+
** ''[http://library.memoryoftheworld.org/#/book/6609088a-e2be-4af5-b417-7c240b12fc29 Introduction to Antiphilosophy]'', trans. David Fernbach, London: Verso, 2012, xxiii+248 pp, [http://aaaaarg.fail/thing/51c58dd26c3a0ec1119f1800 ARG]. Review: [http://www.lrb.co.uk/v35/n15/benjamin-kunkel/just-dont-think-about-it Kunkel] (LRB). {{en}}
 
** ''Wprowadzenie do anty-filozofii'', trans. Joanna Gilewicz, Warsaw: Oficyna Naukowa, 2012, 236 pp. {{pl}}
 
** ''Wprowadzenie do anty-filozofii'', trans. Joanna Gilewicz, Warsaw: Oficyna Naukowa, 2012, 236 pp. {{pl}}
 
** ''Introduzione all'antifilosofia'', ed. Paolo Perticari, trans. Stefano Franchini, Milan: Mimesis, 2013, 212 pp. {{it}}
 
** ''Introduzione all'antifilosofia'', ed. Paolo Perticari, trans. Stefano Franchini, Milan: Mimesis, 2013, 212 pp. {{it}}
 +
** ''Introdução à antifilosofia'', trans. Constantino Luz de Medeiros, São Paulo: Edipro, 2013, 216 pp. {{br-pt}}
 +
** ''Introducción a la antifilosofía'', trans. Tadeo Lima, Buenos Aires: Eterna Cadencia, 2016, 282 pp. {{es}}
 +
** ''Bancheolhak immun'' [반철학 입문], trans. Gwangyeol Seo, Seoul: Gyeonghui Daehakgyo Chulpan Munhwawon, 2018, 293 pp. {{ko}}
  
 
* with Andro Wekua, ''Wait to Wait: a Conversation / Wait to Wait: ein Gespräch'', Zürich: JRP/Ringier, 2009, xvi+159 pp. {{en}}/{{de}}
 
* with Andro Wekua, ''Wait to Wait: a Conversation / Wait to Wait: ein Gespräch'', Zürich: JRP/Ringier, 2009, xvi+159 pp. {{en}}/{{de}}
  
* ''Going Public'', eds. Julieta Aranda, Brian Kuan Wood and Anton Vidokle, Berlin: Sternberg Press, 2010, 168 pp, [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0bcb8700 ARG]. {{en}}
+
* ''[http://aaaaarg.fail/thing/51c58bfe6c3a0eda0bcb8700 Going Public]'', eds. Julieta Aranda, Brian Kuan Wood and Anton Vidokle, Berlin: Sternberg, 2010, 168 pp. {{en}}
 +
** ''Going public: scrivere d'arte in chiave non estetica'', Milan: Postmedia, 2013, 107 pp. {{it}}
 
** ''Volverse público: las transformaciones del arte en el ágora contemporánea'', trans. Paola Cortés-Rocca, Buenos Aires: Caja Negra, 2014, 208 pp. {{es}}
 
