Difference between revisions of "Central and Eastern Europe Bibliography"

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* Jörg Jewanski, [http://www.see-this-sound.at/compendium/abstract/69 "Color Organs"], ''See This Sound Compendium'', c2010.
 
* Jörg Jewanski, [http://www.see-this-sound.at/compendium/abstract/69 "Color Organs"], ''See This Sound Compendium'', c2010.
 
* Jan Schneider, Lenka Krausová (eds.), ''[http://is.muni.cz/el/1421/jaro2012/IMK015/um/Intermedialita.pdf Intermedialita: Slovo-Obraz-Zvuk: Sborník příspěvku ze sympozia]'', Olomouc: Univerzita Palackého v Olomouci, 2008, 336 pp. {{cz}}
 
* Jan Schneider, Lenka Krausová (eds.), ''[http://is.muni.cz/el/1421/jaro2012/IMK015/um/Intermedialita.pdf Intermedialita: Slovo-Obraz-Zvuk: Sborník příspěvku ze sympozia]'', Olomouc: Univerzita Palackého v Olomouci, 2008, 336 pp. {{cz}}
 +
* ''[[Media:Manifesty pohybliveho obrazu barevna hudba 2010.pdf|Manifesty pohyblivého obrazu: barevná hudba]]'', eds. Martin Bernátek, Kateřina Krejčová, Martin Mazanec, and Matěj Strnad, Olomouc: Pastiche Filmz/PAF, 2010, 106 pp. Reader. [http://bookstore.artmap.cz/cs/608-manifesty-pohybliveho-obrazu-barevna-hudba.html] {{cz}}
 
* Kateřina Drajsajtlová, [[Media:Drajsajtlova_Katerina_(Bc)_-_Svetelny_klavir_v_umeleckem_dile_Skrjabina_a_Pesanka_(Czech).pdf|''Světelný klavír v uměleckém díle Alexandera Nikolajeviče Skrjabina a Zdeňka Pešánka'']], Brno: Masaryk University, 2012. Bc thesis. [http://is.muni.cz/th/65026/ff_b/] {{cz}}
 
* Kateřina Drajsajtlová, [[Media:Drajsajtlova_Katerina_(Bc)_-_Svetelny_klavir_v_umeleckem_dile_Skrjabina_a_Pesanka_(Czech).pdf|''Světelný klavír v uměleckém díle Alexandera Nikolajeviče Skrjabina a Zdeňka Pešánka'']], Brno: Masaryk University, 2012. Bc thesis. [http://is.muni.cz/th/65026/ff_b/] {{cz}}
  
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===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-cz}}}|lightmusic-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-cz}}}|lightmusic-cz|
* Zdeněk Pěšánek, ''[[Media:Pesanek_Zdenek_Kinetismus_Kinetika_ve_vytvarnictvi_barevna_hudba.jpg|Kinetismus: Kinetika ve výtvarnictví – barevná hudba]]'', intro. František Kalivoda, Prague: Česká grafická Unie, 1941, 144 pp; repr., Prague: Akademie múzických umění, 2013. {{cz}}
+
* Zdeněk Pěšánek, ''[https://monoskop.org/log/?p=1235 Kinetismus: Kinetika ve výtvarnictví – barevná hudba]'', intro. František Kalivoda, Prague: Česká grafická Unie, 1941, 144 pp; repr., Prague: Akademie múzických umění, 2013. {{cz}}
 
* Kateřina Drajsajtlová, [[Media:Drajsajtlova_Katerina_(Bc)_-_Svetelny_klavir_v_umeleckem_dile_Skrjabina_a_Pesanka_(Czech).pdf|''Světelný klavír v uměleckém díle Alexandera Nikolajeviče Skrjabina a Zdeňka Pešánka'']], Brno: Masaryk University, 2012. Bc thesis. [http://is.muni.cz/th/65026/ff_b/] {{cz}}
 
* Kateřina Drajsajtlová, [[Media:Drajsajtlova_Katerina_(Bc)_-_Svetelny_klavir_v_umeleckem_dile_Skrjabina_a_Pesanka_(Czech).pdf|''Světelný klavír v uměleckém díle Alexandera Nikolajeviče Skrjabina a Zdeňka Pešánka'']], Brno: Masaryk University, 2012. Bc thesis. [http://is.muni.cz/th/65026/ff_b/] {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
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* Viacheslav Ivanov, "Churlianis i problema sinteza iskusstv" [Čiurlionis and the problem of the synthesis of the arts]. ''Apollon'' 3 (Mar 1914), pp 5-21. {{lv}}
 
* Viacheslav Ivanov, "Churlianis i problema sinteza iskusstv" [Čiurlionis and the problem of the synthesis of the arts]. ''Apollon'' 3 (Mar 1914), pp 5-21. {{lv}}
 
** "Ciurlonis and the problem of the synthesis of arts", ''Lituanus'' 7:2 (Jun 1961), pp 45-57. {{en}}
 
** "Ciurlonis and the problem of the synthesis of arts", ''Lituanus'' 7:2 (Jun 1961), pp 45-57. {{en}}
 +
}}</onlyinclude>
 +
 +
===Ukraine===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-ua}}}|lightmusic-ua|
 +
* ''[http://mediaartarchive.org.ua/lightmusic/ Українська світломузика]'', Kyiv: Open Archive of Ukrainian Media Art, 2019. [https://issuu.com/ukrmediaartarchive/docs/ulm_ch_1_ukr Issuu]. {{uk}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cee}}}|avantgarde-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cee}}}|avantgarde-cee|
 +
 
; Catalogues
 
; Catalogues
 
* ''Europa, Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa'', eds. Ryszard Stanislawski and Christoph Brockhaus, Bonn, 1994. Contributions from c150 authors. Four volumes: Vol I (five introductory essays followed by 73 short texts on the work of specific artists) 479 pp. incl. 247 col. pls. and 116 b&w ills.; Vol II (36 essays on aspects of architecture, literature, theatre, film and music) 239 pp. incl. 251 b&w ills.; Vol III, compiled by Hubertus Gassner (354 short texts of the period 1894-1994 by artists, critics etc., in German translation), 367 pp.; Vol IV (biographies; selected bibliography; list of exhibited works; index) 99 pp. [http://www.formerwest.org/ResearchLibrary/EuropaEuropaDasJahrhundertderAvantgardeinMittelundOsteuropa] [http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00010623] {{de}}
 
* ''Europa, Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa'', eds. Ryszard Stanislawski and Christoph Brockhaus, Bonn, 1994. Contributions from c150 authors. Four volumes: Vol I (five introductory essays followed by 73 short texts on the work of specific artists) 479 pp. incl. 247 col. pls. and 116 b&w ills.; Vol II (36 essays on aspects of architecture, literature, theatre, film and music) 239 pp. incl. 251 b&w ills.; Vol III, compiled by Hubertus Gassner (354 short texts of the period 1894-1994 by artists, critics etc., in German translation), 367 pp.; Vol IV (biographies; selected bibliography; list of exhibited works; index) 99 pp. [http://www.formerwest.org/ResearchLibrary/EuropaEuropaDasJahrhundertderAvantgardeinMittelundOsteuropa] [http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00010623] {{de}}
* ''Central European Avant Gardes: Exchange and Transformation, 1910–1930'', ed. Timothy O. Benson, forew. Péter Nádas, Los Angeles: Los Angeles County Museum of Art and Cambridge, MA: MIT Press, 2002, 447 pp. Review: [http://www.jstor.org/stable/20058281 Zusi] (SEEJ 2005). [http://mitpress.mit.edu/books/central-european-avant-gardes] {{en}}
+
* ''[[Media:Central European Avant Gardes Exchange and Transformation 1910-1930 2002.pdf|Central European Avant-Gardes: Exchange and Transformation, 1910-1930]]'', ed. Timothy O. Benson, forew. Péter Nádas, Los Angeles: Los Angeles County Museum of Art, and Cambridge, MA: MIT Press, 2002, 447 pp. [http://mitpress.mit.edu/books/central-european-avant-gardes Publisher]. Review: [http://www.jstor.org/stable/20058281 Zusi] (SEEJ). {{en}}
 
* ''Von Kandinsky bis Tatlin: Konstruktivismus in Europa/From Kandinsky to Tatlin: Constructivism in Europe'', Schwerin: Staatliches Museum; and Bonn: Kunstmuseum, 2006. {{de}}/{{en}}
 
* ''Von Kandinsky bis Tatlin: Konstruktivismus in Europa/From Kandinsky to Tatlin: Constructivism in Europe'', Schwerin: Staatliches Museum; and Bonn: Kunstmuseum, 2006. {{de}}/{{en}}
 
* ''Vzplanutí. Expresionistické tendence ve Střední Evropě 1903-1936'', ed. Ladislav Daněk, Olomouc: Muzeum umění Olomouc, 2008, 200 pp. [http://issuu.com/muzeumumeniolomouc/docs/vzplanuti] {{cz}}
 
* ''Vzplanutí. Expresionistické tendence ve Střední Evropě 1903-1936'', ed. Ladislav Daněk, Olomouc: Muzeum umění Olomouc, 2008, 200 pp. [http://issuu.com/muzeumumeniolomouc/docs/vzplanuti] {{cz}}
  
 
; Anthologies
 
; Anthologies
* ''[http://monoskop.org/log/?p=3970 The Tradition of Constructivism]'', ed. & intro. Stephen Bann, New York: Viking Press, 1974, xlix+334 pp, [[Media:Bann_Stephen_ed_The_Tradition_of_Constructivism.pdf|PDF]]. Fifty-one texts from 1920-65 in 7 sections. Review: [http://www.jstor.org.sci-hub.cc/stable/2495641 Compton] (SR 1975).  {{en}}
+
* ''[http://monoskop.org/log/?p=3970 The Tradition of Constructivism]'', ed. & intro. Stephen Bann, New York: Viking Press, 1974, xlix+334 pp, [[Media:Bann_Stephen_ed_The_Tradition_of_Constructivism.pdf|PDF]]. Fifty-one texts from 1920-65 in 7 sections. Review: [http://www.jstor.org.sci-hub.st/stable/2495641 Compton] (SR 1975).  {{en}}
* ''Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930'', eds. Timothy O. Benson and Éva Forgács, Los Angeles: Los Angeles County Museum of Art and Cambridge, MA: MIT Press, 2002, 736 pp. Review: [http://www.jstor.org/stable/20058281 Zusi] (SEEJ 2005). [http://artmargins.com/index.php?option=com_content&view=article&id=87:behind-the-obscurity-of-the-central-european-avant%20gardes&catid=112:book-reviews&Itemid=104] {{en}}
+
* ''[[Media:Between_Worlds_A_Sourcebook_of_Central_European_Avant-Gardes_1910-1930_2002.pdf|Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930]]'', eds. Timothy O. Benson and Éva Forgács, Los Angeles: Los Angeles County Museum of Art and Cambridge, MA: MIT Press, 2002, 736 pp. Review: [https://sci-hub.st/http://www.jstor.org/stable/20058281 Zusi] (SEEJ), [https://artmargins.com/behind-the-obscurity-of-the-central-european-avant-gardes/ Glanc] (ArtMargins). {{en}}
  
 
; Books
 
; Books
* George Rickey, ''Constructivism: Origins and Evolution'', New York: G. Braziller, 1967, xi+306 pp; rev.ed., 1995, xi+306 pp.  {{en}}
+
* George Rickey, ''[[Media:Rickey_George_Constructivism_Origins_and_Evolution_1967.pdf|Constructivism: Origins and Evolution]]'', New York: G. Braziller, 1967, xi+306 pp, [https://openlibrary.org/books/OL5545774M/ OL]; rev.ed., 1995, xi+306 pp.  {{en}}
 
* Willy Rotzler, ''Konstruktive Konzepte: eine Geschichte der konstruktiven Kunst vom Kubismus bis heute'', Zurich: ABC, 1977, 299 pp; new ed., 1988, 332 pp; 3rd ed., 1995, 332 pp. {{de}}
 
* Willy Rotzler, ''Konstruktive Konzepte: eine Geschichte der konstruktiven Kunst vom Kubismus bis heute'', Zurich: ABC, 1977, 299 pp; new ed., 1988, 332 pp; 3rd ed., 1995, 332 pp. {{de}}
* Kristina Passuth, ''Les avant-gardes de l'Europe Centrale, 1907-1927'', Paris: Flammarion, 1988, 327 pp.  {{fr}}  
+
* Krisztina Passuth, ''Les avant-gardes de l'Europe Centrale, 1907-1927'', Paris: Flammarion, 1988, 327 pp.  {{fr}}  
 
** ''Avantgarde kapcsolatok Prágától Bukarestig 1907-1930'', Budapest: Balassi, 1998, 381 pp. {{hu}}
 
** ''Avantgarde kapcsolatok Prágától Bukarestig 1907-1930'', Budapest: Balassi, 1998, 381 pp. {{hu}}
 +
** ''Treffpunkte der Avantgarden: Ostmitteleuropa 1907–1930'', trans. Aniko Harmath, Dresden: Verlag der Kunst, 2003, 337 pp. Review: [http://www.hsozkult.de/publicationreview/id/rezbuecher-4877 Dmitrieva-Einhorn] (H-Soz-Kult 2006). {{de}}
 
* Lothar Lang, ''Konstruktivismus und Buchkunst'', Leipzig: Edition Leipzig, 1990, 208 pp. [http://tocs.ulb.tu-darmstadt.de/16197305.pdf TOC]. {{de}}
 
* Lothar Lang, ''Konstruktivismus und Buchkunst'', Leipzig: Edition Leipzig, 1990, 208 pp. [http://tocs.ulb.tu-darmstadt.de/16197305.pdf TOC]. {{de}}
* Dubravka Đurić, Miško Šuvaković (eds.), ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', MIT Press, 2003, 520 pp. [http://mitpress.mit.edu/books/impossible-histories] {{en}}
+
* S.A. Mansbach, ''[[Media:Mansbach_SA_Modern_Art_in_Eastern_Europe_From_the_Baltic_to_the_Balkans_ca_1890-1939_1999.pdf|Modern Art in Eastern Europe: From the Baltic to the Balkans, ca. 1890-1939]]'', Cambridge University Press, 1999, 384 pp, [https://archive.org/details/modernartineaste0000mans IA]. {{en}}
* Kristina Passuth, ''Treffpunkte der Avantgarden: Ostmitteleuropa 1907–1930'' [1988], trans. Aniko Harmath, Dresden: Verlag der Kunst, 2003, 337 pp. Review: [http://www.hsozkult.de/publicationreview/id/rezbuecher-4877 Dmitrieva-Einhorn] (H-Soz-Kult 2006). {{de}}  
+
* Dubravka Djurić, Miško Šuvaković (eds.), ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', MIT Press, 2003, xviii+605 pp. {{en}}
 
* Vojtěch Lahoda (ed.), ''Local Strategies, International Ambitions: Modern Art and Central Europe 1918-1968'', Prague: Artefactum, 2006, 243 pp. Papers from the international conference, Prague, 11-14 Jun 2003. [http://www.udu.cas.cz/data/user/docs/Local_Strategies_obsah.pdf TOC]. Papers: [http://www.artworlds.org/ab/resources/CV/Brzyski003.pdf Anna Brzynski], [http://www.academia.edu/498990/ Maria Elena Versari]. [http://www.udu.cas.cz/en/artefactum-publishing-house/] [http://books.google.com/books/about/Local_strategies_international_ambitions.html?id=gzqhGQAACAAJ]
 
* Vojtěch Lahoda (ed.), ''Local Strategies, International Ambitions: Modern Art and Central Europe 1918-1968'', Prague: Artefactum, 2006, 243 pp. Papers from the international conference, Prague, 11-14 Jun 2003. [http://www.udu.cas.cz/data/user/docs/Local_Strategies_obsah.pdf TOC]. Papers: [http://www.artworlds.org/ab/resources/CV/Brzyski003.pdf Anna Brzynski], [http://www.academia.edu/498990/ Maria Elena Versari]. [http://www.udu.cas.cz/en/artefactum-publishing-house/] [http://books.google.com/books/about/Local_strategies_international_ambitions.html?id=gzqhGQAACAAJ]
 
* Elizabeth Clegg, ''Art, Design, and Architecture in Central Europe 1890-1920'', Yale University Press, 2006, 356 pp. [http://yalebooks.com/book/9780300111200/art-design-and-architecture-central-europe-1890-1920] {{en}}
 
* Elizabeth Clegg, ''Art, Design, and Architecture in Central Europe 1890-1920'', Yale University Press, 2006, 356 pp. [http://yalebooks.com/book/9780300111200/art-design-and-architecture-central-europe-1890-1920] {{en}}
* Sascha Bru, et al. (eds.), ''[http://gen.lib.rus.ec/book/index.php?md5=7A1AE1F94878B7714ABB4825C60F742F Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent, 1]'', Berlin: De Gruyter, 2009. {{en}}
+
* Sascha Bru, et al. (eds.), ''[http://libgen.rs/book/index.php?md5=7A1AE1F94878B7714ABB4825C60F742F Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent, 1]'', Berlin: De Gruyter, 2009. {{en}}
* Günter Berghaus (ed.), ''[http://gen.lib.rus.ec/book/index.php?md5=f0a80cee2b684e3b3ea2cc3e34b270f6 Futurism in Eastern and Central Europe]'', De Gruyter (International Yearbook of Futurism Studies 1), 2011.  
+
* Günter Berghaus (ed.), ''[http://libgen.rs/book/index.php?md5=f0a80cee2b684e3b3ea2cc3e34b270f6 Futurism in Eastern and Central Europe]'', De Gruyter (International Yearbook of Futurism Studies 1), 2011. {{en}}
* Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson (eds.), ''The Aesthetics of Matter. Modernism, the Avant-Garde and Material Exchange'', De Gruyter, 2013.
+
* Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson (eds.), ''The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange'', De Gruyter, 2013. {{en}}
 +
* Beata Hock, Klara Kemp-Welch, Jonathan Owen (eds.), ''[[Media:Hock Kemp-Welch Owen eds A Reader in East-Central European Modernism 1918-1956 2019.pdf|A Reader in East-Central European Modernism, 1918-1956]]'', London: Courtauld Books Online, 2019, 432 pp, [https://courtauld.ac.uk/research/courtauld-books-online/a-reader-in-east-central-european-modernism-1918-1956 PDFs, HTML]. Review: [https://craace.com/2020/02/06/a-reader-in-east-central-european-modernism-book-review/ Drobe] (Craace). {{en}}
 +
* Beate Störtkuhl, Rafał Makała (eds.), ''Nicht nur Bauhaus – Netzwerke der Moderne in Mitteleuropa / Not Just Bauhaus – Networks of Modernity in Central Europe'', Oldenbourg: De Gruyter, 2020, 400 pp. [https://doi.org/10.1515/9783110777611 Publisher]. Review: [https://digilib.phil.muni.cz/_flysystem/fedora/pdf/AEC_2022_02_12.pdf Secklehner] (Art East Central). {{de}},{{en}}
  
 
; Journal issues
 
; Journal issues
Line 81: Line 91:
 
* ''[[Levá fronta]]'', weekly, ed. Stanislav Neumann, et al., Prague: Odeon and Průlom, 1930-33.
 
* ''[[Levá fronta]]'', weekly, ed. Stanislav Neumann, et al., Prague: Odeon and Průlom, 1930-33.
 
* ''[[Kvart|Kvart: sborník poezie a vědy]]'', bimonthly, ed. Vít Obrtel, Prague, 1930-37, 1945-49.
 
* ''[[Kvart|Kvart: sborník poezie a vědy]]'', bimonthly, ed. Vít Obrtel, Prague, 1930-37, 1945-49.
 +
* ''Československá fotografie'', 10 vols., Prague, 1931-1940. Volumes: [[Media:Ceskoslovenska fotografie 1931.pdf|Vol. 1]], [[Media:Ceskoslovenska fotografie 1932.pdf|Vol. 2]], [[Media:Ceskoslovenska fotografie 1933.pdf|Vol. 3]], [[Media:Ceskoslovenska fotografie 1934.pdf|Vol. 4]], [[Media:Ceskoslovenska fotografie 1935.pdf|Vol. 5]], [[Media:Ceskoslovenska fotografie 1936.pdf|Vol. 6]], [[Media:Ceskoslovenska fotografie 1937.pdf|Vol. 7]], [[Media:Ceskoslovenska fotografie 1938.pdf|Vol. 8]]. Annual publication featuring modernist and pictorialist photography.
 
* ''[[Ekran|Ekran: měsíčník pro moderní film a fotografii]]'', 1 issue, ed. František Kalivoda, Brno: Vladislav Binder, 1934.
 
* ''[[Ekran|Ekran: měsíčník pro moderní film a fotografii]]'', 1 issue, ed. František Kalivoda, Brno: Vladislav Binder, 1934.
 
* ''[[Telehor|Telehor: The International Review New Vision]]'' (Mezinárodní časopis pro visuální kulturu / Internationale Zeitschrift für visuelle Kultur / Revue internationale pour la culture visuelle) 1:1-2: Special Issue on László Moholy-Nagy, ed. František Kalivoda, Brno: Fr. Kalivoda, 1936, 138 pp. {{en}}/{{cz}}/{{de}}/{{fr}}
 
* ''[[Telehor|Telehor: The International Review New Vision]]'' (Mezinárodní časopis pro visuální kulturu / Internationale Zeitschrift für visuelle Kultur / Revue internationale pour la culture visuelle) 1:1-2: Special Issue on László Moholy-Nagy, ed. František Kalivoda, Brno: Fr. Kalivoda, 1936, 138 pp. {{en}}/{{cz}}/{{de}}/{{fr}}
Line 91: Line 102:
  
 
; Manifestos
 
; Manifestos
 +
* Jindřich Štyrský, Toyen, "Populární uvedení do artificielismu", ''Fronta'' 4, Brno, 1927, p 18. [https://www.ucl.cas.cz/edicee/data/antologie/avantgarda/AVA2/91.pdf] {{cz}}
 +
** [https://equuspress.wordpress.com/2018/08/01/why-the-police-is-taking-note-of-us-prague-dada-miscellany-part-one/ "A Popular Introduction to Artificialism"], trans. David Vichnar, Equus Press, 2018. {{en}}
 
* Karel Teige, [http://modernistarchitecture.wordpress.com/2010/10/21/karel-teige%e2%80%99s-%e2%80%9cpoetism%e2%80%9d-1924/ "Poetismus"], ''Host'' 3:9-10 (Jul 1924). {{cz}}
 
* Karel Teige, [http://modernistarchitecture.wordpress.com/2010/10/21/karel-teige%e2%80%99s-%e2%80%9cpoetism%e2%80%9d-1924/ "Poetismus"], ''Host'' 3:9-10 (Jul 1924). {{cz}}
 
* Toyen, Jindřich Štyrský, [[Media:Toyen_Styrsky_1927_Artificielisme_manifesto.pdf|"Artificielisme"]], ''ReD'' 1:1 (1927). {{cz}}
 
* Toyen, Jindřich Štyrský, [[Media:Toyen_Styrsky_1927_Artificielisme_manifesto.pdf|"Artificielisme"]], ''ReD'' 1:1 (1927). {{cz}}
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====Literature====
 
====Literature====
 +
''For literature on [[Cubism#Czech_Cubism.2C_Cubo-Expressionism|Czech Cubism and Cubo-Expressionism see dedicated page]].''
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cz}}}|avantgarde-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cz}}}|avantgarde-cz|
 
; Catalogues
 
; Catalogues
Line 119: Line 133:
 
** ''A Glossary of Catchwords of the Czech Avant-Garde: Conceptions of Aesthetics and the Changing Faces of Art 1908-1958'', Prague: Togga, 2012, 511 pp. [http://www.eshop.togga.cz/cs/80-a-glossary-of-catchwords-of-the-czech-avant-garde-9788073083.html] {{en}}
 
** ''A Glossary of Catchwords of the Czech Avant-Garde: Conceptions of Aesthetics and the Changing Faces of Art 1908-1958'', Prague: Togga, 2012, 511 pp. [http://www.eshop.togga.cz/cs/80-a-glossary-of-catchwords-of-the-czech-avant-garde-9788073083.html] {{en}}
 
* Jeanette Fabian, ''Poetismus. Ästhetische Theorie und künstlerische Praxis der tschechischen Avantgarde'', Munich: Sagner, 2013. [http://www.kubon-sagner.com/opac.html?record=7784E] {{de}}
 
* Jeanette Fabian, ''Poetismus. Ästhetische Theorie und künstlerische Praxis der tschechischen Avantgarde'', Munich: Sagner, 2013. [http://www.kubon-sagner.com/opac.html?record=7784E] {{de}}
* Thomas G. Winner, ''[http://gen.lib.rus.ec/book/index.php?md5=013F0604B8F410B9D3454E818A546074 The Czech Avant-Garde Literary Movement Between the Two World Wars]'', eds. Ondřej Sládek and Michael Heim, Peter Lang, 2015, 200 pp. {{en}}
+
* Thomas G. Winner, ''[http://libgen.rs/book/index.php?md5=013F0604B8F410B9D3454E818A546074 The Czech Avant-Garde Literary Movement Between the Two World Wars]'', eds. Ondřej Sládek and Michael Heim, Peter Lang, 2015, 200 pp. {{en}}
 
* Markéta Svobodová, ''Bauhaus a Československo 1919-1938: studenti, koncepty, kontakty / The Bauhaus and Czechoslovakia 1919-1938: Students, Concepts, Contacts'', Prague: Kant, 2016, 255 pp. [http://www.kant-books.cz/cs/publikace/bauhaus-a-ceskoslovensko-1819-1938/] {{cz}}/{{en}}  
 
* Markéta Svobodová, ''Bauhaus a Československo 1919-1938: studenti, koncepty, kontakty / The Bauhaus and Czechoslovakia 1919-1938: Students, Concepts, Contacts'', Prague: Kant, 2016, 255 pp. [http://www.kant-books.cz/cs/publikace/bauhaus-a-ceskoslovensko-1819-1938/] {{cz}}/{{en}}  
 +
* Marta Filipová, ''[http://library.memoryoftheworld.org/#/book/c2c1b0f2-fb46-4c22-bee1-8e85920b77d3 Modernity, History, and Politics in Czech Art]'', Routledge, 2019. {{en}}
  
 
; Essays
 
; Essays
Line 139: Line 154:
 
* Ludvík Kundera, [http://www.pwf.cz/rubriky/dalsi-projekty/dada-east/ludvik-kundera-dada-v-cechach-a-na-morave_3246.html "DADA v Čechách a na Moravě"], 19 May 2007. [http://www.pwf.cz/rubriky/dalsi-projekty/dada-east/] {{cz}}
 
* Ludvík Kundera, [http://www.pwf.cz/rubriky/dalsi-projekty/dada-east/ludvik-kundera-dada-v-cechach-a-na-morave_3246.html "DADA v Čechách a na Moravě"], 19 May 2007. [http://www.pwf.cz/rubriky/dalsi-projekty/dada-east/] {{cz}}
 
* Petr Haas, [http://www.karel-ancerl.com/uploads/Haas_Czavantgarde_CMQ0410.pdf "The Czech Interwar Avant-Garde as a Revolution of Return, Civilism, the Microtonal System and the Atonal Style"], ''Czech Music'' 4 (2010), pp 34-45. {{en}}
 
* Petr Haas, [http://www.karel-ancerl.com/uploads/Haas_Czavantgarde_CMQ0410.pdf "The Czech Interwar Avant-Garde as a Revolution of Return, Civilism, the Microtonal System and the Atonal Style"], ''Czech Music'' 4 (2010), pp 34-45. {{en}}
* Ilona Gwóźdź-Szewczenko, [http://sci-hub.cc/10.1515/9783110237771.154 "Futurism: The Hidden Face of the Czech Avant-garde"], in ''International Yearbook of Futurism Studies, 1'', ed. Günter Berghaus, De Gruyter, 2011, pp 154-174. {{en}}
+
* Ilona Gwóźdź-Szewczenko, [http://sci-hub.st/10.1515/9783110237771.154 "Futurism: The Hidden Face of the Czech Avant-garde"], in ''International Yearbook of Futurism Studies, 1'', ed. Günter Berghaus, De Gruyter, 2011, pp 154-174. {{en}}
 
* Nicholas Sawicki, "The View From Prague: ''Moderní revue'' (1894-1925); ''Volné směry'' (1896-1949); ''Umělecký měsíčník'' (1911-14); ''Revoluční sborník Devětsil'' (1922); ''Život'' (1922); ''Disk'' (1923-5); ''Pásmo'' (1924-6); and ''ReD'' (1927-31)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [http://www.academia.edu/2626318/] [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1075] {{en}}
 
* Nicholas Sawicki, "The View From Prague: ''Moderní revue'' (1894-1925); ''Volné směry'' (1896-1949); ''Umělecký měsíčník'' (1911-14); ''Revoluční sborník Devětsil'' (1922); ''Život'' (1922); ''Disk'' (1923-5); ''Pásmo'' (1924-6); and ''ReD'' (1927-31)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [http://www.academia.edu/2626318/] [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1075] {{en}}
 
* Dawn Ades, [http://www.manifestajournal.org/issues/fungus-contemporary#page-issuesfunguscontemporaryludicexperimentationsurrealistgroupczechoslovakia19711985 "Ludic Experimentation by the Surrealist Group in Czechoslovakia, 1971–1985"], ''Manifesta Journal'' 13, 2013.
 
* Dawn Ades, [http://www.manifestajournal.org/issues/fungus-contemporary#page-issuesfunguscontemporaryludicexperimentationsurrealistgroupczechoslovakia19711985 "Ludic Experimentation by the Surrealist Group in Czechoslovakia, 1971–1985"], ''Manifesta Journal'' 13, 2013.
 +
* Megan Forbes, [[Media:Forbes Megan 2020 Devetsil and Dada A Poetics of Play in the Interwar Czech Avant-Garde.pdf|"Devětsil and Dada: A Poetics of Play in the Interwar Czech Avant-Garde"]], ''ARTMargins'' 9:3, Oct 2020, pp 7-28. [https://doi.org/10.1162/artm_a_00270] {{en}}
  
 
; Dissertations
 
; Dissertations
Line 190: Line 206:
 
* ''WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik'', ed. Hubertus Gassner, Marburg: Jonas, 1986, 589 pp. Catalog of an exhibition held at the Neue Galerie, Kassel, Nov. 9, 1986-Jan. 1, 1987, and at the Museum Bochum, Jan. 10-Feb. 15, 1987. {{de}}
 
* ''WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik'', ed. Hubertus Gassner, Marburg: Jonas, 1986, 589 pp. Catalog of an exhibition held at the Neue Galerie, Kassel, Nov. 9, 1986-Jan. 1, 1987, and at the Museum Bochum, Jan. 10-Feb. 15, 1987. {{de}}
 
* ''The Hungarian Avant-Garde 1914-1933'', ed. John Kish, William Benton Museum of Art, University of Connecticut, 1987. {{en}}
 
* ''The Hungarian Avant-Garde 1914-1933'', ed. John Kish, William Benton Museum of Art, University of Connecticut, 1987. {{en}}
 +
* Steven A. Mansbach, ''[[Media:Mansbach Steven A Standing in the Tempest Painters of the Hungarian Avant-Garde 1908-1930 1991.pdf|Standing in the Tempest: Painters of the Hungarian Avant-Garde, 1908-1930]]'', Santa Barbara, CA: Santa Barbara Museum of Art, and Cambridge University Press, 1991, 240 pp. {{en}}
 
* ''Von Kunst zu Leben. Die Ungarn am Bauhaus'', ed. Éva Bajkay, Pécs: Janus Pannonius Múzeum & Hungarofest, 2010, 413 pp. [http://www.kubon-sagner.de/opac.html?record=u8929] {{de}}
 
* ''Von Kunst zu Leben. Die Ungarn am Bauhaus'', ed. Éva Bajkay, Pécs: Janus Pannonius Múzeum & Hungarofest, 2010, 413 pp. [http://www.kubon-sagner.de/opac.html?record=u8929] {{de}}
  
 
; Books, journal issues
 
; Books, journal issues
* [http://epa.oszk.hu/00000/00010/00018/pdf/ ''Hungarian Studies Review'' 15(1): "The Early Twentieth Century Hungarian Avantgarde"], ed. Oliver A.I. Botár, Spring 1988.
+
* [http://epa.oszk.hu/00000/00010/00018/pdf/ ''Hungarian Studies Review'' 15(1): "The Early Twentieth Century Hungarian Avantgarde"], ed. Oliver A.I. Botár, Spring 1988. {{en}}
  
 
; Articles
 
; Articles
Line 233: Line 250:
 
* Bogdana Carpenter, ''The Poetic Avant-Garde in Poland: 1918-1939'', University of Washington Press, 1983, xviii+234 pp. Review: [http://www.jstor.org/stable/25778082 Baranczak] (PR 1984). {{en}}
 
* Bogdana Carpenter, ''The Poetic Avant-Garde in Poland: 1918-1939'', University of Washington Press, 1983, xviii+234 pp. Review: [http://www.jstor.org/stable/25778082 Baranczak] (PR 1984). {{en}}
 
* Lech Kalinowski (ed.), ''The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary'', Cracow: International Cultural Centre, 1991. Proceedings from the ''Niedzica Seminars VI'', 19-22 Oct 1989. [http://swbplus.bsz-bw.de/bsz046832734inh.pdf TOC].
 
* Lech Kalinowski (ed.), ''The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary'', Cracow: International Cultural Centre, 1991. Proceedings from the ''Niedzica Seminars VI'', 19-22 Oct 1989. [http://swbplus.bsz-bw.de/bsz046832734inh.pdf TOC].
 +
* Ryszard Kluszczyński, ''[[Media:Kluszczynski_Ryszard_Awangarda_rozwazania_teoretyczne_1997.pdf|Awangarda: rozważania teoretyczne]]'', Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 1997. [https://www.academia.edu/4945158/] {{pl}}
 
* Andrzej Turowski, ''Budowniczowie świata. Z dziejów radykalnego modernizmu'', Cracow: Universitas, 2000, 416 pp. {{pl}}
 
* Andrzej Turowski, ''Budowniczowie świata. Z dziejów radykalnego modernizmu'', Cracow: Universitas, 2000, 416 pp. {{pl}}
 
* Marek Bartelik, ''Early Polish Modern Art: Unity in Multiplicity'', Manchester University Press, 2005. [http://books.google.com/books?id=-UrRTzxe2SAC]
 
* Marek Bartelik, ''Early Polish Modern Art: Unity in Multiplicity'', Manchester University Press, 2005. [http://books.google.com/books?id=-UrRTzxe2SAC]
Line 301: Line 319:
 
; Literature
 
; Literature
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-constr}}}|avantgarde-pl-constr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-constr}}}|avantgarde-pl-constr|
* ''Constructivism in Poland 1923-1936: BLOK, Praesens, a.r.'', Lodz: Muzeum Sztuki, 1973, 208 pp. Catalogue. [http://page-spread.com/constructivism-in-poland-1923-1936-blok-praesens-a-r/] Review: [http://www.negroartist.com/writings/The%20Afro-American%20Artist.pdf Werner]. {{en}},{{nl}},{{de}}
+
* ''Constructivism in Poland 1923-1936: BLOK, Praesens, a.r.'', Łódź: Muzeum Sztuki in Łódź, 1973, 208 pp. Catalogue. [http://page-spread.com/constructivism-in-poland-1923-1936-blok-praesens-a-r/] Review: [http://www.negroartist.com/writings/The%20Afro-American%20Artist.pdf Werner]. {{en}},{{nl}},{{de}}
 
* Aleksander Wojciechowski (ed.), ''Polskie życie artystyczne w latach 1915-1939'' [The Polish artistic life in years 1915-1939], Wrocław: Zakład Narodowy im. Ossolińskich, 1974. {{pl}}
 
* Aleksander Wojciechowski (ed.), ''Polskie życie artystyczne w latach 1915-1939'' [The Polish artistic life in years 1915-1939], Wrocław: Zakład Narodowy im. Ossolińskich, 1974. {{pl}}
 
* Z. Baranowicz, ''Polska awangarda artystyczna 1918-1927'', Warsaw, 1975. {{pl}}
 
* Z. Baranowicz, ''Polska awangarda artystyczna 1918-1927'', Warsaw, 1975. {{pl}}
 +
* ''[[Media:Konstruktywizm w Polsce 1923-1936 1978.pdf|Konstruktywizm w Polsce 1923-1936]]'', ed. Janusz Zagrodzki, Łódź: Muzeum Sztuki w Łodzi, 1978, [29] pp. Catalogue. {{pl}}
 
* Vladimír Šlapeta, [http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20111215-9152 "Die Architektur an der Akademie für Kunst und Kunstgewerbe in Breslau"], ''Wissenschaftliche Zeitschrift'' 26:4/5, Hochschule für Architektur und Bauwesen, 1979. {{de}}
 
* Vladimír Šlapeta, [http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20111215-9152 "Die Architektur an der Akademie für Kunst und Kunstgewerbe in Breslau"], ''Wissenschaftliche Zeitschrift'' 26:4/5, Hochschule für Architektur und Bauwesen, 1979. {{de}}
 
* Andrzej Turowski, ''W kręgu konstruktiwizmu'', Warsaw: Wydawnictwa Artystyczne i Filmowe, 1979, 288 pp.  {{pl}}
 
* Andrzej Turowski, ''W kręgu konstruktiwizmu'', Warsaw: Wydawnictwa Artystyczne i Filmowe, 1979, 288 pp.  {{pl}}
Line 310: Line 329:
 
* David Crowley, [http://books.google.com/books?id=DHy7AAAAIAAJ&pg=PA80 "Questioning Parochialism"], in ''National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style'', Manchester University Press, 1992, pp 80-101.  {{en}}
 
* David Crowley, [http://books.google.com/books?id=DHy7AAAAIAAJ&pg=PA80 "Questioning Parochialism"], in ''National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style'', Manchester University Press, 1992, pp 80-101.  {{en}}
 
* Samuel Albert, "Poland. Bauhaus Students: Max Sinowjewitsch Krajewski, Arieh Sharon, Munio Weinreb (Gitai), Edgar Hecht (Hed), Isaac Weinfeld, Shlomo Bernstein, Schmuel Mestechkin", ''Centropa'' 3:1 (2003). [http://www.artworlds.org/centropa/page5/page13/page13.html]
 
* Samuel Albert, "Poland. Bauhaus Students: Max Sinowjewitsch Krajewski, Arieh Sharon, Munio Weinreb (Gitai), Edgar Hecht (Hed), Isaac Weinfeld, Shlomo Bernstein, Schmuel Mestechkin", ''Centropa'' 3:1 (2003). [http://www.artworlds.org/centropa/page5/page13/page13.html]
* Ilana Löwy, [http://sci-hub.cc/10.1016/j.shpsa.2008.06.009 "Ways of Seeing: Ludwik Fleck and Polish Debates on the Perception of Reality, 1890–1947"], ''Studies In History and Philosophy of Science'' 39:3 (Sep 2008), pp 375-383. {{en}}
+
* Ilana Löwy, [http://sci-hub.st/10.1016/j.shpsa.2008.06.009 "Ways of Seeing: Ludwik Fleck and Polish Debates on the Perception of Reality, 1890–1947"], ''Studies In History and Philosophy of Science'' 39:3 (Sep 2008), pp 375-383. {{en}}
 
* Magdalena Ziółkowska, [http://www.artalways.org/wp-content/uploads/2009/03/archiwum-no21.pdf#page=66 "The Laboratory of Constructivism / Laboratorium konstruktywizmu"], in ''Archywum 2'', Łódź: Museum of Art, 2009, pp 66-77. {{en}}/{{pl}}
 
* Magdalena Ziółkowska, [http://www.artalways.org/wp-content/uploads/2009/03/archiwum-no21.pdf#page=66 "The Laboratory of Constructivism / Laboratorium konstruktywizmu"], in ''Archywum 2'', Łódź: Museum of Art, 2009, pp 66-77. {{en}}/{{pl}}
 
}}</onlyinclude>
 
}}</onlyinclude>
Line 316: Line 335:
 
===Yugoslavia===
 
===Yugoslavia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-yu}}}|avantgarde-yu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-yu}}}|avantgarde-yu|
 +
* ''[[Media:Treca_decenija_Konstruktivno_slikarstvo_1967.pdf|Treća decenija, Konstruktivno slikarstvo]]'', eds. Jerko Denegri and Dragoslav Đorđević, Belgrade: Muzej savremene umetnosti, 1967, 249 pp. Catalogue; with texts by Miodrag B. Protić, Jerko Denegri, Špelca Čopič. {{sc}},{{fr}}
 +
* ''[[Media:1929-1950 Nadrealizam socijalana umetnost 1969.pdf|1929-1950: Nadrealizam, socijalana umetnost]]'', ed. Miodrag B. Protić, Belgrade: Muzej primenjene umetnosti, 1969, 291 pp. Catalogue; in the exhibition the work of the Belgrade Surrealists was reconstructed, studied and exhibited as a whole for the first time. With texts by Miodrag B. Protić, Jerko Denegri, Božica Ćosić, Josip Depolo, Špelca Čopič, Azra Begić, Boris Petrovski, Boris Šuica, Dragoslav Đorđević. [http://nadrealizam.rs/en/surrealism/surrealism-in-serbia] {{sc}}
 +
* ''[[Media:Cetvrta decenija Ekspresionizam boje poetski realizam 1971.pdf|Četvrta decenija, Ekspresionizam boje, poetski realizam]]'', ed. Miodrag B. Protić, Belgrade: Muzej savremene umetnosti, 1971, 206 pp. Catalogue; with texts by Miodrag B. Protić, Jerko Denegri, Aleksa Čelebonović, Igor Zidić, Špelca Čopič. {{sc}}
 
* Želimir Koščević, "Jugoslawische Bauhausschüler", ''Wissenschaftliche Zeitschrift / A'', Hochschule für Architektur und Bauwesen, Jg. 33, 1987, H. 4/6. [http://e-pub.uni-weimar.de/frontdoor.php?source_opus=1070&la=de]
 
* Želimir Koščević, "Jugoslawische Bauhausschüler", ''Wissenschaftliche Zeitschrift / A'', Hochschule für Architektur und Bauwesen, Jg. 33, 1987, H. 4/6. [http://e-pub.uni-weimar.de/frontdoor.php?source_opus=1070&la=de]
* [[Irina Subotić]], "Avant-Garde Tendencies in Yugoslavia", ''Art Journal'', Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 21-27. Published by: College Art Association. [http://www.jstor.org/stable/777176]
+
* Irina Subotić, "Avant-Garde Tendencies in Yugoslavia", ''Art Journal'' 49(1): "From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century", College Art Association, Spring 1990, pp 21-27. [http://www.jstor.org/stable/777176]
 
* Esther Levinger, "The Avant-Garde in Yugoslavia", ''The Structurist'' 29/30, 1990, pp 66-72.
 
* Esther Levinger, "The Avant-Garde in Yugoslavia", ''The Structurist'' 29/30, 1990, pp 66-72.
 
* Irina Subotić, "Concerning Art and Politics in Yugoslavia during the 1930s", ''Art Journal'' Vol. 52, No. 1, Political Journals and Art, 1910-40 (Spring, 1993), pp. 69-71. [http://www.jstor.org/stable/777304]
 
* Irina Subotić, "Concerning Art and Politics in Yugoslavia during the 1930s", ''Art Journal'' Vol. 52, No. 1, Political Journals and Art, 1910-40 (Spring, 1993), pp. 69-71. [http://www.jstor.org/stable/777304]
 
* Ivan Dorovský, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/126247/SpisyFF_311-1997-1_16.pdf "Některé zvláštnosti balkánské avantgardy"], in Dorovský, ''Balkán a Mediterán: literárně historické a teoretické studie'', Brno: Masarykova univerzita, 1997, pp 193-201. {{cz}}
 
* Ivan Dorovský, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/126247/SpisyFF_311-1997-1_16.pdf "Některé zvláštnosti balkánské avantgardy"], in Dorovský, ''Balkán a Mediterán: literárně historické a teoretické studie'', Brno: Masarykova univerzita, 1997, pp 193-201. {{cz}}
* Esther Levinger, "Ljubomir Micic and the Zenitist Utopia", in ''Exchange and Transformation: The Central European Avant-Garde, 1910-1930'', exh. cat. Los Angeles County Museum of Art, Los Angeles, Cal. 2002, pp. 260-278.
+
* Esther Levinger, "Ljubomir Micic and the Zenitist Utopia", in ''Exchange and Transformation: The Central European Avant-Garde, 1910-1930'', Los Angeles: Los Angeles County Museum of Art, 2002, pp 260-278.
* [[Dubravka Đurić]] and [[Miško Šuvaković]] (eds.), ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', MIT Press, 2003. [http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=9567]
+
* Dragomir Ugren, et al., ''[[Media:Ugren Dragomir et al Centralnoevropski aspekti Vojvodanskih avangardi 1920-2000 2002.pdf|Centralnoevropski aspekti Vojvođanskih avangardi, 1920-2000: granični fenomeni, fenomeni granica]]'', Novi Sad: MSUV, 2002, 193 pp. Catalogue. {{sr}}
* [[Dubravka Đurić]], "Radical Poetic Practices: Concrete and Visual Poetry in the Avant-garde and Neo-avant-garde" published in ''Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991)'' edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 64-95
+
* Dubravka Djurić, Miško Šuvaković (eds.), ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', MIT Press, 2003, xviii+605 pp. {{en}}
* [[Darko Šimičić]], "From Zenit to Mental Space: Avant-garde, Neo-avant-garde, and Post-avant-garde Magazines and Books in Yugoslavia, 1921--1987" published in ''Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991)'' edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 294-331
+
* [[Dubravka Đurić]], "Radical Poetic Practices: Concrete and Visual Poetry in the Avant-garde and Neo-avant-garde", in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 64-95. {{en}}
 +
* [[Darko Šimičić]], "From Zenit to Mental Space: Avant-garde, Neo-avant-garde, and Post-avant-garde Magazines and Books in Yugoslavia, 1921-1987", in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 294-331. {{en}}
 
* [[Katherine Ann Carl]], ''Aoristic Avant-garde: Experimental Art in 1960s and 1970s Yugoslavia''. Dissertation, Stony Brook University, May 2009. [http://dspace.sunyconnect.suny.edu/handle/1951/48160]
 
* [[Katherine Ann Carl]], ''Aoristic Avant-garde: Experimental Art in 1960s and 1970s Yugoslavia''. Dissertation, Stony Brook University, May 2009. [http://dspace.sunyconnect.suny.edu/handle/1951/48160]
* Г. Тешић, Српска књижевна авангарда. Књижевноисторијски контекст (1902–1934), Београд: Институт за књижевност и уметност - Службени гласник, 2009, 618 c. [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/125590/2_OperaSlavica_22-2012-3_11.pdf Review].
+
* Г. Тешић, ''Српска књижевна авангарда. Књижевноисторијски контекст (1902–1934)'', Belgrade: Институт за књижевност и уметност - Службени гласник, 2009, 618 pp. [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/125590/2_OperaSlavica_22-2012-3_11.pdf Review].
* Laurel Seely Vorodel and Tyrus Miller, "Avant-Garde Periodicals in the Yugoslavian Crucible", in ''The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940)'', New York: Oxford University Press, 2013, pp 1099-1127. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1099]
+
* Laurel Seely Voloder and Tyrus Miller, [[Media:Seely Voloder Laurel Miller Tyrus 2013 Avant-Garde Periodicals in the Yugoslavian Crucible.pdf|"Avant-Garde Periodicals in the Yugoslavian Crucible"]], in ''The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940)'', New York: Oxford University Press, 2013, pp 1099-1127.
 +
* Miško Šuvaković, [[Media:Suvakovic Misko 2016 Avant-Gardes in Yugoslavia.pdf|"Avant-Gardes in Yugoslavia"]], ''Filozofski vestnik'' 37:1, 2016, pp 201-219. [https://www.dlib.si/details/URN:NBN:SI:doc-TR3GUJ4H]
 +
* ''Antologiya yugoslavskogo avangarda'' [Антология югославского авангарда], trans. & forew. Adam Randzhelovich (Адам Ранджелович), Moscow: Opustoshitel (Опустошитель), 2019, 184 pp. Anthology. [http://pustoshit.com/books/044_yuga.html] {{ru}}
 +
* ''Na robu: vizualna umetnost v Kraljevini Jugoslaviji (1929–1941) / On the Brink: The Visual Arts in the Kingdom of Yugoslavia (1929–1941)'', eds. Marko Jenko and Beti Žerovc, Ljubljana: Moderna galerija, 2019, 445 pp. Catalogue. [https://www.mg-lj.si/en/exhibitions/2438/on-the-brink-1929-1941/ Exhibition]. Exh.review: [https://www.artforum.com/print/reviews/201907/on-the-brink-the-visual-arts-in-the-kingdom-of-yugoslavia-1929-1941-80658 Bago] (Artforum). [http://www.mg-lj.si/en/visit/3334/izidor-cankar-award-for-on-the-brink-monograph/] [https://shop.galerijafotografija.si/products/na-robu-vizualna-umetnost-v-kraljevini-jugoslaviji] {{sl}}/{{en}}
 +
* Dejan Sretenović, ''[https://monoskop.org/log/?p=23184 Red Horizon: The Avant-Garde and Revolution in Yugoslavia, 1919-1932]'', trans. Katarina Radović, Novi Sad: kuda.org, 2021, 228 pp. {{en}}
 +
* [http://www.citajteo.rs/odrednica_publikacije.php?id_odrednice=&tip=D more], [http://www.citajteo.rs/odrednica_publikacije.php?id_odrednice=&tip=P more]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 356: Line 384:
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-sr}}}|avantgarde-sr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-sr}}}|avantgarde-sr|
 
* Jelena Bogdanović, Lilien Filipovitch Robinson, Igor Marjanović (eds.), ''On the Very Edge: Modernism and Modernity in the Arts and Architecture of Interwar Serbia (1918-1941)'', Leuven University Press, 2014. [http://books.google.com/books?id=B5FRBwAAQBAJ&printsec=frontcover] {{en}}
 
* Jelena Bogdanović, Lilien Filipovitch Robinson, Igor Marjanović (eds.), ''On the Very Edge: Modernism and Modernity in the Arts and Architecture of Interwar Serbia (1918-1941)'', Leuven University Press, 2014. [http://books.google.com/books?id=B5FRBwAAQBAJ&printsec=frontcover] {{en}}
 +
* [http://www.citajteo.rs/odrednica_publikacije.php?id_odrednice=&tip=D more], [http://www.citajteo.rs/odrednica_publikacije.php?id_odrednice=&tip=P more]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 375: Line 404:
 
* Andrej Hrausky, "Yugoslavia. Bauhaus students: Avgust Cernigoj", ''Centropa'' 3 (2003) 1
 
* Andrej Hrausky, "Yugoslavia. Bauhaus students: Avgust Cernigoj", ''Centropa'' 3 (2003) 1
 
* Toshino Iguchi, "Avant-garde Design Beyond Borders. The Slovenian Constructivist Avgust Černigoj", 2008. [http://www.iasdr2009.org/ap/Papers/Orally%20Presented%20Papers/History/Avant-garde%20Design%20Beyond%20Borders%20-%20The%20Slovenian%20Constructivist%20Avgust%20Cernigoj.pdf]
 
* Toshino Iguchi, "Avant-garde Design Beyond Borders. The Slovenian Constructivist Avgust Černigoj", 2008. [http://www.iasdr2009.org/ap/Papers/Orally%20Presented%20Papers/History/Avant-garde%20Design%20Beyond%20Borders%20-%20The%20Slovenian%20Constructivist%20Avgust%20Cernigoj.pdf]
 +
* Tomaž Toporišič, [http://hdl.handle.net/11222.digilib/145139 " The Slovene historical avant-garde and Europe in crisis "], ''Theatralia'' 25:1, 2022, pp 65-86.
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 423: Line 453:
 
* Sandqvist,Tom, ''Dada East : the Romanians of Cabaret Voltaire'', Massachusetts Institute of Technology, 2006
 
* Sandqvist,Tom, ''Dada East : the Romanians of Cabaret Voltaire'', Massachusetts Institute of Technology, 2006
 
* Dan Gulea, ''Gentlemen, Tovarishes, Comrades. A History of Romanian avant-garde'', Paralela 45 Publishing, “Deschideri” Series, Piteşti, 2007, 484 pp. [http://www.unibuc.ro/studies/Doctorate2006/Dan%20Gulea%20-%20Evolutia%20Avangardei%20Romanesti/dan%20gulea%20evolutia%20avangardei%20romanesti%20rezumat.doc] [http://www.artactmagazine.ro/dan-gulea-history-of-avant-garde-and-avant-gardists-a-new-style-bucharest-school-of-exegetics.html] [http://www.artactmagazine.ro/dan-gulea-history-of-avant-garde-and-avant-gardists-ii.html]
 
* Dan Gulea, ''Gentlemen, Tovarishes, Comrades. A History of Romanian avant-garde'', Paralela 45 Publishing, “Deschideri” Series, Piteşti, 2007, 484 pp. [http://www.unibuc.ro/studies/Doctorate2006/Dan%20Gulea%20-%20Evolutia%20Avangardei%20Romanesti/dan%20gulea%20evolutia%20avangardei%20romanesti%20rezumat.doc] [http://www.artactmagazine.ro/dan-gulea-history-of-avant-garde-and-avant-gardists-a-new-style-bucharest-school-of-exegetics.html] [http://www.artactmagazine.ro/dan-gulea-history-of-avant-garde-and-avant-gardists-ii.html]
* Andrei Oisteanu, "The Romanian Avant-Garde And Visual Poetry", in Exquisite Corpse. A Journal of Letters and Life. The original study was published for the exhibition 'Dada East? The Romanians of Cabaret Voltaire = Dada Est? Romanii de la Cabaret Voltaire', curated by Adrian Notz, Raimund Meyer, and Juri Steiner for the Cabaret Voltaire Dadahaus, Zurich (20.09.06 - 22.02.07) [http://www.corpse.org/index.php?option=com_content&task=view&id=177&Itemid=1]
+
* Andrei Oisteanu, "The Romanian Avant-Garde And Visual Poetry", in ''Dada East? The Romanians of Cabaret Voltaire'', eds. Adrian Notz and E-cart.ro, Zurich: Cabaret Voltaire, and Bucharest: E-cart.ro, 2007; [http://www.corpse.org/index.php?option=com_content&task=view&id=177 repr. in] ''Exquisite Corpse. A Journal of Letters and Life'', n.d. {{en}}
* ''Contimporanul. Istoria unei reviste de avangarda?'', Institutul Cultural Roman, Bucuresti 2007
+
* ''Contimporanul. Istoria unei reviste de avangarda?'', Bucharest: Institutul Cultural Roman, 2007.
 
* Irina Carabas, "Can Aesthetics Overcome Politics? The Romanian Avant-garde and its Political Subtexts", lecture for 'New Histories of Politics' a conference at Central European University, Budapest (18-20 May 2007). [http://www.hist.ceu.hu/conferences/graceh/abstracts/carabas_irina.pdf]
 
* Irina Carabas, "Can Aesthetics Overcome Politics? The Romanian Avant-garde and its Political Subtexts", lecture for 'New Histories of Politics' a conference at Central European University, Budapest (18-20 May 2007). [http://www.hist.ceu.hu/conferences/graceh/abstracts/carabas_irina.pdf]
 
* Roland Prügel, ''Im Zeichen der Stadt. Avantgarde in Rumänien 1920–1938'', Cologne/Weimar/Vienna: Böhlau, 2008, 270 pp. {{de}}. [http://www.boehlau-verlag.com/978-3-412-16406-5.html], [http://edoc.hu-berlin.de/kunsttexte/2010-1/fabritius-heinke-6/PDF/fabritius.pdf Review].
 
* Roland Prügel, ''Im Zeichen der Stadt. Avantgarde in Rumänien 1920–1938'', Cologne/Weimar/Vienna: Böhlau, 2008, 270 pp. {{de}}. [http://www.boehlau-verlag.com/978-3-412-16406-5.html], [http://edoc.hu-berlin.de/kunsttexte/2010-1/fabritius-heinke-6/PDF/fabritius.pdf Review].
 +
* ''Van dada tot surrealisme: Joodse avant-garde kunstenaars uit Roemenië, 1910-1938 / From Dada to Surrealism: Jewish Avant-Garde Artists from Romania'', eds. Radu Stern and Edward van Voolen, Amsterdam: Joods Historisch Museum, 2011, 159 pp. Catalogue. {{nl}}/{{en}}
 
* Irina Livezeanu, [[Media:Livezeanu_Irina_2013_Romania_Windows_toward_the_West_New_Forms_and_the_Poetry_of_True_Life.pdf|"Romania: 'Windows toward the West': New Forms and the 'Poetry of True Life'. ''Revista celor l'alti'' (1908); ''Insula'' (1912); ''Chemarea'' (1912); ''Contimporanul'' (1922-32); ''75 HP'' (1924); ''Punct'' (1924-5); ''Integral'' (1925-8); ''Urmuz'' (1925); and ''unu'' (1928-33)"]], in ''The Oxford Critical and Cultural History of Modernist Magazines. Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1157-1183.
 
* Irina Livezeanu, [[Media:Livezeanu_Irina_2013_Romania_Windows_toward_the_West_New_Forms_and_the_Poetry_of_True_Life.pdf|"Romania: 'Windows toward the West': New Forms and the 'Poetry of True Life'. ''Revista celor l'alti'' (1908); ''Insula'' (1912); ''Chemarea'' (1912); ''Contimporanul'' (1922-32); ''75 HP'' (1924); ''Punct'' (1924-5); ''Integral'' (1925-8); ''Urmuz'' (1925); and ''unu'' (1928-33)"]], in ''The Oxford Critical and Cultural History of Modernist Magazines. Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1157-1183.
  
Line 435: Line 466:
 
===Bulgaria===
 
===Bulgaria===
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-bg}}}|avantgarde-bg|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-bg}}}|avantgarde-bg|
* Haralampi G. Oroschakoff (ed.), ''[[Media:Oroschakoff_Haralampi_G_Hrsg_BulgariaAvantgarde.pdf|BulgariaAvantgarde]]'', Cologne: Salon, 1998, 240 pp. On the occasion of the exhibition in Munich curated by Iara Boubnova. [http://issuu.com/luchezar/docs/ica_bg_avantgarde_1998_to_net Issuu]. {{de}}
+
* Kiril Krastev (Кирил Кръстев), Vasil Petkov (Васил Петков), Nedyalko Gegov (Недялко Гегов), Totyu Brunekov (Тотю Брънеков), ''[[Media:Manifest_na_druzhestvoto_za_borba_protiv_poetite_1926.pdf|Manifest na druzhestvoto za borba protiv poetite]]'' [Манифест на Дружеството за борба против поетите], [Aug 1926], [4] pp, [http://liternet.bg/publish2/anonim/manifest-protiv-poetite.htm HTML], [https://brbl-dl.library.yale.edu/vufind/Record/4151525 JPG] [https://brbl-dl.library.yale.edu/vufind/Record/4151018] [https://brbl-dl.library.yale.edu/vufind/Record/4151526] [https://brbl-dl.library.yale.edu/vufind/Record/4151019]. [https://pl.wikipedia.org/wiki/Manifest_Stowarzyszenia_do_Walki_przeciw_Poetom] {{bg}}
* Milka Bliznakov, "Bulgaria. Bauhaus students: Niccola Diulgheroff", ''Centropa'' 3 (2003) 1
+
** "Manifest stowarzyszenia do walki przeciw poetom", trans. Wojciech Gałązka, in ''Bułgarskie programy i manifesty literackie'', Kraków, 1983, pp 124-128. {{pl}}
 +
* Wojciech Gałązka (ed.), ''Bułgarskie programy i manifesty literackie'', Kraków, 1983. {{pl}}
 +
* Haralampi G. Oroschakoff (ed.), ''[[Media:Oroschakoff_Haralampi_G_Hrsg_BulgariaAvantgarde.pdf|BulgariaAvantgarde]]'', Cologne: Salon, 1998, 240 pp, [http://issuu.com/luchezar/docs/ica_bg_avantgarde_1998_to_net Issuu]. On the occasion of the exhibition in Munich curated by Iara Boubnova. {{de}}
 +
* Виолета Русева, ''Манифести на българския авангардизъм'', Велико Търново, 1995. {{bg}}
 +
* Иван Сарандев (ed.), ''Български литературен авангард. Антология'', 2001. [http://www.slovo.bg/old/litforum/140/apindikov.htm Review]. {{bg}}
 +
* Milka Bliznakov, "Bulgaria. Bauhaus students: Niccola Diulgheroff", ''Centropa'' 3, 2003, p 1. {{en}}
 +
* Kiril Krastev (Кирил Кръстев), ''Manifesti, statii, eseta 1922-1939'' [Манифести, статии, есета 1922-1939], ed. Ivo Milev, Sofia: Boian Penev (Боян Пенев), 2014, 407 pp, [http://kultura.bg/web/манифести-статии-есета-1922-1939/] [http://www.academia.edu/31748327] [http://www.dnevnik.bg/razvlechenie/2014/08/10/2359319_manifest_na_drujestvoto_za_borba_protiv_poetite/] {{bg}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 460: Line 497:
 
* ''Geometrical Man. The Group of Estonian Artists and Art Innovation in the 1920s and 1930s'', Tallinn, 2012. Catalogue. [http://www.lnmm.lv/en/lnmm-g/info/explore/exhibitions-abroad/2012/geometrical-man-the-group-of-estonian-artists-and-art-innovation-in-the-1920s-and-1930s/] {{en}}/{{et}}
 
* ''Geometrical Man. The Group of Estonian Artists and Art Innovation in the 1920s and 1930s'', Tallinn, 2012. Catalogue. [http://www.lnmm.lv/en/lnmm-g/info/explore/exhibitions-abroad/2012/geometrical-man-the-group-of-estonian-artists-and-art-innovation-in-the-1920s-and-1930s/] {{en}}/{{et}}
 
** Vojtěch Lahoda, [http://www.udu.cas.cz/download/?file=art_file%2F04%2F180.cs.pdf&downloadFilename=Geometrical+Man_Lahoda.pdf&language=en "Extended Modernity / Avardunud modernism"], pp 84-105.
 
** Vojtěch Lahoda, [http://www.udu.cas.cz/download/?file=art_file%2F04%2F180.cs.pdf&downloadFilename=Geometrical+Man_Lahoda.pdf&language=en "Extended Modernity / Avardunud modernism"], pp 84-105.
 +
}}</onlyinclude>
 +
 +
===Ukraine===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-uk}}}|avantgarde-uk|
 +
 +
* [http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CC%5CU%5CCubism.htm "Cubism"], in ''Internet Encyclopedia of Ukraine'', n.d.
 +
* Oleh S. Ilnytzkyj, [http://web.archive.org/web/20160804174114/shron.chtyvo.org.ua/Oleh_Ilnytzkyj/Anatomy_of_A_Literary_Scandal_Myxajl_Semenko_And_The_Origins_of_Ukrainian_Futurism_anhl.pdf "Anatomy of a Literary Scandal: Myxajl' Semenko and the Origins of Ukrainian Futurism"], ''Harvard Ukrainian Studies'' 2:4 (Dec 1978), pp 467-499. {{en}}
 +
* Sviatoslav Hordynsky, [http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CF%5CU%5CFuturism.htm "Futurism"], in ''Encyclopedia of Ukraine, vol. 1'', 1984.
 +
* Sviatoslav Hordynsky, [http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CC%5CO%5CConstructivism.htm "Constructivism"], in ''Encyclopedia of Ukraine, vol. 1'', 1984.
 +
* Sviatoslav Hordynsky, Myroslav Shkandrij, [http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CM%5CO%5CModernism.htm "Modernism"],  in ''Encyclopedia of Ukraine, vol. 1'', 1984; upd. 2005.
 +
* O.S. Ilnytzkyj, [http://web.archive.org/web/20160804174114/http://shron.chtyvo.org.ua/Oleh_Ilnytzkyj/Visual_Dimensions_in_Ukrainian_Futurist_Poetry_and_Prose_anhl.pdf "Visual Dimensions in Ukrainian Futurist Poetry and Prose"], ''Z. Slaw.'' 35:5 (1990), pp 722-731. {{en}}
 +
* ''Ukrainian Avant-garde of 1910s-1930s / Ukrajinska Avangarda 1910-1930'', eds. Marijan Susovski, Tihomir Milovac and Branka Stipančić, Zagreb: Muzej Suvremene Umjetnosti, 1990, 231 pp. Catalogue. [http://www.keytoart.org.ua/p/zagreb.htm] {{en}}/{{sc}}
 +
* Oleh S. Ilnytzkyj, [http://web.archive.org/web/20160804174114/http://shron.chtyvo.org.ua/Oleh_Ilnytzkyj/Ukrainian_Symbolism_and_the_Problem_of_Modernism_anhl.pdf "Ukrainian Symbolism and the Problem of Modernism"], ''Canadian Slavonic Papers / Revue Canadienne des Slavistes'' 34:1/2 (Mar-June 1992), pp 113-130. {{en}}
 +
* Oleh S. Ilnytzkyj, [http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CS%5CY%5CSymbolism.htm "Symbolism"], in ''Encyclopedia of Ukraine, vol. 5'', 1993.
 +
* Oleh S. Ilnytzkyj, [http://web.archive.org/web/20160804174114/http://shron.chtyvo.org.ua/Oleh_Ilnytzkyj/The_Modernist_Ideology_and_Mykola_Khvylovyi_anhl.pdf "The Modernist Ideology and Mykola Khvyl'ovyi"], ''Harvard Ukrainian Studies'' 15:3/4 (Dec 1991), pp 257-262. {{en}}
 +
* Nina Genke-Meller, ''Ukrainian Avant-garde Art 1910-1930s'', ed. Dmytro Horbachov, Kyiv: Mystetstvo, 1996.
 +
* Oleh S. Ilnytzkyj, ''[[Media:Ilnytzkyj Oleh S Ukrainian Futurism 1914-1930 1997.pdf|Ukrainian Futurism, 1914-1930: A Historical and Critical Study]]'', Harvard University Press, 1997, 413 pp.
 +
* Irene Rima Makaryk, Virlana Tkacz (eds.), ''Modernism in Kiev: Kyiv/Kyïv/Kiev/Kijów/Ḳieṿ: Jubilant Experimentation'', University of Toronto Press, 2010, 626 pp. [http://books.google.nl/books?id=PWknXDfsY6cC&printsec=frontcover]
 +
* Oleh S. Ilnytzkyj, [http://web.archive.org/web/20160804174114/http://shron.chtyvo.org.ua/Oleh_Ilnytzkyj/Ukrainian_Futurism_Re-Appropriating_the_Imperial_Legacy_anhl.pdf "Ukrainian Futurism: Re-Appropriating the Imperial Legacy"], in ''International Yearbook of Futurism Studies'', ed. Günter Berghaus, 2011, pp 37-58. {{en}}
 +
 +
* Oleh S. Ilnytzkyj, "From under Imperial Eyes in Kyiv and Kharkiv Magazines", in ''The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940)'', New York: Oxford University Press, 2013, pp 1341-1362. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1341]
 +
 +
* ''[http://mediaartarchive.org.ua/lightmusic/ Українська світломузика]'', Kyiv: Open Archive of Ukrainian Media Art, 2019. [https://issuu.com/ukrmediaartarchive/docs/ulm_ch_1_ukr Issuu]. {{uk}}
 +
 +
* Myroslav Shkandrij, ''[http://libgen.rs/book/index.php?md5=69FD14BFFC86084B9346874E21078101 Avant-Garde Art in Ukraine, 1910-1930: Contested Memory]'', Brookline: Academic Studies Press, 2019, 202 pp, [https://aaaaarg.fail/thing/6416c70a9ff37c54272e81ce ARG]. Review: [https://www.h-net.org/reviews/showrev.php?id=54320 Ilnytzkyj] (H-Net).
 +
 +
* ''[[Media:Ukrainian Avant-garde Reboot 2019.pdf|Український авангард: перезавантаження / Ukrainian Avant-garde: Reboot]]'', Kyiv: Antykvar (Антиквар), 2019, 117 pp. Proceedings of the forum ''New Generation: The artist and his Generation''. [https://www.academia.edu/73943487/] {{uk}}/{{en}}
 +
 +
* ''[https://issuu.com/mystetskyiarsenal/docs/catalog_futuro_online Футуромарення. Міждисциплінарний проєкт / Futuromarennia. Multidisciplinary Project. Research, Exhibition, Catalog]'', ed. Olha Melnyk, Kyiv: Mystetskyi Arsenal, 2023, 312 pp. Dedicated to the phenomenon of Futurism in Ukraine in the 1910s–1930s. [https://artarsenal.in.ua/en/povidomlennya/the-mystetskyi-arsenal-presents-the-online-publication-futuromarennia-multidisciplinary-project-research-exhibition-catalog/ Publisher], [https://artarsenal.in.ua/en/vystavky/vydannijy/futuromarennia/]. {{uk}}/{{en}}
 +
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
==Experimental film==
 
==Experimental film==
 +
 +
===East-Central Europe===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-cee}}}|expfilm-cee|
 +
 +
; Books, catalogues
 +
* Łukasz Ronduda, Florian Zeyfang (eds.), ''1,2,3... Avant-Gardes: Film/Art between Experiment and Archive'', Warsaw: Centre for Contemporary Art, and Berlin/New York: Sternberg, 2007, 224 pp. [https://www.sternberg-press.com/product/123ae%C2%A6-avant-gardesfilm-art-between-experiment-and-archive/ Publisher]. {{en}}/{{de}}
 +
* Ana Janevski (ed.), ''As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s'', Warsaw: Museum of Modern Art in Warsaw, 2010, 344 pp. [https://artmuseum.pl/en/publikacje/red-ana-janevski-kiedy-rano-otwieram-oczy-widze-film Publisher]. [https://press.uchicago.edu/ucp/books/book/distributed/A/bo12894053.html Distributor]. [https://artmuseum.pl/en/wystawy/kiedy-rano-otwieram-oczy-widze-film-2 Exhibition].
 +
** ''Kiedy rano otwieram oczy, widzę film. Eksperyment w sztuce Jugoslawii w latach 60. i 70.'', Warsaw: Muzeum Sztuki Nowoczesnej w Warszawie, 2011. [https://issuu.com/muzeum_sztuki_nowoczesnej/docs/kiedy_rano_selected_pages1 Excerpt]. {{pl}}
 +
* Bojana Piškur, et al. (eds.), ''This Is All Film: Experimental Film in Yugoslavia 1951-1991 / Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991'', Ljubljana: Museum of Modern Art, 2010, 154 pp. {{en}}/{{sl}}
 +
* Pavle Levi, ''[https://monoskop.org/log/?p=10297 Cinema by Other Means]'', Oxford University Press, 2012, 224 pp.
 +
* Ksenya Gurshtein, Sonja Simonyi (eds.), ''[http://libgen.rs/book/index.php?md5=89EADFD17E5478FF9523E7F62FBCF5AD Experimental Cinemas in State-Socialist Eastern Europe]'', Amsterdam: Amsterdam University Press, 2022, 334 pp. [https://www.aup.nl/en/book/9789462982994/experimental-cinemas-in-state-socialist-eastern-europe Publisher]. [https://www.aup.nl/en/book/9789462982994/experimental-cinemas-in-state-socialist-eastern-europe#toc TOC]. [https://doi.org/10.5117/9789462982994]
 +
 +
; Journal issues
 +
* ''Studies in Eastern European Cinema'' 7(1): "Experimental Cinema in State Socialist Eastern Europe", eds. Ksenya Gurshtein and Sonja Simonyi, 2016. [https://www.tandfonline.com/toc/reec20/7/1] {{en}}
 +
 +
; Resources
 +
* ''[https://www.nga.gov/features/experimental-cinema-in-eastern-europe.html Artists, Amateurs, Alternative Spaces: Experimental Cinema in Eastern Europe, 1960–1990]'', eds. Joanna Raczynska and Ksenya Gurshtein, Washington, DC: National Gallery of Art, 2014. {{en}}
 +
 +
}}</onlyinclude>
 +
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-cz}}}|expfilm-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-cz}}}|expfilm-cz|
Line 468: Line 555:
 
* Jaroslav Anděl, "Česká meziválečná filmová avantgarda", ''Program Pražského filmového klubu'' (January 1982), Prague, pp 6-15; repr., ''Film a doba'' 46:2 (2000), pp 65-68. {{cz}}
 
* Jaroslav Anděl, "Česká meziválečná filmová avantgarda", ''Program Pražského filmového klubu'' (January 1982), Prague, pp 6-15; repr., ''Film a doba'' 46:2 (2000), pp 65-68. {{cz}}
 
* Jaroslav Andjel, Ljubica Stanivuk (eds.), ''[[Media:Andjel_Stanivuk_ur_Teorija_ceske_avangarde_1908-1937.pdf|Teorija česke avangarde 1908-1937]]'', Belgrade: Institut za film , 1987, 86 pp. {{sc}}
 
* Jaroslav Andjel, Ljubica Stanivuk (eds.), ''[[Media:Andjel_Stanivuk_ur_Teorija_ceske_avangarde_1908-1937.pdf|Teorija česke avangarde 1908-1937]]'', Belgrade: Institut za film , 1987, 86 pp. {{sc}}
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye2old.html "Avant-garde Film and Video in the Czech Republic"], ''Central European Review'' (October 1998).
+
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye2old.html "Avant-garde Film and Video in the Czech Republic"], ''Central European Review'', Oct 1998.
 +
* Martin Čihák, Michal Bregant, [https://monoskop.org/images/c/cf/Alan_Josef_ed_Alternativni_kultura_Pribeh_ceske_spolecnosti_1945-1989_2001.pdf#page=210 "Skutečnejší než realita: alternativy v českém filmu"], in ''Alternativní kultura. Příběh české společnosti 1945–1989'', ed. Josef Alan, Prague: Lidové noviny, 2001, pp 420-441. [http://www.obalkyknih.cz/file/toc/153175/pdf] {{cz}}
 
* Arthur Cantrill, [http://www.cinepur.cz/article.php?article=21 "Profil: Dušan Marek"], ''Cinepur'' 23-24 (2002). {{cz}}
 
* Arthur Cantrill, [http://www.cinepur.cz/article.php?article=21 "Profil: Dušan Marek"], ''Cinepur'' 23-24 (2002). {{cz}}
* Michael Bielický, "Prague–A Place of Illusionists" in: ''Future Cinema. The cinematic Imaginary after Film'', edited by Jeffrey Shaw and Peter Weibel, exhib. cat., The MIT Press, Cambridge, MA/London, 2003.
+
* Michael Bielicky, [[Media:Bielicky Michael 2003 Prague A Place of Illusionists.pdf|"Prague: A Place of Illusionists"]], trans. Sarah Clift, in ''Future Cinema: The Cinematic Imaginary after Film'', eds. Jeffrey Shaw and Peter Weibel, Karlsruhe: ZKM, and Cambridge, MA: MIT Press, 2003, 96-101. {{en}}
 
* Iva Gajdošíková, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/114188/O_Cinematologica_02-2005-1_6.pdf "Avantgarda jako kritika, akce a politika : politická orientace brněnské avantgardy - její projevy a důsledky"], ''Sborník prací Filozofické fakulty brněnské univerzity. O, Řada filmologická'' 2:2, 2005, pp 95-126. {{cz}}
 
* Iva Gajdošíková, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/114188/O_Cinematologica_02-2005-1_6.pdf "Avantgarda jako kritika, akce a politika : politická orientace brněnské avantgardy - její projevy a důsledky"], ''Sborník prací Filozofické fakulty brněnské univerzity. O, Řada filmologická'' 2:2, 2005, pp 95-126. {{cz}}
* Milan Čihák, [http://www.famu.cz/docs/CihakAmaterskyFilm.rtf "Český amatérský film"], undated. {{cz}}.  
+
* ''[[Media:Katalog_udalosti_ceskeho_pohybliveho_obrazu_Jine_vize_2000-2010_I_2011.pdf|Katalog událostí českého pohyblivého obrazu. Jiné vize 2000-2010 / Catalogue of the Events of the Czech Moving Image. Other Visions 2000-2010]]'', 2 vols. [[Media:Katalog_udalosti_ceskeho_pohybliveho_obrazu_Jine_vize_2000-2010_II_2011.pdf|(vol. 2)]], ed. mediabaze.cz, Olomouc: PAF Edition, 2011, 87 & 73 pp. {{cz}}/{{en}}
* Alice Lovejoy, ''Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military'', Indiana University Press. (Forthcoming 2014) [http://www.iupress.indiana.edu/product_info.php?products_id=807358]
+
* Milan Čihák, [http://www.famu.cz/docs/CihakAmaterskyFilm.rtf "Český amatérský film"], n.d. {{cz}}.  
 +
* Alice Lovejoy, ''[http://library.memoryoftheworld.org/#/book/cbbc4e99-5fe7-4469-942e-81ef21ca8074 Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military]'', Indiana University Press, 2014. [http://www.iupress.indiana.edu/product_info.php?products_id=807359 Publisher]. {{en}}
 +
* Martin Blažíček, [https://iluminace.cz/artkey/ilu-201704-0001_magical-films-for-people-on-the-czechoslovak-film-underground-of-the-1980s.php "Čarodějné filmy pro lid. K československému filmovému undergroundu 80. let"], ''Iluminace'' 29:4, 2017, pp 5-29. {{cz}}
 +
* Sylva Poláková, Martin Mazanec (eds.), ''Mapování pohyblivého obrazu. Média, aktéři a místa v českém prostředí / Mapping the Moving Image: Media, Agents, and Sites in the Czech Context'', Prague: Národní filmový archiv, 2023. [https://videoarchiv-nfa.cz/kniha/ Research project]. {{cz}}/{{en}}
 
}}</onlyinclude>
 
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===Hungary===
 
===Hungary===
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-hu}}}|expfilm-hu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-hu}}}|expfilm-hu|
* György Gerő, "[http://filmvilag.hu/xista_frame.php?cikk_id=5196 Film]", ''Dokumentum'', January 1927. Republished in '' Filmvilág'', Sep 1987, pp 8-10.
+
* György Gerő, "[http://filmvilag.hu/xista_frame.php?cikk_id=5196 Film]", ''Dokumentum'', Jan 1927; repr., ''Filmvilág'', Sep 1987, pp 8-10. {{hu}}
* ''[http://catalog.c3.hu/mediatortenet/PDF/FILMMUVESZET_WEB.pdf Film / Művészet: A magyar kísérleti film története]''. Budapest, 1983.
+
* ''[http://catalog.c3.hu/mediatortenet/PDF/FILMMUVESZET_WEB.pdf Film / Művészet: A magyar kísérleti film története]''. Budapest, 1983. {{hu}}
* Miklós Peternák (ed.), ''[http://catalog.c3.hu/mediatortenet/PDF/FILM.pdf F:I.L.M. A magyar avantgarde film története és dokumentumai]''. Budapest: Jelenkor, 1991.  
+
* Miklós Peternák (ed.), ''[http://catalog.c3.hu/mediatortenet/PDF/FILM.pdf F:I.L.M. A magyar avantgarde film története és dokumentumai]''. Budapest: Jelenkor, 1991. {{hu}}
* Gábor Gelencsér (ed.), ''[http://mek.oszk.hu/00100/00125/ Mozgóképkultúra és médiaismeret. Szöveggyűjtemény]'', Budapest, Korona, 1998.  
+
* Gábor Gelencsér (ed.), ''[http://mek.oszk.hu/00100/00125/ Mozgóképkultúra és médiaismeret. Szöveggyűjtemény]'', Budapest, Korona, 1998. {{hu}}
 +
* Károly Kókai, [http://real.mtak.hu/71106/1/044.2017.31.1.3.pdf "The Evidence of the Avant-garde Film"], ''Hungarian Studies'' 31:1, 2017, pp 39-46. [https://doi.org/10.1556/044.2017.31.1.3] {{en}}
 +
* Katalin Székely, "The Influx of Images: Photo, Experimental Film and Video Art in the Hungarian Neo-avant-garde", in ''Art in Hungary 1956–1980: Doublespeak and Beyond'', eds. Edit Sasvári, Hedvig Turai, Sándor Hornyik,London: Thames & Hudson, 2018. {{en}}
 
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<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-pl}}}|expfilm-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-pl}}}|expfilm-pl|
 
* Karol Irzykowski, ''Dziesiąta Muza. Zagadnienia estetyczne kina'' [The Tenth Muse], Krakow, 1924. {{pl}}
 
* Karol Irzykowski, ''Dziesiąta Muza. Zagadnienia estetyczne kina'' [The Tenth Muse], Krakow, 1924. {{pl}}
* f.a. (art film), *1937, journal of [[SAF]] co-operative, edited by Franciszka and Stefan Themerson
+
* ''f.a. (art film)'', eds. Franciszka and Stefan Themerson, 1937ff. The journal of the [[SAF]] co-operative.
 
