Brazil

Avant-garde

• Klaxon: mensário de arte moderna, 9 issues (1922-23).
• Blaise Cendrars
• Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (Spanish)
• Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
• http://pt.wikipedia.org/wiki/Modernismo_no_Brasil

Antropofagia

• Revista de Antropofagia, 26 issues (1928-29).
• Oswald de Andrade
• Raul Bopp, Movimentos modernistas no Brasil, 1922-1928, Rio de Janeiro: São José, 1966, 155 pp; repr., intro. Gilberto Mendonça Teles, Rio de Janeiro: Jose Olympio, 2012. (Brazilian Portuguese)
• Ivo Barbieri, "The Journey of the Brazilian Avant-Garde of the 1920s", Stanford Humanities Review 7:1 (1999).

Concretism, Concrete poetry (1950s)

• Noigandres and Invention journals.
• Augusto de Campos (1931), Haroldo de Campos (1929-2003), Décio Pignatari (1927), Ronaldo Azeredo (1937), Ferreira Gullar (1930), Wlademir Dias-Pino (1927), Paulo Leminski, José Lino Grünewald (1931-2000).
• Pavla Korpaczewski, Experimentální poezie: brazilská konkrétní poezie v letech 1950-1960, Prague: Karlova univerzita/Filozofická fakulta, 2010, 139 pp. Master's thesis. (Czech)
• Nathaniel Wolfson, Versions of the Concrete: Brazilian Mid-Century Aesthetics (1945-1970), Princeton, NJ: Princeton University, 2017, 198 pp. PhD dissertation. (English)
• http://www.vispo.com/misc/BrazilianDigitalPoetry.htm
• http://books.google.com/books?id=GYVj5_URmK0C&pg=PA172

Poesia-práxis (1960s)

• Praxis journal, *1961.
• Mário Chamie.

Neoconcretism

Artists

Grupo Neoconcreto (1959-61): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.

Writings

• Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
• "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
• Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
  • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
• Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
• Hélio Oiticica, "The Senses Pointing Toward a New Transformation" [1969], ARTMargins 7:2, Jun 2018, pp 129-135. With an introduction by Jo Melvin and Luke Skrebowski. Written between 18-25 June 1969 in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
• Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
• Hélio Oiticica, Experimentar o experimental, eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. (Portuguese)

Catalogues

• Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)

Literature

• Ronaldo Brito, "Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro", Malasartes 3, Apr-Jun 1976, pp 9-13; exp. as Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro, Rio de Janeiro: Funarte/Instituto Nacional de Artes Plásticas, 1985. (Brazilian Portuguese)
  • "Neo-concretism, Apex and Rupture of the Brazilian Constructive Project", trans. Gabriel Pérez-Barreiro with Irene V. Small, October 161, Summer 2017, pp 89-142. Introduction by Irene V. Small. (English)
• Mónica Amor, "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964", Grey Room 38, Winter 2010, pp 21-37. (English)
• Sérgio B. Martins, "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object", Third Text 26:1, 2012, pp 79-90. (English)
• Sérgio B. Martins, Constructing an Avant-Garde: Art in Brazil, 1949-1979, MIT Press, 2013. (English)
• Sabeth Buchmann, Max Jorge Hinderer Cruz, Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress, MIT Press (Afterall Books), 2013, 116 pp. (English)
• Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
• Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. [7] (English)
• Irene V. Small, Hélio Oiticica: Folding the Frame, University of Chicago Press, 2015, 304 pp. Review: Anagnost (Crit Inquiry). (English)
• Alexander Alberro, Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art, University of Chicago Press, 2017. (English)

Arte cinética, Kinetic art

• Abraham Palatnik

Tropicália (Tropicalismo)

• (Walter Smetak), Caetano Veloso, Gilberto Gil, Os Mutantes, Gal Costa, Tom Zé, Torquato Neto.

Computer art

• Waldemar Cordeiro

Mail art

• Walter Zanini, Julio Plaza.
• Exhibitions: Prospectiva (1974), Poéticas | Visuais (1977).

Video art

• Elena Shtromberg, "Bodies in Peril: Enacting Censorship in Early Brazilian Video Art (1974-1978)", in Aesthetics of Risk: SoCCAS Symposium Vol. III, ed. John C. Welchman, Zürich: JRP Ringier, 2008. [8] [9]

New media art, Media culture

• Julio Plaza, "Sobre videotexto (VTX)" & "Arte e videotexto", in 17a Bienal de São Paulo, Catálogo Geral, São Paulo, 1983, pp 103-104 & 105-107. [10] (Brazilian Portuguese)
• Julio Plaza, Videografia em videotexto, São Paulo: Hucitec, 1986, 206 pp. (Brazilian Portuguese)
• Christine Mello, "Arte e novas mídias: práticas e contextos no Brasil a partir dos anos 90", ARS 3:5, São Paulo, 2005. (Brazilian Portuguese)
• Daniel Hunt, "Brazil's 'Telematic Revolution': Net Art at the End of the Dictatorship", Rhizome, 5 Dec 2016. (English)

Media theory

• Vilém Flusser, Julio Plaza.

See also

• Malasartes 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [11] (Brazilian Portuguese)
• Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
• Cacilda Teixeira da Costa, Arte no Brasil 1950-2000: movimentos e meois, Sao Paulo: Alameda, 2004; 2nd ed., 2006. (Brazilian Portuguese)
• Patrick Frank (ed.), Readings in Latin American Modern Art, Yale University Press, 2004, 288 pp. [12] (English)
• Crítica de Arte no Brasil: temáticas contemporâneas, ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, PDF. Anthology of 91 texts from 80 authors, 1946-2006. (Brazilian Portuguese)
• Roger Sansi, Fetishes and Monuments: Afro-brazillian Art and Culture in the 20th Century, Berghahn Books, 2007, 176 pp. (English)
• Claudia Calirman, Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, Duke University Press, 2012. Introduction, [13]. (English)
• Pedro R. Erber, Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan, University of California Press, 2014, 248 pp. [14] (English)
• Elena Shtromberg, Art Systems: Brazil and the 1970s, Texas University Press, 2016, 238 pp. [15] (English)
• Sophie Halart, Mara Polgovsky Ezcurra (eds.), Sabotage Art: Politics and Iconoclasm in Contemporary Latin America, London: I.B. Tauris, 2016, xvii+238 pp. (English)
• Felipe Chaimovich, "Brazil: Art after 1980", Oxford Art Online, n.d.
• Bill Kelley Jr., Grant H. Kester (eds.), Collective Situations: Readings in Contemporary Latin American Art, 1995-2010, Durham: Duke University Press, 2017, 456 pp. Reviews: Montgomery (CAA), Zilberg (Leonardo).
• Patrick Frank (ed.), Manifestos and Polemics in Latin American Modern Art, trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: Boone (CJLACS). (English)
• Kaira M. Cabañas, Learning From Madness: Brazilian Modernism and Global Contemporary Art, University of Chicago Press, 2018. (English)

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