** ''Volverse público: las transformaciones del arte en el ágora contemporánea'', trans. Paola Cortés-Rocca, Buenos Aires: Caja Negra, 2014, 208 pp. {{es}}
 +
** ''En public. Poétique de l'auto-design'', Paris: PUF, 2015, 208 pp. [https://www.cairn.info/en-public--9782130626183.htm] [https://www.fabula.org/actualites/en-public-poetique-de-l-auto-designboris-groys_68788.php] {{fr}}
 +
 +
* ''[http://libgen.rs/book/index.php?md5=4076983B46E66AD81A257195798B0FC3 History Becomes Form: Moscow Conceptualism]'', MIT Press, 2010, 224 pp, [https://aaaaarg.fail/thing/5c0e79c69ff37c1c39622bd8 ARG]. Review: [http://sci-hub.se/http://www.jstor.org/stable/41430749 Weibgen] (ArtJournal). {{en}}
 +
 +
* ''[http://monoskop.org/log/?p=5460 Google: Words Beyond Grammar]'', Ostfildern: Hatje Cantz, 2011. {{en}}/{{de}}
 +
 +
* editor, ''Empty Zones: Andrei Monastyrski and Collective Actions / Пустые зоны. Андрей Монастырский и Коллективные действия'', London: Black Dog Publishing, 2011, 127 pp. The Russian Pavilion at the 54th International Art Exhibition of la Biennale di Venezia, 2011. [https://en.safmuseum.org/books/empty-zones.htm] [http://ruspavilion.ru/en-2011/] {{en}}/{{ru}}
 +
 +
* ''Die Vernunft an die Macht. Ein Streitgespräch'', Vienna: Turia + Kant, 2011, 110 pp. {{de}}
 +
** ''La razón al poder. Una discusión", trans. Manuel Fontán del Junco and Alejandro Martín Navarro, Valencia: Pre-Textos, 2014, 114 pp. {{es}}
 +
 +
* ''[http://aaaaarg.fail/ref/232f9b7a33c287bfacfd4caf99522733 After History: Alexandre Kojève as a Photographer]'', Utrecht: BAK, 2012. Based on a public lecture given 2012. [http://www.e-flux.com/announcements/after-history-alexandre-kojeve-as-a-photographer/] {{en}}/{{nl}}
 +
 +
* editor, ''Moscow Symposium: Conceptualism Revisited'', intro. Boris Groys, Berlin: Sternberg, 2012, 176 pp. With essays by Claire Bishop, Keti Chukhrov, Ekaterina Degot, Jörg Heiser, Terry Smith, Anton Vidokle, and Sarah Wilson. {{en}}
 +
 +
* ''[http://libgen.rs/book/index.php?md5=b36997ef7050069fd5b6cf152ca874c1 Politika poetiki]'' [Политика поэтики], ed. Polina Kanyukova (Полина Канюкова), Moscow: Ad Marginem, and Garage Museum, 2013, 400 pp. Selected essays. [https://admarginem.ru/product/politika-poetiki/] [https://garagemca.org/ru/publishing/boris-groys-politics-of-poetics] {{ru}}
 +
 +
* ''[[Media:Groys_Boris_Antologia_2013_ES.pdf|Antología]]'', trans. Saúl Villa, Mérida, MX: Cocom, 2013, 123 pp. Selected essays. {{es}}
 +
 +
* ''Alexander Deyneka / Александр Дейнека'', trans. Andrey Fomenko (Андрей Фоменко), Moscow: Ad Marginem, 2014, 64 pp. [https://admarginem.ru/product/aleksandr-dejneka-alexander-deyneka/] {{en}}/{{ru}}
 +
 +
* ''Kazimir Malevich / Казимир Малевич'', trans. Andrey Fomenko (Андрей Фоменко), Moscow: Ad Marginem, 2014, 48 pp. [https://admarginem.ru/product/kazimir-malevich-kazimir-malevich/] {{en}}/{{ru}}
  
* ''History Becomes Form: Moscow Conceptualism'', MIT Press, 2010, 198 pp. {{en}}
+
* ''Boris Mikhailov / Борис Михайлов'', trans. Anna Aslanyan (Анна Асланян), Moscow: Ad Marginem, 2014, 52 pp. [https://admarginem.ru/product/boris-mihajlov-boris-mikhailov/] {{en}}/{{ru}}
  
* ''Google: Words Beyond Grammar'', Hatje Cantz, 2011, [http://monoskop.org/log/?p=5460 Log]. {{en}}/{{de}}
+
* ''Wassily Kandinsky / Василий Кандинский'', trans. Anna Aslanyan (Анна Асланян), Moscow: Ad Marginem, 2015, 52 pp. [https://admarginem.ru/product/vasilij-kandinskij-wassily-kandinsky/] {{en}}/{{ru}}
  
* ''After History: Alexandre Kojève as a Photographer'', Utrecht: BAK, 2012, [http://aaaaarg.fail/ref/232f9b7a33c287bfacfd4caf99522733 ARG]. Based on a public lecture given 2012. [http://www.e-flux.com/announcements/after-history-alexandre-kojeve-as-a-photographer/] {{en}}/{{nl}}
+
* editor, ''Russkiy kosmizm. Antologiya'' [Русский космизм. Антология], Moscow: Ad Marginem, and Garage Museum, 2015, 320 pp. [https://admarginem.ru/product/russkij-kosmizm-antologiya/] [https://garagemca.org/ru/publishing/boris-groys-russian-cosmism-by-boris-groys] {{ru}}
 +
** ''[https://monoskop.org/log/?p=19969 Russian Cosmism]'', New York: e-flux, and Cambridge, MA: MIT Press, 2018, ix+249 pp, [http://aaaaarg.fail/thing/5a9d53a59ff37c5387622bde ARG]. {{en}}
 +
** editor, with Anthon Vidokle, ''Kosmismus'', Berlin: Matthes & Seitz, 2018, 344 pp. [https://www.matthes-seitz-berlin.de/buch/kosmismus.html] [https://www.hkw.de/en/media/publikationen/2017_1/2017_kosmismus.php] {{de}}
  