* Marcin Giżycki, ''Walka o film artystyczny w miedzynarodowej Polsce'' [A Battle for Artistic Film in Poland Between the Wars]. Państwowe Wydawnictwo Naukowe, Warsaw, 1989. {{pl}}
 
* Marcin Giżycki, ''Walka o film artystyczny w miedzynarodowej Polsce'' [A Battle for Artistic Film in Poland Between the Wars]. Państwowe Wydawnictwo Naukowe, Warsaw, 1989. {{pl}}
* Marcin Giżycki, ''Awangarda wobec kina. Film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego'' [Avant-Garde and Cinema: Film in Polish Avant-Garde Circles Between the Wars], Wydawnictwo male, Warsaw, 1996. [http://www.polishfilms.org/RecMovies/Awangarda/History.htm] [http://www.polishculture-nyc.org/printIndex.cfm?itemId=432&eventId=691]
+
* Ryszard Kluszczyński, ''[[Media:Kluszczynski Ryszard Film_sztuka_Wielkiej_Awangardy 1990.pdf|Film: sztuka Wielkiej Awangardy]]'', Warsaw/Łódź: PWN, 1990, 183 pp. [https://www.academia.edu/3781563/] {{pl}}
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye7old.html "Avant-garde Film and Video in Poland"], ''Central European Review'', November 1998.
+
* Marcin Giżycki, ''Awangarda wobec kina. Film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego'' [Avant-Garde and Cinema: Film in Polish Avant-Garde Circles Between the Wars], Wydawnictwo male, Warsaw, 1996. [http://www.polishfilms.org/RecMovies/Awangarda/History.htm] [http://www.polishculture-nyc.org/printIndex.cfm?itemId=432&eventId=691] {{pl}}
* Sheila Skaff, ''The Law of the Looking Glass: Cinema in Poland, 1896-1939'', Athens, Ohio: Ohio University Press, 2007.
+
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye7old.html "Avant-garde Film and Video in Poland"], ''Central European Review'', Nov 1998. {{en}}
* Łukasz Ronduda, Florian Zeyfang (eds.), ''1,2,3... Avant-Gardes: Film/Art between Experiment and Archive'', Warsaw: Centre for Contemporary Art, and Berlin/New York: Sternberg, 2007. (in English/German) [http://www.sternberg-press.com/index.php?pageId=1177&bookId=77&l=en]
+
* Sheila Skaff, ''The Law of the Looking Glass: Cinema in Poland, 1896-1939'', Athens, Ohio: Ohio University Press, 2007. {{en}}
* Lukasz Ronduda, [http://www.artmargins.com/content/cineview/ronduda.html "The Films of Polish Women Artists in the 1970s and 1980s: From the Archive of Polish Experimental Film"].
+
* Łukasz Ronduda, Florian Zeyfang (eds.), ''1,2,3... Avant-Gardes: Film/Art between Experiment and Archive'', Warsaw: Centre for Contemporary Art, and Berlin/New York: Sternberg, 2007, 224 pp. [https://www.sternberg-press.com/product/123ae%C2%A6-avant-gardesfilm-art-between-experiment-and-archive/ Publisher]. {{en}}/{{de}}
* Violetta Kutlubasis-Krajewska, Piotr Krajewski (eds.), [http://video.wrocenter.pl/media/pdf/WIDOK1_English_wrocenter.pl.pdf ''Widok'' 1: "From Absolute Cinema to Future Film. Materials from the history of experiment in the moving picture art"], Wroclaw: WRO Art Center, 2009.
+
* Lukasz Ronduda, [http://www.artmargins.com/content/cineview/ronduda.html "The Films of Polish Women Artists in the 1970s and 1980s: From the Archive of Polish Experimental Film"]. {{en}}
 +
* Violetta Kutlubasis-Krajewska, Piotr Krajewski (eds.), [http://video.wrocenter.pl/media/pdf/WIDOK1_English_wrocenter.pl.pdf ''Widok'' 1: "From Absolute Cinema to Future Film. Materials from the history of experiment in the moving picture art"], Wroclaw: WRO Art Center, 2009. {{en}}
 +
* Kamila Kuc, Michael O'Pray (eds.), ''[http://libgen.rs/book/index.php?md5=3B850D317800BB7DEB131C8887EFFCC9 The Struggle for Form: Perspectives on Polish Avant-Garde Film, 1916–1989]'', New York: Wallflower Press, 2014. {{en}}
 +
* Dagmara Rode, [https://doi.org/10.1515/bsmr-2015-0022 "Women’s Experimental Filmmaking in Poland in the 1970s and Early 1980s"], ''Baltic Screen Media Review'' 3:1, Nov 2015. {{en}}
 +
* Kamila Kuc, ''[http://libgen.rs/book/index.php?md5=5EFC211678CDC792A35282BEB5B74C6B Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism]'', Indiana University Press, 2016. {{en}}
 +
* Marika Kuźmicz, Łukasz Ronduda (eds.), ''The Workshop of the Film Form'', Berlin: Sternberg Press, 2017.
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Yugoslavia===
 
===Yugoslavia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-yu}}}|expfilm-yu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-yu}}}|expfilm-yu|
* [[Nevena Daković]], "The Unfilmable Scenario and Neglected Theory: Yugoslav Film Avant-Garde: 1895-1992" published in the Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Djuric and Misko Suvakovic (MIT Press: 2003), pp 466-489
+
* [[Nevena Daković]], "The Unfilmable Scenario and Neglected Theory: Yugoslav Film Avant-Garde: 1895-1992" in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 466-489. {{en}}
 
* "Experimental Ex-Yu", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=107]
 
* "Experimental Ex-Yu", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=107]
* Ana Janevski (ed.): ''As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s'', Museum of Modern Art, Warsaw, 2010. With essays by [[Ana Janevski]] (on experimental art and film in Yugoslavia), [[Stevan Vuković]] (on political upheaval in 1968 in Belgrade), and [[Łukasz Ronduda]] (on contacts between Yugoslav and Polish artists in the 1970s). [http://artmuseum.pl/wydarzenie.php?id=book_As_Soon_as_I_Open_My_Eyes_I_See_a_Film] [http://rwm.macba.cat/en/sonia/sonia_ana_janevski/capsula Interview with Ana Janevski, June 2011]
+
* Ana Janevski (ed.), ''As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s'', Warsaw: Museum of Modern Art in Warsaw, 2010, 344 pp. With essays by [[Ana Janevski]] (on experimental art and film in Yugoslavia), [[Stevan Vuković]] (on political upheaval in 1968 in Belgrade), and [[Łukasz Ronduda]] (on contacts between Yugoslav and Polish artists in the 1970s). [https://artmuseum.pl/en/publikacje/red-ana-janevski-kiedy-rano-otwieram-oczy-widze-film Publisher]. [https://press.uchicago.edu/ucp/books/book/distributed/A/bo12894053.html Distributor]. [https://artmuseum.pl/en/wystawy/kiedy-rano-otwieram-oczy-widze-film-2 Exhibition]. [http://rwm.macba.cat/en/sonia/sonia_ana_janevski/capsula Interview with Ana Janevski, June 2011].
* [[Bojana Piškur]] et al (eds.), ''This Is All Film: Experimental Film in Yugoslavia 1951-1991'' [Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991], catalogue, Museum of Modern Art, Ljubljana, 2010. 154 pages. ISBN: 9789612060909
+
** ''Kiedy rano otwieram oczy, widzę film. Eksperyment w sztuce Jugoslawii w latach 60. i 70.'', Warsaw: Muzeum Sztuki Nowoczesnej w Warszawie, 2011. [https://issuu.com/muzeum_sztuki_nowoczesnej/docs/kiedy_rano_selected_pages1 Excerpt]. {{pl}}
* Pavle Levi, ''Cinema by Other Means'', Oxford University Press, 2012, 224 pp. [http://global.oup.com/academic/product/cinema-by-other-means-9780199841424]
+
* Bojana Piškur, et al. (eds.), ''This Is All Film: Experimental Film in Yugoslavia 1951-1991 / Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991'', Ljubljana: Museum of Modern Art, 2010, 154 pp. {{en}}/{{sl}}
 +
* Pavle Levi, ''[https://monoskop.org/log/?p=10297 Cinema by Other Means]'', Oxford University Press, 2012, 224 pp.
 +
* Gal Kirn, Dubravka Sekulić, Žiga Testen (eds.), ''[https://monoskop.org/log/?p=5570 Surfing the Black: Yugoslav Black Wave Cinema and Its Transgressive Moments]'', Maastricht: Jan van Eyck Academie, 2012, 216 pp.
 +
* Pavle Levi, ''Jolted Images: Unbound Analytic'', Amsterdam University Press, 2017, 216 pp. [https://assets.ctfassets.net/4wrp2um278k7/2hXWxqfBmEM6w2oC2k6wMc/4c5c8e317b764b146e9d0b2bed5bf780/9789462983619_LookInside.pdf TOC, Excerpt].
 +
 
 +
; Programs
 +
* [https://bampfa.org/event/portraits-and-sky-yugoslav-experimental-films-1960s-1990s Portraits and the Sky: Yugoslav Experimental Films, 1960s–1990s], eds. Petra Belc and Pavle Levi, 2020. [https://watch.eventive.org/bampfa/play/5f4d559e0c5eff008dde0036]
 +
* [http://www.seecult.org/vest/jugoslovenski-i-postjugoslovenski-eksperimentalni-filmovi-svih Eksperimentisanje bilo koga - jugoslovenski i postjugoslovenski eksperimentalni film od 1963. do danas], ed. Ivana Momčilović, 2020.
 
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* ''Alternativni film u Beogradu od 1950. do 1990. godine'' [Elektronski izvor] : vreme kino klubova : zbornik priloga za buduća istraživanja / [priredio] Miroslav-Bata Petrović. - Novi Beograd : Dom kulture „Studentski grad“, Arhiv alternativnog filma i videa, 2009 (Beograd : Pink digital system). - 1 elektronski optički disk (DVD) : tekst, slika; 12cm. - (Biblioteka „Istorija alternativnog filma“), ISBN 978-86-7933-052-9.
 
* ''Alternativni film u Beogradu od 1950. do 1990. godine'' [Elektronski izvor] : vreme kino klubova : zbornik priloga za buduća istraživanja / [priredio] Miroslav-Bata Petrović. - Novi Beograd : Dom kulture „Studentski grad“, Arhiv alternativnog filma i videa, 2009 (Beograd : Pink digital system). - 1 elektronski optički disk (DVD) : tekst, slika; 12cm. - (Biblioteka „Istorija alternativnog filma“), ISBN 978-86-7933-052-9.
 
* "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=106&mode=1#tab1]
 
* "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=106&mode=1#tab1]
 +
* Božidar Zečević, ''Srpska avangarda i film 1920-1932'', Belgrade: Akademski filmski centar/Dom kulture Studentski grad, 2014, 390 pp. {{sr}}
 
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* "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=106&mode=1#tab1]
 
* "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=106&mode=1#tab1]
 
* "Experimental Ex-Yu", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=107]
 
* "Experimental Ex-Yu", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=107]
* ''Kino-Integral: Prispevki k zgodovini slovenskega eksperimentalnega filma'', Nr. 11-12, 2011. Issue on the history of Slovenian experimental film. [http://www.e-kino.si/2011/no-11-12/kazalo]
+
* [http://www.e-kino.si/2011/no-11-12/kazalo ''Kino-Integral'' 11-12: "Prispevki k zgodovini slovenskega eksperimentalnega filma"], 2011. Issue on the history of Slovenian experimental film. {{sl}}
 
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===Romania ===
 
===Romania ===
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-ro}}}|expfilm-ro|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-ro}}}|expfilm-ro|
* George Sabau, [http://kinema-ikon.projects.v2.nl/pages/txt.htm "Contextual history of Kinema Ikon"], 2005.
+
* George Sabau, [http://web.archive.org/web/20100711064918/kinema-ikon.projects.v2.nl/pages/txt.htm "Contextual history of Kinema Ikon"], 2005.
 +
* Olga Stefan, [[Media:Stefan Olga 2015 Freedom in the Gray Zone Experimental Film and Photography in pre-1989 Romania.pdf|"Freedom in the Gray Zone: Experimental Film and Photography in pre-1989 Romania"]], ''Art in America'', Dec 2015, pp 122-128, [https://olgaistefan.wordpress.com/2018/06/06/freedom-in-the-gray-zone-film-and-photography-in-romania-pre-89/ HTML].
 
}}</onlyinclude>
 
}}</onlyinclude>
  
===Germany ===
+
===Germany===
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-de}}}|expfilm-de|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-de}}}|expfilm-de|
* Claus Löser, [http://books.google.com/books?id=Y1_8odWgKNgC&pg=PA95 "Media in the Interim: Independent Film in East Germany before and after 1989"], in Randall Halle, Reinhild Steingroever (eds.), ''After the Avant-Garde: German and Austrian Experimental Film'', Camden House, 2008.
+
* Jürgen Bonk, Karl-Heinz Ruhberg, ''Greif zur Kamera. Amateurfilm und Filmamateure in der DDR'', Leipzig: Zentralhaus der Kulturarbeit der DDR, 1970. {{de}}
* Randall Halle, Reinhild Steingroever (eds.), [http://books.google.com/books?id=Y1_8odWgKNgC ''After the Avant-Garde: German and Austrian Experimental Film''], Camden House, 2008.
+
* Wolfgang Gersch, "Film in der DDR. Die verlorene Alternative", in ''Geschichte des deutschen Films'', ed. Wolfgang Jacobsen, Anton Kaes, and Hans Helmut Prinzler, Stuttgart: J.B. Metzler, 1993, pp 323-364. {{de}}
* [http://www.subf.net/8mmlog/?tag=ddr Super-8 filmmaking in GDR], ''[Super8.log]'', 2008-.
+
* Karin Fritzsche, Claus Löser (eds.), ''Gegenbilder. Filmische Subversion in der DDR 1976-1989. Texte Bilder Daten'', Berlin: Janus, 1996, 180 pp. Also: VHS, 90 min. [http://www.aobbme.com/wordpress/wp-content/uploads/yana5-2.pdf Excerpt]. [http://ex-oriente-lux.net/buch.htm] [http://www.frickfilm.de/Biografie/Stasi/Filmische_Subversion.doc Review]. {{de}}
* Jeannette Stoschek, Dieter Daniels (eds.), "Grauzone 8 mm: Materialien zum autonomen Künstlerfilm in der DDR (Material on the Autonomous Artist Film in the German Democratic Republic)". 2007. [http://media.lbg.ac.at/en/content.php?iMenuID=98]
+
* Jeannette Stoschek, Dieter Daniels (eds.), "Grauzone 8 mm. Materialien zum autonomen Künstlerfilm in der DDR'' [Material on the Autonomous Artist Film in the German Democratic Republic], Ostfildern: Hatje Cantz, 2007, 118 pp. With DVD. [https://www.hgb-leipzig.de/daniels/Dieter-Daniels_Grauzone-8mm_Auf-der-Suche-nach-dem-Land-der-Ahnungslosen_2007.pdf Excerpt]. [https://www.hatjecantz.de/grauzone-8-mm-1888-0.html] [http://web.archive.org/web/20110826103828/media.lbg.ac.at/en/content.php?iMenuID=98] {{de}}
* Karin Fritsche, Claus Löser (eds.), [http://ex-oriente-lux.net/buch.htm ''Gegenbilder - Filmische Subversion in der DDR 1976-1989''], Janus Press, Berlin, 1996. [http://www.frickfilm.de/Biografie/Stasi/Filmische_Subversion.doc review]
+
* Randall Halle, Reinhild Steingroever (eds.), ''After the Avant-Garde: German and Austrian Experimental Film'', Camden House, 2008. [http://books.google.com/books?id=Y1_8odWgKNgC] {{en}}
* Wolfgang Gersch, "Film in der DDR. Die verlorene Alternative", in Wolfgang Jacobsen (ed.), ''Geschichte des deutschen Films'', Anton Kaes u. Hans Helmut Prinzler. Stuttgart: Verlag J.B. Metzler, 1993. pp 323-364.
+
** Claus Löser, "Media in the Interim: Independent Film in East Germany before and after 1989". [http://books.google.com/books?id=Y1_8odWgKNgC&pg=PA95]
 +
* Leska Krenz, [http://www.medienamateure.de/pdfs/KrenzAmateurfilmDDR.pdf "'Greif zur Kamera, Kumpel!' Recherchen zum Amateurfilm in der DDR"], 2008. {{de}}
 +
* [http://www.subf.net/8mmlog/?tag=ddr Super-8 filmmaking in GDR], ''Super8.log'', 2008ff.
 +
 
 +
* Seth Howes, ''Moving Images on the Margins: Experimental Film in Late Socialist East Germany'', Rochester, NY: Camden House, 2019, 280 pp. [https://boydellandbrewer.com/9781640140684/moving-images-on-the-margins/ Publisher]. Reviews: [https://sci-hub.st/10.1080/17411548.2020.1851997 Ward] (Stud Eur Cinema), [https://sci-hub.st/10.1353/gsr.2020.0059 Smith] (German Stud Rev), [https://sci-hub.st/10.1093/gerhis/ghaa043 Heiduschke] (German Hist), [https://artmargins.com/moving-images-on-the-margins-experimental-film-in-late-socialist-east-germany/ Fritzsch] (ArtMargins). [https://books.google.com/books?id=9GKtDwAAQBAJ&printsec=frontcover] [https://doi.org/10.1017/9781787447011] {{en}}
 +
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-ee}}}|expfilm-ee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-ee}}}|expfilm-ee|
 
* Eva Näripea, "New Waves, New Spaces: Estonian Experimental Cinema of the 1970s", ''KinoKultura'', 2010. [http://www.kinokultura.com/specials/10/naripea.shtml]
 
* Eva Näripea, "New Waves, New Spaces: Estonian Experimental Cinema of the 1970s", ''KinoKultura'', 2010. [http://www.kinokultura.com/specials/10/naripea.shtml]
 +
}}</onlyinclude>
 +
 +
==Art and architecture==
 +
===East-Central Europe===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|artarchitecture-cee}}}|artarchitecture-cee|
 +
* [https://artmargins.com/the-conference-qeast-european-art-and-architecture-in-the-20th-centuryq-mit-5-6-october-2001/ "The Conference ''East-European Art and Architecture in the 20th Century'' (MIT, 5-6 October, 2001)"], ''ArtMargins'', 2002-2003. [https://artmargins.com/oskar-hansen-and-the-auschwitz-qcountermemorialq-1958-59/] [https://artmargins.com/central-europe-in-the-face-of-unification/] [https://artmargins.com/displacement-and-identity-arnold-daghani/]
 +
* Nikolaos Drosos, ''[https://academicworks.cuny.edu/gc_etds/1210/ Modernism with a Human Face: Synthesis of Art and Architecture in Eastern Europe, 1954-1958]'', New York: CUNY Graduate Center, 2016, 241 pp, [[Media:Drosos Nikolaos Modernism with a Human Face Synthesis of Art and Architecture in Eastern Europe 1954-1958 2016.pdf|PDF]]. {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-cee}}}|performance-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-cee}}}|performance-cee|
 +
 +
; Books
 +
 +
* ''[http://monoskop.org/log/?p=15622 Aktuelle Kunst in Osteuropa]'', ed. Klaus Groh, Cologne: DuMont-Schauberg, 1972, 222 pp. One of first books to cover performance, conceptual, and mail art in Yugoslavia, Poland, Romania, Czechoslovakia, Hungary, and the Soviet Union. Short introduction by the author followed by b&w photographs, artists’ statements, and a bibliography. {{de}}
 +
 +
* ''Gender Check: A Reader. Art and Theory in Eastern Europe'', eds. [[Bojana Pejić]], ERSTE Foundation, and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Buchhandlung Walther König, 2010, 416 pp. An extensive collection of texts that explicitly analyze visual arts created before and after 1989 in the 'other' Europe in terms of gender and feminist theories. Texts by Anna Alchuk, Branislava Andjelkovic, Edit András, Zdenka Badovinac, Ágnes Berecz, Lyudmila Bredikhina, Branislav Dimitrijevic, Hildtrud Ebert, Ewa Franus, Jana Geržová, Nataša Ilić, Eva Khachatryan, Katrin Kivimaa, Izabela Kowalczyk, Vjollca Krasniqi, Laima Kreivyte, Dejan Kršic, Paweł Leszkowicz, Suzana Milevska, Danica Minic, Olivia Niţiş, Aleksis Osmanis, Martina Pachmanová, Bojana Pejić, Piotr Piotrowski, Zora Rusinová, Angeli Sachs, Lydia Sklevicky, Vera Sokolová, Inga Šteimane, Maria Vassileva, Mirek Vodrážka. [https://search.library.brown.edu/catalog/b5774635 TOC].  [http://gender-check.erstestiftung.net/ Project website]. [https://www.mumok.at/en/gender-check-reader Publisher]. [http://gender-check.erstestiftung.net/publications/reader/]
 +
 +
* ''[http://monoskop.org/log/?p=15931 Removed From the Crowd: Unexpected Encounters 1]'', eds. Ivana Bago and [[Antonia Majača]] with Vesna Vuković, Zagreb: BLOK & DeLVe, 2011, 312 pp. Considers comparative, transnational, conceptual and performance art in Latvia, Slovenia, Croatia, Hungary, Chile, Peru, Poland, and Romania. Among other essays, presents Bago and Majača on Yugoslavian experimental art of the 1960s and 1970s; Alina Serban on the Romania performance artist Geta Brătescu; Vesna Vuković on Croatian artists Sanja Iveković and Tomislav Gotovac; Nataša Petrešin-Bachelez on the Slovenian group IRWIN; and Lucian Gomoll and Lissette Olivares on Chilean conceptual and performance. {{en}}
 +
 +
* [[Amy Bryzgel]], ''[http://library.memoryoftheworld.org/#/book/6c852011-a6b4-4947-8fd7-ce945ba67ec8 Performing the East: Performance Art in Russia, Latvia and Poland since 1980]'', London and New York: I.B. Tauris, 2013, 303 pp. Contains three chapters: one on post-Soviet Russian identity focusing on Sergei Bugaev (aka Afrika) and Oleg Kulik; a second on ''Starix'' (2000–2004), the fake media star invented by the artist Gints Gabrāns, and ''The Bronze Man'' (1987–1992), a homeless man moving from Riga to Bremen and Helsinki, constructed by Miervaldis Polis; and a third chapter on gender performances by the Polish artists Zbigniew Libera and Katarzyna Kozyra. [http://vimeo.com/24814870 Video talk]. [https://www.bloomsbury.com/uk/performing-the-east-9780857722270/ Publisher]. Reviews: [http://discovery.ucl.ac.uk/1426978/1/Lisa%27s_formattedEE.pdf Jeschke] (Slovo), [https://sci-hub.st/10.1093/oxartj/kcy005 Cseh-Varga] (Oxford Art J). {{en}}
 +
 +
* [[Klara Kemp-Welch]], ''[[Media:Kemp-Welch Klara Antipolitics in Central European Art Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 2014.pdf|Antipolitics in Central European Art: Reticence as Dissidence under Post-Totalitarian Rule, 1956-1989]]'', I.B. Tauris, 2014, xx+336 pp. Presents new readings of the work of Tadeusz Kantor, Július Koller, Tamas Szentjóby, Endre Tót, Jiří Kovanda and Jerzy Bereś. [https://www.bloomsbury.com/au/antipolitics-in-central-european-art-9781784533144/ Publisher]. Reviews: [https://sci-hub.st/10.1162/ARTM_r_00142 Gurshtein] (ARTMargins), [http://councilforeuropeanstudies.org/critcom/antipolitics-in-central-european-art-reticence-as-dissidence-under-post-totalitarian-rule-1956-1989/ Bryzgel] (CritCom), [https://sci-hub.st/10.1093/oxartj/kcy005 Cseh-Varga] (Oxford Art J), [https://journals.openedition.org/critiquedart/15332?lang=en Alisauskas] (Critique d'art), [http://blogs.lse.ac.uk/europpblog/2014/08/24/book-review-antipolitics-in-central-european-art-by-klara-kemp-welch/ Aulich] (LSE blogs). {{en}}
 +
 +
* [[Amy Bryzgel]], ''[http://library.memoryoftheworld.org/#/book/95f63761-7a75-4520-8689-cff2eddcca7b Performance Art in Eastern Europe since 1960]'', Manchester: Manchester University Press, 2017, xvii+366 pp. [[Media:Bryzgel_Amy_Performance_Art_in_Eastern_Europe_since_1960_2017_Introduction.pdf|Introduction]]. Presents a history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s, covering 21 countries and 250+ artists. [http://web.archive.org/web/20220308040300/http://performingtheeast.com/ Companion website]. [https://manchesteruniversitypress.co.uk/9781784994228/ Publisher]. Reviews: [http://www.h-net.org/reviews/showrev.php?id=50720 Foerschner] (H-Net), [https://doi.org/10.1353/see.2017.0020 Maydanchik] (SEER), [http://caareviews.org/reviews/3353 Blaylock] (CAA), [https://sci-hub.st/10.1017/slr.2018.322 Spieker] (Slavic R), [https://doi.org/10.3138/md.61.2.239 Jovićević] (Modern Drama). [[Media:Bryzgel_Amy_2020_Performance_Art_in_East-Central_Europe_1960s_to_the_Post-Communist_Era.pdf|Bryzgel 2020]]. [https://amybryzgel.wordpress.com/] {{en}}
 +
 +
* Katalin Cseh-Varga, Adam Czirak (eds.), ''[https://monoskop.org/log/?p=21011 Performance Art in the Second Public Sphere. Event-Based Art in Late Socialist Europe]'', London: Routledge, 2018, xii+263 pp. {{en}}
 +
 +
* [[Klara Kemp-Welch]], ''[https://monoskop.org/log/?p=22149 Networking the Bloc: Experimental Art in Eastern Europe 1965-1981]'', MIT Press, 2018, xi+468 pp. {{en}}
 +
 +
* Adam Czirak (ed.), ''Aktionskunst jenseits des Eisernen Vorhangs. Künstlerische Kritik in Zeiten politischer Repression'', Bielefeld: transcript, 2019, 242 pp. [https://www.transcript-verlag.de/978-3-8376-4878-2/aktionskunst-jenseits-des-eisernen-vorhangs/] {{de}}
 +
 +
* [[Maja Fowkes]], [[Reuben Fowkes]], ''[http://libgen.rs/book/index.php?md5=EDDAD5B53F9D584385D5CDBB3EFF91F3 Central and Eastern European art since 1950]'', London: Thames & Hudson, Mar 2020, 232 pp. [https://blokmagazine.com/central-and-eastern-european-art-since-1950-introduction/ Introduction]. [https://thamesandhudson.com/central-and-eastern-european-art-since-1950-world-of-art-9780500204375 Publisher]. Reviews: [https://artmargins.com/central-and-eastern-european-art-since-1950/ Nae] (ArtMargins), [http://www.caareviews.org/reviews/3794 Rousseva] (CAA), [https://www.proquest.com/openview/15aaecb1539a6ca0b73f7865d59b74fa/1?pq-origsite=gscholar&cbl=106011 Schultz] (Art Monthly), [https://artportal.hu/magazin/which-actions-are-actually-decolonizing/ Placáková] (Artportal.hu), [https://artalk.cz/2021/05/17/kde-vsude-je-treba-dekolonizace/ Placáková] (Artalk.cz, CZ). {{en}}
 +
 +
* Corinna Kühn, ''Medialisierte Körper. Performances und Aktionen der Neoavantgarden Ostmitteleuropas in den 1970er Jahren'', Vienna: Böhlau, 2020, 324 pp. [https://www.vandenhoeck-ruprecht-verlage.com/themen-entdecken/kunst-und-architektur/kunstgeschichte-kunstwissenschaft/49238/medialisierte-koerper Publisher]. Reviews: [https://artmargins.com/monitored-activities/ Renz] (ArtMargins), [https://digilib.phil.muni.cz/_flysystem/fedora/pdf/AEC_2022_02_13.pdf Drobe] (Art East Central). {{de}}
 +
 +
* ''[https://doi.org/10.17892/app.2020.0000 Doing Performance Art History. Perspectives of Actors and Observers]'', eds. Sandra Frimmel, Tomáš Glanc, Sabine Hänsgen, Katalin Krasznahorkai, Nastasia Louveau, Dorota Sajewska, and Sylvia Sasse, Apparatus, Oct 2020. {{en}}
 +
 
; Catalogues
 
; Catalogues
* ''Body and the East: from the 1960s to the Present'', ed. Zdenka Badovinac, MIT Press, 1999, 192 pp. With essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, a.o. [http://mitpress.mit.edu/books/body-and-east] {{en}}/{{sl}}
 
  
; Books
+
* ''Body and the East: from the 1960s to the Present'', ed. Zdenka Badovinac, MIT Press, 1999, 192 pp. Exh. held at Museum of Modern Art, Ljubljana, 7 Jul-27 Sep 1998. Chronicles art, especially that of performance and body artists, in central and eastern Europe, with short artist biographies of 80 artists. Essays by Joseph Backstein, Bojana Pejić, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipančić, László Beke, Igor Zabel, a.o. [http://mitpress.mit.edu/books/body-and-east] {{en}}/{{sl}}
* Amy Bryzgel, ''Performing the East: Performance Art in Russia, Latvia and Poland since 1980'', London and New York: I.B. Tauris, 2013, 303 pp. Focuses on six artists, two each in Russia, Latvia and Poland. [http://www.ibtauris.com/Books/The%20arts/Art%20forms/Non-graphic%20art%20forms/Performance%20art/Performing%20the%20East%20Performance%20Art%20in%20Russia%20Latvia%20and%20Poland%20Since%201980.aspx], [http://performingtheeast.com/ Companion website]. [http://vimeo.com/24814870 Video talk]. Review: [http://discovery.ucl.ac.uk/1426978/1/Lisa%27s_formattedEE.pdf Jeschke] (Slovo 2014). {{en}}  
+
 
* ''[http://monoskop.org/log/?p=15622 Aktuelle Kunst in Osteuropa]'', ed. Klaus Groh, Cologne: DuMont-Schauberg, 1972, 222 pp. {{de}}
+
* ''Gender Check: Femininity and Masculinity in the Art of Eastern Europe'', ed. Bojana Pejić and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Walther Koenig, 2009, 392 pp. Texts by Edit András, Keti Chukhrov, Branislav Dimitrijević, Katrin Kivimaa, Izabela Kowalczyk, Suzana Milevska, Martina Pachmanová, Bojana Pejić, Piotr Piotrowski, Zora Rusinová, Hedwig Saxenhuber, Georg Schöllhammer. [http://gender-check.erstestiftung.net/ Project website]. [https://www.mumok.at/en/gender-check Publisher]. Exh. held at [https://www.mumok.at/en/events/gender-check mumok], Vienna, 13 Nov 2009-14 Feb 2010; [https://zacheta.art.pl/en/wystawy/plec-sprawdzam-kobiecosc-i-meskosc-w-sztuce-europy-wschodniej Zachęta], 19 Mar-13 Jun 2010. [http://gender-check.erstestiftung.net/files/2012/03/Gender-Check_list-of-works.pdf List of works]. Review: [https://edoc.hu-berlin.de/bitstream/handle/18452/8160/krueger.pdf Krüger] (Ostblick). [http://gender-check.erstestiftung.net/files/2012/03/reader-folder-LR.pdf Symposium]. [http://gender-check.erstestiftung.net/publications/catalogue/] {{en}}
* ''[http://monoskop.org/log/?p=15847 Art Always Has Its Consequences]'', eds. WHW, tranzit.hu, Muzeum Sztuki w Łodzi, and kuda.org, Zagreb: WHW, 2010, 265 pp. {{en}}
+
** ''Gender Check. Rollenbilder in der Kunst Osteuropas'', Vienna: mumok, 2009, 162 pp. [https://d-nb.info/1018530592/04 TOC]. [http://gender-check.erstestiftung.net/publications/catalogue/] {{de}}
* ''[http://monoskop.org/log/?p=15931 Removed From the Crowd: Unexpected Encounters 1]'', eds. Ivana Bago and Antonia Majača with Vesna Vuković, Zagreb: BLOK & DeLVe, 2011, 312 pp. [http://delve.hr/publications/unexpected-encounters-i] [http://www.blok.hr/en/izdavastvo/remowed-from-the-crowd-unexpected-encounters-1] {{en}}
+
 
* Klara Kemp-Welch, ''Antipolitics in Central European Art: Reticence as Dissidence under Post-Totalitarian Rule, 1956-1989'', I.B. Tauris, 2014, xx+336 pp. Presents new readings of the work of Tadeusz Kantor, Július Koller, Tamas Szentjóby, Endre Tót, Jiří Kovanda and Jerzy Bereś. [http://www.ibtauris.com/Books/Society%20%20social%20sciences/Politics%20%20government/Political%20control%20%20freedoms/Antipolitics%20in%20Central%20European%20Art%20Reticence%20as%20Dissidence%20Under%20PostTotalitarian%20Rule%2019561989.aspx?menuitem=%7BFFBFBE33-EB9B-42A6-A1EA-EDF1AEE2D92F%7D]. Reviews: [http://councilforeuropeanstudies.org/critcom/antipolitics-in-central-european-art-reticence-as-dissidence-under-post-totalitarian-rule-1956-1989/ Bryzgel] (CritCom 2014), [http://blogs.lse.ac.uk/europpblog/2014/08/24/book-review-antipolitics-in-central-european-art-by-klara-kemp-welch/ Aulich] (LSE blogs 2014). {{en}}
+
* ''[[Media:Sitting_Together_Parallel_Chronologies_of_Coincidences_in_Eastern_Europe_2017.pdf|Spoločné posedenie. Paralelné chronológie zhôd okolností vo východnej Európe / Sitting Together: Parallel Chronologies of Coincidences in Eastern Europe]]'', eds. Petra Feriancová and Zsuzsa László, Bratislava: tranzit.sk, and Budapest: tranzit.hu, 2017, 25 pp. {{sk}}/{{hu}}
* ''New Performing Arts Practices in Eastern Europe / Noi practici în artele spectacolului din Europa de East'', ed. Iulia Popovici, Chișinău: Cartier, 2014, 436 pp. [http://www.cartier.md/upload/File/Noi_practici%201_50.pdf Excerpt]. [http://www.cartier.md/carti/noi-practici-%C3%AEn-artele-spectacolului-din-europa-de-est/1118.html] [http://academia.edu/10025714] {{en}}/{{ro}}
+
 
 +
* ''[https://www.artriot.art/catalogue.html Art Riot: Post-Soviet Actionism]'', ed. Andrey Kovalev, intro. Marat Guelman, Boris Groys, and Andrey Kovalev, ABCdesign Studio, 2017, 255 pp, [https://www.artriot.art/page.html?id=62 HTML]. Exh. curated by Marat Guelman; held at Saatchi Gallery, London, 16 Nov-31 Dec 2017. [https://www.academia.edu/50602678/ Excerpt]. [https://aesf.art/news/art-riot-post-soviet-actionism/] {{en}}
 +
** ''[https://www.artriot.art/rus/page.html?id=62 Art Riot: Postsovetskiy aktsionizm]'' [Art Riot: Постсоветский акционизм], n.d. {{ru}}
 +
 
 +
* ''Left Performance Histories: Recollecting Artistic Practices in Eastern Europe'', eds. Judit Bodor, Adam Czirak, Astrid Hackel, Beäta Hock, Andrej Mircev, and Angelika Richter, Berlin: neue Gesellschaft für bildene Kunst (nGbK), 2018, 205 pp. Text by Kata Benedek, Judit Bodor, David Crowley, Adam Czirak, Constanze Fritzsch, Astrid Hackel, Beata Hock, Jürgen Hohmuth, Roddy Hunter, Bojana Matejić, Andrej Mirčev, Angelika Richter, Elske Rosenfeld, Heike Roms, Branka Stipančić. [https://www.academia.edu/37567153/ TOC, Introduction]. [https://ngbk.de/de/component/contact/contact/4-uncategorised/369-left-performance-histories?Itemid=172 Publisher]. [https://archiv.ngbk.de/en/projekte/left-performance-histories/ Project website]. Review: [http://dx.doi.org/10.3202/caa.reviews.2019.47 Bryzgel] (CAA). {{de}}/{{en}}
 +
 
 +
* ''Artists & Agents. Performancekunst und Geheimdienste'', eds. Kata Krasznahorkai and Sylvia Sasse, Leipzig: Spector, 2019, 686 pp. [https://hmkv.de/shop-en/shop-detail/artists-agents-performancekunst-und-geheimdienste-192.html] {{de}}
 +
 
 +
* ''[https://monoskop.org/log/?p=22910 Artists & Agents: Performance Art and Secret Services]'', eds. Inke Arns, Kata Krasznahorkai, Sylvia Sasse, and HMKV, Dortmund: Kettler, 2019, 224 pp. Review: [https://artmargins.com/a-kind-of-perverse-novel-performance-art-and-the-secret-services/ Bátorová] (ArtMargins). {{de}}/{{en}}
 +
 
 +
* ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, 408 pp. [https://walkerart.org/magazine/multiple-realities-navigating-experimental-art-in-central-eastern-europe-1960s-1980s Introduction]. [https://worldcat.org/title/1394106210 TOC]. [https://shop.walkerart.org/products/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Publisher]. Exh. held at [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Walker Art Center], 11 Nov 2023-10 Mar 2024; [https://phxart.org/exhibition/multiple-realities/ Phoenix Art Museum], 17 Apr−29 Sep 2024; Vancouver Art Gallery, 2 Nov 2024−23 Mar 2025. Exh. reviews: [[Media:Daring_to_Create_Art_Freely_Behind_the_Iron_Curtain_2024.pdf|Farago]] (NYT), [[Media:Snodgrass Susan_2024 Multiple Realities Experimental Art in the Eastern Bloc 1960s-1980s.pdf|Snodgrass]] (Artforum), [https://www.wsj.com/arts-culture/fine-art/multiple-realities-experimental-art-in-the-eastern-bloc-review-walker-art-center-minneapolis-f7848c35 Plagens] (WSJ), [https://www.apollo-magazine.com/multiple-realities-experimental-art-eastern-bloc-walker-art-center-review/ Wetzler] (Apollo), [https://www.artnews.com/art-in-america/aia-reviews/multiple-realities-walker-art-center-eastern-bloc-art-review-1234694378/ Greenberger] (Art in America), [https://observer.com/2024/01/review-multiple-realities-walker-art-center/ Duray] (Observer), [https://artrevue.cz/vejce-evy-kmentove-a-dalsi-na-vystave-v-zamori/ ArtRevue.cz]. [https://www.minnpost.com/artscape/2023/11/artists-respond-to-censorship-and-surveillance-in-walkers-exhibit-about-experimental-art-in-the-eastern-bloc/] [https://www.instagram.com/artbook/p/C2sqgUYpR0e/] {{en}}
  
 
; Journal issues
 
; Journal issues
 +
 
* ''Centropa'' 14(1): "Performance Art in Central and Eastern Europe", eds. Amy Bryzgel and Pavlína Morganová, Jan 2014. [http://www.artworlds.org/centropa/page5/styled-8/page44.html] {{en}}
 
* ''Centropa'' 14(1): "Performance Art in Central and Eastern Europe", eds. Amy Bryzgel and Pavlína Morganová, Jan 2014. [http://www.artworlds.org/centropa/page5/styled-8/page44.html] {{en}}
 +
 +
* [https://monoskop.org/log/?p=18166 ''Revista Arta'' 14-15: "Performance in Eastern Europe"], ed. Ileana Pintilie, Bucharest: Romanian Artists’ Union, 2015, 98 pp. {{ro}}/{{en}}
 +
 +
* [http://web.archive.org/web/20190524151137/http://post.at.moma.org/themes/21-fluxus-threads-in-eastern-europe ''post'': "Fluxus Threads in Eastern Europe"], eds. Magdalena Moskalewicz and Christian Rattemeyer, New York: Museum of Modern Art, Jul 2015. [https://post.moma.org/milan-knizaks-destroyed-music/] [https://www.academia.edu/16747262/] {{en}}
  
 
; Book chapters, essays
 
; Book chapters, essays
* "Body Unbound", ch 4 in ''Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s'', eds. Laura Hoptman and Tomáš Pospiszyl, MIT Press, 2002, pp 197-255. [http://books.google.com/books?id=BLbSUv4p0PsC&pg=PA197] {{en}}
+
 
* Piotr Piotrowski, "The Critique of Painting: Towards the Neo-avant-garde" & "Mapping the Neo-avant-garde, c. 1970" & "The Politics of Identity: Male and Female Body Art", chs 6, 7 & 9 in Piotrowski, ''[http://monoskop.org/log/?p=1323 In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989]'', trans. Anna Brzyski, London: Reaktion Books, 2009, pp 178-237, 241-314 & 341-387, n454-458, n458-466 & n469-471. {{en}}
+
* "Body Unbound", ch 4 in ''[https://monoskop.org/log/?p=22077 Primary Documents: A Sourcebook for Eastern and Central European Art Since the 1950s]'', eds. Laura Hoptman and [[Tomáš Pospiszyl]], New York: Museum of Modern Art, 2002, pp 197-255. {{en}}
* Claire Bishop, "The Social Under Socialism", ch 5 in Bishop, ''[http://monoskop.org/log/?p=4791 Artificial Hells: Participatory Art and the Politics of Spectatorship]'', London: Verso, 2012, pp 129ff. {{en}}
+
 
* Amy Bryzgel, [http://xaspel.net/queer/media/SQF_2014_Online_Edition.pdf#page=15 "Полът и неговите изпълнения в Източна Европа"] / [http://xaspel.net/queer/media/SQF_2014_Online_Edition.pdf#page=27 "Performing Gender in Eastern Europe"], in ''София Куиър Форум 2014 / Sofia Queer Forum 2014'', ed. Stefka Tsaneva, Sofia, 2014, pp 14-25 & 26-35. {{bg}}/{{en}}
+
* [[Piotr Piotrowski]], "The Critique of Painting: Towards the Neo-avant-garde" & "Mapping the Neo-avant-garde, c. 1970" & "The Politics of Identity: Male and Female Body Art", chs 6, 7 & 9 in Piotrowski, ''[http://monoskop.org/log/?p=1323 In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989]'', trans. Anna Brzyski, London: Reaktion Books, 2009, pp 178-237, 241-314 & 341-387, n454-458, n458-466 & n469-471. {{en}}
* Amy Bryzgel, [http://www.idea.ro/revista/pdf/IDEA45.pdf#page=56 "Continuity and Change: Performance Art in Eastern Europe Since the 1960s / Continuitate øi schimbare: arta performance în Europa de Est începînd cu anii 1960"], ''IDEA'' 45, Cluj, 2014, pp 108-160, [http://www.idea.ro/revista/?q=en/node/41 HTML/en], [http://www.idea.ro/revista/?q=ro/node/40&articol=835 HTML/ro]. {{en}}/{{ro}}
+
 
 +
* [[Claire Bishop]], "The Social Under Socialism", ch 5 in Bishop, ''[http://monoskop.org/log/?p=4791 Artificial Hells: Participatory Art and the Politics of Spectatorship]'', London: Verso, 2012, pp 129ff. {{en}}
 +
 
 +
* [[Amy Bryzgel]], [https://idea.ro/revista/en/article/XIIPlhIAACEAqI9b/continuity-and-change-performance-art-in-eastern-europe-since-the-1960s "Continuity and Change: Performance Art in Eastern Europe since the 1960s"], ''Idea'' 45, Cluj, Nov 2014. [http://www.idea.ro/revista/pdf/IDEA45.pdf#page=56] {{en}}
 +
** [https://idea.ro/revista/en/article/XIV94BIAAB8At6iP/continuitate-si-schimbare-arta-performance-in-europa-de-est-incepind-cu-anii-1960 "Continuitate și schimbare: arta performance în Europa de Est începînd cu anii 1960"], trans. Alexandru Polgár, ''Idea'' 45, Cluj, Nov 2014. {{ro}}
 +
 
 +
* [[Amy Bryzgel]], [http://xaspel.net/queer/media/SQF_2014_Online_Edition.pdf#page=15 "Полът и неговите изпълнения в Източна Европа"] / [http://xaspel.net/queer/media/SQF_2014_Online_Edition.pdf#page=27 "Performing Gender in Eastern Europe"], in ''София Куиър Форум 2014 / Sofia Queer Forum 2014'', ed. Stefka Tsaneva, Sofia, 2014, pp 14-25 & 26-35. {{bg}}/{{en}}
 +
 
 +
* [[Amy Bryzgel]], [[Media:Bryzgel Amy 2020 Performance Art in East-Central Europe 1960s to the Post-Communist Era.pdf|"Performance Art in East-Central Europe: 1960s to the Post-Communist Era"]], ''PAJ: A Journal of Performance and Art'' 42:3, Sep 2020, pp 95-105. [https://doi.org/10.1162/pajj_a_00528] {{en}}
 +
 
 +
* Kathleen Reinhardt, "Persons and Objects Are to Be Removed from the Balcony: Artists Performing in Public and Private Spaces of Control during the Cold War", in ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023. [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Exhibition]. {{en}}
 +
 
 +
* Sven Spieker, "Taking It to the Street: Eastern European Art Demonstrations (Milan Knížák, Jiří Kovanda, Endre Tót, Mladen Miljanović, Ciprian Homorodean)", in Spieker, ''Art and Demonstration: A Revolutionary Recasting of Knowledge'', MIT Press, Feb 2024. [https://doi.org/10.7551/mitpress/14989.003.0006] {{en}}
  
 
; Interviews
 
; Interviews
* Andrea Bátorová, [http://www.artmargins.com/index.php/5-interviews/754-interview-with-katalin-cseh-and-adam-czirak-about-the-second-public-sphere-in-the-former-eastern-bloc "Interview with Katalin Cseh and Adam Czirak About the Second Public Sphere in the former Eastern Bloc"], ''ArtMargins'', 23 Oct 2014. {{en}}
+
 
 +
* Andrea Bátorová, [https://artmargins.com/interview-with-katalin-cseh-and-adam-czirak-about-the-second-public-sphere-in-the-former-eastern-bloc/ "Interview with Katalin Cseh and Adam Czirak About the Second Public Sphere in the former Eastern Bloc"], ''ArtMargins'', 23 Oct 2014. {{en}}
 +
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-cz}}}|performance-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-cz}}}|performance-cz|
; Catalogues
 
* ''[http://monoskop.org/log/?p=16006 Umění akce]'', ed. Vlasta Čiháková-Noshiro, Prague, 1991, 28+141 pp. Catalogue. {{cz}}
 
* ''[[Media:Factum_I_The_International_Festival_of_Action_Art_Prague_1992.pdf|Factum I: Mezinarodní festival akčního umění / The International Festival of Action Art]]'', ed. Jiří Zemánek, Prague: Národní galerie, 1993, 33 pp. Catalogue for the exhibition held 9 Sep 1992. {{cz}}/{{en}}
 
* ''[[Media:Umeni_zastaveneho_casu_Akce_koncepty_udalosti_Ceska_vytvarna_scena_1969-1985_1996.pdf|Umění zastaveného času / Art When Time Stood Still: akce, koncepty, události. Česká výtvarná scéna 1969-1985]]'', Prague: České muzeum výtvarných umění, 1996, 118 pp. Catalogue. {{cz}},{{en}}
 
* ''Akce slovo pohyb prostor. Experimenty v umění šedesátých let'', ed. Vít Havránek, Prague: Galerie hl. města Prahy, 1999, 508 pp. [http://abart-full.artarchiv.cz/dokumenty.php?Fvazba=podrazenydokument&IDdokumentu=50195 TOC]. Catalogue. [http://vvp.avu.cz/en/archives/i-datum/11/?table=vystavy] {{cz}}
 
** Vít Havránek, [http://www.ce-review.org/00/2/havranek2.html "Action Word Movement Space: Czech experimental art of the 1960s"], trans. Kathleen Hayes, ''Central European Review'', 2000.
 
 
 
; Anthologies
 
; Anthologies
 
* ''České akční umění: Filmy a videa, 1956–1989. Soubor filmů a videí z let 1956–1989'', eds. Pavlína Morganová, Terezie Nekvindová and Sláva Sobotovičová, Prague: VVP AVU, 2015, 3h14m. DVD anthology. [http://vvp.avu.cz/novinky/ceske-akcni-umeni-filmy-a-videa-1956-1989/]
 
* ''České akční umění: Filmy a videa, 1956–1989. Soubor filmů a videí z let 1956–1989'', eds. Pavlína Morganová, Terezie Nekvindová and Sláva Sobotovičová, Prague: VVP AVU, 2015, 3h14m. DVD anthology. [http://vvp.avu.cz/novinky/ceske-akcni-umeni-filmy-a-videa-1956-1989/]
  
 
; Books
 
; Books
* Igor Zhoř, Radek Horáček, Vladimír Havlík, ''Akční tvorba'', Olomouc: Univerzita Palackého, 1991, 84 pp. [http://tinweb.moravska-galerie.cz/media-viewer?document=1094#?file=6079 TOC], [http://is.muni.cz/el/1441/podzim2013/GP3MP_HTGP/um/Akcni_tvorba__V_dialogu_s_umenim__NB_11._2._2014.pdf Summary]. University textbook. {{cz}}
+
* Igor Zhoř, Radek Horáček, Vladimír Havlík, ''[[Media:Zhor Igor Horacek Radek Havlik Vladimir Akcni tvorba 1991.pdf|Akční tvorba]]'', Olomouc: Univerzita Palackého, 1991, 84 pp. [http://is.muni.cz/el/1441/podzim2013/GP3MP_HTGP/um/Akcni_tvorba__V_dialogu_s_umenim__NB_11._2._2014.pdf Summary]. University textbook. {{cz}}
* Pavlína Morganová, ''Akční umění'', Olomouc: Votobia, 1999; [http://is.muni.cz/el/1441/jaro2015/VV8BP_VA2/um/Pavlina_Morganova_-_Akcni_umeni.pdf 2nd ed., exp.], Olomouc: J. Vacl, 2010. {{cz}}
+
* Pavlína Morganová, ''Akční umění'', Olomouc: Votobia, 1999; [[Media:Morganova_Pavlina_Akcni_umeni_2nd_ed_2009.pdf|2nd ed., exp.]], Olomouc: J. Vacl, 2009. {{cz}}
* Barbora Klímová, ''[http://animal.ffa.vutbr.cz/~qvklimovab/replacedcat.pdf Replaced]'', afterw. Tomáš Pospiszyl, Brno: self-published, 2006, 77 pp. Collection of new interviews with performance artists of the 1970s and 80s. {{cz}}/{{en}}
+
* Barbora Klímová, ''[[Media:Klimova_Barbora_Replaced_2006.pdf|Replaced]]'', afterw. Tomáš Pospiszyl, Brno: self-published, 2006, 77 pp. Collection of new interviews with performance artists of the 1970s and 80s. {{cz}}/{{en}}
* ''[http://performance.ffa.vutbr.cz/ARCHIV/PDF/dokumentace_umeni.pdf Dokumentace umění]'', eds. Jan Krtička and Jan Prošek, Ústí nad Labem: Univerzita J. E. Purkyně, 2013, 133 pp. Proceedings from the conference held on 5 Dec 2012. With texts by Hana Buddeus, Vladimír Havlík, Jiří Kovanda, Jan Mlčoch, Tomáš Pospiszyl, Tomáš Ruller, and Miloš Šejn. {{cz}}
+
* ''[[Media:Krticka_Prosek_eds_Dokumentace_umeni_2013.pdf|Dokumentace umění]]'', eds. Jan Krtička and Jan Prošek, Ústí nad Labem: Univerzita J. E. Purkyně, 2013, 133 pp. Proceedings from the conference held on 5 Dec 2012. With texts by Hana Buddeus, Vladimír Havlík, Jiří Kovanda, Jan Mlčoch, Tomáš Pospiszyl, Tomáš Ruller, and Miloš Šejn. {{cz}}
 
* Pavlína Morganová, ''Procházka akční Prahou. Akce, performance, happeningy 1949–1989'', Prague: VVP AVU (Dokumenty), 2014. [http://vvp.avu.cz/novinky/pavlina-morganova-prochazka-akcni-prahou-akce-performance-happeningy-1949-1989/] {{cz}}
 
* Pavlína Morganová, ''Procházka akční Prahou. Akce, performance, happeningy 1949–1989'', Prague: VVP AVU (Dokumenty), 2014. [http://vvp.avu.cz/novinky/pavlina-morganova-prochazka-akcni-prahou-akce-performance-happeningy-1949-1989/] {{cz}}
* Pavlína Morganová, ''Czech Action Art: Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain'', trans. Daniel Morgan, Prague: Karolinum, 2014, 288 pp. [http://cupress.cuni.cz/ink2_ext/index.jsp?include=podrobnosti&id=231711]. Review: [http://councilforeuropeanstudies.org/critcom/czech-action-art-happenings-actions-events-land-art-body-art-and-performance-art-behind-the-iron-curtain/ Tomic] (CritCom 2014). {{en}}
+
* Pavlína Morganová, ''Czech Action Art: Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain'', trans. Daniel Morgan, Prague: Karolinum, 2015, 288 pp. [http://cupress.cuni.cz/ink2_ext/index.jsp?include=podrobnosti&id=231711]. Reviews: [http://councilforeuropeanstudies.org/critcom/czech-action-art-happenings-actions-events-land-art-body-art-and-performance-art-behind-the-iron-curtain/ Tomic] (CritCom 2014), [https://www.academia.edu/21966755 Kemp-Welch] (Umění/Art). {{en}}
 +
* Vladimír Havlík (ed.), ''[[Media:Havlik Vladimir Akce a reakce performativni aspekty v soucasnem umeni a umelecke vychove 2015.pdf|Akce a reakce: performativní aspekty v současném umění a umělecké výchově]]'', Olomouc: Univerzita Palackého v Olomouci, 2015, 225 pp. {{cz}}
 +
* Alena Rybníčková, Radek Chlup, Martin Pehal, Evelyne Koubková, ''[[Media:Rybnickova Chlup Pehal Koubkova Happening mezi zamerem a hrou 2015.pdf|Happening: mezi záměrem a hrou]]'', Prague: Akademie múzických umění v Praze, 2015, 209 pp. {{cz}}
 +
* Hana Buddeus, ''Zobrazení bez reprodukce? Fotografie a performance v českém umění sedmdesátých let 20. století'', Prague: UMPRUM, 2017. Based on PhD dissertation. [https://www.facebook.com/events/1958114094438569/] [https://katalog.vsup.cz/Katalog/detail/86606] {{cz}}
 +
* Alice Koubová, Eliška Kubartová (eds.), ''Terény performance'', Prague: NAMU, 2021, 524 pp. [https://namu.cz/tereny-performance Publisher]. Review: [https://arteacta.cz/sjednat-performance-knihou/ Morganová] (ArteActa). {{cz}}
 +
 
 +
; Catalogues
 +
* ''[[Media:Projects_Performances_Czechoslovakia_Poland_Hallwalls_1977.pdf|Projects / Performances: Czechoslovakia / Poland]]'', ed. & intro. Charlotta Kotik, Buffalo, NY: Hallwalls, 1977, 16 pp. With works by Vladimír Ambroz, Jaroslav Anděl, Milan Dobeš, Dalibor Chatrný, Karel Miler, Jan Mlčoch, Adriena Šimotová, Petr Štembera, Jiří Valoch, a.o. [http://www.hallwalls.org/pubs/1.html] {{en}}
 +
* ''[http://monoskop.org/log/?p=16006 Umění akce]'', ed. Vlasta Čiháková-Noshiro, Prague, 1991, 28+141 pp. Catalogue for a retrospective of performance and action art in Czechoslovakia, held at Mánes, Prague, 9 Jul-11 Aug 1991; Museum of Art, Žilina, 16 Aug-29 Sep 1991. With texts by Věra Jirousová, Jiří Valoch, Ivona Raimanová, Radislav Matuštík, and Vlasta Čiháková-Noshiro. {{cz}}
 +
* ''[[Media:Factum_I_The_International_Festival_of_Action_Art_Prague_1992.pdf|Factum I: Mezinarodní festival akčního umění / The International Festival of Action Art]]'', ed. Jiří Zemánek, Prague: Národní galerie, 1993, 33 pp. Catalogue for the exhibition held 9 Sep 1992. {{cz}}/{{en}}
 +
* ''[[Media:Umeni_zastaveneho_casu_Akce_koncepty_udalosti_Ceska_vytvarna_scena_1969-1985_1996.pdf|Umění zastaveného času / Art When Time Stood Still: akce, koncepty, události. Česká výtvarná scéna 1969-1985]]'', Prague: České muzeum výtvarných umění, 1996, 118 pp. {{cz}},{{en}}
 +
* ''Akce, slovo, pohyb, prostor. Experimenty v umění šedesátých let'', ed. Vít Havránek, Prague: Galerie hl. města Prahy, 1999, 508 pp. [http://abart-full.artarchiv.cz/dokumenty.php?Fvazba=podrazenydokument&IDdokumentu=50195 TOC]. Catalogue. [http://vvp.avu.cz/en/archives/i-datum/11/?table=vystavy] {{cz}}
 +
** Vít Havránek, [http://www.ce-review.org/00/2/havranek2.html "Action Word Movement Space: Czech experimental art of the 1960s"], trans. Kathleen Hayes, ''Central European Review'', 2000. Trans. of introduction. {{en}}
 +
* ''[[Media:Umeni_akce_Rane_projevy_akcniho_umeni_ve_vychodnich_Cechach_2019.pdf|Umění akce: rané projevy akčního umění ve východních Čechách]]'', Rychnov nad Kněžnou: Orlická galerie, 2019, [4] pp. Booklet. [https://www.moh.cz/udalost/detail/umeni-akce-ve-vychodnich-cechach] {{cz}}
 +
 
 +
; Journal issues
 +
* ''Sešity pro mladou literaturu'' 4(33): "Happening", Sep 1969. {{cz}}
  
 
; Book chapters, essays
 
; Book chapters, essays
* Jindřich Chalupecký, "Úzkou cestou", ''Výtvarné umění'' 16:5 (1966), pp 365-370. {{cz}}
+
* Jaroslav Kořán, "Happening včera a dnes", ''Sešity pro mladou literaturu'' 1:4, 1966, pp 3-7. {{cz}}
* Petr Rezek, "Setkání s akčními umělci", in ''Performance'', [1977] (samizdat), pp 4-15; repr. in Rezek, ''Tělo, věc a skutečnost v současném umění'', Prague: Jazzpetit, 1982, pp 95-102; repr. in ''Výtvarné umění'' 3 (1991), pp 78-80; repr. in ''České umění 1938-1989'', eds. Jiří Ševčík, et al., Prague: Academia, 2001, pp 355-359; [[Media:Rezek_Petr_1977_2010_Setkani_s_akcnimi_umelci.pdf|repr. in]] Rezek, ''Tělo, věc a skutečnost v umění šedesátých a sedmdesátých let'', 2nd ed., Prague: Galerie Ztichlá klika, 2010, pp 116-124. {{cz}}
+
* Jindřich Chalupecký, "Úzkou cestou", ''Výtvarné umění'' 16:5, 1966, pp 365-370. {{cz}}
** "Encounters with Action Artists", trans. Eric Dluhosch, in ''Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s'', eds. Laura Hoptman and Tomáš Pospiszyl, MIT Press, 2002, pp 220-225. [http://books.google.com/books?id=BLbSUv4p0PsC&pg=PA220] {{en}}
+
* Jindřich Chalupecký, "Experimentální umění. Happeningy, events, de-koláže", ''Výtvarná práce'' 14:9, 12 May 1966, pp 1-7. {{cz}}
* František Šmejkal, "Návraty k přírodě", in ''Sborník památce Alberta Kutala'', Prague, 1984 (samizdat), pp 20-31; repr. in ''Výběr zajímavostí z domova i ciziny'', Brno, 1987 (samizdat); repr. in ''Výtvarná kultura'' 14:3 (1990), pp 15-21. Written 1981. {{cz}}
+
* Milan Knizak, [[Media:Knizak Milan 1966 Happenings in Prague.pdf|"Happenings in Prague"]], ''Studio International'', Oct 1966, pp 210-211. [https://archive.studiointernational.com/SI1966/october/vol172-no882.html#p=210] {{en}}
 +
* Miloš Horanský, "Happening a jevištní prostor", ''Acta scaenographica'' 7:6, 1966-1967, pp 108-113. {{cz}}
 +
* Pierre Restany, "Prague: Sisyphe sans Kafka serait Promethee", ''Domus'' 450, May 1967, pp 50-54. {{fr}}
 +
* Vladimír Burda, "Fluxus-happening-event", ''Divadlo'' 1, 1967, pp 39-44. {{cz}}
 +
* Jindřich Chalupecký, [[Media:Chalupecky_Jindrich_1968_Art_Insanity_and_Crime.pdf|"Art, Insanity and Crime"]], ''Arts in Society'' 5(1): "Happenings and Intermedia", ed. Edward Kamarck, Madison, WI: University of Wisconsin Extension, 1968, pp 104-108. [http://digital.library.wisc.edu/1711.dl/Arts.ArtsSocv05i1] {{en}}
 +
* Vladimír Burda, "Happening ve smyčce", ''Výtvarná práce'' 16:15, 16 Aug 1968, pp 1, 3, 10. {{cz}}
 +
* Vladimír Burda, "Exil & utopie. Osudy pražského happeningu II", ''Výtvarná práce'' 16:18, 25 Oct 1968, pp 10-11. {{cz}}
 +
* Vladimír Burda, "Les happenings", ''Opus International'' 9, Paris, Dec 1968, pp 51-56. {{fr}}
 +
* Jindřich Chalupecký, "Happening a spol.", ''Sešity pro literaturu a diskusy'' 4:33, Sep 1969, pp 13-16; repr. in Chalupecký, ''Cestou necestou'', 1999, pp 93-108. {{cz}}
 +
* Eugen Brikcius, "Chvála happeningu", ''Sešity pro literaturu a diskusy'' 4:33, Sep 1969, pp 25-26. {{cz}}
 +
* Petr Štembera, "Events, Happenings and Land-Art in Czechoslovakia: A Short Information", ''Revista del Arte'' 7, Mayaguez: Universidad de Puerto Rico, Dec 1970, pp 35-39; [https://monoskop.org/images/c/c6/Lippard_Lucy_R_Six_Years_The_Dematerialization_of_the_Art_Object_from_1966_to_1972_1973.pdf#page=169 repr., shortened, in] Lucy R. Lippard, ''Six Years: The Dematerialization of the Art Object from 1966 to 1972'', New York: Praeger, 1973, pp 169-170; repr. in ''Vision'' 2, Oakland, CA: Crown Point Press, Jan 1976, pp 42-43. {{en}}
 +
** [https://monoskop.org/images/5/5c/Lippard_Lucy_R_Seis_anos_2004.pdf#page=125 "Events, Happenings, Land-Art, etc., in Czechoslovakia"], in Lucy R. Lippard, ''Seis años'', Akal, 2004, pp 246-248. {{es}}
 +
* Jindřich Chalupecký, "Letter from Prague", ''Studio International'', Jun 1971, pp 253, 255-257. {{en}}
 +
* Ivan Jirous, "Current Expressions in Contemporary Czech Art", ''Artscanada'' 160/161, Oct/Nov 1971, pp 62-65. {{en}}
 +
* Petr Rezek, "Setkání s akčními umělci", in ''Performance'', [1977] (samizdat), pp 4-15; repr. in Rezek, ''Tělo, věc a skutečnost v současném umění'', Prague: Jazzpetit, 1982, pp 95-102; repr. in ''Výtvarné umění'' 3 (1991), pp 78-80; repr. in ''České umění 1938-1989'', eds. Jiří Ševčík, et al., Prague: Academia, 2001, pp 355-359; [[Media:Rezek_Petr_1977_2010_Setkani_s_akcnimi_umelci.pdf|repr. in]] Rezek, ''Tělo, věc a skutečnost v umění šedesátých a sedmdesátých let'', 2nd ed., Prague: Galerie Ztichlá klika, 2010, pp 116-124. {{cz}}
 +
** "Encounters with Action Artists", trans. Eric Dluhosch, in ''[https://monoskop.org/log/?p=22077 Primary Documents: A Sourcebook for Eastern and Central European Art Since the 1950s]'', eds. Laura Hoptman and Tomáš Pospiszyl, New York: Museum of Modern Art, 2002, pp 220-225. {{en}}
 +
* František Šmejkal, "Návraty k přírodě", in ''Sborník památce Alberta Kutala'', Prague, 1984 (samizdat), pp 20-31; repr. in ''Výběr zajímavostí z domova i ciziny'', Brno, 1987 (samizdat); repr. in ''Výtvarná kultura'' 14:3, 1990, pp 15-21. Written 1981. {{cz}}
 +
* Pavlína Morganová, "České akční umění šedesátých let v dobovém tisku", in ''Akce, slovo, pohyb, prostor. Experimenty v umění šedesátých let'', ed. Vít Havránek, Prague: Galerie hl. města Prahy, 1999, pp 54-61. {{cz}}
 +
* Marie Klimešová, [https://monoskop.org/images/c/cf/Alan_Josef_ed_Alternativni_kultura_Pribeh_ceske_spolecnosti_1945-1989_2001.pdf#page=188 "České výtvarné umění druhé poloviny 20. století: alternativa a underground, umění a společnost"], in ''Alternativní kultura. Příběh české společnosti 1945–1989'', ed. Josef Alan, Prague: Lidové noviny, 2001, pp 376-419. [http://www.obalkyknih.cz/file/toc/153175/pdf] {{cz}}
 
* Pavlína Morganová, [[Media:Morganova_Pavlina_2001_Umenie_akcie_1965-1989.pdf|"Umenie akcie 1965-1989"]], ''Profil'' 3, 2001, pp 6-15. [http://www.profil-art.sk/01_3/006-15.htm] {{cz}}
 
* Pavlína Morganová, [[Media:Morganova_Pavlina_2001_Umenie_akcie_1965-1989.pdf|"Umenie akcie 1965-1989"]], ''Profil'' 3, 2001, pp 6-15. [http://www.profil-art.sk/01_3/006-15.htm] {{cz}}
 
* Jiří Valoch, "Umění akce, hnutí Aktual, happening", in ''Dějiny českého výtvarného umění VI/1'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007. {{cz}}
 
* Jiří Valoch, "Umění akce, hnutí Aktual, happening", in ''Dějiny českého výtvarného umění VI/1'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007. {{cz}}
 
* Tomáš Pospiszyl, [http://monoskop.org/images/a/ac/Bishop_Claire_Dziewanska_Marta_eds_1968-1989_Political_Upheaval_and_Artistic_Change.pdf#page=74 "Look Who’s Watching: Photographic Documentation of Happenings and Performances in Czechoslovakia"], in ''1968-1989: Political Upheaval and Artistic Change'', eds. Claire Bishop and Marta Dziewańska, Warsaw: Museum of Modern Art, 2009, pp 74-87. Proceedings from the 2008 conference. {{en}}
 
* Tomáš Pospiszyl, [http://monoskop.org/images/a/ac/Bishop_Claire_Dziewanska_Marta_eds_1968-1989_Political_Upheaval_and_Artistic_Change.pdf#page=74 "Look Who’s Watching: Photographic Documentation of Happenings and Performances in Czechoslovakia"], in ''1968-1989: Political Upheaval and Artistic Change'', eds. Claire Bishop and Marta Dziewańska, Warsaw: Museum of Modern Art, 2009, pp 74-87. Proceedings from the 2008 conference. {{en}}
* Josef Ledvina, [http://vvp.avu.cz/wp-content/uploads/2014/08/sesit9-ledvina.pdf "České umění kolem roku 1980 jako pole kulturní produkce"], ''Sešit'' 9, Prague: VVP AVU, 2010, pp 30-65. {{cz}}
+
* Josef Ledvina, [[Media:Ledvina_Josef_2010_Ceske_umeni_kolem_roku_1980_jako_pole_kulturni_produkce.pdf|"České umění kolem roku 1980 jako pole kulturní produkce"]], ''Sešit'' 9, Prague: VVP AVU, 2010, pp 30-65. {{cz}}
 
* Pavlína Morganová, [http://www.artlist.cz/texty/akcni-umeni-60-a-70-let-mista-cinu-7269/ "Místa činu, akční umění 60. a 70. let"], in ''Místa počinu: historie výstavních prostorů u nás'', ed. Ondřej Horák, Prague: Komunikační prostor Školská 28, 2010, pp 53-62. {{cz}}
 
* Pavlína Morganová, [http://www.artlist.cz/texty/akcni-umeni-60-a-70-let-mista-cinu-7269/ "Místa činu, akční umění 60. a 70. let"], in ''Místa počinu: historie výstavních prostorů u nás'', ed. Ondřej Horák, Prague: Komunikační prostor Školská 28, 2010, pp 53-62. {{cz}}
* Pavlína Morganová, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/115784/1_OpusculaHistoriaeArtium_55-2011-1_4.pdf "Problematika pojmů v českém akčním umění"], ''Opuscula Historiae Artium'' 60 (2011), pp 30-41. {{cz}}
+
* Pavlína Morganová, [[Media:Morganova_Pavlina_2011_Problematika_pojmu_v_ceskem_akcnim_umeni.pdf|"Problematika pojmů v českém akčním umění"]], ''Opuscula Historiae Artium'' 60 (2011), pp 30-41. {{cz}}
 
* Pavlína Morganová, [http://academia.edu/15102588/ "Možnosti interpretace akčního umění"], in ''Wittlichovi. Sborník žáků k 80. narozeninám Petra Wittlicha'', ed. Marie Rakušanová, Prague: Karolinum, 2012, pp 227-249. {{cz}}
 
* Pavlína Morganová, [http://academia.edu/15102588/ "Možnosti interpretace akčního umění"], in ''Wittlichovi. Sborník žáků k 80. narozeninám Petra Wittlicha'', ed. Marie Rakušanová, Prague: Karolinum, 2012, pp 227-249. {{cz}}
 
* Pavlína Morganová, [http://academia.edu/15102503/ "Action! Czech Performance Art in the 1960s and 1970s"], trans. John Comer, ''Centropa'' 14:1, Jan 2014. {{en}}
 
* Pavlína Morganová, [http://academia.edu/15102503/ "Action! Czech Performance Art in the 1960s and 1970s"], trans. John Comer, ''Centropa'' 14:1, Jan 2014. {{en}}
 
* Tomáš Pospiszyl, "Politika intimity: Československá performance sedmdesátých let a její remaky", in Pospiszyl, ''Asociativní dějepis umění: poválečné umění napříč generacemi a médii'', Prague: tranzit.cz, 2014. {{cz}}
 
* Tomáš Pospiszyl, "Politika intimity: Československá performance sedmdesátých let a její remaky", in Pospiszyl, ''Asociativní dějepis umění: poválečné umění napříč generacemi a médii'', Prague: tranzit.cz, 2014. {{cz}}
 +
* Hana Buddeus, [http://vvp.avu.cz/wp-content/uploads/2014/08/Sesit_16_2014_Buddeus.pdf "Fotografické podmínky happeningu"], Sešit'' 16, Prague: VVP AVU, 2014, pp 18-36. {{cz}}
  
 
; Dissertations
 
; Dissertations
Line 640: Line 842:
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-sk}}}|performance-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-sk}}}|performance-sk|
; Catalogues
+
; Books
* ''Transart Communication. 7th International Contemporary Art Festival - 8th International Contemporary Art Festival 1995-1996'', ed. Jozsef R. Juhász, Nové Zámky, 1997. CD-ROM. {{sk}}
 
* Zora Rusinová (ed.), [[Media:Rusinova_Zora_ed_Umenie_akcie_1965-1989.pdf|''Umenie akcie / Action Art 1965-1989'']], Bratislava: Slovenská Národná Galéria, 2001, 318 pp. With texts by Zora Rusinová, Gábor Hushegyi, Radislav Matuštík, Tomáš Štrauss, and Ivo Janoušek. {{sk}}
 
  
; Books
 
 
* Andrea Bátorová, ''Aktionskunst in der Slowakei in den 1960er Jahren. Aktionen von Alex Mlynárčik'', Lit Verlag, 2009, 408 pp. [http://d-nb.info/992809371/04 TOC]. Based on author's 2007 dissertation. {{de}}
 
* Andrea Bátorová, ''Aktionskunst in der Slowakei in den 1960er Jahren. Aktionen von Alex Mlynárčik'', Lit Verlag, 2009, 408 pp. [http://d-nb.info/992809371/04 TOC]. Based on author's 2007 dissertation. {{de}}
** ''Akčné umenie na Slovensku v 60. rokoch 20. storočia. Akcie Alexa Mlynárčika'', Bratislava: Slovart, 2012. [http://www.martinus.sk/?uItem=128603] {{sk}}
+
** Andrea Euringer-Bátorová, ''Akčné umenie na Slovensku v 60. rokoch 20. storočia. Akcie Alexa Mlynárčika'', Bratislava: Slovart, and Bratislava: Vysoká škola výtvarných umení, 2012, 326 pp. [https://www.slovart.sk/knihy-v-slovencine-a-cestine/vytvarne-umenie/akcne-umenie-na-slovensku-v-60.rokoch-20.storocia.html?page_id=12441 Publisher]. {{sk}}
* Zuzana Bartošová, ''Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia'', Bratislava: Kalligram, 2011, 360 pp. Commentary: [http://www.profilart.sk/wp-content/uploads/2014/01/Lekcia-z-tenden%C4%8Dnej-historiografie.pdf Hrabušický & Macek] (Profil 2012). {{sk}}
+
** ''[[Media:Batorova Andrea The Art of Contestation Performative Practices in the 1960s and 1970s in Slovakia 2019.pdf|The Art of Contestation: Performative Practices in the 1960s and 1970s in Slovakia]]'', Bratislava: Comenius University, 2019, 216 pp. Review: [https://artmargins.com/the-art-of-contestation-performance-art-in-slovakia/ Bryzgel] (ArtMargins). {{en}}
* Ján Kralovič, ''Teritórium ulica. Umenie akcie v mestskom priestore v rokoch 1965–1989 na Slovensku'', Bratislava: Slovart (Teória) & Vysoká škola výtvarných umení, 2015, 324 pp. [http://www.slovart.sk/knihy-v-slovencine-a-cestine/vytvarne-umenie/teritorium-ulica?page_id=15595] {{sk}}
+
 
 +
* Zuzana Bartošová, ''Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia'', Bratislava: Kalligram, 2011, 360 pp. Commentary: [http://www.profilart.sk/wp-content/uploads/2014/01/Lekcia-z-tenden%C4%8Dnej-historiografie.pdf Hrabušický & Macek] (Profil). {{sk}}
 +
 
 +
* Ján Kralovič, ''[[Media:Kralovic Jan Teritorium ulica Umenie akcie v mestskom priestore v rokoch 1965-1989 na Slovensku 2014.pdf|Teritórium ulica. Umenie akcie v mestskom priestore v rokoch 1965-1989 na Slovensku]]'', Bratislava: Slovart (Teória), and Bratislava: Vysoká škola výtvarných umení, 2014, 283+[48] pp. Based on author's 2012 dissertation. [http://www.slovart.sk/knihy-v-slovencine-a-cestine/vytvarne-umenie/teritorium-ulica?page_id=15595 Publisher]. [https://www.academia.edu/40425418/] {{sk}}
 +
 
 +
* Ján Kralovič, ''[[Media:Kralovic Jan Majstrovstvo za dverami Majstrovstva Bratislavy v posune artefaktu 1979-1986 v kontexte bytovych vystav 70 a 80 rokov 20 storocia 2017.pdf|Majstrovstvo za dverami: Majstrovstvá Bratislavy v posune artefaktu (1979-1986) v kontexte bytových výstav 70. a 80. rokov 20. storočia]]'', Bratislava: Slovart (Dejiny), and Bratislava: Vysoká škola výtvarných umení, 2017, 327 pp. [https://www.slovart.sk/knihy-v-slovencine-a-cestine/vytvarne-umenie/majstrovstvo-za-dverami.html?page_id=33584 Publisher]. [https://www.vsvu.sk/galeria-medium/majstrovstvo-za-dverami/ Publisher]. [https://www.academia.edu/40425450/] {{sk}}
 +
 
 +
; Catalogues
 +
* ''3SD'', ed. Ján Budaj, Bratislava, [1981]; 2nd ed., 1988 (samizdat); [[Media:Budaj_Jan_1981_2001_3SD.pdf|repr., abbr., in]] "Samizdatové programové, teoretické a historické texty (výber)", ed. Radislav Matuštík, in ''Umenie akcie 1965-1989'', ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2001, pp 267-277. {{sk}}
 +
** [https://post.moma.org/texts-by-conceptual-artists-from-eastern-europe-slovakia/5/ "Three Sunny Days"], trans. Zuzana Flaskova, ed. Sven Spieker, ''post'', New York: MoMA, 2018. Trans. of Foreword. [https://post.moma.org/texts-by-conceptual-artists-from-eastern-europe-slovakia/] {{en}}
 +
* ''[[Transart Communication]]'' catalogues, Nové Zámky, 1988ff. {{sk}},{{hu}}
 +
* [[Media:Rusinova_Zora_ed_Umenie_akcie_1965-1989.pdf|''Umenie akcie / Action Art 1965-1989'']], ed. Zora Rusinová, Bratislava: Slovenská Národná Galéria, 2001, 318 pp. With texts by Zora Rusinová, Gábor Hushegyi, Radislav Matuštík, Tomáš Štrauss, and Ivo Janoušek. {{sk}}
 +
* ''[[Media:1 otvoreny atelier 1970-2020 2020.pdf|1. otvorený ateliér, 1970-2020]]'', ed. Daniela Čarná, Bratislava: Galéria 19, 2020, 87 pp. [https://www.galeria19.sk/2020/1-otvoreny-atelier-1970-2020/] [https://dennikn.sk/2187032/pocta-1-otvorenemu-atelieru/] [https://artalk.cz/2020/11/18/ts-1-otvoreny-atelier-1970-2020/] {{sk}}
  
 
; Journal issues
 
; Journal issues
* [[Media:Profil_3_3_Performance_Art_1993.pdf|''Profil'' 3(3): "Performance Art"]], ed. Michal Murin, Bratislava, 1993, pp 1-15. With texts by RoseLee Goldberg, Michal Murin, Radislav Matuštík; interviews with Vladimir Kordos and Flatz.   {{sk}}
+
* [[Media:Profil_3_3_Performance_Art_1993.pdf|''Profil'' 3(3): "Performance Art"]], ed. Michal Murin, Bratislava, Mar 1993, pp 1-15. With texts by RoseLee Goldberg, Michal Murin, Radislav Matuštík; interviews with Vladimir Kordos and Flatz. {{sk}}
  
; Essays
+
; Book chapters, essays
* Michal Murin, "Performance?", ''Profil'' 17-18 (1991). {{sk}}
+
* Tomáš Štrauss, "K otázke premeny 'umenia-diela' na 'umenie-čin'", ''Výtvarný život'', 12:4, 1967, pp 146-151; [https://monoskop.org/images/e/eb/Gerzova_Jana_Slovenske_vytvarne_umenie_1949-1989_z_pohladu_dobovej_literatury_2006_kapitola_1964-1968.pdf#page=25 repr., abbr., in] ''Slovenské výtvarné umenie 1949-1989 z pohľadu dobovej literatúry'', ed. Jana Geržová, Bratislava: Vysoká škola výtvarných umení, 2006, pp 168-173. {{sk}}
* Michal Murin, "San Francisco Performance Art", ''Profil'' 22 (1991). {{sk}}
+
* Tomáš Štrauss, ''[https://monoskop.org/images/d/d2/Straus_Tomas_Umenie_dnes_Pokus_o_kriticku_esej.pdf#page=60 Umenie dnes: pokus o kritickú esej]'', Bratislava: Vydavateľstvo politickej literatúry, 1968, pp 93-108. {{sk}}
 +
* Klaus Groh (ed.), ''[http://monoskop.org/log/?p=15622 Aktuelle Kunst in Osteuropa]'', Cologne: DuMont-Schauberg, 1972. Features documentation from selected artists. {{de}}
 +
* Tomáš Štrauss, "Tri modelové situácie súčasných umeleckých hier", in Štraus, ''Slovenský variant moderny'', 1979 (samizdat); 2nd ed., Bratislava: Pallas, 1992. {{sk}}
 +
** Thomas Strauss, [[Media:Strauss Thomas 1984 Three Slovak Models for Contemporary Art Actions.pdf|"Three Slovak Models for Contemporary Art Actions"]], ''Cross Currents'' 3, 1984, pp 405-413. [https://quod.lib.umich.edu/c/crossc/ANW0935.1984.001/415:36] {{en}}
 +
* Tomáš Štrauss, "Umenie kontestácie a kontestácia umenia", in Štraus, ''Slovenský variant moderny'', 1979 (samizdat); repr., ''Výtvarný život'' 35:6, 1990, pp 17-26; repr. in Štraus, ''Slovenský variant moderny'', 2nd ed., Bratislava: Pallas, 1992. {{sk}}
 +
* Geneviève Bénamou, ''L'Art aujourd'hui en Tchécoslovaquie'', Goussainville: Benamou, 1979. Includes essays on Mlynárčik, Želibská, Sikora, Tóth, a.o. [https://en.isabart.org/document/9170/subordinates TOC]. {{fr}}
 +
* Radislav Matuštík, ''...predtým. Prekročenie hraníc, 1964-1971'', 1983 (samizdat); repr., Žilina: PGU, 1994. Written 1972-1983. [http://abart-full.artarchiv.cz/dokumenty.php?IDdokumentu=90883] {{sk}}
 +
* Róbert Cyprich, "Ex alio loco", 1983 (samizdat); repr. in Radislav Matuštík, ''Terén: alternatívne akčné zoskupenie 1982-1987'', Bratislava: Sorosovo centrum súčasného umenia, 2000, pp 136-150. {{sk}}
 +
** "Ex alio loco", trans. John Minahane, in ''Hot Art, Cold War: Southern and Eastern European Writing on American Art 1945-1990'', eds. Claudia Hopkins and Iain Boyd Whyte, Routledge, 2020. Trans. of excerpt. [https://www.taylorfrancis.com/chapters/edit/10.4324/9781003009979-10696/] {{en}}
 +
* Tamara Archlebová, "Príspevok k problematike konceptuálneho umenia na Slovensku", in ''Súčasné výtvarné umenie'', ed. Dagmar Srnenská, Bratislava, 1989, pp 98-132. {{sk}}
 +
* Mária Kovalčíková (ed.), "Skepsa kontra optimizmus", ''Výtvarný život'' 35:7, 1990, pp 1-10; cont., ''Výtvarný život'' 35:8, 1990, pp 1-12. {{sk}}
 +
* Jana Geržová, "Umenie akcie", ''Profil'' 1:13-14, 1991, pp 2-4. {{sk}}
 +
* Michal Murin, "Performance?", ''Profil'' 1:17-18, Bratislava, 1991. {{sk}}
 +
* Michal Murin, "San Francisco Performance Art", ''Profil'' 1:22, Bratislava, 1991. {{sk}}
 +
* Radislav Matuštík, [https://monoskop.org/images/b/b6/Cihakova-Noshiro_Vlasta_ed_Umeni_akce_1991.pdf#page=16 "Vývoj na Slovensku"], in ''[https://monoskop.org/log/?p=16006 Umění akce]'', ed. Vlasta Čiháková-Noshiro, Prague: Mánes, 1991, pp 12-15. Shortened reprint from a samizdat publication in Terén edition, autumn 1983. {{sk}}
 +
* Vlasta Čiháková-Noshiro, [https://monoskop.org/images/b/b6/Cihakova-Noshiro_Vlasta_ed_Umeni_akce_1991.pdf#page=20 "Umění akce – umění žít"], in ''[https://monoskop.org/log/?p=16006 Umění akce]'', ed. Vlasta Čiháková-Noshiro, Prague: Mánes, 1991, pp 16-28. {{cz}}
 +
* Radislav Matuštík, [https://monoskop.org/images/5/51/Profil_3_3_Performance_Art_1993.pdf#page=8 "Performance?"], ''Profil'' 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993, pp 5-7. {{sk}}
 +
* Michal Murin, [https://monoskop.org/images/5/51/Profil_3_3_Performance_Art_1993.pdf#page=16 "Performance?"], ''Profil'' 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993, p 13. {{sk}}
 +
* Michal Murin, [https://monoskop.org/images/5/51/Profil_3_3_Performance_Art_1993.pdf#page=18 "Performance"], ''Profil'' 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993. {{sk}}
 +
* Tomáš Štrauss, ''Tri otázniky: od päťdesiatych k osemdesiatym rokom'', Bratislava: Pallas, 1993. {{sk}}
 +
* Radislav Matuštík, "Návraty I-IV", ''Výtvarný život'', 1994-1995. Series of articles. {{sk}}
 +
* Thomas Strauss, ''Zwischen Ost- und Westkunst. Von der Avantgarde zur Postmoderne. Essays (1970-1995)'', Munich: Scaneg, 1995, 336 pp. {{de}}
 
* Ivan Jančár, "Happening a performance", in ''Šesťdesiate roky v slovenskom výtvarnom umení'', ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 232-252. {{sk}}
 
* Ivan Jančár, "Happening a performance", in ''Šesťdesiate roky v slovenskom výtvarnom umení'', ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 232-252. {{sk}}
 
* Zora Rusinová, "V mene syntézy umenia a života", in ''Šesťdesiate roky v slovenskom výtvarnom umení'', ed. Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 166-202. {{sk}}
 
* Zora Rusinová, "V mene syntézy umenia a života", in ''Šesťdesiate roky v slovenskom výtvarnom umení'', ed. Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 166-202. {{sk}}
* Zora Rusinová, [[Media:Rusinova_Zora_2002_Akcne_umenie.pdf|"Akčné umenie"]], in ''Slovenské vizuálne umenie 1970-1985'', ed. Aurel Hrabušický, Bratislava: Slovenská národná galéria, 2002, pp 189-208. {{sk}}
+
* Etienne Cornevin, "Základné pojmy k legende o umení dada v Bratislave", in ''Očami X: desať autorov o súčasnom slovenskom výtvarnom umení'', ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 147-180. {{sk}}
 +
* Ladislav Snopko, "Situacionizmus na Slovensku: kapitola z dejín apelatívneho umenia", in ''Očami X: desať autorov o súčasnom slovenskom výtvarnom umení'', ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 201-220. {{sk}}
 +
* "Rozhovor Zuzany Bartošovej s Pierrom Restanym", in ''Očami X: desať autorov o súčasnom slovenskom výtvarnom umení'', ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 183-200. {{sk}}
 +
* Eugénia Sikorová, "Umenie na okraji: poznámky k situácii slovenského výtvarného umenia v r. 1970-1990", in ''Prítomnosť minulosti, minulosť prítomnosti'', eds. Jolana Kusá and Peter Zajac, Bratislava: Nadácia Milana Šimečku, 1996, pp 96-125. {{sk}}
 +
* Tomáš Štrauss, ''Provokácie: kritické rozhľady od Dunaja a Rýna'', Bratislava: H & H (Hajko a Hajková), 1996. {{sk}}
 +
* Rachel Rosenbach (Michal Murin), "Performance na Slovensku a v Čechách", ''Ateliér'' 1:9, 1997, p 9. {{sk}}
 
* Michal Murin, "Performance na Slovensku v 90. rokoch", in ''A.K.T.'', Brno: Dům umění, 1999. {{sk}}
 
