Difference between revisions of "Brazil"

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* ''Noigandres'' and ''Invention'' journals.
 
* ''Noigandres'' and ''Invention'' journals.
 
* [[Augusto de Campos]] (1931), [[Haroldo de Campos]] (1929-2003), [[Décio Pignatari]] (1927), [[Ronaldo Azeredo]] (1937), [[Ferreira Gullar]] (1930), [[Wlademir Dias-Pino]] (1927), [[Paulo Leminski]], [[José Lino Grünewald]] (1931-2000).
 
* [[Augusto de Campos]] (1931), [[Haroldo de Campos]] (1929-2003), [[Décio Pignatari]] (1927), [[Ronaldo Azeredo]] (1937), [[Ferreira Gullar]] (1930), [[Wlademir Dias-Pino]] (1927), [[Paulo Leminski]], [[José Lino Grünewald]] (1931-2000).
 +
* Pavla Korpaczewski, ''[https://is.cuni.cz/webapps/zzp/detail/52936/?lang=cs Experimentální poezie: brazilská konkrétní poezie v letech 1950-1960]'', Prague: Karlova univerzita/Filozofická fakulta, 2010, 139 pp. Master's thesis. {{cz}}
 +
* Nathaniel Wolfson, ''[http://arks.princeton.edu/ark:/88435/dsp01dj52w734v Versions of the Concrete: Brazilian Mid-Century Aesthetics (1945-1970)]'', Princeton, NJ: Princeton University, 2017, 198 pp. PhD dissertation. {{en}}
 
* http://www.vispo.com/misc/BrazilianDigitalPoetry.htm
 
* http://www.vispo.com/misc/BrazilianDigitalPoetry.htm
 
* http://books.google.com/books?id=GYVj5_URmK0C&pg=PA172
 
* http://books.google.com/books?id=GYVj5_URmK0C&pg=PA172
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==Neoconcretism==
 
==Neoconcretism==
 
; Artists
 
; Artists
−
Grupo Neoconcreto (1959-61): [[Lygia Clark]], [[Hélio Oiticica]], [[Amílcar de Castro]], [[Lygia Pape]], [[Franz Weissmann]], [[Ferreira Gullar]].
+
: in Rio de Janeiro: [[Ivan Serpa]], [[Abraham Palatnik]], [[Almir Mavignier]], Mário Pedrosa.
 +
: Grupo Neoconcreto (1959-1961): [[Lygia Clark]], [[Hélio Oiticica]], [[Amílcar de Castro]], [[Lygia Pape]], [[Franz Weissmann]], [[Ferreira Gullar]].
  
 
; Writings
 
; Writings
Line 32: Line 35:
 
** "Theory of the Non-object", in ''The Object'', ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. {{en}}
 
** "Theory of the Non-object", in ''The Object'', ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. {{en}}
 
* Lygia Clark, Hélio Oiticica, ''[http://monoskop.org/log/?p=8342 Cartas, 1964-1974]'', ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. {{br-pt}}
 
* Lygia Clark, Hélio Oiticica, ''[http://monoskop.org/log/?p=8342 Cartas, 1964-1974]'', ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. {{br-pt}}
−
* Hélio Oiticica, [https://sci-hub.tw/10.1162/artm_a_00212 "The Senses Pointing Toward a New Transformation"] [1969], ''ARTMargins'' 7:2, Jun 2018, pp 129-135. With [https://sci-hub.tw/10.1162/artm_a_00211 an introduction by Jo Melvin and Luke Skrebowski]. Written between 18-25 June 1969 in London and submitted to the British art magazine ''Studio International'', but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
+
* Hélio Oiticica, [https://sci-hub.st/10.1162/artm_a_00212 "The Senses Pointing Toward a New Transformation"] [1969], ''ARTMargins'' 7:2, Jun 2018, pp 129-135. With [https://sci-hub.st/10.1162/artm_a_00211 an introduction by Jo Melvin and Luke Skrebowski]. Written between 18-25 June 1969 in London and submitted to the British art magazine ''Studio International'', but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
 
* Ferreira Gullar, ''Experiência neoconcreta: momento-limite da arte'', eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. {{br-pt}}
 