* ''Politika poetiki'' [Политика поэтики], Moscow: Ad Marginem, 2012, 400 pp, [http://gen.lib.rus.ec/book/index.php?md5=b36997ef7050069fd5b6cf152ca874c1 PDF]. {{ru}}
+
* ''[http://libgen.rs/book/index.php?md5=C3460A64999E3FE50D76CE10CBC4AAA6 In the Flow]'', London: Verso, 2016, 202 pp, [http://aaaaarg.fail/thing/5728cd559ff37c05da61df18 ARG]. {{en}}
 +
** ''Arte en flujo: ensayos sobre la evanescencia del presente'', trans. Paola Cortés Roca, Buenos Aires: Caja Negra, 2016, 214 pp. {{es}}
 +
** ''Akışta: internet çağında sanat'', trans. Ebru Kılıç, Istanbul: Koç Üniversitesi, 2017, 171 pp. {{tr}}
 +
** ''V potoke'' [В потоке], trans. Andrey Fomenko (Андрей Фоменко), Moscow: Ad Marginem, and Garage Museum, 2018, 208 pp. [https://admarginem.ru/product/v-potoke/] [https://garagemca.org/ru/publishing/boris-groys-in-the-flow-by-boris-groys] {{ru}}
 +
** ''In the flow: l'arte nell'epoca della sua riproducibilità digitale'', Milan: Postmedia, 2018, 171 pp. {{it}}
  
* editor, ''Moscow Symposium: Conceptualism Revisited'', intro. Boris Groys, Berlin: Sternberg, 2012, 176 pp. With essays by Claire Bishop, Keti Chukhrov, Ekaterina Degot, Jörg Heiser, Terry Smith, Anton Vidokle, and Sarah Wilson. [http://www.sternberg-press.com/index.php?pageId=1374&bookId=269&l=en] {{en}}
+
* ''Particular Cases'', ed. Max Bach, Berlin: Sternberg, 2016, 291 pp. Selected essays. [https://www.sternberg-press.com/product/particular-cases/] {{en}}
 +
** ''Chastnyye sluchai'' [Частные случаи], trans. Anna Matveeva (Анна Матвеева), Moscow: Ad Marginem, and Garage Museum, 2020, 220 pp. [https://admarginem.ru/product/chastnye-sluchai/] {{ru}}
  
* ''Antología'', trans. Saúl Villa, Mérida, MX: Cocom, 2013, 123 pp, [http://academia.edu/8197320 PDF]. {{es}}
+
* ''Stati ob Ilye Kabakove'' [Статьи об Илье Кабакове], ed. Nataliya Nikitina (Наталия Никитина), Moscow: Ad Marginem, and Garage Museum, 2016, 136 pp. Collection of essays on Ilya Kabakov written between 1980-2008. [https://admarginem.ru/product/stati-ob-ile-kabakove/] [https://garagemca.org/ru/publishing/boris-groys-essays-on-ilya-kabakov-by-boris-groys] {{ru}}
  
* ''In the Flow'', Verso, 2016, [http://aaaaarg.fail/thing/5728cd559ff37c05da61df18 ARG].
+
* ''Ranniye teksty: 1976-1990. K semidesyatiletiyu Borisa Groysa'' [Ранние тексты: 1976-1990. К семидесятилетию Бориса Гройса], ed. Nataliya Nikitina (Наталия Никитина), Moscow: Ad Marginem, and Garage Museum, 2017, 496 pp. Collection of essays. [https://admarginem.ru/product/rannie-teksty-1976-1990/] [https://garagemca.org/ru/publishing/boris-groys-early-writings-1976-1990-by-boris-groys] {{ru}}
  
 
===Book chapters, essays===
 
===Book chapters, essays===
Line 119: Line 169:
 
** [http://vvp.avu.cz/wp-content/uploads/2014/08/sesit4-5-groys-umeni.pdf "Umění ve věku biopolitiky. Od uměleckého díla k dokumentaci umění"], trans. Vladimír Malý, ''Sešit pro umění, teorii a příbuzné zóny'' 4-5, Prague: VVP AVU, 2008, pp 114-128. {{cz}}
 
** [http://vvp.avu.cz/wp-content/uploads/2014/08/sesit4-5-groys-umeni.pdf "Umění ve věku biopolitiky. Od uměleckého díla k dokumentaci umění"], trans. Vladimír Malý, ''Sešit pro umění, teorii a příbuzné zóny'' 4-5, Prague: VVP AVU, 2008, pp 114-128. {{cz}}
  