* Michal Murin, "Performance na Slovensku v 90. rokoch", in ''A.K.T.'', Brno: Dům umění, 1999. {{sk}}
* Ivan Jančár, "Performancia", in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
+
* Tomáš Štrauss, ''Utajená korešpondencia 1980-1998'', Bratislava: Kalligram, 1999, 184 pp. [http://kalligram.sk/?cl=kniha&iid=381] {{sk}}
* Radislav Matuštík, "Umenie akcie", in Zora Rusinová et al., ''Dejiny slovenského výtvarného umenia – 20. storočie'', Bratislava: SNG, 2000, pp 163-170. {{sk}}
+
* Zuzana Bartošová, "Askéza privilegovaných: niekoľko poznámok k formovaniu neoficiálnej výtvarnej scény obdobia normalizácie na prelome 60. a 70. rokov", in ''Umenie Slovenska: jeho historické funkcie'', Bratislava: SAV, 1999, pp 121-133. {{sk}}
* Michal Murin, [http://www.asa.de/magazine/iss4/11murin.htm "Performance Art in Slovakia in the 90s (From the Position of the Art-Form, through its Reflection to the (Co-Existence of Solitary Worlds)"], ''Slaps Banks Plots'' 4 (2000). {{en}}
+
* Ivan Jančár, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=18 "Akčné umenie"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Ivan Jančár, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=73 "Event"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Ivan Jančár, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=103 "Happening"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Ivan Jančár, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=212 "Performancia"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Radislav Matuštík, "Umenie akcie", in Zora Rusinová et al., ''Dejiny slovenského výtvarného umenia – 20. storočie'', Bratislava: Slovenská národná galéria, 2000, pp 163-169. {{sk}}
 +
* Radislav Matuštík, "Dva náčrty vývinu akcie", in Matuštík, ''Terén: alternatívne akčné zoskupenie 1982-1987'', Bratislava: Sorosovo centrum súčasného umenia, 2000, pp 221-236. {{sk}}
 +
* Eugénia Sikorová, "Nástup jednej generácie", in ''Otvorený ateliér'', eds. Marián Mudroch and Dezider Tóth, Bratislava: SCCA Slovensko, 2000, pp 10-30. {{sk}}
 +
* Michal Murin, [http://www.asa.de/magazine/iss4/11murin.htm "Performance Art in Slovakia in the 90s (From the Position of the Art-Form, through its Reflection to the (Co-Existence of Solitary Worlds)"], ''Slaps Banks Plots'' 4, 2000. {{en}}
 
* Michal Murin, "L´art de performance en Slovaquie - A partir d´une forme artistique et de sa réflexion vers la coexistence de mondes solitaires / Performance Art in Slovakia - From the Art-Form, and its Reflection Towards the Co-Existence of Solitary Worlds", in ''Art Action 1958-1998'', ed. Richard Martel, Québec: Intervention, 2001, pp 454-457. {{fr}}/{{en}}
 
* Michal Murin, "L´art de performance en Slovaquie - A partir d´une forme artistique et de sa réflexion vers la coexistence de mondes solitaires / Performance Art in Slovakia - From the Art-Form, and its Reflection Towards the Co-Existence of Solitary Worlds", in ''Art Action 1958-1998'', ed. Richard Martel, Québec: Intervention, 2001, pp 454-457. {{fr}}/{{en}}
* Pavlína Morganová, [[Media:Morganova_Pavlina_2001_Umenie_akcie_1965-1989.pdf|"Umenie akcie 1965-1989"]], ''Profil'' 3, 2001, pp 6-15. [http://www.profil-art.sk/01_3/006-15.htm] {{cz}}
+
* Pavlína Morganová, [[Media:Morganova_Pavlina_2001_Umenie_akcie_1965-1989.pdf|"Umenie akcie 1965-1989"]], ''Profil'' 3, 2001, pp 6-15. Exh. review. [http://www.profil-art.sk/01_3/006-15.htm] {{cz}}
 
* Gábor Hushegyi, [[Media:Hushegyi_Gabor_2001_Actinart_medzinarodne_sympozium.pdf|"Actinart - medzinárodné sympózium"]], ''Profil'' 3, 2001, pp 40-47. {{sk}}
 
* Gábor Hushegyi, [[Media:Hushegyi_Gabor_2001_Actinart_medzinarodne_sympozium.pdf|"Actinart - medzinárodné sympózium"]], ''Profil'' 3, 2001, pp 40-47. {{sk}}
 +
* Lucia Gregorová-Stachová, "Akčné umenie", ''Dart'' 3:1-2, 2001, 45-51. {{sk}}
 +
* Eva Kapsová, "Aktuálnosť umenia akcie", ''Dart'' 1:3-4, 2001, 54-58. {{sk}}
 +
* Zuzana Bartošová, "Slovenská neoficiálna výtvarná scéna 70. a 80. rokov z aspektu literatúry a terminológie", in ''Cesty a príbehy moderného umenia 2'', ed. Ľuba Belohradská, Bratislava: Združenie historikov moderného umenia, 2002, pp 24-57. {{sk}}
 +
* Mária Orišková, ''Dvojhlasné dejiny umenia'', Bratislava: Petrus, 2002. {{sk}}
 +
* Zora Rusinová, [[Media:Rusinova_Zora_2002_Umenie_akcie.pdf|"Umenie akcie"]], in ''Slovenské vizuálne umenie 1970-1985'', ed. Aurel Hrabušický, Bratislava: Slovenská národná galéria, 2002, pp 189-208. {{sk}}
 +
* Zuzana Bartošová, "Neoficiálna výtvarná scéna na Slovensku: Medzi Chartou '77 a nežnou revolúciou", in Ladislav Snopko, Zuzana Bartošová, ''Dotyky a spojenia. 9. december 1985 - 17. november 1989'', Bratislava: Orman, and GMB, 2002, pp 15-38. {{sk}}
 +
* Katarína Rusnáková, ''[[Media:Rusnakova_Katarina_Historia_a_teoria_medialneho_umenia_na_Slovensku_2006.pdf|História a teória mediálneho umenia na Slovensku]]'', Bratislava: VŠVU, 2006. {{sk}}
 
* Andrea Bátorová, "Alternative Trends in Slovakia during the 1960s and Parallels to Fluxus", in ''Fluxus East: Fluxus Networks in Central Eastern Europe'', Berlin: Kunstlerhaus Bethanien, 2007. Catalogue text. {{en}}
 
* Andrea Bátorová, "Alternative Trends in Slovakia during the 1960s and Parallels to Fluxus", in ''Fluxus East: Fluxus Networks in Central Eastern Europe'', Berlin: Kunstlerhaus Bethanien, 2007. Catalogue text. {{en}}
 +
* Lucia Gregorová-Stachová, "Umelci, ich telá a performance", in ''Osemdesiate: Postmoderna v slovenskom výtvarnom umení, 1985-1992'', ed. Beata Jablonská, Bratislava: Slovenská národná galéria, 2009, pp 201-213. {{sk}}
 +
* Ján Kralovič, "Prechádzka ako situačná a komunikačná umelecká aktivita", in ''Ani spolu, ani bez sebe... Intermedialita v dějináh umění'', eds. Filip Komárek and Michal Konečný, Brno: Masarykova univerzita, 2010, pp 31-36; upd. as [https://monoskop.org/images/a/a0/Kralovic_Jan_2015_The_Stroll_as_a_Community_and_Artistic_Activity.pdf#page=29 "Prechádzka ako komunitná a umelecká aktivita. Prechádzka ako možnosť stretávania sa a umeleckej komunikácie v okruhu bratislavskej neoficiálnej scény 70. rokov"], in ''BAC: Bratislava Conceptualism / Bratislavský konceptualizmus'', ed. Richard Gregor, Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022. {{sk}}
 +
** [[Media:Kralovic Jan 2015 The Stroll as a Community and Artistic Activity.pdf|"The Stroll as a Community and Artistic Activity: Strolls as a form of meeting and artistic communication in Bratislava’s unofficial scene in the 1970s"]], in ''BAC: Bratislava Conceptualism / Bratislavský konceptualizmus'', ed. Richard Gregor, Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022. {{en}}
 +
* Július Gajdoš, ''Od inscenace k instalaci, od herectví k performanci'', Prague: Akademie múzických umění, and Kant, 2010. [https://edicedisk.amu.cz/od-inscenace-k-instalaci-od-herectvi-k-performanci/ Publisher]. {{cz}}
 +
* Jana Oravcová, ''Ekonómie tela v umelecko-historických a teoretických diskurzoch'', Bratislava: Slovart / VŠVU, 2011. {{sk}}
 
* Ján Kralovič, "Nutnosť intenzívneho prežívania (Poznámky k akčnému umeniu v mestskom priestore na Slovensku v 70. rokoch 20. storočia)", in [[Media:Kubova_Bernadeta_Godic_Ivan_eds_Umenie_na_Slovensku_v_historickych_a_kulturnych_suvislostiach_2010.pdf|''Umenie na Slovensku v historických a kultúrnych súvislostiach 2010'']], eds. Bernadeta Kubová and Ivan Godič, Trnava: Milan Uličný - BEN, 2011, pp 215-226. {{sk}}
 
* Ján Kralovič, "Nutnosť intenzívneho prežívania (Poznámky k akčnému umeniu v mestskom priestore na Slovensku v 70. rokoch 20. storočia)", in [[Media:Kubova_Bernadeta_Godic_Ivan_eds_Umenie_na_Slovensku_v_historickych_a_kulturnych_suvislostiach_2010.pdf|''Umenie na Slovensku v historických a kultúrnych súvislostiach 2010'']], eds. Bernadeta Kubová and Ivan Godič, Trnava: Milan Uličný - BEN, 2011, pp 215-226. {{sk}}
* Zora Rusinova, "Solidarity Born of Despair: Action Art in Slovakia during the Totalitarian Regime, 1970-1989", ''Centropa'' 14:1, Jan 2014. {{en}}
+
* Zora Rusinová, "Solidarity Born of Despair: Action Art in Slovakia during the Totalitarian Regime, 1970-1989", ''Centropa'' 14:1, Jan 2014. [http://web.archive.org/web/20150430051535/www.artworlds.org/centropa/page5/styled-8/page44.html] {{en}}
 +
* Ján Kralovič, [https://www.academia.edu/42903199/ "Prekročiť prah privátneho: vybrané umelecké akcie v mestskom priestore v 90. rokoch 20. storočia na Slovensku"], in ''Zborník prednášok o súčasnom výtvarnom umení II.: so zameraním na politické a angažované umenie'', Nitra: Nitrianska galéria, 2015, pp 12-37. {{sk}}
 +
* Eva Fillová, [[Media:Fillova_Eva 2015 Divadlo a teatralita v kontexte slovenskeho vizualneho umenia.pdf|"Divadlo a teatralita v kontexte (slovenského) vizuálneho umenia"]], ''Slovenské divadlo'' 63:3, 2015, pp 208-220. {{sk}}
 +
* Dáša Čiripová, [https://sciendo.com/downloadpdf/journals/sd/66/3/article-p296.xml "Play as Art of Survival"], trans. Lucia Faltin, ''The Slovak Theatre'' 66:3, 2018, pp 296-310. {{en}}
 +
* Vladimír Beskid, [https://monoskop.org/images/0/03/Po_moderne_Metropola_vychodu_1945-1989_2019.pdf#page=115 "Druhý dych východu: neoficiálna scéna východného Slovenska 70.-80. rokov 20. storočia"], in ''Po moderne: Metropola východu, 1945-1989'', eds. Peter Tajkov and Dorota Kenderová, Košice: Východoslovenská galéria, 2019, pp 115-134. {{sk}}
  
 
; Interviews
 
; Interviews
 
* Andrea Bátorová, [[Media:Batorova_Andrea_2001_Zopakovat_jedinecne_Rozhovor_so_Zorou_Rusinovou.pdf|"Zopakovať jedinečné. Rozhovor so Zorou Rusinovou"]], ''Profil'' 3, 2001, pp 16-29. [http://www.profil-art.sk/01_3/016-29.htm] {{sk}}
 
* Andrea Bátorová, [[Media:Batorova_Andrea_2001_Zopakovat_jedinecne_Rozhovor_so_Zorou_Rusinovou.pdf|"Zopakovať jedinečné. Rozhovor so Zorou Rusinovou"]], ''Profil'' 3, 2001, pp 16-29. [http://www.profil-art.sk/01_3/016-29.htm] {{sk}}
 
* Andrea Bátorová, [[Media:Batorova_Andrea_2001_Povazujete_akcne_umenie_za_revolucne_Rozhovor_s_Luciou_Gregorovou-Stachovou.pdf|"Považujete akčné umenie za revolučné? Rozhovor s Luciou Gregorovou-Stachovou"]], ''Profil'' 3, 2001, pp 30-39. [http://www.profil-art.sk/01_3/030-39.htm]  {{sk}}
 
* Andrea Bátorová, [[Media:Batorova_Andrea_2001_Povazujete_akcne_umenie_za_revolucne_Rozhovor_s_Luciou_Gregorovou-Stachovou.pdf|"Považujete akčné umenie za revolučné? Rozhovor s Luciou Gregorovou-Stachovou"]], ''Profil'' 3, 2001, pp 30-39. [http://www.profil-art.sk/01_3/030-39.htm]  {{sk}}
 +
* Milan Stolárik, "Akčné umenie aperformance na Slovensku. Rozhovor s Michalom Murinom", ???. {{sk}}
  
 
; Booklets
 
; Booklets
Line 678: Line 939:
  
 
; Dissertations
 
; Dissertations
 +
* Zuzana Jakalová, ''[https://dspace.cuni.cz/bitstream/handle/20.500.11956/39618/BPTX_2009_2_11240_0_249035_0_88033.pdf Happening a podíl diváka na struktuře kolektivní akce (na příkladě slovenské umělecké scény od 60. do 90. let)]'', Praha: Karlova univerzita, 2010. Bachelor thesis. {{cz}}
 
* Omar Mirza, ''[[Media:Mirza_Omar_Aktionskunst_in_der_Slowakei_1965-1989.pdf|Aktionskunst in der Slowakei (1965-1989)]]'', Vienna, 2008. Master's thesis. {{de}}  
 
* Omar Mirza, ''[[Media:Mirza_Omar_Aktionskunst_in_der_Slowakei_1965-1989.pdf|Aktionskunst in der Slowakei (1965-1989)]]'', Vienna, 2008. Master's thesis. {{de}}  
 +
* Ján Kralovič, ''Stopa na dlažbe: Umenie akcie v mestskom priestore vrokoch 1965-2000 na Slovensku'', Trnava: Trnavská univerzita, 2012. PhD dissertation. {{sk}}
 +
 +
''See also publications on individual artists and events, i.e.: [[Alex Mlynárčik]], [[Július Koller]], [[Ľubomír Ďurček]], [[Róbert Cyprich]], [[Ján Budaj]], [[Transmusic Comp.]], [[Michal Murin]], [[József R. Juhász]], [[Transart Communication]], [[Studio erté]], [[SNEH]].''
 +
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 684: Line 950:
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-hu}}}|performance-hu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-hu}}}|performance-hu|
 
; Books
 
; Books
 +
* Júlia Klaniczay, Edit Sasvári (eds.), ''[[Media:Torvenytelen avantgard Galantai Gyorgy balatonboglari kapolnamuterme 1970-1973 2003.pdf|Törvénytelen avantgárd: Galántai György balatonboglári kápolnaműterme 1970-1973]]'', Budapest: Artpool–Balassi, 2003, 459 pp. The first comprehensive publication on performance and conceptual art events between 1970 and 1973 at the Balatonboglár Chapel in Hungary, founded by the artist György Galántai, the sort of activities that would be banned from 1974 until 1990 in Hungary. Chronicles the abandoned chapel as a unique site for experimental art in Hungary during state socialism, and includes an extensive chronology, previously unpublished archival documents, photographs and texts, interviews, and a bibliography. [https://www.artpool.hu/boglar/konyv.html] {{hu}}
 
* ''Az ebéd / The Lunch (in memoriam Batu kán): Happening Budapest H 1966'', eds. Zsuzsa László and Tamás St.Turba, trans. Csaba Polonyi, Budapest: tranzit.hu, 2011, 56 pp. Makes available the so far unpublished documents of the first happening in Hungary, conducted in 1966. [http://hu.tranzit.org/en/publications/0/publication/the-lunch] [http://www.youtube.com/watch?v=i8qPMQJ5Kjc] [http://exhibitionhistory.wordpress.com/1966/05/08/ebed-lunch/] {{hu}}/{{en}}
 
* ''Az ebéd / The Lunch (in memoriam Batu kán): Happening Budapest H 1966'', eds. Zsuzsa László and Tamás St.Turba, trans. Csaba Polonyi, Budapest: tranzit.hu, 2011, 56 pp. Makes available the so far unpublished documents of the first happening in Hungary, conducted in 1966. [http://hu.tranzit.org/en/publications/0/publication/the-lunch] [http://www.youtube.com/watch?v=i8qPMQJ5Kjc] [http://exhibitionhistory.wordpress.com/1966/05/08/ebed-lunch/] {{hu}}/{{en}}
 +
* Katalin Cseh-Varga, ''[http://libgen.rs/book/index.php?md5=B9A06F8DEBA55EE5EB53430B6203211E The Hungarian Avant-Garde and Socialism: The Art of the Second Public Sphere]'', Bloomsbury, 2022, 264 pp, [http://libgen.rs/book/index.php?md5=B0C2A2F69D2D734407181DAB11CEBD67 EPUB]. [https://www.bloomsbury.com/us/hungarian-avantgarde-and-socialism-9781350211605/ Publisher]. {{en}}
  
; Essays
+
; Catalogues
 +
* ''Pécsi Műhely: Místo činu: maďarské akční umění ze sbírek Balázse Szluky a Muzea umění Olomouc / Scene of the Action: Hungarian Performing Art from Collections of Balázs Szluka and Olomouc Museum of Art / Helyszínelés: Magyar akcióművészet Szluka Balázs és az Olomouc Művészeti Múzeum gyűjteményeiből'', eds.  Štěpánka Bieleszová and Ladislav Daněk, Olomouc: Muzeum moderního umění, 2019, 111 pp. [https://muo.cz/shop/katalog--1/misto-cinu-scene-of-the-action-helyszineles-pecsi-mhely--186/ Publisher]. {{cz}}/{{en}}/{{hu}}
 +
* ''[[Media:Evasion Techniques 2020.pdf|Evasion Techniques: Subversive strategy and cocking a snook at authority in the Hungarian Avant-garde in the 1960s and '70s]]'', eds. Giuseppe Garrera, József Készman, Viktória Popovics and Sebastiano Triulzi, Rome: Palazzo delle Esposizioni, 2020. [https://www.palazzoesposizioni.it/mostra/evasion-techniques Exhibition]. [https://www.ludwigmuseum.hu/en/selection/techniques-evasion-subversive-strategies-hungarian-neo-avant-garde-1960s-and-70s Works]. {{en}}
 +
** ''[[Media:Tecniche d evasione 2020.pdf|Tecniche d'evasione]]'', Rome: Palazzo delle Esposizioni, 2020. {{it}}
 +
 
 +
; Essays, dissertations
 
* Bea Hock, [http://www.artpool.hu/performance/hock.html "What was Aided, Rejected, Tolerated in Hungary in the 1970s and 1980s"], 2001. {{en}}
 
* Bea Hock, [http://www.artpool.hu/performance/hock.html "What was Aided, Rejected, Tolerated in Hungary in the 1970s and 1980s"], 2001. {{en}}
 
* Maja Fowkes, [http://translocal.org/pdfs/Off%20the%20Record%20Performative%20Practices%20in%20the%20Hungarian%20Neoavantgarde.pdf "Off the Record: Performative Practices in the Hungarian Neo Avant-Garde and Their Resonance in Contemporary Art"], ''Centropa'' 14:1, Jan 2014, pp 57-71. {{en}}
 
* Maja Fowkes, [http://translocal.org/pdfs/Off%20the%20Record%20Performative%20Practices%20in%20the%20Hungarian%20Neoavantgarde.pdf "Off the Record: Performative Practices in the Hungarian Neo Avant-Garde and Their Resonance in Contemporary Art"], ''Centropa'' 14:1, Jan 2014, pp 57-71. {{en}}
 
* Katalin Cseh, [http://www.scirp.org/journal/PaperInformation.aspx?paperID=51725 "Chained Bodies and Monuments of Hierarchy in Hungarian Performance Art"], ''Art and Design Review'' 2 (2014), pp 73-77. {{en}}
 
* Katalin Cseh, [http://www.scirp.org/journal/PaperInformation.aspx?paperID=51725 "Chained Bodies and Monuments of Hierarchy in Hungarian Performance Art"], ''Art and Design Review'' 2 (2014), pp 73-77. {{en}}
 +
* Katalin Cseh-Varga, ''[[Media:Cseh-Varga_Katalin Rebellische SpielRaeume und Underground Netzwerke Die zweite Oeffentlichkeit der ungarischen Avantgarde 2016.pdf|Rebellische (Spiel)Räume und Underground Netzwerke. Die zweite Öffentlichkeit der ungarischen Avantgarde]]'', Munich: Ludwig-Maximilians-Universität München, 2016, 285 pp. PhD dissertation. {{de}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Poland===
 
===Poland===
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-pl}}}|performance-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-pl}}}|performance-pl|
 +
; Anthologies
 +
* ''Performance – wybór tekstów'', eds. Grzegorz Dziamski, Gajewski Henryk and Jan. St. Wojciechowski, Warsaw: Miodzieżowa Agencja Wydawnicza, 1984, 202+31 pp. {{pl}}
 +
 
; Books
 
; Books
 
* Alicja Kępińska, ''Nowa sztuka. Sztuka polska w latach 1945-1978'', Warsaw: Auriga, 1981. {{pl}}  
 
* Alicja Kępińska, ''Nowa sztuka. Sztuka polska w latach 1945-1978'', Warsaw: Auriga, 1981. {{pl}}  
* ''Performance – wybór tekstów'', eds. Grzegorz Dziamski, Gajewski Henryk and Jan. St. Wojciechowski, Warsaw: Miodzieżowa Agencja Wydawnicza, 1984, 202+31 pp. {{pl}}
 
 
* Tadeusz Pawłowski, ''Happening'', Warsaw, 1988. {{pl}}
 
* Tadeusz Pawłowski, ''Happening'', Warsaw, 1988. {{pl}}
 
* Sabine Folie (ed.), ''The Impossible Theater: Performativity in the Works of / Das unmögliche Theater: Performativität im Werk von Pawel Althamer, Tadeusz Kantor, Katarzyna Kozyra, Robert Kusmirowski and Artur Zmijewski'', Nürnberg: Verlag für Moderne Kunst, 2005, 152 pp. Essays by Sabine Folie, Jaroslaw Suchan and Hanna Wroblewska. [http://www.artbook.com/3938821035.html] {{en}}/{{de}}
 
* Sabine Folie (ed.), ''The Impossible Theater: Performativity in the Works of / Das unmögliche Theater: Performativität im Werk von Pawel Althamer, Tadeusz Kantor, Katarzyna Kozyra, Robert Kusmirowski and Artur Zmijewski'', Nürnberg: Verlag für Moderne Kunst, 2005, 152 pp. Essays by Sabine Folie, Jaroslaw Suchan and Hanna Wroblewska. [http://www.artbook.com/3938821035.html] {{en}}/{{de}}
 
* Jan Przyłuski, ''Sztuka akcji. Dziesięć zdarzeń w Polsce'', Słupsk: Bałtycka Galeria Sztuki Współczesnej, 2007, 82 pp. [http://www.zlabuka.pl/products/item/531] {{pl}}
 
* Jan Przyłuski, ''Sztuka akcji. Dziesięć zdarzeń w Polsce'', Słupsk: Bałtycka Galeria Sztuki Współczesnej, 2007, 82 pp. [http://www.zlabuka.pl/products/item/531] {{pl}}
* Amy Bryzgel, ''Performing the East: Performance Art in Russia, Latvia and Poland since 1980'', IB Tauris, 2013, 320 pp. [http://academia.edu/1883099] {{en}}
+
* Agnieszka Sosnowska, ''Performans oporu'', Warsaw: Fundacja Nowej Kultury Bęc Zmiana, Centrum Sztuki Współczesnej Zamek Ujazdowski, and Instytut Kultury Polskiej Uniwersytetu Warszawskiego, 2018, 226 pp. [https://issuu.com/beczmiana/docs/bec_sosnowska-issuu Excerpt]. [https://u-jazdowski.pl/program/publikacje/agnieszka-sosnowska-performans-oporu Publisher]. {{pl}}
 +
 
 +
; Catalogues
 +
* ''[[Media:Projects_Performances_Czechoslovakia_Poland_Hallwalls_1977.pdf|Projects / Performances: Czechoslovakia / Poland]]'', ed. & intro. Charlotta Kotik, Buffalo, NY: Hallwalls, 1977, 16 pp. With works by Anna Bolcewicz, Zofia Kulik, Tomasz Sikorski, Krzystof Zarebski, a.o. [http://www.hallwalls.org/pubs/1.html] {{en}}
 +
 
 +
; Magazine issues
 +
* [https://issuu.com/biuro/docs/biuro_srodek_web ''Biuro'' 12: "Performans i niepoczytalność"], Wrocław: BWA, 2016. {{pl}}
  
; Essays
+
; Book chapters, essays
 
* Stefan Morawski, "Happening. Rodowód – charakter – funkcje", ''Dialog'' 9 (1971), pp 109-131, & 10 (1971), pp 117-136. {{pl}}
 
* Stefan Morawski, "Happening. Rodowód – charakter – funkcje", ''Dialog'' 9 (1971), pp 109-131, & 10 (1971), pp 117-136. {{pl}}
 
* Grzegorz Dziamski, "Performance Art", ''Dialog: miesięcznik Związku Literatów Polskich'' 27:7 (1982), pp 79-95. {{pl}}
 
* Grzegorz Dziamski, "Performance Art", ''Dialog: miesięcznik Związku Literatów Polskich'' 27:7 (1982), pp 79-95. {{pl}}
 +
* Grzegorz Dziamski, [[Media:Dziamski Grzegorz 1989 Pologne.pdf|"Pologne"]], ''Inter'' 43, pp 50-76. {{fr}}/{{en}}
 
* Grzegorz Dziamski, [[Media:Dziamski_Grzegorz_1996_Happening_performance.pdf|"Happening, performance"]], in ''Od awangardy do postmodernizmu. Encyklopedia kultury polskiej XX wieku'', ed. Dziamski, Warsaw, 1996, pp 349-368. {{pl}}
 
* Grzegorz Dziamski, [[Media:Dziamski_Grzegorz_1996_Happening_performance.pdf|"Happening, performance"]], in ''Od awangardy do postmodernizmu. Encyklopedia kultury polskiej XX wieku'', ed. Dziamski, Warsaw, 1996, pp 349-368. {{pl}}
 
* Józef Bury, [http://art.action.anamnese.free.fr/bury1.html "Contexte d’apparition des pratiques artistiques de type performance en Pologne"], ''Æsthetica-Nova'' 6, Paris, 1996, pp 40-70. {{fr}}
 
* Józef Bury, [http://art.action.anamnese.free.fr/bury1.html "Contexte d’apparition des pratiques artistiques de type performance en Pologne"], ''Æsthetica-Nova'' 6, Paris, 1996, pp 40-70. {{fr}}
 +
* Amy Bryzgel, "Filming Young Girls and Older Men: Performing Gender in Poland", in Bryzgel, ''Performing the East: Performance Art in Russia, Latvia and Poland since 1980'', London and New York: IB Tauris, 2013, pp 157-220. {{en}}
 
* Amy Bryzgel, [http://academia.edu/6395466 "Games Played by Different Rules: Performance Art in Poland, 1970-2000"], ''Centropa'' 14:1, Jan 2014, pp 8-22. {{en}}
 
* Amy Bryzgel, [http://academia.edu/6395466 "Games Played by Different Rules: Performance Art in Poland, 1970-2000"], ''Centropa'' 14:1, Jan 2014, pp 8-22. {{en}}
 
* [http://pl.wikipedia.org/wiki/Historia_polskiego_performance "Historia polskiego performance"], ''Wikipedia PL''.
 
* [http://pl.wikipedia.org/wiki/Historia_polskiego_performance "Historia polskiego performance"], ''Wikipedia PL''.
Line 713: Line 997:
 
* Aleksandra Drozdowska, ''[http://www.moryto-art.net/index_htm_files/Polnische%20Performancekunst.pdf Studien zur polnischen Performancekunst mit Schwerpunkt auf die 70er und 80er Jahre des 20. Jahrhunderts]'', Vienna: Universität Wien, 2013, 104 pp. Master's thesis. {{de}}
 
* Aleksandra Drozdowska, ''[http://www.moryto-art.net/index_htm_files/Polnische%20Performancekunst.pdf Studien zur polnischen Performancekunst mit Schwerpunkt auf die 70er und 80er Jahre des 20. Jahrhunderts]'', Vienna: Universität Wien, 2013, 104 pp. Master's thesis. {{de}}
 
* Jacek Karaszewski, ''[http://karaszewski.com/papers/transgresja_w_sztuce_performansu.pdf Transgresja w sztuce performansu]'', Warsaw, 2013. Master's thesis. {{pl}}
 
* Jacek Karaszewski, ''[http://karaszewski.com/papers/transgresja_w_sztuce_performansu.pdf Transgresja w sztuce performansu]'', Warsaw, 2013. Master's thesis. {{pl}}
 +
}}</onlyinclude>
 +
 +
===East Germany===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|performance-gdr}}}|performance-gdr|
 +
* Angelika Richter, ''Das Gesetz der Szene: Genderkritik, Performance Art und zweite Öffentlichkeit in der späten DDR'', Bielefeld: transcript, 2019, 408 pp. [https://www.transcript-verlag.de/978-3-8376-4572-9/das-gesetz-der-szene/] [https://www.degruyter.com/view/product/512175] [https://books.google.com/books?id=vcGJDwAAQBAJ&printsec=frontcover]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Yugoslavia===
 
===Yugoslavia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-yu}}}|performance-yu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-yu}}}|performance-yu|
* ''[http://monoskop.org/log/?p=5903 The New Art Practice in Yugoslavia, 1966-1978]'', ed. Marijan Susovski, Zagreb: Gallery of Contemporary Art, 1978, 148 pp. Catalogue. {{en}}/{{sc}}
+
* ''[http://monoskop.org/log/?p=5903 Nova umjetnička praksa, 1966-1978]'', ed. Marijan Susovski, Zagreb: Galerija suvremene umjetnosti, 1978, 106+[66] pp. Catalogue. {{sc}}
 +
** ''[http://monoskop.org/log/?p=5903 The New Art Practice in Yugoslavia, 1966-1978]'', ed. Marijan Susovski, Zagreb: Gallery of Contemporary Art, 1978, 80+[61] pp. {{en}}
 +
* Bálint Szombathy, "Action Art in Yugoslavia and its Successor States between 1969 and 1999" / "L ́art action en Yougoslavie et dans les États qui lui ont succédé de 1969 a 1999", in ''Art Action 1958-1998'', ed. Richard Martel, Québec: Inter, 2001, pp 478-487. {{en}}/{{fr}}
 
* Branislav Jakovljević, [http://monoskop.org/images/a/ac/Bishop_Claire_Dziewanska_Marta_eds_1968-1989_Political_Upheaval_and_Artistic_Change.pdf#page=30 "Handworks: Yugoslav Gestural Culture and Performance Art"], in ''1968-1989: Political Upheaval and Artistic Change'', eds. Claire Bishop and Marta Dziewańska, Warsaw: Museum of Modern Art, 2009, pp 30-50. Proceedings from the 2008 conference. {{en}}
 
* Branislav Jakovljević, [http://monoskop.org/images/a/ac/Bishop_Claire_Dziewanska_Marta_eds_1968-1989_Political_Upheaval_and_Artistic_Change.pdf#page=30 "Handworks: Yugoslav Gestural Culture and Performance Art"], in ''1968-1989: Political Upheaval and Artistic Change'', eds. Claire Bishop and Marta Dziewańska, Warsaw: Museum of Modern Art, 2009, pp 30-50. Proceedings from the 2008 conference. {{en}}
 +
* ''[[Media:Politicke_prakse_post_jugoslovenske_umetnosti_retrospektiva_01_2010.pdf|Političke prakse (post) jugoslovenske umetnosti: retrospektiva 01]]'', eds. Jelena Vesić and Zorana Dojić, Belgrade: Prelom kolektiv, 2010, 287 pp. Catalogue. [http://web.archive.org/web/20131210230116/http://pp-yu-art.net/] {{sc}}
 +
** ''Political Practices of (Post-) Yugoslav Art: Retrospective 01'', Belgrade: Prelom kolektiv, 2010, 279 pp. {{en}}
 +
* [[Media:Balcan Contemporary 7 Performance Art 2012.pdf|''Balcan Contemporary'' 7: "Performance Art"]], eds. Zvonimir Dobrović and André von Ah, Ljubljana: Maska, 2012, 25 pp. {{en}}
 +
* Branislav Jakovljević, ''[https://monoskop.org/log/?p=18261 Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91]'', University of Michigan Press, 2016, xii+369 pp. Explores aspects and relations between artistic and economic performances in Yugoslavia, such as self-management, socialist aestheticism, conceptual art, theoretical Marxism, performance art and political performances.
 +
* Bojana Videkanic, ''Nonaligned Modernism: Socialist Postcolonial Aesthetics in Yugoslavia, 1945-1985'', McGill-Queen's University Press, 2019, 304 pp. Based on [https://yorkspace.library.yorku.ca/xmlui/handle/10315/27595 PhD dissertation] (2013). [https://www.buala.org/en/face-to-face/nonaligned-modernisms-interview-with-bojana-videkanic Interview]. {{en}}
 +
* Marko Ilić, [[Media:Ilic Marko 2019 Made in Yugoslavia Struggles with Self-Management in the New Art Practice 1965-71.pdf|"“Made in Yugoslavia”: Struggles with Self-Management in the New Art Practice, 1965-71"]], ''ARTMargins'' 8:1, Feb 2019, pp 6-30. [https://doi.org/10.1162/artm_a_00225] {{en}}
 +
 +
* Marko Ilić, ''[[Media:Ilic Marko A Slow Burning Fire The Rise of the New Art Practice in Yugoslavia 2021.pdf|A Slow Burning Fire: The Rise of the New Art Practice in Yugoslavia]]'', Cambridge: MIT Press, Feb 2021, 384 pp. [https://mitpress.mit.edu/9780262044844/ Publisher]. Reviews: [https://artmargins.com/a-slow-burning-fire-the-rise-of-the-new-art-practice-in-yugoslavia/ Rounthwaite] (ArtMargins), [https://doi.org/10.1525/aft.2021.48.4.75 Jurich] (Afterimage), [https://www.artnews.com/art-in-america/aia-reviews/marko-ilic-a-slow-burning-fire-yugoslavia-1234585491/ Wetzler] (Art in America), [http://dx.doi.org/10.3202/caa.reviews.2021.56 Smith] (CAA), [https://journals.openedition.org/critiquedart/76230 Drosos] (Critique d'art). {{en}}
 +
 +
* Katja Praznik, ''[[Media:Praznik Katja Art Work Invisible Labour and the Legacy of Yugoslav Socialism 2021.pdf|Art Work: Invisible Labour and the Legacy of Yugoslav Socialism]]'', University of Toronto Press, 2021, 217 pp. [https://utorontopress.com/9781487508418/art-work/ Publisher]. Reviews: [https://journals.openedition.org/critiquedart/85580 Kulić] (Critique d'art), [https://doi.org/10.1177/17499755231157111 Webster] (Cult Soc). [https://lefteast.org/art-work-invisible-labour-and-legacy-of-yugoslav-socialism/] {{en}}
 +
** ''Delo umetnosti. Nevidno delo in zapuščina jugoslovanskega socializma'', Ljubljana: Maska, 2023. [https://maska.si/knjiga/katja-praznik-delo-umetnosti-nevidno-delo-in-zapuscina-jugoslovanskega-socializma/ Publisher]. {{sl}}
 +
* Jasmina Tumbas, ''[http://libgen.rs/book/index.php?md5=2F55951ED6B5E38B9F2B07A9A8903C3C "I am Jugoslovenka!": Feminist Performance Politics During and After Yugoslav Socialism]'', Manchester: Manchester University Press, 2022, 344 pp. [https://manchesteruniversitypress.co.uk/9781526156471/i-am-jugoslovenka/ Publisher]. {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Croatia===
 
===Croatia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-cr}}}|performance-cr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-cr}}}|performance-cr|
* Ivana Mance, "Performance Art Practices in Croatia from the Late 1960s through the late 1980s: An Essay in Genealogy", ''Centropa'' 14:1, Jan 2014. {{en}}
+
* Ivana Mance, "Performance Art Practices in Croatia from the Late 1960s through the late 1980s: An Essay in Genealogy", ''Centropa'' 14:1, Jan 2014. [http://www.artworlds.org/centropa/page5/styled-8/page44.html] {{en}}
 +
* Suzana Marjanić, ''Kronotop hrvatskoga performansa: od Travelera do danas'', 3 vols., Zagreb : Udruga Bijeli val: Institut za etnologiju i folkloristiku: Školska knjiga, 2014, 2008 pp. [http://www.ief.hr/Portals/0/PropertyAgent/418/Files/195/Sadrzaj.pdf TOC]. [http://www.ief.hr/Izdava%C5%A1tvo/tabid/67/agentType/View/ID/195/Default.aspx] {{cr}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Serbia===
 
===Serbia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-sr}}}|performance-sr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-sr}}}|performance-sr|
 +
 
* kuda.org (eds.), ''[http://monoskop.org/log/?p=2021 The Continuous Art Class: The Novi Sad Neo-Avant-Garde of the 1960s and 1970s]'', trans. Orfeas Skutelis and Nikolina Knežević, Frankfurt am Main: Revolver, 2005. {{sr}}/{{en}}
 
* kuda.org (eds.), ''[http://monoskop.org/log/?p=2021 The Continuous Art Class: The Novi Sad Neo-Avant-Garde of the 1960s and 1970s]'', trans. Orfeas Skutelis and Nikolina Knežević, Frankfurt am Main: Revolver, 2005. {{sr}}/{{en}}
 +
 
* kuda.org (eds.), ''[http://monoskop.org/log/?p=2050 Omitted History]'', trans. Nebojša Pajić, Frankfurt am Main: Revolver, 2006, 134 pp. {{sr}}/{{en}}
 
* kuda.org (eds.), ''[http://monoskop.org/log/?p=2050 Omitted History]'', trans. Nebojša Pajić, Frankfurt am Main: Revolver, 2006, 134 pp. {{sr}}/{{en}}
 +
 +
* Ana Vujanović, [[Media:Vujanovic Ana 2010 Performans umetnost preko neoavangarde ka konceptualnoj umetnosti.pdf|"Performans umetnost: preko neoavangarde ka konceptualnoj umetnosti"]] [Performance Art: Via Neo-avant-garde to Conceptual Art], in ''Istorija umetnosti u Srbiji XX vek, 1'', ed. Miško Šuvaković, Belgrade: Orion art, 2010, pp 463‒480. [https://www.academia.edu/34111719/] {{sr}}
 +
 +
* Iva Glisić, Biljana Purić, [http://sci-hub.st/10.1080/09528822.2019.1607204 "Art as a Living Archive: Post-1989 Performance Art in Serbia and Russia"], ''Third Text'' 33:2, 2019, pp 213-234.
 +
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 736: Line 1,047:
 
; Books
 
; Books
 
* Ileana Pintilie, ''Actionismul in Romania în timpul comunismului'', Cluj: Idea, 1999. {{ro}}
 
* Ileana Pintilie, ''Actionismul in Romania în timpul comunismului'', Cluj: Idea, 1999. {{ro}}
** ''Actionism in Romania During the Communist Era'', Cluj: Idea, 2002. {{en}}
+
** ''Actionism in Romania During the Communist Era'', trans. Silviu Pepelea, Cluj: Idea Design & Print, 2002, 165 pp. {{en}}
 +
* Cristian Nae (ed.), ''[[Media:Nae Cristian Invisible Frames Rhetoric and Exhibition Practices in Romania During the Period 1965-1989 2016.pdf|Cadre (in)vizibile. Retorici și practici expoziționale în România în perioada 1965-1989 / (In)visible Frames. Rhetoric and Exhibition Practices in Romania During the Period 1965-1989]]'', Cluj: Idea Design & Print, and Bucharest: Unarte, 2016, 351 pp. [https://editura.unarte.org/en/publications/cadre-invizibile-retorici-si-practici-expozitionale-in-romania-in-perioada-1965-1989/ Publisher]. {{ro}}/{{en}}
  
 
; Essays
 
; Essays
Line 750: Line 1,062:
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-ee}}}|performance-ee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-ee}}}|performance-ee|
 
* Raivo Kelomees, "RÜHM T on Toompea Hill", ''Kultuurileht'', 25 Oct 1996, [http://artun.ee/~raivo/groupT.html]
 
* Raivo Kelomees, "RÜHM T on Toompea Hill", ''Kultuurileht'', 25 Oct 1996, [http://artun.ee/~raivo/groupT.html]
 +
* [https://estinst.ee/wp-content/uploads/2017/03/234_art2009-1.pdf#page=19 "Fluxus East in Estonia. Eha Komissarov interviewed by Eero Epner"], ''Estonian Art'' 1, 2009. {{en}}
 +
* Petra Stegman, [https://estinst.ee/wp-content/uploads/2017/03/234_art2009-1.pdf#page=22 "Happenings and action art in Estonia"], ''Estonian Art'' 1, 2009. {{en}}
 +
}}</onlyinclude>
 +
 +
===Latvia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|performance-lv}}}|performance-lv|
 +
 +
* Amy Bryzgel, "The Bronze Man and the Homeless Man: Performing Appearance in Latvia", in Bryzgel, ''Performing the East: Performance Art in Russia, Latvia and Poland since 1980'', London and New York: IB Tauris, 2013, pp 100-156. {{en}}
 +
 +
* Laine Kristberga, Līna Birzaka-Priekule, "From Micro-politics to Macro-politics: Performance Art in the Late Socialist Period in Latvia", ''Studies on Art and Architecture'' 3-4, Tallinn: Estonian Society of Art Historians and Curators, 2023, pp 168-192. [https://ktu.kty.ee/en] {{en}}
 +
 +
}}</onlyinclude>
 +
 +
===Ukraine===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|performance-ua}}}|performance-ua|
 +
 +
* Alisa Lozhkina, [[Media:Lozhkina Alisa 2017 Permanent Revolution Contemporary Art and Politics in Ukraine 1987-2017.pdf|"Permanent Revolution: Contemporary Art and Politics in Ukraine 1987-2017"]], in ''Art Riot: Post-Soviet Actionism'', ed. Andrey Kovalev, ABCdesign Studio, 2017, pp 156-177, [https://www.artriot.art/page.html?id=85 HTML]. {{en}}
 +
** [https://www.artriot.art/rus/page.html?id=85 "Permanent Revolution. Современное искусство и политика в Украине 1987-2017"], n.d. {{ru}}
 +
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 755: Line 1,086:
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualpoetry-cz}}}|visualpoetry-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualpoetry-cz}}}|visualpoetry-cz|
* Josef Hiršal, Bohumila Grögerová (eds.), ''[http://monoskop.org/log/?p=10262 Slovo, písmo, akce, hlas: K estetice kultury technického věku]'', Prague: Československý spisovatel, 1967, 256 pp. {{cz}}
+
''See also magazine ''Psí víno''.''
* Josef Hlaváček, [[Media:Hlavacek_Josef_2007_Vizualni_a_konkretni_poezie_lettrismus.pdf|"Vizuální a konkrétní poezie, lettrismus"]], in ''Dějiny českého výtvarného umění VI/1'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 233-239. {{cz}}
+
* Jiří Valoch, "Česká vizuální poezie sedmdesátých let", in Radomír Pospíšil, et al., ''Literárněvědný sborník Památníku národního písemnictví'', Prague: PNP, 1982, pp 42-51. {{cz}}
 +
** [https://monoskop.org/images/1/1d/Problemi_Literatura_22_242_1984.pdf#page=52 "Češka vizualna poezija sedemdesetih let"], trans. Nives Vidrih, ''Problemi. Literatura'' 22:242, Ljubljana: RK ZSMS, 1984, pp 50-58. {{sl}}
 +
* Jiří Valoch, "České vizuální texty. Náčrt přehledu šedesátých až osmdesátých let", ''Rok'' 1, Brno, 1991. {{cz}}
 +
* Josef Hiršal, Bohumila Grögerová, ''Let let: Pokus o rekapitulaci'', 3 vols., Prague: Rozmluvy, 1993-94; repr., Prague: Torst, 2007, 1046 pp. Memoir covering the years 1952-68. Review: [https://www.respekt.cz/tydenik/2007/37/poprve-v-plnem-zneni Karfík] (Respekt).
 +
* Josef Hlaváček, [[Media:Hlavacek_Josef_2007_Vizualni_a_konkretni_poezie_lettrismus.pdf|"Vizuální a konkrétní poezie, lettrismus"]], in ''Dějiny českého výtvarného umění VI/1'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 232-239. {{cz}}
 +
* [[Media:Wagon 3-4 Experimentalni poesie 2007.pdf|''Wagon'' 3-4: "Experimentální poesie"]], ed. Olga Stehlíková, 2007, 557 pp, [http://www.almanachwagon.cz/exp.htm HTML]. {{cz}}
 +
* [[Media:Janousek Pavel et al 2008 Laboratore basnickeho experimentu.pdf|"Laboratoře básnického experimentu"]], in ''Dějiny české literatury 1945-1989'', vol. 3: 1958-1969, ed. Pavel Janoušek, Prague: Academia, 2008, pp 232-242.
 +
* Astrid Winter, [https://edicee.ucl.cas.cz/images/data/sborniky/kongres/%C4%8Cesk%C3%A1%20literatura%20v%20intermedi%C3%A1ln%C3%AD%20perspektiv%C4%9B/003_astrid_winter.pdf "Jiná estetika. Konceptualismus a transmedialita v české literatuře po druhé světové válce"], in ''Česká literatura v intermediální perspektivě'', ed. Stanislava Fedrová, Prague: Ústav pro českou literaturu AV ČR, and Akropolis, 2010, pp 26-38. [https://edicee.ucl.cas.cz/sborniky/kongresove/151-ceska-literatura-v-intermedialni-perspektive] {{cz}}
 +
* Josef Štochl, [[Media:Stochl_Josef_2010_Antologie_Vrh_kostek_Die_Wiener_Gruppe_a_Havlovy_Antikody.pdf|"Antologie ''Vrh kostek, Die Wiener Gruppe'' a Havlovy ''Antikódy''"]], in ''Česká literatura v intermediální perspektivě'', ed. Stanislava Fedrová, Prague: Ústav pro českou literaturu AV ČR, and Akropolis, 2010, pp 39-50. [https://edicee.ucl.cas.cz/sborniky/kongresove/151-ceska-literatura-v-intermedialni-perspektive] {{cz}}
 
* Eva Krátká (ed.), ''Česká vizuální poezie. Teoretické texty'', Brno: Host, 2013, 308 pp. [http://nakladatelstvi.hostbrno.cz/nakladatelstvi/literarni-veda-a-historie/ostatni/ceska-vizualni-poezie-teoreticke-texty-843]. Reviews: [http://nakladatelstvi.hostbrno.cz/download/recenze-pdf/kr%C3%A1tk%C3%A1.pdf Košnarová] (Tvar), [http://www.psivino.cz/?p=1260 Peková] (Psí víno), [http://romboid.eu/attachments/article/47/romboid5-6-2013-text-tlac.pdf#page=129 Rehúš] (Romboid), [http://nakladatelstvi.hostbrno.cz/download/recenze-pdf/a2-12-2013-kratka.jpg Langerová] (A2), [http://nakladatelstvi.hostbrno.cz/download/recenze-pdf/recenze-art-antiques-2013-5.pdf Ledvina] (Art+Antiques), [http://www.novinky.cz/kultura/salon/302447-nad-knihou-ceska-vizualni-poezie-e-x-periment-na-druhou.html Šanda] (Právo), [http://www.vaseliteratura.cz/recenze/odborna-literatura/3923-ceska-vizualni-poezie.html Kuběnský] (Vaseliteratura.cz). {{cz}}
 
* Eva Krátká (ed.), ''Česká vizuální poezie. Teoretické texty'', Brno: Host, 2013, 308 pp. [http://nakladatelstvi.hostbrno.cz/nakladatelstvi/literarni-veda-a-historie/ostatni/ceska-vizualni-poezie-teoreticke-texty-843]. Reviews: [http://nakladatelstvi.hostbrno.cz/download/recenze-pdf/kr%C3%A1tk%C3%A1.pdf Košnarová] (Tvar), [http://www.psivino.cz/?p=1260 Peková] (Psí víno), [http://romboid.eu/attachments/article/47/romboid5-6-2013-text-tlac.pdf#page=129 Rehúš] (Romboid), [http://nakladatelstvi.hostbrno.cz/download/recenze-pdf/a2-12-2013-kratka.jpg Langerová] (A2), [http://nakladatelstvi.hostbrno.cz/download/recenze-pdf/recenze-art-antiques-2013-5.pdf Ledvina] (Art+Antiques), [http://www.novinky.cz/kultura/salon/302447-nad-knihou-ceska-vizualni-poezie-e-x-periment-na-druhou.html Šanda] (Právo), [http://www.vaseliteratura.cz/recenze/odborna-literatura/3923-ceska-vizualni-poezie.html Kuběnský] (Vaseliteratura.cz). {{cz}}
 +
* [https://issuu.com/korporacja_haart/docs/ha_42_calosc ''Ha!art'' 42(2): "Czeska i słowacka literatura nowomedialna"], Kraków: Korporacja Ha!art, 2013. {{pl}}
 +
* Enter+: Creative Manual for Repurposing in Electronic Literature, eds. María Mencía and Zuzana Husárová, Košice: Dive Buki, 2015, 104 pp. [http://www.divebuki.sk/sk/casopis-enter/enter-repurposing] {{en}}
 
* Eva Krátká, ''Vizuální poezie. Pojmy, kategorie a typologie ve světovém kontextu'', Brno: Host, 2016, 320 pp. [https://www.kosmas.cz/knihy/206421/vizualni-poezie/] {{cz}}
 
* Eva Krátká, ''Vizuální poezie. Pojmy, kategorie a typologie ve světovém kontextu'', Brno: Host, 2016, 320 pp. [https://www.kosmas.cz/knihy/206421/vizualni-poezie/] {{cz}}
 +
}}</onlyinclude>
 +
 +
===Slovakia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|visualpoetry-sk}}}|visualpoetry-sk|
 +
''See also magazines ''Kloaka'' and ''Enter''.''
 +
* Zora Rusinová, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=74 "Experimentálna poézia"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', Bratislava: Kruh súčasného výtvarného umenia, 1999, pp 75-79. Encyclopedic entry. {{sk}}
 +
* Zora Rusinová, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=154 "Lettrizmus"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', Bratislava: Kruh súčasného výtvarného umenia, 1999. Encyclopedic entry. {{sk}}
 +
* František Štraus, Štefan Moravčík, ''Princípy hry v slovenskej poézii'', Martin: Matica slovenská, 2001. {{sk}}
 +
* Miloš Štofko, "Experimentálna poézia", in Štofko, ''Od abstrakcie po živé umenie. Slovník pojmov moderného a postmoderného umenia'', Bratislava: Slovart, 2007, pp 59-62. Encyclopedic entry. {{sk}}
 +
* Katarína Ihringová, "Experimentálna poézia a jej podoby v slovenskom vizuálnom umení", ''Slovenská literatúra'' 58:4, Bratislava: Slovenská akadémia vied, 2011, pp 317-330. [https://www.sav.sk/index.php?lang=sk&doc=journal-list&part=list_articles&journal_issue_no=11112500#abstract_6505] {{sk}}
 +
* Katarína Ihringová, ''Vzťah slova a obrazu v slovenskom vizuálnom umení'', Trnava: Pergamen, 2012. {{sk}}
 +
* Bogumiła Suwara, Zuzana Husárová (eds.), ''[https://monoskop.org/log/?p=5759 V sieti strednej Európy: nielen o elektronickej literatúre]'', Bratislava: SAP & Ústav svetovej literatúry, 2012, 312 pp. {{sk}},{{cz}}
 +
* Michal Rehúš, Jaroslav Šrank, "Nesystematický návod na použitie slovenskej experimentálnej poézie", in ''V sieti strednej Európy: nielen o elektronickej literatúre'', eds. Bogumila Suwara and Zuzana Husárová, Bratislava: SAP a Ústav svetovej literatúry, 2012, pp 241-264. {{sk}}
 +
* [https://issuu.com/korporacja_haart/docs/ha_42_calosc ''Ha!art'' 42(2): "Czeska i słowacka literatura nowomedialna"], Kraków: Korporacja Ha!art, 2013. {{pl}}
 +
* Michal Jareš, Veronika Ráczová, Ľubica Schmarcová, "Experimentálna línia", in ''Hľadanie súčasnosti. Slovenská literatúra začiatku 21. storočia'', Bratislava: Literárne informačné centrum, 2014. [http://www.litcentrum.sk/64024] {{sk}}
 +
* ''Enter'' 24: "Kreatívny manuál pre slovenskú nekonvenčnú poéziu", ed. Michal Murin, Košice: Dive Buki, Dec 2015, 90 pp. [http://www.divebuki.sk/sk/casopis-enter/enter-no-24] {{sk}}
 +
* Michal Murin, "Triangulačné body nekonvenčnej poézie na Slovensku", in Milan Adamčiak, ''Archív II (KOPO): konkrétna poézia 1964-1972'', Košice: Dive Buki, 2016, pp 12-85. {{sk}}
 +
* Peter Zajac, "Optická poézia Milana Adamčiaka v kontexte slovenskej literatúry", in Milan Adamčiak, ''Archív II (KOPO): konkrétna poézia 1964-1972'', Košice: Dive Buki, 2016, pp 294-326. {{sk}}
 +
* Zuzana Husárová, [[Media:Husarova_Zuzana_2016_Slovenska_elektronicka_literatura.pdf|"Slovenská elektronická literatúra"]], ''World Literature Studies'' 3:8, 2016, pp 57-77. {{sk}}
 +
}}</onlyinclude>
 +
 +
===Poland===
 +
 +
<onlyinclude>{{#ifeq:{{{transcludesection|visualpoetry-pl}}}|visualpoetry-pl|
 +
 +
* Tadeusz Sławek, ''Między literami. Szkice o poezji konkretnej'' [Between Letters: Sketches on Concrete Poetry], Katowice: Wydawnictwo Dolnośląskie, 1989. {{pl}}
 +
 +
* Piotr Rypson, ''Obraz slowa historia poezji wisualnej'', Warsaw, 1989, 373 pp. {{pl}}
 +
 +
* Piotr Rypson, ''[[Media:Rypson Piotr Piramidy slonca labirynty Poezja wizualna w Polsce od XVI do XVIII wieku 2002.pdf|Piramidy, słońca, labirynty. Poezja wizualna w Polsce od XVI do XVIII wieku]]'', Warsaw: Neriton, 2002, 350 pp. {{pl}}
 +
 +
* Małgorzata Dawidek Gryglicka, ''Historia tekstu wizualnego. Polska po 1967 roku'', Kraków: Korporacja Ha!art, 2012, 752 pp. Review: [http://enclavereview.org/visual-text-in-poland-since-1967-a-review-of-malgorzata-dawidek-gryglicka/ Kearns] (Enclave). {{pl}}
 +
 +
* Piotr Bogalecki, [https://www.journals.us.edu.pl/index.php/ERRGO/article/view/5373 "Lewą ręką: polscy teoretycy poezji konkretnej jako konkretyści (Józef Bujnowski, Tadeusz Sławek, Piotr Rypson)"] [With the Left Hand. Polish Theoreticians of Concrete Poetry as Concrete Poets], ''Teoria - Literatura - Kultura'' 36, 2018, pp 179-210. {{pl}}
 +
 +
}}</onlyinclude>
 +
 +
===Yugoslavia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|visualpoetry-yu}}}|visualpoetry-yu|
 +
* Dubravka Đurić, "Radical Poetic Practices: Concrete and Visual Poetry in the Avant-garde and Neo-avant-garde", in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 64-95. {{en}}
 +
* ''OEI'' 90-91: "Sickle of Syntax & Hammer of Tautology: Concrete and Visual Poetry in Yugoslavia, 1968-1983", ed. Sezgin Boynik, Stockholm, 2021, 304 pp. [http://www.oei.nu/w/3.html] [https://www.facebook.com/mdnardone/posts/3794159024010181]
 +
}}</onlyinclude>
 +
 +
===Romania===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|visualpoetry-ro}}}|visualpoetry-ro|
 +
* Andrei Oisteanu, "The Romanian Avant-Garde And Visual Poetry", in ''Dada East? The Romanians of Cabaret Voltaire'', eds. Adrian Notz and E-cart.ro, Zurich: Cabaret Voltaire, and Bucharest: E-cart.ro, 2007; [http://www.corpse.org/index.php?option=com_content&task=view&id=177 repr. in] ''Exquisite Corpse. A Journal of Letters and Life'', n.d. {{en}}
 +
}}</onlyinclude>
 +
 +
===East Germany===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|visualpoetry-gdr}}}|visualpoetry-gdr|
 +
* Liselotte Gimpel, ''"Concrete" Poetry from East and West Germany: The Language of Exemplarism and Experimentalism'', Yale University Press, 1977, xvi+268 pp. Reviews: [http://sci-hub.st/10.1177/004724417800803008 Butler] (J Eur Stud), [http://newprairiepress.org/cgi/viewcontent.cgi?article=1093&context=gdr O'Swald] (GDR Bulletin), [http://newprairiepress.org/cgi/viewcontent.cgi?article=1242&context=gdr Weimar] (GDR Bulletin). {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-cee}}}|conceptualart-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-cee}}}|conceptualart-cee|
* ''[http://monoskop.org/log/?p=15622 Aktuelle Kunst in Osteuropa]'', ed. Klaus Groh, Cologne: DuMont-Schauberg, 1972, 222 pp. {{de}}
+
 
* ''Vision'' 2: "Eastern Europe", ed. Tom Marioni, San Francisco: Crown Point Press, Jan 1976. [http://www.eastofborneo.org/articles/vision-magazine-idea-oriented-art-in-print-1975-1981] {{en}}
+
* Klaus Groh (ed.), ''[http://monoskop.org/log/?p=15622 Aktuelle Kunst in Osteuropa]'', Cologne: DuMont-Schauberg, 1972, 222 pp. One of first books to cover performance, conceptual, and mail art in Yugoslavia, Poland, Romania, Czechoslovakia, Hungary, and the Soviet Union. Short introduction by the author followed by b&w photographs, artists’ statements, and a bibliography. [https://www.arthistoricum.net/themen/portale/kunst-sowjetunion/klaus-groh Archive]. {{de}}
* ''[http://monoskop.org/log/?p=5903 The New Art Practice in Yugoslavia, 1966-1978]'', ed. Marijan Susovski, Zagreb: Gallery of Contemporary Art, 1978, 148 pp. Catalogue. {{en}}/{{sc}}
+
 
* Tony Godfrey, ''Conceptual Art'', London: Phaidon, 1998, pp 264-275. {{en}}
+
* [[Media:Vision_2_Eastern_Europe_1976.pdf|''Vision'' 2: "Eastern Europe"]], ed. Tom Marioni, San Francisco: Crown Point Press, Jan 1976. [http://www.eastofborneo.org/articles/vision-magazine-idea-oriented-art-in-print-1975-1981] {{en}}
* László Beke, "Conceptualist Tendencies in Eastern European Art", in ''Global Conceptualism: Points of Origin 1950-1980s'', eds. Jane Ferver, Luis Camnitzer and Rachel Weiss, New York: Queen's Museum of Art, 1999, pp 41-51. Catalogue essay. [http://swbplus.bsz-bw.de/bsz081691351inh.pdf TOC]. {{en}}
+
 
* Desa Philippi, [[Media:Philippi_Desa_1999_Matter_of_Words_Translations_in_East_European_Conceptualism.pdf|"Matter of Words: Translations in East European Conceptualism"]], in ''Rewriting Conceptual Art'', eds. Michael Newman and Jon Bird, London: Reaktion Books, 1999, pp 152-168. {{en}}
+
* ''[http://monoskop.org/log/?p=5903 The New Art Practice in Yugoslavia, 1966-1978]'', ed. Marijan Susovski, Zagreb: Gallery of Contemporary Art, 1978, 148 pp. Exh. cat. {{en}}/{{sc}}
* "Conceptual Art and Times of Transition", ch 3 in ''Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s'', eds. Laura Hoptman and Tomáš Pospiszyl, MIT Press, 2002, pp 122-195. [http://books.google.com/books?id=BLbSUv4p0PsC&pg=PA122] {{en}}
+
 
 +
* Tony Godfrey, ''Conceptual Art'', London: Phaidon, 1998, pp 264-275, [https://archive.org/details/conceptualart0000godf IA]. {{en}}
 +
 
 +
* László Beke, "Conceptualist Tendencies in Eastern European Art", in ''Global Conceptualism: Points of Origin 1950-1980s'', eds. Jane Ferver, Luis Camnitzer and Rachel Weiss, New York: Queens Museum of Art, 1999, pp 41-51. [http://swbplus.bsz-bw.de/bsz081691351inh.pdf TOC]. Exh. held at [https://queensmuseum.org/exhibition/global-conceptualism/ Queens Museum], New York, 28 Apr-29 Aug 1999; the Walker Art Center, Minneapolis, MN, 19 Dec 1999–5 Mar 2000; [https://listart.mit.edu/exhibitions/global-conceptualism-points-origin-1950s-1980s Hayden Hall MIT], 24 Oct-31 Dec 2000. Exh. review: [https://www.artforum.com/events/global-conceptualism-points-of-origin-1950s-1980s-193532/ Meyer] (Artforum), [https://www.nytimes.com/1999/05/07/arts/art-review-conceptual-but-verbal-very-verbal.html Johnson] (NYT). {{en}}
 +
 
 +
* Desa Philippi, [[Media:Philippi_Desa_1999_Matter_of_Words_Translations_in_East_European_Conceptualism.pdf|"Matter of Words: Translations in East European Conceptualism"]], in ''Rewriting Conceptual Art'', eds. Michael Newman and Jon Bird, London: Reaktion Books, Dec 1999, pp 152-168. {{en}}
 +
 
 +
* "Conceptual Art and Times of Transition", ch. 3 in ''[https://monoskop.org/log/?p=22077 Primary Documents: A Sourcebook for Eastern and Central European Art Since the 1950s]'', eds. Laura Hoptman and Tomáš Pospiszyl, New York: Museum of Modern Art, Dec 2002, pp 122-195. {{en}}
 +
 
 
* in ''Conceptual Art'', ed. Peter Osborne, London: Phaidon, 2002. {{en}}
 
* in ''Conceptual Art'', ed. Peter Osborne, London: Phaidon, 2002. {{en}}
* Miško Šuvaković, "Conceptual Art", in ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', eds. Dubravka Đurić and Miško Šuvaković, MIT Press, 2003, pp 210-245. {{en}}
+
 
 
* Miško Šuvaković, [http://archive.org/stream/Suvakovic#page/n312/mode/1up "Konceptualna umjetnost"], in Šuvaković, ''Pojmovnik suvremene umjetnosti'', Zagreb: Horetzky, 2005. {{cr}}
 
* Miško Šuvaković, [http://archive.org/stream/Suvakovic#page/n312/mode/1up "Konceptualna umjetnost"], in Šuvaković, ''Pojmovnik suvremene umjetnosti'', Zagreb: Horetzky, 2005. {{cr}}
* Piotr Piotrowski, "The Critique of Painting: Towards the Neo-avant-garde" & "Mapping the Neo-avant-garde, c. 1970" & "Conceptual Art between Theory of Art and Critique of the System", chs 6, 7 & 8 in Piotrowski, ''[http://monoskop.org/log/?p=1323 In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989]'', trans. Anna Brzyski, London: Reaktion Books, 2009, pp 178-237, 241-314 & 315-340, n454-458, n458-466 & n467-469. {{en}}
+
 
 +
* IRWIN (ed.), ''[[Media:IRWIN_ed_East_Art_Map_Contemporary_Art_and_Eastern_Europe_2006.pdf|East Art Map: Contemporary Art and Eastern Europe]]'', London: Afterall, 2006, 527 pp, [https://archive.org/details/eastartmapcontem0000unse IA]. {{en}}
 +
 
 +
* Miško Šuvaković, ''[[Media:Suvakovic_Misko_Konceptualna_umetnost_2007.pdf|Konceptualna umetnost]]'', Novi Sad: MSUV, 2007, 862 pp; new ed., Belgrade: Orion Art, 2012, 862 pp. [https://www.academia.edu/44142283/] [https://www.orionart.rs/knjiga-konceptualna-umetnost-14] {{sr}}
 +
 
 +
* [[Media:WHW_eds_Invisible_History_of_Exhibitions_2008.pdf|''Novine Galerije Nova'' 18: "Nevidljiva povijest izložbi / Invisible History of Exhibitions"]], eds. What, How & for Whom/WHW, Zagreb: What, How & for Whom/WHW, and Zagreb: AGM, Dec 2008, 58 pp. Exh. cat. {{cr}}/{{en}}
 +
 
 +
* [[Media:Hegyi Laszlo WHW eds The Invisible_History_of_Exhibitions_Parallel Chronologies 2009.pdf|''Novine Galerije Nova'' 19/20: "Nevidljiva povijest izložbi 2: paralelne kronologije / The Invisible History of Exhibitions 2: Parallel Chronologies"]], eds. Dóra Hegyi, Zsuzsa László, and What, How & for Whom/WHW, Zagreb: What, How & for Whom/WHW, and Zagreb: AGM, Jul 2009, 43 pp. Exh. cat. [https://www.whw.hr/publikacije/novine-galerije-nova-br-19-20/ Publisher]. {{cr}}/{{en}}
 +
 
 +
* Piotr Piotrowski, "The Critique of Painting: Towards the Neo-avant-garde", "Mapping the Neo-avant-garde, c. 1970", "Conceptual Art between Theory of Art and Critique of the System", chs. 6, 7 & 8 in Piotrowski, ''[http://monoskop.org/log/?p=1323 In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989]'', trans. Anna Brzyski, London: Reaktion Books, 2009, pp 178-237, n454-458, 241-314, n458-466, 315-340, n467-469. {{en}}
 +
 
 
* ''[http://monoskop.org/log/?p=15847 Art Always Has Its Consequences]'', eds. WHW, tranzit.hu, Muzeum Sztuki w Łodzi, and kuda.org, Zagreb: WHW, 2010, 265 pp. {{en}}
 
* ''[http://monoskop.org/log/?p=15847 Art Always Has Its Consequences]'', eds. WHW, tranzit.hu, Muzeum Sztuki w Łodzi, and kuda.org, Zagreb: WHW, 2010, 265 pp. {{en}}
* ''[http://monoskop.org/log/?p=15931 Removed From the Crowd: Unexpected Encounters 1]'', eds. Ivana Bago and Antonia Majača with Vesna Vuković, Zagreb: BLOK & DeLVe, 2011, 312 pp. [http://delve.hr/publications/unexpected-encounters-i] [http://www.blok.hr/en/izdavastvo/remowed-from-the-crowd-unexpected-encounters-1] {{en}}
+
 
* Ksenya A. Gurshtein, ''[[Media:Gurshtein_Ksenya_A_TransStates_Conceptual_Art_in_Eastern_Europe_and_the_Limits_of_Utopia_2011.pdf|TransStates: Conceptual Art in Eastern Europe and the Limits of Utopia]]'', University of Michigan, 2011, 323 pp. PhD dissertation. [http://hdl.handle.net/2027.42/89756] {{en}}
+
* ''[http://monoskop.org/log/?p=15931 Removed From the Crowd: Unexpected Encounters 1]'', eds. Ivana Bago and Antonia Majača with Vesna Vuković, Zagreb: BLOK & DeLVe, 2011, 312 pp. {{en}}
* Zdenka Badovinac, Eda Čufer, Cristina Freire, Boris Groys, Charles Harrison, Vít Havránek, Piotr Piotrowski, Branka Stipančić, [http://www.e-flux.com/journal/40/60277/conceptual-art-and-eastern-europe-part-i/ "Conceptual Art and Eastern Europe: Part I"], ''e-flux'' 40 (Dec 2012); [http://www.e-flux.com/journal/41/60238/conceptual-art-and-eastern-europe-part-ii/ Part 2], ''e-flux'' 41 (Jan 2013). Based on a conference organised by Zdenka Badovinac in Ljubljana, 2007. {{en}}
+
 
* ''Revista Arta'' 6(20-21): "Conceptualismul în Europa Centrală și de Est / Conceptualism in Eastern and Central Europe", ed. Cristian Nae, Bucharest, 2016. [http://revistaarta.ro/wp-content/uploads/2016/09/arta-20-21-mic.pdf Excerpt]. [http://revistaarta.ro/en/magazine/#post-6347] {{ro}}/{{en}}
+
* Ksenya A. Gurshtein, ''[[Media:Gurshtein_Ksenya_A_TransStates_Conceptual_Art_in_Eastern_Europe_and_the_Limits_of_Utopia_2011.pdf|TransStates: Conceptual Art in Eastern Europe and the Limits of Utopia]]'', University of Michigan, 2011, 323 pp. PhD thesis. [http://hdl.handle.net/2027.42/89756] {{en}}
 +
 
 +
* [[Media:ARTMargins_1_2-3_Artists Networks in Latin America and Eastern Europe 2012.pdf|''ARTMargins'' 1(2-3): "Artists' Networks in Latin America and Eastern Europe"]], eds. Klara Kemp-Welch and Cristina Freire, 2012. {{en}}
 +
 
 +
* Zdenka Badovinac, Eda Čufer, Cristina Freire, Boris Groys, Charles Harrison, Vít Havránek, Piotr Piotrowski, Branka Stipančić, [http://www.e-flux.com/journal/40/60277/conceptual-art-and-eastern-europe-part-i/ "Conceptual Art and Eastern Europe: Part I"], ''e-flux'' 40, Dec 2012; [http://www.e-flux.com/journal/41/60238/conceptual-art-and-eastern-europe-part-ii/ Part 2], ''e-flux'' 41, Jan 2013. Based on a conference organised by Zdenka Badovinac in Ljubljana, 2007. {{en}}
 +
 
 +
* Maja Fowkes, ''[https://monoskop.org/log/?p=19735 The Green Bloc: Neo-Avant-Garde Art and Ecology under Socialism]'', Budapest and New York: Central European University Press, Jul 2015, viii+299 pp. [https://ceupress.com/book/green-bloc Publisher]. Reviews: [http://www.academia.edu/19685859/ Cseh-Varga] (Springerin), [https://critiquedart.revues.org/25488 Debeusscher] (Critique d'art), [http://dx.doi.org/10.25038/am.v0i23.406 Filipovic] (AM J), [https://flashart.cz/2015/10/14/the-green-bloc-neo-avant-garde-art-and-ecology-under-socialism-maja-fowkes/ Laki] (Flash Art CS). {{en}}
 +
 
 +
* [[Media:Revista Arta 6 20-21 Conceptualism in Eastern and Central Europe 2016.pdf|''Revista Arta'' 6(20-21): "Conceptualismul în Europa Centrală și de Est / Conceptualism in Eastern and Central Europe"]], ed. Cristian Nae, Bucharest, Sep 2016, 191 pp. [http://revistaarta.ro/en/magazine/#post-6347] {{ro}}/{{en}}
 +
 
 +
* ''[[Media:My_Sweet_Little_Lamb_2017.pdf|My Sweet Little Lamb (Everything We See Could Also Be Otherwise)]]'', eds. What, How & for Whom/WHW and Kathrin Rhomberg, Zagreb: What, How & for Whom/WHW, 2017, 167 pp; new ed., exp., eds. Emily Pethick, Kathrin Rhomberg, What, How & for Whom/WHW, and Jill Winder, Berlin: Sternberg Press, and Vienna: Kontakt Collection, Mar 2023, 456 pp. Based on a series of exhibition episodes based on the Kontakt Collection and dedicated to the artist Mladen Stilinović, held in [https://www.e-flux.com/announcements/69417/my-sweet-little-lamb-everything-we-see-could-also-be-otherwise/ Zagreb], 4 Nov 2016–8 May 2017, and The Show Room, London, Jun 2017. Texts in exp. ed. by Branislav Dimitrijević, Miguel A. López, Oxana Timofeeva, Marina Vishmidt. [https://www.sternberg-press.com/product/my-sweet-little-lamb/ Publisher]. {{en}}
 +
 
 +
* Klara Kemp-Welch, ''[https://monoskop.org/log/?p=22149 Networking the Bloc: Experimental Art in Eastern Europe 1965-1981]'', MIT Press, Feb 2019, xi+468 pp. [https://mitpress.mit.edu/9780262038300/networking-the-bloc/ Publisher]. Reviews: [https://artmargins.com/networking-the-bloc-experimental-art-in-eastern-europe-1965-1981-book-review/ Nae] (ARTMargins), [https://networks.h-net.org/node/166842/reviews/6059693/tomkova-kemp-welch-networking-bloc-experimental-art-eastern-europe Tomkova] (H-Net), [https://journals.openedition.org/critiquedart/46132?lang=en Hughes] (Critique d'art). {{en}}
 +
 
 +
* Maja Fowkes, Reuben Fowkes, ''[http://libgen.rs/book/index.php?md5=EDDAD5B53F9D584385D5CDBB3EFF91F3 Central and Eastern European art since 1950]'', London: Thames & Hudson, Mar 2020, 232 pp. [https://blokmagazine.com/central-and-eastern-european-art-since-1950-introduction/ Introduction]. [https://thamesandhudson.com/central-and-eastern-european-art-since-1950-world-of-art-9780500204375 Publisher]. Reviews: [https://artmargins.com/central-and-eastern-european-art-since-1950/ Nae] (ARTMargins), [http://www.caareviews.org/reviews/3794 Rousseva] (CAA), [https://www.proquest.com/openview/15aaecb1539a6ca0b73f7865d59b74fa/1?pq-origsite=gscholar&cbl=106011 Schultz] (Art Monthly), [https://artportal.hu/magazin/which-actions-are-actually-decolonizing/ Placáková] (Artportal.hu), [https://artalk.cz/2021/05/17/kde-vsude-je-treba-dekolonizace/ Placáková] (Artalk.cz, CZ).
 +
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 802: Line 1,227:
 
* Grzegorz Dziamski, ''Przełom konceptualny i jego wpływ na praktykę i teorię sztuki'', Poznań: Wydawnictwo Naukowe UAM, 2010, 294 pp. [[Media:Dziamski_Grzegorz_2010_Konsekwencje_przelomu_konceptualnego.pdf|Chapter 6]]. [http://www.press.amu.edu.pl/pl/filozofia-i-logika/item/416-prze%C5%82om-konceptualny-i-jego-wp%C5%82yw-na-praktyk%C4%99-i-teori%C4%99-sztuki.html] {{pl}}
 
* Grzegorz Dziamski, ''Przełom konceptualny i jego wpływ na praktykę i teorię sztuki'', Poznań: Wydawnictwo Naukowe UAM, 2010, 294 pp. [[Media:Dziamski_Grzegorz_2010_Konsekwencje_przelomu_konceptualnego.pdf|Chapter 6]]. [http://www.press.amu.edu.pl/pl/filozofia-i-logika/item/416-prze%C5%82om-konceptualny-i-jego-wp%C5%82yw-na-praktyk%C4%99-i-teori%C4%99-sztuki.html] {{pl}}
 
* [http://www.journal.doc.art.pl/archiwalne.html ''Sztuka i Dokumentacja'' 6: "Sztuka jako idea, ludzie, czas. W kręgu polskiego konceptualizmu"], Łódź, 2012. {{pl}}
 
* [http://www.journal.doc.art.pl/archiwalne.html ''Sztuka i Dokumentacja'' 6: "Sztuka jako idea, ludzie, czas. W kręgu polskiego konceptualizmu"], Łódź, 2012. {{pl}}
 +
* ''Permafo: monografia galerii i ruchu artystycznego'', ed. Anna Markowska, Wrocław: Muzeum Współczesne Wrocław, 2012, 496 pp. [https://www.academia.edu/20357760 Lead essay]. [http://muzeumwspolczesne.pl/mww/publikacje/permafo-monografia-galerii-i-ruchu-artystycznego/] {{pl}}
 +
** ''Permafo 1970-1981'', ed. Anna Markowska, Wrocław: Wrocław Contemporary Museum, and Motto Books, 2013, 456 pp. [https://www.academia.edu/20357348/ Introduction]. [http://muzeumwspolczesne.pl/mww/publikacje/permafo-1970-1981/?lang=en] [http://muzeumwspolczesne.pl/mww/wystawa/%E2%80%9Egdzie-jest-permafo/?lang=en] {{en}}
 +
*** Anna Markowska, [[Media:Markowska_Anna_2013_Permafo_1970-1981_Zbigniew_Dlubak_Antoni_Dzieduszycki_Natalia_LL_Andrzej_Lachowicz.pdf|"Permafo 1970-1981: Zbigniew Dłubak, Antoni Dzieduszycki, Natalia LL, Andrzej Lachowicz"]], pp 13-101.
 
