Difference between revisions of "Brian Holmes"

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==Publications==
 
==Publications==
; Books
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===Books===
 +
 
 
* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
 
* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
 +
 
* co-editor, ''[[Media:Continental Drift Galerija Nova Zagreb 2008.pdf|Continental Drift]]'', Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. {{cr}}
 
* co-editor, ''[[Media:Continental Drift Galerija Nova Zagreb 2008.pdf|Continental Drift]]'', Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. {{cr}}
* ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/]
+
 
 +
* ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', New York: Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/]. Review: [https://www.academia.edu/7647260 Biles] (Chicago Artists' News).
 +
 
 
* ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
 
* ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
 +
 +
* ''Profanity and the Financial Markets. A User’s Guide to Closing the Casino'', Hatje Cantz (100 Notes, 100 Thoughts: Documenta Series), 2012. {{en}}/{{de}}
 +
 
* with Beate Geissler and Oliver Sann, ''Volatile Smile'', Nürnberg: Moderne Kunst, 2014, 182 pp. [http://www.artbook.com/9783869840826.html] [http://www.documentjournal.com/2015/07/volatile-smile/]
 
* with Beate Geissler and Oliver Sann, ''Volatile Smile'', Nürnberg: Moderne Kunst, 2014, 182 pp. [http://www.artbook.com/9783869840826.html] [http://www.documentjournal.com/2015/07/volatile-smile/]
 +
 
* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet.
 
* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet.
  
; Book chapters, essays
+
===Translator===
 +
 
 +
* Félix Guattari, Suely Rolnik, ''[http://monoskop.org/log/?p=2010 Molecular Revolution in Brazil]'', trans. Karel Clapshow and Brain Holmes, Semiotext(e), 2008, 495 pp.
 +
 
 +
* Clement Greenberg, ''[https://1lib.sk/book/2632129/bb2fa0 Between the Lines]'', trans. Thierry de Duve and Brian Holmes, University Of Chicago Press, 2010.
 +
 
 +
===Journal issues===
  
* [https://transversal.at/transversal/1106/holmes/en "The Flexible Personality: For a New Cultural Critique"], ''transversal'' 1 (2002).
+
* editor, with Gerald Raunig, ''Brumaria'' 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. [http://web.archive.org/web/20070121082312/http://www.brumaria.net/publicacionbru5.htm TOC]. [https://transversal.at/transversal/0106/brumaria/es Introduction]. {{es}}
** [https://transversal.at/transversal/1106/holmes/de "Der flexible Charakter. Für eine neue Kulturkritik"], trans. Birgit Mennel, ''transversal'' 1 (2002). {{de}}
+
 
** [https://transversal.at/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}}
+
===Book chapters, essays===
** [https://transversal.at/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}}
+
 
 +
* "Réveiller les fantômes collectifs. Résistance réticulaire, personnalité flexible", trans. Brian Holmes, ''Autonomie artistique'' 1, Paris, 2002; [https://transversal.at/transversal/1202/holmes/fr repr.], ''transversal'', Vienna, Dec 2002. {{fr}}
 +
** [https://www.metamute.org/editorial/articles/unleashing-collective-phantom-resistance-to-networked-individualism "Unleashing the Collective Phantoms. Flexible Personality, Networked Resistance"], ''Mute'' 24, London, May 2002; [https://transversal.at/transversal/1202/holmes/en repr.], ''transversal'', Vienna, Dec 2002.
 +
** [https://transversal.at/transversal/1202/holmes/de "Die kollektiven Phantome freisetzen. Flexible Persönlichkeit, vernetzter Widerstand"], trans. Marion Hamm, ''transversal'', Vienna, Dec 2002. {{de}}
 +
** [https://transversal.at/transversal/1202/holmes/it "Liberare i fantasmi collettivi. Personalità flessibile e resistenza in Rete"], trans. Sandro Armezzani, ''transversal'', Vienna, Dec 2002. {{it}}
 +
 
