Difference between revisions of "CD-ROM art"

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Artists created very diverse works on CD-ROM, ranging from virtual spaces to game-like experiments, from interactive music environments to literature and hypertext presentations. Within an individual practice
 
Artists created very diverse works on CD-ROM, ranging from virtual spaces to game-like experiments, from interactive music environments to literature and hypertext presentations. Within an individual practice
 
CD-ROMs often have a very special place: sometimes they are a unique interactive 'exception' in the career of the artist ([[Laurie Anderson]], [[Michael Snow]]), other times they are part of a long series of works in different media ([[JODI]], [[Antoni Muntadas]]).
 
CD-ROMs often have a very special place: sometimes they are a unique interactive 'exception' in the career of the artist ([[Laurie Anderson]], [[Michael Snow]]), other times they are part of a long series of works in different media ([[JODI]], [[Antoni Muntadas]]).
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==Artists and artworks==
  
 
Prominent publishers of CD-ROM artworks were [[Mediamatic]] (NL) and [[Voyager]] (US).
 
Prominent publishers of CD-ROM artworks were [[Mediamatic]] (NL) and [[Voyager]] (US).
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''Contact Zones. The Art of CD-ROM'' by Timothy Murray was a travelling exhibition from 1999 to 2001 in which a large number of works was presented together. The exhibition website still exists and is an excellent record and source for several projects: https://contactzones.cit.cornell.edu/
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Notable works are, among others:
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* Doors of Perception 1 CD-ROM (1994) by [[Mediamatic]] - digital proceedings of the [[Doors of Perception]] conference.
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* Cyberflesh Girlmonster (1995) by [[Linda Dement]]
  
 
==Pages==
 
==Pages==

Revision as of 10:04, 5 August 2013

The CD-ROM was a relatively popular carrier for interactive artworks in the mid-1990s.

At that time, the world wide web as a platform was not yet capable of providing the rich, immersive, multimedia experience that artists desired. Simultaneously, this period witnessed the proliferation of personal computers that came equipped with CD-r drives, causing CD-ROM art to flourish as a form of creation and distribution.

Artists created very diverse works on CD-ROM, ranging from virtual spaces to game-like experiments, from interactive music environments to literature and hypertext presentations. Within an individual practice CD-ROMs often have a very special place: sometimes they are a unique interactive 'exception' in the career of the artist (Laurie Anderson, Michael Snow), other times they are part of a long series of works in different media (JODI, Antoni Muntadas).

Artists and artworks

Prominent publishers of CD-ROM artworks were Mediamatic (NL) and Voyager (US).

Contact Zones. The Art of CD-ROM by Timothy Murray was a travelling exhibition from 1999 to 2001 in which a large number of works was presented together. The exhibition website still exists and is an excellent record and source for several projects: https://contactzones.cit.cornell.edu/

Notable works are, among others:

Pages

Literature

See also

Art and Culture

Avant-garde and modernist magazines, Artists' publishing, Graphic design, Photography, Typewriter art, Multimedia environments, Design research, Video activism, Urban practices, Zine culture, Demoscene, VJing, Live cinema, Media labs, Cyberfeminism, Community television, Hacktivism, Art servers, Hackerspaces, CD-ROM art, Circuit bending, Pure Data, Media archives, VVVV, Maker culture, Glitch art, Live coding, Locative media, Libre graphics, Electromagnetism, Surf clubs, DIY biology, Post-digital, Neural aesthetics.
See also Art styles and movements.