* Łukasz Guzek, [[Media:Guzek_Lukasz_2014_Performatywnosc_sztuki_konceptualnej.pdf|"Performatywność sztuki konceptualnej"]], ''Dyskurs'' 17 (2014), pp 189-219. {{pl}}
 
* Łukasz Guzek, [[Media:Guzek_Lukasz_2014_Performatywnosc_sztuki_konceptualnej.pdf|"Performatywność sztuki konceptualnej"]], ''Dyskurs'' 17 (2014), pp 189-219. {{pl}}
 +
* Klara Kemp-Welch, [https://www.e-flux.com/journal/98/256870 "NET: An Open Proposition"], ''e-flux'' 98, Feb 2019. {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 +
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-sk}}}|conceptualart-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-sk}}}|conceptualart-sk|
 +
 
* Tomáš Štrauss, ''Slovenský variant moderny'', 1979 (samizdat); 2nd ed., Bratislava: Pallas, 1992, pp 55ff. {{sk}}
 
* Tomáš Štrauss, ''Slovenský variant moderny'', 1979 (samizdat); 2nd ed., Bratislava: Pallas, 1992, pp 55ff. {{sk}}
* Radislav Matuštík, ''...Predtým. Prekročenie hraníc, 1964–1971'', 1983 (samizdat); repr., Žilina: Považská galéria umenia, 1994, 27ff. [http://abart-full.artarchiv.cz/dokumenty.php?IDdokumentu=90883] {{sk}}
+
 
 +
* Radislav Matuštík, ''...Predtým. Prekročenie hraníc, 1964-1971'', 1983 (samizdat); repr., Žilina: Považská galéria umenia, 1994, 27ff. [http://abart-full.artarchiv.cz/dokumenty.php?IDdokumentu=90883] {{sk}}
 +
 
 +
* Tamara Archlebová, "Príspevok k problematike konceptuálneho umenia na Slovensku", in ''Súčasné výtvarné umenie'', ed. Dagmar Srnenská, Bratislava, 1989, pp 98-132. {{sk}}
 +
 
 
* Aurel Hrabušický, "Počiatky alternatívneho umenia na Slovensku", in ''Šesťdesiate roky v slovenskom výtvarnom umení'', ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 218-251. {{sk}}
 
* Aurel Hrabušický, "Počiatky alternatívneho umenia na Slovensku", in ''Šesťdesiate roky v slovenskom výtvarnom umení'', ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 218-251. {{sk}}
* Jana Geržová, "Konceptuálne umenie", in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999, pp 145-149. {{sk}}
+
 
 +
* Jana Geržová, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=144 "Konceptuálne umenie"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999, pp 145-149. {{sk}}
 +
 
 
* Jana Geržová, "Konceptuálne umenie", in ''Dejiny slovenského výtvarného umenia 20. storočia'', ed. Zora Rusinová, Bratislava: SNG, 2000, pp 170-178. {{sk}}
 
* Jana Geržová, "Konceptuálne umenie", in ''Dejiny slovenského výtvarného umenia 20. storočia'', ed. Zora Rusinová, Bratislava: SNG, 2000, pp 170-178. {{sk}}
 +
 +
* Marián Mudroch, Dezider Tóth (eds.), ''1. otvorený ateliér'', Bratislava: SCCAN, 2000, 143 pp. {{sk}}
 +
 
* Aurel Hrabušický, [[Media:Hrabusicky_Aurel_2002_Umenie_fantastickeho_odhmotnenia.pdf|"Umenie fantastického odhmotnenia"]], in ''Slovenské vizuálne umenie 1970–1985'', ed. Aurel Hrabušický, Bratislava: SNG, 2002, pp 143-188. {{sk}}
 
* Aurel Hrabušický, [[Media:Hrabusicky_Aurel_2002_Umenie_fantastickeho_odhmotnenia.pdf|"Umenie fantastického odhmotnenia"]], in ''Slovenské vizuálne umenie 1970–1985'', ed. Aurel Hrabušický, Bratislava: SNG, 2002, pp 143-188. {{sk}}
 +
 
* Tomáš Štrauss, [[Media:Strauss_Tomas_2002_Niektore_charakteristicke_crty_konceptualizmu_na_Slovensku.pdf|"Niektoré charakteristické črty konceptualizmu na Slovensku"]], in ''Slovenské vizuálne umenie 1970–1985'', ed. Aurel Hrabušický, Bratislava: SNG, 2002, pp 221-225. {{sk}}
 
* Tomáš Štrauss, [[Media:Strauss_Tomas_2002_Niektore_charakteristicke_crty_konceptualizmu_na_Slovensku.pdf|"Niektoré charakteristické črty konceptualizmu na Slovensku"]], in ''Slovenské vizuálne umenie 1970–1985'', ed. Aurel Hrabušický, Bratislava: SNG, 2002, pp 221-225. {{sk}}
* ''Konceptuálne umenie na zlome tisícročí / Conceptual Art at the Turn of Millenium / Konceptuális művészet az ezredfordulón. International Symposium, October 15-16, 2001, Budapest/Bratislava'', eds. Jana Geržová and Erzsébet, Budapest and Bratislava: AICA, 2002, 174 pp. Symposium proceedings. {{sk}},{{en}},{{hu}}
+
 
 +
* ''Konceptuálne umenie na zlome tisícročí / Conceptual Art at the Turn of Millenium / Konceptuális művészet az ezredfordulón. International Symposium, October 15-16, 2001, Budapest/Bratislava'', eds. Jana Geržová and Erzsébet Tatai, Bratislava: Slovak Section of AICA, and Budapest: AICA Section Hungary, 2002, 174 pp. Symposium proceedings. {{sk}},{{en}},{{hu}}
 +
** Jana Geržová, "Mýty a realita konceptuálneho umenia na Slovensku" / "Myths and Reality of the Conceptual Art in Slovakia", pp 22-51. {{sk}}/{{en}}
 +
 
 +
* Jana Geržová, "N(e)oklasický koncept", in ''Na križovatke kultúr? Zborník z medzinárodného sympózia'', ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2002, pp 107-118. {{sk}}
 +
 
 +
* Eva Kapsová, ''[[Media:Kapsova Eva Konceptualne tendencie vo vytvarnom umeni 2002.pdf|Konceptuálne tendencie vo výtvarnom umení]]'', Banská Bystrica: Akademia umení, 2002, 180 pp. {{sk}}
 +
 
 +
* Dušan Brozman, Boris Kršňák, ''Zo slovenského konceptuálneho umenia'', Budapest: Slovenský Inštitút Budapešť, and Zvolen: Oznka, 2008. Catalogue. {{sk}}
 +
 
 
* Roman Gajdoš, ''[[Media:Gajdos_Roman_Konceptualny_text_Geneza_a_metamorfozy_2010.pdf|Konceptuálny text. Genéza a metamorfózy]]'', Trnava: Typi Universitatis Tyrnaviensis, 2010, 130 pp. {{sk}}
 
* Roman Gajdoš, ''[[Media:Gajdos_Roman_Konceptualny_text_Geneza_a_metamorfozy_2010.pdf|Konceptuálny text. Genéza a metamorfózy]]'', Trnava: Typi Universitatis Tyrnaviensis, 2010, 130 pp. {{sk}}
 +
 
* Zuzana Bartošová, ''Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia'', Bratislava: Kalligram, 2011, 360 pp. Commentary: [http://www.profilart.sk/wp-content/uploads/2014/01/Lekcia-z-tenden%C4%8Dnej-historiografie.pdf Hrabušický & Macek] (Profil 2012). {{sk}}
 
* Zuzana Bartošová, ''Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia'', Bratislava: Kalligram, 2011, 360 pp. Commentary: [http://www.profilart.sk/wp-content/uploads/2014/01/Lekcia-z-tenden%C4%8Dnej-historiografie.pdf Hrabušický & Macek] (Profil 2012). {{sk}}
 +
 +
* Zuzana Biľová, ''[https://dspace.cuni.cz/handle/20.500.11956/32309 Inštitucionálne prijatie konceptuálneho umenia v Európe]'', Prague: Karlova univerzita, 2011, 104+68 pp. Master's thesis. {{sk}}
 +
 
* Beata Jablonská, [[Media:Jablonska_Beata_2013_Spor_o_slovenske_More.pdf|"Spor o slovenské 'More'"]], ''Sešit pro umění, teorii a příbuzné zóny'' 15, Prague: VVP AVU, 2013, pp 6-19. {{sk}}
 
* Beata Jablonská, [[Media:Jablonska_Beata_2013_Spor_o_slovenske_More.pdf|"Spor o slovenské 'More'"]], ''Sešit pro umění, teorii a příbuzné zóny'' 15, Prague: VVP AVU, 2013, pp 6-19. {{sk}}
 +
 
* Tomáš Pospiszyl, "Národní konceptualizmus. Obrozenecké motivy v díle Stana Filka a Júliuse Kollera", ch 3 in Pospiszyl, ''Asociativní dějepis umění: poválečné umění napříč generacemi a médii'', Prague: tranzit.cz, 2014, pp 81-121. {{cz}}
 
* Tomáš Pospiszyl, "Národní konceptualizmus. Obrozenecké motivy v díle Stana Filka a Júliuse Kollera", ch 3 in Pospiszyl, ''Asociativní dějepis umění: poválečné umění napříč generacemi a médii'', Prague: tranzit.cz, 2014, pp 81-121. {{cz}}
 +
 
* ''Miękkie kody. Tendencje konceptualne w sztuce słowackiej / Soft Codes: Conceptual Tendencies in Slovak Art'', Wrocław: Muzeum Współczesne Wrocław, 2015, 224 pp. Catalogue. [http://muzeumwspolczesne.pl/mww/publikacje/miekkie-kody-tendencje-konceptualne-w-sztuce-slowackiej-2/?lang=en], [http://muzeumwspolczesne.pl/mww/kalendarium/wystawa/miekkie-kody-tendencje-konceptualne-w-sztuce-slowackiej/?lang=en Exhibition]. {{pl}}/{{en}}
 
* ''Miękkie kody. Tendencje konceptualne w sztuce słowackiej / Soft Codes: Conceptual Tendencies in Slovak Art'', Wrocław: Muzeum Współczesne Wrocław, 2015, 224 pp. Catalogue. [http://muzeumwspolczesne.pl/mww/publikacje/miekkie-kody-tendencje-konceptualne-w-sztuce-slowackiej-2/?lang=en], [http://muzeumwspolczesne.pl/mww/kalendarium/wystawa/miekkie-kody-tendencje-konceptualne-w-sztuce-slowackiej/?lang=en Exhibition]. {{pl}}/{{en}}
* Vladimír Beskid, [http://www.flashart.cz/clanek/277/Kozmol%C3%B3gia-a-cesta-papierov%C3%BDm-vesm%C3%ADrom--(VLADIM%C3%8DR-BESKID) "Kozmológia a cesta papierovým vesmírom"], ''Flash Art Czech & Slovak Edition'' 37 (Oct-Dec 2015), pp 48ff. {{sk}}
+
 
 +
* Vladimír Beskid, [https://flashart.cz/2019/02/11/kozmologia-a-cesta-papierovym-vesmirom/ "Kozmológia a cesta papierovým vesmírom"], ''Flash Art Czech & Slovak Edition'' 37, Oct-Dec 2015, pp 48 ff. {{sk}}
 +
 
 +
* Zuzana Biľová, ''[[Media:Bilova_Zuzana_Bruecken_fuer_kuenstlerische_Formen_Netzwerke_der_Kunst_zwischen_Westdeutschland_und_der_Tschechoslowakei_in_der_Zeit_des_Kalten_Krieges_1968-1989_2017.pdf|Brücken für künstlerische Formen. Netzwerke der Kunst zwischen Westdeutschland und der Tschechoslowakei in der Zeit des Kalten Krieges (1968-1989)]]'', Munich: Ludwig-Maximilians-Universität München, 2017, 334+83 pp. PhD dissertation. [https://edoc.ub.uni-muenchen.de/20980/1/Bilova_Zuzana.pdf] {{de}}
 +
 
 +
* Ján Kralovič, ''[[Media:Kralovic Jan Majstrovstvo za dverami Majstrovstva Bratislavy v posune artefaktu 1979-1986 v kontexte bytovych vystav 70 a 80 rokov 20 storocia 2017.pdf|Majstrovstvo za dverami: Majstrovstvá Bratislavy v posune artefaktu (1979-1986) v kontexte bytových výstav 70. a 80. rokov 20. storočia]]'', Bratislava: Slovart (Dejiny), and Bratislava: Vysoká škola výtvarných umení, 2017, 327 pp. [https://www.slovart.sk/knihy-v-slovencine-a-cestine/vytvarne-umenie/majstrovstvo-za-dverami.html?page_id=33584] [https://www.vsvu.sk/galeria-medium/majstrovstvo-za-dverami/] [https://www.academia.edu/40425450/] {{sk}}
 +
 
 +
* Erzsébet Tatai, [https://epa.oszk.hu/03000/03057/00116/pdf/EPA03057_balkon-2019-06-07_14-23.pdf "Signal - Konceptuális és posztkonceptuális tendenciák a szlovák képzőművészetben"], ''Balkon'' 26:6-7, 2019, pp 14-23. Exh. review. [https://epa.oszk.hu/03000/03057/00116/pdf/] {{hu}}
 +
** [http://www.profilart.sk/wp-content/uploads/2019/10/114-141-TATAI.pdf "Signál – konceptuálne a postkonceptuálne tendencie v slovenskom umení"] [Signál – Conceptual and Post-Conceptual Tendencies in Slovakia’s Art], trans. Anna Antalová, ''Profil'' 3, Bratislava, 2019, pp 114-141. {{sk}}
 +
 
 +
* Daniela Čarná (ed.), ''[[Media:1 otvoreny atelier 1970-2020 2020.pdf|1. otvorený ateliér, 1970-2020]]'', Bratislava: Galéria 19, 2020, 87 pp. Catalogue. [https://www.galeria19.sk/2020/1-otvoreny-atelier-1970-2020/] [https://dennikn.sk/2187032/pocta-1-otvorenemu-atelieru/] [https://artalk.cz/2020/11/18/ts-1-otvoreny-atelier-1970-2020/] {{sk}}
 +
 
 +
* Daniel Grúň, Christian Höller, Kathrin Rhomberg (eds.), ''White Space in White Space / Biely priestor v bielom priestore, 1973-1982. Stano Filko, Miloš Laky, Ján Zavarský'', Vienna: Schlebrügge, 2021, 228 pp. [https://www.kontakt-collection.org/research/148/white-space-in-white-space-archive Project archive]. [https://www.schlebruegge.com/en/content/white-space-white-space-biely-priestor-v-bielom-priestore Publisher]. [https://www.kontakt-collection.org/bibliography/50/white-space-in-white-space-19731982] [https://www.e-flux.com/announcements/393667/white-space-in-white-space-biely-priestor-v-bielom-priestore-1973-1982/] {{en}}
 +
 
 +
* Denisa Kujelová (ed.), ''ČS koncept 70. let'', Brno: Fait Gallery, 2021, 363 pp. Catalogue. [https://www.faitgallery.com/soucasne-a-planovane/events/244.html] [https://www.kosmas.cz/knihy/293309/cs-koncept-70.-let/] [https://artalk.cz/2017/10/08/tz-cs-koncept-70-let/] {{cz}},{{sk}}
 +
 
 +
* Richard Gregor (ed.), ''BAC: Bratislava Conceptualism / Bratislavský konceptualizmus'', Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022, 480 pp. Proceedings from the conference ''Could We Speak of Bratislava Conceptualism'' (2015). Essays incl.: [https://www.academia.edu/28291059/ Gregor], [https://www.academia.edu/32792539/ Gregor], [https://www.academia.edu/40413195/ Kralovič]. [https://www.facebook.com/richard.gregor/posts/10226802975970837] {{en}}/{{sk}}
 +
 
 +
* Paula Gortázar, [https://doi.org/10.1080/09528822.2023.2214048 "Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava"], ''Third Text'' 37:1, 2023, pp 61-86. {{en}}
 +
 
 
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<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-hu}}}|conceptualart-hu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-hu}}}|conceptualart-hu|
 
* ''Tendenciák 1970–1980. 6. Kemény és lágy. Posztkonceptuális tendenciák, kiállításkatalógus'', ed. László Beke, Budapest: Óbuda Galéria, 1981. {{hu}}
 
* ''Tendenciák 1970–1980. 6. Kemény és lágy. Posztkonceptuális tendenciák, kiállításkatalógus'', ed. László Beke, Budapest: Óbuda Galéria, 1981. {{hu}}
* Miklós Peternák, [http://www.c3.hu/collection/koncept/ "A konceptuális művészet hatása Magyarországon. (A művészet fogalmának és funkciójának kiterjesztése)"] [1983-85/1988/1997]. {{hu}}
+
* Miklós Peternák, ''[http://www.concept.c3.hu/?page_id=203 A konceptuális mûvészet hatása Magyarországon] / [http://www.concept.c3.hu/?page_id=203&lang=en Conceptual Art in Hungary]'', [1988] 1997; new ed. as ''[[Media:Peternak Miklos concept.hu The Influence of Conceptual Art in Hungary 2014.pdf|koncept.hu: A konceptuális művészet hatása Magyarországon / concept.hu: The Influence of Conceptual Art in Hungary]]'', Paks: Art Gallery Paks, and Budapest: C3 Foundation, 2014, 199 pp, [http://koncept.c3.hu/ HTML]. First appeared in 1997 as an electronic publication of manuscript from 1988. [http://www.c3.hu/c3/publications/index.php]. [http://www.concept.c3.hu/?lang=en Exhibition] (2014). [http://www.c3.hu/c3/publications/index.php?kiid=35] {{hu}}/{{en}}
** [http://www.c3.hu/collection/concept/ "The Influence of Conceptual Art within Hungary"]. {{en}}
 
 
* Éva Körner, "Az abszurd mint koncepció (jelenetek a magyar koncept art történetéből)", ''Balkon'' 1 & 2 (1993); repr. as "Az abszurd mint koncepció – A magyar konceptualizmus jelenségei", in ''Velencei Biennále XLV. Nemzetközi Művészeti Kiállítás Magyar Pavilon'', 1993, pp 185-198. {{hu}}
 
* Éva Körner, "Az abszurd mint koncepció (jelenetek a magyar koncept art történetéből)", ''Balkon'' 1 & 2 (1993); repr. as "Az abszurd mint koncepció – A magyar konceptualizmus jelenségei", in ''Velencei Biennále XLV. Nemzetközi Művészeti Kiállítás Magyar Pavilon'', 1993, pp 185-198. {{hu}}
 
** "The Absurd as Concept: Phenomena of Hungarian Conceptualism", in ''Art & Design'' 9: "New Art from Eastern Europe: Identity and Conflict", ed. Paul Crowther, London: Academy Editions, Mar-Apr 1994, pp 54-59. [http://worldcat.org/oclc/30987140] {{en}}
 
** "The Absurd as Concept: Phenomena of Hungarian Conceptualism", in ''Art & Design'' 9: "New Art from Eastern Europe: Identity and Conflict", ed. Paul Crowther, London: Academy Editions, Mar-Apr 1994, pp 54-59. [http://worldcat.org/oclc/30987140] {{en}}
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* ''A magyar neoavantgarde első generációja'', ed. Júlia Fabényi, Szombathely: Szombathelyi Képtár, 1998. Catalogue. {{hu}}
 
* ''A magyar neoavantgarde első generációja'', ed. Júlia Fabényi, Szombathely: Szombathelyi Képtár, 1998. Catalogue. {{hu}}
 
* ''Konceptuálne umenie na zlome tisícročí / Conceptual Art at the Turn of Millenium / Konceptuális művészet az ezredfordulón. International Symposium, October 15-16, 2001, Budapest/Bratislava'', eds. Jana Geržová and Erzsébet, Budapest and Bratislava: AICA, 2002, 174 pp. Symposium proceedings. {{sk}},{{en}},{{hu}}
 
* ''Konceptuálne umenie na zlome tisícročí / Conceptual Art at the Turn of Millenium / Konceptuális művészet az ezredfordulón. International Symposium, October 15-16, 2001, Budapest/Bratislava'', eds. Jana Geržová and Erzsébet, Budapest and Bratislava: AICA, 2002, 174 pp. Symposium proceedings. {{sk}},{{en}},{{hu}}
 +
* Júlia Klaniczay, Edit Sasvári (eds.), ''[[Media:Torvenytelen avantgard Galantai Gyorgy balatonboglari kapolnamuterme 1970-1973 2003.pdf|Törvénytelen avantgárd: Galántai György balatonboglári kápolnaműterme 1970-1973]]'', Budapest: Artpool–Balassi, 2003, 459 pp. The first comprehensive publication on performance and conceptual art events between 1970 and 1973 at the Balatonboglár Chapel in Hungary, founded by the artist György Galántai, the sort of activities that would be banned from 1974 until 1990 in Hungary. Chronicles the abandoned chapel as a unique site for experimental art in Hungary during state socialism, and includes an extensive chronology, previously unpublished archival documents, photographs and texts, interviews, and a bibliography. [https://www.artpool.hu/boglar/konyv.html] {{hu}}
 
* László Beke, [http://www.tankonyvtar.hu/en/tartalom/tkt/ne-ma-ne-ma/ch15.html "A magyar konceptuális művészet szubjektív története"], in ''Né/ma? Tanulmányok a magyar neoavantgárd köréből'', eds. Pál Deréky and András Müllner, Budapest: Ráció Kiadó, 2004, pp 227-239. {{hu}}
 
* László Beke, [http://www.tankonyvtar.hu/en/tartalom/tkt/ne-ma-ne-ma/ch15.html "A magyar konceptuális művészet szubjektív története"], in ''Né/ma? Tanulmányok a magyar neoavantgárd köréből'', eds. Pál Deréky and András Müllner, Budapest: Ráció Kiadó, 2004, pp 227-239. {{hu}}
 
* Miklós Peternák, [[Media:Peternak_Miklos_2005_Muveszet_kutatas_kiserlet.pdf|"Művészet, kutatás, kísérlet. Tudományos terminusok, módszerek, utalások és fogalmi rendszerek a művészetben az 1940-es és 1970-es évek között"]], ''Ars Hungarica'' 1 (2005), pp 193-212. {{hu}}
 
* Miklós Peternák, [[Media:Peternak_Miklos_2005_Muveszet_kutatas_kiserlet.pdf|"Művészet, kutatás, kísérlet. Tudományos terminusok, módszerek, utalások és fogalmi rendszerek a művészetben az 1940-es és 1970-es évek között"]], ''Ars Hungarica'' 1 (2005), pp 193-212. {{hu}}
 
* Erzsébet Tatai, ''Neokonceptuális művészet Magyarországon a kilencvenes években'', Budapest: Praesens, 2005, 232 pp. Based on [http://doktori.btk.elte.hu/art/tataierzsebet/diss.pdf PhD dissertation]. Reviews: [http://artportal.hu/magazin/kozugy/rieder-gabor--a-neokonceptualis-muveszetrol Rieder] (artPortal 2007), [http://epa.oszk.hu/01600/01615/00006/pdf/13_Szemle_393_408_.pdf Sturcz, Turai] (Ars Hungarica 2008). {{hu}}
 
* Erzsébet Tatai, ''Neokonceptuális művészet Magyarországon a kilencvenes években'', Budapest: Praesens, 2005, 232 pp. Based on [http://doktori.btk.elte.hu/art/tataierzsebet/diss.pdf PhD dissertation]. Reviews: [http://artportal.hu/magazin/kozugy/rieder-gabor--a-neokonceptualis-muveszetrol Rieder] (artPortal 2007), [http://epa.oszk.hu/01600/01615/00006/pdf/13_Szemle_393_408_.pdf Sturcz, Turai] (Ars Hungarica 2008). {{hu}}
 
* Edit András, [[Media:Andras_Edit_2006_Transgressing_Boundaries_Even_Those_Marked_Out_by_the_Predecessors_in_the_New_Genre_Conceptual_Art.pdf|"Transgressing Boundaries (Even Those Marked Out by the Predecessors) in the New Genre Conceptual Art"]], in ''Art After Conceptual Art'', eds. Alexander Alberro and Sabeth Buchman, MIT Press, and Vienna: Generali Foundation, 2006, pp 163-178. [http://academia.edu/4241368/] {{en}}
 
* Edit András, [[Media:Andras_Edit_2006_Transgressing_Boundaries_Even_Those_Marked_Out_by_the_Predecessors_in_the_New_Genre_Conceptual_Art.pdf|"Transgressing Boundaries (Even Those Marked Out by the Predecessors) in the New Genre Conceptual Art"]], in ''Art After Conceptual Art'', eds. Alexander Alberro and Sabeth Buchman, MIT Press, and Vienna: Generali Foundation, 2006, pp 163-178. [http://academia.edu/4241368/] {{en}}
 +
 
* ''Elképzelés: A magyar koncept művészet kezdetei. Beke László gyűjteménye, 1971'', Budapest: Open Structures Society & tranzit. hu, 2008. {{hu}}
 
* ''Elképzelés: A magyar koncept művészet kezdetei. Beke László gyűjteménye, 1971'', Budapest: Open Structures Society & tranzit. hu, 2008. {{hu}}
 
** ''Imagination/Idea. The Beginning of Hungarian Conceptual Art. The László Beke Collection, 1971'', eds. Dóra Hegyi, Zsuzsa László and Eszter Szakács, Budapest: tranzit.hu, and Zurich: JRP Ringier, 2014, 368 pp. [http://hu.tranzit.org/en/event/0/2015-04-08/imagination-idea-the-beginning-of-hungarian-conceptual-art-the-laszlo-beke-collection-vienna Book launch at Secession Vienna], [http://hu.tranzit.org/en/event/0/2015-05-07/imagination-idea-the-beginning-of-hungarian-conecptual-art-book-launch Book launch at tranzit.hu], [http://www.thenextlayer.org/node/1320 Report by Medosch]. {{en}}
 
** ''Imagination/Idea. The Beginning of Hungarian Conceptual Art. The László Beke Collection, 1971'', eds. Dóra Hegyi, Zsuzsa László and Eszter Szakács, Budapest: tranzit.hu, and Zurich: JRP Ringier, 2014, 368 pp. [http://hu.tranzit.org/en/event/0/2015-04-08/imagination-idea-the-beginning-of-hungarian-conceptual-art-the-laszlo-beke-collection-vienna Book launch at Secession Vienna], [http://hu.tranzit.org/en/event/0/2015-05-07/imagination-idea-the-beginning-of-hungarian-conecptual-art-book-launch Book launch at tranzit.hu], [http://www.thenextlayer.org/node/1320 Report by Medosch]. {{en}}
 +
 +
* ''[https://issuu.com/pk-paksikeptar/docs/paksi-keptar-konceptualizmus-ma Konceptualizmus Ma. Konceptualizmus Magyarországon a kilencvenes évek elejétől]'', ed. Zoltán Prosek, Paks: Paksi Képtár, 2013, 41 pp. Catalogue. {{hu}}
 +
 
* Katalin Székely, [http://exindex.hu/index.php?l=hu&page=3&id=909 "Mert mindenki csak ül meg áll. Lábjegyzetek egy meg nem írt könyvhöz"], ''exindex'', 11 Nov 2013. {{hu}}
 
* Katalin Székely, [http://exindex.hu/index.php?l=hu&page=3&id=909 "Mert mindenki csak ül meg áll. Lábjegyzetek egy meg nem írt könyvhöz"], ''exindex'', 11 Nov 2013. {{hu}}
 +
 
* Emese Kürti, [http://exindex.hu/print.php?l=hu&page=3&id=934 "Ezoterikus avantgárd. A koncept/konceptuális paradigma"], ''exindex'', 4 Aug 2014. {{hu}}
 
* Emese Kürti, [http://exindex.hu/print.php?l=hu&page=3&id=934 "Ezoterikus avantgárd. A koncept/konceptuális paradigma"], ''exindex'', 4 Aug 2014. {{hu}}
 
** [http://exindex.hu/print.php?l=en&page=3&id=934 "Esoteric Avant-garde: The Concept/Conceptual Paradigm"], ''exindex'', 4 Aug 2014. {{en}}
 
** [http://exindex.hu/print.php?l=en&page=3&id=934 "Esoteric Avant-garde: The Concept/Conceptual Paradigm"], ''exindex'', 4 Aug 2014. {{en}}
* Miklós Peternák (ed.), ''[http://www.concept.c3.hu/?lang=en 1,2,!? „Itt jelentkezzen öt egyforma ember”]'', Budapest: C3, c2014. Selected bibliography, chronology and documents related to conceptual art in Hungary. {{hu}}
+
 
 
* ''Bookmarks: Hungarian Neo-avant-garde and Post-conceptual art from the Late 1960s to the Present / Bookmarks. Neo-Avantgarde und postkonzeptuelle Positionen in der ungarischen Kunst von den 1960ern bis heute'', ed. Katalin Székely, Berlin: Distanz, 2015, 88 pp. Catalogue. [http://www.buchhandlung-walther-koenig.de/koenig2/index.php?mode=details&showcase=1&art=1529757] {{en}}/{{de}}
 
* ''Bookmarks: Hungarian Neo-avant-garde and Post-conceptual art from the Late 1960s to the Present / Bookmarks. Neo-Avantgarde und postkonzeptuelle Positionen in der ungarischen Kunst von den 1960ern bis heute'', ed. Katalin Székely, Berlin: Distanz, 2015, 88 pp. Catalogue. [http://www.buchhandlung-walther-koenig.de/koenig2/index.php?mode=details&showcase=1&art=1529757] {{en}}/{{de}}
 +
 
* Erzsébet Tatai, [http://artportal.hu/lexikon/fogalmi_szocikkek/konceptualis-muveszet--koncept-muveszet-magyarorszagon- "konceptuális művészet (koncept művészet Magyarországon)"], ''Artportal Lexikon'', Budapest, n.d. {{hu}}
 
* Erzsébet Tatai, [http://artportal.hu/lexikon/fogalmi_szocikkek/konceptualis-muveszet--koncept-muveszet-magyarorszagon- "konceptuális művészet (koncept művészet Magyarországon)"], ''Artportal Lexikon'', Budapest, n.d. {{hu}}
 +
 
* Maja and Reuben Fowkes, [http://www.tate.org.uk/research/publications/tate-papers/26/placing-bookmarks "Placing Bookmarks: The Institutionalisation and De-Institutionalisation of Hungarian Neo-Avant-Garde and Contemporary Art"], ''Tate Papers'' 26, 2016. {{en}}
 
* Maja and Reuben Fowkes, [http://www.tate.org.uk/research/publications/tate-papers/26/placing-bookmarks "Placing Bookmarks: The Institutionalisation and De-Institutionalisation of Hungarian Neo-Avant-Garde and Contemporary Art"], ''Tate Papers'' 26, 2016. {{en}}
 +
 +
* ''[[Media:Exposition Photo Art 1976 2017.pdf|Expozíció – Fotó/mûvészet / Exposition – Photo/Art, 1976/2017]]'', ed. Flóra Barkóczi, Budapest: Vintage Gallery, 2017. On the use of photography among conceptual artists in Hungary in the 1970s. [https://www.academia.edu/37420156/] {{hu}}/{{en}}
 +
 +
* Edit Sasvári, Sándor Hornyik, Hedvig Turai (eds.), ''Art in Hungary 1956-1980: Double Speak and Beyond'', London: Thames & Hudson, 2018, 384 pp. [https://www.thamesandhudsonusa.com/books/art-in-hungary-1956-1980-doublespeak-and-beyond-hardcover] {{en}}
 +
** Flóra Barkóczi, [[Media:Barkoczi Flora 2018 Creative DisCourses The Forms Methods and Locations of Alternative Art Pedagogy in Hungary.pdf|"Creative (Dis)Courses: The Forms, Methods and Locations of Alternative Art Pedagogy in Hungary"]], pp 95-112.
 +
 +
* Cristina Cuevas-Wolf, Isotta Poggi (eds.), ''Promote, Tolerate, Ban: Art and Culture in Cold War Hungary'', Los Angeles: Getty Publications, 2018, 160 pp. [https://www.academia.edu/37271048/ Fehér's essay]. [https://shop.getty.edu/products/promote-tolerate-ban-art-and-culture-in-cold-war-hungary-978-1606065396] {{en}}
 +
 +
* ''[[Media:Evasion Techniques 2020.pdf|Evasion Techniques: Subversive strategy and cocking a snook at authority in the Hungarian Avant-garde in the 1960s and '70s]]'', eds. Giuseppe Garrera, József Készman, Viktória Popovics and Sebastiano Triulzi, Rome: Palazzo delle Esposizioni, 2020. [https://www.palazzoesposizioni.it/mostra/evasion-techniques Exhibition]. [https://www.ludwigmuseum.hu/en/selection/techniques-evasion-subversive-strategies-hungarian-neo-avant-garde-1960s-and-70s Works]. {{en}}
 +
** ''[[Media:Tecniche d evasione 2020.pdf|Tecniche d'evasione]]'', Rome: Palazzo delle Esposizioni, 2020. {{it}}
 +
 +
* Katalin Cseh-Varga, ''[http://libgen.rs/book/index.php?md5=B9A06F8DEBA55EE5EB53430B6203211E The Hungarian Avant-Garde and Socialism: The Art of the Second Public Sphere]'', Bloomsbury, 2022, 264 pp, [http://libgen.rs/book/index.php?md5=B0C2A2F69D2D734407181DAB11CEBD67 EPUB]. [https://www.bloomsbury.com/us/hungarian-avantgarde-and-socialism-9781350211605/ Publisher]. {{en}}
 +
 +
* ''1971 – Párhuzamos különidők'', eds. Dóra Hegyi, Zsuzsa László, Zsóka Leposa, and Enikő Róka, Budapest: tranzit.hu, 2022. [https://fovarosikeptar.hu/en/exhibitions-2018-church-hall/1971-parallel-nonsynchronism/ Exhibition]. [https://hu.tranzit.org/hu/projekt/0/2018-10-12/1971-parhuzamos-kulonidok Exhibition]. [https://hu.tranzit.org/en/project/0/2022-06-07/the-catalogue-and-reader-of-essays-titled-1971-parallel-nonsynchronism-has-now-been-published-in-english Publisher]. {{hu}}
 +
** ''1971 – Parallel Nonsynchronism'', eds. Dóra Hegyi and Eszter Szakács, Budapest: tranzit.hu, and Bucharest: PUNCH, 2022, 332 pp. [https://p-u-n-c-h.ro/punch/1971-parallel-nonsychronism/ Publisher]. [https://hu.tranzit.org/en/project/0/2022-06-07/the-catalogue-and-reader-of-essays-titled-1971-parallel-nonsynchronism-has-now-been-published-in-english Publisher]. Review: [http://hdl.handle.net/11222.digilib/digilib.79021 Świtek] (Art East/Central). Exh. review: [http://mezosfera.org/parallel-nonsynchronism/ Laszlo & Roka] (mezosfera). {{en}}
 +
 
* [http://www.concept.c3.hu/?page_id=7 more]
 
* [http://www.concept.c3.hu/?page_id=7 more]
 
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* ''[http://vvp.avu.cz/sesit/ Sešit pro umění, teorii a příbuzné zóny]'' 10 & 11 & 12, Prague: VVP AVU, 2011. Proceedings from the conference ''[http://vvp.avu.cz/sympozia/dusledky-konceptualismu/ Důsledky konceptualismu]'' [Implications of Conceptualism].
 
* ''[http://vvp.avu.cz/sesit/ Sešit pro umění, teorii a příbuzné zóny]'' 10 & 11 & 12, Prague: VVP AVU, 2011. Proceedings from the conference ''[http://vvp.avu.cz/sympozia/dusledky-konceptualismu/ Důsledky konceptualismu]'' [Implications of Conceptualism].
 
* Josef Ledvina, [[Media:Ledvina_Josef_2010_Ceske_umeni_kolem_roku_1980_jako_pole_kulturni_produkce.pdf|"České umění kolem roku 1980 jako pole kulturní produkce"]], ''Sešit pro umění, teorii a příbuzné zóny'' 9, Prague: VVP AVU, 2010, pp 30-65. {{cz}}
 
* Josef Ledvina, [[Media:Ledvina_Josef_2010_Ceske_umeni_kolem_roku_1980_jako_pole_kulturni_produkce.pdf|"České umění kolem roku 1980 jako pole kulturní produkce"]], ''Sešit pro umění, teorii a příbuzné zóny'' 9, Prague: VVP AVU, 2010, pp 30-65. {{cz}}
 +
* Denisa Kujelová, ''[https://is.muni.cz/th/uc67s/ (Ne)možnost prezentace a distribuce umění konceptuálních tendencí v Československu 70. let]'', Brno: Masarykova univerzita, 2019. Master's thesis. {{cz}}
 +
* Denisa Kujelová (ed.), ''ČS koncept 70. let'', Brno: Fait Gallery, 2021, 363 pp. Catalogue. [https://www.faitgallery.com/soucasne-a-planovane/events/244.html] [https://www.kosmas.cz/knihy/293309/cs-koncept-70.-let/] [https://artalk.cz/2017/10/08/tz-cs-koncept-70-let/] {{cz}},{{sk}}
 +
}}</onlyinclude>
 +
 +
===Yugoslavia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-yu}}}|conceptualart-yu|
 +
* [[Media:Projekat 11-15 Hijatusi modernizma i postmodernizma Jedna teorijska kontraverza 2001.pdf|''Projekat'' 11-15: "Hijatusi modernizma i postmodernizma. Jedna teorijska kontraverza"]], ed. Dragomir Ugren, Novi Sad, Mar 2001, 639 pp. {{sr}}
 +
* Miško Šuvaković, "Conceptual Art", in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 210-245. {{en}}
 +
* ''[[Media:Oltari avangarde Zagreb 2008.pdf|Oltari avangarde]]'', eds. Jadran Adamović and Marina Viculin, Zagreb: Galerija Klovićevi dvori, 2008, 32 pp. Catalogue. {{cr}}
 +
* ''[[Media:Politicke_prakse_post_jugoslovenske_umetnosti_retrospektiva_01_2010.pdf|Političke prakse (post) jugoslovenske umetnosti: retrospektiva 01]]'', eds. Jelena Vesić and Zorana Dojić, Belgrade: Prelom kolektiv, 2010, 287 pp. Catalogue. {{sc}}
 +
 +
* Marko Ilić, ''[[Media:Ilic Marko A Slow Burning Fire The Rise of the New Art Practice in Yugoslavia 2021.pdf|A Slow Burning Fire: The Rise of the New Art Practice in Yugoslavia]]'', Cambridge: MIT Press, Feb 2021, 384 pp. [https://mitpress.mit.edu/9780262044844/ Publisher]. Reviews: [https://artmargins.com/a-slow-burning-fire-the-rise-of-the-new-art-practice-in-yugoslavia/ Rounthwaite] (ArtMargins), [https://doi.org/10.1525/aft.2021.48.4.75 Jurich] (Afterimage), [https://www.artnews.com/art-in-america/aia-reviews/marko-ilic-a-slow-burning-fire-yugoslavia-1234585491/ Wetzler] (Art in America), [http://dx.doi.org/10.3202/caa.reviews.2021.56 Smith] (CAA), [https://journals.openedition.org/critiquedart/76230 Drosos] (Critique d'art). {{en}}
 +
 +
* Nada Beroš, ''[[Media:Beros_Nada_Pocetnica_za_konceptualce_2017.pdf|Početnica za konceptualce. Nova umjetnička praksa protumačena djeci]]'', ills. Klasja Habjan and Zita Nakić, Zagreb: Muzej suvremene umjetnosti Zagreb (MSU), 2017, 62 pp. [https://shop.msu.hr/trgovina/pocetnica-za-konceptualce/ Publisher]. {{cr}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===Serbia===
 
===Serbia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-sr}}}|conceptualart-sr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-sr}}}|conceptualart-sr|
 +
* ''[[Media:Nova umetnost u Srbiji Pojednici grupe pojave 1970-1980 1983.pdf|Nova umetnost u Srbiji. Pojednici, grupe, pojave, 1970-1980]]'', ed. Marija Pušić, Belgrade: Muzej savremene umetnosti, 1983, 140 pp. Catalogue. {{sr}}
 
* kuda.org (eds.), ''[http://monoskop.org/log/?p=2021 The Continuous Art Class: The Novi Sad Neo-Avant-Garde of the 1960s and 1970s]'', trans. Orfeas Skutelis and Nikolina Knežević, Frankfurt am Main: Revolver, 2005. {{sr}}/{{en}}
 
* kuda.org (eds.), ''[http://monoskop.org/log/?p=2021 The Continuous Art Class: The Novi Sad Neo-Avant-Garde of the 1960s and 1970s]'', trans. Orfeas Skutelis and Nikolina Knežević, Frankfurt am Main: Revolver, 2005. {{sr}}/{{en}}
 
* kuda.org (eds.), ''[http://monoskop.org/log/?p=2050 Omitted History]'', trans. Nebojša Pajić, Frankfurt am Main: Revolver, 2006, 134 pp. {{sr}}/{{en}}
 
* kuda.org (eds.), ''[http://monoskop.org/log/?p=2050 Omitted History]'', trans. Nebojša Pajić, Frankfurt am Main: Revolver, 2006, 134 pp. {{sr}}/{{en}}
 
* Miško Šuvaković, [http://www.republika.co.rs/430-431/19.html "Neoavangarda, konceptualna umetnost i krize socijalističkog modernizma"], ''Republika'' 430-431, 1-30 Jun 2008. {{sr}}
 
* Miško Šuvaković, [http://www.republika.co.rs/430-431/19.html "Neoavangarda, konceptualna umetnost i krize socijalističkog modernizma"], ''Republika'' 430-431, 1-30 Jun 2008. {{sr}}
 +
* ''[[Media:Examples_of_Invisible_Art_Digitizing_Collection_of_Conceptual_Art_of_MCAV_2012.pdf|Primeri nevidljive umetnosti: digitalizacija zbirke konceptualne umetnosti MSUV / Examples of Invisible Art: Digitizing Collection of Conceptual Art of MCAV]]'', eds. Nebojša Milenković, Gordana Nikolić, and Luka Kulić, Novi Sad: Museum of Contemporary Art of Vojvodina, 2012, 167 pp. Catalogue. [http://www.msuv.org/publikacije/2012-01-primeri-nevidljive-umetnosti.php] {{sr}}/{{en}}
 +
* Dragan M. Đorđević, ''[[Media:Djordjevic_Dragan_Ideje_konceptualne_umetnosti_u_savremenoj_srpskoj_knjizevnosti_1960-2010_2016.pdf|Ideje konceptualne umetnosti u savremenoj srpskoj književnosti 1960-2010]]'', Belgrade: Univerzitet u Beogradu, 2016, 331 pp. PhD dissertation. {{sr}}
 +
* Branislav Jakovljević, [https://sci-hub.st/10.1162/artm_a_00207 "The Howling Wilderness of the Maladaptive Struggle in Belgrade in New York"], ''ARTMargins'' 7:2, Jun 2018, pp 17-41. {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovenia===
 
===Slovenia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-sl}}}|conceptualart-sl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-sl}}}|conceptualart-sl|
 +
* ''Konceptualna umetnost 60-ih in 70-ih let'', eds. Ljubica Klančar, Lilijana Stepančič, and Igor Španjol, Ljubljana: Galerija ŠKUC, 1997, 70 pp. [https://www.worldofart.org/zborniki/] {{sl}}
 
* R., [http://www.pojmovnik.si/koncept/konceptualizem/ "Konceptualizem"], ''Pojmovnik slovenske umetnosti 1945-2005'', Ljubljana: Raziskovalni inštitut ALUO, n.d. {{sl}}
 
* R., [http://www.pojmovnik.si/koncept/konceptualizem/ "Konceptualizem"], ''Pojmovnik slovenske umetnosti 1945-2005'', Ljubljana: Raziskovalni inštitut ALUO, n.d. {{sl}}
 +
}}</onlyinclude>
 +
 +
===Romania===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-ro}}}|conceptualart-ro|
 +
* Ileana Pintilie, [https://www.wkv-stuttgart.de/uploads/media/pintilea_en.pdf "Conceptual Art on the Edge - Some Romanian Perspectives between the '60's and the 80's"], c.2008. {{en}}
 +
* Erwin Kessler (ed.), ''[[Media:Cel ce se pedepseste singur Stefan Bertalan Florin Mitroi Ion Grigorescu arta si Romania in anii 80-90 2009.pdf|Cel ce se pedepseşte singur. Ştefan Bertalan, Florin Mitroi, Ion Grigorescu: arta şi România în anii ′80-′90]]'' [The Self-Punishing One: Stefan Bertalan, Florin Mitroi, Ion Grigorescu: Arts and Romania during the 1980s and 1990s], Bucharest: Institutul Cultural Roman, 2009, 332 pp. Catalogue. [https://www.icr.ro/roma/expozitia-cel-ce-se-pedepseste-singur-stefan-bertalan-florin-mitroi-ion-grigorescu-arta-si-romania-in-anii-80-90-9871] {{ro}}
 +
* [[Media:Revista Arta 6 20-21 Conceptualism in Eastern and Central Europe 2016.pdf|''Revista Arta'' 6(20-21): "Conceptualismul în Europa Centrală și de Est / Conceptualism in Eastern and Central Europe"]], ed. Cristian Nae, Bucharest, 2016, 191 pp. [http://revistaarta.ro/en/magazine/#post-6347] {{ro}}/{{en}}
 +
* Cristian Nae (ed.), ''[[Media:Nae Cristian Invisible Frames Rhetoric and Exhibition Practices in Romania During the Period 1965-1989 2016.pdf|Cadre (in)vizibile. Retorici și practici expoziționale în România în perioada 1965-1989 / (In)visible Frames. Rhetoric and Exhibition Practices in Romania During the Period 1965-1989]]'', Cluj: Idea Design & Print, and Bucharest: Unarte, 2016, 351 pp. [https://editura.unarte.org/en/publications/cadre-invizibile-retorici-si-practici-expozitionale-in-romania-in-perioada-1965-1989/ Publisher]. {{ro}}/{{en}}
 +
* Smaranda Bostan, Maria Bilaşevschi, [https://doi.org/10.18662/lumproc.rsacvp2017.10 "The Many Facets of the Romanian Conceptual Art"], in ''Rethinking Social Action. Core Values in Practice'', eds. Camelia Ignatescu, Antonio Sandu and Tomita Ciulei, Lumen, 2017, pp 103-110. {{en}}
 +
}}</onlyinclude>
 +
 +
===Baltics===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|conceptualart-baltics}}}|conceptualart-baltics|
 +
 +
* ''Thinking Pictures: Conceptual Art from Moscow and the Baltics'', eds. Anu Allas and Liisa Kaljula, Tallinn: Estonian Art Museum, 2022, 208 pp. [https://kumu.ekm.ee/en/syndmus/thinking-pictures/ Exhibition]. Exh. review: [https://artmargins.com/thinking-pictures/ Janušová] (Artmargins). [https://50wattsbooks.com/products/thinking-pictures-conceptual-art-from-moscow-and-the-baltics] {{ee}}/{{en}}
 +
 +
* [[Ieva Astahovska]], "Struktuurid ja mudelid, absurd ja paradoksid. Kontseptuaalse kunsti katsetused Lätis 1970. ja 1980. aastatel" / "Structures and Models, Absurdities and Paradoxes: Conceptual Art Explorations in Latvia in the 1970s and 1980s", ''Eesti Kunstimuuseumi Toimetised / Proceedings of the Art Museum of Estonia'' 13, Tallinn: KUMU, 2023, pp 85-99, 100-126. [https://kunstimuuseum.ekm.ee/wp-content/uploads/2023/12/18_EKM_toimetised_Balti-regionaalse-kunstiajaloo-perspektiivid_2023_web.pdf] {{lv}}/{{en}}
 +
 
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* Piotr Piotrowski, [http://hdl.handle.net/10593/11018 "Totalitarianism and Modernism: The 'Thaw' and Informel Painting in Central Europe, 1955-1965"], ''Artium Quaestiones'' 10 (2000), pp 119-175. {{en}}
 
* Piotr Piotrowski, [http://hdl.handle.net/10593/11018 "Totalitarianism and Modernism: The 'Thaw' and Informel Painting in Central Europe, 1955-1965"], ''Artium Quaestiones'' 10 (2000), pp 119-175. {{en}}
 
* Piotr Piotrowski, [http://hdl.handle.net/10593/11027 "Modernism and Totalitarianism II. Myths of Geometry: Neo-Constructivism in Central Europe 1948-1970"], trans. Marek Wilczyński, ''Artium Quaestiones'' 11 (2000), pp 101-154. {{en}}
 
* Piotr Piotrowski, [http://hdl.handle.net/10593/11027 "Modernism and Totalitarianism II. Myths of Geometry: Neo-Constructivism in Central Europe 1948-1970"], trans. Marek Wilczyński, ''Artium Quaestiones'' 11 (2000), pp 101-154. {{en}}
* Piotr Piotrowski, ''[http://monoskop.org/log/?p=1323 In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989]'', trans. Anna Brzyski, London: Reaktion Books, 2009. {{en}}
+
* Piotr Piotrowski, "The Myths of Geometry", ch. 4 in Piotrowski, ''[http://monoskop.org/log/?p=1323 In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989]'', trans. Anna Brzyski, London: Reaktion Books, 2009. {{en}}
 +
* David Crowley, "The Art of Cybernetic Communism", in ''Star City: The Future under Communism'', eds. Alex Farquharson, Łukasz Ronduda, and Barbara Piwowarska, Warsaw: CSW, 2011; [[Media:Crowley_David_2013_The_Art_of_Cybernetic_Communism.pdf|repr., rev.,]] in ''Utopian Reality: Reconstructing Culture in Revolutionary Russia and Beyond'', eds. Christina Lodder, Maria Kokkori, and Maria Mileeva, Leiden: Brill, 2013, pp 219-238, [http://faktografia.com/2011/09/13/the-art-of-cybernetic-communism/ HTML]. [https://doi.org/10.1163/9789004263222_015] {{en}}
 
* ''[http://monoskop.org/log/?p=15655 L'Internationale: Post-War Avant-Gardes Between 1957 and 1986]'', ed. Christian Höller, Zurich: JRP Ringer, 2012; L’Internationale Online, 2015, 416 pp. {{en}}
 
* ''[http://monoskop.org/log/?p=15655 L'Internationale: Post-War Avant-Gardes Between 1957 and 1986]'', ed. Christian Höller, Zurich: JRP Ringer, 2012; L’Internationale Online, 2015, 416 pp. {{en}}
 +
* ''The Other Transatlantic: Kinetic and Op Art in Eastern Europe and Latin America'', eds. Marta Dziewańska, Dieter Roelstraete, and Abigail Winograd, Warsaw: Museum of Modern Art in Warsaw, 2017, 250 pp. Based on 2016 conference; published on the occasion of [http://transatlantic.artmuseum.pl/en/ 2017 exhibition]. [https://press.uchicago.edu/ucp/books/book/distributed/O/bo27600601.html TOC]. [https://artmuseum.pl/en/publikacje/the-other-trans-atlantic-kinetic-and-op-art-in-eastern-europe Publisher]. {{en}}
 +
** Dušan Barok, Abigail Winograd, [[Media:Barok_Dusan_Winograd_Abigail_2017_Kinetic_and_Op_Art_in_Eastern_Europe_and_Latin_America_Timeline_of_Events.pdf|"Timeline of Events: Between Eastern Europe and Latin America"]], pp 32-64.
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-cz}}}|visualresearch-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-cz}}}|visualresearch-cz|
 +
* Vladimir Maleković, [[Media:Malekovic_Vladimir_1972_Suvremena_ceska_i_slovacka_avangarda.pdf|"Suvremena češka i slovačka avangarda"]], ''Život umjetnosti'' 18, Zagreb, 1972, pp 68-78. {{sc}}
 
* ''Poesie racionality. Konstruktivní tendence v českém výtvarném umění 60. let'', Prague: České muzeum výtvarných umění v Praze, 1993. Catalogue for the exhibition held at Valdštejnská jízdárna in Prague, 17 Oct 1993-2 Jan 1994. {{cz}}
 
* ''Poesie racionality. Konstruktivní tendence v českém výtvarném umění 60. let'', Prague: České muzeum výtvarných umění v Praze, 1993. Catalogue for the exhibition held at Valdštejnská jízdárna in Prague, 17 Oct 1993-2 Jan 1994. {{cz}}
* Josef Hlaváček, [[Media:Hlavacek_Josef_2007_Nova_citlivost.pdf|"Nová citlivost"]], in ''Dějiny českého výtvarného umění VI/1'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 221-232. {{cz}}
+
* Vít Havránek, "Pomíjivé a rozptýlené. Kinetické umění v Československu, 1957-1970", in ''Akce, slovo, pohyb, prostor. Experimenty v umění šedesátých let'', ed. Vít Havránek, Prague: Galerie hl. města Prahy, 1999, pp 78-101, n377-384. {{cz}}
 +
* Josef Hlaváček, "Neokonstruktivismus a kinetismus", in ''Dějiny českého výtvarného umění VI/1'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 207-220. {{cz}}
 +
* Josef Hlaváček, [[Media:Hlavacek_Josef_2007_Nova_citlivost.pdf|"Nová citlivost"]], in ''Dějiny českého výtvarného umění VI/1'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 221-231. {{cz}}
 
* Jiří Valoch, [[Media:Valoch_Jiri_2007_Jazyk_geometrie.pdf|"Jazyk geometrie"]], in ''Dějiny českého výtvarného umění VI/2'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 575-595. {{cz}}
 
* Jiří Valoch, [[Media:Valoch_Jiri_2007_Jazyk_geometrie.pdf|"Jazyk geometrie"]], in ''Dějiny českého výtvarného umění VI/2'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 575-595. {{cz}}
* Giovanna Barbero (ed.), ''Movement as a message. Ediz. inglese, italiana e ceca'', Verso l'Arte Edizioni, 2008. Catalogue. [http://books.google.com/books?id=0tjrAZhajbYC]
+
* ''[[Media:Movement as a Message International Triennale of Contemporary Art 2008 pp 1-75.pdf|Movement as a Message: International Triennale of Contemporary Art / Pohyb jako poselství: mezinárodní trienále současného umění]]'', ed. Verso l'Arte Edizioni, Prague: National Gallery in Prague, 2008, 216 pp. Catalogue. [http://web.archive.org/web/20080916190921/http://www.ngprague.cz/itca/movement.html] [https://cs.isabart.org/document/60277] {{en}}/{{cz}}/{{it}}
* Andrea Sloupová , ''Syntéza po syntéze: české kinetické umění 60. let a pozdější tvůrčí postupy jeho protagoniostů'', Prague: Charles University, 2009. Master's thesis. {{cz}} [http://is.cuni.cz/webapps/zzp/detail/68814/]
+
** Jiří Valoch, [https://monoskop.org/images/7/72/Movement_as_a_Message_International_Triennale_of_Contemporary_Art_2008_pp_1-75.pdf#page=14 "Movement as Message: Some Seminal Examples from the History of Czechoslovak Fine Arts / Pohyb jako poselství: několik nejzávažnějších příkladů z československého výtvarného umění / Il movimento come messaggio: alcuni esempi di rilievo nell'arte figurativa cecoslovacca"], pp 17-33.
* Veronika Böhmová, [http://is.muni.cz/th/145598/ff_m_b1/ "Projevy op-artu v českém umění v 60. a 70. letech minulého století"], Brno: Masaryk University, 2012. Master's thesis. {{cz}}
+
* Andrea Sloupová, ''[[Media:Sloupova_Andrea_2008_Synteza_po_synteze_Ceske_kineticke_umeni_60_let_a_pozdejsi_tvurci_postupy_jeho_protagonistu.pdf|Syntéza po syntéze: české kinetické umění 60. let a pozdější tvůrčí postupy jeho protagonistů]]'', Prague: Charles University, 2008. Master's thesis. [https://is.cuni.cz/webapps/zzp/detail/68814] {{cz}}
 +
* Adriana Šmejkalová, "Sny rozumu - možnosti neokonstruktivismu, luminodynamismu a kinetismu na české výtvarné scéně šedesátých let 20. století", in ''Věda a technika v Československu v 60. letech 20. století'', eds. Ivana Lorencová and Michal Novotný, Prague: Národní technické muzeum, 2011, pp 229-244. {{cz}}
 +
* Veronika Böhmová, ''[http://is.muni.cz/th/145598/ff_m_b1/ Projevy op-artu v českém umění v 60. a 70. letech minulého století]'', Brno: Masaryk University, 2012. Master's thesis. {{cz}}
 +
* Sylva Poláková, ''[https://is.cuni.cz/webapps/zzp/detail/104035/ Konvergence filmu a architektury. Případ Prahy]'', Prague: Karlova univerzita, 2015. Phd dissertation. {{cz}}
 +
* Sylva Poláková, [[Media:Polakova Sylva 2018 Rezonance ceskeho svetelneho kinetismu.pdf|"Rezonance českého světelného kinetismu"]], ''Sešit pro umění, teorii a příbuzné zóny'' 24, Prague, 2018, pp 42-58. [http://vvp.avu.cz/sesit/archiv/] {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-sk}}}|visualresearch-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-sk}}}|visualresearch-sk|
* Dušan Konečný, ''Kinetizmus'', Bratislava: Pallas, 1971, 88 pp. {{sk}}
+
* Dušan Konečný, ''Kinetizmus'', Bratislava: Pallas, 1970, 88 pp. [https://www.databazeknih.cz/knihy/kinetizmus-104450] {{sk}}
* Ľuba Belohradská, "Konštruktívne tendencie v zrkadle slovenskej umenovedy", ''MADI ap'' 4, March 2002. [http://www.mobil-madi.org/index.php?option=com_content&view=article&catid=29%3Aslovak&id=213%3Aluba-belohradska-konstruktivne-tendencie-v-zrkadle-slovenskej-umenovedy&Itemid=74] [http://www.mobil-madi.org/index.php?option=com_content&view=article&id=214:luba-belohradska-konstruktiv-iranyzatok-szlovakiaban&catid=23:madi-art-periodical-no4&Itemid=79] {{sk}}/{{hu}}
+
* Vladimir Maleković, [[Media:Malekovic_Vladimir_1972_Suvremena_ceska_i_slovacka_avangarda.pdf|"Suvremena češka i slovačka avangarda"]], ''Život umjetnosti'' 18, Zagreb, 1972, pp 68-78. {{sc}}
* Ľuba Belohradská, Eva Trojanová (eds.), ''Hranice geometrie / Borders of Geometry'', Petum, 2009, 429 pp. [http://www.artforum.sk/catalog/belohradska-luba-trojanova-eva:hranice-geometrie---borders-of-geometry/?mod=catalog&detail=32543] {{sk}}/{{en}}
+
* Vladimír Beskid, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=88 "Geometrická abstrakcia"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Katarína Bajcurová, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=128 "Kinetické umenie"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Jana Geržová, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=171 "Mobil"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Katarína Bajcurová, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=209 "Op-art"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Ľuba Belohradská, [http://mobilemadimuseum.org/?page_id=1551 "Konštruktívne tendencie v zrkadle slovenskej umenovedy"], ''MADI ap'' 4, Mar 2002. {{sk}}/{{hu}}
 +
* Ľuba Belohradská, Eva Trojanová (eds.), ''Hranice geometrie / Borders of Geometry'', Petum, 2009, 429 pp. [https://www.artforum.sk/katalog/34402/hranice-geometrie-borders-of-geometry] {{sk}}/{{en}}
 
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* Łukasz Ronduda, ''Sztuka polska lat 70. awangarda'', Jelenia Góra: Polski Western, and Warsaw: CSW Zamek Ujazdowski, 2009, 379 pp. Editorial concept: Piotr Uklański. [http://www.csw.art.pl/index.php?action=publikacje&id=8&lang=] [http://www.piktogram.org/en-99-POLISHARTOFTHE70s.html] {{pl}}
 
* Łukasz Ronduda, ''Sztuka polska lat 70. awangarda'', Jelenia Góra: Polski Western, and Warsaw: CSW Zamek Ujazdowski, 2009, 379 pp. Editorial concept: Piotr Uklański. [http://www.csw.art.pl/index.php?action=publikacje&id=8&lang=] [http://www.piktogram.org/en-99-POLISHARTOFTHE70s.html] {{pl}}
** ''Polish Art of the 70s'', Jelenia Góra: Polski Western, and Warsaw: CSW Zamek Ujazdowski, 2009, 379 pp. Reviews: [http://www.frieze.com/issue/article/konceptualizm_w_prl_polish_art_of_the_70s/ Szewczyk] (Frieze 2010), [http://www.artmargins.com/index.php/4-books/562-polish-conceptualism-expanded-politicized-contested-book-review Kemp-Welch] (ArtMargins 2010). {{en}}
+
** ''Polish Art of the 70s'', Jelenia Góra: Polski Western, and Warsaw: CSW Zamek Ujazdowski, 2009, 379 pp. Reviews: [http://www.frieze.com/issue/article/konceptualizm_w_prl_polish_art_of_the_70s/ Szewczyk] (Frieze 2010), [http://www.artmargins.com/index.php/4-books/562-polish-conceptualism-expanded-politicized-contested-book-review Kemp-Welch] (ArtMargins). {{en}}
* Sylwia Serafinowicz, [http://www.artmargins.com/index.php/2-articles/697-on-the-void-the-first-biennale-of-spatial-forms-in-elblg-poland-1965-by-elbieta-tejchman "On the Void: Elżbieta Tejchman and The First Biennale of Spatial Forms in Elbląg, Poland (1965)"], ''ARTMargins'', Dec 2012. {{en}}
+
* Sylwia Serafinowicz, [https://artmargins.com/on-the-void-the-first-biennale-of-spatial-forms-in-elblg-poland-1965-by-elbieta-tejchman/ "On the Void: Elżbieta Tejchman and The First Biennale of Spatial Forms in Elbląg, Poland (1965)"], ''ARTMargins'', Dec 2012. {{en}}
 
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<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-yu}}}|visualresearch-yu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-yu}}}|visualresearch-yu|
 
* ''[http://monoskop.org/log/?p=5903 The New Art Practice in Yugoslavia, 1966-1978]'', ed. Marijan Susovski, Zagreb: Gallery of Contemporary Art, 1978, 148 pp. Catalogue. {{en}}/{{sc}}
 
* ''[http://monoskop.org/log/?p=5903 The New Art Practice in Yugoslavia, 1966-1978]'', ed. Marijan Susovski, Zagreb: Gallery of Contemporary Art, 1978, 148 pp. Catalogue. {{en}}/{{sc}}
* ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', eds. Dubravka Đurić and Miško Šuvaković, MIT Press, 2003, 520 pp. [http://mitpress.mit.edu/books/impossible-histories] {{en}}
+
* ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, xviii+605 pp. {{en}}
 +
}}</onlyinclude>
 +
 
 +
===Croatia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-cr}}}|visualresearch-cr|
 +
''See also [[New Tendencies]].''
 +
* Lidija Butković Mićin, [http://www.zarez.hr/system/issue/pdf/290/340-341.pdf#page=27 "Novo osvjetljavanje. Realno svjetlo kao medij u hrvatskoj umjetnosti 1960-ih i ranih 1970-ih godina"] [The Use of Light as Medium in Croatian Art during the 1960s and Early 1970s], ''Zarez'' 14:340-341, 2012, pp 27-28. [https://1postozaumjetnost.wordpress.com/texts/] [http://bib.irb.hr/prikazi-rad?rad=747398] {{cr}}
 +
}}</onlyinclude>
 +
 
 +
===Serbia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-sr}}}|visualresearch-sr|
 +
* ''[[Media:Nova umetnost u Srbiji Pojednici grupe pojave 1970-1980 1983.pdf|Nova umetnost u Srbiji. Pojednici, grupe, pojave, 1970-1980]]'', ed. Marija Pušić, Belgrade: Muzej savremene umetnosti, 1983, 140 pp. Catalogue. {{sr}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Romania===
 
===Romania===
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-ro}}}|visualresearch-ro|
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-ro}}}|visualresearch-ro|
* Alexandra Titu, "Experimentalism in Romanian Art after 1960" (Experimentul în Arta Românească după 1960), 2003. [http://www.c3.hu/ican.artnet.org/ican/textc074.html?id_text=24]
 
 
* Ştefan Bertalan, "Fragments of a Possible Program", ''Arta'' 8 (1970).
 
* Ştefan Bertalan, "Fragments of a Possible Program", ''Arta'' 8 (1970).
* George Lecca, ''Flondor, de la '111' + 'Sigma' la 'Prolog' '' [Flondor, from 111+SIGMA to "Prolog"], Cluj: IDEA Design & Print, 2005, 197 pp. [http://muzeuldeartatm.ro/img/publicatii/01_flondor.jpg] [http://www.observatorcultural.ro/ARTE-VIZUALE.-Avangarda-artistica-a-anilor-70*articleID_14281-articles_details.html Review]. {{ro}}
+
* Alexandra Titu, [[Media:Titu Alexandra 1997 Experimentalism in Romanian Art after 1960.pdf|"Experimentalismul în arta românească după 1960"]], in ''Experiment în arta românească după 1960 / Experiment in Romanian Art since 1960'', ed. Madga Cârneci, Bucharest: Soros Center for Contemporary Art, 1997, pp 11-29. {{ro}}
 +
** [[Media:Titu Alexandra 1997 Experimentalism in Romanian Art after 1960.pdf|"Experimentalism in Romanian Art after 1960"]], trans. David Hill, in ''Experiment în arta românească după 1960 / Experiment in Romanian Art since 1960'', ed. Madga Cârneci, Bucharest: Soros Center for Contemporary Art, 1997, pp 10-28, [http://www.c3.hu/ican.artnet.org/ican/textc074.html?id_text=24 HTML]. {{en}}
 +
* Ramona Novicov, [https://biblioteca-digitala.ro/reviste/biharea/dl.asp?filename=26-27-Biharea-1999-2000-XXVI-XXVII-studii-etnografie-arta_344.pdf "Experiment Intermedia: secvente ale artei româneşti contemporane din intervalul 1968-1974"], ''Biharea'' 26-27, 1999-2000. {{ro}}
 +
* Cristian Nae (ed.), ''[[Media:Nae Cristian Invisible Frames Rhetoric and Exhibition Practices in Romania During the Period 1965-1989 2016.pdf|Cadre (in)vizibile. Retorici și practici expoziționale în România în perioada 1965-1989 / (In)visible Frames. Rhetoric and Exhibition Practices in Romania During the Period 1965-1989]]'', Cluj: Idea Design & Print, and Bucharest: Unarte, 2016, 351 pp. [https://editura.unarte.org/en/publications/cadre-invizibile-retorici-si-practici-expozitionale-in-romania-in-perioada-1965-1989/ Publisher]. {{ro}}/{{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
==Fluxus, Intermedia==
+
===Latvia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-lv}}}|visualresearch-lv|
 +
 
 +
* Ieva Astahovska, [https://institutulprezentului.ro/en/2019/11/14/moscow-riga-revisiting-some-waypoints-in-recent-art-history/ "Moscow—Riga. Revisiting Some Waypoints in Recent Art History"], ''Institute of the Present'', Nov 2019.
 +
** [https://institutulprezentului.ro/2019/11/14/moscova-riga-revizitarea-unor-zone-intermediare-din-istoria-recenta-a-artei/ "Moscova — Riga. Revizitarea unor zone intermediare din istoria recentă a artei"], ''Institutul Prezentului'', Nov 2019. {{ro}}
 +
 
 +
}}</onlyinclude>
 +
 
 +
==Fluxus, intermedia, sound art==
 
===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-cee}}}|intermedia-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-cee}}}|intermedia-cee|
* Petra Stegmann (ed.), ''The Lunatics are on the Loose... European Fluxus Festivals 1962-1977'', Potsdam: Down With Art!, 2012. Extensive documentation of 32 selected European Fluxus events in Aachen, Aberystwyth, Amsterdam, Berlin, Budapest, Copenhagen, Düsseldorf, London, Madrid, Nizza, Oslo, Paris, Prague, Poznan, Rotterdam, Scheveningen, Stockholm, Vilnius, Wiesbaden, Wuppertal. [http://thelunaticsareontheloose.tumblr.com/] {{en}}
+
 
 +
* ''Fluxus East: Fluxus-Netzwerke in Mittelosteuropa / Fluxus East: Fluxus Networks in Central Eastern Europe'', ed. Petra Stegmann, Berlin: Kuenstlerhaus Bethanien, 2007, 288 pp. Exh. catalogue; exh. held at Künstlerhaus Bethanien, Berlin, 4 Sep-4 Nov 2007. Contains artists' biographies, an extensive illustrated chronology divided in sections, including an “Overall Survey of Fluxus Events in Central Eastern Europe (1962–1989), “Fluxus Concerts,” “Individual Exhibitions and Performances,” “Exhibitions and Festivals,” “Mieko Shiomi’s ‘Spatial Poems,’” “Nine Global Events,” and “Fluxus East and West,” and essays by Eric Andersen, Andrea Bátorová, Milan Knížák, Pavlína Morganová, Luiza Nader, Maria Anna Potocka, Tamás St. Auby, Petra Stegmann, and Emmett Williams. [http://www.fluxus-east.eu/?item=exhib&sub=catalog&lang=en] [http://web.archive.org/web/20180324162455/http://post.at.moma.org/sources/5/publications/94]  {{de}}/{{en}}
 +
 
 +
* ''"The Lunatics are on the Loose...": European Fluxus Festivals, 1962-1977'', ed. Petra Stegmann, Potsdam: Down With Art!, 2012, 591 pp. Exh. catalogue. Extensive documentation of 32 selected European Fluxus events in Aachen, Aberystwyth, Amsterdam, Berlin, Budapest, Copenhagen, Düsseldorf, London, Madrid, Nizza, Oslo, Paris, Prague, Poznan, Rotterdam, Scheveningen, Stockholm, Vilnius, Wiesbaden, Wuppertal. [http://thelunaticsareontheloose.tumblr.com/] [http://web.archive.org/web/20180324162455/http://post.at.moma.org/sources/5/publications/109] {{en}}
 +
 
 +
* ''The Freedom of Sound: John Cage Behind the Iron Curtain'', ed. Katalin Székely, Budapest: Ludwig Múzeum - Kortárs Művészeti Múzeum, 2013. Exh. catalogue. [https://www.ludwigmuseum.hu/en/publication/freedom-sound-john-cage-behind-iron-curtain Publisher]. [https://www.ludwigmuseum.hu/en/exhibition/freedom-sound-john-cage-behind-iron-curtain Exhibition]. [https://www.ludwigmuseum.hu/file/egyeb/BdAnjohncage_leporello_2012.pdf Exh. brochure]. {{en}}
 +
 
 
* Petra Stegmann, "Fluxus and the East", ''Centropa'' 14:1, Jan 2014. {{en}}
 
* Petra Stegmann, "Fluxus and the East", ''Centropa'' 14:1, Jan 2014. {{en}}
 +
 +
* ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, 408 pp. [https://walkerart.org/magazine/multiple-realities-navigating-experimental-art-in-central-eastern-europe-1960s-1980s Introduction]. [https://worldcat.org/title/1394106210 TOC]. [https://shop.walkerart.org/products/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Publisher]. Exh. held at [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Walker Art Center], 11 Nov 2023-10 Mar 2024; [https://phxart.org/exhibition/multiple-realities/ Phoenix Art Museum], 17 Apr−29 Sep 2024; Vancouver Art Gallery, 2 Nov 2024−23 Mar 2025. Exh. reviews: [[Media:Daring_to_Create_Art_Freely_Behind_the_Iron_Curtain_2024.pdf|Farago]] (NYT), [[Media:Snodgrass Susan_2024 Multiple Realities Experimental Art in the Eastern Bloc 1960s-1980s.pdf|Snodgrass]] (Artforum), [https://www.wsj.com/arts-culture/fine-art/multiple-realities-experimental-art-in-the-eastern-bloc-review-walker-art-center-minneapolis-f7848c35 Plagens] (WSJ), [https://www.apollo-magazine.com/multiple-realities-experimental-art-eastern-bloc-walker-art-center-review/ Wetzler] (Apollo), [https://www.artnews.com/art-in-america/aia-reviews/multiple-realities-walker-art-center-eastern-bloc-art-review-1234694378/ Greenberger] (Art in America), [https://observer.com/2024/01/review-multiple-realities-walker-art-center/ Duray] (Observer), [https://artrevue.cz/vejce-evy-kmentove-a-dalsi-na-vystave-v-zamori/ ArtRevue.cz]. [https://www.minnpost.com/artscape/2023/11/artists-respond-to-censorship-and-surveillance-in-walkers-exhibit-about-experimental-art-in-the-eastern-bloc/] [https://www.instagram.com/artbook/p/C2sqgUYpR0e/] {{en}}
 +
 +
}}</onlyinclude>
 +
 +
===Czech Republic===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-cz}}}|intermedia-cz|
 +
 +
* Jiří Valoch, ''Partitury: grafická hudba, fónická poezie, akce, parafráze, interpretace'', Prague, 1980. {{cz}}
 +
 +
* Jarmila Doubravová, ''Hudba a výtvarné umění'', Prague, 1982. {{cz}}
 +
 +
* Petr Dorůžka (ed.), ''Hudba na pomezí'', Prague, 1991. {{cz}}
 +
 +
* Michal Rataj (ed.), ''Zvukem do hlavy'', Prague, 2012. {{cz}}
 +
 +
* Jakub Frank, ''[https://theses.cz/id/wrhjju/ Konceptualizace zvuku a jeho recepce ve výtvarném umění v Československu]'', Olomouc: Univerzita Palackého v Olomouci, 2018, 81 pp. Master's thesis. {{cz}}
 +
 +
* Jitka Hlaváčková, Miloš Vojtěchovský (eds.), ''[[Media:Hlavackova Jitka Vojtechovsky Milos eds Zvuky kody obrazy Sounds Codes Images 2021.pdf|Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images]]'', Prague: ArtMap, 2021, 288 pp. [[Media:Sounds_Codes_Images_2021 extended excerpt.pdf|Extended excerpt]]. [http://www.ghmp.cz/zvuky-kody-obrazy-akusticky-experiment-ve-vizualnim-umeni/ Exhibition]. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/ Publisher]. Exh. review: [https://www.artantiques.cz/mezi-zvuky-kody-a-obrazy-napric-casem-a-prostorem Flašar] (Art&Antiques). Book reviews: [https://artalk.cz/2022/01/24/pruzkum-hranic-videneho-a-slyseneho/ Zahálková] (Artalk), [https://www.facebook.com/100006843614951/videos/416711640244586/?story_fbid=3039318796306211&id=100006843614951 Válek]. {{cz}}/{{en}}
 +
 +
* Helena Musilová, "Fluxus a československá scéna v 60. letech 20. století / Fluxus and the Czechoslovak Art Scene in the 1960s", in ''Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images'', eds. Jitka Hlaváčková and Miloš Vojtěchovský, Prague: ArtMap, 2021, pp 123-136. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/] {{cz}}/{{en}}
 +
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 938: Line 1,537:
 
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-sk}}}|intermedia-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-sk}}}|intermedia-sk|
 
* Jozef Cseres, "O SNEH-ových prehánkach i prestávkach, skrátka kalamitách", in ''AVALANCHES 1990-1995: Zborník spoločnosti pre nekonvenčnú hudbu'', ed. Michal Murin, Bratislava: 1995. {{sk}}
 
* Jozef Cseres, "O SNEH-ových prehánkach i prestávkach, skrátka kalamitách", in ''AVALANCHES 1990-1995: Zborník spoločnosti pre nekonvenčnú hudbu'', ed. Michal Murin, Bratislava: 1995. {{sk}}
 +
* Beata Jablonská, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=82 "Fluxus"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Michal Murin, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=91 "Grafická partitúra"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 +
* Michal Murin, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=299 "Zvukový objekt, zvuková plastika, zvuková inštalácia"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
 
* Miloš Štofko, ''Od abstrakcie po živé umenie. Slovní­k pojmov moderného a postmoderného umenia'', Bratislava: Slovart, 2007. {{sk}}
 
* Miloš Štofko, ''Od abstrakcie po živé umenie. Slovní­k pojmov moderného a postmoderného umenia'', Bratislava: Slovart, 2007. {{sk}}
 
* Jozef Cseres, [http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-4a205b81-1fb8-43b9-af63-474ce08c1ce5 "Czar wahania się pomiędzy tym, co wirtualne, a tym, co możliwe. Sztuka efemeryczna we współczesnej estetyce i myśli o sztuce na przykładzie wybranych prac współczesnych artystów słowackich"], ''Sztuka i Dokumentacja'' 7 (2012), pp 44-53. {{pl}}
 
* Jozef Cseres, [http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-4a205b81-1fb8-43b9-af63-474ce08c1ce5 "Czar wahania się pomiędzy tym, co wirtualne, a tym, co możliwe. Sztuka efemeryczna we współczesnej estetyce i myśli o sztuce na przykładzie wybranych prac współczesnych artystów słowackich"], ''Sztuka i Dokumentacja'' 7 (2012), pp 44-53. {{pl}}
 
* Miroslava Putišová, [http://www.slovakia.culturalprofiles.net/?id=-6353 "Intermedia arts - overview"], Slovakia Cultural Profile, n.d. {{en}}/[http://www.slovakia.culturalprofiles.net/?id=-13470 {{sk}}]
 
* Miroslava Putišová, [http://www.slovakia.culturalprofiles.net/?id=-6353 "Intermedia arts - overview"], Slovakia Cultural Profile, n.d. {{en}}/[http://www.slovakia.culturalprofiles.net/?id=-13470 {{sk}}]
 +
* Jitka Hlaváčková, Miloš Vojtěchovský (eds.), ''[[Media:Hlavackova Jitka Vojtechovsky Milos eds Zvuky kody obrazy Sounds Codes Images 2021.pdf|Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images]]'', Prague: ArtMap, 2021, 288 pp. [[Media:Sounds_Codes_Images_2021 extended excerpt.pdf|Extended excerpt]]. [http://www.ghmp.cz/zvuky-kody-obrazy-akusticky-experiment-ve-vizualnim-umeni/ Exhibition]. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/ Publisher]. Exh. review: [https://www.artantiques.cz/mezi-zvuky-kody-a-obrazy-napric-casem-a-prostorem Flašar] (Art&Antiques). Book reviews: [https://artalk.cz/2022/01/24/pruzkum-hranic-videneho-a-slyseneho/ Zahálková] (Artalk), [https://www.facebook.com/100006843614951/videos/416711640244586/?story_fbid=3039318796306211&id=100006843614951 Válek]. {{cz}}/{{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Germany ===
 
===Germany ===
 
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-de}}}|intermedia-de|
 
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-de}}}|intermedia-de|
* Anita Kenner (Christoph Tannert), "Avantgarde in der DDR heute", in ''Niemandsland'' 5, 1988, pp 94-110
+
* Anita Kenner (Christoph Tannert), "Avantgarde in der DDR heute? Ein Panorama der Kunst-, Literatur- und Musikszene", ''Niemandsland'' 5, 1988, pp 94-110. {{de}}
* Jens Henkel, Sabine Russ, ''DDR 1980 - 1989: Künstlerbücher und originalgrafische Zeitschriften im Eigenverlag; eine Bibliographie'', Gifkendorf: Merlin, 1991, 166 pp. {{de}} [http://www.bsz-bw.de/depot/media/3400000/3421000/3421308/95_0005.html]
+
* Jens Henkel, Sabine Russ, ''DDR 1980-1989: Künstlerbücher und originalgrafische Zeitschriften im Eigenverlag; eine Bibliographie'', Gifkendorf: Merlin, 1991, 166 pp. [http://www.bsz-bw.de/depot/media/3400000/3421000/3421308/95_0005.html] {{de}}
* Forschungsstelle Osteuropa (ed.), ''Eigenart und Eigensinn: Alternative Kulturszenen in der DDR (1980-1990): mit einem Bestandskatalog'', Temmen, 1993, 272 pp. {{de}} [http://www.bsz-bw.de/depot/media/3400000/3421000/3421308/95_0004.html]
+
* Forschungsstelle Osteuropa (ed.), ''Eigenart und Eigensinn: Alternative Kulturszenen in der DDR (1980-1990): mit einem Bestandskatalog'', Temmen, 1993, 272 pp. [http://www.bsz-bw.de/depot/media/3400000/3421000/3421308/95_0004.html] {{de}}
* Philip Brady, Ian Wallace (eds.), [http://www.rodopi.nl/senj.asp?BookId=GM+35 ''Prenzlauer Berg: Bohemia in East Berlin?''], Amsterdam/Atlanta, GA, 1995, 148 pp. [http://www.jstor.org/discover/10.2307/3736356?uid=3739024&uid=2129&uid=2&uid=70&uid=4&sid=21100721596501 review], [http://newprairiepress.org/journals/gdr/article/download/1197/1045 review]
+
* Philip Brady, Ian Wallace (eds.), ''Prenzlauer Berg: Bohemia in East Berlin?'', Amsterdam: Rodopi, 1995, 148 pp. Review: [http://sci-hub.st/10.2307/3736356 Görner] (Modern Lang Rev). [https://brill.com/view/title/29811?lang=en] {{en}}
* Roland Galenza, Heinz Havemeister (eds.), ''Wir wollen immer artig sein... Punk, New Wave, Hiphop und Independent-Szene in der DDR von 1980-1990'', Neuausgabe, Berlin, 2005. {{de}}
+
* Günter Feist, Eckhart Gillen, Beatrice Vierneisel, ''Kunstdokumentation SBZ / DDR 1945-1990. Aufsätze, Berichte, Materialien'', Cologne: DuMont, 1996, 916 pp. Review: [https://zeitschrift-fsed.fu-berlin.de/index.php/zfsed/article/download/31/27/ Heering] (ZdF). {{de}}
* Barbara Büscher, [http://www.qucosa.de/fileadmin/data/qucosa/documents/7127/intermedia%20ddr%201985.pdf "Intermedia DDR 1985 - Ereignis und Netzwerk"], ''map - media archive performance'', 2010. {{de}}
+
* Uta Grundmann, Klaus Michael, Susanne Seufert (eds.), ''Die Einübung der Aussenspur. Die andere Kultur in Leipzig 1971-1990'', Leipzig: Thom, 1996. {{de}}
 +
* Christian Hussel, ''Aktionskunst in der DDR bei spezieller Betrachtung der autonomen Kunstszene'', Universität Leipzig, 1996. MA thesis. {{de}}
 +
* Paul Kaiser, Claudia Petzold (eds.), ''[https://www.dhm.de/archiv/ausstellungen/boheme/katalog_index.htm Boheme und Diktatur in der DDR. Gruppen Konflikte Quartiere 1970 bis 1989]'', Berlin: Fannei und Walz, 1997, 415 pp. Catalogue. {{de}}
 +
* Peter Böthig, ''Grammatik einer Landschaft. Literatur aus der DDR in den 80er Jahren'', Berlin: Lukas, 1997, 298 pp. [https://www.lukasverlag.com/ebooks/titel/140-grammatik-einer-landschaft.html] {{de}}
 +
* Birgit Dahlke, ''Papierboot. Autorinnen aus der DDR--inoffiziell publiziert'', Würzburg: Königshausen und Neumann, 1997. Review: [https://newprairiepress.org/gdr/vol25/iss1/13/ Baldwin] (GDR Bulletin). {{de}}
 +
* Bernd Lindner, "Eingeschränkte Öffentlichkeit? Die alternative Galerieszene in der DDR und ihr Publikum", ''Schweinebraden'' 1, 1998, pp 225-233. {{de}}
 +
* Roland Galenza, Heinz Havemeister (eds.), ''Wir wollen immer artig sein... Punk, New Wave, Hiphop und Independent-Szene in der DDR von 1980-1990'', Berlin: Schwarzkopf & Schwarzkopf, 1999. {{de}}
 +
* Edward Larkey (ed.), ''[[Media:Larkey Edward ed A Sound Legacy Music and Politics in East Germany 2000.pdf|A Sound Legacy? Music and Politics in East Germany]]'', Washington, DC: American Institute for Contemporary German Studies, 2000, 64 pp. {{en}}
 +
* Susanne Binas, [https://uol.de/fileadmin/user_upload/musik-medien/Ost-West-Durchbrueche.pdf "'Ost-West-Durchbrüche'. Zur aktuellen Bedeutung des DDR-Pop-Undergrounds"], in ''Sound Signatures. Über die populäre Welt'', ed. Jochen Bonz, Frankfurt am Main: Suhrkamp, 2001. {{de}}
 +
* Roland Berbig, et al. (eds.), ''Zersammelt: die inoffizielle Literaturszene der DDR nach 1990: eine Bestandsaufnahme'', Berlin: Theater der Zeit, 2001, 243 pp. {{de}}
 +
* Bernd Lindner, Rainer Eckert (eds.), ''Klopfzeichen. Kunst und Kultur der 80er Jahre in Deutschland. Teil 1: Mauersprünge'', Leipzig: Faber & Faber, 2002. [https://d-nb.info/965058751/04 TOC]. {{de}}
 +
* Eugen Blume, Hubertus Gaßner, Eckhart Gillen, Hans-Werner Schmidt (eds.), ''Klopfzeichen. Kunst und Kultur der 80er Jahre in Deutschland. Teil 2: Wahnzimmer'', Leipzig: Faber & Faber, 2002. {{de}}
 +
* Fritz Jacobi (eds.), ''Nationalgalerie Berlin: Kunst in der DDR. Katalog der Gemälde und Skulpturen'', Leipzig: E. A. Seemann, 2003, 312 pp. Catalogue, with CD-ROM. Review: [https://journals.ub.uni-heidelberg.de/index.php/jfk/article/download/34253/27937/ Feist] (J f Kunstgeschichte). {{de}}
 +
* Eugen Blume, Roland März (eds.), ''Kunst in der DDR. Eine Retrospektive der Nationalgalerie'', Berlin: G + H Verlag, 2003, 360 pp. Catalogue. [http://swbplus.bsz-bw.de/bsz10658071xinh.pdf TOC]. Review: [https://journals.ub.uni-heidelberg.de/index.php/jfk/article/download/34253/27937/ Feist] (J f Kunstgeschichte). {{de}}
 +
* Michael Boehlke, Henryk Gericke (eds.), ''Ostpunk! Too Much Future. Punk in der DDR 1979-89'', Berlin: Künstlerhaus Bethanien, 2005, 207 pp. Catalogue. {{de}}/{{en}}
 +
* Frank Eckhardt, Paul Kaiser (eds.), ''Ohne uns! Kunst & alternative Kultur in Dresden vor und nach ’89'', Dresden: efau, 2009, 382 pp. Catalogue. [http://www.ohne-uns-dresden.de/wordpress/?page_id=199 Works]. [http://www.ohne-uns-dresden.de/] [https://riesa-efau.de/gesellschaft-gestalten/efau-verlag/begleitbuch-zu-ohne-uns-kunst-alternative-kultur-in-deutschland-vor-und-nach-89/]
 +
* Angelika Richter, Beatrice E. Strammer, Bettina Knaupp (eds.), ''und jetzt. Künstlerinnen aus der DDR'', Nürnberg: Verlag für moderne Kunst, 2009. Catalogue. [http://www.aobbme.com/wordpress/wp-content/uploads/yana11-1.pdf Tannert's essay]. {{de}}
 +
* Uwe Warnke, Ingeborg Quaas (eds.), ''Die Addition der Differenzen. Die Literaten- und Künstlerszene Ostberlins 1979 bis 1989'', Berlin: Verbrecher, 2009, 340 pp. Catalogue. [https://www.verbrecherverlag.de/book.php?id=460] [http://www.planetlyrik.de/uwe-warnke-ingeborg-quaas-hrsg-die-addition-der-differenzen/2010/09/] [https://uwewarnke.wordpress.com/herausgeberschaft/die-addition-der-differenzen/] {{de}}  
 +
* Barbara Büscher, [http://www.perfomap.de/map2/geschichte/intermedia-ddr "Intermedia DDR 1985 - Ereignis und Netzwerk"], ''map - media archive performance'' 2, 2010. [http://www.qucosa.de/fileadmin/data/qucosa/documents/7127/intermedia%20ddr%201985.pdf] {{de}}
 +
* Britt Schlehahn, [http://www.perfomap.de/map2/kart/pkf/prozessorientierte-kunstformen-in-der-ddr "Prozessorientierte Kunstformen in der DDR. Kritischer Rückblick auf aktuelle Ausstellungspraktiken"], ''map - media archive performance'' 2, 2010. {{de}}
 +
* Jeannette Stoschek, [http://www.perfomap.de/map2/geschichte/action "action fotografie 1956-1957. Eine Fotografengruppe in Leipzig, zwei Ausstellungen und ihre aktuelle Präsentation"], ''map - media archive performance'' 2, 2010. {{de}}  
 +
* Susanne Altmann, Ulrike Lorenz (eds.), ''Entdeckt! Rebellische Künstlerinnen in der DDR'', Mannheim: Kunsthalle Mannheim, 2011, 30 pp. [http://www.aobbme.com/wordpress/wp-content/uploads/altmann-mannheim.pdf Excerpt]. [http://www.aobbme.com/wordpress/wp-content/uploads/jana11-1.pdf Excerpt]. {{de}}
 +
* ''Geschlossene Gesellschaft. Künstlerische Fotografie in der DDR 1949-1989 / The Shuttered Society: Art Photography in the GDR: 1949-1989'', Berlin: Berlinische Galerie, 2012, 352 pp. Catalogue. {{en}}/{{de}}
 +
* Heinz-Peter Preußer, "Randliteratur. Mediale Transgressionen des literarischen Feldes und im DDR-Samizdat insbesondere", in ''Literatur inter- und transmedial / Inter- and Transmedial Literature'', Leiden: Brill, 2012. [https://brill.com/view/book/edcoll/9789401208208/B9789401208208-s004.xml] {{de}}
 +
* William Seth Howes, ''[http://hdl.handle.net/2027.42/91534 Punk Avant-Gardes: Disengagement and the End of East Germany]'', University of Michigan, 2012. PhD dissertation. {{en}}
 +
* Yvonne Fiedler, ''Kunst im Korridor: private Galerien in der DDR zwischen Autonomie und Illegalität'', Ch. Links Verlag, 2013, 400 pp. [https://books.google.com/books?id=BozYWCVCv0AC&printsec=frontcover] {{de}}
 +
* Elize Bisanz, Marlene Heidel (eds.), ''Bildgespenster. Künstlerische Archive aus der DDR und ihre Rolle heute'', Bielefeld: transcript, 2014. [https://books.google.com/books?id=1rvWBQAAQBAJ&printsec=frontcover] [https://www.degruyter.com/viewbooktoc/product/430157] {{de}}
 +
* Christoph Tannert, Eugen Blume (eds.), ''Gegenstimmen. Kunst in der DDR 1976–1989 / Voices of Dissent. Art in the GDR 1976 to 1989'', Berlin: Deutsche Gesellschaft, 2016, 559 pp. [https://post.at.moma.org/content_items/843-voices-of-dissent-art-in-the-german-democratic-republic-gdr-from-1976-to-1989]. [http://www.gbv.de/dms/art-berlin/863541127.pdf TOC]. [http://www.aobbme.com/wordpress/wp-content/uploads/gegen.pdf Excerpt]. {{de}}/{{en}}
 +
* Sara Blaylock, [https://post.at.moma.org/content_items/1035-performing-the-subject-claiming-space-performance-art-in-1980s-east-germany "Performing the Subject, Claiming Space: Performance Art in 1980s East Germany"], ''post'', New York: MoMA, 1 Aug 2017. {{en}}
 +
* Angelika Richter, "Artistic collaborations of performing women in the GDR", in ''[https://monoskop.org/log/?p=21011 Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe]'', eds. Katalin Cseh-Varga and Adam Czirak, London: Routledge, 2018, pp 219-235. {{en}}
 +
* Angelika Richter, ''Das Gesetz der Szene: Genderkritik, Performance Art und zweite Öffentlichkeit in der späten DDR'', Bielefeld: transcript, 2019, 408 pp. [https://books.google.com/books?id=vcGJDwAAQBAJ&printsec=frontcover] {{de}}
 +
* Astrid Hackel, [https://www.academia.edu/40657236/ "Sichtbarkeit als Kritik. Subversive Körperbilder bei Gabriele Stötzer und Cornelia Schleime"], in ''Aktionskunst jenseits des Eisernen Vorhangs. Künstlerische Kritik in Zeiten politischer Repression'', ed. Adam Czirak, Bielefeld: transcript, 2019. {{de}}
 +
* Sara Blaylock, ''[http://libgen.rs/book/index.php?md5=25A4958BC4B01465818FF451601B5B1C Parallel Public: Experimental Art in Late East Germany]'', MIT Press, 2022, 328 pp. [https://mitpress.mit.edu/books/parallel-public Publisher]. [https://www.sarablaylock.com/book-project Author]. Review: [https://artmargins.com/parallel-public-experimental-art-in-late-east-germany/ Fritzsch] (ArtMargins). {{en}}
 +
* Sarah E. James, ''Paper Revolutions: An Invisible Avant-Garde'', MIT Press, 2022, 400 pp. [https://mitpress.mit.edu/9780262046565/ Publisher]. {{en}}
 +
* ''Anti-Social Art: Experimental Practices in Late East Germany'', Duluth, MN: University of Minnesota, 2022, 20 pp. Exh. zine; texts by texts by Sara Blaylock, Seth Howes, Sarah James, and Briana J. Smith. [https://worldcat.org/title/1309969682] [https://news.d.umn.edu/articles/anti-social-tweed] {{en}}
 +
* Alexander Pehlemann, Robert Mießner, Ronald Galenza (eds.), ''Magnetizdat DDR. Magnetbanduntergrund Ost 1979–1990'', Berlin: Verbrecher, 2023, 464 pp. With 3-LP. [https://www.verbrecherverlag.de/shop/magnetizdat-ddr-magnetbanduntergrund-ost/ Publisher]. [https://www.facebook.com/events/2348684855339250/ Book launch].  [https://www.underdog-fanzine.de/2023/04/27/magnetizdat-ddr-magnetbanduntergrund-ost-1979-1990/] {{de}}
 +
* [http://www.bpb.de/geschichte/deutsche-geschichte/autonome-kunst-in-der-ddr/55790/literaturliste more]
 
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}}</onlyinclude>
 +
 +
==Feminist art==
 +
 +
* ''Gender Check: Femininity and Masculinity in the Art of Eastern Europe'', ed. Bojana Pejić and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Walther Koenig, 2009, 392 pp. Catalogue. Texts by: Edit András, Keti Chukhrov, Branislav Dimitrijevic´, Katrin Kivimaa, Izabela Kowalczyk, Suzana Milevska, Martina Pachmanová, Bojana Pejic´, Piotr Piotrowski, Zora Rusinová, Hedwig Saxenhuber, Georg Schöllhammer. [http://gender-check.erstestiftung.net/ Project website]. [https://www.mumok.at/en/gender-check Publisher]. Exh. held at [https://www.mumok.at/en/events/gender-check mumok], Vienna, 13 Nov 2009-14 Feb 2010; [https://zacheta.art.pl/en/wystawy/plec-sprawdzam-kobiecosc-i-meskosc-w-sztuce-europy-wschodniej Zachęta], 19 Mar-13 Jun 2010. [http://gender-check.erstestiftung.net/files/2012/03/Gender-Check_list-of-works.pdf List of works]. Review: [https://edoc.hu-berlin.de/bitstream/handle/18452/8160/krueger.pdf Krüger] (Ostblick). [http://gender-check.erstestiftung.net/files/2012/03/reader-folder-LR.pdf Symposium]. [http://gender-check.erstestiftung.net/publications/catalogue/]
 +
** ''Gender Check. Rollenbilder in der Kunst Osteuropas'', Vienna: mumok, 2009, 162 pp. [https://d-nb.info/1018530592/04 TOC]. [http://gender-check.erstestiftung.net/publications/catalogue/] {{de}}
 +
 +
* ''Gender Check: A Reader. Art and Theory in Eastern Europe'', eds. Bojana Pejić, ERSTE Foundation, and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Buchhandlung Walther König, 2010, 416 pp. An extensive collection of texts that explicitly analyze visual arts created before and after 1989 in the 'other' Europe in terms of gender and feminist theories. Texts by Anna Alchuk, Branislava Andjelkovic, Edit András, Zdenka Badovinac, Ágnes Berecz, Lyudmila Bredikhina, Branislav Dimitrijevic, Hildtrud Ebert, Ewa Franus, Jana Geržová, Nataša Ilić, Eva Khachatryan, Katrin Kivimaa, Izabela Kowalczyk, Vjollca Krasniqi, Laima Kreivyte, Dejan Kršic, Paweł Leszkowicz, Suzana Milevska, Danica Minic, Olivia Niţiş, Aleksis Osmanis, Martina Pachmanová, Bojana Pejić, Piotr Piotrowski, Zora Rusinová, Angeli Sachs, Lydia Sklevicky, Vera Sokolová, Inga Šteimane, Maria Vassileva, Mirek Vodrážka. [https://search.library.brown.edu/catalog/b5774635 TOC].  [http://gender-check.erstestiftung.net/ Project website]. [https://www.mumok.at/en/gender-check-reader Publisher]. [http://gender-check.erstestiftung.net/publications/reader/]
 +
 +
* ''The Medea Insurrection: Radical Women Artists behind the Iron Curtain'', ed. Susanne Altmann, et al., Cologne: Walther Koenig, and Dresden: Staatliche Kunstsammlungen Dresden, 2019, 256 pp. [https://issuu.com/wendemuseum/docs/wm_mi-catalog-issuu3 Excerpt]. [https://lipsiusbau.skd.museum/en/exhibitions/the-medea-insurrection-radical-women-artists-behind-the-iron-curtain/ Exhibition], [https://wendemuseum.org/exhibition/the-medea-insurrection-radical-women-artists-behind-the-iron-curtain/]. [https://www.artnews.com/art-news/news/medea-insurrection-radical-women-artists-behind-iron-curtain-kunsthalle-im-lipsiusbau-dresden-germany-11598/] {{de}}/{{en}}
 +
 +
* [http://miejsce.asp.waw.pl/en/category/7-2021/ ''Miejsce'' 7: "Not Yet Written Stories. Women Artists in Central and Eastern Europe"], Warsaw: Academy of Fine Arts in Warsaw, 2021.
 +
 +
* [https://secondaryarchive.org/ Secondary Archive], platform for women artists from Central and Eastern Europe, est. 2021. Maintained by Katarzyna Kozyra Foundation. [https://news.artnet.com/art-world/secondary-archive-central-europe-1958564]
  
 
==Cybernetics, Technology and Politics==
 
==Cybernetics, Technology and Politics==
 +
===East-Central Europe===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|cybernetics-cee}}}|cybernetics-cee|
 +
* [[Dušan Barok]], [[Media:Barok_Dusan_2023_Looking_to_the_Future_Science_Technology_and_Utopia.pdf|"Looking to the Future: Science, Technology, and Utopia"]], in ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, pp 445-460. [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Exhibition]. {{en}}
 +
* [[Computing and cybernetics in CEE]]
 +
}}</onlyinclude>
 +
 +
===Poland===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|cybernetics-pl}}}|cybernetics-pl|
 +
* Natalia Sielewicz, "Eternal Shapes: Weaving the Erotic into Cybernetics in 1970s Poland", in ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023. [https://magazynszum.pl/eternal-shapes-weaving-the-erotic-into-cybernetics-in-1970s-poland/ Excerpt]. [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Exhibition]. {{en}}
 +
* [[Computing and cybernetics in CEE#Poland]]
 +
}}</onlyinclude>
  
 
==Audiovisual compositions==
 
==Audiovisual compositions==
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}}</onlyinclude>
 
}}</onlyinclude>
  
==Electroacoustic music==
+
==Electroacoustic music, Sound art==
 +
 
 
===East-Central Europe===
 
===East-Central Europe===
 +
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-cee}}}|eamusic-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-cee}}}|eamusic-cee|
 +
 
* Lejaren A Hiller, ''[[Media:Hiller_Lejaren_A_Report_on_Contemporary_Music_1961.pdf|Report on Contemporary Music, 1961 (Technical Report no. 4)]]'', Urbana, Il.: Experimental Music Studio, University of Illinois, 1962.
 