 +
* "Liar's Poker", ''Springerin'' 1, Vienna, 2003; [http://subsol.c3.hu/subsol_2/contributors3/holmestext.html repr.], ''Subsol 2'': "Art of Commodification", n.d.
 +
 
 +
* [https://www.cairn.info/revue-multitudes-2003-3-page-59.htm "Warhol au Soleil levant: art, sous-culture et production sémiotique"], ''Multitudes'' 13, Paris, 2003, pp 59-67. {{fr}}
 +
 
 +
* [https://inthemiddleofthewhirlwind.wordpress.com/the-revenge-of-the-concept-artistic-exchanges-networked-resistance-by-brian-holmes/ "The Revenge of the Concept: Artistic Exchanges, Networked Resistance"], in ''Confronting Capitalism: Dispatches from a Global Movement'', eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, ''Unleashing the Collective Phantoms'', 2008. [http://archive.rhizome.org/artbase/1693/more/articles/yesbrianholmesrevenge.html] [https://www.worldcat.org/oclc/53069400]
 +
** "Maščevanje koncepta", in Holmes, ''Fleksibilna osebnost. Maščevanje koncepta'', trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. {{sl}}
 +
 
 +
* [https://transversal.at/transversal/1106/holmes/en "The Flexible Personality: For a New Cultural Critique"], ''transversal'', Nov 2006.
 +
** [https://transversal.at/transversal/1106/holmes/de "Der flexible Charakter. Für eine neue Kulturkritik"], trans. Birgit Mennel, ''transversal'', Nov 2006. {{de}}
 +
** [https://transversal.at/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1, Nov 2006. {{es}}
 +
** [https://transversal.at/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'', Nov 2006. {{cr}}
 +
** "Fleksibilna osebnost", in Holmes, ''Fleksibilna osebnost. Maščevanje koncepta'', trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. {{sl}}
  
 
* [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF].  
 
* [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF].  
 
** [https://cadernosdesubjetividade.files.wordpress.com/2013/09/cadernos2011_baixaresolucao.pdf#page=195 "Personalidade potencial: trans–subjetividade na sociedade de controle"], trans. Filipe Ferreira, ''Cadernos de Subjetividade'' 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, [https://www.nbp.pro.br/doc/personalidade_potencial_b_holmes_1407.pdf PDF]. {{br-pt}}
 
** [https://cadernosdesubjetividade.files.wordpress.com/2013/09/cadernos2011_baixaresolucao.pdf#page=195 "Personalidade potencial: trans–subjetividade na sociedade de controle"], trans. Filipe Ferreira, ''Cadernos de Subjetividade'' 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, [https://www.nbp.pro.br/doc/personalidade_potencial_b_holmes_1407.pdf PDF]. {{br-pt}}
 +
 +
* [https://brianholmes.wordpress.com/2007/09/09/future-map/ "Future Map, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance"], Sep 2007.
  
 
* [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/]
 
* [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/]
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* [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015.
 
* [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015.
 +
 +
* [https://thewinnower.com/papers/future-map-reloaded "Future Map Reloaded, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance"], May 2015.
  
 
* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]
 
* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]
 +
 +
* [https://www.cairn.info/publications-de-Brian-Holmes--474.htm more], [https://transversal.at/bio/holmes more]
  
 
==Interviews==
 
==Interviews==
 +
 +
* Robby Herbst, [https://joaap.org/4/holmes.html "Hinting at ways to work in current contexts; an interview with Brian Holmes"], ''Journal of Aesthetics and Protest'' 4, 2005.
 +
 
* Tom Vandeputte, Sidsel Meineche Hansen, [http://midwestcompass.org/boundaries-of-knowledge/ "Boundaries of Knowledge: Questions for Brian Holmes"], 2015.
 