* [http://www.publicaffairs.ch/groys_boris.html "Kunst im Zeitalter der Demokratie"], trans. Bram Opstelten, in ''Public Affairs'', Zürich: Kunsthaus Zürich, 2000. {{de}}
+
* [http://publicaffairs.ch/groys_boris.html "Kunst im Zeitalter der Demokratie"], trans. Bram Opstelten, in ''Public Affairs'', Zürich: Kunsthaus Zürich, 2000. {{de}}
  
 
* http://www.e-flux.com/?s=groys
 
* http://www.e-flux.com/?s=groys
Line 129: Line 179:
  
 
==Literature==
 
==Literature==
* [http://www.advojka.cz/archiv/2011/15 Special issue of ''A2'' on Groys and Gesamtkunstwerk Stalin], July 2011 (Czech)
+
* [http://www.advojka.cz/archiv/2011/15 ''A2'' 15: "Boris Groys a Gesamtkunstwerk Stalin"], ed. Libuše Bělunková, Prague, Jul 2011. {{cz}}
 +
* Dirk van Bastelaere, et al., ''Boris Groys in context'', Amsterdam: Octavo, 2013, 148 pp. [https://octavopublicaties.nl/boeken/boris-groys-in-context] {{nl}}
  
 
==Links==
 
==Links==

Revision as of 10:33, 5 March 2021

Boris Groys (born Boris Efimovich Groys, East-Berlin/GDR, 1947) is an art critic, media theorist, and philosopher.

1965-71 studies of Philosophy and Mathematics at the University of Leningrad (RUS); 1971-76 scientific collaborator of various scientific institutes in Leningrad and 1976-81 collaborator for the Institute for Structural and Applied Linguistics of the University of Moscow; 1981 emigrates to West-Germany and 1982-85 receives various scientific stipends for Germany; 1986-87 freelance writer living in Cologne (D); 1988 visiting professor at the University of Pennsylvania, Philadelphia (USA); 1991 visiting professor at the University of Southern California, Los Angeles (USA); 1992 Ph.D. in Philosophy at the University of Münster (D); since 1994 Professor for Art History, Philosophy and Media Theory at the Hochschule für Gestaltung Karlsruhe (D); member of the Association International des Critiques d'Art (AICA). Lives in Karlsruhe.