* Lejaren A Hiller, ''[[Media:Hiller_Lejaren_A_Report_on_Contemporary_Music_1961.pdf|Report on Contemporary Music, 1961 (Technical Report no. 4)]]'', Urbana, Il.: Experimental Music Studio, University of Illinois, 1962.
* Golo Föllmer, Markus Steffens, Melanie Uerlings (eds.), [http://soundexchange.eu/#anthology_en ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''], 2012. (English/German/intl)
+
 
* David Crowley, Daniel Muzyczuk, ''Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984'', Lodz: Muzeum Sztuki, 2012.
+
* Golo Föllmer, Markus Steffens, Melanie Uerlings (eds.), ''[https://monoskop.org/log/?p=6479 Sound Exchange. Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010]'', Saarbrücken: PFAU, 2012, 400 pp, [http://soundexchange.eu/#anthology_en HTML]. {{en}},{{multi}}
 +
 
 +
* David Crowley, Daniel Muzyczuk, ''[https://monoskop.org/log/?p=9894 Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984 / Dźwięki elektrycznego ciała: Eksperymenty w sztuce i muzyce w Europie Wschodniej 1957–1984]'', Łódź: Muzeum Sztuki, 2012, 222 pp. {{en}}/{{pl}}
 +
 
 
* Daniel Muzyczuk, David Crowley, Michał Libera, [http://www.artmargins.com/index.php/5-interviews/689-sounding-the-body-electric-a-conversation "Sounding the Body Electric: A Conversation"], ''ArtMargins'', 8 October 2012.
 
* Daniel Muzyczuk, David Crowley, Michał Libera, [http://www.artmargins.com/index.php/5-interviews/689-sounding-the-body-electric-a-conversation "Sounding the Body Electric: A Conversation"], ''ArtMargins'', 8 October 2012.
 +
 +
* ''[[Media:Unearthing the Music Creative Sound and Experimentation under European Totalitarianism 1957-1989 2018.pdf|UMCSEET. Unearthing The Music: Creative Sound And Experimentation under European Totalitarianism 1957-1989]]'', OUT.RA, 2018, 75 pp. [http://database.unearthingthemusic.eu/Main_Page Wiki database]. [https://unearthingthemusic.eu/ Project website]. {{en}}
 +
 +
* Jorge Munnshe, "Electronic Music in Eastern Europe", [https://www.amazings.com/articles/article0060.html pt 1: USSR], [https://www.amazings.com/articles/article0061.html pt 2: Russia], [https://www.amazings.com/articles/article0063.html pt 3: Kazakhstan, Ukraine], [https://www.amazings.com/articles/article0066.html pt 4: Hungary], [https://www.amazings.com/articles/article0072.html pt 5: Czechoslovakia], [https://www.amazings.com/articles/article0079.html pt 6: Poland, East Germany], [https://www.amazings.com/articles/article0080.html pt 7], ''Amazing Sounds'', n.d.
 +
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-cz}}}|eamusic-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-cz}}}|eamusic-cz|
* Miloš Bláha, Miroslav Mandík, "I. seminář elektronické hudby v ČSSR", ''Rozhlasová a televizní technika'' 4, 1964. {{cz}} [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=26] [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=24] [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=25]
+
* Miloš Bláha, Miroslav Mandík, "I. seminář elektronické hudby v ČSSR", ''Rozhlasová a televizní technika'' 4, 1964. [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=26] [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=24] [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=25] {{cz}}
* [[Vladimír Lébl]] ''Elektronická hudba'', Prague: Státní hudební vydavatelství, 1966. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-09785?func=full-set-set&set_number=011022&set_entry=000003&format=999]
+
* [[Vladimír Lébl]], ''Elektronická hudba'', Prague: Státní hudební vydavatelství, 1966. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-09785?func=full-set-set&set_number=011022&set_entry=000003&format=999] {{cz}}
 
* Zdeněk Fencl, [http://dml.cz/bitstream/handle/10338.dmlcz/125726/Kybernetika_02-1966-3_4.pdf "Komponující algoritmus a obsah informace"], ''Kybernetika'' 3 (1966), Prague, pp 243-258. {{cz}}
 
* Zdeněk Fencl, [http://dml.cz/bitstream/handle/10338.dmlcz/125726/Kybernetika_02-1966-3_4.pdf "Komponující algoritmus a obsah informace"], ''Kybernetika'' 3 (1966), Prague, pp 243-258. {{cz}}
* J.Berg, Alois Piňos, "History of Music Experiment in Czech and Moravia", 1967.
+
* Josef Berg, Alois Piňos, ''Dějiny hudebního experimentu v Praze a na Moravě'' [History of Music Experiment in Czechia and Moravia], Sep 1966 ff. Events.
* J. Kapr, "Constants, Outline of Personal Method of Specific Signs of Composing Selection" (Konstanty, nástin metody osobního výběru zvláštních znaků skladby), Prague: Panton, 1967.
+
* Jan Kapr, ''Konstanty nástin metody osobního výběru zvláštních znaků skladby'' [Constants, Outline of Personal Method of Specific Signs of Composing Selection], Prague: Panton, 1967, 226 pp. {{cz}},{{de}}
 
* Zdeněk Fencl, [http://kramerius.lib.cas.cz/search/i.jsp?pid=uuid:5744f8de-4b45-11e1-1431-001143e3f55c "Počítač jako hudební nástroj"], ''Hudební věda'' 5:1 (1968), Prague, pp 101-116. {{cz}}
 
* Zdeněk Fencl, [http://kramerius.lib.cas.cz/search/i.jsp?pid=uuid:5744f8de-4b45-11e1-1431-001143e3f55c "Počítač jako hudební nástroj"], ''Hudební věda'' 5:1 (1968), Prague, pp 101-116. {{cz}}
* Hugh Davies (ed.), ''International Electronic Music Catalog''. Cambridge: MIT, 1968. [http://www.ears.dmu.ac.uk/spip.php?page=artBiblio&id_article=1103]
+
* "Československo", in ''[[Media:International Electronic Music Catalog 1967.pdf|International Electronic Music Catalog]]'', ed. Hugh Davies, Paris: Le Groupe de Recherches Musicales de l'O.R.T.F. (GRM), and New York: Independent Electronic Music Center, 1967, pp 24-29, [https://archive.org/details/InternationalElectronicMusicCatalog/ IA]. Special issue of ''Electronic Music Review'' 2/3, Apr/July 1967. {{en}},{{fr}}
 
* Z. Vostřák, "Kapitoly z hudební poetiky" [Lectures on Music Poetics], ''Konfrontace'' 1 (1969), pp. 6–13.
 
* Z. Vostřák, "Kapitoly z hudební poetiky" [Lectures on Music Poetics], ''Konfrontace'' 1 (1969), pp. 6–13.
 
* J. Kapr, "Teorie naznačování a vychylování" [Theory of Indication and Variation], ''Hudební rozhledy'', 1970, pp 358–365, 417–422.  
 
* J. Kapr, "Teorie naznačování a vychylování" [Theory of Indication and Variation], ''Hudební rozhledy'', 1970, pp 358–365, 417–422.  
Line 1,041: Line 1,715:
 
* ''Zvukem do hlavy: Sondy do současné audiokultury'', Prague: AMU, 2012. {{cz}} [http://www.rozhlas.cz/radiocustica/annonce/_zprava/1038752]
 
* ''Zvukem do hlavy: Sondy do současné audiokultury'', Prague: AMU, 2012. {{cz}} [http://www.rozhlas.cz/radiocustica/annonce/_zprava/1038752]
 
* Rudolf Růžička (ed.), [http://www.fi.muni.cz/~qruzicka/BIBL-c.htm "Bibliografie o české a slovenské počítačové hudbě"].
 
* Rudolf Růžička (ed.), [http://www.fi.muni.cz/~qruzicka/BIBL-c.htm "Bibliografie o české a slovenské počítačové hudbě"].
 +
* Sylvie Bajgarová, ''[https://is.muni.cz/th/xmja0/ Profil české elektroakustické hudební scény v letech 2000-2020]'', Brno: Masarykova univerzita, 2021. Master's thesis.
 +
* Petr Ferenc (ed.), ''Ukryto v pásech: Vybrané kapitoly z české elektroakustické hudební tvorby do roku 1989'', Prague: Národní muzeum, 2022, 196 pp. [https://www.kosmas.cz/knihy/516035/ukryto-v-pasech/] {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 1,047: Line 1,723:
 
* Ivan Stadtrucker, "Novy elektronicky hudobny nastroj", ''Hudba a zvuk'', Bratislava/Praha, 1967.
 
* Ivan Stadtrucker, "Novy elektronicky hudobny nastroj", ''Hudba a zvuk'', Bratislava/Praha, 1967.
 
* Jozef Gahér, "Využitie pseudonáhodných čísel získaných samočinným počítačom pri kompozícii televíznej opery Malka", in ''Aplikace umělé inteligence - AI '89'', Prague: Ústav pro informační systémy v kultuře; Prague, 1989, pp 265-272. {{sk}}
 
* Jozef Gahér, "Využitie pseudonáhodných čísel získaných samočinným počítačom pri kompozícii televíznej opery Malka", in ''Aplikace umělé inteligence - AI '89'', Prague: Ústav pro informační systémy v kultuře; Prague, 1989, pp 265-272. {{sk}}
* Miroslav Kaduch, [http://www.musica.cz/seah/Slovniky/Cseah.zip ''Česká a slovenská elektroakustická hudba 1964 - 1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník''], Ostrava, 1994. Second Edition: 1996. {{cz}}
+
* Miroslav Kaduch, [http://www.musica.cz/seah/Slovniky/Cseah.zip ''Česká a slovenská elektroakustická hudba 1964 - 1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník''], Ostrava, 1994; 2nd ed., 1996. {{cz}}
 
* Libor Zajíček, [http://links.jstor.org/sici?sici=0961-1215(1995)5%3C39%3ATHOEMI%3E2.0.CO%3B2-1 "The History of Electroacoustic Music in the Czech and Slovak Republics"], ''Leonardo'' 5, 1995, pp. 39-48. (English)
 
* Libor Zajíček, [http://links.jstor.org/sici?sici=0961-1215(1995)5%3C39%3ATHOEMI%3E2.0.CO%3B2-1 "The History of Electroacoustic Music in the Czech and Slovak Republics"], ''Leonardo'' 5, 1995, pp. 39-48. (English)
 
* Milan Adamčiak, [http://web.archive.org/web/20030313155455/http://www.slovakradio.sk/radioinet/kultura/expstudio/txte.html "Slovak electroacoustic music history"], 1995. (English)
 
* Milan Adamčiak, [http://web.archive.org/web/20030313155455/http://www.slovakradio.sk/radioinet/kultura/expstudio/txte.html "Slovak electroacoustic music history"], 1995. (English)
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* Július Fujak, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=115 "Sound Off 1995-2002"], 2004. {{sk}}
 
* Július Fujak, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=115 "Sound Off 1995-2002"], 2004. {{sk}}
 
* Vladimír Godár, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=134 "Slovenská elektroakustická hudba"], ''Slovo'', 12, 2004. {{sk}}
 
* Vladimír Godár, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=134 "Slovenská elektroakustická hudba"], ''Slovo'', 12, 2004. {{sk}}
* Július Fujak (ed.), ''Slovenské hudobné alternatívy'', Nitra: Univerzita Konštantína Filozofa, 2006. With audio CD. {{sk}}
+
* Július Fujak, et al., ''[[Media:Fujak_Julius_et_al_Slovenske_hudobne_alternativy_2006.pdf|Slovenské hudobné alternatívy]]'', Nitra: Univerzita Konštantína Filozofa, 2006, 126 pp. With audio CD. {{sk}}
* Alena Čierna, ''Elektroakustická hudba na Slovensku a možnosti jej pedagogickej interpretácie'', Nitra: Univerzita Konštantína Filozofa v Nitre, 2010. Dissertation thesis. {{sk}}
+
* Alena Čierna, ''Elektroakustická hudba na Slovensku a možnosti jej pedagogickej interpretácie'', Nitra: Univerzita Konštantína Filozofa v Nitre, 2010. PhD dissertation. {{sk}}
 
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. {{sk}}  
 
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. {{sk}}  
* Slávo Krekovič, [http://soundexchange.eu/#slovakia_en?id=11 "Organized Sound and Experiments in Slovak Music"], in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''. (English) [http://soundexchange.eu/#slovakia_de?id=11 {{de}}] [http://soundexchange.eu/#slovakia_sk?id=11 {{sk}}]
+
* Slávo Krekovič, [http://soundexchange.eu/#slovakia_en "Organized Sound and Experiments in Slovak Music"], in ''Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010'', eds. Carsten Seiffarth, Carsten Stabenow, and Golo Föllmer, Saarbrücken: PFAU, 2012. {{en}}/[http://soundexchange.eu/#slovakia_de {{de}}]/[http://soundexchange.eu/#slovakia_sk {{sk}}] [https://archive.fo/s4VQN] [https://archive.fo/pgawT] [https://archive.fo/ZmzBZ]
* Marcus Gammel, [[Media:Black Holes and White Spots.pdf|"Black Holes and White Spots. Visiting the Experimental Studio at Slovakian Radio. In conversation with Milan Adamčiak, Juraj Ďuriš, Michal Murin"]], in ''n.b.k. Sounds: Radio - Kunst - Neue Musik'' edited by Marius Babias and Katrin Klingan, Verlag der Buchhandlung Walther König, Cologne, 2010, pp 93-111. (English/German)
+
* Marcus Gammel, [[Media:Black Holes and White Spots.pdf|"Black Holes and White Spots. Visiting the Experimental Studio at Slovakian Radio. In conversation with Milan Adamčiak, Juraj Ďuriš, Michal Murin"]], in ''n.b.k. Sounds: Radio - Kunst - Neue Musik'', eds. Marius Babias and Katrin Klingan, Cologne: Verlag der Buchhandlung Walther König, 2010, pp 93-111. {{en}}/{{de}}
 
* Ľubomír Chalupka, ''Slovenská hudobná avantgarda'', Bratislava: Comenius University, 2011, 672 pp. {{sk}} [http://www.academia-knihy.sk/vysoka-skola-univerzita-komenskeho-skripta/slovenska-hudobna-avantgarda/]
 
* Ľubomír Chalupka, ''Slovenská hudobná avantgarda'', Bratislava: Comenius University, 2011, 672 pp. {{sk}} [http://www.academia-knihy.sk/vysoka-skola-univerzita-komenskeho-skripta/slovenska-hudobna-avantgarda/]
 
* Štěpán David, [http://is.muni.cz/th/261239/ff_b/Zvukove_pracoviste_David.pdf "Tvorba elektroakustické hudby ve Zvukovém pracovišti Československé televize v Bratislavě v letech 1960-1968"], Brno: Masaryk University, 2012. Bachelor thesis. {{cz}}
 
* Štěpán David, [http://is.muni.cz/th/261239/ff_b/Zvukove_pracoviste_David.pdf "Tvorba elektroakustické hudby ve Zvukovém pracovišti Československé televize v Bratislavě v letech 1960-1968"], Brno: Masaryk University, 2012. Bachelor thesis. {{cz}}
 +
* Alena Čierna, [https://doi.org/10.33543/11015964 "Electroacoustic Music and the Slovak Musical Avant-Garde in the 1960s"], ''Ad Alta'' 11:1, Jun 2021. [https://www.academia.edu/68616244/] {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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* Mieczysław Kominek, "[http://www.culture.pl/baza-muzyka-pelna-tresc/-/eo_event_asset_publisher/eAN5/content/muzyka-elektroakustyczna-w-polsce Muzyka elektroakustyczna w Polsce]", ''Culture.pl'', 2006. {{pl}}
 
* Mieczysław Kominek, "[http://www.culture.pl/baza-muzyka-pelna-tresc/-/eo_event_asset_publisher/eAN5/content/muzyka-elektroakustyczna-w-polsce Muzyka elektroakustyczna w Polsce]", ''Culture.pl'', 2006. {{pl}}
 
* Lisa Marie Jakelski, [[Media:Jakelski_Lisa_Marie_The_Changing_Seasons_of_the_Warsaw_Autumn_Contemporary_Music_in_Poland_1960-1990.pdf|''The Changing Seasons of the Warsaw Autumn. Contemporary Music in Poland, 1960-1990'']], Berkeley: University of California, 2009. PhD thesis.
 
* Lisa Marie Jakelski, [[Media:Jakelski_Lisa_Marie_The_Changing_Seasons_of_the_Warsaw_Autumn_Contemporary_Music_in_Poland_1960-1990.pdf|''The Changing Seasons of the Warsaw Autumn. Contemporary Music in Poland, 1960-1990'']], Berkeley: University of California, 2009. PhD thesis.
* Monika Pasiecznik, "A History of Electroacoustic Music in Poland from the Perspective of the Polish Radio Experimental Studio 1957-1990", in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''. [http://soundexchange.eu/#poland_en?id=1 (English)] [http://soundexchange.eu/#poland_de?id=1 {{de}}] [http://soundexchange.eu/#poland_pl?id=1 {{pl}}]
+
* Monika Pasiecznik, [http://soundexchange.eu/#poland_en?id=1 "A History of Electroacoustic Music in Poland from the Perspective of the Polish Radio Experimental Studio 1957-1990"], in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010'', eds. Carsten Seiffarth, Carsten Stabenow, and Golo Föllmer, Saarbrücken: PFAU, 2012. {{en}}/[http://soundexchange.eu/#poland_de?id=1 {{de}}]/[http://soundexchange.eu/#poland_pl?id=1 {{pl}}]
* Antoni Beksiak, "The Avant-Garde Alternative of the Last 20 Years: In Search of Points of Intersection", in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''. [http://soundexchange.eu/#poland_en?id=10 (English)] [http://soundexchange.eu/#poland_de?id=10 {{de}}] [http://soundexchange.eu/#poland_pl?id=10 {{pl}}]
+
** Antoni Beksiak, "The Avant-Garde Alternative of the Last 20 Years: In Search of Points of Intersection", in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''. [http://soundexchange.eu/#poland_en?id=10 (English)] [http://soundexchange.eu/#poland_de?id=10 {{de}}] [http://soundexchange.eu/#poland_pl?id=10 {{pl}}]
 
* ''Studio eksperyment: Leksykon. Zbiór tekstów'', Warsaw: The Bęc Zmiana Foundation, 2012. {{pl}} [http://www.eksperyment-manual.pl/] [http://issuu.com/beczmiana/docs/eksperyment] [http://www.eksperyment-manual.pl/index.php?/english-texts/ (English texts)]
 
* ''Studio eksperyment: Leksykon. Zbiór tekstów'', Warsaw: The Bęc Zmiana Foundation, 2012. {{pl}} [http://www.eksperyment-manual.pl/] [http://issuu.com/beczmiana/docs/eksperyment] [http://www.eksperyment-manual.pl/index.php?/english-texts/ (English texts)]
* Krzysztof B. Marciniak, [http://kadebeem.wordpress.com/2012/08/11/the-acoustic-ecology-in-poland-history-current-trends-perspectives/ "The acoustic ecology in Poland: history – current trends – perspectives"], in ''The Global Composition 2012, Conference on Sound, Media, and the Environment'' edited by Sabine Breitsameter and Claudia Söller-Eckert, Darmstadt 2012, pp 191-199.
+
* Krzysztof B. Marciniak, [http://kadebeem.wordpress.com/2012/08/11/the-acoustic-ecology-in-poland-history-current-trends-perspectives/ "The acoustic ecology in Poland: history – current trends – perspectives"], in ''The Global Composition 2012, Conference on Sound, Media, and the Environment'' edited by Sabine Breitsameter and Claudia Söller-Eckert, Darmstadt, 2012, pp 191-199.
 +
* Wojciech Oleksiak, [https://culture.pl/en/article/a-foreigners-guide-to-polish-electronic-music "A Foreigner's Guide to Polish Electronic Music"], ''Culture.pl'', Sep 2014. {{en}}
 +
}}</onlyinclude>
 +
 
 +
===East Germany===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-gdr}}}|eamusic-gdr|
 +
* Gregorio García Karman, [https://artsandculture.google.com/story/the-studio-for-electroacoustic-music-at-the-academy-of-arts-in-berlin-akademie-der-kuenste/jAUh2hCwOfkYXw?hl=en "The Studio for Electroacoustic Music at the Academy of Arts in Berlin"], 2020. {{en}}
 +
* https://www.amazings.com/articles/article0079.html
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 1,117: Line 1,801:
 
* [[Melita Milin]], "Serbian Music of the Second Half of the 20th Century: From Socialist Realism to Postmodernism", in: Katy Romanou (ed.), ''Serbian and Greek art music: a patch to Western music history'', Intellect Books, 2009, pp 82-97.
 
* [[Melita Milin]], "Serbian Music of the Second Half of the 20th Century: From Socialist Realism to Postmodernism", in: Katy Romanou (ed.), ''Serbian and Greek art music: a patch to Western music history'', Intellect Books, 2009, pp 82-97.
 
* ''Sintezijska umetnost Vladana Radovanovića'' [The Synthesic Art of Vladan Radovanović] monograph for his retrospective, 2005. Includes collection of essays by Dejan Đorić (The Founder of the Serbian Avant-Garde), Ješa Denegri, Nikola Šuica (on vocovisual), Ivan Rastegorac (On the Recording of Dreams and the Literary Works of Vladan Radovanović), Melita Milin (Metamusic and Music of Vladan Radovanović), Vladan Radovanović (Sintezijska umetnost / Synthesic Art); and catalogue of works. [http://books.google.com/books/about/Sintezijska_umetnost.html?id=OrlNAAAACAAJ] [http://www.newsound.org.rs/clanci_eng/15.%20Sonja%20Marinkovic%20-%20%20Radovanovic%20ENG.pdf]
 
* ''Sintezijska umetnost Vladana Radovanovića'' [The Synthesic Art of Vladan Radovanović] monograph for his retrospective, 2005. Includes collection of essays by Dejan Đorić (The Founder of the Serbian Avant-Garde), Ješa Denegri, Nikola Šuica (on vocovisual), Ivan Rastegorac (On the Recording of Dreams and the Literary Works of Vladan Radovanović), Melita Milin (Metamusic and Music of Vladan Radovanović), Vladan Radovanović (Sintezijska umetnost / Synthesic Art); and catalogue of works. [http://books.google.com/books/about/Sintezijska_umetnost.html?id=OrlNAAAACAAJ] [http://www.newsound.org.rs/clanci_eng/15.%20Sonja%20Marinkovic%20-%20%20Radovanovic%20ENG.pdf]
* [[Mirjana Veselinović-Hofman]], "Problems and Paradoxes of Yugoslav Avant-garde Music (Outlines for a Reinterpretation)" published in ''Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991)'' edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 404-441
+
* [[Mirjana Veselinović-Hofman]], "Problems and Paradoxes of Yugoslav Avant-garde Music (Outlines for a Reinterpretation)" in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 404-441. {{en}}
 
* Ivana Janković [Medić], "Sintezijska umetnost Vladana Radovanovića" [Vladan Radovanović's 'synthesic art'], ''Muzikologija'' 3, 2003, pp 141-186. (Serbian) [http://www.europeana.eu/portal/record/92040/C6791CD0A01F7F23C62457BFC3D6D1C3D76D69D0.html] [http://www.komunikacija.org.rs/komunikacija/casopisi/muzikologija/III_3/11/show_html?stdlang=ser_lat]
 
* Ivana Janković [Medić], "Sintezijska umetnost Vladana Radovanovića" [Vladan Radovanović's 'synthesic art'], ''Muzikologija'' 3, 2003, pp 141-186. (Serbian) [http://www.europeana.eu/portal/record/92040/C6791CD0A01F7F23C62457BFC3D6D1C3D76D69D0.html] [http://www.komunikacija.org.rs/komunikacija/casopisi/muzikologija/III_3/11/show_html?stdlang=ser_lat]
 
* Vladan Radovanović, ''Muzika i Elektroakustička Muzika'', Izdavačka knjižarnica Zorana Stojanovića, Novi Sad, 2010.
 
* Vladan Radovanović, ''Muzika i Elektroakustička Muzika'', Izdavačka knjižarnica Zorana Stojanovića, Novi Sad, 2010.
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===Croatia===
 
===Croatia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-cr}}}|eamusic-cr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-cr}}}|eamusic-cr|
* [[Mirjana Veselinović-Hofman]], "Problems and Paradoxes of Yugoslav Avant-garde Music (Outlines for a Reinterpretation)" published in ''Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991)'' edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 404-441
+
* [[Mirjana Veselinović-Hofman]], "Problems and Paradoxes of Yugoslav Avant-garde Music (Outlines for a Reinterpretation)" in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 404-441. {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Romania===
 
===Romania===
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-ro}}}|eamusic-ro|
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-ro}}}|eamusic-ro|
* Aurel Stroe, ''Grădina sunetelor - eseuri despre muzică'' [Sound Garden - Essays on Music], Bucharest: Muzicală, 1991.
+
 
* Breve Histoire de la Musique Electroacoustique en Roumanie. 2007. [http://www.cime-icem.net/Doc/histoireroumanie.html] {{fr}}
+
* Aurel Stroe, ''Grădina sunetelor - eseuri despre muzică'' [Sound Garden - Essays on Music], Bucharest: Muzicală, 1991. {{ro}}
* Ciprian Lorin Jalbă, ''Electro-acoustic Music - Technology and Composition Implications in the Romanian Music'', doctoral thesis, 2010. [http://www.arteiasi.ro/universitate/other/DR_LorinJALBA_EN.pdf]
+
 
* Octavian Nemescu, "Avangarda în componistica românească", ''Muzica'' 1, 2010. [http://www.ucmr.org.ro/Texte/RV-1-2010-2.pdf]
+
* [http://web.archive.org/web/20100712060223/http://www.cime-icem.net/Doc/histoireroumanie.html "Brève Histoire de la Musique Electroacoustique en Roumanie"], 2007. {{fr}}
 +
 
 +
* Ciprian Lorin Jalbă, ''[http://web.archive.org/web/20130701123605/http://www.arteiasi.ro/universitate/other/DR_LorinJALBA_EN.pdf Electro-acoustic Music - Technology and Composition. Implications in the Romanian Music]'', Iaşi: University of Arts „George Enescu” Iaşi, 2010. PhD thesis summary. {{en}}
 +
 
 +
* Octavian Nemescu, [https://www.ucmr.org.ro/Texte/RV-1-2010-2.pdf "Avangarda în componistica românească"], ''Muzica'' 1, 2010. {{ro}}
 +
 
 +
* Dragoș Rusu, [https://lanoijournal.com/art-culture/electronic-music-under-communist-romania-the-sound-of-resistance-2/ "Electronic Music under Communist Romania: The Sound of Resistance"], ''La Noi'', Feb 2024. {{en}}
 +
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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==Multimedia environments==
 
==Multimedia environments==
 
<onlyinclude>{{#ifeq:{{{transcludesection|multimedia-cee}}}|multimedia-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|multimedia-cee}}}|multimedia-cee|
* David Crowley, [http://faktografia.com/2011/09/13/the-art-of-cybernetic-communism/ "The Art of Cybernetic Communism"], 2011.
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 1,156: Line 1,846:
 
<onlyinclude>{{#ifeq:{{{transcludesection|multimedia-cz}}}|multimedia-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|multimedia-cz}}}|multimedia-cz|
 
* Jan Grossman, "O kombinaci divadla a filmu", in ''Laterna magika - sborník statí'', ed. Bohumil Svoboda, Prague: ČSF - Filmový ústav, 1968, pp 31-97. {{cz}}
 
* Jan Grossman, "O kombinaci divadla a filmu", in ''Laterna magika - sborník statí'', ed. Bohumil Svoboda, Prague: ČSF - Filmový ústav, 1968, pp 31-97. {{cz}}
* Vít Havránek, [http://peripheralfocus.net/ace/Arch+Electronics/readings/VitHavranek_LaternaMagika.pdf "Laterna Magika, Polyekran, Kinoautomat"], in ''Future Cinema. The Cinematic Imaginary after Film'', ZKM and The MIT Press, 2003.
+
* Vít Havránek, "V prostoru", in ''Akce, slovo, pohyb, prostor. Experimenty v umění šedesátých let'', ed. Vít Havránek, Prague: Galerie hl. města Prahy, 1999, pp 178–198. {{cz}}
* Svatopluk Malý, ''Vznik, rozvoj a ústup multivizuálních programů'', Prague: Akademie múzických umění, 2010. {{cz}} [http://www.namu.cz/item.php?item=184]
+
* Vít Havránek, [[Media:Havranek Vit 2003 Laterna Magika Polyekran Kinoautomat.pdf|"Laterna Magika, Polyekran, Kinoautomat"]], in ''Future Cinema: The Cinematic Imaginary after Film'', Karlsruhe: ZKM, and Cambridge, MA: MIT Press, 2003. {{en}}
 +
* Michael Bielicky, [[Media:Bielicky Michael 2003 Prague A Place of Illusionists.pdf|"Prague: A Place of Illusionists"]], trans. Sarah Clift, in ''Future Cinema: The Cinematic Imaginary after Film'', eds. Jeffrey Shaw and Peter Weibel, Karlsruhe: ZKM, and Cambridge, MA: MIT Press, 2003, 96-101. {{en}}
 +
* Magdalena Deverová, ''[https://is.muni.cz/th/jmsvz/ Instalace vnitřního prostoru - její počátky v českém umění]'' [Interior Installation - Its beginnings in Czech art], Brno: Masaryk University, 2009. Master's thesis. {{cz}}
 +
* Svatopluk Malý, ''Vznik, rozvoj a ústup multivizuálních programů. Laterna magika a polyekrany'', Prague: Akademie múzických umění, 2010, 110 pp. [https://namu.cz/vznik-rozvoj-a-ustup-multivizualnich-programu Publisher]. {{cz}}
 +
 
 
; Resources
 
; Resources
 
* Vit Havranek (ed.), ''Pioneers of Interactive Czech Films (50s-60s)'', 2002. DVD with works: ''Laterna Magika'', 1958; ''Laterna Magica'', 1967, Exposition Montréal; ''Kinoautomat'', 1967, Expo Montréal; ''Diapolyekrán, Stvorení sveta'', 1967, Expo Montréal. [http://www.zkm.de/futurecinema/havranek_werk_e.html]
 
* Vit Havranek (ed.), ''Pioneers of Interactive Czech Films (50s-60s)'', 2002. DVD with works: ''Laterna Magika'', 1958; ''Laterna Magica'', 1967, Exposition Montréal; ''Kinoautomat'', 1967, Expo Montréal; ''Diapolyekrán, Stvorení sveta'', 1967, Expo Montréal. [http://www.zkm.de/futurecinema/havranek_werk_e.html]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
==Computer art==
+
==Computer art, digital art==
 +
 
 +
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-cee}}}|computerart-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-cee}}}|computerart-cee|
* Margit Rosen (ed.), [http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=12476 ''A Little-Known Story About a Movement, a Magazine, and the Computer’s Arrival in Art: New Tendencies and Bit International, 1961-1973''], The MIT Press, Cambridge, MA, 2011.
+
* [[Dušan Barok]], [[Media:Barok_Dusan_2023_Looking_to_the_Future_Science_Technology_and_Utopia.pdf|"Looking to the Future: Science, Technology, and Utopia"]], in ''Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s'', ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023, pp 445-460. [https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Exhibition]. {{en}}
* David Crowley, [http://faktografia.com/2011/09/13/the-art-of-cybernetic-communism/ "The Art of Cybernetic Communism"], 2011.
+
}}</onlyinclude>
 +
 
 +
===Croatia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-cr}}}|computerart-cr|
 +
* Margit Rosen et al (eds.), ''[https://monoskop.org/log/?p=23084 A Little-Known Story About a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961-1973]'', Karlsruhe: ZKM Center for Art and Media, and Cambridge, MA: MIT Press, 2011, 576 pp. {{en}}
 +
* Darko Fritz, ''Digitalna umjetnost u Hrvatskoj 1968. – 1984.'', Zagreb: Tehnički muzej Nikola Tesla (TMNT), 2020, 224 pp. [https://www.digitalna-umjetnost-u-hrvatskoj.eu/ Digital companion]. {{cr}}
 +
** ''Digital Art in Croatia 1968-1984'', Zagreb: Tehnički muzej Nikola Tesla (TMNT), 2022, 224 pp. [https://www.digitalna-umjetnost-u-hrvatskoj.eu/en Digital companion]. {{en}}
 +
''See also'' [[New Tendencies]].
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-sk}}}|computerart-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-sk}}}|computerart-sk|
* [[Miroslav Klivar]], "Kybernetika a teória odrazu vo vzťahu k umeniu" ''Slovenské pohľady'' 10 (1962) {{sk}}
+
* Miroslav Klivar, "Kybernetika a teória odrazu vo vzťahu k umeniu", ''Slovenské pohľady'' 10, 1962. {{sk}}
* [[Martin Šperka]] "Filmy z počítača" ''Elektrón'' 12 (1984) pp. 29-31 {{sk}}
+
* Martin Šperka, "Filmy z počítača", ''Elektrón'' 12, 1984, pp 29-31. {{sk}}
* ''Jankovič - Grafika'', exhibition catalogue. With texts by Naďa Reháková and Imrich Bertók. Liberec: Oblastní galerie, 1984.
+
* ''Jankovič - Grafika'', Liberec: Oblastní galerie, 1984. Catalogue. With texts by Naďa Reháková and Imrich Bertók.
* [[Martin Šperka]] et al. ''Počítačová grafika a numerické metódy'' (Bratislava: SVŠT-Alfa, 1985) {{sk}}
+
* Martin Šperka, et al., ''Počítačová grafika a numerické metódy'', Bratislava: SVŠT-Alfa, 1985. {{sk}}
* ''Počítačové umění ČSSR'', catalogue (Prague: 1985)
+
* ''Počítačové umění ČSSR'', Prague: 1985. Catalogue. {{cz}}
* [[Imrich Bertók]], [[Jozef Jankovič]], "A Collaborative Investigation of the Line: Interactive Computer-Aided Drawings" ''Leonardo'' 1 (1986) pp. 27-30. [http://links.jstor.org/sici?sici=0024-094X(1986)19%3A1%3C27%3AACIOTL%3E2.0.CO%3B2-H] (English)
+
* Imrich Bertók, Jozef Jankovič, [https://sci-hub.st/10.2307/1578297 "A Collaborative Investigation of the Line: Interactive Computer-Aided Drawings"], ''Leonardo'' 19:1, 1986, pp 27-30. {{en}}
* P Slavkovský, "Niektoré aplikácie počítačovej animácie" ''Počítačová grafika '86'' (Bratislava: JSMF, 1986) {{sk}}
+
* P Slavkovský, "Niektoré aplikácie počítačovej animácie", in ''Počítačová grafika '86'', Bratislava: JSMF, 1986. {{sk}}
* [[Miroslav Klivar]], "Počítačová grafika v súčasnej výtvarnej kultúre" ''Výtvarníctvo, fotografia, film'' 10 (1986) {{sk}}
+
* Miroslav Klivar, "Počítačová grafika v súčasnej výtvarnej kultúre", ''Výtvarníctvo, fotografia, film'' 10, 1986. {{sk}}
* [[Zdeňka Čechová]] "Aplikácia počítačovej grafiky vo výtvarnom umení" ''Počítačová grafika, Proceedings of conference, Smolenice, 1986'' pp. 15 - 20
+
* Zdeňka Čechová, "Aplikácia počítačovej grafiky vo výtvarnom umení", in ''Počítačová grafika. Proceedings of conference, Smolenice, 1986'', pp 15-20. {{sk}}
* [[Martin Šperka]], "Počítač ako maliar" ''Elektrón'' 12 (1986) pp. 8-15 {{sk}}
+
* Martin Šperka, "Počítač ako maliar", ''Elektrón'' 12, 1986, pp 8-15. {{sk}}
* [[Imrich Bertók]], [[Ivo Janoušek]] ''Počítače a umenie'' (Bratislava: SPN, 1989) {{sk}}
+
* Imrich Bertók, Ivo Janoušek, ''Počítače a umenie'', Bratislava: SPN, 1989. {{sk}}
* Lucie Holá ''Počítačové umění v ČSSR a ve světě'', catalogue (Prague: Dům techniky Praha, 1989)
+
* Lucie Holá, ''Počítačové umění v ČSSR a ve světě'', Prague: Dům techniky Praha, 1989. Catalogue. {{cz}}
* Robert Zavarský, [http://www.dotyky.net/?p=11014 "Počítačové umenie"], ''Dotyky'' 1 (1990), [[Media:Zavarsky_Robert_1990_Pocitacove_umenie_Nemerov_Howard_1990_Pocitacova_poezia.pdf|PDF]]. {{sk}}
+
* Robert Zavarský, [[Media:Zavarsky_Robert_1990_Pocitacove_umenie_Nemerov_Howard_1990_Pocitacova_poezia.pdf|"Počítačové umenie"]], ''Dotyky'' 1, 1990. [http://www.dotyky.net/?p=11014] {{sk}}
* [[Martin Šperka]], ''Počítačová grafika vo výtvarnom umení'', catalogue, Banská Bystrica: Štátna galéria Žilina, Regionálne kultúrne stredisko, 1992, 32 pages {{sk}}
+
* [[Media:Profil_1_%281993%29_-_Počítačová_grafika_%28Slovak%29.pdf|''Profil'' 3(1): "Počítačová grafika"]], ed. Michal Murin, Bratislava, 1993, pp 1-20. {{sk}}
* [[Martin Šperka]] (ed.), [http://monoskop.org/log/?p=5692 ''Computer Graphics in Fine Arts / Počítačová grafika vo výtvarnom umení''], catalogue, Bratislava: Academy of Fine Arts, 1993, 8 pages. (Slovak/English)
+
** Martin Šperka, [https://monoskop.org/images/1/10/Profil_1_%281993%29_-_Po%C4%8D%C3%ADta%C4%8Dov%C3%A1_grafika_%28Slovak%29.pdf#page=12 "Míľniky počítačovej grafiky na Slovensku"], pp 10-11.
* [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|''Profil'': Počítačová grafika]], No. 1, 1993, Bratislava. {{sk}}
+
** Martin Šperka, [https://monoskop.org/images/1/10/Profil_1_%281993%29_-_Po%C4%8D%C3%ADta%C4%8Dov%C3%A1_grafika_%28Slovak%29.pdf#page=15 "Autori o sebe. Interview so štyrmi pioniermi počítačovej grafiky v Čechách a na Slovensku"], p 13.
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Siggraph 92"]], ''Profil'' 1 (1993), Bratislava, pp 2-3 {{sk}}
+
** Martin Šperka, [https://monoskop.org/images/1/10/Profil_1_%281993%29_-_Po%C4%8D%C3%ADta%C4%8Dov%C3%A1_grafika_%28Slovak%29.pdf#page=16 "Počítače na školách"], p 14.
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Míľniky počítačovej grafiky na Slovensku"]], ''Profil'' 1 (1993), Bratislava, pp 10-11 {{sk}}
+
** Juraj Németh, [https://monoskop.org/images/1/10/Profil_1_%281993%29_-_Po%C4%8D%C3%ADta%C4%8Dov%C3%A1_grafika_%28Slovak%29.pdf#page=17 "Multimédiá alebo prezentácia umenia po novom"], p 15.
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Autori o sebe: Interview so štyrmi pioniermi počítačovej grafiky v Čechách a na Slovensku"]], ''Profil'' 1 (1993), Bratislava, p 13 {{sk}}
+
* Martin Šperka, ''Počítačová grafika vo výtvarnom umení'', Banská Bystrica: Štátna galéria Žilina, Regionálne kultúrne stredisko, 1992, 32 pp. Catalogue. {{sk}}
* [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Tri otázky pre Jana Sekala"]], ''Profil'' 1 (1993), Bratislava, p 16 {{sk}}
+
* Martin Šperka (ed.), [http://monoskop.org/log/?p=5692 ''Počítačová grafika vo výtvarnom umení / Computer Graphics in Fine Arts''], Bratislava: Academy of Fine Arts, 1993, 8 pp. Catalogue. {{sk}}/{{en}}
* [[Martin Šperka]], [[Media:Sperka_Martin_1994_The_Origins_of_Computer_Graphics_in_the_Czech_and_Slovak_Republics.pdf|"The Origins of Computer Graphics in the Czech and Slovak Republics"]], ''Leonardo'', Vol. 27, No. 1 (1994), pp. 45-50 [http://www.jstor.org/pss/1575949]
+
* Martin Šperka, [[Media:Sperka_Martin_1994_The_Origins_of_Computer_Graphics_in_the_Czech_and_Slovak_Republics.pdf|"The Origins of Computer Graphics in the Czech and Slovak Republics"]], ''Leonardo'' 27:1, 1994, pp 45-50. [http://www.jstor.org/pss/1575949] {{en}}
* [[Martin Šperka]], "Počítačové umenie - genéza a súčasnosť," ''Podoby súčasného umenia. Zborník prednášok o súčasnom výtvarnom umení a architektúre" (Bratislava, 1994) {{sk}}
+
* Martin Šperka, "Počítačové umenie - genéza a súčasnosť", in ''Podoby súčasného umenia. Zborník prednášok o súčasnom výtvarnom umení a architektúre'', Bratislava, 1994. {{sk}}
* [[Martin Šperka]], "Some notes on the history of electronic and computer art in Slovakia" 1996 [http://framework.v2.nl/archive/archive/node/text/default.xslt/nodenr-132419]
+
* Martin Šperka, [http://web.archive.org/web/20080102162346/http://framework.v2.nl/archive/archive/node/text/default.xslt/nodenr-132419 "Some notes on the history of electronic and computer art in Slovakia"], 1996. {{en}}
* [[Martin Šperka]] ''E_Mail_Art_1_2_3 - Počítačová grafika - výber z diel'', catalogue (Žilina: PGU, 1997) {{sk}}
+
* Martin Šperka, ''E_Mail_Art_1_2_3 - Počítačová grafika - výber z diel'', Žilina: PGU, 1997. Catalogue. {{sk}}
* [[Martin Šperka]], "Počítačová grafika," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
+
* Martin Šperka, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=216 "Počítačová grafika"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
* [[Martin Šperka]], "Počítačové umenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
+
* Martin Šperka, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=219 "Počítačové umenie"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
* [[Diana Majdáková]], [http://monoskop.org/images/1/1c/Majdakova%2C_Diana_%282008%2C_MA%29_-_Digitalny_obraz_v_slovenskom_vytvarnom_umeni_20.storocia_%28Slovak%29.pdf ''Digitálny obraz v slovenskom výtvarnom umení 20.storočia. Uplatnenie počítačovej grafiky a digitálnych technológií v tvorbe statického obrazu''], Diploma thesis, Katedra dejín výtvarného umenia, Filozofická fakulta, Univerzita Komenského v Bratislave, 2008. {{sk}}
+
* Diana Majdáková, ''[[Media:Majdakova%2C_Diana_%282008%2C_MA%29_-_Digitalny_obraz_v_slovenskom_vytvarnom_umeni_20.storocia_%28Slovak%29.pdf|Digitálny obraz v slovenskom výtvarnom umení 20.storočia. Uplatnenie počítačovej grafiky a digitálnych technológií v tvorbe statického obrazu]]'', Bratislava: Katedra dejín výtvarného umenia/Filozofická fakulta/Univerzita Komenského v Bratislave, 2008. Master's thesis. {{sk}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Hungary===
 
===Hungary===
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-hu}}}|computerart-hu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-hu}}}|computerart-hu|
* [[Miklós Peternák]], "Hungarian Computer Art", in: Peter Weibel (ed.): Beyond Art. A Third Culture
+
* Miklós Peternák, [https://monoskop.org/images/1/13/Weibel_Peter_ed_Beyond_Art_A_Third_Culture_2005.pdf#page=339 "Hungarian Computer Art"], in ''[https://monoskop.org/log/?p=699 Beyond Art: A Third Culture. A Comparative Study in Cultures, Art and Science in 20th Century Austria and Hungary]'', ed. Peter Weibel, Vienna: Springer, 2005, pp 338-340. {{en}}
 +
* ''Magyar művészek és a számítógép / Hungarian Artists and the Computer'', Budapest: Hungarian National Gallery, 2016. Catalogue. [https://mng.hu/kiallitasok/magyar-muveszek-es-a-szamitogep/] {{hu}}/{{en}}
 +
** Márton Orosz, [[Media:Orosz Marton 2016 Hungarians in the Early History of Computer Art.pdf|"Magyarok a komputerművészet korai történetében / Hungarians in the Early History of Computer Art"]], pp 16-53. [https://www.academia.edu/36531032/]
 
}}</onlyinclude>
 
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<onlyinclude>{{#ifeq:{{{transcludesection|computerart-pl}}}|computerart-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-pl}}}|computerart-pl|
 
* Gerard_Zieliński, [[Media:Zielinski_Gerard_1972_Zastosowania_komputerow_w_sztuce.pdf|''Zastosowania komputerów w sztuce'']], Warsaw: Computation Centre of the Polish Academy of Sciences, 1972, 15 pp. {{pl}}
 
* Gerard_Zieliński, [[Media:Zielinski_Gerard_1972_Zastosowania_komputerow_w_sztuce.pdf|''Zastosowania komputerów w sztuce'']], Warsaw: Computation Centre of the Polish Academy of Sciences, 1972, 15 pp. {{pl}}
 +
* David Crowley, [http://faktografia.com/2011/09/13/the-art-of-cybernetic-communism/ "The Art of Cybernetic Communism"], ''Faktografia.com'', 2011. {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===Romania===
 
===Romania===
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-ro}}}|computerart-ro|
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-ro}}}|computerart-ro|
* [[Sherban Epuré]], "Cybernetic Attitude, Mathematical Thinking", ''România Literarã'' No. 25, Bucharest, June 13 1970. [http://www.sherban-epure.com/sesite2008few/statements/writings64-70/source/atitcibgandmat.html]
+
 
* Adrian Rogoz, "Arta Programativã", Stiinta si Technica, Bucharest, June 1970.  
+
* [[Sherban Epuré]], [http://web.archive.org/web/20210415105225/http://www.sherban-epure.com/sesite2008few/statements/writings64-70/source/atitcibgandmat.html "Redefinirea structurii artistului. Atitudine cibernetică, gândire matematică"] [Cybernetic Attitude, Mathematical Thinking], ''România Literarã'' 25, Bucharest, 13 Jun 1970. {{ro}}
* Sherban Epuré, "Cybernetics and Art", ''Arta'' Review # 7, Bucharest, Sep 1970. [http://www.sherban-epure.com/sesite2008few/statements/writings64-70/source/cibsiarta1970.html]
+
* Adrian Rogoz, "Arta Programativã", Stiinta si Technica, Bucharest, Jun 1970. {{ro}}
* "Glossary", ''Arta'' Review, Bucharest, Romania, February-August 1971. The "Glossary" was published throughout most of 1971, as a series of monthly articles. It deals with such terms as: cybernetics, structure, input, output, feedback behavior, information, the significance of information, feedback, black-box, redundancy, noise, sensibility, original, entropy, etc. [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossar1.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossary2.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossary3.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossary4.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossary5.html]
+
* Sherban Epuré, [http://web.archive.org/web/20210415105728/http://www.sherban-epure.com/sesite2008few/statements/writings64-70/source/cibsiarta1970.html "Cibernetica şi arta"] [Cybernetics and Art], ''Arta Plasticã'' 7, Bucharest, Sep 1970. {{ro}}
* [[Viktor Ernest Maşek]], ''Arta şi matematica. Introducere în estetica informaţională'', Editura Politică, Bucureşti 1972. The first Romanian text applying Max Bense's aesthetic theories to semiotics of visual art. The book is based on his PhD thesis, "Introducere în estetica informaţională", 1971.  
+
* Sherban Epuré, "Glosar" [Glossary], ''Arta Plasticã'' 1-5, Bucharest, Feb-Aug 1971. The "Glossary" was published throughout most of 1971, as a series of monthly articles. It dealt with such terms as: cybernetics, structure, input, output, feedback behavior, information, the significance of information, feedback, black-box, redundancy, noise, sensibility, original, entropy, etc. [http://web.archive.org/web/20210415105728/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossar1.html] [http://web.archive.org/web/20210415105728/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossary2.html] [http://web.archive.org/web/20210415105728/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossary3.html] [http://web.archive.org/web/20210415105728/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossary4.html] [http://web.archive.org/web/20210415105728/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/glossary5.html] {{ro}}
 +
* [[Viktor Ernest Maşek]], ''Arta şi matematica. Introducere în estetica informaţională'', Bucharest: Politică, 1972. The first Romanian text applying Max Bense's aesthetic theories to semiotics of visual art. The book is based on his PhD thesis, "Introducere în estetica informaţională", 1971. {{ro}}
 
* Viktor Ernest Maşek (ed.), ''Estetică, informaţie, programare'' [Aesthetics. Information. Programming], Editura Ştiinţifică, Bucharest 1972, 216 pp. Anthology comprising important texts by A. Moles, M. Bense, H. Frank, S. Maser, K. Alsleben, but also Mihai Dinu, Cezar Radu, Stefan Niculescu, and others.
 
* Viktor Ernest Maşek (ed.), ''Estetică, informaţie, programare'' [Aesthetics. Information. Programming], Editura Ştiinţifică, Bucharest 1972, 216 pp. Anthology comprising important texts by A. Moles, M. Bense, H. Frank, S. Maser, K. Alsleben, but also Mihai Dinu, Cezar Radu, Stefan Niculescu, and others.
* [[Mihai Nadin]], ''Elements of Meta-Aesthetics'',  Eminescu, Bucharest, l972.
+
* [[Mihai Nadin]], ''Elements of Meta-Aesthetics'',  Eminescu, Bucharest, 1972.
* Sherban Epuré, "Mathematics and anatomical constructions", the Secolul XX Review #11-12, Bucharest, Romania, 1973. [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/mat_anatsecxxa.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/mat_anatsecxxb.html]
+
* Sherban Epuré, [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/realismmatem1_2.html "Realismul matematic"] [Realism Mathematic], [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/realismmatem3_4.html (cont.)], [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/realismmatem5.html (cont.)], ''Arta Plasticã'', Bucharest, 13 Apr 1973. {{ro}}
* Sherban Epuré, "Realism Mathematic", the Arta Review, Bucharest, Romania, 4.13.1973. [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/realismmatem1_2.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/realismmatem3_4.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/realismmatem5.html]
+
* Sherban Epuré, [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/mat_anatsecxxa.html "Matematică şi construcţie anatomică"] [Mathematics and Anatomical Constructions"], [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/mat_anatsecxxb.html (cont.)], ''Secolul XX'' 11-12, Bucharest, 1973. {{ro}}
* [[Abraham Moles]], ''Artă şi ordinator'' [Art and Computer], Editura Meridiane, Bucharest 1974. Classic book translated to Romanian.
+
* [[Abraham Moles]], ''Artă şi ordinator'' [Art and Computer], trans. Claudia Dumitru and Ion Pascadi, pref. Ion Pascadi, Bucharest: Meridiane, 1974, 311 pp. Romanian trans. of the classic book ''Art et ordinateur'' (1971). {{ro}}
* Sherban Epuré, "Applications of Cibernetical Methods in the Fine Arts", the Arta Plastica Magazine, Bucharest, Romania, October 1974. [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/aplmetcib.html]
+
* Sherban Epuré, [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/iorga1a.html "Artă plastică și metode cibernetice"] [Fine Arts and Cybernetic Methos], [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/iorga6a_b.html (cont.)], [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/iorgapage3.html (cont.)], Bucharest: New Gallery, Mar 1974. Catalog text; part of the Art and Energy exhibition, at The New Gallery, Bucharest. {{ro}}
* Sherban Epuré, "Painting and Cybernetics", Installation and Extensive One Man Show, part of the 
Art and Energy exhibition, at The New Gallery, Bucharest, Romania, 1974. Catalog text. [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/iorga1a.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/iorga6a_b.html] [http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/iorgapage3.html]
+
* Sherban Epuré, [http://web.archive.org/web/20210415100406/http://www.sherban-epure.com/sesite2008few/statements/writings71-79/source/aplmetcib.html "Aplicații ale metodelor cibernetice în artă plastică"] [Applications of Cybernetic Methods in Fine Arts], ''Arta Plastică'', Bucharest, Oct 1974. {{ro}}
* Viktor Ernest Maşek, review of Jalobeanu's exhibition 'Computer Graphics', ''Arta'' 6, Bucharest 1976  
+
* Viktor Ernest Maşek, "Computer Graphics", ''Arta'' 6, Bucharest, 1976. Review of Jalobeanu's exhibition. {{ro}}
* [[Radu Bagdasar]], ''Informatica Mirabilis - Arta şi Literatura de calculator'' [Computer Art and Literature], Editura Dacia, 1982.
+
* [[Radu Bagdasar]], ''Informatica Mirabilis - Arta şi Literatura de calculator'' [Computer Art and Literature], Dacia, 1982. {{ro}}
* [[Solomon Marcus]] (ed.), ''Semiotica matematică a artelor vizuale'' [Mathematical Semiotics of Visual Arts], Editura Ştiinţifică si Enciclopedica, Bucharest 1982, 409 pp. Contains two substantial texts in the field of the computer–art relationship, namely, [[Mihai Jalobeanu]], "Imaginile, producerea si prelucrarea lor cu sistemele actuale de calcul" [Images, their Production and Processing with today's Computing Systems] and [[Mihai Brediceanu]], "Timpul polimodular în artele vizuale" [Polimodular Time in Visual Arts].
+
* [[Solomon Marcus]] (ed.), ''Semiotica matematică a artelor vizuale'' [Mathematical Semiotics of Visual Arts], Bucharest: Editura Ştiinţifică si Enciclopedica, 1982, 409 pp. Contains two substantial texts in the field of the computer–art relationship, namely, [[Mihai Jalobeanu]], "Imaginile, producerea si prelucrarea lor cu sistemele actuale de calcul" [Images, their Production and Processing with today's Computing Systems] and [[Mihai Brediceanu]], "Timpul polimodular în artele vizuale" [Polimodular Time in Visual Arts]. {{ro}}
* pamphlet accompanying 'Art and Computer' exhibition, 1985. Text by [[Horia Medeleanu]].
+
* ''Art and Computer'', 1985. Pamphlet accompanying exhibition, with text by [[Horia Medeleanu]].
* Ambroise Barrac, ''Poezia electronică'', 2008. [http://www.romaniaculturala.ro/images/articole/dosar%20dilmetca.pdf]
+
* Sherban Epuré, [[Media:Epure Sherban 2006 An Artists Journey in Art and Science.pdf|"An Artist's Journey in Art and Science: From behind the Iron Court to Present-Day America"]], ''Leonardo'' 39:5, MIT Press, Oct 2006, pp 402-409, 436. [https://doi.org/10.1162/leon.2006.39.5.402] {{en}}
* Sherban Epuré, "An Artist's Journey in Art and Science: From behind the Iron Court to Present-Day America". ''Leonardo'', October 2006, vol. 39, #5, MIT Press, Boston. pp.402-409 and 436. [http://www.sherban-epure.com/sesite2008few/calledpgs/leonardoarticlenoSB.pdf]
+
* Ambroise Barrac, ''Poezia electronică'', 2008. [http://www.romaniaculturala.ro/images/articole/dosar%20dilmetca.pdf] {{ro}}
 +
* Mihai Nadin, [[Media:Nadin Mihai 2018 Foresight and Hindsight.pdf|"Foresight and Hindsight"]], ''Leonardo'' 51:3, Jun 2018, pp 270-276. [https://doi.org/10.1162/leon_a_01324] {{en}}
 +
 
 
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===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-cee}}}|video-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-cee}}}|video-cee|
* ''[[Media:Andras_Edit_ed_Transitland_Video_Art_from_Central_and_Eastern_Europe_1989-2009.pdf|Transitland: Video Art from Central and Eastern Europe 1989–2009]]'', ed. Edit András, Budapest: Ludwig Museum of Contemporary Art, 2009, 319 pp. {{en}}
+
* Rossen Milev, [[Media:Milev Rossen 1992 Video in Osteuropa Eine Untersuchung des neuen audiovisuellen Phaenomens in seinem osteuropaeischen Profil.pdf|"Video in Osteuropa. Eine Untersuchung des neuen audiovisuellen Phänomens in seinem osteuropäischen Profil"]], ''Communications'' 17:2, 1992, pp 245-274. {{de}}
 +
* Rossen Milev, ''Video in Osteuropa'', Sofia: Balkanmedia, 1993, 164 pp. [http://www.blankjeron.com/sero/Handshake-Feldreise/D/ostranenie/texte_zu_ostrannenie/ostranenie_milev.html Excerpt]. Based on author's dissertation written under Siegfried Zielinski. Review: [https://www.mediamatic.net/nl/page/14258/milev Lovink] (Mediamatic). [http://web.archive.org/web/20031117120743/www.sero.org/handshake/D/ostranenie/EEVideo/Bulgarien.html] {{de}}
 +
* ''[[Media:Balkan_Video_Federation 2000.pdf|Balkan Video Federation]]'', ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. Catalogue. {{en}}
 +
* Edit András (ed.), ''[[Media:Andras_Edit_ed_Transitland_Video_Art_from_Central_and_Eastern_Europe_1989-2009.pdf|Transitland: Video Art from Central and Eastern Europe 1989–2009]]'', Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, 319 pp. {{en}}
 
* Réka Deim, [http://www.artmargins.com/index.php/interviews/545-transitland-video-art-central-eastern-europe-1989-2009-interview "Transitland: Video Art from Central and Eastern Europe 1989-2009 (Interview)"], ''ARTMargins'', 30 Dec 2009. {{en}}
 
* Réka Deim, [http://www.artmargins.com/index.php/interviews/545-transitland-video-art-central-eastern-europe-1989-2009-interview "Transitland: Video Art from Central and Eastern Europe 1989-2009 (Interview)"], ''ARTMargins'', 30 Dec 2009. {{en}}
* ''[http://monoskop.org/log/?p=2493 Transitland: Video Art from Central and Eastern Europe After the Fall of the Berlin Wall, 1989–2009 / Видеоарт Центральной и Восточной Европы после падения Берлинской стены, 1989–2009]'', Moscow: MediaArtLab, 2010, 137 pp. {{en}}/{{ru}}
+
* ''[http://monoskop.org/log/?p=2493 Transitland: Video Art from Central and Eastern Europe After the Fall of the Berlin Wall, 1989–2009 / Видеоарт Центральной и Восточной Европы после падения Берлинской стены, 1989–2009]'', Moscow: MediaArtLab, 2010, 137 pp. Catalogue. {{en}}/{{ru}}
* Katarzyna Kosmala (ed.), ''Sexing the Border: Gender, Art and New Media in Central and Eastern Europe'', Cambridge Scholars Publishing, 2014. [http://www.cambridgescholars.com/download/sample/61830 Excerpt]. [http://www.cambridgescholars.com/sexing-the-border] {{en}}
+
* Katarzyna Kosmala (ed.), ''[[Media:Kosmala Katarzyna ed Sexing the Border Gender Art and New Media in Central and Eastern Europe 2014.pdf|Sexing the Border: Gender, Art and New Media in Central and Eastern Europe]]'', Cambridge Scholars Publishing, 2014, 275 pp. [https://www.cambridgescholars.com/resources/pdfs/978-1-4438-6048-2-sample.pdf Excerpt]. [https://www.cambridgescholars.com/product/978-1-4438-6048-2 Publisher]. {{en}}
 
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* Michael Bielický, [http://www.sero.org/handshake/D/ostranenie/EEVideo/Prag.html "Praga Caput - Praga Caput Medii"].
 
* Michael Bielický, [http://www.sero.org/handshake/D/ostranenie/EEVideo/Prag.html "Praga Caput - Praga Caput Medii"].
 
* Miloš Vojtěchovský, [[Media:Vojtěchovský, Miloš (1992) - Nástin. Gary Hill a videopoetika.pdf|"Nástin: Gary Hill a videopoetika"]], ''Profil'' 14-15, Bratislava, 1992, pp 80-87 {{cz}}
 
* Miloš Vojtěchovský, [[Media:Vojtěchovský, Miloš (1992) - Nástin. Gary Hill a videopoetika.pdf|"Nástin: Gary Hill a videopoetika"]], ''Profil'' 14-15, Bratislava, 1992, pp 80-87 {{cz}}
* Tomáš Bielický, "Praha nová média Akademie výtvarných umění", in ''Orbis Fictus'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Oswald, 1995, pp 157-161. {{cz}}
+
* Michael Bielický, "Praha - nová média - Akademie výtvarných umění / Prague - New media - the Academy of Fine Arts", in ''Orbis Fictus: nová média v současném umění / New Media in Contemporary Arts'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, pp 157-160. {{cz}}/{{en}}
* Radůz Činčera, "Kapitoly z pravěku interaktivity", in ''Orbis Fictus'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Oswald, 1995, pp 121-127. {{cz}}
+
* Radůz Činčera, "Kapitoly z pravěku interaktivity", in ''Orbis Fictus'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, pp 121-127. {{cz}}
* Keiko Sei, "Po stopách médií", in ''Orbis Fictus'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Oswald, 1995, pp 141-157. {{cz}}
+
* Keiko Sei, "Po stopách médií", in ''Orbis Fictus'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, pp 141-157. {{cz}}
* Marta Smolíková, "Svět vybájený a svět v obrazech", in ''Orbis Fictus'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Oswald, 1995, pp 161-169. {{cz}}
+
* Marta Smolíková, "Svět vybájený a svět v obrazech", in ''Orbis Fictus'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, pp 161-169. {{cz}}
 
* Michal Bregant, Martin Čihák, "Skutečnější než realita", in ''Alternativní kultura'', ed. Josef Alan, Jihlava: Lidové noviny, 2001, pp 421-443. {{cz}}
 
* Michal Bregant, Martin Čihák, "Skutečnější než realita", in ''Alternativní kultura'', ed. Josef Alan, Jihlava: Lidové noviny, 2001, pp 421-443. {{cz}}
 
* Bohunka Koklesová, [http://performance.ffa.vutbr.cz/cd/inner/sub/oumeni-a.htm "Video, Multimedia, Performance Studio - Tomas Ruller's Studio"], Bratislava: VŠVU, 2003. {{en}}/{{sk}}
 
* Bohunka Koklesová, [http://performance.ffa.vutbr.cz/cd/inner/sub/oumeni-a.htm "Video, Multimedia, Performance Studio - Tomas Ruller's Studio"], Bratislava: VŠVU, 2003. {{en}}/{{sk}}
* Lenka Dolanová, "Vstup pohyblivých obrazů do galerie", ''Iluminace'' 15:4 (2003). {{cz}}
+
* Lenka Dolanová, [[Media:Dolanova_Lenka_2003_Vstup_pohyblivych_obrazu_do_galerie.pdf|"Vstup 'pohyblivých obrazů' do galerie"]], ''Iluminace'' 15:4, 2003, pp 85-100. [https://iluminace.cz/artkey/ilu-200304-0007_entry-of-moving-images-into-the-galery.php] {{cz}}
* Bohdana Kerbachová, "Počátky českého videoartu",''Iluminace'' 18:2 (2006). {{cz}}
+
* editor, [[Media:Iluminace 18 2 Woody Vasulka 2006.pdf|''Iluminace'' 18(2): "Woody Vasulka a tradice českého umění elektronického obrazu"]], ed. Lenka Dolanová, Prague: Národní filmový archiv, 2006, 218 pp, [https://iluminace.cz/magno/ilu/2006/mn2.php PDFs]. With DVD ''Virtuální houbaření / Virtual Mushrooming''. Review: [https://www.advojka.cz/archiv/2006/47/virtualni-houbar-woody-vasulka Havránková] (A2). {{cz}}
 +
** Bohdana Kerbachová, "Počátky českého videoartu", pp 133-158.
 
* Jiří Zemánek, [[Media:Zemanek_Jiri_2007_Od_luminodynamismu_k_mediu_videa.pdf|"Od luminodynamismu k médiu videa"]], in ''Dějiny českého výtvarného umění VI/2'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 537-553. {{cz}}
 
* Jiří Zemánek, [[Media:Zemanek_Jiri_2007_Od_luminodynamismu_k_mediu_videa.pdf|"Od luminodynamismu k médiu videa"]], in ''Dějiny českého výtvarného umění VI/2'', eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 537-553. {{cz}}
 
* Martin Mazanec, [http://www.advojka.cz/archiv/2008/49/vyzkumny-projekt-cesky-videoart "Výzkumný projekt: český videoart"], ''A2'', No 49, 2008. {{cz}}
 
* Martin Mazanec, [http://www.advojka.cz/archiv/2008/49/vyzkumny-projekt-cesky-videoart "Výzkumný projekt: český videoart"], ''A2'', No 49, 2008. {{cz}}
* Pavel Červinka, [http://is.muni.cz/th/144445/fss_b "Vznik a vývoj českého videoartu"], Brno: Fakulta sociálních studií, Masarykova univerzita, 2008. Bachelor's thesis. {{cz}}
+
* Pavel Červinka, [http://is.muni.cz/th/144445/fss_b "Vznik a vývoj českého videoartu"], Brno: Fakulta sociálních studií, Masarykova univerzita, 2008. Bachelor thesis. {{cz}}
* Jakub Čermák, [http://is.muni.cz/th/179106/ff_b/JAKUB_CERMAK_Vymezeni_pojmu__videoart__v_kontextech_ceske_vizualni_sceny.pdf "Vymezení pojmu 'videoart' v kontextech české vizuální scény"], Brno: Masarykova univerzita, 2008. Bachelor's thesis. {{cz}}
+
* Jakub Čermák, ''[https://is.muni.cz/th/jh63d/ Vymezení pojmu 'videoart' v kontextech české vizuální scény]'', Brno: Masarykova univerzita, 2008. Bachelor thesis. {{cz}}
* Lenka Dolanová, ''Steina a Woody Vasulkovi: Dialog s démony nástrojů'', Prague: AMU, 2011. [http://www.kosmas.cz/knihy/165977/steina-a-woody-vasulkovi/] {{cz}}
+
* Lenka Dolanová, ''Dialog s démony nástrojů. Steina a Woody Vasulkovi'', Prague: Nakladatelství Akademie múzických umění, and Jihlava: Mezinárodní festival dokumentárních filmů Jihlava, 2011, 208 pp. Chapters: [https://namu.cz/files/2014-04/140408110932.pdf Co to tam vařili?] (pp 67-70),[[Media:Dolanova_Lenka_2011_Image_Processing_Wave_the_Signal_Is_Coming.pdf|Image Processing: Wave, the Signal Is Coming]] (pp 81-93), [[Media:Dolanova_Lenka_2011_Audiovizualni_synteza.pdf|Audiovizuální syntéza]] (pp 95-110), [[Media:Dolanova_Lenka_2011_Buffalo_1973-1979.pdf|Buffalo: 1973-1979]] (pp 111-130), [[Media:Dolanova_Lenka_2011_Santa_Fe_prostredi_pro_kontemplaci.pdf|Santa Fe: prostředí pro kontemplaci]] (pp 147-176), [[Media:Dolanova_Lenka 2011 Dialog s demony nastroju Steina a Woody Vasulkovi Biblio filmo videografie vyber.pdf|Biblio- filmo- videografie (výběr)]] (pp 193-208). [https://namu.cz/dialog-s-demony-nastroju-steina-a-woody-vasulkovi Publisher]. Based on PhD dissertation (2009). {{cz}}
 +
** ''A Dialogue with the Demons of the Tools: Steina and Woody Vašulka'', Brno: Vasulka Kitchen Brno, 2022. [https://www.vasulkakitchen.org/en/book-launch-lenka-dolanova-a-dialogue-with-the-demons-of-the-tools-steina-and-woody-vasulka Book launch]. {{en}}
 +
* ''[[Media:Katalog_udalosti_ceskeho_pohybliveho_obrazu_Jine_vize_2000-2010_I_2011.pdf|Katalog událostí českého pohyblivého obrazu. Jiné vize 2000-2010 / Catalogue of the Events of the Czech Moving Image. Other Visions 2000-2010]]'', 2 vols. [[Media:Katalog_udalosti_ceskeho_pohybliveho_obrazu_Jine_vize_2000-2010_II_2011.pdf|(vol. 2)]], ed. mediabaze.cz, Olomouc: PAF Edition, 2011, 87 & 73 pp. {{cz}}/{{en}}
 +
* Martin Mazanec, ''[[Media:Mazanec Martin Pohyblivy obraz filmu a videa 2 2013.pdf|Pohyblivý obraz filmu a videa 2]]'', Olomouc: Univerzita Palackého, 2013, 44 pp. Textbook. {{cz}}
 +
* Martin Mazanec, ''[[Media:Mazanec Martin Pohyblivy obraz filmu a videa 1 2014.pdf|Pohyblivý obraz filmu a videa 1]]'', Olomouc: Univerzita Palackého, 2014, 47 pp. Textbook. {{cz}}
 +
* Adéla Šulcová, ''[https://is.muni.cz/th/msuhw/ Technologické postupy v českém videoartu od 60. do 90. let 20. století]'', Brno: Masarykova univerzita, 2014. Bachelor thesis. {{cz}}
 +
* Veronika Ševčíková, ''[https://is.muni.cz/th/bh74j/ České videoumění do roku 2000]'', Brno: Masarykova univerzita, 2014, 101 pp. Master's thesis. {{cz}}
 +
* Sylva Poláková, Martin Mazanec (eds.), ''Mapování pohyblivého obrazu. Média, aktéři a místa v českém prostředí / Mapping the Moving Image: Media, Agents, and Sites in the Czech Context'', Prague: Národní filmový archiv, 2023. [https://videoarchiv-nfa.cz/kniha/ Research project]. {{cz}}/{{en}}
 +
 
 +
; Documentary films
 +
* ''The Vasulka Effect'', dir. Hrafnhildur Gunnarsdóttir, 2019, 85 min. [https://sagafilm.is/film/the-vasulka-effect/ Film website & trailer].
 +
* ''Viva video, video viva'', dir. Adéla Komrzý, 2019, 85 min. [https://www.youtube.com/watch?v=-lVPMCwP7aQ Trailer]. [https://www.ceskatelevize.cz/porady/11304712592-viva-video-video-viva-videoart-jako-nastroj-svobody/ Film on Czech TV] (available from Czechia). [https://vltava.rozhlas.cz/film-viva-video-video-viva-znovuobjevil-predrevolucni-videoart-8150901 Interview with director]. [https://www.csfd.cz/film/778250 CSFD]. [https://www.novinky.cz/kultura/clanek/dokumentaristka-adela-komrzy-vymezovalo-se-vuci-otupujici-sile-medii-40300842]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sk}}}|video-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sk}}}|video-sk|
*[[Miroslav Klivar]], "Videoumenie I, II" ''Výtvarníctvo, fotografia, film'' 4-5 (1987) {{sk}}
+
* [[Miroslav Klivar]], "Videoumenie I, II" ''Výtvarníctvo, fotografia, film'' 4-5 (1987). {{sk}}
*Radislav Matuštík ''Suterén'', catalogue (Bratislava: 1989)
+
* ''Suterén'', ed. Radislav Matuštík, Bratislava, 1989. Catalogue.
*[[Katarína Rusnáková]], "Videoumenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
+
* [[Katarína Rusnáková]], [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=285 "Videoumenie"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
*[[Katarína Rusnáková]], "Umenie videa," Zora Rusinová et al. ''Dejiny slovenského výtvarného umenia – 20. storočie'' (Bratislava: SNG, 2000) {{sk}}
+
* [[Katarína Rusnáková]], "Umenie videa", in Zora Rusinová et al. ''Dejiny slovenského výtvarného umenia – 20. storočie'', Bratislava: SNG, 2000. {{sk}}
 
}}</onlyinclude>
 
}}</onlyinclude>
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sk-90s}}}|video-sk-90s|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sk-90s}}}|video-sk-90s|
*[[Peter Rónai]], [[Miroslav Nicz]] ed. ''Paralely'', catalogue (Nitra: Pedagogická fakulta, 1992) {{sk}}
+
* [[Peter Rónai]], [[Miroslav Nicz]] ed. ''Paralely'', catalogue (Nitra: Pedagogická fakulta, 1992) {{sk}}
*''Video vidím ich sehe'', catalogue (Žilina: PGU, 1994)
+
* ''[https://www.dum-umeni.cz/video-vidim-ich-sehe/t8191 Video, vidím, ich sehe: inštalácie: slovenské, české a švajčiarske videoumenie / Video, vidím, ich sehe: Installationen: slowakische, tschechische und schweizerische Videokunst]'', eds. Esther Maria Jungo, Katarína Rusnáková, and Maria Smolenicka, Bern, 1994, 145 pp. Exh. cat. [https://www.dum-umeni.cz/video-vidim-ich-sehe/t8191 Exhibition] (House of Arts Brno). {{sk}}/{{de}}
*[[Jozef Cseres]] ''[[Miloš Štofko]]. Sieť'', catalogue (Žilina: PGU, 1995)
+
* [[Jozef Cseres]] ''[[Miloš Štofko]]. Sieť'', Žilina: PGU, 1995. Catalogue.
*''[[Ilona Németh]]'', catalogue (Trnava: GJK, 1996)
+
* ''[[Ilona Németh]]'', Trnava: GJK, 1996. Catalogue.
*[[Katarína Rusnáková]] ''[[Peter Meluzin]]. Mouse Killer'' (Žilina: PGU, 1996)
+
* [[Katarína Rusnáková]] ''[[Peter Meluzin]]. Mouse Killer'' (Žilina: PGU, 1996)
*[[Katarína Rusnáková]] ''[[Jana Želibská]]. Výber z rokov 1966-1996'', catalogue (Žilina: PGU, 1997) {{sk}}
+
* [[Katarína Rusnáková]] ''[[Jana Želibská]]. Výber z rokov 1966-1996'', catalogue (Žilina: PGU, 1997) {{sk}}
*[[Katarína Rusnáková]] ''[[Peter Rónai]]. Videoantológia'' (Žilina: PGU, 1997) {{sk}}
+
* [[Katarína Rusnáková]] ''[[Peter Rónai]]. Videoantológia'' (Žilina: PGU, 1997) {{sk}}
*[[Gábor Hushegyi]] ''[[Ilona Németh]]. Inštalácie'', catalogue (Trnava: GJK, 2000)  
+
* [[Gábor Hushegyi]] ''[[Ilona Németh]]. Inštalácie'', catalogue (Trnava: GJK, 2000)  
*[[Miroslav Nicz]], [[Peter Rónai]] ed. ''Videojournal Barla'' (Mediaarchív, 2000) (English)
+
* [[Miroslav Nicz]], [[Peter Rónai]] ed. ''Videojournal Barla'' (Mediaarchív, 2000) (English)
 
* Jana Geržová: Interview with Juraj Čarný on Videoart+ international symposium. Profil 4/2000. [http://www.profil-art.sk/00_4/038_043.htm] {{sk}}
 
* Jana Geržová: Interview with Juraj Čarný on Videoart+ international symposium. Profil 4/2000. [http://www.profil-art.sk/00_4/038_043.htm] {{sk}}
*[[Gábor Hushegyi]] ''Ilona Németh'' (Bratislava: Kalligram, 2001). Translated from Hungarian by Chris Sullivan. ISBN 80-7149-410-0 [http://www.kalligram.sk/start.php?id=3&id_row=691&detail=1] (English)
+
* [[Gábor Hushegyi]] ''Ilona Németh'' (Bratislava: Kalligram, 2001). Translated from Hungarian by Chris Sullivan. ISBN 80-7149-410-0 [http://www.kalligram.sk/start.php?id=3&id_row=691&detail=1] (English)
*[[Gábor Hushegyi]] ''[[Emoke Vargová]]'', catalogue (Košice: Múzeum Vojtecha Löfflera, 2001)  
+
* [[Gábor Hushegyi]] ''[[Emoke Vargová]]'', catalogue (Košice: Múzeum Vojtecha Löfflera, 2001)  
*Eva Fraňová, "Slovenský videoart", Bachelor thesis, Brno: FF MU, 2009. [http://is.muni.cz/th/216088/ff_b/]
+
* Eva Fraňová, "Slovenský videoart", Bachelor thesis, Brno: FF MU, 2009. [http://is.muni.cz/th/216088/ff_b/]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Hungary===
 
===Hungary===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-hu}}}|video-hu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-hu}}}|video-hu|
* Bálint Szombathy, Video Art in the Mid-Seventies (Új Symposion, No.128, 1975)
+
* Bálint Szombathy, "Video Art in the Mid-Seventies", ''Új Symposion'' 128, 1975.
 
* György Somogyi, Video-Visions (Mûvészet, 1977 Yearbook)
 
* György Somogyi, Video-Visions (Mûvészet, 1977 Yearbook)
 
* Gábor Bódy, Creative Thinking Device, film journal Filmvilág, 1982
 
* Gábor Bódy, Creative Thinking Device, film journal Filmvilág, 1982
 
* The World of Video, first comprehensive collection of translated articles covering the field of video, providing information about the international developments of almost twenty years of video art and video theory, 1983.
 