* Tom Vandeputte, Sidsel Meineche Hansen, [http://midwestcompass.org/boundaries-of-knowledge/ "Boundaries of Knowledge: Questions for Brian Holmes"], 2015.
 +
 
* Tünde Mariann Varga, [http://mezosfera.org/political-ecology-and-anthropocene-public-space/ "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes"], ''Mezosfera'', Budapest, Jun 2016.
 
* Tünde Mariann Varga, [http://mezosfera.org/political-ecology-and-anthropocene-public-space/ "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes"], ''Mezosfera'', Budapest, Jun 2016.
 +
 +
* Ivana Rumanová, [https://flashart.cz/2021/08/24/prejst-od-informacii-k-cinom/ "Prejsť od informácií k činom. Online rozhovor s Brianom Holmesom"], ''Flash Art CZ/SK'', Aug 2021. {{sk}}
  
 
==Links==
 
==Links==
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* [https://timetochange.today/ Time To Change / Just Transition], [https://www.facebook.com/1540686592862791/videos/746175979418909/ 2021 video presentation]
 
* [https://timetochange.today/ Time To Change / Just Transition], [https://www.facebook.com/1540686592862791/videos/746175979418909/ 2021 video presentation]
 
* [http://www.ecotopia.today/livingrivers/map.html Living Rivers]
 
* [http://www.ecotopia.today/livingrivers/map.html Living Rivers]
* [https://web.archive.org/web/20150318154532/http://www.egs.edu/faculty/brian-holmes Profile on EGS] (archived)
+
* [https://egs.edu/biography/brian-holmes/ Profile and lectures on EGS], 2010-2011. [https://web.archive.org/web/20150318154532/http://www.egs.edu/faculty/brian-holmes]
 
* [http://vimeo.com/147574207 Live Your Models: Self-orientation and urban form in the next “spirit of capitalism”], keynote at the Former West: Art and Labor after the End of Work conference, Warsaw, 2015
 
* [http://vimeo.com/147574207 Live Your Models: Self-orientation and urban form in the next “spirit of capitalism”], keynote at the Former West: Art and Labor after the End of Work conference, Warsaw, 2015
 
* [http://aaaaarg.fail/maker/53106b43334fe0726920155f ARG]
 
* [http://aaaaarg.fail/maker/53106b43334fe0726920155f ARG]

Revision as of 10:56, 27 August 2021

Brian Holmes (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for Documenta X, Kassel, Germany in 1997. He is a member of the groups Deep Time Chicago and Compass, and a former member of the graphic arts group Ne pas plier from 1999 to 2001, and the French conceptual art group Bureau d'études. He lives in Chicago.

Publications

Books

  • co-editor, Continental Drift, Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. (Croatian)
  • Unleashing the Collective Phantoms: Essays in Reverse Imagineering, New York: Autonomedia, 2008, 187 pp. [1]. Review: Biles (Chicago Artists' News).
  • Profanity and the Financial Markets. A User’s Guide to Closing the Casino, Hatje Cantz (100 Notes, 100 Thoughts: Documenta Series), 2012. (English)/(German)
  • with Beate Geissler and Oliver Sann, Volatile Smile, Nürnberg: Moderne Kunst, 2014, 182 pp. [2] [3]

Translator

  • Clement Greenberg, Between the Lines, trans. Thierry de Duve and Brian Holmes, University Of Chicago Press, 2010.

Journal issues

  • editor, with Gerald Raunig, Brumaria 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. TOC. Introduction. (Spanish)

Book chapters, essays

  • "Liar's Poker", Springerin 1, Vienna, 2003; repr., Subsol 2: "Art of Commodification", n.d.
  • "The Revenge of the Concept: Artistic Exchanges, Networked Resistance", in Confronting Capitalism: Dispatches from a Global Movement, eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, Unleashing the Collective Phantoms, 2008. [4] [5]
    • "Maščevanje koncepta", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
  • "Captive Sun", in Petcoke: Tracing Dirty Energy, Chicago: Museum of Contemporary Photography, 2016. [11]

Interviews

Links