Brian O'Doherty

From Monoskop
Revision as of 23:06, 14 June 2016 by Dusan (talk | contribs) (→‎Links)
Jump to navigation Jump to search

Brian O'Doherty (1928, Ballaghaderreen, County Roscommon, Ireland), formerly Patrick Ireland, is an artist and writer. He has had numerous exhibitions in Europe and the United States, including several retrospectives, the most recent of which was at New York University's Grey Gallery in 2007. His alter ego, Patrick Ireland, aged 36, was buried at the Irish Museum of Modern Art in 2008. The name, a political act, was assumed after the Derry, Northern Ireland massacre of 1972. He is the author of several books and novels, including Inside the White Cube, Studio and Cube, and The Deposition of Fr. McGreevy, which was nominated for the Man Booker prize. His alter egos also include Sigmund Bode, feminist and poet Mary Josephson, and William Maginn. He lives in New York with his wife, the art historian, Barbara Novak.

Publications

  • editor, Aspen 5+6: The Minimalism Issue, New York, 1967.
  • Object and Idea: An Art Critic's Journal, 1961-1967, New York: Simon and Schuster, 1967.
  • "Inside the White Cube", Artforum, Mar & Apr & Nov 1976; rev.ed. as Inside The White Cube: The Ideology of the Gallery Space, intro. Thomas McEvilley, San Francisco: Lapis, 1986, 91 pp; exp.ed., University of California Press, 1999, 113 pp. First published as a series of 3 essays [1]. Review: Sheikh (e-flux 2009).
    • In der weissen Zelle, ed. & trans. Wolfgang Kemp, afterw. Markus Brüderlin, Berlin: Merve, 1996. (German)
    • White Cube. L'espace de la galerie et son ideologie, Zürich: JRP Ringier, 2008. (French)
    • Dentro del cubo blanco: la ideología del espacio expositivo, trans. Lena Peñate Spicer, Murcia: CENDEAC, 2011, 109 pp. (Spanish)
    • Inside the white cube: l'ideologia dello spazio espositivo, trans. Irene Inserra and Marcella Mancini, Milan: Johan & Levi, 2012, 142 pp. (Italian)
    • Vnutri belogo kuba. Ideologiya galereynogo prostranstva [Внутри белого куба. Идеология галерейного пространства], trans. Daria Prokhorova (Дарья Прохорова), Moscow: Garage Publishing & Ad Marginem, 2015, 144 pp. [2] (Russian)
  • American Masters: The Voice and the Myth in Modern Art: Hopper, Davis, Pollock, De Kooning, Rothko, Rauschenberg, Wyeth, Cornell, New York: Dutton, 1982, OL.
  • The Strange Case of Mademoiselle P., London: Arcadia Books, 1992, OL.
  • The Deposition of Father McGreevy, London: Arcadia Books, 1999, OL.
  • Studio and Cube: On The Relationship Between Where Art is Made and Where Art is Displayed, Princeton Architectural Press, 2008, ARG.
  • writings in Artforum

Literature

  • Christina Kennedy, Georgina Jackson (eds.), Beyond the White Cube: A Retrospective of Brian O'Doherty, Dublin: Dublin City Gallery The Hugh Lane, 2006.
  • Brenda Moore-McCann, Brian O’Doherty/Patrick Ireland: Between Categories, Farnham Surrey: Lund Humphries, 2009. Review: Carrier (ArtCritical 2010).
  • Christina Kennedy, Marguerite O'Molloy (eds.), Post-War American Art: The Novak/O'Doherty Collection, Dublin: Irish Museum of Modern Art, 2010.
  • Ciarán Benson, "No Sad Imperialist of the Aesthetic Self", Dublin Review of Books 17, Spring 2011.
  • more

Links