* The World of Video, first comprehensive collection of translated articles covering the field of video, providing information about the international developments of almost twenty years of video art and video theory, 1983.
* Miklós Peternák, Data Toward the Study of the History of Hungarian Video Art. SVB VOCE, Budapest, Soros Foundation/Soros Center for Contemporary Arts (SCCA) - Mûcsarnok/Kunsthalle, 1991. [http://www.c3.hu/collection/videomuveszet/chronology.html]
+
* Vera Bódy, "Magyar Video", ''Mediamatic'' 1:4 (1987). [http://www.mediamatic.net/page/18533/en]
 +
* ''[[Media:Sub Voce Contemporary Hungarian Video Installation 1991.pdf|Sub Voce: Contemporary Hungarian Video Installation]]'', ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, 75 pp. Catalogue. [[Sub Voce|Exhibition]]. [http://mek.oszk.hu/21200/21238/] {{en}}/{{hu}}
 +
* Miklos Peternak, "Die neuen (kuenstlerischen) Medien und die ungarische Gesellschaft", [http://web.archive.org/web/20020829190753/www.sero.org/handshake/D/ostranenie/EEVideo/Ungarn.html] {{de}}
 
* Andrew J Horton, "Avant-garde Film and Video in Hungary" ''Central European Review'' (October 1998) [http://www.ce-review.org/kinoeye/kinoeye4old.html] (English)
 
* Andrew J Horton, "Avant-garde Film and Video in Hungary" ''Central European Review'' (October 1998) [http://www.ce-review.org/kinoeye/kinoeye4old.html] (English)
* Vera Bódy, "Magyar Video", ''Mediamatic'' 1:4 (1987). [http://www.mediamatic.net/page/18533/en]
+
* ''[[Media:Magyar videotortenet kepekben 2007.pdf|Magyar videótörténet képekben. Film, színház, előadóművészet/Videó, DVD]]'', Budapest: C3, 2007. Photo album, educational aid. [http://mek.oszk.hu/20600/20615/] {{hu}}
* Miklos Peternak, "Die neuen (kuenstlerischen) Medien und die ungarische Gesellschaft", {{de}}, [http://web.archive.org/web/20020829190753/www.sero.org/handshake/D/ostranenie/EEVideo/Ungarn.html]
 
 
* Szilvia Seres, Miklós Peternák (eds.), ''[http://www.c3.hu/collection/videomuveszet/indexen.html History and archive of video art in Hungary 1972-2000]'', Budapest: C3, n.d. Online archive.
 
* Szilvia Seres, Miklós Peternák (eds.), ''[http://www.c3.hu/collection/videomuveszet/indexen.html History and archive of video art in Hungary 1972-2000]'', Budapest: C3, n.d. Online archive.
 
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===Poland===
 
===Poland===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-pl}}}|video-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-pl}}}|video-pl|
* R. W. Kluszczynski, "Avant-garde Film and Video in Poland. An Historical Outline", in: The Middle Of Europe. The festival of avant-garde films and video from Austria, Czecho-Slovakia, Hungary and Poland, Centre for Contemporary Art, Ujazdowski Castle, ed. R. W. Kluszczynski, Warsaw 1991, p. 52-73
+
* R. W. Kluszczynski, "Avant-garde Film and Video in Poland. An Historical Outline", in ''The Middle Of Europe. The festival of avant-garde films and video from Austria, Czecho-Slovakia, Hungary and Poland'', ed. R. W. Kluszczynski, Warsaw: Centre for Contemporary Art, Ujazdowski Castle, 1991, p. 52-73.
 
* Piotr Krajewski, "Video art w Polsce", ''Kino'', 1991, nr 11, p 11. {{pl}}
 
* Piotr Krajewski, "Video art w Polsce", ''Kino'', 1991, nr 11, p 11. {{pl}}
 
* R. W. Kluszczynski, [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/kluszynski.html "Video Art in Poland. An Historical Outline"], in ''Ostranenie. 1. International Video Festival at the Bauhaus Dessau'', catalogue edited by Inke Arns and E. Tharandt, pp 148-152.  
 
* R. W. Kluszczynski, [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/kluszynski.html "Video Art in Poland. An Historical Outline"], in ''Ostranenie. 1. International Video Festival at the Bauhaus Dessau'', catalogue edited by Inke Arns and E. Tharandt, pp 148-152.  
Line 1,328: Line 2,053:
 
* Ryszard Kluszczynski, [http://web.archive.org/web/20070623051118/http://www.translocation.at/d/kluszczynski.htm "New Poland - New Video. Some reflections on Polish video art since 1989"], ''translocation_new media/art'', 1999.  
 
* Ryszard Kluszczynski, [http://web.archive.org/web/20070623051118/http://www.translocation.at/d/kluszczynski.htm "New Poland - New Video. Some reflections on Polish video art since 1989"], ''translocation_new media/art'', 1999.  
 
* Ryszard Kluszczynski, [http://www.culture.pl/en/culture/artykuly/es_historia_wideo "An Outline History of Polish Video Art"].
 
* Ryszard Kluszczynski, [http://www.culture.pl/en/culture/artykuly/es_historia_wideo "An Outline History of Polish Video Art"].
* Piotr Krajewski, Violetta Krajewska (eds.), [http://video.wrocenter.pl/en/kolekcja/odmonumentu-domarketu/ From Monument to Market: Video Art and Public Space], Wroclaw: WRO Art Center, 2005.
+
* Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), [http://video.wrocenter.pl/en/kolekcja/odmonumentu-domarketu/ Od monumentu do marketu / From Monument to Market: Video Art and Public Space], Wroclaw: WRO Art Center, 2005, 220 pp. With 2 DVDs. [https://wrocenter.pl/en/od-monumentu-do-marketu/] {{pl}}/{{en}}
* Agnieszka Kubicka-Dzieduszycka, Krzysztof Dobrowolski (eds.), [http://www.wrocenter.pl/en/publikacje/widok-wro-media-art-reader/widok-wro-media-art-reader-2/ ''Nam June Paik. Driving Media''], Wroclaw: WRO Art Center, WIDOK: WRO Media Art Reader 2, 250 pp + DVD, 2008. (Polish/English)
+
* Agnieszka Kubicka-Dzieduszycka, Krzysztof Dobrowolski (eds.), [http://www.wrocenter.pl/en/publikacje/widok-wro-media-art-reader/widok-wro-media-art-reader-2/ ''Nam June Paik. Driving Media''], Wroclaw: WRO Art Center, WIDOK: WRO Media Art Reader 2, 250 pp + DVD, 2008. {{pl}}/{{en}}
* Violetta Kutlubasis-Krajewska, Piotr Krajewski (eds.), [http://video.wrocenter.pl/media/pdf/WIDOK1_English_wrocenter.pl.pdf ''From Absolute Cinema to Future Film. Materials from the history of experiment in the moving picture art''], Wroclaw: WRO Art Center, 2009.
+
* Violetta Kutlubasis-Krajewska, Piotr Krajewski (eds.), [http://video.wrocenter.pl/media/pdf/WIDOK1_English_wrocenter.pl.pdf ''From Absolute Cinema to Future Film. Materials from the history of experiment in the moving picture art''], Wroclaw: WRO Art Center, 2009, 84 pp. {{en}}
* Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), [http://www.wrocenter.pl/en/publikacje/ukryta-dekada-publikacja/ ''The Hidden Decade. Polish Video Art 1985-1995''], Wroclaw: WRO Art Center, 2010, 336 pp + 4 DVD. (Polish/English)
+
* Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), ''[https://wrocenter.pl/en/ukryta-dekada-publikacja/ Ukryta dekada. Polska sztuka wideo 1985-1995 / The Hidden Decade. Polish Video Art 1985-1995]'', Wroclaw: WRO Art Center, 2010, 336 pp. With 4 DVDs. {{pl}}/{{en}}
* [http://video.wrocenter.pl/media/pdf/acdcit_wrocenter.pl.pdf ''AC/DC/IT: Krótka historia instalacji wideo''], Wroclaw: WRO Art Center, 2012, 75 pp. Catalogue. {{pl}} [http://www.wrocenter.pl/strony-wystaw/krotka-historia-instalacji-wideo/ Exhibition]
+
* [http://video.wrocenter.pl/media/pdf/acdcit_wrocenter.pl.pdf ''AC/DC/IT: Krótka historia instalacji wideo''], Wroclaw: WRO Art Center, 2012, 75 pp. Catalogue. [http://www.wrocenter.pl/strony-wystaw/krotka-historia-instalacji-wideo/ Exhibition]. {{pl}}
 +
* Joanna Spiříková, ''[https://is.muni.cz/th/ko9cc/ Pozice současného videoartu v polském institucionálním kontextu]'', Brno: Masaryk University, 2013. Master's thesis. {{cz}}
 +
* Jérôme Bazin, Sándor Hornyik, Tihomir Milovac, Xawery Stańczyk, [https://monoskop.org/images/9/96/The_Handbook_of_Courage_Cultural_Opposition_and_its_Heritage_in_Eastern_Europe_2018.pdf#page=242 "Narratives and Places of Cultural Opposition in the Visual Arts"], in ''[https://monoskop.org/log/?p=21669 The Handbook of Courage: Cultural Opposition and its Heritage in Eastern Europe]'', eds. Balázs Apor, Péter Apor and Sándor Horváth, Budapest: Hungarian Academy of Sciences, 2018. {{en}}
 +
* Marika Kuzmicz, [https://pearl.plymouth.ac.uk/bitstream/handle/10026.1/16391/EWVA%204th%20full%20proofXX.pdf#page=172 "Highly Limited Access: Women and Early Video Art in Poland"], in ''EWVA: European Women's Video Art in the 70s and 80s'', eds. Laura Leuzzi, Elaine Shemilt, and Stephen Partridge, John Libbey, 2019, pp 157-176. {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Yugoslavia===
 
===Yugoslavia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-yu}}}|video-yu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-yu}}}|video-yu|
* Marijan Susovski, "Video u Jugoslaviji", ''Spot'', no. 10, Zagreb 1977.
+
* [[Media:Spot_10_Video_1977.pdf|''Spot: Review of Photography'' 10: "Video"]], ed. [[Radoslav Putar]], Zagreb: Grafički zavod Hrvatske, 1977. {{sc}},{{en}}
* Raša Todosijević, Video, Videosfera: video/društvo/umetnost ("The Video: Videosphere: video/society/art"), Studentski izdavački centar, ed. Mihailo Ristić, Belgrade 1986.
+
** Marijan Susovski, [https://monoskop.org/images/b/b5/Spot_10_Video_1977.pdf#page=9 "Video u Jugoslaviji"] / [https://monoskop.org/images/b/b5/Spot_10_Video_1977.pdf#page=12 "Video in Yugoslavia"], ''Spot'' 10, Zagreb, 1977.
* Mihailo Ristić (ed.), ''Video, Videosfera: video/društvo/umetnost'' (The Video: Videosphere: video/society/art), Studentski izdavački centar, Belgrade 1986. Anthology of theoretical texts about video, including contributions from video-makers.
+
* ''[[Media:XVI_Sao_Paulo_Biennial_Video_from_Yugoslavia_1981.pdf|XVI Sao Paulo Biennial: Video from Yugoslavia]]'', ed. Davor Maticevic, Zagreb: Gallery of Contemporary Art Zagreb, 1981, 8 pp. {{en}}
* [[Barbara Borčić]], "Video Art from Conceptualism to Postmodernism" published in ''Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991)'' edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 490-524. [http://gama-gateway.eu/uploads/media/Video_Art_in_Yugoslavia_B_Borcic.pdf] [http://www.videogram4-senzatelevisione.com/gradivo/videoMITpress.pdf] [http://www.e-arhiv.org/diva/index.php?opt=source&id=845]
+
* Mihailo Ristić (ed.), ''Videosfera: video/društvo/umetnost'' [Videosphere: Video/Society/Art], Belgrade: Studentski izdavački centar, 1986. Anthology of theoretical texts about video, including contributions from video-makers. Review: [https://polja.rs/wp-content/uploads/2016/02/selection18-2.pdf Radić]. {{sc}}
 +
* Barbara Borčić, [http://www.e-arhiv.org/diva/index.php?opt=work&id=845 "Video Art from Conceptualism to Postmodernism"], in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 490-524, [http://www.videogram4-senzatelevisione.com/gradivo/videoMITpress.pdf PDF]. {{en}}
 +
* ''[[Media:Balkan_Video_Federation 2000.pdf|Balkan Video Federation]]'', ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. Catalogue. {{en}}
 +
* Jon Blackwood, [https://pearl.plymouth.ac.uk/bitstream/handle/10026.1/16391/EWVA%204th%20full%20proofXX.pdf#page=70 "On Women’s Video Art in the context of Yugoslavia, 1969–91"], in ''EWVA: European Women's Video Art in the 70s and 80s'', eds. Laura Leuzzi, Elaine Shemilt, and Stephen Partridge, John Libbey, 2019, pp 55-66. [https://rgu-repository.worktribe.com/OutputFile/695919] {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Croatia===
 
===Croatia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-cr}}}|video-cr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-cr}}}|video-cr|
 +
* ''Inovacije u Hrvatskoj umjetnosti sedamdesetih godina'', ed. Boris Kelemen, Zagreb: Gallery of Contemporary Art Zagreb, 1982. [[Media:Inovacije_u_Hrvatskoj_umjetnosti_sedamdesetih_godina_1982.pdf|Excerpt]]. {{sc}},{{en}}
 
* [[Heiko Daxl]], "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/crovideo.html (English)], [http://web.archive.org/web/20030310175657/http://sero.org/handshake/D/ostranenie/EEVideo/Kroatien.html {{de}}]
 
* [[Heiko Daxl]], "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/crovideo.html (English)], [http://web.archive.org/web/20030310175657/http://sero.org/handshake/D/ostranenie/EEVideo/Kroatien.html {{de}}]
* [[Tihomir Milovac]] (ed.): ''Insert / Retrospective of Croatian Video Art'', MSU: Zagreb, 2008. The publication is a follow-up of the museum’s 2005 retrospective and presents the works of some one hundred video artists on 360 pages with 466 reproductions, in Croatian and English. Authors: Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. [http://www.msu.hr/#/en/18057/]
+
* Andrew J Horton, "Avant-garde Film and Video in Croatia", ''Central European Review'', Nov 1998. [http://www.ce-review.org/kinoeye/kinoeye6old.html] {{en}}
* Andrew J Horton, "Avant-garde Film and Video in Croatia" ''Central European Review'' (November 1998) [http://www.ce-review.org/kinoeye/kinoeye6old.html] (English)
+
* ''Insert: retrospektiva hrvatske video umjetnosti / Retrospective of Croatian Video Art'', ed. Tihomir Milovac, Zagreb: MSU, 2008, 360 pp. Exh. held at MSU Zagreb, Sep-Oct 2005, and MMSU Rijeka, Mar-Apr 2006. Texts by Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. [[Insert_-_Retrospective_of_Croatian_Video_Art|Exhibition]]. [http://www.msu.hr/#/en/18057/] {{cr}}/{{en}}
 +
* ''[[Media:Cinemaniac Think Film Video Television Anticipation 2017.pdf|Cinemaniac > Misliti film: Video animacija anticipacija / Cinemaniac > Think Film: Video Television Anticipation]]'', ed. Branka Benčić, Pula: Apoteka — Space for Contemporary Art, 2017, 77 pp. {{cr}}/{{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Serbia===
 
===Serbia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sr}}}|video-sr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sr}}}|video-sr|
* Dejan Sretenović, "Video Art in Serbia". POGLED /VIEW/ series, Centre for Contemporary Art, Belgrade, 1999.
+
* Dejan Sretenović (ed.), ''Video umetnost u Srbiji / Video Art in Serbia'', Belgrade: Centre for Contemporary Art, 1999, 152 pp. {{sr}}/{{en}}
* [[Barbara Borčić]], "Video Art from Conceptualism to Postmodernism" published in ''Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991)'' edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 490-524. [http://gama-gateway.eu/uploads/media/Video_Art_in_Yugoslavia_B_Borcic.pdf] [http://www.videogram4-senzatelevisione.com/gradivo/videoMITpress.pdf] [http://www.e-arhiv.org/diva/index.php?opt=source&id=845]
+
* Barbara Borčić, [http://www.e-arhiv.org/diva/index.php?opt=work&id=845 "Video Art from Conceptualism to Postmodernism"], in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 490-524, [http://www.videogram4-senzatelevisione.com/gradivo/videoMITpress.pdf PDF]. {{en}}
 
* VIDEOGRAFIJA regiona = Videography of the Region : 2006-2009 : [katalog projekta = project catalogue] / [priređivač, edited by Aleksandra Sekulić]. - Beograd : Dom kulture “Studentski grad”, 2009 (Beograd : Alta Nova). - 245 str. : ilustr. ; 24 cm [http://www.medarh.org/videografijaregiona/pdf/Videografija_Regiona.pdf]
 
* VIDEOGRAFIJA regiona = Videography of the Region : 2006-2009 : [katalog projekta = project catalogue] / [priređivač, edited by Aleksandra Sekulić]. - Beograd : Dom kulture “Studentski grad”, 2009 (Beograd : Alta Nova). - 245 str. : ilustr. ; 24 cm [http://www.medarh.org/videografijaregiona/pdf/Videografija_Regiona.pdf]
 
}}</onlyinclude>
 
}}</onlyinclude>
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===Slovenia===
 
===Slovenia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sl}}}|video-sl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sl}}}|video-sl|
* Vera Horvat Pintarić (ed.), ''Televizija danas/Television Today'', Zagreb, 1972. Includes texts on the first video experiments.
+
* [[Media:Bit_International_8-9_Televizija_danas_Television_Today_1972.pdf|''Bit International'' 8-9: "Television Today / Televizija danas"]], ed. Vera Horvat-Pintarić, 1972, 245 pp. Includes texts on the first video experiments. {{sc}}/{{en}},{{fr}},{{de}},{{it}}
 
* [[Stane Bernik]], 1973, in [[Sinteza]] magazine he defined video art as an experiment and as a creative experience of contemporary fine art expression. This marked the beginning of discussions about video as a new medium in texts.
 
* [[Stane Bernik]], 1973, in [[Sinteza]] magazine he defined video art as an experiment and as a creative experience of contemporary fine art expression. This marked the beginning of discussions about video as a new medium in texts.
 
* [[Ekran]] magazine published a historical overview of tendencies in video, including a selected bibliography, edited by [[Brane Kovič]], 1977.
 
* [[Ekran]] magazine published a historical overview of tendencies in video, including a selected bibliography, edited by [[Brane Kovič]], 1977.
Line 1,372: Line 2,105:
 
* "Video from Slovenia", [http://web.archive.org/web/20021019022620/www.sero.org/handshake/D/ostranenie/EEVideo/Slowenien.html]
 
* "Video from Slovenia", [http://web.archive.org/web/20021019022620/www.sero.org/handshake/D/ostranenie/EEVideo/Slowenien.html]
 
* Marina Grzinic, "Video Art in Slovenia and in the Territory of Ex-Yugoslavia (Toward an Electronic Art Media Theory in Eastern Europe)", ''Mute'' Jan 1997. [http://www.metamute.org/en/VIdeo-Art-in-Slovenia-and-in-the-Territory-of-Ex-Yugoslavia]
 
* Marina Grzinic, "Video Art in Slovenia and in the Territory of Ex-Yugoslavia (Toward an Electronic Art Media Theory in Eastern Europe)", ''Mute'' Jan 1997. [http://www.metamute.org/en/VIdeo-Art-in-Slovenia-and-in-the-Territory-of-Ex-Yugoslavia]
* Igor Španjol, "An artistic evening: television presentation and production of art video", in: Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, SCCA-Ljubljana, Ljubljana, 1999.
+
* Igor Španjol, "An artistic evening: television presentation and production of art video", in ''Videodokument: Video Art in Slovenia 1969-1998'', ed. Barbara Borčić, Ljubljana: SCCA-Ljubljana, 1999.
* Zemira Alajbegović and Igor Španjol, "In the tehnological grip of a television station: an interview with Miha Vipotnik", in: Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, SCC – Ljubljana, Ljubljana, 1999.
+
* Zemira Alajbegović and Igor Španjol, "In the tehnological grip of a television station: an interview with Miha Vipotnik", in ''Videodokument: Video Art in Slovenia 1969-1998'', ed. Barbara Borčić, Ljubljana: SCCA Ljubljana, 1999.
* ''Videodokument. Video art in Slovenia 1969-1998'', SCCA Ljubljana. Catalogue, book of essays, CD-ROM, 2001. [http://www.videodokument.org/order.htm]
+
* ''Videodokument. Video art in Slovenia 1969-1998'', ed. Barbara Borčić, Ljubljana: SCCA Ljubljana. Catalogue, book of essays, CD-ROM, 2001. [http://www.videodokument.org/order.htm]
 
* Ana Fratnik, "Locality in the global medium: Video art in Slovenia". Diploma thesis, 2010. (Slovenian) [http://dk.fdv.uni-lj.si/diplomska/pdfs/fratnik-ana.pdf]
 
* Ana Fratnik, "Locality in the global medium: Video art in Slovenia". Diploma thesis, 2010. (Slovenian) [http://dk.fdv.uni-lj.si/diplomska/pdfs/fratnik-ana.pdf]
 +
* Marina Gržinić (ed.), ''[https://sistory.github.io/ljsubkultmediji/ Paralelne zgodovine opolnomočenja in urbanosti Slovenije 1980–1990–2000. Od ljubljanske subkulturne scene do novomedijske scene v Sloveniji / Parallel Histories of Slovenia's Empowerment and Urbanity 1980-1990-2000. From the Ljubljana Subcultural Scene to the New Media Scene in Slovenia]'', Ljubljana, 2022. {{sl}}/{{en}}
 
* [http://www.videospotting.org/eng/texts More texts on Videospotting.org]
 
* [http://www.videospotting.org/eng/texts More texts on Videospotting.org]
 
}}</onlyinclude>
 
}}</onlyinclude>
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===Romania===
 
===Romania===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-ro}}}|video-ro|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-ro}}}|video-ro|
* Calin Dan (ed.), ''Ex Oriente Lux'', Bucharest: The Soros Center for Contemporary Arts, 1994. (catalogue)
+
* ''Ex oriente lux'', ed. Cãlin Dan, Bucharest: Soros Center for Contemporary Arts, 1994, 111 pp. Catalogue. [[Ex_Oriente_Lux|Exhibition]]. {{ro}}/{{en}}
 
* "Videokunst in Rumänien", {{de}}, [http://web.archive.org/web/20031117122520/www.sero.org/handshake/D/ostranenie/EEVideo/Rumaenien.html]
 
* "Videokunst in Rumänien", {{de}}, [http://web.archive.org/web/20031117122520/www.sero.org/handshake/D/ostranenie/EEVideo/Rumaenien.html]
 
* [[Natalie Musteata]], "Wired to History: Romanian and Lithuanian Video Art Post-1989", PhD Program in Art History, CUNY Graduate Center, 2010. [http://www.formerwest.org/attachments/4c4621db45d8bb03290001c6.doc]
 
* [[Natalie Musteata]], "Wired to History: Romanian and Lithuanian Video Art Post-1989", PhD Program in Art History, CUNY Graduate Center, 2010. [http://www.formerwest.org/attachments/4c4621db45d8bb03290001c6.doc]
Line 1,393: Line 2,127:
 
===Bulgaria===
 
===Bulgaria===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-bg}}}|video-bg|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-bg}}}|video-bg|
* Auszuege aus Rossen Milev, "Video in Osteuropa", Balkan Media, Sofia (Bulgarien) 1993, {{de}} [http://web.archive.org/web/20031117120743/www.sero.org/handshake/D/ostranenie/EEVideo/Bulgarien.html]
+
* Rossen Milev, [http://www.blankjeron.com/sero/Handshake-Feldreise/D/ostranenie/EEVideo/Bulgarien.html "Bulgarien"], in Milev, ''Video in Osteuropa'', Sofia: Balkanmedia, 1993. {{de}}
* Rossen Milev, ''Video in Osteuropa'', Balkanmedia, Sofia 1993
 
** Review by Geert Lovink, "Video in Osteuropa, Rossen Milev", in: Mediamatic, Vol. 7 # _, 1994, p. 342.
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 1,428: Line 2,160:
 
===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-cee}}}|newmedia-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-cee}}}|newmedia-cee|
* [[Stephen Kovats]] (ed.), ''Media Revolution. Electronic Media in the Transformation Process of Eastern and Central Europe''. (German title: Ost-West Internet.)  Edition Bauhaus 6, Campus Verlag, Frankfurt/M.  and New York, 1999. 381 pp., illus. (All texts Engl. and German.) ISBN:  3-593-36365-8.  With CD-Rom: Ostranenie 93 - 95 - 97. Bauhaus Dessau Foundation, Dessau, 1999. Mac & PC. ISBN: 3-910022-30-8, [http://www.campus-management.de/isbn/9783593363653/aggt/inhaltsverzeichnis]. [http://www.nettime.org/Lists-Archives/nettime-l-0003/msg00208.html Review by Andreas Broeckmann]
+
; [[Ostranenie (forum)|Ostranenie]] catalogues
** and [[Ostranenie]] 93, 95, 97 catalogues
+
{{:Ostranenie (forum)|transcludesection=catalogues}}
* [[Syndicate|Syndicate Publication Series]]
+
 
**[[Inke Arns]] (ed.) ''1996 V2_East Meeting''. Syndicate Publication Series 000. [http://web.archive.org/web/20021216062052/colossus.v2.nl/syndicate/synr0.html] [http://web.archive.org/web/19981206150125/http://www.v2.nl/east/archive/meeting96/meeting96.htm] [http://www.projects.v2.nl/~arns/Projects/]
+
; [[Nettime|Nettime/ZK/NK Proceedings]], [http://www.nettime.org/pub.html]
**[[Inke Arns]] and [[Andreas Broeckmann]] (eds.) ''Deep Europe: The 1996 - 97 edition''. Selected texts from the V2_East / Syndicate mailing list (143 pp.), Syndicate Publication Series 001, Berlin, October 1997. [http://web.archive.org/web/20021211044745/http://colossus.v2.nl/syndicate/synr1.html]
+
{{:Nettime|transcludesection=publications}}
**[[Inke Arns]] (ed.) ''Junction Skopje: The 1997 - 1998 Edition''. Syndicate Publication Series 002. [http://web.archive.org/web/20021216062808/http://colossus.v2.nl/syndicate/synr2.html]
+
 
* [[Nettime|ZKP series]] 1-6, 1996-2001, [http://www.nettime.org/pub.html]
+
; [[Syndicate|Syndicate Publication Series]]
** ''ZKP1''. Amsterdam, January 1996 [http://web.archive.org/web/20021118134343/http://www.nettime.org/desk-mirror/zkp/index.html]
+
{{:Syndicate|transcludesection=publications}}
** ''ZKP2''. Madrid June 1996. [http://web.archive.org/web/20021118135600/http://www.nettime.org/desk-mirror/zkp2/index.html]
+
 
** ''ZKP3''. Budapest, October 1996. [http://web.archive.org/web/20021223121423/http://www.nettime.org/desk-mirror/zkp3/index.html]
+
; other
** ''ZKP3.2.1''. Ljubljana, November 1996. [http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp321/DOCS/1/iindex.htm]
+
* Inke Arns, Andreas Broeckmann, [http://web.archive.org/web/19981205111529/http://www.rewired.com/97/0609.html "Small Media Normality for the East"], ''Rewired'', Jun 1997, [http://en.inkearns.de/files/2011/03/1997_Arns_Broeckmann_Small_Media_E.pdf PDF]. {{en}}
** (ZKP4) Pit Schultz, Diana McCarty, Geert Lovink, Vuk Cosic (eds.), ''The Beauty and the East''. Ljubljana, May 1997. [http://www.ljudmila.org/nettime/zkp4/]
+
** [http://web.archive.org/web/20080413095351/www.diss.sense.uni-konstanz.de/ostweb/arns.htm "Kleine östliche Mediennormalität"], ''diss.sense'', Konstanz: University of Konstanz, May 1998. {{de}}
** (ZKP5) Josephine Bosma, Pauline van Mourik Broekman, Ted Byfield, Matthew Fuller, Geert Lovink, Diana McCarty, Pit Schultz, Felix Stadler, McKenzie Wark, Faith Wilding (editors). ''README! Filtered by NETTIME: ASCII Culture and the Revenge of Knowledge''. New York: Autonomedia, February 1999. 556 pages. ISBN: 1570270899. [http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/intro1.html]
+
* [http://web.archive.org/web/20080228105525/http://www.projects.v2.nl/~arns/Projects/Converge/toc.html ''Convergence'' 4(2): "New Media Cultures in Central, Eastern and South-Eastern Europe"], ed. Inke Arns, University of Luton Press, Summer 1998. {{en}}
** (NKP6) ''Net.art Per Me.'' Catalogue of the Slovenian Pavillion. Venice Biennale 2001. [http://web.archive.org/web/20040628042452/http://absoluteone.ljudmila.org/nettime.php]
+
* Rossitza Daskalova, [http://web.archive.org/web/20110127183801/http://www.ciac.ca/magazine/archives/no_12/en/dossier.html "The Ground for Net.art in the Former Eastern Block (Central and Eastern Europe)"], ''CIAC's Electronic Magazine'' 12, Montreal: CIAC, Jan 2001. {{en}}
* [[Rossitza Daskalova]], "The ground for net.art in the former Eastern Block (Central and Eastern Europe)", 2001, [http://www.ciac.ca/magazine/archives/no_12/en/dossier.html]
+
* Rossitza Daskalova, [http://web.archive.org/web/20050321142528/http://www.ciac.ca/magazine/archives/no_12/en/oeuvres.html "Web Projects"], ''CIAC's Electronic Magazine'' 12, Montreal: CIAC, Jan 2001. {{en}}
* [[Rossitza Daskalova]], "Web projects" reviews, 2001, [http://www.ciac.ca/magazine/archives/no_12/en/oeuvres.html]
+
* Slavomír Krekovič, [http://www.iwm.at/publ-jvc/jc-14-06.pdf "New Media Culture. Internet as a Tool of Cultural Transformation in Central and Eastern Europe"], in ''Crossing Boundaries: From Syria to Slovakia'', eds. S. Jakelic and J. Varsoke, Vienna: IWM Junior Visiting Fellows' Conferences, 2003. {{en}}
* [[Inke Arns]] and [[Andreas Broeckmann]], "Small Media Normality for the East", Jun 1997. [http://web.archive.org/web/19981205111529/http://www.rewired.com/97/0609.html], [http://www.diss.sense.uni-konstanz.de/ostweb/arns.htm (German version)]
+
* Dušan Barok, Magdaléna Kobzová (eds.), ''[[Media:Barok_Dusan_Kobzova_Magdalena_eds_Save_Before_Its_Gone_2006.pdf|Save Before It's Gone]]'', Brussels, 2006. Includes interviews with [[Dirk Paesmans]], [[Maja Kuzmanovic]], [[Darko Fritz]], and [[Andrei Smirnov]]. {{en}}
* Inke Arns (ed.), "New Media Cultures in Central, Eastern and South-Eastern Europe", ''Convergence: Journal of Research into New Media Technologies'', Vol. 4, No. 2, University of Luton Press / GB, Summer 1998 [ISSN 1354-8565] [ISBN 1-86020-032-X]. [http://www.projects.v2.nl/~arns/Projects/Converge/toc.html]
 
* [[Slavomír Krekovič]], "New Media Culture. Internet as a Tool of Cultural Transformation in Central and Eastern Europe", 2003. In ''Crossing Boundaries: From Syria to Slovakia'', ed. S. Jakelic and J. Varsoke, Vienna: IWM Junior Visiting Fellows' Conferences, Vol. 14. [http://www.iwm.at/publ-jvc/jc-14-06.pdf]
 
* [[Dušan Barok]], [[Magdaléna Kobzová]] (eds.), ''[[Media:Barok_Dusan_Kobzova_Magdalena_eds_Save_Before_Its_Gone_2006.pdf|Save Before It's Gone]]'', Brussels, 2006. Includes interviews with [[Dirk Paesmans]], [[Maja Kuzmanovic]], [[Darko Fritz]], and [[Andrei Smirnov]]. {{en}}
 
 
* Miklós Peternák, [[Media:Peternak_Miklos_2011_The_Illusion_of_the_Initiative_An_Overview_of_the_Past_Twenty_Years_of_Media_Art_in_Central_Europe.pdf|"The Illusion of the Initiative: An Overview of the Past Twenty Years of Media Art in Central Europe"]] / [[Media:Peternak_Miklos_2011_Die_Illusion_der_Initiative_Ueber_die_Medienkunst_der_letzten_zwanzig_Jahre_in_Ost-_und_Mitteleuropa_DE.pdf|Die Illusion der Initiative. Über die Medienkunst der letzten zwanzig Jahre in Ost- und Mitteleuropa"]], in ''Gateways: Art and Networked Culture'', eds. Sabine Himmelsbach, KUMU Art Museum Tallinn, Goethe Institut Estland and Ralf Eppeneder, Hatje Cantz, 2011. [http://www.hatjecantz.de/gateways-2686-1.html] [http://www.goethe.de/ins/ee/prj/gtw/mag/kno/enindex.htm] {{en}}/{{de}}
 
* Miklós Peternák, [[Media:Peternak_Miklos_2011_The_Illusion_of_the_Initiative_An_Overview_of_the_Past_Twenty_Years_of_Media_Art_in_Central_Europe.pdf|"The Illusion of the Initiative: An Overview of the Past Twenty Years of Media Art in Central Europe"]] / [[Media:Peternak_Miklos_2011_Die_Illusion_der_Initiative_Ueber_die_Medienkunst_der_letzten_zwanzig_Jahre_in_Ost-_und_Mitteleuropa_DE.pdf|Die Illusion der Initiative. Über die Medienkunst der letzten zwanzig Jahre in Ost- und Mitteleuropa"]], in ''Gateways: Art and Networked Culture'', eds. Sabine Himmelsbach, KUMU Art Museum Tallinn, Goethe Institut Estland and Ralf Eppeneder, Hatje Cantz, 2011. [http://www.hatjecantz.de/gateways-2686-1.html] [http://www.goethe.de/ins/ee/prj/gtw/mag/kno/enindex.htm] {{en}}/{{de}}
* [[Barbora Šedivá]] (ed.), [https://monoskop.org/log/?p=4121 ''3/4 magazine: Special issue on media art history: Remake''], No. 27-28, Bratislava: Atrakt Art, 2012. [https://34.sk/archiv/archiv.php#27] {{en}}/{{sk}}
+
* [https://monoskop.org/log/?p=4121 ''3/4'' 27-28: "Remake"], ed. Barbora Šedivá, Bratislava: Atrakt Art, 2012. [https://34.sk/archiv/archiv.php#27] {{en}}/{{sk}}
 +
* Bogumiła Suwara, Mariusz Pisarski (eds.), ''[https://www.academia.edu/44975909/ Remediation: Crossing Discursive Boundaries: Central European Perspective]'', Berlin: Peter Lang, and Bratislava: Veda, 2019, 368 pp. {{en}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-cz}}}|newmedia-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-cz}}}|newmedia-cz|
* ''Český obraz elektronický. Vnitřní zdroje '', ''The Czech Electronic Picture - Inner Sources'' Catalogue of the Czech (and Slovak living in Prague) creators of video and intermedia art. (Prague: Gallery Manes, 1994) [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-35052?func=full-set-set&set_number=010215&set_entry=000008&format=999]
+
* ''Český obraz elektronický: vnitřní zdroje / The Czech Electronic Picture: Inner Sources'', Prague: Asociace videa a intermediálni tvorby UVU, 1994, 63 pp. Catalogue for exh. of Czech and Slovak video and intermedia art. [[Český obraz elektronický|Exhibition]]. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-35052?func=full-set-set&set_number=010215&set_entry=000008&format=999] {{cz}}/{{en}}
* Kolektív autorov: ''Silver: Shadows of Flames/Stíny plamenu'', catalogue (Prague: GHMP, 1996) [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-46359?func=full-set-set&set_number=010544&set_entry=000001&format=999]
+
* ''Orbis fictus: nová média v současném umění / New Media in Contemporary Arts'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, 228 pp. ISBN 8085433265. Catalogue. [[Orbis Fictus|Exhibition]]. [https://cs.isabart.org/document/21930/] {{cz}}/{{en}}
* ''Orbis fictus: nová média v současném umění'', catalogue (Prague: Sorosovo centrum současného umění Praha, 1995) (English and Czech) ISBN 8085433265
+
* ''[[Media:Jitro_kouzelniku_Prague_1996.pdf|Jitro kouzelníků?]]'', eds. Jaroslav Anděl, Miloš Vojtěchovský, Ivona Raimanová and Jana Tichá, Prague: Národní galerie v Praze, 17 Oct 1996, [8] pp. Catalogue. [[Dawn of the Magicians?|Exhibition]]. {{cz}}
* ''Lanterna magika: nouvelles technologies dans l’art tchèque du XXe siècle = New technologies in Czech art of the 20th century'', catalogue, Praha: KANT, 2002. — 261 p. ISBN 8086217361. Includes timeline on media arts in the Czech Republic since 1920. [http://www.fondation-langlois.org/html/e/page.php?NumPage=140]
+
* ''Silver: Stíny plamenu / Shadows of Flames'', Prague: GHMP, 1996. Catalogue. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-46359?func=full-set-set&set_number=010544&set_entry=000001&format=999] {{cz}}/{{en}}
* "Nová média" ''Teorie vědy'' 2 (2002)
+
* Michaela Freeman-Vlková, [http://divus.cz/london/cs/article/internet-art-vs-art-on-the-internet "Internetové umění vs. Umění na internetu"], ''Umelec'' 3, 2000, [http://web.archive.org/web/20050208150831/http://www.avu.cz/~vivid/netart.html HTML]. {{cz}}
* [[Denisa Kera]], "Utopická média - Internet a rádio" ''3/4 revue'' 16 (2003) pp. 70-75 {{cz}}
+
* Miloš Vojtěchovský, "Umenie a elektronické technológie", in ''Dejiny umenia 12'', eds. Karel Císař, Josef Čermák, and Terezie Petišková, Bratislava: Ikar, 2002, pp 255-281. {{sk}}
* [[Denisa Kera]], "Anarchi_tekt" ''3/4 revue'' 15 (2003) {{cz}}
+
* ''Lanterna magika: nouvelles technologies dans l’art tchèque du XXe siècle / New Technologies in Czech Art of the 20th Century'', eds. Camille Morineau and Vít Havránek, Prague: KANT, and Paris: Espace Electra, 2002, 261 p. ISBN 8086217361. Catalogue. Includes timeline on media arts in the Czech Republic since 1920. [https://www.paris-art.com/lanterna-magika-nouvelles-technologies-dans-lart-tcheque-du-xxe-siecle/ Introduction]. [http://www.fondation-langlois.org/html/e/page.php?NumPage=140] [https://worldcat.org/oclc/496476146] {{fr}}/{{en}}
* "Archeologie interaktivity" ''Teorie vědy'' 2 (2004)
+
* ''Teorie vědy'' 2: "Nová média", 2002. {{cz}}
* Světlana Hejsková ''Internet jako umělecké prostředí (nejen) pro ženy. Net art: ženy-tvůrkyně a ženy-objekty''. Dissertation. Consultant: Jiřina Salaguardová. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2003)
+
* Denisa Kera, "Anarchi_tekt", ''3/4 revue'' 15, Bratislava, 2003. {{cz}}
* František Kůst ''Estetické strategie nových médií'' Master thesis. Consultant: David Kořínek. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2003)
+
* Denisa Kera, "Utopická média - Internet a rádio", ''3/4 revue'' 16, Bratislava, 2003, pp 70-75. {{cz}}
* Jana Geržová, "Rozhovor s Michaelom Bielickým", ''Profil'' 4, 2004, pp 88-90 {{sk}} [[Media:Geržová,_Jana_(2004)_-_Rozhovor_s_Michaelom_Bielickým.pdf|PDF]]
+
* Hedda Kloster, ''[[Media:Kloster_Hedda_Hackere_og_Chattere_nettverk_og_subkultur_i_tsjekkisk_cyberspace_2003.pdf|Hackere og Chattere: nettverk og subkultur i tsjekkisk cyberspace]]'', Oslo: Universitetet i Oslo, 2003, 158 pp. Master's thesis. {{no}}
* Jana Kadeřábková ''Nová média a příběh v současné kinematografii'' Master thesis. Consultant: David Kořínek. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2006) [http://is.muni.cz/th/103899/fss_m/]
+
* Světlana Hejsková, ''Internet jako umělecké prostředí (nejen) pro ženy: net art a ženy-tvůrkyně, ženy-objekty'', Brno: FF MU, 2003, [54] pp. Master's thesis. [https://is.muni.cz/publication/513314] {{cz}}
* Slávo Krekovič a Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", in: ''Literární noviny'' 31 (2007). [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31]
+
* Adam Zbiejczuk, ''[http://message.sk/text/netart/index.html Net Art''], Brno: Masarykova univerzita, 2003. Bachelor thesis. {{cz}}
* František Zachoval, "Hacking art", ''Flash Art'' 9, July-October 2008. {{cz}} [[Media:Zachoval, František (2008) - Hacking art.pdf|PDF]]
+
* František Kůst, ''Estetické strategie nových médií'', Brno: Masarykova univerzita, 2003. Master's thesis. {{cz}}
* Lucia Udvardyová, "Ciant", ''Flash Art'' 9, July-October 2008. {{cz}} [[Media:Udvardyová, Lucia (2008) - Ciant.pdf|PDF]]
+
* ''Teorie vědy'' 2: "Archeologie interaktivity", 2004. {{cz}}
* Pavel Sedlák, "Umění z kráteru", ''Flash Art'' 9, July-October 2008. {{cz}} [[Media:Sedlák, Pavel (2008) - Umění z kráteru.pdf|PDF]]
+
* Jana Geržová, [[Media:Geržová,_Jana_(2004)_-_Rozhovor_s_Michaelom_Bielickým.pdf|"Rozhovor s Michaelom Bielickým"]], ''Profil'' 4, Bratislava, 2004, pp 88-90. {{sk}}
* Barbara Büscher, Jana Horáková (eds.), ''Imaginary spaces: prostor - média - performance / Raum - Medien - Performance'', Praha: KLP-Koniasch Latin Press, 2008. [http://vp.ngprague.cz:8088/zaznam.php?detail_num=25270&vers=1]
+
* Jana Kadeřábková, ''[https://is.muni.cz/th/103899/fss_m/ Nová média a příběh v současné kinematografii]'', Brno: Masarykova univerzita, 2006. Master's thesis. {{cz}}
* [http://tim09.blog.cz/rubrika/1-1-umeni-novych-medii-v-byvalem-ceskoslovensku-a-v-ceske-republice-po-roce-1989 Umění nových médií v bývalém Československu a v České republice po roce 1989], blog kurzu Teorie interaktivních médií, Brno, 2009
+
* Jiří Zemánek, "Od ideologie reality k pluralitním modelům. České umění elektronických médií v devadesátých letech", in ''Dějiny českého výtvarného umění'' VI/2, eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007, pp 903-928. {{cz}}
* Martin Flašar, Jana Horáková, Petr Macek et al, ''Umění a nová média'', Brno: Masarykova univerzita, 2011 {{cz}}. [http://www.muni.cz/press/books/umeni_media?lang=cs]
+
* Slávo Krekovič, Pavel Sedlák, [https://is.muni.cz/el/1421/podzim2008/IM001/um/LTN_-_Krekovic_Ma_pojem_nova_media_dnes_jeste_co_rici.htm "Má pojem nová média dnes ještě co říci?"], ''Literární noviny'' 31, Aug 2007, p 14. [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31] {{sk}},{{cz}}
* Tomáš Raszka, [http://is.muni.cz/th/262152/ff_m_a2/Diplomova_prace.pdf "Institucionalizace umění nových médií v České republice v letech 1989 - 2005"], Brno: Masaryk University, 2012. Diploma thesis. {{cz}}
+
* František Zachoval, [[Media:Zachoval, František (2008) - Hacking art.pdf|"Hacking art"]], ''Flash Art CZ/SK'' 9, Jul-Oct 2008. {{cz}}  
 +
* Lucia Udvardyová, [[Media:Udvardyová, Lucia (2008) - Ciant.pdf|"Ciant"]], ''Flash Art CZ/SK'' 9, Jul-Oct 2008. {{cz}}  
 +
* Pavel Sedlák, [[Media:Sedlák, Pavel (2008) - Umění z kráteru.pdf|"Umění z kráteru"]], ''Flash Art CZ/SK'' 9, Jul-Oct 2008. {{cz}}
 +
* Barbara Büscher, Jana Horáková (eds.), ''Imaginary spaces: prostor - média - performance / Raum - Medien - Performance'', Prague: KLP-Koniasch Latin Press, 2008. [http://vp.ngprague.cz:8088/zaznam.php?detail_num=25270&vers=1] {{cz}},{{de}}
 +
* [http://tim09.blog.cz/rubrika/1-1-umeni-novych-medii-v-byvalem-ceskoslovensku-a-v-ceske-republice-po-roce-1989 Umění nových médií v bývalém Československu a v České republice po roce 1989], blog kurzu Teorie interaktivních médií, Brno: Masarykova univerzita, 2009. {{cz}}
 +
* Martin Flašar, Jana Horáková, Petr Macek et al, ''Umění a nová média'', Brno: Masarykova univerzita, 2011. [http://www.muni.cz/press/books/umeni_media?lang=cs] {{cz}}
 +
* Pavel Sedlák, Denisa Kera, "Golem, nebo Vertumnus. Novomediální experimenty v českém umění" / "Golem or Vertumnus: New Media Experiments in Czech Art", in ''Mezi první a druhou moderností, 1985-2012 / Between the First and Second Modernity, 1985-2012'', eds. Jiří Ševčík and Edith Jeřábková, Prague: VVP AVU, 2011, pp 161-168 & 169-176. {{cz}}/{{en}}
 +
* Tomáš Raszka, ''[http://is.muni.cz/th/262152/ff_m_a2/ Institucionalizace umění nových médií v České republice v letech 1989-2005]'', Brno: Masaryk University, 2012. Master's thesis. {{cz}}
 +
* Mary Meixner, [http://25fps.cz/2012/paf-soucasny-netart/ "Zpráva o stavu současného českého netartu: Možná je tma, ale já ji nevidím"], ''25fps'', 30 Nov 2012. {{cz}}
 +
** [http://25fps.cz/2019/paf-contemporary-czech-netart/ "Window to the Past: Searching for contemporary Czech Internet art in 2012"], trans. Jiří Slavík, ''25fps'', 2019. {{en}}
 +
* Karel Piorecký, [[Media:Piorecky_Karel_2012_Ceska_literatura_a_nova_media_Prolegomena_k_tematu.pdf|"Česká literatura a nová média. Prolegomena k tématu"]], ''Česká literatura'' 60:6, Dec 2012, pp 821-850. [https://www.jstor.org/stable/42687924] [https://www.academia.edu/2700451/] {{cz}}
 +
** [[Media:Piorecky_Karel_2013_Czeska_literatura_i_nowe_media.pdf|"Czeska literatura i nowe media"]], ''Ha!Art'' 42:2, 2013, pp 11-23. [https://www.academia.edu/5436564/] {{pl}}
 +
** [[Media:Piorecky Karel 2012 2015 Literatura czeska i nowe media Wprowadzenie do tematu.pdf|"Literatura czeska i nowe media. Wprowadzenie do tematu"]], ''ER(R)GO. Teoria–Literatura–Kultura'' 30:1, 2015. [https://www.academia.edu/14815522/] {{pl}}
 +
* Petra Lustigová, ''[https://is.muni.cz/th/dsrju/ Umění nových médií v České republice do roku 2000]'' [New Media Art in Czech Republic until 2000], Brno: Masarykova univerzita, 2014, 125 pp, [[Media:Lustigova_Petra_Umeni_novych_medii_v_Ceske_republice_do_roku_2000_2014.pdf|PDF]]. Master's thesis. {{cz}}
 +
* Karel Piorecký, ''Česká literatura a nová média'', Prague: Academia, 2016. {{cz}}
 +
* Karel Piorecký, [[Media:Piorecky_Karel_2017_Ceska_pocitacove_generovana_literatura_a_otazka_autorstvi_literarniho_textu.pdf|"Česká počítačově generovaná literatura a otázka autorství literárního textu"]], ''World Literature Studies'' 9:3, 2017, pp 66-78. [https://www.academia.edu/34844524/] {{cz}}
 +
* Marie Meixnerová, et al., ''[[Media:Meixnerova_Marie_a_kol_Kam_budoucnost_vchazi_prvni_Umeni_a_nova_media_v_pedagogicke_praxi_2018.pdf|Kam budoucnost vchází první: současné umění a nová média v pedagogické praxi]]'', Brno: Tomáš Javůrek, 2018, 154 pp, [[Media:Meixnerova_Marie_a_kol_Kam_budoucnost_vchazi_prvni_Umeni_a_nova_media_v_pedagogicke_praxi_2018.epub|EPUB]], [[Media:Meixnerova_Marie_a_kol_Kam_budoucnost_vchazi_prvni_Umeni_a_nova_media_v_pedagogicke_praxi_2018.mobi|MOBI]], [[Media:Meixnerova_Marie_a_kol_Kam_budoucnost_vchazi_prvni_Umeni_a_nova_media_v_pedagogicke_praxi_2018.azw3|AZW]]. {{cz}}
 +
* Karel Piorecký, Zuzana Husárová, [[Media:Piorecky_Karel_Husarova_Zuzana_2019_Tvorivost_literatury_v_ere_umele_inteligence.pdf|"Tvořivost literatury v éře umělé inteligence"]], ''Česká literatura'' 2, 2019, pp 145-169. [https://www.academia.edu/40214649/] {{cz}}
 +
* Michal Klodner, [https://arteacta.cz/rozsirene-pole-medialniho-umeni-a-politiky-jeho-sbirek/ "Rozšířené pole mediálního umění a politiky jeho sbírek"], ''ArteActa'' 6, Prague: Akademie múzických umění v Praze, Mar 2022, [[Media:Klodner_Michal 2022 Rozsirene pole medialniho umeni a politiky jeho sbirek.pdf|PDF]]. [https://videoarchiv-nfa.cz/projekt/] {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-sk}}}|newmedia-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-sk}}}|newmedia-sk|
*[[Michal Murin]] (ed.), [[Media:Profil_1_%281993%29_-_Počítačová_grafika_%28Slovak%29.pdf|Tematické číslo časopisu Profil]], ''Profil'' 1 (1993) pp 1-20 {{sk}}
+
 
*[[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Počítače na školách"]], ''Profil'' 1 (1993), Bratislava, p 14 {{sk}}
+
* Michal Murin, [[Media:Murin,_Michal_(1992)_-_Ars_Electronica.pdf|"Ars Electronica"]], ''Profil'' 14-15, 1992, pp 24-25. {{sk}}
*Juraj Németh, [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Multimédiá alebo prezentácia umenia po novom"]], ''Profil'' 1 (1993), Bratislava, p 15 {{sk}}
+
* Michal Murin, "John Cage v Bratislave", ''Profil'' 14-15, 1992, pp 36-38 (Slovak) [[Media:Murin, Michal (1992) - John Cage v Bratislave.pdf|PDF]]
*[[Martin Šperka]] "Počítače na VŠVU" ''Projekt'' 4 (1993) pp. 46-47 {{sk}}
+
* Ľubica Krénová, "Videnie cez video", ''Profil'' 22-23, 1992, pp 1-3 (Slovak) [[Media:Krénová,_Ľubica_(1992)_-_Videnie_cez_video.pdf|PDF]]
*[[Martin Šperka]], "Elektronické umenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
+
* Performance Art - monotématické číslo, (ed. Michal Murin) ''Profil'' 3, 1993, pp 1-15 (Slovak) [[Media:Goldberg,_RoseLee_(1993)_-_Americký_a_európsky_performance_od_roku_1933._Live_art.pdf|PDF]]
*[[Martin Šperka]], "Multimédiá," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
+
* Marvin Minsky, "Budúcnosť zjednotí vedu, umenie a psychológiu", ''Profil'' 3-4, 1993, pp 1-3 (Slovak) [[Media:Minsky,_Marvin_(1993)_-_Budúcnosť_zjednotí_vedu,_umenie_a_psychológiu.pdf|PDF]]
*[[Michal Murin]], "Nové technológie v slovenskom umení alebo vyhoďme sa z kola von", ''Almanach 98'' (Bratislava: SCCA, 1999) [http://monoskop.org/Nov%C3%A9_technol%C3%B3gie_v_slovenskom_umen%C3%AD_alebo_vyho%C4%8Fme_sa_z_kola_von] {{sk}}
+
* Michal Murin, "Ars Electronica ´93 - Osmy div sveta", ''Profil'' 8-9, 1993, pp 30 -31
*Monika Mitášová, Martin Kaňuch, Peter Michalovič, Jozef Cseres (eds.), ''Almanach 98 : Texty o filme... filozofii... hudbe... a výtvarnom umení'', Bratislava: SCCA, 1999. 186 pp. ISBN 80-968089-1-5 [http://proxy.ceit.sk/cgi-webisnt/fu.wis?dbn^t4000=kniznicaaspekt&gizmo^t4001=aw-1250&jump^t4501=generic&db^t4700=gen&lang^t4902=SK&name^t4903=kniznicaaspekt&ctl^t4921=GA&thead1^t4922=class=tabulka1%20BORDER=1%20CELLSPACING=1%20CELLPADDING=6&thead2^t4923=ALIGN=CENTER%20VALIGN=TOP&battr^t4930=bgcolor=white&tfattr^t4932=class=intro&metaex^t4940=LINK%20href=/webisnt/custom/aspekt/styl.css%20type=text/css%20rel=StyleSheet&TYPE^t4901=G&h1=1&search=ID=CNV0200203190990]
+
* Michal Murin, "Orlan - moje telo, text a jazyk", ''Profil'' 8-9, 1993, pp 31
*[[Martin Šperka]], "Virtuálna realita," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
+
* Juraj Rakovský, "Osmy div sveta", ''Profil'' 8-9, 1993, pp 32 - 33
*[[Katarína Rusnáková]], "Postfotografia," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
+
 
*[[Michal Murin]] (ed.), Tematické číslo časopisu Profil, ''Profil'' 4 (2000) pp 4-73 {{sk}}
+
* Martin Šperka, "Počítače na VŠVU", ''Projekt'' 4, 1993, pp 46-47. {{sk}}
*[[Slávo Krekovič]], "Net radio.. net.audio" ''Trištvrte revue'' 5-6 (2000) {{sk}}  
+
 
* Jana Geržová, "Intermédiá a (alebo) multimédiá?", ''Profil'' 4, 2000, pp 64-65 {{sk}} [[Media:Daniels,_Dieter_(2000)_-_Nové_médiá.pdf|PDF]] [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/064_065.htm] {{sk}}
+
* Katarína Rusnáková, "New York - Londýn", ''Profil'' 3-4, 1994, pp 16-17 (Slovak) [[Media:Rusnáková, Katarína (1994) - New York - Londýn.pdf|PDF]]
*[[Michal Murin]], [[Media:Murin_Michal_2000_Nove_media.pdf|"Nové médiá"]], ''Profil'' 4 (2000) pp. 4-5. [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/004_005.htm]  
+
* Michal Murin, "Ars Electronica Linz", ''Profil'' 5-6-7, 1994, pp 22
*Zora Rusinová, "Objekt v multimediálnych kontextoch" Zora Rusinová et al. ''Dejiny slovenského výtvarného umenia 20. storočie'' (Bratislava: SNG, 2000) {{sk}}
+
* Ľuba Lacinová, "Kybernetický priestor pre telo, intelekt a dušu", ''Profil'' 1-2, 1995, pp 2-9 (Slovak) [[Media:Lacinová,_Ľuba_(1995)_-_Kybernetický_priestor_pre_telo,_intelekt_a_dušu.pdf|PDF]]
*[[Dušan Barok]], "Net.art. Internet ako umelecké médium" ''3/4 revue'' 1 (2001) pp. 22-24. [https://34.sk/archiv/text.php?text=3-11] {{sk}}
+
* Stephan Berg, "Keď sa obrazy učili lietať. Umenie a virtuálna realita", ''Profil'' 1-2, 1995, pp 10-15 (Slovak) [[Media:Berg,_Stephan_(1995)_-_Keď_sa_obrazy_učili_lietať._Umenie_a_virtuálna_realita.pdf|PDF]]
*[[Juraj Čarný]], "Topical Status of Contemporary Media Arts in Slovakia" ''Conceptual Art at the Turn of Millennium'' (Budapest-Bratislava: AICA Section Hungary, Slovak Section of AICA, 2002) pp. 94-112 {{sk}}
+
* Martin Šperka, "ISEA95 Montréal", ''Profil'' 1-2, 1995, pp 16-19 (Slovak) [[Media:Šperka, Martin (1995) - ISEA95 Montréal.pdf|PDF]]
*[[Miloš Vojtěchovský]], "Umenie a elektronické technológie," Karel Císař, Josef Čermák, Terezie Petišková ed., ''Dejiny umenia 12'' (Bratislava: Ikar, 2002) {{sk}}
+
* Michal Murin, "Ars Electronica", ''Profil'' 1-2, 1995, pp 20-27 (Slovak) [[Media:Murin,_Michal_(2005)_-_Ars_Electronica_(Slovak).pdf‎|PDF]]
*[[Juraj Čarný]], "Aktuálne postavenie súčasného mediálneho umenia na Slovensku" ''Conceptual Art at the Turn of Millennium'' (Budapest-Bratislava: AICA Section Hungary, Slovak Section of AICA, 2002) pp. 95-113 (English)
+
 
*[[Jozef Cseres]], "Interaktívnym umením za novú senzibilitu" ''Dart'' 10 (2003) {{sk}}
+
* Martin Šperka, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=67 "Elektronické umenie"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
*[[Mária Rišková]] et al., ''New Media Nation. Festival of Festivals'', catalogue (Bratislava: Buryzone, 2003) (Slovak and English)
+
* Martin Šperka, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=174 "Multimédiá"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
*[[Michaela Sečanská]], "Elektronické umenie na Slovensku po roku 1990", Trnava: Trnavská univerzita, Fakulta humanistiky, Katedra dejín umenia a kultúry, 2004. Master thesis. Consultant: Zora Rusinová.
+
* Martin Šperka, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=288 "Virtuálna realita"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
*[[Michal Murin]], "Od utópií cez virtualitu k digitálnej realite" ''Profil'' 2 (2004) pp. 80–94. [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=125] {{sk}}
+
* Katarína Rusnáková, [https://monoskop.org/images/7/7f/Slovnik_svetoveho_a_slovenskeho_vytvarneho_umenia_druhej_polovice_20_storocia_1999.pdf#page=226 "Postfotografia"], in ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', ed. Jana Geržová, Bratislava: Profil, 1999. {{sk}}
*[[Miloš Krekovič]], "Internetové umenie", master thesis (2005)
+
* Michal Murin, [[Nové_technológie_v_slovenskom_umení_alebo_vyhoďme_sa_z_kola_von|"Nové technológie v slovenskom umení alebo vyhoďme sa z kola von"]], in ''Almanach 98: texty o filme... filozofii... hudbe... a výtvarnom umení'', eds. Monika Mitášová, Martin Kaňuch, Peter Michalovič, and Jozef Cseres, Bratislava: SCCA, 1999. {{sk}}
*[[Katarína Rusnáková]], "The Correlation of Image and Text in Contemporary Media Art" ''Human Affairs'' 1 (2005) pp 35-44
+
 
*[[Katarína Rusnáková]] (ed.), [http://monoskop.org/log/?p=6127 ''V toku pohyblivých obrazov. Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry''] (Bratislava: AFAD Press, 2005) {{sk}}
+
* [http://web.archive.org/web/20041015185824/http://www.profil-art.sk/00_4/index.htm ''Profil'' 7(4): "Nové médiá"], ed. Michal Murin, Bratislava, 2000, pp 4-73. {{sk}}  
*[[Katarína Rusnáková]], ''História a teória mediálneho umenia na Slovensku'' (Bratislava: AFAD Press, 2006), with DVD {{sk}}
+
** Michal Murin, [[Media:Murin_Michal_2000_Nove_media.pdf|"Nové médiá"]], pp 4-5, [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/004_005.htm HTML].
*[[Magdaléna Kobzová]] (ed.), ''Multiplace 2007'', catalogue (Bratislava: Multiplace, 2007)
+
** Michal Murin, [http://web.archive.org/web/20041016172634/http://www.profil-art.sk/00_4/006_021.htm "Rádio-Art"], pp 6-21. [[Media:Murin, Michal (2000) - Rádio-Art.pdf|PDF]]
* Slávo Krekovič a Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", in: ''Literární noviny'' 31 (2007). [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31]
+
** Michal Murin, "Ars Electronica", pp 22-37. [[Media:Murin, Michal (2000) - Ars Electronica.pdf|PDF]]
* Miloš Štofko, ''Od abstrakcie po živé umenie: Slovník pojmov moderného a postmoderného umenia'', Slovart, 2007. [http://www.martinus.sk/?uItem=40673]
+
** Jozef Cseres, "Neinteraktívne umenie je mŕtve. Rozhovor s Donom Ritterom", pp 52-55 (Slovak) [[Media:Cseres,_Jozef_(2000)_-_Neinteraktívne_umenie_je_mŕtve._Rozhovor_s_Donom_Ritterom.pdf|PDF]]
* [[Martin Beťko]], "Hysteria.sk a Kyberia.sk – sonda do virtuálnej komunity", Brno: Masarykova Univerzita v Brně, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky. Consultant: David Kořínek, 2008. Master thesis. [http://is.muni.cz/th/51254/fss_m/]
+
** Michal Murin, "C3. Rozhovor s Miklósom Peternákom", pp 56-64. [[Media:Murin, Michal (2000) - C3. Rozhovor s Miklósom Peternákom.pdf|PDF]]
* Ivana Madariová, "Festival ako sociálny experiment", ''Flash Art'' 9, July-October 2008. {{sk}} [[Media:Madariová, Ivana (2008) - Festival ako sociálny experiment.pdf|PDF]]
+
** Jana Geržová, [[Media:Daniels%2C_Dieter_(2000)_-_Nové_médiá.pdf|"Intermédiá a (alebo) multimédiá?"]], pp 64-65, [http://web.archive.org/web/20041016173920/http://www.profil-art.sk/00_4/064_065.htm HTML].
* Jan Rylich, "Ivor Diosi", ''Flash Art'' 9, July-October 2008. {{cz}} [[Media:Rylich, Jan (2008) - Ivor Diosi.pdf|PDF]]
+
** Dieter Daniels, "Nové médiá", pp 66-68 [[Media:Daniels,_Dieter_(2000)_-_Nové_médiá.pdf|PDF]]
* Diana Olčáková, [[Media:Olčáková,_Diana_(2008)_-_Michal_Murin_(Slovak).pdf|"Michal Murin"]], ''Vlna'' 37 (2008), pp 8-18 {{sk}}
+
 
* Mária Rišková, [[Media:Rišková, Mária (2008) - Agónia a extáza nových médií.pdf|"Agónia a extáza nových médií"]], ''Flash Art'' 9, July-October 2008. {{sk}}  
+
* Slávo Krekovič, "Net radio.. net.audio", ''Trištvrte revue'' 5-6, Bratislava, 2000. {{sk}}
* [[Zuzana Husárová]], "Písanie v interaktívnych médiách. Digitálna fikcia", Bratislava: Ústav svetovej literatúry Slovenskej akadémie vied v Bratislave, 2009. Consultant: Bogumiła Suwara. Doctoral thesis. [http://monoskop.org/log/?p=523]
+
* Zora Rusinová, "Objekt v multimediálnych kontextoch", in Zora Rusinová et al. ''Dejiny slovenského výtvarného umenia: 20. storočie'', Bratislava: Slovenská národná galéria, 2000. {{sk}}
* Jozef Cseres, Michal Murin (eds.), ''Od analógového k digitálnemu. Nové pohľady na nové umenia v audiovizuálnom veku'', Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici, 2011. {{sk}} [http://www.scribd.com/doc/40002550/Cseres-Murin-eds-Od-analogoveho-k-digitalnemu-Nove-poh%C4%BEady-na-nove-umenia-v-AV-veku-2010-excerpt]
+
* Dušan Barok, [https://34.sk/archiv/text.php?text=3-11 "Net.art. Internet ako umelecké médium"], ''3/4 revue'' 1, 2001, pp 22-24. {{sk}}
*[[Katarína Rusnáková]], ''Rozšírené spôsoby diváckej recepcie digitálneho umenia'', Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici, 2011. {{sk}} [http://www.scribd.com/doc/76226811/Katarina-Rusnakova-Roz%C5%A1irene-sposoby-divackej-recepcie-digitalneho-umenia-2011-uka%C5%BEka]
+
* Juraj Čarný, "Aktuálne postavenie súčasného mediálneho umenia na Slovensku" / "Topical Status of Contemporary Media Arts in Slovakia", in ''Conceptual Art at the Turn of Millennium'', Budapest: AICA Section Hungary, and Bratislava: Slovak Section of AICA, 2002, pp 94-113. {{sk}}/{{en}}
 +
* Miloš Vojtěchovský, "Umenie a elektronické technológie", in ''Dejiny umenia, 12'', eds. Karel Císař, Josef Čermák, and Terezie Petišková, Bratislava: Ikar, 2002. {{sk}}
 +
* Jozef Cseres, "Interaktívnym umením za novú senzibilitu", ''Dart'' 10, 2003. {{sk}}
 +
* Mária Rišková, et al., ''New Media Nation. Festival of Festivals'', Bratislava: Buryzone, 2003. Catalogue. {{sk}}/{{en}}
 +
* Michaela Sečanská, ''Elektronické umenie na Slovensku po roku 1990'', Trnava: Trnavská univerzita, 2004. Master's thesis. Consultant: Zora Rusinová. {{sk}}
 +
* Michal Murin, [http://web.archive.org/web/20080205235646/http://www.radioart.sk/avr/visuopage.php?id=125 "Od utópií cez virtualitu k digitálnej realite"], ''Profil'' 2, 2004, pp 80-94, [[Media:Murin, Michal (2004) - Od utópií cez virtualitu k digitálnej realite.pdf|PDF]] {{sk}}
 +
 
 +
* Jana Geržová, "Rozhovor s Michaelom Bielickým", ''Profil'' 4, 2004, pp 88-90 (Slovak) [[Media:Geržová,_Jana_(2004)_-_Rozhovor_s_Michaelom_Bielickým.pdf|PDF]]
 +
* Miloš Vojtěchovský, "Nástin: Gary Hill a videopoetika", ''Profil'' 4, 2004, pp 80-87 (Czech) [[Media:Vojtěchovský, Miloš (1992) - Nástin. Gary Hill a videopoetika.pdf|PDF]]
 +
 
 +
* Miloš Krekovič, ''Internetové umenie'', 2005. Master's thesis. {{sk}}
 +
* Katarína Rusnáková, "The Correlation of Image and Text in Contemporary Media Art", ''Human Affairs'' 1, 2005, pp 35-44. {{en}}
 +
* Katarína Rusnáková (ed.), [http://monoskop.org/log/?p=6127 ''V toku pohyblivých obrazov. Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry''], Bratislava: AFAD Press, 2005. {{sk}}
 +
* Katarína Rusnáková, ''História a teória mediálneho umenia na Slovensku'', Bratislava: VŠVU – AFAD Press, 2006, 300 pp. With DVD. {{sk}}
 +
* Magdaléna Kobzová (ed.), ''Multiplace 2007'', Bratislava: Multiplace, 2007. Catalogue. {{sk}}
 +
* Slávo Krekovič, Pavel Sedlák, [http://web.archive.org/web/20071107194247/http://www.literarky.cz/?p=clanek&id=4059 "Má pojem nová média dnes ještě co říci?"], ''Literární noviny'' 31, 2007. [https://is.muni.cz/el/1421/podzim2008/IM001/um/LTN_-_Krekovic_Ma_pojem_nova_media_dnes_jeste_co_rici.htm] {{sk}},{{cz}}
 +
* Miloš Štofko, ''Od abstrakcie po živé umenie: Slovník pojmov moderného a postmoderného umenia'', Bratislava: Slovart, 2007. [http://www.martinus.sk/?uItem=40673]
 +
* Martin Beťko, ''[https://is.muni.cz/th/51254/fss_m/ Hysteria.sk a Kyberia.sk – sonda do virtuálnej komunity]'', Brno: Masarykova Univerzita, 2008. Master's thesis. Consultant: David Kořínek. {{sk}}
 +
* Ivana Madariová, [[Media:Madariová, Ivana (2008) - Festival ako sociálny experiment.pdf|"Festival ako sociálny experiment"]], ''Flash Art'' 9, Jul-Oct 2008. {{sk}}
 +
* Mária Rišková, [[Media:Rišková, Mária (2008) - Agónia a extáza nových médií.pdf|"Agónia a extáza nových médií"]], ''Flash Art'' 9, Jul-Oct 2008. {{sk}}
 +
* Jan Rylich, [[Media:Rylich, Jan (2008) - Ivor Diosi.pdf|"Ivor Diosi"]], ''Flash Art'' 9, July-October 2008. {{cz}}
 +
* Diana Olčáková, [[Media:Olčáková,_Diana_(2008)_-_Michal_Murin_(Slovak).pdf|"Michal Murin"]], ''Vlna'' 37, Bratislava, 2008, pp 8-18. {{sk}}
 +
* Zuzana Husárová, ''[http://monoskop.org/log/?p=523 Písanie v interaktívnych médiách. Digitálna fikcia]'', Bratislava: Ústav svetovej literatúry Slovenskej akadémie vied v Bratislave, 2009. Consultant: Bogumiła Suwara. PhD dissertation. {{sk}}
 +
* Jozef Cseres, Michal Murin (eds.), ''Od analógového k digitálnemu. Nové pohľady na nové umenia v audiovizuálnom veku'', Banská Bystrica: Fakulta výtvarných umení/Akadémia umení v Banskej Bystrici, 2011. Anthology. [http://idm.aku.sk/images/vafex/od_analogoveho_k_digitalnemu_preview.pdf Excerpt], [http://www.scribd.com/doc/40002550/ Excerpt]. {{sk}}
 +
* Katarína Rusnáková, ''[[Media:Rusnakova_Katarina_Rozsirene_sposoby_divackej_recepcie_digitalneho_umenia_2011.pdf|Rozšírené spôsoby diváckej recepcie digitálneho umenia]]'', Banská Bystrica: Fakulta výtvarných umení/Akadémia umení v Banskej Bystrici, 2011, 176 pp. [http://www.scribd.com/doc/76226811/ Excerpt]. {{sk}}
 +
* ''Zborník prednášok o súčasnom výtvarnom umení so zameraním na mediálne umenie'', ed. Renáta Niczová, Nitra: Nitrianska galéria, 2014. Proceedings. [https://nitrianskagaleria.sk/wp-content/uploads/2015/02/obsah_zbornik.pdf TOC]. [https://nitrianskagaleria.sk/publikacna-cinnost/zbornik-prednasok-o-sucasnom-vytvarnom-umeni/ Publisher]. {{sk}}
 +
* Lenka Rišková, ''[https://is.muni.cz/th/nniax/ Kultúra v sieti. Nezávislé iniciatívy v umení a kultúre nových médií v Bratislave po roku 2000]'', Brno: Masarykova univerzita, 2015, 84 pp, [https://is.muni.cz/th/nniax/Lenka_Riskova_Final.pdf PDF]. Master's thesis. {{sk}}
 +
* Zuzana Husárová, [[Media:Husarova_Zuzana_2016_Slovenska_elektronicka_literatura.pdf|"Slovenská elektronická literatúra"]], ''World Literature Studies'' 3:8, Bratislava: Ústav svetovej literatúry, 2016, pp 57-77. {{sk}}
 +
* Nina Vidovencová, ''[https://is.muni.cz/th/b328c/ Digitálny upgrade v slovenskom vizuálnom umení]'', Brno: Masarykova univerzita, 2018, 93 pp, [https://is.muni.cz/th/b328c/MASARYKOVA_UNIVERZITA.pdf PDF]. Master's thesis. {{sk}}
 +
* Karel Piorecký, Zuzana Husárová, [[Media:Piorecky_Karel_Husarova_Zuzana_2019_Tvorivost_literatury_v_ere_umele_inteligence.pdf|"Tvořivost literatury v éře umělé inteligence"]], ''Česká literatura'' 2, 2019, pp 145-169. [https://www.academia.edu/40214649/] {{cz}}
 +
* Michaela Kolláriková, ''[https://is.muni.cz/th/b0u0z/ VJing na Slovensku]'', Bratislava: Masarykova univerzita, 2019, 76 pp. Master's thesis. {{sk}}
 
}}</onlyinclude>
 
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; Digital prints
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===Hungary===
 
===Hungary===
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-hu}}}|newmedia-hu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-hu}}}|newmedia-hu|
* János Sugár (ed.), ''Buldózer. Médiaelméleti antológia'', 1997. {{hu}} [http://mek.oszk.hu/00100/00140/]
+
 
 +
* János Sugár (ed.), ''[http://mek.oszk.hu/00100/00140/ Buldózer. Médiaelméleti antológia]'', 1997. {{hu}}
 +
 
 
* Drótos, Schiller, Karácsony, Beke, Moldován, Auby (eds.), ''Magyar tartalom. Írások a magyar webkultúráról'', C3 Kulturális és Kommunikációs Központ, Budapest, 1997. {{hu}} [http://mek.oszk.hu/01200/01279] [http://www.c3.hu/c3/publications/index_en.php?kiid=2]
 
* Drótos, Schiller, Karácsony, Beke, Moldován, Auby (eds.), ''Magyar tartalom. Írások a magyar webkultúráról'', C3 Kulturális és Kommunikációs Központ, Budapest, 1997. {{hu}} [http://mek.oszk.hu/01200/01279] [http://www.c3.hu/c3/publications/index_en.php?kiid=2]
 +
 
* Iván Horváth (ed.), ''Contentware'', Gépeskönyv Contentware Labs, 1999. [http://magyar-irodalom.elte.hu/contentware/contentw.htm]
 
* Iván Horváth (ed.), ''Contentware'', Gépeskönyv Contentware Labs, 1999. [http://magyar-irodalom.elte.hu/contentware/contentw.htm]
 +
 
* Zsuzsanna Tószegi, "A highly personal overview on Hungarian CD-ROMs", [http://magyar-irodalom.elte.hu/contentware/cd/cdfrankfurt.htm]
 
* Zsuzsanna Tószegi, "A highly personal overview on Hungarian CD-ROMs", [http://magyar-irodalom.elte.hu/contentware/cd/cdfrankfurt.htm]
* Michal Murin, "C3. Rozhovor s Miklósom Peternákom", ''Profil'' 4, 2000, pp 56-64 {{sk}} [[Media:Murin, Michal (2000) - C3. Rozhovor s Miklósom Peternákom.pdf|PDF]]
+
 
* Nina Czegledy, "Media Art: The Hungarian Model", ''CIAC's Electronic Art Magazine'' 12 (2001) [http://www.ciac.ca/magazine/archives/no_12/en/site.html]
+
* Michal Murin, [[Media:Murin, Michal (2000) - C3. Rozhovor s Miklósom Peternákom.pdf|"C3. Rozhovor s Miklósom Peternákom"]], ''Profil'' 4, Bratislava, 2000, pp 56-64, [http://web.archive.org/web/20041016173514/http://www.profil-art.sk/00_4/056_063.htm HTML]. {{sk}}
* Maja and Reuben Fowkes, "Budapest Box: The Hidden Scene in the 1990s", in: ''Umelec: Contemporary Art and Culture'', no.3 2002. [http://www.translocal.org/writings/budapestbox.htm]
+
 
* Miklós Peternák, "Art beyond the Pictorial Turn", 2008. [http://gama-gateway.eu/uploads/media/Art_Beyond_Pictural_Turn.pdf]
+
* Nina Czegledy, [http://web.archive.org/web/20050222074605/www.ciac.ca/magazine/archives/no_12/en/site.html "Media Art: The Hungarian Model"], ''CIAC's Electronic Art Magazine'' 12, 2001.
 +
 
 +
* Maja and Reuben Fowkes, [http://web.archive.org/web/20120503101403/www.translocal.org/writings/budapestbox.htm "Budapest Box: The Hidden Scene in the 1990s"], ''Umelec: Contemporary Art and Culture'' 3, Prague, 2002.  
 +
 
 +
* Miklós Peternák, "Art Beyond the Pictorial Turn", in ''Zoltán Szegedy-Maszák'', Paks: Paksi Képtár, 2008-2009, pp 5-17. [http://gama-gateway.eu/uploads/media/Art_Beyond_Pictural_Turn.pdf]
 +
 
 +
* Monika Perenyei, ''[[Media:Perenyei Monika The Media Are With Us The Use of Technical Images in Contemporary Art 2012.pdf|A médiumok velünk vannak. Technikai képhasználat a kortárs művészetben / The Media Are With Us: The Use of Technical Images in Contemporary Art]]'', Dunaújváros: Modern Művészetért Közalapítvány, 2012, 112 pp. [http://real.mtak.hu/84387/] {{hu}}/{{en}}
 +
 
 +
* Flóra Barkóczi, [https://www.academia.edu/44629253/ "A világháló utópiája. Internet és képzőművészet viszonya a rendszerváltást követő időszakban"] [The Utopia of the World Wide Web. Art and Internet in Hungary after the Change of the Regime], ''Enigma'' 99, 2020, pp 78-91. {{hu}}
 +
 
 +
* Flóra Barkóczi, [https://www.academia.edu/44629262/ "Felszállópálya. A magyarországi internetes művészet gyökerei"] [Airstrip. The Roots of Internet Based Art Practices in Hungary], ''Café Bábel'' 81, 2020, pp 54-67.  {{hu}}
 +
 
 +
* Flóra Barkóczi, "Képzőművészet és kollektivitás a korai magyar interneten. Az Artpool, a C3 és az Éjjeli Őrjárat 1990-es évekbeli weblapja és tevékenysége" [Art and Collectivity on the Early Hungarian Internet], in ''A magyar internet történetei'', ed. Tamás Tófalvy, Budapest: Typotex, 2021, pp 161-173. [https://www.academia.edu/50958230/] [https://www.typotex.hu/book/11725/tofalvy_tamas_a_magyar_internet_tortenetei] {{hu}}
 +
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Poland===
 
===Poland===
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-pl}}}|newmedia-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-pl}}}|newmedia-pl|
* Ryszard Kluszczyński, ''Obrazy na wolności. Studia z historii sztuk medialnych w Polsce'', 1998, Wydawnictwo Instytutu Kultury, ISBN 83-85323-62-7
+
* Andrzej Gwóźdź (ed.), ''Między obrazem a narracją. Szkice z teorii telewizji'', „Wiedza o Kulturze”, Wrocław, 1990, 110 pp. {{pl}}
* Ryszard Kluszczyński, ''Film wideo multimedia. Sztuka ruchomego obrazu w erze elektronicznej'' (1999, wyd. II z 2002)
+
* Andrzej Gwóźdź (ed.), ''Pejzaże audiowizualne. Telewizja, wideo, komputer'', Kraków: Universitas, 1997. {{pl}}
* Ryszard Kluszczyński, ''Społeczeństwo informacyjne. Cyberkultura. Sztuka multimediów'' (2001, wyd. II 2002)
+
* Andrzej Gwóźdź, Sław Krzemień-Ojak (eds.), ''Intermedialność w kulturze końca XX wieku'', Białystok, 1998. {{pl}}
* [[Lukasz Ronduda]], ''Strategie subwersywne w sztukach medialnych'', Krakow: Rabid, 2006 {{pl}} [http://www.sklep.gildia.pl/literatura/10476-lukasz-ronduda-strategie-subwersywne-w-sztukach-medialnych]
+
* Ryszard Kluszczyński, ''[[Media:Kluszczynski Ryszard Obrazy na wolnosci studia z historii sztuk medialnych w Polsce 1998.pdf|Obrazy na wolności: studia z historii sztuk medialnych w Polsce]]'', Warsaw: Instytut kultury, 1998. [https://www.academia.edu/4414056/] {{pl}}
* Monika Górska-Olesińska, ''Słowo w sieci. Elektroniczne dyskursy'', 2008
+
* Ryszard Kluszczyński, ''[[Media:Kluszczynski Ryszard Film wideo multimedia sztuka ruchomego obrazu w erze elektronicznej 1999.pdf|Film, wideo, multimedia: sztuka ruchomego obrazu w erze elektronicznej]]'', Warsaw: Instytut kultury, 1999; 2nd ed., 2002. [https://www.academia.edu/4393514/] {{pl}}
* Ryszard Kluszczyński, ''[http://www.waip.com.pl/index.php/waip/waip/nowosci/sztuka_interaktywna_od_dziela_instrumentu_do_interaktywnego_spektaklu Sztuka interaktywna. Od dzieła-instrumentu do interaktywnego spektaklu''] (2010, wyd. I)
+
* Andrzej Gwóźdź (ed.), ''Widzieć, myśleć, być: technologie mediów'', Kraków: Universitas, 2001. {{pl}}
* Eugeniusz Wilk, Monika Górska-Olesińska (eds.), ''Od liberatury do e-literatury'', 2011
+
* Ryszard Kluszczyński, ''[[Media:Kluszczynski Ryszard Spoleczenstwo informacyjne Cyberkultura Sztuka multimediow 2001.pdf|Społeczeństwo informacyjne. Cyberkultura. Sztuka multimediów]]'', Kraków: Rabid, 2001; 2nd ed., 2002. [https://www.academia.edu/4393560/] {{pl}}
* Monika Górska-Olesińska, ''Od liberatury do e-literatury 2. Remiksy, remediacje, redefinicje'', 2012
+
* Lukasz Ronduda, ''Strategie subwersywne w sztukach medialnych'', Kraków: Rabid, 2006. [http://www.sklep.gildia.pl/literatura/10476-lukasz-ronduda-strategie-subwersywne-w-sztukach-medialnych] {{pl}}
* Andrzej Gwóźdź (ed.), ''Między obrazem a narracją. Szkice z teorii telewizji'', „Wiedza o Kulturze”, Wrocław, 1990, s. 110.
+
* Monika Górska-Olesińska, ''Słowo w sieci. Elektroniczne dyskursy'', 2008. {{pl}}
* Andrzej Gwóźdź (ed.), ''Pejzaże audiowizualne. Telewizja, wideo, komputer'', Kraków 1997, Wyd. Universitas, ISBN 83-7052-346-3
+
* [[Media:Zeszyty artystyczne 17 Sztuka nowych mediow i jej konteksty kulturowe 2008.pdf|''Zeszyty artystyczne'' 17: "Sztuka nowych mediów i jej konteksty kulturowe"]], ed. Ryszard Kluszczyński, Poznan: Akademia Sztuk Pieknych w Poznaniu, Jun 2008, 112 pp. [https://www.academia.edu/4510012/] {{pl}}
* Andrzej Gwóźdź, Sław Krzemień-Ojak (eds.), ''Intermedialność w kulturze końca XX wieku'', Białystok, 1998
+
* Ryszard Kluszczyński, ''[[Media:Kluszczynski Ryszard Sztuka interaktywna od dziela-instrumentu do interaktywnego spektaklu 2010.pdf|Sztuka interaktywna: od dzieła-instrumentu do interaktywnego spektaklu]]'', Warsaw: WAP, 2010. [https://www.academia.edu/16596667] {{pl}}
* Andrzej Gwóźdź (ed.), ''Widzieć, myśleć, być: technologie mediów'', Kraków 2001, Wyd. Universitas, ISBN 83-7052-593-8
+
* Eugeniusz Wilk, Monika Górska-Olesińska (eds.), ''Od liberatury do e-literatury'', 2011. {{pl}}
 +
* Monika Górska-Olesińska, ''Od liberatury do e-literatury 2. Remiksy, remediacje, redefinicje'', 2012. {{pl}}
 
* Aleksandra Kaminska, ''Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004-2009'', Toronto: York University, 2012. PhD Thesis.
 
* Aleksandra Kaminska, ''Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004-2009'', Toronto: York University, 2012. PhD Thesis.
 