* Ferreira Gullar, ''Experiência neoconcreta: momento-limite da arte'', eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. {{br-pt}}
 +
* Hélio Oiticica, ''[[Media:Oiticica Helio Experimentar o experimental 2019.pdf|Experimentar o experimental]]'', eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. {{pt}}
  
 
; Catalogues
 
; Catalogues
Line 39: Line 43:
  
 
; Literature
 
; Literature
−
* Mónica Amor, [http://academia.edu/1485924 "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964"], ''Grey Room'' 38 (Winter 2010), pp 21-37. {{en}}
+
 
−
* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1 (2012), pp 79-90. {{en}}
+
* Ronaldo Brito, [http://icaadocs.mfah.org/icaadocs/THEARCHIVE/FullRecord/tabid/88/doc/1091308/language/en-US/Default.aspx "Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro"], ''Malasartes'' 3, Apr-Jun 1976,  pp 9-13; exp. as ''Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro'', Rio de Janeiro: Funarte/Instituto Nacional de Artes Plásticas, 1985. {{br-pt}}
−
* Sérgio B. Martins, ''[http://gen.lib.rus.ec/book/index.php?md5=8222bd64147738ebc2c237989ba488da Constructing an Avant-Garde: Art in Brazil, 1949-1979]'', MIT Press, 2013.  {{en}}
+
** [https://sci-hub.st/10.1162/OCTO_a_00304 "Neo-concretism, Apex and Rupture of the Brazilian Constructive Project"], trans. Gabriel Pérez-Barreiro with Irene V. Small, ''October'' 161, Summer 2017, pp 89-142. [https://sci-hub.st/10.1162/OCTO_a_00305 Introduction by Irene V. Small]. {{en}}
−
* Sabeth Buchmann, Max Jorge Hinderer Cruz, ''[https://library.memoryoftheworld.org/b/zc7VwXcp4uuhFt1gtlLub98zzuRn7TV3004raOuhpcwV6tCj Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress]'', MIT Press (Afterall Books), 2013, 116 pp. {{en}}
+
 
 +
* Mónica Amor, [http://academia.edu/1485924 "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964"], ''Grey Room'' 38, Winter 2010, pp 21-37. {{en}}
 +
 
 +
* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1, 2012, pp 79-90. {{en}}
 +
 
 +
* Sérgio B. Martins, ''[http://libgen.rs/book/index.php?md5=8222bd64147738ebc2c237989ba488da Constructing an Avant-Garde: Art in Brazil, 1949-1979]'', MIT Press, 2013.  {{en}}
 +
 
 +
* Sabeth Buchmann, Max Jorge Hinderer Cruz, ''[https://library.memoryoftheworld.org/#/book/6ee504d8-184a-42a2-bc34-758681551237 Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress]'', MIT Press (Afterall Books), 2013, 116 pp. {{en}}
 +
 
 
* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 
* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 +
 +
* Lynn Zelevansky (ed.), ''[https://aaaaarg.fail/thing/5fbad2529ff37c0a172e81be Hélio Oiticica: To Organize Delirium]'', Munich: Prestel, 2016. {{en}}
 +
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
−
* Irene V. Small, ''Hélio Oiticica: Folding the Frame'', University of Chicago Press, 2015, 304 pp. Review: [http://criticalinquiry.uchicago.edu/adrian_anagnost_reviews_helio_oiticica/ Anagnost] (Crit Inquiry). {{en}}
+
 
 +
* Irene V. Small, ''[http://libgen.rs/book/index.php?md5=D1D8C6DBA272632FB0B8944B4318D864 Hélio Oiticica: Folding the Frame]'', University of Chicago Press, 2015, 304 pp. Review: [http://criticalinquiry.uchicago.edu/adrian_anagnost_reviews_helio_oiticica/ Anagnost] (Crit Inquiry). {{en}}
 +
 
 
* Alexander Alberro, ''[http://aaaaarg.fail/thing/59468d369ff37c0dc000069d Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art]'', University of Chicago Press, 2017. {{en}}
 