Works

Books, catalogues

  • Gesamtkunstwerk Stalin: die gespaltene Kultur in der Sowjetunion, trans. Gabriele Leupold, Munich: Carl Hanser, 1988, 135 pp. Trans. from Russian. (German)
    • Staline, oeuvre d'art totale, Nîmes: Chambon, 1990, 187 pp. (French)
    • The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond, trans. Charles Rougle, Princeton University Press, 1992, ARG. (English)
    • "Stilʹ Stalin", in Groys, Utopiya i obmen, Moscow: Znak, 1993; repr. as "Gesamtkunstwerk Stalin", in Groys, Iskusstvo utopii, Moscow: Khudozhestvennyy zhurnal, 2003; repr. as Gesamtkunstwerk Stalin [Gesamtkunstwerk Сталин], ed. Polina Kanyukova (Полина Канюкова), Moscow: Ad Marginem, and Garage Museum, 2013, 168 pp. [1] [2] (Russian)
    • Lo stalinismo ovvero l'opera d'arte totale: arte e vita, estetica e politica, utopia e fine della storia dalle avanguardie al realismo socialista al postmoderno, trans. Emanuela Guercetti, Milan: Garzanti, 1992, 151 pp; repr., 2018, 151 pp. (Italian)
    • Celostna umetnina Stalin: razcepljena kultura v Sovjetski zvezi, trans. Samo Krušič, afterw. Igor Zabel, Ljubljana: Založba, 1999, 171 pp. (Slovenian)
    • Zentai geijutsu yoshiki Sutarin [全体芸術様式スターリン], trans. Ikuo Kameyama and Yoshiaki Koga, Tokyo: Gendai shicho shinsha, 2000, 262 pp. (Japanese)
    • Obra de arte total Stalin, trans. Desiderio Navarro, Valencia: Pre-Textos, 2008, 229 pp. (Spanish)
    • Stalin - opera de artă totală: cultura scindată din Uniunea Sovietică, trans. Eugenia Bojoga and George State, Cluj: Idea Design & Print, 2007, 99 pp. (Romanian)
    • Stalin jako totalne dzieło sztuki, trans. Piotr Kozak, Warsaw: Sic!, 2010, 156 pp. (Polish)
    • "Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu", in Groys, Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu. Komunistické postskriptum, intro. Václav Magid, trans. Martin Ritter, Prague: VVP AVU, 2010, pp 23-124. Excerpt. [3] (Czech)
    • Stalinismi totaalne kunstiteos, trans. Kajar Pruul, forew. Liisa Kaljula, Tallinn: Tallinna Ülikooli Kirjastus, 2019, 243 pp. Trans. of "Stil' Stalin". (Estonian)
  • with Ilya Kabakov, Die Kunst des Fliehens, Munich: Hanser, 1991. (German)
    • Dialogi (1990-1994) [Диалоги (1990—1994)], ed. Yelena Petrovskaya (Елена Петровская), Moscow: Ad Marginem, 1999, 192 pp. [4] (Russian)
    • Dialogi [Диалоги], Vologda, 2010, 346 pp. (Russian)
  • Zeitgenössische Kunst aus Moskau: von der Neo-Avantgarde zum Post-Stalinismus, Munich: Klinkhardt & Biermann, 1991, 256 pp. Collection of essays previously published in Russian, French, German, and English between 1979 and 1991. (German)
  • Über das Neue. Versuch einer Kulturökonomie, Munich: Carl Hanser, 1992, 194 pp. (German)
    • "O novom" [О новом], in Groys, Utopiya i obmen, 1993. (Russian)
    • Du nouveau: essai d'économie culturelle, trans. Jean Mouchard, Nîmes: Chambon, 1995, 213 pp. (French)
    • in Groys, Teorija sodobne umetnosti, 2002. (Slovenian)
    • Despre nou: eseu de economie culturală, trans. Aurel Codoban, forew. Vasile Ernu, Cluj-Napoca: Idea Design & Print, 2003, 155 pp. (Romanian)
    • Sobre lo nuevo ensayo de una economía cultural, trans. Manuel Fontán del Junco, Valencia: Pre-Textos, 2005, 249 pp. (Spanish)
    • On the New, trans. G.M. Goshgarian, London: Verso, 2014, vi+200 pp. (English)
    • O novom. Opyt ekonomiki kultury [О новом. Опыт экономики культуры], trans. Tatyana Zborovskaya (Татьяна Зборовская), Moscow: Ad Marginem, and Garage Museum, 2015, 240 pp. [5] [6] (Russian)
    • Lun xin: wen hua dang an ku yu shi su shi jie zhi jian de jia zhi jiao huan [论新: 文化档案库与世俗世界之间的价值交换], trans. Lü Pan, Chongqing Shi: Chongqing da xue chu ban she, 2018, xxx+179 pp. (Chinese)
  • VIZIT. Roman [ВИЗИТ. Роман], Moscow: Obscuri Viri, 1995, 80 pp. Novel. (Russian)