* Joanna Kordjak-Piotrowska, Stanisław Welbel (eds.), ''Kosmos wzywa. Sztuka i nauka w długich latach sześćdziesiątych'' [Cosmos Calling! Art and Science in the Long Sixties], Warsaw: Zachęta – Narodowa Galeria Sztuki, 2014. {{pl}}
 
* Joanna Kordjak-Piotrowska, Stanisław Welbel (eds.), ''Kosmos wzywa. Sztuka i nauka w długich latach sześćdziesiątych'' [Cosmos Calling! Art and Science in the Long Sixties], Warsaw: Zachęta – Narodowa Galeria Sztuki, 2014. {{pl}}
* Agnieszka Jelewska (ed.), ''[http://hat-center.home.amu.edu.pl/wp-content/uploads/2015/02/Sztuka-i-technologia-w-Polsce-red.-A.-Jelewska-2014-Wydawnictwo-UAM.pdf Sztuka i technologia w Polsce. Od cyberkomunizmu do kultury makerow]'', Wydawnictwo Naukowe UAM, 2014, 277 pp. {{pl}}
+
* Agnieszka Jelewska (ed.), ''[[Media:Sztuka_i_technologia_w_Polsce_Od_cyberkomunizmu_do_kultury_makerow_2014.pdf|Sztuka i technologia w Polsce. Od cyberkomunizmu do kultury makerow]]'', Poznań: Wydawnictwo Naukowe UAM, 2014, 277 pp. {{pl}}
** ''[http://hat-center.home.amu.edu.pl/wp-content/uploads/2015/02/Art-and-Technology-in-Poland-ed.-A.-Jelewska-2014-AMU-Press.pdf Art and Technology in Poland: From Cybercommunism to the Culture of Makers]'', Poznań: Adam Mickiewicz University Press, 2014, 255 pp. {{en}}
+
** ''[[Media:Art and Technology in Poland From Cybercommunism to the Culture of Makers 2014.pdf|Art and Technology in Poland: From Cybercommunism to the Culture of Makers]]'', Poznań: Adam Mickiewicz University Press, 2014, 255 pp. {{en}}
 
** Agnieszka Jelewska, Michał Krawczak, [http://culture.pl/en/article/art-and-technology-in-poland-from-modernity-to-technoculture "Art and Technology in Poland: from Modernity to Technoculture"], trans. KR, ''Culture.pl'', 29 Mar 2016. {{en}}
 
** Agnieszka Jelewska, Michał Krawczak, [http://culture.pl/en/article/art-and-technology-in-poland-from-modernity-to-technoculture "Art and Technology in Poland: from Modernity to Technoculture"], trans. KR, ''Culture.pl'', 29 Mar 2016. {{en}}
 +
* Aleksandra Kaminska, ''[http://library.memoryoftheworld.org/#/book/659a0d40-4ec4-437f-9dc9-338804a4ac78 Polish Media Art in an Expanded Field: A Story of Site in Europe]'', Bristol: Intellect, 2016, xii+220 pp. [https://www.intellectbooks.com/polish-media-art-in-an-expanded-field]. Reviews: [https://sci-hub.st/10.1017/slr.2019.44 Kluszczynski] (Slavic Rev), [https://www.jstor.org/stable/10.5406/polishreview.62.3.0111 Batorska] (Polish Rev). {{en}}
 +
* Ryszard Kluszczyński (ed.), ''[[Media:Kluszczynski Ryszard ed Towards the Third Culture the Co-Existence of Art Science and Technology 2016.pdf|Towards the Third Culture: the Co-Existence of Art, Science and Technology / W stronę trzeciej kultury. Koegzystencja sztuki, nauki i technologii]]'', Gdańsk: Laznia Centre for Contemporary Art, 2016, 188 pp. [https://www.academia.edu/4261485/] {{en}}/{{pl}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-cr}}}|newmedia-cr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-cr}}}|newmedia-cr|
 
* Darko Fritz, [http://web.archive.org/web/20051029224508/http://www.noemalab.org/sections/ideas/ideas_articles/pdf/fritz_media_art.pdf "A Brief Overview of Media Art in Croatia (Since 1960s)"], ''Culturenet.hr'', 2002.
 
* Darko Fritz, [http://web.archive.org/web/20051029224508/http://www.noemalab.org/sections/ideas/ideas_articles/pdf/fritz_media_art.pdf "A Brief Overview of Media Art in Croatia (Since 1960s)"], ''Culturenet.hr'', 2002.
* Klaudio Štefančić, [http://stari.kulturpunkt.hr/UserFiles/File/nove_mreze_novih_medija.pdf "Nove mreže novih medija"], ''Kulturpunkt.hr'', 2008 [written May 2007]; [[Media:Stefancic_Klaudio_2008_2017_Nove_mreze_novih_medija.pdf|updated version]], 2017 [rev. Jan 2017].  {{cr}}
+
* Klaudio Štefančić, [http://stari.kulturpunkt.hr/UserFiles/File/nove_mreze_novih_medija.pdf "Nove mreže novih medija"], ''Kontura'', 2008 [written May 2007]; [[Media:Stefancic_Klaudio_2008_2017_Nove_mreze_novih_medija.pdf|updated version]], 2017 [rev. Jan 2017].  {{cr}}
 
** [http://www.galerijagalzenica.info/sites/files/new_media_new_networks.pdf "New Media - New Networks"], trans. Anita Kojundžić, 2008; [http://www.nettime.org/Lists-Archives/nettime-l-0807/msg00024.html repr.], ''Nettime'', 2008; [[Media:Stefancic_Klaudio_2008_2017_New_Media_New_Networks.pdf|updated version]], 2017. {{en}}
 
** [http://www.galerijagalzenica.info/sites/files/new_media_new_networks.pdf "New Media - New Networks"], trans. Anita Kojundžić, 2008; [http://www.nettime.org/Lists-Archives/nettime-l-0807/msg00024.html repr.], ''Nettime'', 2008; [[Media:Stefancic_Klaudio_2008_2017_New_Media_New_Networks.pdf|updated version]], 2017. {{en}}
 
* Ana Peraica, [http://gle.ovo.kom.uni.st/2008/12/11/hr-a-remark-on-art-technology-research-in-regard-to-the-place-of-origin-taken-as-the-state-place-of-living-as-well-as-only-a-domain/ "HR - A remark on art & technology research in regard to the place of origin taken as the state, place of living, as well as only a domain"], Dec 2008. [http://anarchiva.blogspot.com/2008/02/hr-remark-on-art-technology-research-in.html]
 
* Ana Peraica, [http://gle.ovo.kom.uni.st/2008/12/11/hr-a-remark-on-art-technology-research-in-regard-to-the-place-of-origin-taken-as-the-state-place-of-living-as-well-as-only-a-domain/ "HR - A remark on art & technology research in regard to the place of origin taken as the state, place of living, as well as only a domain"], Dec 2008. [http://anarchiva.blogspot.com/2008/02/hr-remark-on-art-technology-research-in.html]
 
* Klaudio Štefančić, [[Media:Stefancic_Klaudio_2013_Transparentno_polje_drustvene_napetosti_novi_mediji_u_hrvatskoj_suvremenoj_umjetnosti_90-ih.pdf|"Transparentno polje društvene napetosti – novi mediji u hrvatskoj suvremenoj umjetnosti 90-ih"]], ''Život umjetnosti'' 93, 2013, 86-93. {{cr}}
 
* Klaudio Štefančić, [[Media:Stefancic_Klaudio_2013_Transparentno_polje_drustvene_napetosti_novi_mediji_u_hrvatskoj_suvremenoj_umjetnosti_90-ih.pdf|"Transparentno polje društvene napetosti – novi mediji u hrvatskoj suvremenoj umjetnosti 90-ih"]], ''Život umjetnosti'' 93, 2013, 86-93. {{cr}}
 +
* Sanja Sekelj, ''[https://urn.nsk.hr/urn:nbn:hr:162:059181 Digitalna povijest umjetnosti i umjetničke mreže u Hrvatskoj 1990-ih i 2000-ih]'', [Digital Art History and Artists' Networks in Croatia in the 1990s and 2000s], Zadar: Sveučilište u Zadru, 2021, 358+167 pp. PhD dissertation. {{cr}}
 +
}}</onlyinclude>
 +
 +
===Slovenia===
 +
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-sl}}}|newmedia-sl|
 +
 +
* Mária Tkáčiková, [https://is.muni.cz/th/ynugv/ "Angažované novomediálne umenie v Slovinsku v rokoch 1991-2001"], Brno: Masaryk University, 2015. MA thesis. {{sk}}
 +
 +
* Marina Gržinić (ed.), ''[https://sistory.github.io/ljsubkultmediji/ Paralelne zgodovine opolnomočenja in urbanosti Slovenije 1980–1990–2000. Od ljubljanske subkulturne scene do novomedijske scene v Sloveniji / Parallel Histories of Slovenia's Empowerment and Urbanity 1980-1990-2000. From the Ljubljana Subcultural Scene to the New Media Scene in Slovenia]'', Ljubljana, 2022. {{sl}}/{{en}}
 +
 +
; Resources
 +
 +
* [https://www.culture.si/ Culture.si]
 +
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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* Branka Curcic, "The constant state of emergency: Report from Serbian media scene", 2003. [http://homepage2.nifty.com/ISEA-Japan/inl/inl93.html]
 
* Branka Curcic, "The constant state of emergency: Report from Serbian media scene", 2003. [http://homepage2.nifty.com/ISEA-Japan/inl/inl93.html]
 
* Zana Poliakov, "Think in layers: Piracy dilemma in Serbia", ''ISEA Newsletter'' #93, 2003. [http://homepage2.nifty.com/ISEA-Japan/inl/inl93.html]
 
* Zana Poliakov, "Think in layers: Piracy dilemma in Serbia", ''ISEA Newsletter'' #93, 2003. [http://homepage2.nifty.com/ISEA-Japan/inl/inl93.html]
 +
* Nina S. Mihaljinac, [https://pefja.kg.ac.rs/wp-content/uploads/2018/09/14-Nina-S.-Mihaljinac-MEDIJSKI-AKTIVIZAM-KAO-UMETNI%C4%8CKA-PRAKSA-U-SRBIJI.pdf "Medijski aktivizam kao umetnicka praksa u Srbiji"], ''Filozofija medija'' 22, 2018. {{sr}}
 +
* Nina Mihaljinac, Vera Mevorah, [https://sci-hub.st/10.1177/0163443719831177 "Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014"], ''Media, Culture & Society'' 41:6, 2019.
 +
* Sanja Kojić Mladenov, ''[http://old.msuv.org/assets/media/publikacije/2019/skok-i-zaron.pdf Skok i zaron. Diskursi o rodu u umetnosti: konstrukcija profesionalnog identiteta umetnica u oblasti novih medija u Vojvodini krajem 20. i početkom 21. veka]'', Belgrade: ProArtOrg, 2020, 256+[16] pp. {{sr}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===Albania===
 
===Albania===
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-al}}}|newmedia-al|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-al}}}|newmedia-al|
* Geert Lovink, "Media Art in Albania, First Steps. An Interview with Eduard Muka (Tirana)" (1996) [http://www.medialounge.net/lounge/workspace/deep_europe/DOCS/mail/0151.html]
+
* Geert Lovink, [http://web.archive.org/web/20090105222810/medialounge.net/lounge/workspace/deep_europe/DOCS/mail/0151.html "Media Art in Albania, First Steps. An Interview with Eduard Muka (Tirana)"], ''V2_East'', 29 Sep 1996.
* Geert Lovink, "After the Chaos - A New Beginning for Albania. An Interview with Edi Muka - part 2" (1996) [http://www.medialounge.net/lounge/workspace/deep_europe/DOCS/mail/0153.html]
+
* Geert Lovink, [http://web.archive.org/web/20090106052516/medialounge.net/lounge/workspace/deep_europe/DOCS/mail/0153.html "After the Chaos - A New Beginning for Albania. An Interview with Edi Muka - part 2"], ''V2_East'', 2 Aug 1997.
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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* Galina Miazhevich, "Recent Developments in the Post-Soviet New Media: Ukraine and Belarus", presented at the F3 RuNet in a Global Context conference, 2011. [http://www.uib.no/rg/future_r/research/f3-runet-in-a-global-context]
 
* Galina Miazhevich, "Recent Developments in the Post-Soviet New Media: Ukraine and Belarus", presented at the F3 RuNet in a Global Context conference, 2011. [http://www.uib.no/rg/future_r/research/f3-runet-in-a-global-context]
 
* Ianina Prudenko, [[Media:34-ianinaprudenko-ukraine.pdf|"Ukrainian Media Art: Twenty Years of Experience"]], ''3/4'' 27/28, 2012. (English/Slovak)
 
* Ianina Prudenko, [[Media:34-ianinaprudenko-ukraine.pdf|"Ukrainian Media Art: Twenty Years of Experience"]], ''3/4'' 27/28, 2012. (English/Slovak)
}}</onlyinclude>
 
 
==Art theory, Art history, Media theory==
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|arthistory-cz}}}|arthistory-cz|
 
* [[Vilém Flusser]] ''Za filosofii fotografie'' (Prague: Hynek, 1994) {{cz}}
 
* [[Vilém Flusser]] ''Moc obrazu'' ''Výtvarné umění'' 3-4 (1996) {{cz}}
 
* [[Keiko Sei]] ''Konečná krajina'' (One Woman Press, 2004)
 
* "Remediace" ''Teorie vědy'' 2 (2005)
 
* [[Jana Horáková]], "K historii a (hyper)estetice 'tekutého uměleckého díla'" ''Profil'' 1 (2006) pg. 102-107
 
* [[Tomáš Dvořák]] (ed.), [http://www.kosmas.cz/knihy/166987/kapitoly-z-dejin-a-teorie-medii/ ''Kapitoly z dějin a teorie médií''], Prague: Academy of Fine Arts, 2010. {{cz}} [http://vvp.avu.cz/aktivity/vyzkum/zamer2007/edice]
 
* [[Tomáš Dvořák]], [http://stss.flu.cas.cz/files/uploaded/SBRN_SRVN.pdf ''Sběrné suroviny: texty, obrazy a zvuky nedávné minulosti''], Prague: Filosofia, 2009. {{cz}}
 
}}</onlyinclude>
 
 
===Hungary===
 
<onlyinclude>{{#ifeq:{{{transcludesection|arthistory-hu}}}|arthistory-hu|
 
* Miklós Peternák, The Influence of Conceptual Art within Hungary, 1997 [http://www.c3.hu/collection/concept/index0.html]
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  

Latest revision as of 17:27, 20 March 2024

A multilingual bibliography of writings on avant-gardes in east-central Europe. For literature on individual authors see their respective pages.

Contents

Light-music synthesis[edit]

East-Central Europe[edit]

Bibliography

Czech Republic[edit]

Lithuania[edit]

  • Viacheslav Ivanov, "Churlianis i problema sinteza iskusstv" [Čiurlionis and the problem of the synthesis of the arts]. Apollon 3 (Mar 1914), pp 5-21. (Latvian)
    • "Ciurlonis and the problem of the synthesis of arts", Lituanus 7:2 (Jun 1961), pp 45-57. (English)

Ukraine[edit]

Avant-garde[edit]

East-Central Europe[edit]

Catalogues
  • Europa, Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa, eds. Ryszard Stanislawski and Christoph Brockhaus, Bonn, 1994. Contributions from c150 authors. Four volumes: Vol I (five introductory essays followed by 73 short texts on the work of specific artists) 479 pp. incl. 247 col. pls. and 116 b&w ills.; Vol II (36 essays on aspects of architecture, literature, theatre, film and music) 239 pp. incl. 251 b&w ills.; Vol III, compiled by Hubertus Gassner (354 short texts of the period 1894-1994 by artists, critics etc., in German translation), 367 pp.; Vol IV (biographies; selected bibliography; list of exhibited works; index) 99 pp. [5] [6] (German)
  • Central European Avant-Gardes: Exchange and Transformation, 1910-1930, ed. Timothy O. Benson, forew. Péter Nádas, Los Angeles: Los Angeles County Museum of Art, and Cambridge, MA: MIT Press, 2002, 447 pp. Publisher. Review: Zusi (SEEJ). (English)
  • Von Kandinsky bis Tatlin: Konstruktivismus in Europa/From Kandinsky to Tatlin: Constructivism in Europe, Schwerin: Staatliches Museum; and Bonn: Kunstmuseum, 2006. (German)/(English)
  • Vzplanutí. Expresionistické tendence ve Střední Evropě 1903-1936, ed. Ladislav Daněk, Olomouc: Muzeum umění Olomouc, 2008, 200 pp. [7] (Czech)
Anthologies
Books
  • George Rickey, Constructivism: Origins and Evolution, New York: G. Braziller, 1967, xi+306 pp, OL; rev.ed., 1995, xi+306 pp. (English)
  • Willy Rotzler, Konstruktive Konzepte: eine Geschichte der konstruktiven Kunst vom Kubismus bis heute, Zurich: ABC, 1977, 299 pp; new ed., 1988, 332 pp; 3rd ed., 1995, 332 pp. (German)
  • Krisztina Passuth, Les avant-gardes de l'Europe Centrale, 1907-1927, Paris: Flammarion, 1988, 327 pp. (French)
    • Avantgarde kapcsolatok Prágától Bukarestig 1907-1930, Budapest: Balassi, 1998, 381 pp. (Hungarian)
    • Treffpunkte der Avantgarden: Ostmitteleuropa 1907–1930, trans. Aniko Harmath, Dresden: Verlag der Kunst, 2003, 337 pp. Review: Dmitrieva-Einhorn (H-Soz-Kult 2006). (German)
  • Lothar Lang, Konstruktivismus und Buchkunst, Leipzig: Edition Leipzig, 1990, 208 pp. TOC. (German)
  • S.A. Mansbach, Modern Art in Eastern Europe: From the Baltic to the Balkans, ca. 1890-1939, Cambridge University Press, 1999, 384 pp, IA. (English)
  • Dubravka Djurić, Miško Šuvaković (eds.), Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, MIT Press, 2003, xviii+605 pp. (English)
  • Vojtěch Lahoda (ed.), Local Strategies, International Ambitions: Modern Art and Central Europe 1918-1968, Prague: Artefactum, 2006, 243 pp. Papers from the international conference, Prague, 11-14 Jun 2003. TOC. Papers: Anna Brzynski, Maria Elena Versari. [8] [9]
  • Elizabeth Clegg, Art, Design, and Architecture in Central Europe 1890-1920, Yale University Press, 2006, 356 pp. [10] (English)
  • Sascha Bru, et al. (eds.), Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent, 1, Berlin: De Gruyter, 2009. (English)
  • Günter Berghaus (ed.), Futurism in Eastern and Central Europe, De Gruyter (International Yearbook of Futurism Studies 1), 2011. (English)
  • Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson (eds.), The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange, De Gruyter, 2013. (English)
  • Beata Hock, Klara Kemp-Welch, Jonathan Owen (eds.), A Reader in East-Central European Modernism, 1918-1956, London: Courtauld Books Online, 2019, 432 pp, PDFs, HTML. Review: Drobe (Craace). (English)
  • Beate Störtkuhl, Rafał Makała (eds.), Nicht nur Bauhaus – Netzwerke der Moderne in Mitteleuropa / Not Just Bauhaus – Networks of Modernity in Central Europe, Oldenbourg: De Gruyter, 2020, 400 pp. Publisher. Review: Secklehner (Art East Central). (German),(English)
Journal issues
  • Art Journal 49(1): "From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century" (Spring 1990). [11] (English)
  • Centropa 3(1): "Central European Architectural Students at the Bauhaus", New York: Centropa, Jan 2003. [12] (English)
  • Centropa 6(2): "Central European Artists and Paris: 1920s-1930s", ed. Irena Kossowska, New York: Centropa, May 2006. [13] (English)
  • Centropa 11(1): "Central European Art Groups, 1880-1914", ed. Anna Brzyski, New York: Centropa, Jan 2011. [14] (English)
Articles, talks

Czech Republic[edit]

Publications[edit]

Magazines
Almanacs
Manifestos
Anthologies

Literature[edit]

For literature on Czech Cubism and Cubo-Expressionism see dedicated page.

Catalogues
  • Tschechische Avantgarde 1922-1940. Reflexe europäischer Kunst und Fotographie in der Buchgestaltung, ed. Zdenek Primus, Hamburg: Kunstverein, 1990, 207 pp. Catalogue of an exhibition held at the Kunstverein in Hamburg, June 1-July 15, 1990 and the Museum Bochum, Dec. 15, 1990-Jan. 27, 1991. (German)
  • Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939, ed. Susanne Anna, Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. [18] TOC, [19]. Review: Long (SDA 2000 EN). (German)
Books
  • Karel Honzík, Ze života avantgardy: zážitky architektovy, Prague: Československý spisovatel, 1963, 240 pp. Review: Závodský (1964). (Czech)
  • Alfred French, The Poets of Prague: Czech Poetry Between the Wars, Oxford University Press, 1969, 129 pp. (English)
  • Vladimir Müller, Der Poetismus: das Programm und die Hauptverfahren der tschechischen literarischen Avantgarde der Zwanziger Jahre, Munich: Sagner, 1978, 223 pp. (German)
  • Vladimír Birgus, Česká fotografická avantgarda 1918–1948, Prague: Kant, 1999. (Czech)
    • Vladimír Birgus, Tschechische Avantgarde - Fotografie 1918-1948, Stuttgart: Arnoldsche, 1999. (German)
    • Vladimír Birgus, Czech Photographic Avant-Garde, 1918-1948, MIT Press, 2002, 311 pp. [20]
  • Jaroslav Anděl, Nová vize (Avantgardní architektura v avantgardní fotografii: Československo 1918-1938), Bratislava: Slovart, 2005. (Czech)
  • Danuše Kšicová, Od moderny k avantgardě. Rusko-české paralely, Brno: Masarykova univerzita, 2007, 467+48 pp. Review: Krystynkova (Universitas 2011). (Czech)
  • Jana Horáková, Robot jako robot, Prague: KLP, 2010, 238 pp. [21] (Czech)
  • Josef Vojvodík, Jan Wiendl (eds.), Heslář české avantgardy. Estetické koncepty a proměny uměleckých postupů v letech 1908-1958, Prague: Univerzita Karlova & Togga, 2011, 477 pp. Review. (Czech)
    • A Glossary of Catchwords of the Czech Avant-Garde: Conceptions of Aesthetics and the Changing Faces of Art 1908-1958, Prague: Togga, 2012, 511 pp. [22] (English)
  • Jeanette Fabian, Poetismus. Ästhetische Theorie und künstlerische Praxis der tschechischen Avantgarde, Munich: Sagner, 2013. [23] (German)
  • Thomas G. Winner, The Czech Avant-Garde Literary Movement Between the Two World Wars, eds. Ondřej Sládek and Michael Heim, Peter Lang, 2015, 200 pp. (English)
  • Markéta Svobodová, Bauhaus a Československo 1919-1938: studenti, koncepty, kontakty / The Bauhaus and Czechoslovakia 1919-1938: Students, Concepts, Contacts, Prague: Kant, 2016, 255 pp. [24] (Czech)/(English)
  • Marta Filipová, Modernity, History, and Politics in Czech Art, Routledge, 2019. (English)
Essays
Dissertations

Slovakia[edit]

For literature about the School of Arts and Crafts see its dedicated page.

Catalogues
  • Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939, ed. Susanne Anna, Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. [37] TOC, [38]. Review: Long (SDA 2000 EN). (German)
  • Košice Modernism and Its Wider Context, eds. Zuzana Bartošová and Lena Lešková, Košice: Východoslovenská galéria, 2013. Exhibition. (English)
Books, journal issues
  • Ars 3:2 "Výtvarné avantgardy a dnešok", Bratislava: Slovak Academy of Sciences, 1969. Proceedings from an international conference held at Smolenice, 12-14 June 1968. Papers by Irena Blühová, Júlia Horová, Iva Mojžišová, František Reichenthal, Tomáš Štrauss, Eduard Toran, Marian Váross, Hans Maria Wingler, et al. [39] (Slovak)
  • František Foltýn, Slowakische Architektur und die tschechische Avantgarde. 1918-1939, Dresden: Verlag der Kunst, 1991, pp 90-94. (German)
  • Klára Kubičková (ed.), Moderné hnutie na Slovensku: Avantgarda medzivojnového obdobia / Modern Movement in Slovakia: Avantgarde of the Interwar Period, Bratislava: Spolok architektov Slovenska, 1996, 86 pp. Catalogue for the exhibition in Slovak National Museum, held on 17.9.-27.10.1996, organized on the occasion of the Fourth International Conference DOCOMOMO in Slovakia. (Slovak)/(English)
  • Zsófia Kiss-Szemán (ed.), Košická moderna. Umenie Košíc v dvadsiatych rokoch 20. storočia / Košice Modernism. Košice Art in the 1920s, Košice: Východoslovenská galéria, 2010, 198 pp. Collection of papers from an international research symposium held in the East Slovak Gallery in Košice, 11-12 Nov 2010. (Slovak)/(English)
  • Ľubomír Longauer, Modernity of Tradition / Modernosť tradície, Bratislava: Slovart, 2012, 354 pp. Video discussion. (English)/(Slovak)
  • Lena Lešková (ed.), Košická moderna. Umenie Košíc v dvadsiatych rokoch 20. storočia / Košice Modernism. Košice Art in the Nineteen-Twenties, Košice: Východoslovenská galéria, 2013, 413 pp. (Slovak)/(English)
  • Markéta Svobodová, Bauhaus a Československo 1919-1938: studenti, koncepty, kontakty / The Bauhaus and Czechoslovakia 1919-1938: Students, Concepts, Contacts, Prague: Kant, 2016, 255 pp. [40] (Czech)/(English)
Articles
  • Iva Mojžišová, "A Slovak Contribution to Avant-garde Movements", Actes du XXIIe Congres International d'Histoire de l'Art, 2, Budapest: Hungarian Academy of Sciences, 1969, pp 347-349. (English)
  • Peter Havaš, "Die slowakische Architektur in der Zwischenkriegszeit als fortschrittliches Erbe der modernen Bewegung", Wissenschaftliche Zeitschrift / A 33:4/6, Hochschule für Architektur und Bauwesen, 1987. (German)
  • Leo Kohut, "Bauhaus. Ungarn-Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", in Bauhaus-Archiv, Museum. Sammlungs-Katalog, (Auswahl), Architektur, Design, Malerei, Graphik, Kunstpädagogik, Berlin: Gebr. Mann, 1981, pp 283-287. (German)
  • Dana Borutová, "Architektonische Entwicklungstendenzen der zwanziger Jahre in der Slowakei", in The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary, ed. Lech Kalinowski, Cracow: International Cultural Centre, 1991, pp 33-40. (German)
  • Iva Mojžišová, "The First Wave of Avant-garde: Bratislava 1930", in The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary, ed. Lech Kalinowski, Cracow: International Cultural Centre, 1991, pp 47-51. (English)
  • Iva Mojžišová, "Podnety a predchodcovia kinetizmu na Slovensku (1929-1939)", MADI ap 4 (Mar 2002). [41] (Slovak)/(Hungarian)
  • Markéta Svobodová, "Studentky z Československa na Bauhausu 1919-1933: Výmar – Desava – Berlin", in Žena-umělkyně na přelomu 19. a 20. století. Sborník příspěvků z mezinárodní odborné konference ve Středočeském muzeu v Roztokách u Prahy ve dnech 11. a 12. října 2005, Roztoky u Prahy, 2005, pp 333-344. (Czech)
  • Markéta Svobodová, "Českoslovenští studenti architektury na Bauhausu", Umění/Art LIV:5 (2006), pp 406-432. (Czech) [42] [43]
  • Sonia de Puineuf, "A Dot on the Map: Some Remarks on the Magazine 'Nová Bratislava'", The Journal of Modern Periodical Studies 1:1 (2010). (English)
  • Richard Kitta, "(Ne)existujúce paralely: Umenie akcie, multimediálne a interaktívne umenie v kultúrno-historickom vývoji umenia 1. pol. 20. storočia na Slovensku", Rovart, Mar 2010. [44] [45] (Slovak)
  • Peter Biľak, "Forgotten History", Typotheque blog, April 2012. (English)
Dissertations
  • Mira Keratová, Slovenská avantgardná typografia v medzivojnovom období so zameraním na grafickú úpravu časopisov, Bratislava: Comenius University, 2005. Master's thesis. (Slovak)
  • Markéta Svobodová, Bauhaus a kultura v Československu v 1919-1939, Olomouc, 2007. Dissertation. (Czech)

Hungary[edit]

Catalogues
  • WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik, ed. Hubertus Gassner, Marburg: Jonas, 1986, 589 pp. Catalog of an exhibition held at the Neue Galerie, Kassel, Nov. 9, 1986-Jan. 1, 1987, and at the Museum Bochum, Jan. 10-Feb. 15, 1987. (German)
  • The Hungarian Avant-Garde 1914-1933, ed. John Kish, William Benton Museum of Art, University of Connecticut, 1987. (English)
  • Steven A. Mansbach, Standing in the Tempest: Painters of the Hungarian Avant-Garde, 1908-1930, Santa Barbara, CA: Santa Barbara Museum of Art, and Cambridge University Press, 1991, 240 pp. (English)
  • Von Kunst zu Leben. Die Ungarn am Bauhaus, ed. Éva Bajkay, Pécs: Janus Pannonius Múzeum & Hungarofest, 2010, 413 pp. [46] (German)
Books, journal issues
Articles
  • Edith Horváth, "Ungarn und das Bauhaus", Wissenschaftliche Zeitschrift 23:5/6, Hochschule für Architektur und Bauwesen, 1976. (German)
  • Gyula Pap, "Bauhauserziehung in Ungarn: 'Nagy Balogh' - Volkskollegium und Malerschule in Nagymaros 1948-1949", Wissenschaftliche Zeitschrift 26:4/5, Hochschule für Architektur und Bauwesen, 1979. (German)
  • Leo Kohut, "Bauhaus. Ungarn-Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", in Bauhaus-Archiv, Museum. Sammlungs-Katalog, (Auswahl), Architektur, Design, Malerei, Graphik, Kunstpädagogik, Berlin: Gebr. Mann, 1981, pp 283-287. (German)
  • Miklos von Bartha, "Carl Laszlo. Der Sturm. Die ungarischen Kunstler am Sturm, Berlin, 1931-32", Basel Galerie von Bartha, 1983.
  • E.H. Sipos, "Hungarian Relations with Bauhaus and their Influence in Hungary", 1985.
  • Hubertus Gassner, "'Ersehnte Einheit' oder 'erpresste Versohnung': Zur Kontinuitat und Diskontinuitat ungarischer Konstruktivismus-Konzeption" in WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik, ed. Gassner, 1986, pp 183-220. (German)
  • Esther Levinger, "Lajos Kassak, MA and the New Artist: 1916-1925", The Structurist 25/26, 1986, pp 78-87. (English)
  • Esther Levinger, "The Theory of Hungarian Constructivism", The Art Bulletin 69:3 (Sep 1987), pp. 455-466. [47] (English)
  • Eva Bajkay-Rosch, "Gruppenbildung in Weimar: Beiträge der unbekannten ungarischen Bauhäusler", Wissenschaftliche Zeitschrift / A 33:4/6, Hochschule für Architektur und Bauwesen, 1987. (German)
  • Oliver A.I. Botar, "Constructivism, International Constructivism, and the Hungarian Emigration", in The Hungarian Avant-Garde 1914-1933, William Benton Museum of Art, 1987, pp 90-98. (English)
  • Esther Levinger, "Hungarian Constructivist Typography and Posters", in The Hungarian Avant-Garde 1914-1933, William Benton Museum of Art, 1987, pp 112-122. (English)
  • S. A. Mansbach, "Confrontation and Accommodation in the Hungarian Avant-Garde", Art Journal 49:1 (Spring 1990), pp 9-20. [48] (English)
  • Oliver A.I. Botar, "From the Avant-Garde to 'Proletarian Art'. The Émigré Hungarian Journals Egység and Akasztott Ember, 1922-23", Art Journal 52(1): "Political Journals and Art, 1910-40", College Art Association, Spring 1993, pp 34-45; exp.version as "From Avant-Garde to 'Proletkult' in Hungarian Émigré Politico-Cultural Journals, 1922-1924", in Art and Journals on the Political Front 1910-1940, ed. Virginia Hagelstein Marquardt, University Press of Florida, 1997, pp 100-141. (English)
  • Eva Forgacs, "Between Cultures: Hungarian Concepts of Constructivism", in Central European Avant-Gardes: Exchange and Transformation, 1910-1930, ed. Timothy O. Benson, MIT Press/Los Angeles: Los Angeles County Museum of Art, 2002, pp 146-164. (English)
  • András Ferkai, "Hungary: Marcel Breuer, Farkas Molnár, Pál Forgó, Ernó Lichtenthal, Laszló Szabó, Tibor Weiner, Alfréd Forbát, István Sebök, Mühely, Atelier Müvészerti Tervezö, Mühelyiskola / András Ferkai", Centropa 3 (2003) 1, pp 13-26. (English)
  • Peter Weibel, "Viennese Kineticism and Hungarian Constructivism", in Beyond Art: A Third Culture, Springer, 2005, pp 46-56. (English)
  • Peter Weibel, "On the Origins of Hungarian Constructivism in Vienna: MA 1920-25. The Only Instance of Modernism Between the Wars", in Beyond Art: A Third Culture, Springer, 2005, pp 57-71. (English)
  • Peter Konok, "Lajos Kassák and the Hungarian Left: Radical Milieu (1926–1934)", in Regimes and Transformations. Hungary in the Twentieth Century, eds. István Feitl and Balázs Sipos, Budapest: Napvilág, 2005, pp 177-194. [49] (English)
  • Éva Forgács, "'You Feed Us So that We Can Fight Against You'. Concepts of the Art and State in the Hungarian Avant-Garde", Arcadia 41:2 (2006), pp 260-274. (English)
  • Krisztina Passuth, "Hungarians at the Bauhaus", Hungarian Quarterly 200 (Winter 2010). (English)
  • Éva Forgács, Tyrus Miller, "The Avant-Garde in Budapest and in Exile in Vienna: A Tett (1915-6), Ma (Budapest 1916-9; Vienna 1920-6), Egység (1922-4), Akasztott Ember (1922), 2x2 (1922), Ék (1923-4), Is (1924), 365 (1925), Dokumentum (1926-7), and Munka (1928-39)", in The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3: Europe, 1880-1940, Oxford University Press, 2013, pp 1128-1156. [50] (English)

Poland[edit]

For writings on futurism, formism and constructivism specifically, see sections below.

Catalogues
  • Jaroslaw Lubiak, Malgorzata Ludwisiak, Korespondencje: Sztuka nowoczesna i uniwersalizm/Correspondences: Modern Art and Universalism, Lodz: Muzeum Sztuki, 2012. Catalogue of a retrospective exhibition of the collection of Muzeum Sztuki and Kunstmuseum, Bern.
Books
  • Helena Zaworska, O nową sztukę. Polskie programy artystyczne lat 1917-1922, PIW, 1963. (Polish)
  • Andrzej Lam, Polska awangarda poetycka. Programy lat 1917-1923, Cracow: Wydawnictwo Literackie, 1969. (Polish)
  • Wiesław Szymański, Z dziejów czasopism literackich w dwudziestoleciu międzywojennym, Warsaw: Wydawnictwo Literackie, 1970, 386 pp. (Polish)
  • Tadeusz Kłak, Czasopisma awangardy, 2 vols., (1919-1931 & 1931-1939), Wroclaw: Ossolineum, 1978 & 1979, 244 & 219 pp. (Polish)
  • Bogdana Carpenter, The Poetic Avant-Garde in Poland: 1918-1939, University of Washington Press, 1983, xviii+234 pp. Review: Baranczak (PR 1984). (English)
  • Lech Kalinowski (ed.), The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary, Cracow: International Cultural Centre, 1991. Proceedings from the Niedzica Seminars VI, 19-22 Oct 1989. TOC.
  • Ryszard Kluszczyński, Awangarda: rozważania teoretyczne, Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 1997. [51] (Polish)
  • Andrzej Turowski, Budowniczowie świata. Z dziejów radykalnego modernizmu, Cracow: Universitas, 2000, 416 pp. (Polish)
  • Marek Bartelik, Early Polish Modern Art: Unity in Multiplicity, Manchester University Press, 2005. [52]
  • Marci Shore, Caviar and Ashes: A Warsaw Generation's Life and Death in Marxism, 1918-1968, Yale University Press, 2006, 457 pp.
  • Piotr Rypson, Against All Odds. Polish Graphic Design 1919-1949, Karakter, 2011. [53]
Articles
  • Piotr Piotrowski, "Art and Independence. Polish Art in the 1920s", 1993. (English)
  • Irena Kossowska, "Między tradycją i awangardą. Polska sztuka lat 1920 i 1930", Culture.pl, 2004. (Polish)
  • Alina Kowalczykowa, "The Interwar Years – 1918-1939", in Ten Centuries of Polish Literature, Warsaw: Wydawnictwo IBL PAN, 2004, pp 202-227. [54]
  • E. Ranocchi, "Miłość maszyn. Antynomie maszyny w polskim modernizmie", Studi Slavistici VIII (2011), pp 137-160. (Polish)
  • Przemysław Strożek, "Cracow and Warsaw: Becoming the Avant-Garde. Formiści (1919-1921), Nowa Sztuka (1921-1922), Zwrotnica (first series 1922-1923), Blok (1924-1926)", in The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940), New York: Oxford University Press, 2013, pp 1184-1207. [55]
  • Lidia Gluchowska, "Poznan and Lodz: National Modernism and the International Avant-Garde", in The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940), New York: Oxford University Press, 2013, pp 1208-1233. [56]
Dissertations

Futurists[edit]

  • Nina Kolesnikoff, "Polish Futurism. Its Origin and the Aesthetic Program", Canadian Slavonic Papers 18:3 (Sep 1976), pp 301-311. (English)
  • Beata Sniecikowska, Nuz w uhu Koncepcje dzwieku w poezji polskiego futuryzmu, Wroclaw: Wydawnictwo Uniwersytetu Wroclawskiego, 2008. [57] (Polish)
  • I. Gwóźdź-Szewczenko, Futuryzm w czeskim pejzażu literackim, Wrocław, 2009. (Polish)
  • Przemysław Strożek, "'Marinetti is foreign to us': Polish Responses to Italian Futurism, 1917-1923", in International Yearbook of Futurism Studies, Vol. 1., ed. G. Berghaus, Berlin and New York: Walter De Gruyter, 2011, pp 84-108. (English)
  • Przemysław Strożek, "Poland", in International Futurism 1945-2009. A Bibliographic Reference Shelf, ed. G. Berghaus, Berlin-New York: De Gruyter, 2012. (English)
  • Przemysław Strożek, Marinetti i futuryzm w Polsce 1909-1939: obecność, kontakty, wydarzenia, Warsaw: Instytut Sztuki Polskiej Akademii Nauk, 2012, 383 pp. (Polish)

Formists[edit]

Writings and manifestos (selection)
  • Leon Chwistek, "Wielość rzeczywistości w sztuce" [The Plurality of Realities in Art], Maski 1-4 (Jan-Feb 1918); repr. in Przeglad Wspolczesny 9 (Apr-Jun 1924); repr. in Wielość rzeczywistości w sztuce i inne szkice literackie, 1960, pp 24-50; repr. in Wybór pism estetycznych, 2004, pp 3-20. (Polish) Chwistek proposed the theory of the "plurality of realities in art" as a reaction against the dualistic model of the avant-garde. Later on, in various interdisciplinary discussions about art, mathematics, poetry, architecture and politics, he argued against agitprop and the missionary stance of the avant-garde, in favour of an open, modern and transnational society.
  • Stanisław Ignacy Witkiewicz, "Nowe formy w malarstwie i wynikające stąd nieporozumienia", 1919. Formulates the principles of Pure Form. (Polish)
  • Stanisław Ignacy Witkiewicz, Szkice estetyczne [Aesthetic Sketches], 1922. (Polish)
  • Leon Chwistek, Wielość rzeczywistości [The Plurality of Realities], Kraków: Zaklad graficzny 'Wisloka' w Jaśle, 1921, 96 pp; repr. in Chwistek, Pisma filozoficzne i logiczne, 1, 1961, pp 30-105. (Polish)
Literature

Constructivists[edit]

Writings and manifestos (selection)
  • Tadeusz Peiper, "Metropolis. Mass. Machine." [Miasto. Masa. Maszyna.], Zwrotnica 2, 1922. Manifesto, initial inspiration for Awangarda Krakowska literary group.
  • Mieczyslaw Szczuka, Teresa Żarnowerówna, "Co to jest konstruktywizm" [What is Constructivism], Blok group manifesto, Blok 6-7, Sep 1924.
  • Władysław Strzemiński, "B = 2", Blok no. 8-9, 1924. Presents a theory of unism.
  • Henryk Berlewi, "Mechano-Faktura", 1924. Published in German by Der Sturm in Berlin and in Polish by Jazz in Warsaw (translated by K.J. Michaelsen). In retrospect, Berlewi placed his manifesto between Witkacy's "Nowe formy w malarstwie" (1919) and Strzeminski's "Unism w malarstwie" (1928).
  • Julian Przyboś, "Człowiek w rzeczach"; "Człowiek nad przyrodą", Zwrotnica, 1926.
  • Władysław Strzemiński, Unizm w malarstwie [Unism in Painting], Biblioteka Praesens, no. 3, Warsaw, 1928.
  • Wtadysław Strzemiński, et al., "Komunikat Grupy 'a.r.'" [Communiqué of the Group ‘a.r.’], Europa, no. 9, 1930.
  • more: [59], [60], [61], [62], [63], [64], [65], [66]
Literature
  • Constructivism in Poland 1923-1936: BLOK, Praesens, a.r., Łódź: Muzeum Sztuki in Łódź, 1973, 208 pp. Catalogue. [67] Review: Werner. (English),(Dutch),(German)
  • Aleksander Wojciechowski (ed.), Polskie życie artystyczne w latach 1915-1939 [The Polish artistic life in years 1915-1939], Wrocław: Zakład Narodowy im. Ossolińskich, 1974. (Polish)
  • Z. Baranowicz, Polska awangarda artystyczna 1918-1927, Warsaw, 1975. (Polish)
  • Konstruktywizm w Polsce 1923-1936, ed. Janusz Zagrodzki, Łódź: Muzeum Sztuki w Łodzi, 1978, [29] pp. Catalogue. (Polish)
  • Vladimír Šlapeta, "Die Architektur an der Akademie für Kunst und Kunstgewerbe in Breslau", Wissenschaftliche Zeitschrift 26:4/5, Hochschule für Architektur und Bauwesen, 1979. (German)
  • Andrzej Turowski, W kręgu konstruktiwizmu, Warsaw: Wydawnictwa Artystyczne i Filmowe, 1979, 288 pp. (Polish)
  • Andrzej Turowski, Konstruktywizm polski: próba rekonstrukcji nurtu, 1921-1934, Wroclaw: Zakład Narodowy im. Ossolińskich, 1981, 360 pp. Review: Gryglewicz (FHA 1985). (Polish)
  • David Crowley, "The Cracow School and the Second Republic", in National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style, Manchester University Press, 1992, pp 54-79. (English)
  • David Crowley, "Questioning Parochialism", in National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style, Manchester University Press, 1992, pp 80-101. (English)
  • Samuel Albert, "Poland. Bauhaus Students: Max Sinowjewitsch Krajewski, Arieh Sharon, Munio Weinreb (Gitai), Edgar Hecht (Hed), Isaac Weinfeld, Shlomo Bernstein, Schmuel Mestechkin", Centropa 3:1 (2003). [68]
  • Ilana Löwy, "Ways of Seeing: Ludwik Fleck and Polish Debates on the Perception of Reality, 1890–1947", Studies In History and Philosophy of Science 39:3 (Sep 2008), pp 375-383. (English)
  • Magdalena Ziółkowska, "The Laboratory of Constructivism / Laboratorium konstruktywizmu", in Archywum 2, Łódź: Museum of Art, 2009, pp 66-77. (English)/(Polish)

Yugoslavia[edit]

  • Treća decenija, Konstruktivno slikarstvo, eds. Jerko Denegri and Dragoslav Đorđević, Belgrade: Muzej savremene umetnosti, 1967, 249 pp. Catalogue; with texts by Miodrag B. Protić, Jerko Denegri, Špelca Čopič. (Serbo-Croatian),(French)
  • 1929-1950: Nadrealizam, socijalana umetnost, ed. Miodrag B. Protić, Belgrade: Muzej primenjene umetnosti, 1969, 291 pp. Catalogue; in the exhibition the work of the Belgrade Surrealists was reconstructed, studied and exhibited as a whole for the first time. With texts by Miodrag B. Protić, Jerko Denegri, Božica Ćosić, Josip Depolo, Špelca Čopič, Azra Begić, Boris Petrovski, Boris Šuica, Dragoslav Đorđević. [69] (Serbo-Croatian)
  • Četvrta decenija, Ekspresionizam boje, poetski realizam, ed. Miodrag B. Protić, Belgrade: Muzej savremene umetnosti, 1971, 206 pp. Catalogue; with texts by Miodrag B. Protić, Jerko Denegri, Aleksa Čelebonović, Igor Zidić, Špelca Čopič. (Serbo-Croatian)
  • Želimir Koščević, "Jugoslawische Bauhausschüler", Wissenschaftliche Zeitschrift / A, Hochschule für Architektur und Bauwesen, Jg. 33, 1987, H. 4/6. [70]
  • Irina Subotić, "Avant-Garde Tendencies in Yugoslavia", Art Journal 49(1): "From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century", College Art Association, Spring 1990, pp 21-27. [71]
  • Esther Levinger, "The Avant-Garde in Yugoslavia", The Structurist 29/30, 1990, pp 66-72.
  • Irina Subotić, "Concerning Art and Politics in Yugoslavia during the 1930s", Art Journal Vol. 52, No. 1, Political Journals and Art, 1910-40 (Spring, 1993), pp. 69-71. [72]
  • Ivan Dorovský, "Některé zvláštnosti balkánské avantgardy", in Dorovský, Balkán a Mediterán: literárně historické a teoretické studie, Brno: Masarykova univerzita, 1997, pp 193-201. (Czech)
  • Esther Levinger, "Ljubomir Micic and the Zenitist Utopia", in Exchange and Transformation: The Central European Avant-Garde, 1910-1930, Los Angeles: Los Angeles County Museum of Art, 2002, pp 260-278.
  • Dragomir Ugren, et al., Centralnoevropski aspekti Vojvođanskih avangardi, 1920-2000: granični fenomeni, fenomeni granica, Novi Sad: MSUV, 2002, 193 pp. Catalogue. (Serbian)
  • Dubravka Djurić, Miško Šuvaković (eds.), Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, MIT Press, 2003, xviii+605 pp. (English)
  • Dubravka Đurić, "Radical Poetic Practices: Concrete and Visual Poetry in the Avant-garde and Neo-avant-garde", in Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 64-95. (English)
  • Darko Šimičić, "From Zenit to Mental Space: Avant-garde, Neo-avant-garde, and Post-avant-garde Magazines and Books in Yugoslavia, 1921-1987", in Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 294-331. (English)
  • Katherine Ann Carl, Aoristic Avant-garde: Experimental Art in 1960s and 1970s Yugoslavia. Dissertation, Stony Brook University, May 2009. [73]
  • Г. Тешић, Српска књижевна авангарда. Књижевноисторијски контекст (1902–1934), Belgrade: Институт за књижевност и уметност - Службени гласник, 2009, 618 pp. Review.
  • Laurel Seely Voloder and Tyrus Miller, "Avant-Garde Periodicals in the Yugoslavian Crucible", in The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940), New York: Oxford University Press, 2013, pp 1099-1127.
  • Miško Šuvaković, "Avant-Gardes in Yugoslavia", Filozofski vestnik 37:1, 2016, pp 201-219. [74]
  • Antologiya yugoslavskogo avangarda [Антология югославского авангарда], trans. & forew. Adam Randzhelovich (Адам Ранджелович), Moscow: Opustoshitel (Опустошитель), 2019, 184 pp. Anthology. [75] (Russian)
  • Na robu: vizualna umetnost v Kraljevini Jugoslaviji (1929–1941) / On the Brink: The Visual Arts in the Kingdom of Yugoslavia (1929–1941), eds. Marko Jenko and Beti Žerovc, Ljubljana: Moderna galerija, 2019, 445 pp. Catalogue. Exhibition. Exh.review: Bago (Artforum). [76] [77] (Slovenian)/(English)
  • Dejan Sretenović, Red Horizon: The Avant-Garde and Revolution in Yugoslavia, 1919-1932, trans. Katarina Radović, Novi Sad: kuda.org, 2021, 228 pp. (English)
  • more, more

Croatia[edit]

Writings (selection)
  • Ljubomir Micić, Ivan Goll and Bosko Tokin, "Manifest Zenitizma" [Zenithist Manifesto], Zenit no. 1, Zagreb, 1921. [78]
  • Branko Ve Poljanski, "Manifesto", Svetokret, 1921.
  • Ljubomir Micić, "Man and Art", Zenit, 1921.
  • Ljubomir Micić, "The Spirit of Zenithism", Zenit, 1921.
  • Ivan Goll, "Expressionism is Dying", Zenit, 1921.
  • Ljubomir Micić, "Šimi na groblju latinske četvrti, Zenitistički Radio-Film od 17 sočinenija" [Shimmy at the Latin Quarter Graveyard, Zenitist Radio-Film in 17 Parts], Zenit, 1922. In his prose text, Micić used constructivist and montage principles of cinema. He christened this new narrative structure "radio-film".
  • Ljubomir Micić, "A Categorical Imperative of the Zenithist School of Poetry", in The Rescue Car, 1922.
  • Ljubomir Micić, Zenithism as the Balkan Totalizer of New Life, manifesto, Zenit, 1923.
  • Drago Ibler, "Group Zemlja Manifesto", 22 May 1929. [79]
  • Traveleri, manifesto, 1930
Literature
  • Jadranka Vinterhalter (ed.), Prodori avangarde u hrvatskoj umjetnosti prve polovice 20.stoljeca / Flashes od avant-garde in the croatian art of the first half of the 20th century, Zagreb: MSU, 2007. [80]
  • Darko Šimičić, "Strategije u borbi za novu umjetnost. Zenitizam i dada u srednjoeuropskom kontekstu", in Moderna umjetnost u Hrvatskoj, 1898.-1975., Zagreb: Institut za povijest umjetnosti, 2012, pp 40-65. (Croatian)
  • Daina Glavočić, "D’Annunzio i riječki futurizam", in Moderna umjetnost u Hrvatskoj, 1898.-1975., Zagreb: Institut za povijest umjetnosti, 2012, pp 66-89. (Croatian)

Serbia[edit]

Literature
  • Jelena Bogdanović, Lilien Filipovitch Robinson, Igor Marjanović (eds.), On the Very Edge: Modernism and Modernity in the Arts and Architecture of Interwar Serbia (1918-1941), Leuven University Press, 2014. [81] (English)
  • more, more

Slovenia[edit]

Writings (selection)
  • 1920, poet Anton Podbevšek develops his program along anarchist proletcult lines for the journal Rdeči pilot.
  • Avgust Černigoj, "Greetings!", tank, 1927.
  • Mirko Polić, "Marij Kogoj's Black Masks", tank, 1927.
  • Ferdo Delak, "Theater Co-op", tank, 1927.
  • Avgust Černigoj, "Tank Manifesto", tank, 1927.
  • Ferdo Delak, The Modern Stage, manifesto. [82]
  • Avgust Černigoj, "The Constructivist Group in Trieste", tank, 1927.
Literature
  • Peter Krečič, "Avgust Černigoj and His Constructivism: A Memoir", Leonardo Vol. 15, No. 3 (Summer, 1982), pp. 215-218. [83]
  • Andrej Hrausky, "Yugoslavia. Bauhaus students: Avgust Cernigoj", Centropa 3 (2003) 1
  • Toshino Iguchi, "Avant-garde Design Beyond Borders. The Slovenian Constructivist Avgust Černigoj", 2008. [84]
  • Tomaž Toporišič, " The Slovene historical avant-garde and Europe in crisis ", Theatralia 25:1, 2022, pp 65-86.

Bosnia and Herzegovina[edit]

  • Heide Frensel, "Yugoslavia. Bauhaus students: Selman Selmanagić", Centropa 3 (2003) 1

Romania[edit]

Writings (selection)
  • Marinetti’s Futurist Manifesto published in Romanian in Craiova in a local newspaper (Democratia), on the same day (20 February 1909) as in the Parisian Le Figaro.
  • Marcel Janco, "Notes on Painting", Contimporanul, 1922.
  • Marcel Janco, "Art Notes", Contimporanul, 1924.
  • Ilarie Voronca, "Victor Brauner", 75HP, 1924.
  • Ion Vinea, "Activist Manifesto to the Youth" [Manifest activist către tinerime], Contimporanul 46, May 1924.
  • Ilarie Voronca, "Aviograma", 75HP, Oct 1924. [85] [86]
  • Ilarie Voronca. Untitled statement, 75HP, 1924.
  • Victor Brauner and Ilarie Voronca, "Pictopoetry", manifesto, 75HP, Oct 1924.
  • Ilarie Voronca, "Assessments", Punct, 1924.
  • Scarlat Callimachi, "The Contimporanul Exhibition (Notes)", Punct, 1924.
  • Tudor Vianu, "The First Contimporanul International Exhibition", Miscarea literara, 1924.
  • Ilarie Voronca, "Marcel Janco", Punct, 1924.
  • Max Herman Maxy, "Visual Chrono-metering", Contimporanul, 1924.
  • Felix Aderca, "Conversations with Lucian Blaga", Miscorea literara, 1925.
  • Ilarie Voronca, "Gramatica" [Grammar], Punct, no. 6-7, Jan 1925.
  • Ilarie Voronca, "Voices", Punct, 1925.
  • Oscar Walter Cisek, "Expoziția internațională a revistei 'Contimporanul'", Gandirea 4:7 (15 January 1925), pp 218-220. (Romanian)
  • editors of Integral, "Man", Integral, Vol. 1, No. 1, March 1925.
  • Ilarie Voronca. "Surrealism and Integralism", Integral, 1925.
  • Mihail Cosma, "De la futurism la integralism" [From Futurism to Integralism], Integral, no. 6-7, Oct 1925.
  • Corneliu Michailescu, "Black Art", Integral, 1925.
  • Mililsa Petrascu, "Note about Sculpture", Contimporanul, 1925.
  • G. C. Jacques, "Initiation in the Mysteries of an Exhibition: The Sensational Pronouncements of Militsa Petrascu and Marcel Janco", Contimporanul, 1926.
  • Marcel Janco, "Cubism", Contimporanul, 1926.
  • Marcel Janco. "Coloring", Contimporanul, 1927.
  • Geo Bogza, "Urmuz", Urmuz, 1928.
  • more: [87], Julian Semilian, translator
Literature
  • "Moments in the Romanian Literary Avant-Garde", [88]
  • Petre Răileanu, "1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism", Plural Magazine 3, 1999. [89]
  • "The Romanian Avant-Garde", Plural Magazine 3, 1999. [90]
  • Ovid S. Crohmalniceanu, Evreii in miscarea de avangarda romaneasca, Hasefer Publishing House, Bucarest, 2001
  • Irina Livezeanu, "'From Dada to Gaga': The Peripatetic Romanian Avant-Garde Confronts Communism", 2005.
  • Sandqvist,Tom, Dada East : the Romanians of Cabaret Voltaire, Massachusetts Institute of Technology, 2006
  • Dan Gulea, Gentlemen, Tovarishes, Comrades. A History of Romanian avant-garde, Paralela 45 Publishing, “Deschideri” Series, Piteşti, 2007, 484 pp. [91] [92] [93]
  • Andrei Oisteanu, "The Romanian Avant-Garde And Visual Poetry", in Dada East? The Romanians of Cabaret Voltaire, eds. Adrian Notz and E-cart.ro, Zurich: Cabaret Voltaire, and Bucharest: E-cart.ro, 2007; repr. in Exquisite Corpse. A Journal of Letters and Life, n.d. (English)
  • Contimporanul. Istoria unei reviste de avangarda?, Bucharest: Institutul Cultural Roman, 2007.
  • Irina Carabas, "Can Aesthetics Overcome Politics? The Romanian Avant-garde and its Political Subtexts", lecture for 'New Histories of Politics' a conference at Central European University, Budapest (18-20 May 2007). [94]
  • Roland Prügel, Im Zeichen der Stadt. Avantgarde in Rumänien 1920–1938, Cologne/Weimar/Vienna: Böhlau, 2008, 270 pp. (German). [95], Review.
  • Van dada tot surrealisme: Joodse avant-garde kunstenaars uit Roemenië, 1910-1938 / From Dada to Surrealism: Jewish Avant-Garde Artists from Romania, eds. Radu Stern and Edward van Voolen, Amsterdam: Joods Historisch Museum, 2011, 159 pp. Catalogue. (Dutch)/(English)
  • Irina Livezeanu, "Romania: 'Windows toward the West': New Forms and the 'Poetry of True Life'. Revista celor l'alti (1908); Insula (1912); Chemarea (1912); Contimporanul (1922-32); 75 HP (1924); Punct (1924-5); Integral (1925-8); Urmuz (1925); and unu (1928-33)", in The Oxford Critical and Cultural History of Modernist Magazines. Volume III, Europe 1880-1940, eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1157-1183.
Film
  • Radu Igazsag and Alexandru Solomon, Strigat in timpan [Shriek Into the Ear-Drum. A visual essay on Romanian avant-garde, 1916-1947], 1993. Film. [96] [97]

Bulgaria[edit]

  • Kiril Krastev (Кирил Кръстев), Vasil Petkov (Васил Петков), Nedyalko Gegov (Недялко Гегов), Totyu Brunekov (Тотю Брънеков), Manifest na druzhestvoto za borba protiv poetite [Манифест на Дружеството за борба против поетите], [Aug 1926], [4] pp, HTML, JPG [98] [99] [100]. [101] (Bulgarian)
    • "Manifest stowarzyszenia do walki przeciw poetom", trans. Wojciech Gałązka, in Bułgarskie programy i manifesty literackie, Kraków, 1983, pp 124-128. (Polish)
  • Wojciech Gałązka (ed.), Bułgarskie programy i manifesty literackie, Kraków, 1983. (Polish)
  • Haralampi G. Oroschakoff (ed.), BulgariaAvantgarde, Cologne: Salon, 1998, 240 pp, Issuu. On the occasion of the exhibition in Munich curated by Iara Boubnova. (German)
  • Виолета Русева, Манифести на българския авангардизъм, Велико Търново, 1995. (Bulgarian)
  • Иван Сарандев (ed.), Български литературен авангард. Антология, 2001. Review. (Bulgarian)
  • Milka Bliznakov, "Bulgaria. Bauhaus students: Niccola Diulgheroff", Centropa 3, 2003, p 1. (English)
  • Kiril Krastev (Кирил Кръстев), Manifesti, statii, eseta 1922-1939 [Манифести, статии, есета 1922-1939], ed. Ivo Milev, Sofia: Boian Penev (Боян Пенев), 2014, 407 pp, [102] [103] [104] (Bulgarian)

Lithuania[edit]

Writings
  • In 1913, the Vilnius daily Przegląd Wileński (No. 48-49) reprinted F. T. Marinetti’s Manifesto of Futurism.
  • Kairiūkštis' constructivist manifesto, in the catalogue of The New Art Exhibition, 1923
Literature
  • Juozas Pivoriunas, "A Lithuanian Individualist. The Art of M. K. Čiurlionis", Lituanus 11:4 (Winter 1965). [105]
  • Sandra Alvarez de Toledo, "Un ghetto à l’est. Wilno, 1931", Communications 79:1 (2006), pp 151-167. (French)
  • Viktoras Liutkus, "Lithuanian Art and the Avant-Garde of the 1920s: Vytautas Kairiūkštis and the New Art Exhibition in Vilnius", Lituanus, 2008. [106]
  • Viktoras Liutkus, "Vytauto Kairiūkščio (1890–1961) suprematistinė kūryba ir fotomontažai", Menotyra, 2008. [107]
  • Viktoras Liutkus, "Vytautas Kairiūkštis and Avant-garde Cinema", 2010. [108] partial translation
  • Vida Mažrimienė, "Vytautas Kairiūkštis: In the Field of Radical Changes", 2010. [109] partial translation

Estonia[edit]

Ukraine[edit]

  • Oleh S. Ilnytzkyj, "From under Imperial Eyes in Kyiv and Kharkiv Magazines", in The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940), New York: Oxford University Press, 2013, pp 1341-1362. [113]

Experimental film[edit]

East-Central Europe[edit]

Books, catalogues
  • Łukasz Ronduda, Florian Zeyfang (eds.), 1,2,3... Avant-Gardes: Film/Art between Experiment and Archive, Warsaw: Centre for Contemporary Art, and Berlin/New York: Sternberg, 2007, 224 pp. Publisher. (English)/(German)
  • Ana Janevski (ed.), As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s, Warsaw: Museum of Modern Art in Warsaw, 2010, 344 pp. Publisher. Distributor. Exhibition.
    • Kiedy rano otwieram oczy, widzę film. Eksperyment w sztuce Jugoslawii w latach 60. i 70., Warsaw: Muzeum Sztuki Nowoczesnej w Warszawie, 2011. Excerpt. (Polish)
  • Bojana Piškur, et al. (eds.), This Is All Film: Experimental Film in Yugoslavia 1951-1991 / Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991, Ljubljana: Museum of Modern Art, 2010, 154 pp. (English)/(Slovenian)
  • Pavle Levi, Cinema by Other Means, Oxford University Press, 2012, 224 pp.
  • Ksenya Gurshtein, Sonja Simonyi (eds.), Experimental Cinemas in State-Socialist Eastern Europe, Amsterdam: Amsterdam University Press, 2022, 334 pp. Publisher. TOC. [116]
Journal issues
  • Studies in Eastern European Cinema 7(1): "Experimental Cinema in State Socialist Eastern Europe", eds. Ksenya Gurshtein and Sonja Simonyi, 2016. [117] (English)
Resources

Czech Republic[edit]

Slovakia[edit]

Documentary film
  • Osmičkári, dir. Miro Remo jr., 26 min, 2012. From the cycle Konzervy času. Dokument o filmových amatéroch združených koncom 70. rokov vo filmovom klube v Ladcoch. Jeho členovia, ktorým učaroval 8 mm film, sa po rokoch opäť stretávajú, konfrontujú niekdajšie sny a plány s aktuálnou realitou, premietajú si staré filmy. [123]

Hungary[edit]

Poland[edit]

Yugoslavia[edit]

Programs

Croatia[edit]

  • Hvorje Turkovic, "Croatian Avant-Garde Scene", Zagreb, 1993. [130]
  • Heiko Daxl, "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. (English), (German)
  • Andrew J Horton, "Avant-garde Film and Video in Croatia" Central European Review (November 1998) [131] (English)
  • "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [132]
  • Branka Benčić, Diana Nenadić, Adriana Perojević, Splitska škola filma – 60 godina Kino kluba Split, 2012. With DVD. (in English/Croatian) [133] [134]

Serbia[edit]

  • Alternativni film u Beogradu od 1950. do 1990. godine [Elektronski izvor] : vreme kino klubova : zbornik priloga za buduća istraživanja / [priredio] Miroslav-Bata Petrović. - Novi Beograd : Dom kulture „Studentski grad“, Arhiv alternativnog filma i videa, 2009 (Beograd : Pink digital system). - 1 elektronski optički disk (DVD) : tekst, slika; 12cm. - (Biblioteka „Istorija alternativnog filma“), ISBN 978-86-7933-052-9.
  • "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [135]
  • Božidar Zečević, Srpska avangarda i film 1920-1932, Belgrade: Akademski filmski centar/Dom kulture Studentski grad, 2014, 390 pp. (Serbian)

Slovenia[edit]

Bosnia and Herzegovina[edit]

  • Amir Muratović, Slatka slast periferije: Enciklopedija Ivice Matića. [139]

Romania[edit]

Germany[edit]

  • Jürgen Bonk, Karl-Heinz Ruhberg, Greif zur Kamera. Amateurfilm und Filmamateure in der DDR, Leipzig: Zentralhaus der Kulturarbeit der DDR, 1970. (German)
  • Wolfgang Gersch, "Film in der DDR. Die verlorene Alternative", in Geschichte des deutschen Films, ed. Wolfgang Jacobsen, Anton Kaes, and Hans Helmut Prinzler, Stuttgart: J.B. Metzler, 1993, pp 323-364. (German)
  • Karin Fritzsche, Claus Löser (eds.), Gegenbilder. Filmische Subversion in der DDR 1976-1989. Texte Bilder Daten, Berlin: Janus, 1996, 180 pp. Also: VHS, 90 min. Excerpt. [140] Review. (German)
  • Jeannette Stoschek, Dieter Daniels (eds.), "Grauzone 8 mm. Materialien zum autonomen Künstlerfilm in der DDR [Material on the Autonomous Artist Film in the German Democratic Republic], Ostfildern: Hatje Cantz, 2007, 118 pp. With DVD. Excerpt. [141] [142] (German)
  • Randall Halle, Reinhild Steingroever (eds.), After the Avant-Garde: German and Austrian Experimental Film, Camden House, 2008. [143] (English)
    • Claus Löser, "Media in the Interim: Independent Film in East Germany before and after 1989". [144]
  • Leska Krenz, "'Greif zur Kamera, Kumpel!' Recherchen zum Amateurfilm in der DDR", 2008. (German)
  • Super-8 filmmaking in GDR, Super8.log, 2008ff.
  • Seth Howes, Moving Images on the Margins: Experimental Film in Late Socialist East Germany, Rochester, NY: Camden House, 2019, 280 pp. Publisher. Reviews: Ward (Stud Eur Cinema), Smith (German Stud Rev), Heiduschke (German Hist), Fritzsch (ArtMargins). [145] [146] (English)

Estonia[edit]

  • Eva Näripea, "New Waves, New Spaces: Estonian Experimental Cinema of the 1970s", KinoKultura, 2010. [147]

Art and architecture[edit]

East-Central Europe[edit]

Action art, happening, performance, body art[edit]

East-Central Europe[edit]

Books
  • Aktuelle Kunst in Osteuropa, ed. Klaus Groh, Cologne: DuMont-Schauberg, 1972, 222 pp. One of first books to cover performance, conceptual, and mail art in Yugoslavia, Poland, Romania, Czechoslovakia, Hungary, and the Soviet Union. Short introduction by the author followed by b&w photographs, artists’ statements, and a bibliography. (German)
  • Gender Check: A Reader. Art and Theory in Eastern Europe, eds. Bojana Pejić, ERSTE Foundation, and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Buchhandlung Walther König, 2010, 416 pp. An extensive collection of texts that explicitly analyze visual arts created before and after 1989 in the 'other' Europe in terms of gender and feminist theories. Texts by Anna Alchuk, Branislava Andjelkovic, Edit András, Zdenka Badovinac, Ágnes Berecz, Lyudmila Bredikhina, Branislav Dimitrijevic, Hildtrud Ebert, Ewa Franus, Jana Geržová, Nataša Ilić, Eva Khachatryan, Katrin Kivimaa, Izabela Kowalczyk, Vjollca Krasniqi, Laima Kreivyte, Dejan Kršic, Paweł Leszkowicz, Suzana Milevska, Danica Minic, Olivia Niţiş, Aleksis Osmanis, Martina Pachmanová, Bojana Pejić, Piotr Piotrowski, Zora Rusinová, Angeli Sachs, Lydia Sklevicky, Vera Sokolová, Inga Šteimane, Maria Vassileva, Mirek Vodrážka. TOC. Project website. Publisher. [151]
  • Removed From the Crowd: Unexpected Encounters 1, eds. Ivana Bago and Antonia Majača with Vesna Vuković, Zagreb: BLOK & DeLVe, 2011, 312 pp. Considers comparative, transnational, conceptual and performance art in Latvia, Slovenia, Croatia, Hungary, Chile, Peru, Poland, and Romania. Among other essays, presents Bago and Majača on Yugoslavian experimental art of the 1960s and 1970s; Alina Serban on the Romania performance artist Geta Brătescu; Vesna Vuković on Croatian artists Sanja Iveković and Tomislav Gotovac; Nataša Petrešin-Bachelez on the Slovenian group IRWIN; and Lucian Gomoll and Lissette Olivares on Chilean conceptual and performance. (English)
  • Amy Bryzgel, Performing the East: Performance Art in Russia, Latvia and Poland since 1980, London and New York: I.B. Tauris, 2013, 303 pp. Contains three chapters: one on post-Soviet Russian identity focusing on Sergei Bugaev (aka Afrika) and Oleg Kulik; a second on Starix (2000–2004), the fake media star invented by the artist Gints Gabrāns, and The Bronze Man (1987–1992), a homeless man moving from Riga to Bremen and Helsinki, constructed by Miervaldis Polis; and a third chapter on gender performances by the Polish artists Zbigniew Libera and Katarzyna Kozyra. Video talk. Publisher. Reviews: Jeschke (Slovo), Cseh-Varga (Oxford Art J). (English)
  • Adam Czirak (ed.), Aktionskunst jenseits des Eisernen Vorhangs. Künstlerische Kritik in Zeiten politischer Repression, Bielefeld: transcript, 2019, 242 pp. [153] (German)
  • Corinna Kühn, Medialisierte Körper. Performances und Aktionen der Neoavantgarden Ostmitteleuropas in den 1970er Jahren, Vienna: Böhlau, 2020, 324 pp. Publisher. Reviews: Renz (ArtMargins), Drobe (Art East Central). (German)
Catalogues
  • Body and the East: from the 1960s to the Present, ed. Zdenka Badovinac, MIT Press, 1999, 192 pp. Exh. held at Museum of Modern Art, Ljubljana, 7 Jul-27 Sep 1998. Chronicles art, especially that of performance and body artists, in central and eastern Europe, with short artist biographies of 80 artists. Essays by Joseph Backstein, Bojana Pejić, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipančić, László Beke, Igor Zabel, a.o. [154] (English)/(Slovenian)
  • Gender Check: Femininity and Masculinity in the Art of Eastern Europe, ed. Bojana Pejić and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Walther Koenig, 2009, 392 pp. Texts by Edit András, Keti Chukhrov, Branislav Dimitrijević, Katrin Kivimaa, Izabela Kowalczyk, Suzana Milevska, Martina Pachmanová, Bojana Pejić, Piotr Piotrowski, Zora Rusinová, Hedwig Saxenhuber, Georg Schöllhammer. Project website. Publisher. Exh. held at mumok, Vienna, 13 Nov 2009-14 Feb 2010; Zachęta, 19 Mar-13 Jun 2010. List of works. Review: Krüger (Ostblick). Symposium. [155] (English)
    • Gender Check. Rollenbilder in der Kunst Osteuropas, Vienna: mumok, 2009, 162 pp. TOC. [156] (German)
  • Left Performance Histories: Recollecting Artistic Practices in Eastern Europe, eds. Judit Bodor, Adam Czirak, Astrid Hackel, Beäta Hock, Andrej Mircev, and Angelika Richter, Berlin: neue Gesellschaft für bildene Kunst (nGbK), 2018, 205 pp. Text by Kata Benedek, Judit Bodor, David Crowley, Adam Czirak, Constanze Fritzsch, Astrid Hackel, Beata Hock, Jürgen Hohmuth, Roddy Hunter, Bojana Matejić, Andrej Mirčev, Angelika Richter, Elske Rosenfeld, Heike Roms, Branka Stipančić. TOC, Introduction. Publisher. Project website. Review: Bryzgel (CAA). (German)/(English)
  • Artists & Agents. Performancekunst und Geheimdienste, eds. Kata Krasznahorkai and Sylvia Sasse, Leipzig: Spector, 2019, 686 pp. [158] (German)
Journal issues
  • Centropa 14(1): "Performance Art in Central and Eastern Europe", eds. Amy Bryzgel and Pavlína Morganová, Jan 2014. [161] (English)
Book chapters, essays
  • Kathleen Reinhardt, "Persons and Objects Are to Be Removed from the Balcony: Artists Performing in Public and Private Spaces of Control during the Cold War", in Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s, ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023. Exhibition. (English)
  • Sven Spieker, "Taking It to the Street: Eastern European Art Demonstrations (Milan Knížák, Jiří Kovanda, Endre Tót, Mladen Miljanović, Ciprian Homorodean)", in Spieker, Art and Demonstration: A Revolutionary Recasting of Knowledge, MIT Press, Feb 2024. [166] (English)
Interviews

Czech Republic[edit]

Anthologies
  • České akční umění: Filmy a videa, 1956–1989. Soubor filmů a videí z let 1956–1989, eds. Pavlína Morganová, Terezie Nekvindová and Sláva Sobotovičová, Prague: VVP AVU, 2015, 3h14m. DVD anthology. [167]
Books
  • Igor Zhoř, Radek Horáček, Vladimír Havlík, Akční tvorba, Olomouc: Univerzita Palackého, 1991, 84 pp. Summary. University textbook. (Czech)
  • Pavlína Morganová, Akční umění, Olomouc: Votobia, 1999; 2nd ed., exp., Olomouc: J. Vacl, 2009. (Czech)
  • Barbora Klímová, Replaced, afterw. Tomáš Pospiszyl, Brno: self-published, 2006, 77 pp. Collection of new interviews with performance artists of the 1970s and 80s. (Czech)/(English)
  • Dokumentace umění, eds. Jan Krtička and Jan Prošek, Ústí nad Labem: Univerzita J. E. Purkyně, 2013, 133 pp. Proceedings from the conference held on 5 Dec 2012. With texts by Hana Buddeus, Vladimír Havlík, Jiří Kovanda, Jan Mlčoch, Tomáš Pospiszyl, Tomáš Ruller, and Miloš Šejn. (Czech)
  • Pavlína Morganová, Procházka akční Prahou. Akce, performance, happeningy 1949–1989, Prague: VVP AVU (Dokumenty), 2014. [168] (Czech)
  • Pavlína Morganová, Czech Action Art: Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain, trans. Daniel Morgan, Prague: Karolinum, 2015, 288 pp. [169]. Reviews: Tomic (CritCom 2014), Kemp-Welch (Umění/Art). (English)
  • Vladimír Havlík (ed.), Akce a reakce: performativní aspekty v současném umění a umělecké výchově, Olomouc: Univerzita Palackého v Olomouci, 2015, 225 pp. (Czech)
  • Alena Rybníčková, Radek Chlup, Martin Pehal, Evelyne Koubková, Happening: mezi záměrem a hrou, Prague: Akademie múzických umění v Praze, 2015, 209 pp. (Czech)
  • Hana Buddeus, Zobrazení bez reprodukce? Fotografie a performance v českém umění sedmdesátých let 20. století, Prague: UMPRUM, 2017. Based on PhD dissertation. [170] [171] (Czech)
  • Alice Koubová, Eliška Kubartová (eds.), Terény performance, Prague: NAMU, 2021, 524 pp. Publisher. Review: Morganová (ArteActa). (Czech)
Catalogues
Journal issues
  • Sešity pro mladou literaturu 4(33): "Happening", Sep 1969. (Czech)
Book chapters, essays
  • Jaroslav Kořán, "Happening včera a dnes", Sešity pro mladou literaturu 1:4, 1966, pp 3-7. (Czech)
  • Jindřich Chalupecký, "Úzkou cestou", Výtvarné umění 16:5, 1966, pp 365-370. (Czech)
  • Jindřich Chalupecký, "Experimentální umění. Happeningy, events, de-koláže", Výtvarná práce 14:9, 12 May 1966, pp 1-7. (Czech)
  • Milan Knizak, "Happenings in Prague", Studio International, Oct 1966, pp 210-211. [175] (English)
  • Miloš Horanský, "Happening a jevištní prostor", Acta scaenographica 7:6, 1966-1967, pp 108-113. (Czech)
  • Pierre Restany, "Prague: Sisyphe sans Kafka serait Promethee", Domus 450, May 1967, pp 50-54. (French)
  • Vladimír Burda, "Fluxus-happening-event", Divadlo 1, 1967, pp 39-44. (Czech)
  • Jindřich Chalupecký, "Art, Insanity and Crime", Arts in Society 5(1): "Happenings and Intermedia", ed. Edward Kamarck, Madison, WI: University of Wisconsin Extension, 1968, pp 104-108. [176] (English)
  • Vladimír Burda, "Happening ve smyčce", Výtvarná práce 16:15, 16 Aug 1968, pp 1, 3, 10. (Czech)
  • Vladimír Burda, "Exil & utopie. Osudy pražského happeningu II", Výtvarná práce 16:18, 25 Oct 1968, pp 10-11. (Czech)
  • Vladimír Burda, "Les happenings", Opus International 9, Paris, Dec 1968, pp 51-56. (French)
  • Jindřich Chalupecký, "Happening a spol.", Sešity pro literaturu a diskusy 4:33, Sep 1969, pp 13-16; repr. in Chalupecký, Cestou necestou, 1999, pp 93-108. (Czech)
  • Eugen Brikcius, "Chvála happeningu", Sešity pro literaturu a diskusy 4:33, Sep 1969, pp 25-26. (Czech)
  • Petr Štembera, "Events, Happenings and Land-Art in Czechoslovakia: A Short Information", Revista del Arte 7, Mayaguez: Universidad de Puerto Rico, Dec 1970, pp 35-39; repr., shortened, in Lucy R. Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972, New York: Praeger, 1973, pp 169-170; repr. in Vision 2, Oakland, CA: Crown Point Press, Jan 1976, pp 42-43. (English)
  • Jindřich Chalupecký, "Letter from Prague", Studio International, Jun 1971, pp 253, 255-257. (English)
  • Ivan Jirous, "Current Expressions in Contemporary Czech Art", Artscanada 160/161, Oct/Nov 1971, pp 62-65. (English)
  • Petr Rezek, "Setkání s akčními umělci", in Performance, [1977] (samizdat), pp 4-15; repr. in Rezek, Tělo, věc a skutečnost v současném umění, Prague: Jazzpetit, 1982, pp 95-102; repr. in Výtvarné umění 3 (1991), pp 78-80; repr. in České umění 1938-1989, eds. Jiří Ševčík, et al., Prague: Academia, 2001, pp 355-359; repr. in Rezek, Tělo, věc a skutečnost v umění šedesátých a sedmdesátých let, 2nd ed., Prague: Galerie Ztichlá klika, 2010, pp 116-124. (Czech)
  • František Šmejkal, "Návraty k přírodě", in Sborník památce Alberta Kutala, Prague, 1984 (samizdat), pp 20-31; repr. in Výběr zajímavostí z domova i ciziny, Brno, 1987 (samizdat); repr. in Výtvarná kultura 14:3, 1990, pp 15-21. Written 1981. (Czech)
  • Pavlína Morganová, "České akční umění šedesátých let v dobovém tisku", in Akce, slovo, pohyb, prostor. Experimenty v umění šedesátých let, ed. Vít Havránek, Prague: Galerie hl. města Prahy, 1999, pp 54-61. (Czech)
  • Marie Klimešová, "České výtvarné umění druhé poloviny 20. století: alternativa a underground, umění a společnost", in Alternativní kultura. Příběh české společnosti 1945–1989, ed. Josef Alan, Prague: Lidové noviny, 2001, pp 376-419. [177] (Czech)
  • Pavlína Morganová, "Umenie akcie 1965-1989", Profil 3, 2001, pp 6-15. [178] (Czech)
  • Jiří Valoch, "Umění akce, hnutí Aktual, happening", in Dějiny českého výtvarného umění VI/1, eds. Rostislav Švácha and Marie Platovská, Prague: Academia, 2007. (Czech)
  • Tomáš Pospiszyl, "Look Who’s Watching: Photographic Documentation of Happenings and Performances in Czechoslovakia", in 1968-1989: Political Upheaval and Artistic Change, eds. Claire Bishop and Marta Dziewańska, Warsaw: Museum of Modern Art, 2009, pp 74-87. Proceedings from the 2008 conference. (English)
  • Josef Ledvina, "České umění kolem roku 1980 jako pole kulturní produkce", Sešit 9, Prague: VVP AVU, 2010, pp 30-65. (Czech)
  • Pavlína Morganová, "Místa činu, akční umění 60. a 70. let", in Místa počinu: historie výstavních prostorů u nás, ed. Ondřej Horák, Prague: Komunikační prostor Školská 28, 2010, pp 53-62. (Czech)
  • Pavlína Morganová, "Problematika pojmů v českém akčním umění", Opuscula Historiae Artium 60 (2011), pp 30-41. (Czech)
  • Pavlína Morganová, "Možnosti interpretace akčního umění", in Wittlichovi. Sborník žáků k 80. narozeninám Petra Wittlicha, ed. Marie Rakušanová, Prague: Karolinum, 2012, pp 227-249. (Czech)
  • Pavlína Morganová, "Action! Czech Performance Art in the 1960s and 1970s", trans. John Comer, Centropa 14:1, Jan 2014. (English)
  • Tomáš Pospiszyl, "Politika intimity: Československá performance sedmdesátých let a její remaky", in Pospiszyl, Asociativní dějepis umění: poválečné umění napříč generacemi a médii, Prague: tranzit.cz, 2014. (Czech)
  • Hana Buddeus, "Fotografické podmínky happeningu", Sešit 16, Prague: VVP AVU, 2014, pp 18-36. (Czech)
Dissertations

Slovakia[edit]

Books
  • Andrea Bátorová, Aktionskunst in der Slowakei in den 1960er Jahren. Aktionen von Alex Mlynárčik, Lit Verlag, 2009, 408 pp. TOC. Based on author's 2007 dissertation. (German)
  • Zuzana Bartošová, Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia, Bratislava: Kalligram, 2011, 360 pp. Commentary: Hrabušický & Macek (Profil). (Slovak)
Catalogues
  • 3SD, ed. Ján Budaj, Bratislava, [1981]; 2nd ed., 1988 (samizdat); repr., abbr., in "Samizdatové programové, teoretické a historické texty (výber)", ed. Radislav Matuštík, in Umenie akcie 1965-1989, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2001, pp 267-277. (Slovak)
    • "Three Sunny Days", trans. Zuzana Flaskova, ed. Sven Spieker, post, New York: MoMA, 2018. Trans. of Foreword. [181] (English)
  • Transart Communication catalogues, Nové Zámky, 1988ff. (Slovak),(Hungarian)
  • Umenie akcie / Action Art 1965-1989, ed. Zora Rusinová, Bratislava: Slovenská Národná Galéria, 2001, 318 pp. With texts by Zora Rusinová, Gábor Hushegyi, Radislav Matuštík, Tomáš Štrauss, and Ivo Janoušek. (Slovak)
  • 1. otvorený ateliér, 1970-2020, ed. Daniela Čarná, Bratislava: Galéria 19, 2020, 87 pp. [182] [183] [184] (Slovak)
Journal issues
  • Profil 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993, pp 1-15. With texts by RoseLee Goldberg, Michal Murin, Radislav Matuštík; interviews with Vladimir Kordos and Flatz. (Slovak)
Book chapters, essays
  • Tomáš Štrauss, "K otázke premeny 'umenia-diela' na 'umenie-čin'", Výtvarný život, 12:4, 1967, pp 146-151; repr., abbr., in Slovenské výtvarné umenie 1949-1989 z pohľadu dobovej literatúry, ed. Jana Geržová, Bratislava: Vysoká škola výtvarných umení, 2006, pp 168-173. (Slovak)
  • Tomáš Štrauss, Umenie dnes: pokus o kritickú esej, Bratislava: Vydavateľstvo politickej literatúry, 1968, pp 93-108. (Slovak)
  • Klaus Groh (ed.), Aktuelle Kunst in Osteuropa, Cologne: DuMont-Schauberg, 1972. Features documentation from selected artists. (German)
  • Tomáš Štrauss, "Tri modelové situácie súčasných umeleckých hier", in Štraus, Slovenský variant moderny, 1979 (samizdat); 2nd ed., Bratislava: Pallas, 1992. (Slovak)
  • Tomáš Štrauss, "Umenie kontestácie a kontestácia umenia", in Štraus, Slovenský variant moderny, 1979 (samizdat); repr., Výtvarný život 35:6, 1990, pp 17-26; repr. in Štraus, Slovenský variant moderny, 2nd ed., Bratislava: Pallas, 1992. (Slovak)
  • Geneviève Bénamou, L'Art aujourd'hui en Tchécoslovaquie, Goussainville: Benamou, 1979. Includes essays on Mlynárčik, Želibská, Sikora, Tóth, a.o. TOC. (French)
  • Radislav Matuštík, ...predtým. Prekročenie hraníc, 1964-1971, 1983 (samizdat); repr., Žilina: PGU, 1994. Written 1972-1983. [186] (Slovak)
  • Róbert Cyprich, "Ex alio loco", 1983 (samizdat); repr. in Radislav Matuštík, Terén: alternatívne akčné zoskupenie 1982-1987, Bratislava: Sorosovo centrum súčasného umenia, 2000, pp 136-150. (Slovak)
    • "Ex alio loco", trans. John Minahane, in Hot Art, Cold War: Southern and Eastern European Writing on American Art 1945-1990, eds. Claudia Hopkins and Iain Boyd Whyte, Routledge, 2020. Trans. of excerpt. [187] (English)
  • Tamara Archlebová, "Príspevok k problematike konceptuálneho umenia na Slovensku", in Súčasné výtvarné umenie, ed. Dagmar Srnenská, Bratislava, 1989, pp 98-132. (Slovak)
  • Mária Kovalčíková (ed.), "Skepsa kontra optimizmus", Výtvarný život 35:7, 1990, pp 1-10; cont., Výtvarný život 35:8, 1990, pp 1-12. (Slovak)
  • Jana Geržová, "Umenie akcie", Profil 1:13-14, 1991, pp 2-4. (Slovak)
  • Michal Murin, "Performance?", Profil 1:17-18, Bratislava, 1991. (Slovak)
  • Michal Murin, "San Francisco Performance Art", Profil 1:22, Bratislava, 1991. (Slovak)
  • Radislav Matuštík, "Vývoj na Slovensku", in Umění akce, ed. Vlasta Čiháková-Noshiro, Prague: Mánes, 1991, pp 12-15. Shortened reprint from a samizdat publication in Terén edition, autumn 1983. (Slovak)
  • Vlasta Čiháková-Noshiro, "Umění akce – umění žít", in Umění akce, ed. Vlasta Čiháková-Noshiro, Prague: Mánes, 1991, pp 16-28. (Czech)
  • Radislav Matuštík, "Performance?", Profil 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993, pp 5-7. (Slovak)
  • Michal Murin, "Performance?", Profil 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993, p 13. (Slovak)
  • Michal Murin, "Performance", Profil 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993. (Slovak)
  • Tomáš Štrauss, Tri otázniky: od päťdesiatych k osemdesiatym rokom, Bratislava: Pallas, 1993. (Slovak)
  • Radislav Matuštík, "Návraty I-IV", Výtvarný život, 1994-1995. Series of articles. (Slovak)
  • Thomas Strauss, Zwischen Ost- und Westkunst. Von der Avantgarde zur Postmoderne. Essays (1970-1995), Munich: Scaneg, 1995, 336 pp. (German)
  • Ivan Jančár, "Happening a performance", in Šesťdesiate roky v slovenskom výtvarnom umení, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 232-252. (Slovak)
  • Zora Rusinová, "V mene syntézy umenia a života", in Šesťdesiate roky v slovenskom výtvarnom umení, ed. Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 166-202. (Slovak)
  • Etienne Cornevin, "Základné pojmy k legende o umení dada v Bratislave", in Očami X: desať autorov o súčasnom slovenskom výtvarnom umení, ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 147-180. (Slovak)
  • Ladislav Snopko, "Situacionizmus na Slovensku: kapitola z dejín apelatívneho umenia", in Očami X: desať autorov o súčasnom slovenskom výtvarnom umení, ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 201-220. (Slovak)
  • "Rozhovor Zuzany Bartošovej s Pierrom Restanym", in Očami X: desať autorov o súčasnom slovenskom výtvarnom umení, ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 183-200. (Slovak)
  • Eugénia Sikorová, "Umenie na okraji: poznámky k situácii slovenského výtvarného umenia v r. 1970-1990", in Prítomnosť minulosti, minulosť prítomnosti, eds. Jolana Kusá and Peter Zajac, Bratislava: Nadácia Milana Šimečku, 1996, pp 96-125. (Slovak)
  • Tomáš Štrauss, Provokácie: kritické rozhľady od Dunaja a Rýna, Bratislava: H & H (Hajko a Hajková), 1996. (Slovak)
  • Rachel Rosenbach (Michal Murin), "Performance na Slovensku a v Čechách", Ateliér 1:9, 1997, p 9. (Slovak)
  • Michal Murin, "Performance na Slovensku v 90. rokoch", in A.K.T., Brno: Dům umění, 1999. (Slovak)
  • Tomáš Štrauss, Utajená korešpondencia 1980-1998, Bratislava: Kalligram, 1999, 184 pp. [188] (Slovak)
  • Zuzana Bartošová, "Askéza privilegovaných: niekoľko poznámok k formovaniu neoficiálnej výtvarnej scény obdobia normalizácie na prelome 60. a 70. rokov", in Umenie Slovenska: jeho historické funkcie, Bratislava: SAV, 1999, pp 121-133. (Slovak)
  • Ivan Jančár, "Akčné umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Ivan Jančár, "Event", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Ivan Jančár, "Happening", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Ivan Jančár, "Performancia", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Radislav Matuštík, "Umenie akcie", in Zora Rusinová et al., Dejiny slovenského výtvarného umenia – 20. storočie, Bratislava: Slovenská národná galéria, 2000, pp 163-169. (Slovak)
  • Radislav Matuštík, "Dva náčrty vývinu akcie", in Matuštík, Terén: alternatívne akčné zoskupenie 1982-1987, Bratislava: Sorosovo centrum súčasného umenia, 2000, pp 221-236. (Slovak)
  • Eugénia Sikorová, "Nástup jednej generácie", in Otvorený ateliér, eds. Marián Mudroch and Dezider Tóth, Bratislava: SCCA Slovensko, 2000, pp 10-30. (Slovak)
  • Michal Murin, "Performance Art in Slovakia in the 90s (From the Position of the Art-Form, through its Reflection to the (Co-Existence of Solitary Worlds)", Slaps Banks Plots 4, 2000. (English)
  • Michal Murin, "L´art de performance en Slovaquie - A partir d´une forme artistique et de sa réflexion vers la coexistence de mondes solitaires / Performance Art in Slovakia - From the Art-Form, and its Reflection Towards the Co-Existence of Solitary Worlds", in Art Action 1958-1998, ed. Richard Martel, Québec: Intervention, 2001, pp 454-457. (French)/(English)
  • Pavlína Morganová, "Umenie akcie 1965-1989", Profil 3, 2001, pp 6-15. Exh. review. [189] (Czech)
  • Gábor Hushegyi, "Actinart - medzinárodné sympózium", Profil 3, 2001, pp 40-47. (Slovak)
  • Lucia Gregorová-Stachová, "Akčné umenie", Dart 3:1-2, 2001, 45-51. (Slovak)
  • Eva Kapsová, "Aktuálnosť umenia akcie", Dart 1:3-4, 2001, 54-58. (Slovak)
  • Zuzana Bartošová, "Slovenská neoficiálna výtvarná scéna 70. a 80. rokov z aspektu literatúry a terminológie", in Cesty a príbehy moderného umenia 2, ed. Ľuba Belohradská, Bratislava: Združenie historikov moderného umenia, 2002, pp 24-57. (Slovak)
  • Mária Orišková, Dvojhlasné dejiny umenia, Bratislava: Petrus, 2002. (Slovak)
  • Zora Rusinová, "Umenie akcie", in Slovenské vizuálne umenie 1970-1985, ed. Aurel Hrabušický, Bratislava: Slovenská národná galéria, 2002, pp 189-208. (Slovak)
  • Zuzana Bartošová, "Neoficiálna výtvarná scéna na Slovensku: Medzi Chartou '77 a nežnou revolúciou", in Ladislav Snopko, Zuzana Bartošová, Dotyky a spojenia. 9. december 1985 - 17. november 1989, Bratislava: Orman, and GMB, 2002, pp 15-38. (Slovak)
  • Katarína Rusnáková, História a teória mediálneho umenia na Slovensku, Bratislava: VŠVU, 2006. (Slovak)
  • Andrea Bátorová, "Alternative Trends in Slovakia during the 1960s and Parallels to Fluxus", in Fluxus East: Fluxus Networks in Central Eastern Europe, Berlin: Kunstlerhaus Bethanien, 2007. Catalogue text. (English)
  • Lucia Gregorová-Stachová, "Umelci, ich telá a performance", in Osemdesiate: Postmoderna v slovenskom výtvarnom umení, 1985-1992, ed. Beata Jablonská, Bratislava: Slovenská národná galéria, 2009, pp 201-213. (Slovak)
  • Ján Kralovič, "Prechádzka ako situačná a komunikačná umelecká aktivita", in Ani spolu, ani bez sebe... Intermedialita v dějináh umění, eds. Filip Komárek and Michal Konečný, Brno: Masarykova univerzita, 2010, pp 31-36; upd. as "Prechádzka ako komunitná a umelecká aktivita. Prechádzka ako možnosť stretávania sa a umeleckej komunikácie v okruhu bratislavskej neoficiálnej scény 70. rokov", in BAC: Bratislava Conceptualism / Bratislavský konceptualizmus, ed. Richard Gregor, Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022. (Slovak)
  • Július Gajdoš, Od inscenace k instalaci, od herectví k performanci, Prague: Akademie múzických umění, and Kant, 2010. Publisher. (Czech)
  • Jana Oravcová, Ekonómie tela v umelecko-historických a teoretických diskurzoch, Bratislava: Slovart / VŠVU, 2011. (Slovak)
  • Ján Kralovič, "Nutnosť intenzívneho prežívania (Poznámky k akčnému umeniu v mestskom priestore na Slovensku v 70. rokoch 20. storočia)", in Umenie na Slovensku v historických a kultúrnych súvislostiach 2010, eds. Bernadeta Kubová and Ivan Godič, Trnava: Milan Uličný - BEN, 2011, pp 215-226. (Slovak)
  • Zora Rusinová, "Solidarity Born of Despair: Action Art in Slovakia during the Totalitarian Regime, 1970-1989", Centropa 14:1, Jan 2014. [190] (English)
  • Ján Kralovič, "Prekročiť prah privátneho: vybrané umelecké akcie v mestskom priestore v 90. rokoch 20. storočia na Slovensku", in Zborník prednášok o súčasnom výtvarnom umení II.: so zameraním na politické a angažované umenie, Nitra: Nitrianska galéria, 2015, pp 12-37. (Slovak)
  • Eva Fillová, "Divadlo a teatralita v kontexte (slovenského) vizuálneho umenia", Slovenské divadlo 63:3, 2015, pp 208-220. (Slovak)
  • Dáša Čiripová, "Play as Art of Survival", trans. Lucia Faltin, The Slovak Theatre 66:3, 2018, pp 296-310. (English)
  • Vladimír Beskid, "Druhý dych východu: neoficiálna scéna východného Slovenska 70.-80. rokov 20. storočia", in Po moderne: Metropola východu, 1945-1989, eds. Peter Tajkov and Dorota Kenderová, Košice: Východoslovenská galéria, 2019, pp 115-134. (Slovak)
Interviews
Booklets
Dissertations

See also publications on individual artists and events, i.e.: Alex Mlynárčik, Július Koller, Ľubomír Ďurček, Róbert Cyprich, Ján Budaj, Transmusic Comp., Michal Murin, József R. Juhász, Transart Communication, Studio erté, SNEH.