* Alexander Alberro, ''[http://aaaaarg.fail/thing/59468d369ff37c0dc000069d Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art]'', University of Chicago Press, 2017. {{en}}
 +
 +
* [https://periodicos.sbu.unicamp.br/ojs/index.php/mod/issue/view/1790 ''Modos: Revista de História da Arte'' 5(1): "Arte abstrata no Brasil / Abstract Art in Brazil"], eds. Ana Gonçalves Magalhães and Adele Nelson, Campinas, 2021. {{br-pt}},{{en}}
 +
 +
* Adele Nelson, ''[http://libgen.rs/book/index.php?md5=B72A18C4CF04F926FAF308D72760EA0F Forming Abstraction: Art and Institutions in Postwar Brazil]'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2022, 392 pp. [https://www.ucpress.edu/book/9780520379848/forming-abstraction Publisher]. [https://islaa.org/bookshop/forming-abstraction] {{en}}
 +
 +
* Adrian Anagnost, ''Spatial Orders, Social Forms: Art and the City in Modern Brazil'', Yale University Press, 2022. [https://yalebooks.yale.edu/book/9780300254013/spatial-orders-social-forms/ Publisher]. {{en}}
 +
 +
* Mariola V. Alvarez, ''The Affinity of Neoconcretism: Interdisciplinary Collaborations in Brazilian Modernism, 1954–1964'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2023, 304 pp. [https://www.ucpress.edu/book/9780520388963/the-affinity-of-neoconcretism Publisher]. [https://islaa.org/bookshop/the-affinity-of-neoconcretism] {{en}}
  
 
==Arte cinética, Kinetic art==
 
==Arte cinética, Kinetic art==
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==Mail art==
 
==Mail art==
−
* [[Walter Zanini]], [[Julio Plaza]].
+
* [[Walter Zanini]], [[Julio Plaza]], [[Paulo Bruscky]].
 
* Exhibitions: ''Prospectiva'' (1974), ''Poéticas | Visuais'' (1977).
 
* Exhibitions: ''Prospectiva'' (1974), ''Poéticas | Visuais'' (1977).
 +
 +
==Video art==
 +
* Elena Shtromberg, [[Media:Shtromberg_Elena_2008_Bodies_in_Peril_Enacting_Censorship_in_Early_Brazilian_Video_Art_1974-1978.pdf|"Bodies in Peril: Enacting Censorship in Early Brazilian Video Art (1974-1978)"]], in ''Aesthetics of Risk: SoCCAS Symposium Vol. III'', ed. John C. Welchman, Zürich: JRP Ringier, 2008. [https://www.academia.edu/172143/] [http://books.jrp-editions.com/pages/index.php?id_r=4&id_t=&id_p=7&id_b=853]
  
 
==New media art, Media culture==
 
==New media art, Media culture==
 
* Julio Plaza, [[Media:Plaza_Julio_1983_Sobre_videotexto_VTX_Arte_e_videotexto.pdf|"Sobre videotexto (VTX)" & "Arte e videotexto"]], in ''17a Bienal de São Paulo, Catálogo Geral'', São Paulo, 1983, pp 103-104 & 105-107. [http://www.mac.usp.br/mac/expos/2013/julio_plaza/pdfs/arte_e_videotexto.pdf] {{br-pt}}
 
* Julio Plaza, [[Media:Plaza_Julio_1983_Sobre_videotexto_VTX_Arte_e_videotexto.pdf|"Sobre videotexto (VTX)" & "Arte e videotexto"]], in ''17a Bienal de São Paulo, Catálogo Geral'', São Paulo, 1983, pp 103-104 & 105-107. [http://www.mac.usp.br/mac/expos/2013/julio_plaza/pdfs/arte_e_videotexto.pdf] {{br-pt}}
 
* Julio Plaza, ''[[Media:Plaza_Julio_Videografia_em_videotexto.pdf|Videografia em videotexto]]'', São Paulo: Hucitec, 1986, 206 pp. {{br-pt}}
 
* Julio Plaza, ''[[Media:Plaza_Julio_Videografia_em_videotexto.pdf|Videografia em videotexto]]'', São Paulo: Hucitec, 1986, 206 pp. {{br-pt}}
−
* Christine Mello, [http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202005000100009 "Arte e novas mídias: práticas e contextos no Brasil a partir dos anos 90"], ''ARS'' 3:5, São Paulo, 2005. {{br-pt}}
+
* Christine Mello, [https://doi.org/10.1590/S1678-53202005000100009 "Arte e novas mídias: práticas e contextos no Brasil a partir dos anos 90"], ''ARS'' 3:5, São Paulo, 2005. {{br-pt}}
 