  • Die Erfindung Russlands, Munich: Carl Hanser, 1995, 251 pp. (German)
  • with Ilya Kabakov, Die Kunst der Installation, Munich: Hanser, 1996, 169 pp. (German)
  • Logik der Sammlung: am Ende des musealen Zeitalters, Munich: Hanser, 1997, 226 pp; repr., 2009, 226 pp. (German)
    • Logica van de verzameling, trans. Jan Sietsma, Amsterdam: Octavo, 2013, 275 pp. Contains 12 of 16 texts from the German edition, plus another 6 essays. [7] (Dutch)
    • Logic of the Collection, Berlin: Sternberg, 2021, 296 pp. [8] (English)
  • Kunst-Kommentare, Vienna: Passagen, 1997, 238 pp. (German)
    • Kommentarii k iskusstvu [Комментарии к искусству], Moscow: Khudozhestvennyy zhurnal, 2003. (Russian)
  • Unter Verdacht: eine Phänomenologie der Medien, Munich: Hanser, 2000, 231 pp. (German)
    • Pod podozreniem: fenomenologiia media [Под подозрением: Феноменология медиа], trans. Andrey Fomenko (Андрей Фоменко), Moscow: Khudozhestvennyy zhurnal, 2006, 200 pp. (Russian)
    • Bajo sospecha: una fenomenología de los medios, trans. Manuel Fontán del Junco and Alejandro Martín Navarro, Valencia: Pre-Textos, 2008, 300 pp. (Spanish)
    • Il sospetto: per una fenomenologia dei media, trans. Corrado Badocco, Milan: Bompiani, 2010, 201 pp. (Italian)
    • Under Suspicion: A Phenomenology of Media, trans. Carsten Strathausen, Columbia University Press, 2012, xxviii+199 pp, ARG. (English)
    • Sumljivost: fenomenologija medijev, trans. Alfred Leskovec, Maribor: Hiša knjig, 2012, 189 pp. (Slovenian)
  • Politik der Unsterblichkeit: vier Gespräche mit Thomas Knoefel, Munich: Hanser, 2002, 207 pp. (German)
    • Politique de l'immortalité: quatre entretiens avec Thomas Knoefel, trans. Olivier Mannoni, Paris: Marin Sell, 2005, 217 pp. (French)
    • Política de la inmortalidad: cuatro conversaciones con Thomas Knoefel, trans. Graciela Calderón, Buenos Aires/Madrid: Katz, 2008, 286 pp. (Spanish)
    • Politica dell'immortalità arte e desiderio nel tardo capitalismo: quattro conversazioni con Thomas Knoefel, pref. Paolo Perticari, trans. Eleonora Florio, Milan: Mimesis, 2016, 188 pp. (Italian)
  • Teorija sodobne umetnosti: izbrani eseji, trans. Špela Virant, ed. & afterw. Janez Strehovec, Ljubljana: Študentska založba, 2002, 253 pp. Selected essays. (Slovenian)
  • Iskusstvo utopii [Искусство утопии], Moscow: Khudozhestvennyy zhurnal, 2003, 319 pp. Review: Matveeva (KM). (Russian)
  • Topologie der Kunst, Munich: Hanser, 2003, 297 pp. (German)
    • Topologia aurei și alte eseuri, trans. Aurel Codoban, George State, Lorin Ghiman, Cluj-Napoca: Idea&Print Design, 2007. [9] (Romanian)
  • editor, with Max Hollein, Traumfabrik Kommunismus: die visuelle Kultur der Stalinzeit / Dream Factory Communism: the Visual Culture of the Stalin Era, Ostfildern: Hatje Cantz, and Frankfurt: Schirn Kunsthalle Frankfurt, 2003, 461 pp. Catalog of exhibition at Schirn Kunsthalle Frankfurt, Sept. 24, 2003-Jan. 4, 2004. (German)/(English)
  • Die Muse im Pelz: die Venus im Pelz als Muse der Massenkultur, Graz: Droschl, 2004, 29 pp. (German)
    • Portrait de l'artiste en masochiste: les paradoxes de la culture de masse, trans. Peter Cockelbergh, Paris: Arkhê, 2013, 48 pp. [10] (French)
  • editor, with Michael Hagemeister, Die neue Menschheit: biopolitische Utopien in Russland zu Beginn des 20. Jahrhunderts, Frankfurt am Main: Suhrkamp, 2005, 688 pp; repr., 2016, 688 pp. (German)
  • Das kommunistische Postskriptum, Frankfurt am Main: Suhrkamp, 2006, 95 pp. (German)
    • Kommunisticheskiĭ postskriptum [Коммунистический постскриптум], trans. Andrey Fomenko (Андрей Фоменко), Moscow: Ad Marginem, 2007, 123 pp; repr., 2014, 112 pp. [11] [12] (Russian)
    • Le post-scriptum communiste, trans. Olivier Mannoni, Paris: Libella - Maren Sell, 2008, 138 pp. (French)
    • Post scriptum comunista, trans. Gianluca Bonaiuti, Rome: Meltemi, 2008, 94 pp. (Italian)
