Brazil

Avant-garde

• Klaxon: mensário de arte moderna, 9 issues (1922-23).
• Blaise Cendrars
• Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (in Spanish)
• Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
• http://pt.wikipedia.org/wiki/Modernismo_no_Brasil

Antropofagia

• Revista de Antropofagia, 26 issues (1928-29).
• Oswald de Andrade
• Ivo Barbieri, "The Journey of the Brazilian Avant-Garde of the 1920s", Stanford Humanities Review 7:1 (1999).

Concretism, Concrete poetry (1950s)

• Noigandres and Invention journals.
• Augusto de Campos, Haroldo de Campos, Décio Pignatari, José Lino Grünewald, Ronaldo Azeredo, Ferreira Gullar, Paulo Leminski.
• http://www.vispo.com/misc/BrazilianDigitalPoetry.htm

Poesia-práxis (1960s)

• Praxis journal, *1961.
• Mário Chamie.

Neoconcretism

Artists

Grupo Neoconcreto (1959-61): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.

Writings

• Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
• "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
• Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
  • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
• Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
• Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)

Catalogues

• Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)

Literature

• Mónica Amor, "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964", Grey Room 38 (Winter 2010), pp 21-37. (English)
• Sérgio B. Martins, "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object", Third Text 26:1 (2012), pp 79-90. (English)
• Sérgio B. Martins, Constructing an Avant-Garde: Art in Brazil, 1949-1979, MIT Press, 2013. (English)
• Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
• Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016. [7] (English)

Arte cinética, Kinetic art

• Abraham Palatnik

Tropicália (Tropicalismo)

• (Walter Smetak), Caetano Veloso, Gilberto Gil, Os Mutantes, Gal Costa, Tom Zé, Torquato Neto.

Computer art

• Waldemar Cordeiro

Mail art

• Walter Zanini, Julio Plaza.
• Exhibitions: Prospectiva (1974), Poéticas | Visuais (1977).

Media theory

• Vilém Flusser, Julio Plaza.

See also

• Crítica de Arte no Brasil: temáticas contemporâneas, ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp. Anthology of 91 texts from 80 authors, 1946-2006. (Brazilian Portuguese)
• Claudia Calirman, Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, Duke University Press, 2012. Introduction, [8]. (English)
• Pedro R. Erber, Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan, University of California Press, 2014, 248 pp. [9] (English)
• Felipe Chaimovich, "Brazil: Art after 1980", Oxford Art Online, n.d.

	Countries avant-garde, modernism, experimental art, media culture, social practice
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States