* Daniel Hunt, [http://rhizome.org/editorial/2016/dec/05/tropical-minitel/ "Brazil's 'Telematic Revolution': Net Art at the End of the Dictatorship"], ''Rhizome'', 5 Dec 2016. {{en}}
 
* Daniel Hunt, [http://rhizome.org/editorial/2016/dec/05/tropical-minitel/ "Brazil's 'Telematic Revolution': Net Art at the End of the Dictatorship"], ''Rhizome'', 5 Dec 2016. {{en}}
  
Line 71: Line 99:
  
 
==See also==
 
==See also==
 +
 
* ''[[Media:Malasartes_1_1975.pdf|Malasartes]]'' 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [http://books.google.com/books?id=OZhNRP-wfkAC&pg=PA275] {{br-pt}}
 
* ''[[Media:Malasartes_1_1975.pdf|Malasartes]]'' 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [http://books.google.com/books?id=OZhNRP-wfkAC&pg=PA275] {{br-pt}}
 +
 
* Jacqueline Barnitz, ''Twentieth-Century Art of Latin America'', 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
 
* Jacqueline Barnitz, ''Twentieth-Century Art of Latin America'', 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
−
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/b/XGlaq7mf92wCeKKACa7VghcluLgRDFpt8nS9Kl70dh9_2fjb Readings in Latin American Modern Art]'', Yale University Press, 2004, 288 pp. [https://yalebooks.yale.edu/book/9780300102550/readings-latin-american-modern-art] {{en}}
+
 
 +
* Cacilda Teixeira da Costa, ''[[Media:Costa Cacilda Teixeira Arte no Brasil 1950-2000 movimentos e meois 2a ed 2006.pdf|Arte no Brasil 1950-2000: movimentos e meois]]'', Sao Paulo: Alameda, 2004; 2nd ed., 2006. {{br-pt}}
 +
 
 +
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/bc606a39-ab8a-47a6-966c-c377f7030bd1 Readings in Latin American Modern Art]'', Yale University Press, 2004, 288 pp. [https://yalebooks.yale.edu/book/9780300102550/readings-latin-american-modern-art] {{en}}
 +
 
 
* ''[http://monoskop.org/log/?p=16478 Crítica de Arte no Brasil: temáticas contemporâneas]'', ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, [[Media:Ferreira_Gloria_org_Critica_de_arte_no_Brasil_Tematicas_contemporaneas.pdf|PDF]]. Anthology of 91 texts from 80 authors, 1946-2006. {{br-pt}}
 
* ''[http://monoskop.org/log/?p=16478 Crítica de Arte no Brasil: temáticas contemporâneas]'', ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, [[Media:Ferreira_Gloria_org_Critica_de_arte_no_Brasil_Tematicas_contemporaneas.pdf|PDF]]. Anthology of 91 texts from 80 authors, 1946-2006. {{br-pt}}
 +
 +
* Roger Sansi, ''[https://aaaaarg.fail/thing/56ce00a79ff37c549f836a9a Fetishes and Monuments: Afro-brazillian Art and Culture in the 20th Century]'', Berghahn Books, 2007, 176 pp. {{en}}
 +
 
* Claudia Calirman, ''Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles'', Duke University Press, 2012. [http://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-5153-5_601.pdf Introduction], [http://read.dukeupress.edu/content/brazilian-art-under-dictatorship]. {{en}}
 
* Claudia Calirman, ''Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles'', Duke University Press, 2012. [http://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-5153-5_601.pdf Introduction], [http://read.dukeupress.edu/content/brazilian-art-under-dictatorship]. {{en}}
 +
 
* Pedro R. Erber, ''Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan'', University of California Press, 2014, 248 pp. [http://www.ucpress.edu/book.php?isbn=9780520282438] {{en}}
 
* Pedro R. Erber, ''Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan'', University of California Press, 2014, 248 pp. [http://www.ucpress.edu/book.php?isbn=9780520282438] {{en}}
 +
 