    • Het communistische postscriptum, trans. & forew. Philip Westbroek, Utrecht: Ijzer, 2009, 133 pp. (Dutch)
    • Post-scriptumul comunist, trans. Maria-Magdalena Anghelescu, Cluj-Napoca: Idea Design & Print, 2009, 95 pp. Review. (Romanian)
    • The Communist Postscript, trans. Thomas Ford, London: Verso, 2010, xxiv+127 pp, ARG. (English)
    • "Komunistické postskriptum", in Groys, Gesamtkunstwerk Stalin: rozpolcená kultura v Sovětském svazu. Komunistické postskriptum, intro. Václav Magid, trans. Martin Ritter, Prague: VVP AVU, 2010, pp 125-178. [13] (Czech)
    • Kommunista utóirat, trans. Nagy Edina, Budapest: Műcsarnok, 2011, 63 pp. (Hungarian)
    • ha-Mispaḥ ha-ḳomunisṭi, trans. Adam Ṭenenbaum, Tel Aviv: Pitom, 2014, 156 pp. (Hebrew)
    • La posdata comunista, trans. Griselda Mársico, Buenos Aires: Cruce, 2015, 87 pp. (Spanish)
    • Komyuniseuteu hugi [코뮤니스트 후기], trans. Suhwan Gim, Seoul: Munhak gwa Jiseongsa, 2017, 194 pp. (Korean)
  • Groysaufnahme: philosophische Gedanken zum Kino, Cologne: Schnitt, 2007, 189 pp. With photographs by Natalia Nikitin. (German)
  • Die Kunst des Denkens, ed. Peter Weibel, Berlin: Philo Fine Arts, 2008, 260 pp. (German)
  • editor, with Max Hollein and Manuel Fontán del Junco, Die Totale Aufklärung: Moskauer Konzeptkunst, 1960-1990 / Total Enlightenment: Conceptual Art in Moscow, 1960-1990, Ostfildern: Hatje Cantz, 2008, 423 pp. Catalogue published in conjunction with the exhibition held at Schirn Kunsthalle Frankfurt, June 21-Sept. 14, 2008 and Fundación Juan March, Madrid, Oct. 10, 2008-Jan. 11, 2009. (German)/(English)
    • La Ilustración total: arte conceptual de Moscú, 1960-1990 / Total Enlightenment: Conceptual Art in Moscow, 1960-1990, Madrid: Fundación Juan March, and Ostfildern: Hatje Cantz, 2008, 424 pp. (Spanish)/(English)
  • Art Power, MIT Press, 2008, 187 pp. (English)
    • Art power, Milan: Postmedia, 2012, 206 pp. (Italian)
    • Arte poder, trans. Virgínia Starling, Belo Horizonte: UFMG, 2015, 238 pp, ARG. (Brazilian Portuguese)
    • Yi shu li [藝術力], Taipei: Yi shu jia chu ban, and Tao yuan shi: Shi bao wen hua zong jing xiao, 2015, 252 pp. (Chinese)
    • Yi shu li [艺术力], Zhangchun: Ji lin chu ban ji tuan gu fen you xian gong si, 2016, 221 pp. (Chinese)
    • Āto pawā [アート・パワー], Tokyo: Gendaikikakushitsu, 2017, 344 pp. (Japanese)
  • Einführung in die Anti-Philosophie, Munich: Hanser, 2009, 289 pp. (German)
    • Uvod v antifilozofijo, trans. Tanja Petrič and Tomaž Grušovnik, Ljubljana: Študentska založba, 2010, 236 pp. (Slovenian)
    • Introduction to Antiphilosophy, trans. David Fernbach, London: Verso, 2012, xxiii+248 pp, ARG. Review: Kunkel (LRB). (English)
    • Wprowadzenie do anty-filozofii, trans. Joanna Gilewicz, Warsaw: Oficyna Naukowa, 2012, 236 pp. (Polish)
    • Introduzione all'antifilosofia, ed. Paolo Perticari, trans. Stefano Franchini, Milan: Mimesis, 2013, 212 pp. (Italian)
    • Introdução à antifilosofia, trans. Constantino Luz de Medeiros, São Paulo: Edipro, 2013, 216 pp. (Brazilian Portuguese)
    • Introducción a la antifilosofía, trans. Tadeo Lima, Buenos Aires: Eterna Cadencia, 2016, 282 pp. (Spanish)
    • Bancheolhak immun [반철학 입문], trans. Gwangyeol Seo, Seoul: Gyeonghui Daehakgyo Chulpan Munhwawon, 2018, 293 pp. (Korean)
  • with Andro Wekua, Wait to Wait: a Conversation / Wait to Wait: ein Gespräch, Zürich: JRP/Ringier, 2009, xvi+159 pp. (English)/(German)
  • Going Public, eds. Julieta Aranda, Brian Kuan Wood and Anton Vidokle, Berlin: Sternberg, 2010, 168 pp. (English)
    • Going public: scrivere d'arte in chiave non estetica, Milan: Postmedia, 2013, 107 pp. (Italian)
    • Volverse público: las transformaciones del arte en el ágora contemporánea, trans. Paola Cortés-Rocca, Buenos Aires: Caja Negra, 2014, 208 pp. (Spanish)
