Difference between revisions of "Brian Holmes"

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'''Brian Holmes''' (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for ''Documenta X'', Kassel, Germany in 1997. He is a member of the groups [http://www.deeptimechicago.org Deep Time Chicago] and [http://midwestcompass.org/ Compass], and a former member of the graphic arts group [http://www.nepasplier.fr Ne pas plier] from 1999 to 2001, and the French conceptual art group [https://bureaudetudes.org/ Bureau d'études]. He lives in [[Paris]].
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'''Brian Holmes''' (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for ''Documenta X'', Kassel, Germany in 1997. He is a member of the groups [http://www.deeptimechicago.org Deep Time Chicago] and [http://midwestcompass.org/ Compass], and a former member of the graphic arts group [http://www.nepasplier.fr Ne pas plier] from 1999 to 2001, and the French conceptual art group [https://bureaudetudes.org/ Bureau d'études]. He is based in [[Chicago]].
  
 
==Publications==
 
==Publications==
 
; Books
 
; Books
 
* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
 
* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
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* co-editor, ''[[Media:Continental Drift Galerija Nova Zagreb 2008.pdf|Continental Drift]]'', Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. {{cr}}
 
* ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/]
 
* ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/]
 
* ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
 
* ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
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* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet.
 
* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet.
  
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; Articles
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; Book chapters, essays
 +
 
 
* [http://eipcp.net/transversal/1106/holmes/en/base_edit "The Flexible Personality: For a New Cultural Critique"], ''transversal'' 1 (2002).
 
* [http://eipcp.net/transversal/1106/holmes/en/base_edit "The Flexible Personality: For a New Cultural Critique"], ''transversal'' 1 (2002).
 
** [http://eipcp.net/transversal/1106/holmes/de "Der flexible Charakter. Für eine neue Kulturkritik"], trans. Birgit Mennel, ''transversal'' 1 (2002). {{de}}
 
** [http://eipcp.net/transversal/1106/holmes/de "Der flexible Charakter. Für eine neue Kulturkritik"], trans. Birgit Mennel, ''transversal'' 1 (2002). {{de}}
 
** [http://eipcp.net/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}}
 
** [http://eipcp.net/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}}
 
** [http://eipcp.net/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}}
 
** [http://eipcp.net/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}}
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* [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF].
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** [https://cadernosdesubjetividade.files.wordpress.com/2013/09/cadernos2011_baixaresolucao.pdf#page=195 "Personalidade potencial: trans–subjetividade na sociedade de controle"], trans. Filipe Ferreira, ''Cadernos de Subjetividade'' 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, [https://www.nbp.pro.br/doc/personalidade_potencial_b_holmes_1407.pdf PDF]. {{br-pt}}
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* [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/]
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* [https://monoskop.org/images/f/fe/Apprich_Clemens_Stalder_Felix_Hg_Vergessene_Zukunft_Radikale_Netzkulturen_in_Europa_2012.pdf#page=115 "Die Erfindung der Eventarbeit. Public Netbase in den 1990ern"], in ''[https://monoskop.org/log/?p=20464 Vergessene Zukunft: radikale Netzkulturen in Europa]'', eds. Clemens Apprich and Felix Stalder, Bielefeld: transcript, 2012, pp 119-123. {{de}}
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* [http://midwestcompass.org/wp-content/uploads/2013/01/Cartography-with-your-feet.pdf "Cartography With Your Feet: Workshop Proposal for “Beneath the University, the Commons”"], in ''Deep Routes: The Midwest in All Directions'', eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [http://midwestcompass.org/deep-routes/] [https://halfletterpress.com/deep-routes-the-midwest-in-all-directions/]
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* [http://midwestcompass.org/wp-content/uploads/2013/01/Continental-Drift-2011.pdf "Continental Drift 2011: Argentina / China"], in ''Deep Routes: The Midwest in All Directions'', eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [http://midwestcompass.org/deep-routes/] [https://halfletterpress.com/deep-routes-the-midwest-in-all-directions/]
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* [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015.
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* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]
  
 
==Interviews==
 
==Interviews==
 +
* Tom Vandeputte, Sidsel Meineche Hansen, [http://midwestcompass.org/boundaries-of-knowledge/ "Boundaries of Knowledge: Questions for Brian Holmes"], 2015.
 
* Tünde Mariann Varga, [http://mezosfera.org/political-ecology-and-anthropocene-public-space/ "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes"], ''Mezosfera'', Budapest, Jun 2016.
 
* Tünde Mariann Varga, [http://mezosfera.org/political-ecology-and-anthropocene-public-space/ "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes"], ''Mezosfera'', Budapest, Jun 2016.
  

Revision as of 20:49, 4 December 2020

Brian Holmes (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for Documenta X, Kassel, Germany in 1997. He is a member of the groups Deep Time Chicago and Compass, and a former member of the graphic arts group Ne pas plier from 1999 to 2001, and the French conceptual art group Bureau d'études. He is based in Chicago.

Publications

Books
Book chapters, essays

Interviews

Links

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