* Elena Shtromberg, ''[http://aaaaarg.fail/thing/59a6f5199ff37c0dbe0049cd Art Systems: Brazil and the 1970s]'', Texas University Press, 2016, 238 pp. [https://utpress.utexas.edu/books/shtromberg-art-systems] {{en}}
 
* Elena Shtromberg, ''[http://aaaaarg.fail/thing/59a6f5199ff37c0dbe0049cd Art Systems: Brazil and the 1970s]'', Texas University Press, 2016, 238 pp. [https://utpress.utexas.edu/books/shtromberg-art-systems] {{en}}
 +
 +
* Sophie Halart, Mara Polgovsky Ezcurra (eds.), ''[http://library.memoryoftheworld.org/#/book/a49879c8-8df1-49e9-8e54-fe64c0506000 Sabotage Art: Politics and Iconoclasm in Contemporary Latin America]'', London: I.B. Tauris, 2016, xvii+238 pp. {{en}}
 +
 
* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d.
 
* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d.
−
* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/b/ygE_Y_NJEleadt_jprAyrtJwvLBXGPf0nic4Rzt_xVADQaS2 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo).
+
 
−
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/b/XOm1yPfpt8AnIZEs1Si98iByxcPgykgWSuqtkxaQHXvjQGYY Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.tw/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}}
+
* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/#/book/a74b4682-51b4-4101-a6fe-9fc662fe5195 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo).
−
* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/b/XHFr_ndMbvKo6nc-5wC-3wGUShVKf2oofYzNwJup2oB8IqOi Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018.
+
 
 +
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.st/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}}
 +
 
 +
* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/#/book/6a97262e-0a33-41d9-aa4c-30b5c9392af2 Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018. {{en}}
 +
 
 +
* Kaira M. Cabañas, ''Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2021, 240 pp. [https://www.ucpress.edu/book/9780520356221/immanent-vitalities Publisher]. [https://islaa.org/bookshop/immanent-vitaties] {{en}}
 +
 
 +
* Claudia Calirman, ''[http://libgen.rs/book/index.php?md5=202977F79D73B95931A8CFB289056C0E Dissident Practices: Brazilian Women Artists, 1960s–2020s]'', Duke University Press, 2023. {{en}}
  
  
 
{{Countries}}
 
{{Countries}}

Latest revision as of 22:57, 5 December 2023

Avant-garde[edit]

Antropofagia[edit]

Concretism, Concrete poetry (1950s)[edit]

Poesia-práxis (1960s)[edit]

Neoconcretism[edit]

Artists
in Rio de Janeiro: Ivan Serpa, Abraham Palatnik, Almir Mavignier, Mário Pedrosa.
Grupo Neoconcreto (1959-1961): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.
Writings
  • Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
  • "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
  • Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
    • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
  • Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
  • Hélio Oiticica, "The Senses Pointing Toward a New Transformation" [1969], ARTMargins 7:2, Jun 2018, pp 129-135. With an introduction by Jo Melvin and Luke Skrebowski. Written between 18-25 June 1969 in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
  • Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
  • Hélio Oiticica, Experimentar o experimental, eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. (Portuguese)
Catalogues
  • Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
Literature
  • Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
  • Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. [7] (English)
  • Adrian Anagnost, Spatial Orders, Social Forms: Art and the City in Modern Brazil, Yale University Press, 2022. Publisher. (English)
  • Mariola V. Alvarez, The Affinity of Neoconcretism: Interdisciplinary Collaborations in Brazilian Modernism, 1954–1964, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2023, 304 pp. Publisher. [9] (English)

Arte cinética, Kinetic art[edit]

Tropicália (Tropicalismo)[edit]

Computer art[edit]

Mail art[edit]

Video art[edit]

New media art, Media culture[edit]

Media theory[edit]

See also[edit]

  • Malasartes 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [13] (Brazilian Portuguese)
  • Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
  • Claudia Calirman, Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, Duke University Press, 2012. Introduction, [15]. (English)
  • Pedro R. Erber, Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan, University of California Press, 2014, 248 pp. [16] (English)
  • Kaira M. Cabañas, Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2021, 240 pp. Publisher. [18] (English)


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