    • En public. Poétique de l'auto-design, Paris: PUF, 2015, 208 pp. [14] [15] (French)
  • editor, Empty Zones: Andrei Monastyrski and Collective Actions / Пустые зоны. Андрей Монастырский и Коллективные действия, London: Black Dog Publishing, 2011, 127 pp. The Russian Pavilion at the 54th International Art Exhibition of la Biennale di Venezia, 2011. [16] [17] (English)/(Russian)
  • Die Vernunft an die Macht. Ein Streitgespräch, Vienna: Turia + Kant, 2011, 110 pp. (German)
    • La razón al poder. Una discusión", trans. Manuel Fontán del Junco and Alejandro Martín Navarro, Valencia: Pre-Textos, 2014, 114 pp. (Spanish)
  • editor, Moscow Symposium: Conceptualism Revisited, intro. Boris Groys, Berlin: Sternberg, 2012, 176 pp. With essays by Claire Bishop, Keti Chukhrov, Ekaterina Degot, Jörg Heiser, Terry Smith, Anton Vidokle, and Sarah Wilson. (English)
  • Politika poetiki [Политика поэтики], ed. Polina Kanyukova (Полина Канюкова), Moscow: Ad Marginem, and Garage Museum, 2013, 400 pp. Selected essays. [19] [20] (Russian)
  • Antología, trans. Saúl Villa, Mérida, MX: Cocom, 2013, 123 pp. Selected essays. (Spanish)
  • Alexander Deyneka / Александр Дейнека, trans. Andrey Fomenko (Андрей Фоменко), Moscow: Ad Marginem, 2014, 64 pp. [21] (English)/(Russian)
  • Kazimir Malevich / Казимир Малевич, trans. Andrey Fomenko (Андрей Фоменко), Moscow: Ad Marginem, 2014, 48 pp. [22] (English)/(Russian)
  • Boris Mikhailov / Борис Михайлов, trans. Anna Aslanyan (Анна Асланян), Moscow: Ad Marginem, 2014, 52 pp. [23] (English)/(Russian)
  • Wassily Kandinsky / Василий Кандинский, trans. Anna Aslanyan (Анна Асланян), Moscow: Ad Marginem, 2015, 52 pp. [24] (English)/(Russian)
  • editor, Russkiy kosmizm. Antologiya [Русский космизм. Антология], Moscow: Ad Marginem, and Garage Museum, 2015, 320 pp. [25] [26] (Russian)
    • Russian Cosmism, New York: e-flux, and Cambridge, MA: MIT Press, 2018, ix+249 pp, ARG. (English)
    • editor, with Anthon Vidokle, Kosmismus, Berlin: Matthes & Seitz, 2018, 344 pp. [27] [28] (German)
  • In the Flow, London: Verso, 2016, 202 pp, ARG. (English)
    • Arte en flujo: ensayos sobre la evanescencia del presente, trans. Paola Cortés Roca, Buenos Aires: Caja Negra, 2016, 214 pp. (Spanish)
    • Akışta: internet çağında sanat, trans. Ebru Kılıç, Istanbul: Koç Üniversitesi, 2017, 171 pp. (Turkish)
    • V potoke [В потоке], trans. Andrey Fomenko (Андрей Фоменко), Moscow: Ad Marginem, and Garage Museum, 2018, 208 pp. [29] [30] (Russian)
    • In the flow: l'arte nell'epoca della sua riproducibilità digitale, Milan: Postmedia, 2018, 171 pp. (Italian)
  • Particular Cases, ed. Max Bach, Berlin: Sternberg, 2016, 291 pp. Selected essays. [31] (English)
    • Chastnyye sluchai [Частные случаи], trans. Anna Matveeva (Анна Матвеева), Moscow: Ad Marginem, and Garage Museum, 2020, 220 pp. [32] (Russian)
  • Stati ob Ilye Kabakove [Статьи об Илье Кабакове], ed. Nataliya Nikitina (Наталия Никитина), Moscow: Ad Marginem, and Garage Museum, 2016, 136 pp. Collection of essays on Ilya Kabakov written between 1980-2008. [33] [34] (Russian)
  • Ranniye teksty: 1976-1990. K semidesyatiletiyu Borisa Groysa [Ранние тексты: 1976-1990. К семидесятилетию Бориса Гройса], ed. Nataliya Nikitina (Наталия Никитина), Moscow: Ad Marginem, and Garage Museum, 2017, 496 pp. Collection of essays. [35] [36] (Russian)

Book chapters, essays

  • "The Topology of Contemporary Art", in Moscow Art Magazine. Digest 2005-2007, 2007; repr. in Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity, eds. Terry Smith, Okwui Enwezor and Nancy Condee, Duke University Press, 2008, pp 71-82. (English)
  • "Kunst im Zeitalter der Biopolitik. Vom Kunstwerk zur Kunstdokumentation", in Documenta 11, Platform 5: Ausstelung, Ostfildern-Ruit: Hatje Cantz, 2002, pp 107-113.

Interviews

Literature

Links