Difference between revisions of "Brazil"

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* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1 (2012), pp 79-90. {{en}}
 
* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1 (2012), pp 79-90. {{en}}
 
* Sérgio B. Martins, ''[http://gen.lib.rus.ec/book/index.php?md5=8222bd64147738ebc2c237989ba488da Constructing an Avant-Garde: Art in Brazil, 1949-1979]'', MIT Press, 2013.  {{en}}
 
* Sérgio B. Martins, ''[http://gen.lib.rus.ec/book/index.php?md5=8222bd64147738ebc2c237989ba488da Constructing an Avant-Garde: Art in Brazil, 1949-1979]'', MIT Press, 2013.  {{en}}
* Sabeth Buchmann, Max Jorge Hinderer Cruz, ''[https://library.memoryoftheworld.org/b/zc7VwXcp4uuhFt1gtlLub98zzuRn7TV3004raOuhpcwV6tCj Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress]'', MIT Press (Afterall Books), 2013, 116 pp. {{en}}
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* Sabeth Buchmann, Max Jorge Hinderer Cruz, ''[https://library.memoryoftheworld.org/#/book/6ee504d8-184a-42a2-bc34-758681551237 Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress]'', MIT Press (Afterall Books), 2013, 116 pp. {{en}}
 
* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 
* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}

Revision as of 18:33, 9 August 2019

Avant-garde

Antropofagia

Concretism, Concrete poetry (1950s)

Poesia-práxis (1960s)

Neoconcretism

Artists

Grupo Neoconcreto (1959-61): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.

Writings
  • Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
  • "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
  • Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
    • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
  • Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
  • Hélio Oiticica, "The Senses Pointing Toward a New Transformation" [1969], ARTMargins 7:2, Jun 2018, pp 129-135. With an introduction by Jo Melvin and Luke Skrebowski. Written between 18-25 June 1969 in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
  • Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
Catalogues
  • Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
Literature

Arte cinética, Kinetic art

Tropicália (Tropicalismo)

Computer art

Mail art

New media art, Media culture

Media theory

See also


Countries
avant-garde, modernism, experimental art, media culture, social practice

Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States