Hungary[edit]

Books
  • Júlia Klaniczay, Edit Sasvári (eds.), Törvénytelen avantgárd: Galántai György balatonboglári kápolnaműterme 1970-1973, Budapest: Artpool–Balassi, 2003, 459 pp. The first comprehensive publication on performance and conceptual art events between 1970 and 1973 at the Balatonboglár Chapel in Hungary, founded by the artist György Galántai, the sort of activities that would be banned from 1974 until 1990 in Hungary. Chronicles the abandoned chapel as a unique site for experimental art in Hungary during state socialism, and includes an extensive chronology, previously unpublished archival documents, photographs and texts, interviews, and a bibliography. [193] (Hungarian)
  • Az ebéd / The Lunch (in memoriam Batu kán): Happening Budapest H 1966, eds. Zsuzsa László and Tamás St.Turba, trans. Csaba Polonyi, Budapest: tranzit.hu, 2011, 56 pp. Makes available the so far unpublished documents of the first happening in Hungary, conducted in 1966. [194] [195] [196] (Hungarian)/(English)
  • Katalin Cseh-Varga, The Hungarian Avant-Garde and Socialism: The Art of the Second Public Sphere, Bloomsbury, 2022, 264 pp, EPUB. Publisher. (English)
Catalogues
Essays, dissertations

Poland[edit]

Anthologies
  • Performance – wybór tekstów, eds. Grzegorz Dziamski, Gajewski Henryk and Jan. St. Wojciechowski, Warsaw: Miodzieżowa Agencja Wydawnicza, 1984, 202+31 pp. (Polish)
Books
  • Alicja Kępińska, Nowa sztuka. Sztuka polska w latach 1945-1978, Warsaw: Auriga, 1981. (Polish)
  • Tadeusz Pawłowski, Happening, Warsaw, 1988. (Polish)
  • Sabine Folie (ed.), The Impossible Theater: Performativity in the Works of / Das unmögliche Theater: Performativität im Werk von Pawel Althamer, Tadeusz Kantor, Katarzyna Kozyra, Robert Kusmirowski and Artur Zmijewski, Nürnberg: Verlag für Moderne Kunst, 2005, 152 pp. Essays by Sabine Folie, Jaroslaw Suchan and Hanna Wroblewska. [197] (English)/(German)
  • Jan Przyłuski, Sztuka akcji. Dziesięć zdarzeń w Polsce, Słupsk: Bałtycka Galeria Sztuki Współczesnej, 2007, 82 pp. [198] (Polish)
  • Agnieszka Sosnowska, Performans oporu, Warsaw: Fundacja Nowej Kultury Bęc Zmiana, Centrum Sztuki Współczesnej Zamek Ujazdowski, and Instytut Kultury Polskiej Uniwersytetu Warszawskiego, 2018, 226 pp. Excerpt. Publisher. (Polish)
Catalogues
Magazine issues
Book chapters, essays
Dissertations

East Germany[edit]

  • Angelika Richter, Das Gesetz der Szene: Genderkritik, Performance Art und zweite Öffentlichkeit in der späten DDR, Bielefeld: transcript, 2019, 408 pp. [200] [201] [202]

Yugoslavia[edit]

Croatia[edit]

  • Ivana Mance, "Performance Art Practices in Croatia from the Late 1960s through the late 1980s: An Essay in Genealogy", Centropa 14:1, Jan 2014. [206] (English)
  • Suzana Marjanić, Kronotop hrvatskoga performansa: od Travelera do danas, 3 vols., Zagreb : Udruga Bijeli val: Institut za etnologiju i folkloristiku: Školska knjiga, 2014, 2008 pp. TOC. [207] (Croatian)

Serbia[edit]

  • kuda.org (eds.), Omitted History, trans. Nebojša Pajić, Frankfurt am Main: Revolver, 2006, 134 pp. (Serbian)/(English)

Romania[edit]

Books
Essays
  • Ileana Pintilie, "Performance Art In Romania. Between gesture and ritual", in Crossroads in Central-Europe. Ideas, Themes, Methods and Problems of Contemporary Art and Art Criticism, ed. Katalin Keserü, Budapest: Egregia, 1996, p 147. (English)
  • Ileana Pintilie, "The Dilemmas of Artistic Transition in Post-Communism. Performance art in Romania at the Beginning of the '90s", in Zone 3 Catalogues, Timişoara, 2000; repr. in Periferic 4, Iaşi, 2000.
  • Ileana Pintilie, "Actionism in Romania in the 6th and 7th Decades", Balkon 2, Cluj, 2000. (English)
  • Ileana Pintilie, "Actionism in Romania in the 8th Decade", Balkon 3, Cluj, 2000. (English)
  • Ileana Pintilie, "Performance art in Romania in the '90s (Rumunska umetnost performanse devedesetih)", Artcontext, Apr 2001; repr. in Vrsac 1.
  • Ileana Pintilie, "Action Art in Romania Before and After 1989", Centropa 14:1, Jan 2014. (English)

Estonia[edit]

Latvia[edit]

  • Amy Bryzgel, "The Bronze Man and the Homeless Man: Performing Appearance in Latvia", in Bryzgel, Performing the East: Performance Art in Russia, Latvia and Poland since 1980, London and New York: IB Tauris, 2013, pp 100-156. (English)
  • Laine Kristberga, Līna Birzaka-Priekule, "From Micro-politics to Macro-politics: Performance Art in the Late Socialist Period in Latvia", Studies on Art and Architecture 3-4, Tallinn: Estonian Society of Art Historians and Curators, 2023, pp 168-192. [210] (English)

Ukraine[edit]

Visual poetry, Concrete poetry, Lettrism[edit]

Czech Republic[edit]

See also magazine Psí víno.

Slovakia[edit]

See also magazines Kloaka and Enter.

  • Zora Rusinová, "Experimentálna poézia", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, Bratislava: Kruh súčasného výtvarného umenia, 1999, pp 75-79. Encyclopedic entry. (Slovak)
  • Zora Rusinová, "Lettrizmus", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, Bratislava: Kruh súčasného výtvarného umenia, 1999. Encyclopedic entry. (Slovak)
  • František Štraus, Štefan Moravčík, Princípy hry v slovenskej poézii, Martin: Matica slovenská, 2001. (Slovak)
  • Miloš Štofko, "Experimentálna poézia", in Štofko, Od abstrakcie po živé umenie. Slovník pojmov moderného a postmoderného umenia, Bratislava: Slovart, 2007, pp 59-62. Encyclopedic entry. (Slovak)
  • Katarína Ihringová, "Experimentálna poézia a jej podoby v slovenskom vizuálnom umení", Slovenská literatúra 58:4, Bratislava: Slovenská akadémia vied, 2011, pp 317-330. [216] (Slovak)
  • Katarína Ihringová, Vzťah slova a obrazu v slovenskom vizuálnom umení, Trnava: Pergamen, 2012. (Slovak)
  • Bogumiła Suwara, Zuzana Husárová (eds.), V sieti strednej Európy: nielen o elektronickej literatúre, Bratislava: SAP & Ústav svetovej literatúry, 2012, 312 pp. (Slovak),(Czech)
  • Michal Rehúš, Jaroslav Šrank, "Nesystematický návod na použitie slovenskej experimentálnej poézie", in V sieti strednej Európy: nielen o elektronickej literatúre, eds. Bogumila Suwara and Zuzana Husárová, Bratislava: SAP a Ústav svetovej literatúry, 2012, pp 241-264. (Slovak)
  • Ha!art 42(2): "Czeska i słowacka literatura nowomedialna", Kraków: Korporacja Ha!art, 2013. (Polish)
  • Michal Jareš, Veronika Ráczová, Ľubica Schmarcová, "Experimentálna línia", in Hľadanie súčasnosti. Slovenská literatúra začiatku 21. storočia, Bratislava: Literárne informačné centrum, 2014. [217] (Slovak)
  • Enter 24: "Kreatívny manuál pre slovenskú nekonvenčnú poéziu", ed. Michal Murin, Košice: Dive Buki, Dec 2015, 90 pp. [218] (Slovak)
  • Michal Murin, "Triangulačné body nekonvenčnej poézie na Slovensku", in Milan Adamčiak, Archív II (KOPO): konkrétna poézia 1964-1972, Košice: Dive Buki, 2016, pp 12-85. (Slovak)
  • Peter Zajac, "Optická poézia Milana Adamčiaka v kontexte slovenskej literatúry", in Milan Adamčiak, Archív II (KOPO): konkrétna poézia 1964-1972, Košice: Dive Buki, 2016, pp 294-326. (Slovak)
  • Zuzana Husárová, "Slovenská elektronická literatúra", World Literature Studies 3:8, 2016, pp 57-77. (Slovak)

Poland[edit]

  • Tadeusz Sławek, Między literami. Szkice o poezji konkretnej [Between Letters: Sketches on Concrete Poetry], Katowice: Wydawnictwo Dolnośląskie, 1989. (Polish)
  • Piotr Rypson, Obraz slowa historia poezji wisualnej, Warsaw, 1989, 373 pp. (Polish)
  • Małgorzata Dawidek Gryglicka, Historia tekstu wizualnego. Polska po 1967 roku, Kraków: Korporacja Ha!art, 2012, 752 pp. Review: Kearns (Enclave). (Polish)

Yugoslavia[edit]

Romania[edit]

  • Andrei Oisteanu, "The Romanian Avant-Garde And Visual Poetry", in Dada East? The Romanians of Cabaret Voltaire, eds. Adrian Notz and E-cart.ro, Zurich: Cabaret Voltaire, and Bucharest: E-cart.ro, 2007; repr. in Exquisite Corpse. A Journal of Letters and Life, n.d. (English)

East Germany[edit]

  • Liselotte Gimpel, "Concrete" Poetry from East and West Germany: The Language of Exemplarism and Experimentalism, Yale University Press, 1977, xvi+268 pp. Reviews: Butler (J Eur Stud), O'Swald (GDR Bulletin), Weimar (GDR Bulletin). (English)

Conceptual art[edit]

East-Central Europe[edit]

  • Klaus Groh (ed.), Aktuelle Kunst in Osteuropa, Cologne: DuMont-Schauberg, 1972, 222 pp. One of first books to cover performance, conceptual, and mail art in Yugoslavia, Poland, Romania, Czechoslovakia, Hungary, and the Soviet Union. Short introduction by the author followed by b&w photographs, artists’ statements, and a bibliography. Archive. (German)
  • Tony Godfrey, Conceptual Art, London: Phaidon, 1998, pp 264-275, IA. (English)
  • László Beke, "Conceptualist Tendencies in Eastern European Art", in Global Conceptualism: Points of Origin 1950-1980s, eds. Jane Ferver, Luis Camnitzer and Rachel Weiss, New York: Queens Museum of Art, 1999, pp 41-51. TOC. Exh. held at Queens Museum, New York, 28 Apr-29 Aug 1999; the Walker Art Center, Minneapolis, MN, 19 Dec 1999–5 Mar 2000; Hayden Hall MIT, 24 Oct-31 Dec 2000. Exh. review: Meyer (Artforum), Johnson (NYT). (English)
  • in Conceptual Art, ed. Peter Osborne, London: Phaidon, 2002. (English)
  • Miško Šuvaković, "Konceptualna umjetnost", in Šuvaković, Pojmovnik suvremene umjetnosti, Zagreb: Horetzky, 2005. (Croatian)
  • Piotr Piotrowski, "The Critique of Painting: Towards the Neo-avant-garde", "Mapping the Neo-avant-garde, c. 1970", "Conceptual Art between Theory of Art and Critique of the System", chs. 6, 7 & 8 in Piotrowski, In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989, trans. Anna Brzyski, London: Reaktion Books, 2009, pp 178-237, n454-458, 241-314, n458-466, 315-340, n467-469. (English)
  • Zdenka Badovinac, Eda Čufer, Cristina Freire, Boris Groys, Charles Harrison, Vít Havránek, Piotr Piotrowski, Branka Stipančić, "Conceptual Art and Eastern Europe: Part I", e-flux 40, Dec 2012; Part 2, e-flux 41, Jan 2013. Based on a conference organised by Zdenka Badovinac in Ljubljana, 2007. (English)
  • My Sweet Little Lamb (Everything We See Could Also Be Otherwise), eds. What, How & for Whom/WHW and Kathrin Rhomberg, Zagreb: What, How & for Whom/WHW, 2017, 167 pp; new ed., exp., eds. Emily Pethick, Kathrin Rhomberg, What, How & for Whom/WHW, and Jill Winder, Berlin: Sternberg Press, and Vienna: Kontakt Collection, Mar 2023, 456 pp. Based on a series of exhibition episodes based on the Kontakt Collection and dedicated to the artist Mladen Stilinović, held in Zagreb, 4 Nov 2016–8 May 2017, and The Show Room, London, Jun 2017. Texts in exp. ed. by Branislav Dimitrijević, Miguel A. López, Oxana Timofeeva, Marina Vishmidt. Publisher. (English)

Poland[edit]

  • Urszula Czartoryska, Od pop-artu do sztuki konceptualnej, Warsaw, 1973. (Polish)
  • Stefan Morawski, "Konceptualizm obcy i rodzimy", Projekt 3 (1975), pp 26-33 (Polish)
  • Urszula Czartoryska, Od pop-artu do sztuki konceptualnej, Warsaw, 1976. (Polish)
  • Alicja Kępińska, Nowa sztuka. Sztuka polska w latach 1945-1978, Warsaw: Auriga, 1981. (Polish)
  • Piotr Krakowski, "O sztuce konceptualnej", ch 6 in Krakowski, O sztuce nowej i najnowszej, Warsaw: PWN, 1981, pp 112-134. (Polish)
  • Grzegorz Dziamski, "Konceptualizm", in Od awangardy do postmodernizmu. Encyklopedia kultury polskiej XX wieku, ed. Dziamski, Warsaw, 1996, pp 369ff. (Polish)
  • Refleksja konceptualna w sztuce polskiej: doświadczenia dyskursu, 1965-1975 / Conceptual Reflection in Polish Art: Experiences of Discourse: 1965-1975, eds. Paweł Polit and Piotr Woźniakiewicz, Warsaw: Centre for Contemporary Art Ujazdowski Castle, 2000. Essays by Alicja Kepinska, Andrzej Kostolowski, Pawel Polit; interviews with Andrzej Turowski and Jerzy Ludwinski. Preface (EN). Exhibition 1. Exhibition 2. Exh.review: Lum & Szymczyk (ArtMargins EN 1999). Book review: Murawska-Muthesius (ArtMargins 2003 EN). (Polish)/(English)
  • Martin Patrick, "Polish Conceptualism of the 1960s and 1970s: Images, Objects, Systems and Texts", Third Text 96: "Socialist Eastern Europe", Spring 2001, pp 25-45. (English)
  • Autonomiczny ruch konceptualny w Polsce, ed. Zbigniew Warpechowski, Lublin: Galeria Stara BWA Lublin, 2002. Catalogue. (Polish)
  • Grzegorz Dziamski, "Spór o sztukę konceptualną w Polsce", Dyskurs 7 (2007), pp 194-224. (Polish)
  • Luiza Nader, "Sztuka konceptualna w Polsce", Culture.pl, 20 Nov 2007. (Polish)
  • Luiza Nader, Konceptualizm w PRL, Warsaw: Wydawnictwa Uniwersytetu Warszawskiego & Fundacja Galerii Foksal, 2009, 429 pp. Based on dissertation (2007). Reviews: Sienkiewicz (Dwutygodnik 2009), Szewczyk (Frieze 2010 EN), Kemp-Welch (ArtMargins 2010 EN). (Polish)
  • Łukasz Ronduda, Sztuka polska lat 70. awangarda, Jelenia Góra: Polski Western, and Warsaw: CSW Zamek Ujazdowski, 2009, 379 pp. Editorial concept: Piotr Uklański. [226] [227] (Polish)
    • Polish Art of the 70s, Jelenia Góra: Polski Western, and Warsaw: CCA Zamek Ujazdowski, 2009, 379 pp. Reviews: Szewczyk (Frieze 2010), Kemp-Welch (ArtMargins 2010). (English)
  • Wokół sporów o definicję przedmiotu sztuki. Miejsce konceptualizmu, kontekstualizmu i sztuki pojęciowej w historii sztuki najnowszej, ed. Bogusław Jasiński, Gorzów Wielkopolski: Galeria Sztuki Najnowszej, 2009. (Polish)
  • Grzegorz Dziamski, Przełom konceptualny i jego wpływ na praktykę i teorię sztuki, Poznań: Wydawnictwo Naukowe UAM, 2010, 294 pp. Chapter 6. [228] (Polish)
  • Sztuka i Dokumentacja 6: "Sztuka jako idea, ludzie, czas. W kręgu polskiego konceptualizmu", Łódź, 2012. (Polish)
  • Permafo: monografia galerii i ruchu artystycznego, ed. Anna Markowska, Wrocław: Muzeum Współczesne Wrocław, 2012, 496 pp. Lead essay. [229] (Polish)
  • Łukasz Guzek, "Performatywność sztuki konceptualnej", Dyskurs 17 (2014), pp 189-219. (Polish)
  • Klara Kemp-Welch, "NET: An Open Proposition", e-flux 98, Feb 2019. (English)

Slovakia[edit]

  • Tomáš Štrauss, Slovenský variant moderny, 1979 (samizdat); 2nd ed., Bratislava: Pallas, 1992, pp 55ff. (Slovak)
  • Radislav Matuštík, ...Predtým. Prekročenie hraníc, 1964-1971, 1983 (samizdat); repr., Žilina: Považská galéria umenia, 1994, 27ff. [232] (Slovak)
  • Tamara Archlebová, "Príspevok k problematike konceptuálneho umenia na Slovensku", in Súčasné výtvarné umenie, ed. Dagmar Srnenská, Bratislava, 1989, pp 98-132. (Slovak)
  • Aurel Hrabušický, "Počiatky alternatívneho umenia na Slovensku", in Šesťdesiate roky v slovenskom výtvarnom umení, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 218-251. (Slovak)
  • Jana Geržová, "Konceptuálne umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999, pp 145-149. (Slovak)
  • Jana Geržová, "Konceptuálne umenie", in Dejiny slovenského výtvarného umenia 20. storočia, ed. Zora Rusinová, Bratislava: SNG, 2000, pp 170-178. (Slovak)
  • Marián Mudroch, Dezider Tóth (eds.), 1. otvorený ateliér, Bratislava: SCCAN, 2000, 143 pp. (Slovak)
  • Konceptuálne umenie na zlome tisícročí / Conceptual Art at the Turn of Millenium / Konceptuális művészet az ezredfordulón. International Symposium, October 15-16, 2001, Budapest/Bratislava, eds. Jana Geržová and Erzsébet Tatai, Bratislava: Slovak Section of AICA, and Budapest: AICA Section Hungary, 2002, 174 pp. Symposium proceedings. (Slovak),(English),(Hungarian)
    • Jana Geržová, "Mýty a realita konceptuálneho umenia na Slovensku" / "Myths and Reality of the Conceptual Art in Slovakia", pp 22-51. (Slovak)/(English)
  • Jana Geržová, "N(e)oklasický koncept", in Na križovatke kultúr? Zborník z medzinárodného sympózia, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2002, pp 107-118. (Slovak)
  • Dušan Brozman, Boris Kršňák, Zo slovenského konceptuálneho umenia, Budapest: Slovenský Inštitút Budapešť, and Zvolen: Oznka, 2008. Catalogue. (Slovak)
  • Zuzana Bartošová, Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia, Bratislava: Kalligram, 2011, 360 pp. Commentary: Hrabušický & Macek (Profil 2012). (Slovak)
  • Beata Jablonská, "Spor o slovenské 'More'", Sešit pro umění, teorii a příbuzné zóny 15, Prague: VVP AVU, 2013, pp 6-19. (Slovak)
  • Tomáš Pospiszyl, "Národní konceptualizmus. Obrozenecké motivy v díle Stana Filka a Júliuse Kollera", ch 3 in Pospiszyl, Asociativní dějepis umění: poválečné umění napříč generacemi a médii, Prague: tranzit.cz, 2014, pp 81-121. (Czech)
  • Miękkie kody. Tendencje konceptualne w sztuce słowackiej / Soft Codes: Conceptual Tendencies in Slovak Art, Wrocław: Muzeum Współczesne Wrocław, 2015, 224 pp. Catalogue. [233], Exhibition. (Polish)/(English)
  • Daniel Grúň, Christian Höller, Kathrin Rhomberg (eds.), White Space in White Space / Biely priestor v bielom priestore, 1973-1982. Stano Filko, Miloš Laky, Ján Zavarský, Vienna: Schlebrügge, 2021, 228 pp. Project archive. Publisher. [242] [243] (English)
  • Denisa Kujelová (ed.), ČS koncept 70. let, Brno: Fait Gallery, 2021, 363 pp. Catalogue. [244] [245] [246] (Czech),(Slovak)
  • Richard Gregor (ed.), BAC: Bratislava Conceptualism / Bratislavský konceptualizmus, Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022, 480 pp. Proceedings from the conference Could We Speak of Bratislava Conceptualism (2015). Essays incl.: Gregor, Gregor, Kralovič. [247] (English)/(Slovak)

Hungary[edit]

  • Elképzelés: A magyar koncept művészet kezdetei. Beke László gyűjteménye, 1971, Budapest: Open Structures Society & tranzit. hu, 2008. (Hungarian)
  • Bookmarks: Hungarian Neo-avant-garde and Post-conceptual art from the Late 1960s to the Present / Bookmarks. Neo-Avantgarde und postkonzeptuelle Positionen in der ungarischen Kunst von den 1960ern bis heute, ed. Katalin Székely, Berlin: Distanz, 2015, 88 pp. Catalogue. [253] (English)/(German)
  • Cristina Cuevas-Wolf, Isotta Poggi (eds.), Promote, Tolerate, Ban: Art and Culture in Cold War Hungary, Los Angeles: Getty Publications, 2018, 160 pp. Fehér's essay. [256] (English)
  • 1971 – Párhuzamos különidők, eds. Dóra Hegyi, Zsuzsa László, Zsóka Leposa, and Enikő Róka, Budapest: tranzit.hu, 2022. Exhibition. Exhibition. Publisher. (Hungarian)
    • 1971 – Parallel Nonsynchronism, eds. Dóra Hegyi and Eszter Szakács, Budapest: tranzit.hu, and Bucharest: PUNCH, 2022, 332 pp. Publisher. Publisher. Review: Świtek (Art East/Central). Exh. review: Laszlo & Roka (mezosfera). (English)

Czech Republic[edit]

Yugoslavia[edit]

Croatia[edit]

Serbia[edit]

Slovenia[edit]

  • Konceptualna umetnost 60-ih in 70-ih let, eds. Ljubica Klančar, Lilijana Stepančič, and Igor Španjol, Ljubljana: Galerija ŠKUC, 1997, 70 pp. [261] (Slovenian)
  • R., "Konceptualizem", Pojmovnik slovenske umetnosti 1945-2005, Ljubljana: Raziskovalni inštitut ALUO, n.d. (Slovenian)

Romania[edit]

Baltics[edit]

  • Thinking Pictures: Conceptual Art from Moscow and the Baltics, eds. Anu Allas and Liisa Kaljula, Tallinn: Estonian Art Museum, 2022, 208 pp. Exhibition. Exh. review: Janušová (Artmargins). [264] (Estonian)/(English)
  • Ieva Astahovska, "Struktuurid ja mudelid, absurd ja paradoksid. Kontseptuaalse kunsti katsetused Lätis 1970. ja 1980. aastatel" / "Structures and Models, Absurdities and Paradoxes: Conceptual Art Explorations in Latvia in the 1970s and 1980s", Eesti Kunstimuuseumi Toimetised / Proceedings of the Art Museum of Estonia 13, Tallinn: KUMU, 2023, pp 85-99, 100-126. [265] (Latvian)/(English)

Geometric abstraction, Neo-constructivism, Op art, Kinetic art[edit]

East-Central Europe[edit]

Czech Republic[edit]

Slovakia[edit]

  • Dušan Konečný, Kinetizmus, Bratislava: Pallas, 1970, 88 pp. [271] (Slovak)
  • Vladimir Maleković, "Suvremena češka i slovačka avangarda", Život umjetnosti 18, Zagreb, 1972, pp 68-78. (Serbo-Croatian)
  • Vladimír Beskid, "Geometrická abstrakcia", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Katarína Bajcurová, "Kinetické umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Jana Geržová, "Mobil", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Katarína Bajcurová, "Op-art", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Ľuba Belohradská, "Konštruktívne tendencie v zrkadle slovenskej umenovedy", MADI ap 4, Mar 2002. (Slovak)/(Hungarian)
  • Ľuba Belohradská, Eva Trojanová (eds.), Hranice geometrie / Borders of Geometry, Petum, 2009, 429 pp. [272] (Slovak)/(English)

Poland[edit]

Hungary[edit]

Yugoslavia[edit]

Croatia[edit]

See also New Tendencies.

Serbia[edit]

Romania[edit]

Latvia[edit]

Fluxus, intermedia, sound art[edit]

East-Central Europe[edit]

  • Fluxus East: Fluxus-Netzwerke in Mittelosteuropa / Fluxus East: Fluxus Networks in Central Eastern Europe, ed. Petra Stegmann, Berlin: Kuenstlerhaus Bethanien, 2007, 288 pp. Exh. catalogue; exh. held at Künstlerhaus Bethanien, Berlin, 4 Sep-4 Nov 2007. Contains artists' biographies, an extensive illustrated chronology divided in sections, including an “Overall Survey of Fluxus Events in Central Eastern Europe (1962–1989), “Fluxus Concerts,” “Individual Exhibitions and Performances,” “Exhibitions and Festivals,” “Mieko Shiomi’s ‘Spatial Poems,’” “Nine Global Events,” and “Fluxus East and West,” and essays by Eric Andersen, Andrea Bátorová, Milan Knížák, Pavlína Morganová, Luiza Nader, Maria Anna Potocka, Tamás St. Auby, Petra Stegmann, and Emmett Williams. [277] [278] (German)/(English)
  • "The Lunatics are on the Loose...": European Fluxus Festivals, 1962-1977, ed. Petra Stegmann, Potsdam: Down With Art!, 2012, 591 pp. Exh. catalogue. Extensive documentation of 32 selected European Fluxus events in Aachen, Aberystwyth, Amsterdam, Berlin, Budapest, Copenhagen, Düsseldorf, London, Madrid, Nizza, Oslo, Paris, Prague, Poznan, Rotterdam, Scheveningen, Stockholm, Vilnius, Wiesbaden, Wuppertal. [279] [280] (English)
  • The Freedom of Sound: John Cage Behind the Iron Curtain, ed. Katalin Székely, Budapest: Ludwig Múzeum - Kortárs Művészeti Múzeum, 2013. Exh. catalogue. Publisher. Exhibition. Exh. brochure. (English)
  • Petra Stegmann, "Fluxus and the East", Centropa 14:1, Jan 2014. (English)

Czech Republic[edit]

  • Jiří Valoch, Partitury: grafická hudba, fónická poezie, akce, parafráze, interpretace, Prague, 1980. (Czech)
  • Jarmila Doubravová, Hudba a výtvarné umění, Prague, 1982. (Czech)
  • Petr Dorůžka (ed.), Hudba na pomezí, Prague, 1991. (Czech)
  • Michal Rataj (ed.), Zvukem do hlavy, Prague, 2012. (Czech)
  • Helena Musilová, "Fluxus a československá scéna v 60. letech 20. století / Fluxus and the Czechoslovak Art Scene in the 1960s", in Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images, eds. Jitka Hlaváčková and Miloš Vojtěchovský, Prague: ArtMap, 2021, pp 123-136. [283] (Czech)/(English)

Slovakia[edit]

Germany[edit]

  • Anita Kenner (Christoph Tannert), "Avantgarde in der DDR heute? Ein Panorama der Kunst-, Literatur- und Musikszene", Niemandsland 5, 1988, pp 94-110. (German)
  • Jens Henkel, Sabine Russ, DDR 1980-1989: Künstlerbücher und originalgrafische Zeitschriften im Eigenverlag; eine Bibliographie, Gifkendorf: Merlin, 1991, 166 pp. [284] (German)
  • Forschungsstelle Osteuropa (ed.), Eigenart und Eigensinn: Alternative Kulturszenen in der DDR (1980-1990): mit einem Bestandskatalog, Temmen, 1993, 272 pp. [285] (German)
  • Philip Brady, Ian Wallace (eds.), Prenzlauer Berg: Bohemia in East Berlin?, Amsterdam: Rodopi, 1995, 148 pp. Review: Görner (Modern Lang Rev). [286] (English)
  • Günter Feist, Eckhart Gillen, Beatrice Vierneisel, Kunstdokumentation SBZ / DDR 1945-1990. Aufsätze, Berichte, Materialien, Cologne: DuMont, 1996, 916 pp. Review: Heering (ZdF). (German)
  • Uta Grundmann, Klaus Michael, Susanne Seufert (eds.), Die Einübung der Aussenspur. Die andere Kultur in Leipzig 1971-1990, Leipzig: Thom, 1996. (German)
  • Christian Hussel, Aktionskunst in der DDR bei spezieller Betrachtung der autonomen Kunstszene, Universität Leipzig, 1996. MA thesis. (German)
  • Paul Kaiser, Claudia Petzold (eds.), Boheme und Diktatur in der DDR. Gruppen Konflikte Quartiere 1970 bis 1989, Berlin: Fannei und Walz, 1997, 415 pp. Catalogue. (German)
  • Peter Böthig, Grammatik einer Landschaft. Literatur aus der DDR in den 80er Jahren, Berlin: Lukas, 1997, 298 pp. [287] (German)
  • Birgit Dahlke, Papierboot. Autorinnen aus der DDR--inoffiziell publiziert, Würzburg: Königshausen und Neumann, 1997. Review: Baldwin (GDR Bulletin). (German)
  • Bernd Lindner, "Eingeschränkte Öffentlichkeit? Die alternative Galerieszene in der DDR und ihr Publikum", Schweinebraden 1, 1998, pp 225-233. (German)
  • Roland Galenza, Heinz Havemeister (eds.), Wir wollen immer artig sein... Punk, New Wave, Hiphop und Independent-Szene in der DDR von 1980-1990, Berlin: Schwarzkopf & Schwarzkopf, 1999. (German)
  • Edward Larkey (ed.), A Sound Legacy? Music and Politics in East Germany, Washington, DC: American Institute for Contemporary German Studies, 2000, 64 pp. (English)
  • Susanne Binas, "'Ost-West-Durchbrüche'. Zur aktuellen Bedeutung des DDR-Pop-Undergrounds", in Sound Signatures. Über die populäre Welt, ed. Jochen Bonz, Frankfurt am Main: Suhrkamp, 2001. (German)
  • Roland Berbig, et al. (eds.), Zersammelt: die inoffizielle Literaturszene der DDR nach 1990: eine Bestandsaufnahme, Berlin: Theater der Zeit, 2001, 243 pp. (German)
  • Bernd Lindner, Rainer Eckert (eds.), Klopfzeichen. Kunst und Kultur der 80er Jahre in Deutschland. Teil 1: Mauersprünge, Leipzig: Faber & Faber, 2002. TOC. (German)
  • Eugen Blume, Hubertus Gaßner, Eckhart Gillen, Hans-Werner Schmidt (eds.), Klopfzeichen. Kunst und Kultur der 80er Jahre in Deutschland. Teil 2: Wahnzimmer, Leipzig: Faber & Faber, 2002. (German)
  • Fritz Jacobi (eds.), Nationalgalerie Berlin: Kunst in der DDR. Katalog der Gemälde und Skulpturen, Leipzig: E. A. Seemann, 2003, 312 pp. Catalogue, with CD-ROM. Review: Feist (J f Kunstgeschichte). (German)
  • Eugen Blume, Roland März (eds.), Kunst in der DDR. Eine Retrospektive der Nationalgalerie, Berlin: G + H Verlag, 2003, 360 pp. Catalogue. TOC. Review: Feist (J f Kunstgeschichte). (German)
  • Michael Boehlke, Henryk Gericke (eds.), Ostpunk! Too Much Future. Punk in der DDR 1979-89, Berlin: Künstlerhaus Bethanien, 2005, 207 pp. Catalogue. (German)/(English)
  • Frank Eckhardt, Paul Kaiser (eds.), Ohne uns! Kunst & alternative Kultur in Dresden vor und nach ’89, Dresden: efau, 2009, 382 pp. Catalogue. Works. [288] [289]
  • Angelika Richter, Beatrice E. Strammer, Bettina Knaupp (eds.), und jetzt. Künstlerinnen aus der DDR, Nürnberg: Verlag für moderne Kunst, 2009. Catalogue. Tannert's essay. (German)
  • Uwe Warnke, Ingeborg Quaas (eds.), Die Addition der Differenzen. Die Literaten- und Künstlerszene Ostberlins 1979 bis 1989, Berlin: Verbrecher, 2009, 340 pp. Catalogue. [290] [291] [292] (German)
  • Barbara Büscher, "Intermedia DDR 1985 - Ereignis und Netzwerk", map - media archive performance 2, 2010. [293] (German)
  • Britt Schlehahn, "Prozessorientierte Kunstformen in der DDR. Kritischer Rückblick auf aktuelle Ausstellungspraktiken", map - media archive performance 2, 2010. (German)
  • Jeannette Stoschek, "action fotografie 1956-1957. Eine Fotografengruppe in Leipzig, zwei Ausstellungen und ihre aktuelle Präsentation", map - media archive performance 2, 2010. (German)
  • Susanne Altmann, Ulrike Lorenz (eds.), Entdeckt! Rebellische Künstlerinnen in der DDR, Mannheim: Kunsthalle Mannheim, 2011, 30 pp. Excerpt. Excerpt. (German)
  • Geschlossene Gesellschaft. Künstlerische Fotografie in der DDR 1949-1989 / The Shuttered Society: Art Photography in the GDR: 1949-1989, Berlin: Berlinische Galerie, 2012, 352 pp. Catalogue. (English)/(German)
  • Heinz-Peter Preußer, "Randliteratur. Mediale Transgressionen des literarischen Feldes und im DDR-Samizdat insbesondere", in Literatur inter- und transmedial / Inter- and Transmedial Literature, Leiden: Brill, 2012. [294] (German)
  • William Seth Howes, Punk Avant-Gardes: Disengagement and the End of East Germany, University of Michigan, 2012. PhD dissertation. (English)
  • Yvonne Fiedler, Kunst im Korridor: private Galerien in der DDR zwischen Autonomie und Illegalität, Ch. Links Verlag, 2013, 400 pp. [295] (German)
  • Elize Bisanz, Marlene Heidel (eds.), Bildgespenster. Künstlerische Archive aus der DDR und ihre Rolle heute, Bielefeld: transcript, 2014. [296] [297] (German)
  • Christoph Tannert, Eugen Blume (eds.), Gegenstimmen. Kunst in der DDR 1976–1989 / Voices of Dissent. Art in the GDR 1976 to 1989, Berlin: Deutsche Gesellschaft, 2016, 559 pp. [298]. TOC. Excerpt. (German)/(English)
  • Sara Blaylock, "Performing the Subject, Claiming Space: Performance Art in 1980s East Germany", post, New York: MoMA, 1 Aug 2017. (English)
  • Angelika Richter, "Artistic collaborations of performing women in the GDR", in Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe, eds. Katalin Cseh-Varga and Adam Czirak, London: Routledge, 2018, pp 219-235. (English)
  • Angelika Richter, Das Gesetz der Szene: Genderkritik, Performance Art und zweite Öffentlichkeit in der späten DDR, Bielefeld: transcript, 2019, 408 pp. [299] (German)
  • Astrid Hackel, "Sichtbarkeit als Kritik. Subversive Körperbilder bei Gabriele Stötzer und Cornelia Schleime", in Aktionskunst jenseits des Eisernen Vorhangs. Künstlerische Kritik in Zeiten politischer Repression, ed. Adam Czirak, Bielefeld: transcript, 2019. (German)
  • Sara Blaylock, Parallel Public: Experimental Art in Late East Germany, MIT Press, 2022, 328 pp. Publisher. Author. Review: Fritzsch (ArtMargins). (English)
  • Sarah E. James, Paper Revolutions: An Invisible Avant-Garde, MIT Press, 2022, 400 pp. Publisher. (English)
  • Anti-Social Art: Experimental Practices in Late East Germany, Duluth, MN: University of Minnesota, 2022, 20 pp. Exh. zine; texts by texts by Sara Blaylock, Seth Howes, Sarah James, and Briana J. Smith. [300] [301] (English)
  • Alexander Pehlemann, Robert Mießner, Ronald Galenza (eds.), Magnetizdat DDR. Magnetbanduntergrund Ost 1979–1990, Berlin: Verbrecher, 2023, 464 pp. With 3-LP. Publisher. Book launch. [302] (German)
  • more

Feminist art[edit]

  • Gender Check: Femininity and Masculinity in the Art of Eastern Europe, ed. Bojana Pejić and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Walther Koenig, 2009, 392 pp. Catalogue. Texts by: Edit András, Keti Chukhrov, Branislav Dimitrijevic´, Katrin Kivimaa, Izabela Kowalczyk, Suzana Milevska, Martina Pachmanová, Bojana Pejic´, Piotr Piotrowski, Zora Rusinová, Hedwig Saxenhuber, Georg Schöllhammer. Project website. Publisher. Exh. held at mumok, Vienna, 13 Nov 2009-14 Feb 2010; Zachęta, 19 Mar-13 Jun 2010. List of works. Review: Krüger (Ostblick). Symposium. [303]
    • Gender Check. Rollenbilder in der Kunst Osteuropas, Vienna: mumok, 2009, 162 pp. TOC. [304] (German)
  • Gender Check: A Reader. Art and Theory in Eastern Europe, eds. Bojana Pejić, ERSTE Foundation, and Museum Moderner Kunst Stiftung Ludwig Vienna, Cologne: Buchhandlung Walther König, 2010, 416 pp. An extensive collection of texts that explicitly analyze visual arts created before and after 1989 in the 'other' Europe in terms of gender and feminist theories. Texts by Anna Alchuk, Branislava Andjelkovic, Edit András, Zdenka Badovinac, Ágnes Berecz, Lyudmila Bredikhina, Branislav Dimitrijevic, Hildtrud Ebert, Ewa Franus, Jana Geržová, Nataša Ilić, Eva Khachatryan, Katrin Kivimaa, Izabela Kowalczyk, Vjollca Krasniqi, Laima Kreivyte, Dejan Kršic, Paweł Leszkowicz, Suzana Milevska, Danica Minic, Olivia Niţiş, Aleksis Osmanis, Martina Pachmanová, Bojana Pejić, Piotr Piotrowski, Zora Rusinová, Angeli Sachs, Lydia Sklevicky, Vera Sokolová, Inga Šteimane, Maria Vassileva, Mirek Vodrážka. TOC. Project website. Publisher. [305]
  • The Medea Insurrection: Radical Women Artists behind the Iron Curtain, ed. Susanne Altmann, et al., Cologne: Walther Koenig, and Dresden: Staatliche Kunstsammlungen Dresden, 2019, 256 pp. Excerpt. Exhibition, [306]. [307] (German)/(English)
  • Secondary Archive, platform for women artists from Central and Eastern Europe, est. 2021. Maintained by Katarzyna Kozyra Foundation. [308]

Cybernetics, Technology and Politics[edit]

East-Central Europe[edit]

Poland[edit]

  • Natalia Sielewicz, "Eternal Shapes: Weaving the Erotic into Cybernetics in 1970s Poland", in Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s, ed. Pavel S. Pyś, Minneapolis, MN: Walker Art Center, 2023. Excerpt. Exhibition. (English)
  • Computing and cybernetics in CEE#Poland

Audiovisual compositions[edit]

East-Central Europe[edit]

  • Karin von Maur, Vom Klang der Bilder. Die Musik in der Kunst des 20. Jahrhunderts, Stuttgart, 1985. Catalogue. (German)
  • Sophie Duplaix, Marcella Lista, Sons et lumières, Paris, 2004. (French)
  • Serge Lemoine, Pascal Rousseau (eds.), Aux origines de l'abstraction. 1800-1914, Paris: Réunion des musées nationaux, 2003, 336 pp. Catalogue. (French) [309]
  • Jan Schneider, Lenka Krausová (eds.), Intermedialita: Slovo-Obraz-Zvuk: Sborník příspěvku ze sympozia, Olomouc: Univerzita Palackého v Olomouci, 2008, 336 pp. (Czech)
  • David Crowley, Daniel Muzyczuk, Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984, Łódź: Muzeum Sztuki, 2012.
  • Daniel Muzyczuk, David Crowley, Michał Libera, "Sounding the Body Electric: A Conversation", ArtMargins, 8 October 2012.
  • Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1964-1984, Bôłt, 2013. 2-CD. [310]
  • David Crowley, Daniel Muzyczuk (eds.), Notes from the Underground: Art and Alternative Music in Eastern Europe 1968–1994 / Notatki z podziemia, London: Koenig Books, 2017, 448 pp. [311]. Exhibition. (English)/(Polish)

Czech Republic[edit]

  • František Krejčí, "Čití a vnímání", Psychologie, II, Prague, 1904, p 250. (Czech)
  • J. Chalupecký, Hudba barev, Prague, 1904. (Czech)
  • J. Stanislav, L. Kuba, Prague, 1968.
  • Vladimír Lébl, "O meznich druzich hudby", Nove cesty hudby, 1969, II, pp. 216-247. (Czech)
  • M. Klivar, "Nove formy audiovizualniho umeni", Estetika, 1970, 2, pp. 149-154. (Czech)
  • Vladimír Lébl, "M. Grygar", Hudebni rozhledy, 1971, 9; Electronic Music Reports, Utrecht 1971; Jazz Bulletin, 1979, 9.
  • J. Doubravová, "Z rane tvorby E. Schulhoffa", Hudebni rozhledy, 1976, 6, pp. 281-285. (Czech)
  • J. Doubravová, "Music and Visual Art: Their Relation as a Topical Problem of the Contemporary Music in Czechoslovakia", International Review of the Aesthetics and Sociology of Music, 11(2), 1980, pp 219-228.
  • Jiří Zemánek, Milan Grygar, Obraz a zvuk, Prague, 1999. Catalogue.
  • Lenka Pastyříková, "Vizualizace hudby v českém meziválečném výtvarném umění", Umění LII, 2004. (Czech)
  • Alois Piňos, Ivo Medek, Multimedial Scene of Brno, Brno: JAMU, 2005.
  • Jaroslav Bláha, Výtvarné umění a hudba: Tvar prostor a čas I, , 2012, 231 pp. With CD. (Czech) [312]

Slovakia[edit]

Electroacoustic music, Sound art[edit]

East-Central Europe[edit]

Czech Republic[edit]

  • Miloš Bláha, Miroslav Mandík, "I. seminář elektronické hudby v ČSSR", Rozhlasová a televizní technika 4, 1964. [315] [316] [317] (Czech)
  • Vladimír Lébl, Elektronická hudba, Prague: Státní hudební vydavatelství, 1966. [318] (Czech)
  • Zdeněk Fencl, "Komponující algoritmus a obsah informace", Kybernetika 3 (1966), Prague, pp 243-258. (Czech)
  • Josef Berg, Alois Piňos, Dějiny hudebního experimentu v Praze a na Moravě [History of Music Experiment in Czechia and Moravia], Sep 1966 ff. Events.
  • Jan Kapr, Konstanty nástin metody osobního výběru zvláštních znaků skladby [Constants, Outline of Personal Method of Specific Signs of Composing Selection], Prague: Panton, 1967, 226 pp. (Czech),(German)
  • Zdeněk Fencl, "Počítač jako hudební nástroj", Hudební věda 5:1 (1968), Prague, pp 101-116. (Czech)
  • "Československo", in International Electronic Music Catalog, ed. Hugh Davies, Paris: Le Groupe de Recherches Musicales de l'O.R.T.F. (GRM), and New York: Independent Electronic Music Center, 1967, pp 24-29, IA. Special issue of Electronic Music Review 2/3, Apr/July 1967. (English),(French)
  • Z. Vostřák, "Kapitoly z hudební poetiky" [Lectures on Music Poetics], Konfrontace 1 (1969), pp. 6–13.
  • J. Kapr, "Teorie naznačování a vychylování" [Theory of Indication and Variation], Hudební rozhledy, 1970, pp 358–365, 417–422.
  • Vladimír Lébl, "Brno Experimenting", Hudební rozhledy 5 (1970), Prague. [319]
  • Jiří Kopřiva, "Samočinný počítač jako pomocník skladatele experimentální hudby", in Deset let práce laboratoře počítacích stroju, Brno: VUT, 1972, pp 116-117. (Czech)
  • Rudolf Růžička, "Samočinné počítače a současné směry v hudbě", in Deset let práce Laboratoře počítacích strojů VUT, Brno, 1972, p 120. (Czech)
  • M. Ištván, "Metoda montáže izolovaných prvků v hudbě", Prague: Panton, 1973. (Czech)
  • Alois Piňos, "Elektroakustické skladby brněnského kompozičního týmu 1968-1974" [320] (Czech)
  • Jiří Hanousek, "O začátcích a konci Brněnského elektronického studia" [321] (Czech)
  • J. Ludvová, Matematické modely v hudební analyse, Prague: Supraphon, 1975.
  • Rudolf Růžička, Využití samočinných počítaču při vzniku umělecký děl se zvláštním zaměřením na hudbu a soudobou kompozici, Brno: JAMU, 1980.
  • Josef Gerbrich, Rudolf Růžička, Jiří Stehlík, "Compositions musicale informatisées en Tchécoslovaquie" in Conference Internationale d' Informatique Musicale 1984, Paris, 1984, pp 97-98. (French)
  • Josef Gerbrich, Rudolf Růžička, Jiří Stehlík, "The computer musical compositions in Czechoslovakia", International Computer Music Conference 1984, Paris, 1984, pp 230-231.
  • Josef Gerbrich, Miloš Štědroň, "Počítače a hudba", in SOFSEM '85, Brno: Ústav výpočetní techniky UJEP, 1985, pp 47-68. (Czech) [322]
  • Jan Jirásek, "Changes in the Semantic Relationships Among Basic Musical Parameters and Their Perspektive in EAM", a lecture given in Graz, Opus musicum, Brno, 1988.
  • Josef Gerbrich, Petr Randula, Rudolf Růžička, "Program pro kompozici a automatickou notaci vážné hudby", in Aplikace umělé inteligence - AI '88, Prague: Ústav pro informační systémy v kultuře, Prague, 1988, pp 289-296. (Czech)
  • Rudolf Růžička, "Perspektivy počítačové umělecké tvorby a jejího společenského uplatnění", Opus musicum 3, 1989, pp IV-VI.
  • Vladimír Lébl, "Brno in Sixties", Opus musicum 6 (1990), Brno.
  • Alois Piňos, "Zum Princip der Latenz in der zeitgenössischen Musik", in Otto Kolleritsch (ed.), Musikalische Gestaltung im Spannungsfeld von Chaos und Ordnung , UE Wien, N. 26823m, 1991, pp 103–113.
  • Rudolf Růžička, "Creative, Pedagogical and Social Perspectives of Electroacoustic and Computer Music Art", "Tvůrčí, pedagogické a spoločenské perspektivy elektroakustického a computerového hudebního umění," IFEM '92 Medzinárodné fórum elektroakustickej hudby. Bratislava-Dolná Krupá. November 1992. [323] (English)/(Czech)
  • Miroslav Kaduch Česká a slovenská elektroakustická hudba 1964-1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník, Ostrava, 1994; Second Edition: 1996. [324] (Czech)
  • Libor Zajíček, An Oral History of Electroacoustic Music in the Czech and Slovak Republics, Dissertation, San Jose State University, 1995. [325]
  • Libor Zajíček, "The History of Electroacoustic Music in the Czech and Slovak Republics", Leonardo Music Journal 5 (1995), pp 39-48 [326]
  • Kateřina Růžičková, Multimediální umění a jeho projevy na brněnské hudební scéně, Brno: JAMU, 1999. Master's thesis. (Czech)
  • Lenka Dohnalová, "Electro-acoustic music in Czech Republic", Aesthetica 19 (2000).
  • Lenka Dohnalová, Estetické modely evropské elektroakustické hudby a elektroakustická hudba v ČR, Prague: Univerzita Karlova, 1999. (Czech)
  • Michal Rataj, Elektroakustická hudba a vybrané koncepty radioartu, Prague: Kant, 2007. (Czech)
  • Petr Kotík, Viktor Pantůček, Ladislav Kupkovič, Rudolf Komorous, Začátky nové hudby v Praze 1959-64: Ostravské dny 2007, Ostravské centrum nové hudby, Ostrava, 2007, 43 pp. [327]
  • Martin Flašar, "The East of the West: The conditions under which electroacoustic music existed in Czechoslovakia, 1948-1992", EMS08, 2008. Conference paper.
  • Tomáš Raszka, Elektroakustická hudba, její technologie a proces se zaměřením na československou scénu, Brno: Masaryk University, 2010. Bachelor thesis. (Czech)
  • Zvukem do hlavy: Sondy do současné audiokultury, Prague: AMU, 2012. (Czech) [328]
  • Rudolf Růžička (ed.), "Bibliografie o české a slovenské počítačové hudbě".
  • Sylvie Bajgarová, Profil české elektroakustické hudební scény v letech 2000-2020, Brno: Masarykova univerzita, 2021. Master's thesis.
  • Petr Ferenc (ed.), Ukryto v pásech: Vybrané kapitoly z české elektroakustické hudební tvorby do roku 1989, Prague: Národní muzeum, 2022, 196 pp. [329] (Czech)

Slovakia[edit]

Hungary[edit]

  • Laszlo Dubrovay, "Hungarian Electroacoustic Music", 1994, [336]
  • Zoltán Pongrácz, "Electroacoustic music in Hungary", 1992, [337]
  • Gyorgy Kroó, "New Hungarian Music", in: Notes, Second Series, Vol. 39, No. 1 (Sep., 1982), pp. 43-71 [338]

Poland[edit]

East Germany[edit]

Serbia[edit]

  • Mirjana Veselinović-Hofman, "Stvaralačko prisustvo evropske avangarde u nas" [The Creative Presence of the European Avant-Garde in Serbian Music], Belgrade, Univerzitet umetnosti, 1983.
  • Vladan Radovanović, Vokovizuel (Vocovisual), Belgrade, Nolit, 1987.
  • Mirjana Veselinović-Hofman, "Fragment o muzičkoj postmoderni" [Fragment on Musical Postmodernism], Novi Sad, Matica srpska, 1997.
  • Vladan Radovanović, “Srpska avangarda u odlasku od muzike (1955–1980)” [Serbian Avant-garde in the Process of Leaving Music (1955–1980)], Gradina, 10, 1984, pp. 5–37
  • Melita Milin, "Serbian Music of the Second Half of the 20th Century: From Socialist Realism to Postmodernism", in: Katy Romanou (ed.), Serbian and Greek art music: a patch to Western music history, Intellect Books, 2009, pp 82-97.
  • Sintezijska umetnost Vladana Radovanovića [The Synthesic Art of Vladan Radovanović] monograph for his retrospective, 2005. Includes collection of essays by Dejan Đorić (The Founder of the Serbian Avant-Garde), Ješa Denegri, Nikola Šuica (on vocovisual), Ivan Rastegorac (On the Recording of Dreams and the Literary Works of Vladan Radovanović), Melita Milin (Metamusic and Music of Vladan Radovanović), Vladan Radovanović (Sintezijska umetnost / Synthesic Art); and catalogue of works. [341] [342]
  • Mirjana Veselinović-Hofman, "Problems and Paradoxes of Yugoslav Avant-garde Music (Outlines for a Reinterpretation)" in Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 404-441. (English)
  • Ivana Janković [Medić], "Sintezijska umetnost Vladana Radovanovića" [Vladan Radovanović's 'synthesic art'], Muzikologija 3, 2003, pp 141-186. (Serbian) [343] [344]
  • Vladan Radovanović, Muzika i Elektroakustička Muzika, Izdavačka knjižarnica Zorana Stojanovića, Novi Sad, 2010.

Croatia[edit]

Romania[edit]

  • Aurel Stroe, Grădina sunetelor - eseuri despre muzică [Sound Garden - Essays on Music], Bucharest: Muzicală, 1991. (Romanian)

Bulgaria[edit]

  • Simo Lazarov, "Bulgarian Electronic and Computer Music Electronic Studio - Radio Sofia", 1994. [345]
  • Simo Lazarov, "Composing and Performing Computer Music By Using Personal Computers", PhD thesis, 1991. Technical University in Sofia.

Lithuania[edit]

Multimedia environments[edit]

Czech Republic[edit]

  • Jan Grossman, "O kombinaci divadla a filmu", in Laterna magika - sborník statí, ed. Bohumil Svoboda, Prague: ČSF - Filmový ústav, 1968, pp 31-97. (Czech)
  • Vít Havránek, "V prostoru", in Akce, slovo, pohyb, prostor. Experimenty v umění šedesátých let, ed. Vít Havránek, Prague: Galerie hl. města Prahy, 1999, pp 178–198. (Czech)
  • Vít Havránek, "Laterna Magika, Polyekran, Kinoautomat", in Future Cinema: The Cinematic Imaginary after Film, Karlsruhe: ZKM, and Cambridge, MA: MIT Press, 2003. (English)
  • Michael Bielicky, "Prague: A Place of Illusionists", trans. Sarah Clift, in Future Cinema: The Cinematic Imaginary after Film, eds. Jeffrey Shaw and Peter Weibel, Karlsruhe: ZKM, and Cambridge, MA: MIT Press, 2003, 96-101. (English)
  • Magdalena Deverová, Instalace vnitřního prostoru - její počátky v českém umění [Interior Installation - Its beginnings in Czech art], Brno: Masaryk University, 2009. Master's thesis. (Czech)
  • Svatopluk Malý, Vznik, rozvoj a ústup multivizuálních programů. Laterna magika a polyekrany, Prague: Akademie múzických umění, 2010, 110 pp. Publisher. (Czech)
Resources
  • Vit Havranek (ed.), Pioneers of Interactive Czech Films (50s-60s), 2002. DVD with works: Laterna Magika, 1958; Laterna Magica, 1967, Exposition Montréal; Kinoautomat, 1967, Expo Montréal; Diapolyekrán, Stvorení sveta, 1967, Expo Montréal. [347]

Computer art, digital art[edit]

East-Central Europe[edit]

Croatia[edit]

See also New Tendencies.

Czech Republic[edit]

  • Jiří Valoch (ed.), Computer Graphic, Brno: Dům umění města Brna, 1968. 16 pages. Catalogue. (Czech)
  • Zdeněk Sýkora, J Blažek, "Computer-Aided Multi-element, Geometrical Abstract Paintings", Leonardo 3 (1970), p 409.
  • Božena Pilpachová, Počítačová grafika, Prague: Výzkum. ústav výstavby a architektury, 1972, 58 pp. (Czech)
  • L Granát, H Sechovský, Počítačová grafika, Prague: SNTL, 1980. (Czech)
  • Miroslav Klivar, Zdeňka Čechová, Aplikace počítačové grafiky v textilním průmyslu ČSSR, Prague: ÚBOK, 1981. (Czech) [348]
  • Computer Graphics Art. Zdeňka Čechová, Daniel Fischer, Zdeněk Frýbl, Jozef Jankovič, Miroslav Klivar, Jan Moučka, Prague, 1982. Catalogue.
  • Počítačové grafické umění, Prague: Obvodní dum kultury v Prahe 8, 1982. Catalogue. (Czech)
  • Miroslav Klivar, "Počítač v umění a experimentální estetice" Estetika 3 (1986). (Czech)
  • Miroslav Klivar, "České počítačové umění (1)", Chůdové kořeny, Vol 2, No 2, June 2003. (Czech)
  • Miroslav Klivar, "České počítačové umění (2)", Chůdové kořeny, Vol 2, No 3, October 2003. (Czech)

Slovakia[edit]

Hungary[edit]

Poland[edit]

Slovenia[edit]

  • Marina Gržinić (ed.), The Future of Computer Arts, 2004. [353]

Romania[edit]

  • Sherban Epuré, "Redefinirea structurii artistului. Atitudine cibernetică, gândire matematică" [Cybernetic Attitude, Mathematical Thinking], România Literarã 25, Bucharest, 13 Jun 1970. (Romanian)
  • Adrian Rogoz, "Arta Programativã", Stiinta si Technica, Bucharest, Jun 1970. (Romanian)
  • Sherban Epuré, "Cibernetica şi arta" [Cybernetics and Art], Arta Plasticã 7, Bucharest, Sep 1970. (Romanian)
  • Sherban Epuré, "Glosar" [Glossary], Arta Plasticã 1-5, Bucharest, Feb-Aug 1971. The "Glossary" was published throughout most of 1971, as a series of monthly articles. It dealt with such terms as: cybernetics, structure, input, output, feedback behavior, information, the significance of information, feedback, black-box, redundancy, noise, sensibility, original, entropy, etc. [354] [355] [356] [357] [358] (Romanian)
  • Viktor Ernest Maşek, Arta şi matematica. Introducere în estetica informaţională, Bucharest: Politică, 1972. The first Romanian text applying Max Bense's aesthetic theories to semiotics of visual art. The book is based on his PhD thesis, "Introducere în estetica informaţională", 1971. (Romanian)
  • Viktor Ernest Maşek (ed.), Estetică, informaţie, programare [Aesthetics. Information. Programming], Editura Ştiinţifică, Bucharest 1972, 216 pp. Anthology comprising important texts by A. Moles, M. Bense, H. Frank, S. Maser, K. Alsleben, but also Mihai Dinu, Cezar Radu, Stefan Niculescu, and others.
  • Mihai Nadin, Elements of Meta-Aesthetics, Eminescu, Bucharest, 1972.
  • Sherban Epuré, "Realismul matematic" [Realism Mathematic], (cont.), (cont.), Arta Plasticã, Bucharest, 13 Apr 1973. (Romanian)
  • Sherban Epuré, "Matematică şi construcţie anatomică" [Mathematics and Anatomical Constructions"], (cont.), Secolul XX 11-12, Bucharest, 1973. (Romanian)
  • Abraham Moles, Artă şi ordinator [Art and Computer], trans. Claudia Dumitru and Ion Pascadi, pref. Ion Pascadi, Bucharest: Meridiane, 1974, 311 pp. Romanian trans. of the classic book Art et ordinateur (1971). (Romanian)
  • Sherban Epuré, "Artă plastică și metode cibernetice" [Fine Arts and Cybernetic Methos], (cont.), (cont.), Bucharest: New Gallery, Mar 1974. Catalog text; part of the Art and Energy exhibition, at The New Gallery, Bucharest. (Romanian)
  • Sherban Epuré, "Aplicații ale metodelor cibernetice în artă plastică" [Applications of Cybernetic Methods in Fine Arts], Arta Plastică, Bucharest, Oct 1974. (Romanian)
  • Viktor Ernest Maşek, "Computer Graphics", Arta 6, Bucharest, 1976. Review of Jalobeanu's exhibition. (Romanian)
  • Radu Bagdasar, Informatica Mirabilis - Arta şi Literatura de calculator [Computer Art and Literature], Dacia, 1982. (Romanian)
  • Solomon Marcus (ed.), Semiotica matematică a artelor vizuale [Mathematical Semiotics of Visual Arts], Bucharest: Editura Ştiinţifică si Enciclopedica, 1982, 409 pp. Contains two substantial texts in the field of the computer–art relationship, namely, Mihai Jalobeanu, "Imaginile, producerea si prelucrarea lor cu sistemele actuale de calcul" [Images, their Production and Processing with today's Computing Systems] and Mihai Brediceanu, "Timpul polimodular în artele vizuale" [Polimodular Time in Visual Arts]. (Romanian)
  • Art and Computer, 1985. Pamphlet accompanying exhibition, with text by Horia Medeleanu.
  • Sherban Epuré, "An Artist's Journey in Art and Science: From behind the Iron Court to Present-Day America", Leonardo 39:5, MIT Press, Oct 2006, pp 402-409, 436. [359] (English)
  • Ambroise Barrac, Poezia electronică, 2008. [360] (Romanian)
  • Mihai Nadin, "Foresight and Hindsight", Leonardo 51:3, Jun 2018, pp 270-276. [361] (English)

Bulgaria[edit]

  • In one of the biggest and well-known daily newspapers “Narodna Mladej” (Peoples’ Youth) with approx. 100 000 daily issues circulation, Rosen Petkov, promoted electronic arts (ca 1987 [362]). “Mlad konstruktor” (The Young Developer) magazine and “Grafika s komputar” (Computer Graphics) magazine were other well known media where Mr. Petkov presented the electronic music and computer graphics achievements during that time.
  • Rosen Petkov, Old books and computer arts, 2010. [363]

Video[edit]

East-Central Europe[edit]

Czech Republic[edit]

Documentary films

Slovakia[edit]

  • Miroslav Klivar, "Videoumenie I, II" Výtvarníctvo, fotografia, film 4-5 (1987). (Slovak)
  • Suterén, ed. Radislav Matuštík, Bratislava, 1989. Catalogue.
  • Katarína Rusnáková, "Videoumenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Katarína Rusnáková, "Umenie videa", in Zora Rusinová et al. Dejiny slovenského výtvarného umenia – 20. storočie, Bratislava: SNG, 2000. (Slovak)

Hungary[edit]

  • Bálint Szombathy, "Video Art in the Mid-Seventies", Új Symposion 128, 1975.
  • György Somogyi, Video-Visions (Mûvészet, 1977 Yearbook)
  • Gábor Bódy, Creative Thinking Device, film journal Filmvilág, 1982
  • The World of Video, first comprehensive collection of translated articles covering the field of video, providing information about the international developments of almost twenty years of video art and video theory, 1983.
  • Vera Bódy, "Magyar Video", Mediamatic 1:4 (1987). [370]
  • Sub Voce: Contemporary Hungarian Video Installation, ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, 75 pp. Catalogue. Exhibition. [371] (English)/(Hungarian)
  • Miklos Peternak, "Die neuen (kuenstlerischen) Medien und die ungarische Gesellschaft", [372] (German)
  • Andrew J Horton, "Avant-garde Film and Video in Hungary" Central European Review (October 1998) [373] (English)
  • Magyar videótörténet képekben. Film, színház, előadóművészet/Videó, DVD, Budapest: C3, 2007. Photo album, educational aid. [374] (Hungarian)
  • Szilvia Seres, Miklós Peternák (eds.), History and archive of video art in Hungary 1972-2000, Budapest: C3, n.d. Online archive.

Poland[edit]

Yugoslavia[edit]

Croatia[edit]

  • Inovacije u Hrvatskoj umjetnosti sedamdesetih godina, ed. Boris Kelemen, Zagreb: Gallery of Contemporary Art Zagreb, 1982. Excerpt. (Serbo-Croatian),(English)
  • Heiko Daxl, "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. (English), (German)
  • Andrew J Horton, "Avant-garde Film and Video in Croatia", Central European Review, Nov 1998. [377] (English)
  • Insert: retrospektiva hrvatske video umjetnosti / Retrospective of Croatian Video Art, ed. Tihomir Milovac, Zagreb: MSU, 2008, 360 pp. Exh. held at MSU Zagreb, Sep-Oct 2005, and MMSU Rijeka, Mar-Apr 2006. Texts by Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. Exhibition. [378] (Croatian)/(English)
  • Cinemaniac > Misliti film: Video animacija anticipacija / Cinemaniac > Think Film: Video Television Anticipation, ed. Branka Benčić, Pula: Apoteka — Space for Contemporary Art, 2017, 77 pp. (Croatian)/(English)

Serbia[edit]

Slovenia[edit]

  • Bit International 8-9: "Television Today / Televizija danas", ed. Vera Horvat-Pintarić, 1972, 245 pp. Includes texts on the first video experiments. (Serbo-Croatian)/(English),(French),(German),(Italian)
  • Stane Bernik, 1973, in Sinteza magazine he defined video art as an experiment and as a creative experience of contemporary fine art expression. This marked the beginning of discussions about video as a new medium in texts.
  • Ekran magazine published a historical overview of tendencies in video, including a selected bibliography, edited by Brane Kovič, 1977.
  • Bogdan Lešnik wrote in Ekran magazine, 1979, about video technology and procedures, and about video as `a medium whose specific conditions place it in the sphere of art and thus deprive it of political alertness'.
  • Tomaž Brejc on Miha Vipotnik and Nuša and Srečo Dragan, in Delo magazine, ca 1979. [380]
  • Dušan Mandić, text in Viks, a ŠKUC-Forum bulletin, 1983. Mandić wrote about the new codes of signification, and highlighted the difference between the formalistic approach to video in the `70s and the mass dimensions and social engagement of the audio-visual video explorations of the `80s.
  • Brane Kovič edited a thematic supplement on video for Ekran magazine, no. 1-2, Ljubljana, 1984. In addition to a text by Dušan Mandić, "ŠKUC-Forumova video produkcija", it was dedicated to the pioneer of video production, Nam June Paik.
  • The joint issue of Ekran and Sinteza in 1986 published the hitherto largest number of texts by domestic and foreign authors about video art, its history and relationship with television and design.
  • Marina Grzinic, "Video From Slovenia", Variant 11, 1992, pp 22-25.
  • Barbara Borčić, "From Alternative Scene to Art Video: Video Production in Slovenia 1992-1994", Ljubljana, March 1994. [381]
  • Barbara Borčić, "Reception of Video Production in Slovenia", [382]
  • "Video from Slovenia", [383]
  • Marina Grzinic, "Video Art in Slovenia and in the Territory of Ex-Yugoslavia (Toward an Electronic Art Media Theory in Eastern Europe)", Mute Jan 1997. [384]
  • Igor Španjol, "An artistic evening: television presentation and production of art video", in Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, Ljubljana: SCCA-Ljubljana, 1999.
  • Zemira Alajbegović and Igor Španjol, "In the tehnological grip of a television station: an interview with Miha Vipotnik", in Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, Ljubljana: SCCA Ljubljana, 1999.
  • Videodokument. Video art in Slovenia 1969-1998, ed. Barbara Borčić, Ljubljana: SCCA Ljubljana. Catalogue, book of essays, CD-ROM, 2001. [385]
  • Ana Fratnik, "Locality in the global medium: Video art in Slovenia". Diploma thesis, 2010. (Slovenian) [386]
  • Marina Gržinić (ed.), Paralelne zgodovine opolnomočenja in urbanosti Slovenije 1980–1990–2000. Od ljubljanske subkulturne scene do novomedijske scene v Sloveniji / Parallel Histories of Slovenia's Empowerment and Urbanity 1980-1990-2000. From the Ljubljana Subcultural Scene to the New Media Scene in Slovenia, Ljubljana, 2022. (Slovenian)/(English)
  • More texts on Videospotting.org

Macedonia[edit]

  • "Videokunst in Mazedonien", (German), [387]

Romania[edit]

  • Ex oriente lux, ed. Cãlin Dan, Bucharest: Soros Center for Contemporary Arts, 1994, 111 pp. Catalogue. Exhibition. (Romanian)/(English)
  • "Videokunst in Rumänien", (German), [388]
  • Natalie Musteata, "Wired to History: Romanian and Lithuanian Video Art Post-1989", PhD Program in Art History, CUNY Graduate Center, 2010. [389]

Bulgaria[edit]

  • Rossen Milev, "Bulgarien", in Milev, Video in Osteuropa, Sofia: Balkanmedia, 1993. (German)

Lithuania[edit]

Estonia[edit]

  • Raivo Kelomees, text on video art in Estonian, Kunst, 1988.
  • Raivo Kelomees, "Estonian Video Art", June 1995, [392]
  • Raivo Kelomees, "L'art vidéo vieillissant. L'académie de l'art électronique", [393]
  • Raivo Kelomees, "Jaan Toomik - Beyond Classification", 1997, [394]

Electronic music[edit]

Czech Republic[edit]

  • Petr Dorůžka ed. Hudba na pomezí (Prague: 1991)
  • Z K Slabý, Petr Slabý Svět jiné hudby (Prague: 2002)

Slovakia[edit]

  • Susanna Niedermayr, Christian Scheib European Meridians - New Music Territories. Reports from Changing Countries (Saarbrücken: PFAU, 2002) ISBN 3-89727-248-2. Two bilingual books with two audio CDs. [395] (English and German)

New media art, Media culture[edit]

East-Central Europe[edit]

Ostranenie catalogues
  • Ostranenie: 1. Internationales Videofestival am Bauhaus Dessau, 4.-7.11.1993: erschütterte Mythe, neue Realitäten: Osteuropa im Focus der Videokamera / 1. Meždunarodnyj videofestival v Bauchaus Dessau: poshatnuvshiesya myfy, novaya deystvitelnost: vostochnaya Evropa v fokuse videokamery / 1. International Video Festival at the Bauhaus Dessau: Shattered Myths, New Realities: Video Focus on Eastern Europe, eds. Inke Arns and Elisabeth Tharandt, Dessau: Bauhaus Dessau Foundation, 1993, 499 pp. Selected texts: Erjavec, Arns, Sei, Kovats, Kuhn, Milev, Sobetzko, Czegledy, Performances, more. [396] [397] (German),(Russian),(English)
  • OSTranenie '95: das internationale Video-Forum an der Stiftung Bauhaus Dessau / The International Video Forum at the Bauhaus Dessau Foundation: Video, Installation, Performance, Workshop: 8.-12. November, eds. Mirja Rosenau, Stephen Kovats, Thomas Munz, and Tina Rehn, Dessau: Bauhaus Dessau Foundation, 1995, 403+14 pp. [398] [399] (German)/(English)
  • Ostranenie '97: Dessau 5.-9. Dezember 1997: das internationale Forum elektronischer Medien / the International Electronic Media Forum, eds. Mirja Rosenau and Stephen Kovats, Dessau: Bauhaus Dessau Foundation, 1997, 553 pp. [400] [401] (German)/(English)
  • Ost-West Internet: elektronische Medien im Transformationsprozess Ost- und Mitteleuropas / Media Revolution: Electronic Media in the Transformation Process of Eastern and Central Europe, ed. Stephen Kovats, Frankfurt am Main/New York: Campus (Edition Bauhaus 6), 1999, 381 pp. ISBN 9783593363653. TOC, TOC. Review: Broeckmann (Leonardo). [402] [403] [404] (German)/(English)
  • Ostranenie 93 95 97, ed. Stephen Kovats, Dessau: Bauhaus Dessau Foundation, 1999. CD-ROM, Mac & PC. ISBN 3910022308. Documents the works and impressions of over 400 artists, critics, academics and journalists from 32 countries who participated in the Ostranenie events from 1993 to 1997. Produced by the Studio Electronic Media Interpretation of the Bauhaus Dessau Foundation in cooperation with C3 - Soros Foundation Budapest. [405] [406]
Nettime/ZK/NK Proceedings, [407]
  • ZKP3.2.1, ed. Vuk Cosic, Ljubljana: Ljudmila, Nov 1996. [417] (English)
Syndicate Publication Series
other

Czech Republic[edit]

Slovakia[edit]

  • Michal Murin, "Ars Electronica", Profil 14-15, 1992, pp 24-25. (Slovak)
  • Michal Murin, "John Cage v Bratislave", Profil 14-15, 1992, pp 36-38 (Slovak) PDF
  • Ľubica Krénová, "Videnie cez video", Profil 22-23, 1992, pp 1-3 (Slovak) PDF
  • Performance Art - monotématické číslo, (ed. Michal Murin) Profil 3, 1993, pp 1-15 (Slovak) PDF
  • Marvin Minsky, "Budúcnosť zjednotí vedu, umenie a psychológiu", Profil 3-4, 1993, pp 1-3 (Slovak) PDF
  • Michal Murin, "Ars Electronica ´93 - Osmy div sveta", Profil 8-9, 1993, pp 30 -31
  • Michal Murin, "Orlan - moje telo, text a jazyk", Profil 8-9, 1993, pp 31
  • Juraj Rakovský, "Osmy div sveta", Profil 8-9, 1993, pp 32 - 33
  • Martin Šperka, "Počítače na VŠVU", Projekt 4, 1993, pp 46-47. (Slovak)
  • Katarína Rusnáková, "New York - Londýn", Profil 3-4, 1994, pp 16-17 (Slovak) PDF
  • Michal Murin, "Ars Electronica Linz", Profil 5-6-7, 1994, pp 22
  • Ľuba Lacinová, "Kybernetický priestor pre telo, intelekt a dušu", Profil 1-2, 1995, pp 2-9 (Slovak) PDF
  • Stephan Berg, "Keď sa obrazy učili lietať. Umenie a virtuálna realita", Profil 1-2, 1995, pp 10-15 (Slovak) PDF
  • Martin Šperka, "ISEA95 Montréal", Profil 1-2, 1995, pp 16-19 (Slovak) PDF
  • Michal Murin, "Ars Electronica", Profil 1-2, 1995, pp 20-27 (Slovak) PDF
  • Martin Šperka, "Elektronické umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Martin Šperka, "Multimédiá", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Martin Šperka, "Virtuálna realita", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Katarína Rusnáková, "Postfotografia", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
  • Michal Murin, "Nové technológie v slovenskom umení alebo vyhoďme sa z kola von", in Almanach 98: texty o filme... filozofii... hudbe... a výtvarnom umení, eds. Monika Mitášová, Martin Kaňuch, Peter Michalovič, and Jozef Cseres, Bratislava: SCCA, 1999. (Slovak)
  • Slávo Krekovič, "Net radio.. net.audio", Trištvrte revue 5-6, Bratislava, 2000. (Slovak)
  • Zora Rusinová, "Objekt v multimediálnych kontextoch", in Zora Rusinová et al. Dejiny slovenského výtvarného umenia: 20. storočie, Bratislava: Slovenská národná galéria, 2000. (Slovak)
  • Dušan Barok, "Net.art. Internet ako umelecké médium", 3/4 revue 1, 2001, pp 22-24. (Slovak)
  • Juraj Čarný, "Aktuálne postavenie súčasného mediálneho umenia na Slovensku" / "Topical Status of Contemporary Media Arts in Slovakia", in Conceptual Art at the Turn of Millennium, Budapest: AICA Section Hungary, and Bratislava: Slovak Section of AICA, 2002, pp 94-113. (Slovak)/(English)
  • Miloš Vojtěchovský, "Umenie a elektronické technológie", in Dejiny umenia, 12, eds. Karel Císař, Josef Čermák, and Terezie Petišková, Bratislava: Ikar, 2002. (Slovak)
  • Jozef Cseres, "Interaktívnym umením za novú senzibilitu", Dart 10, 2003. (Slovak)
  • Mária Rišková, et al., New Media Nation. Festival of Festivals, Bratislava: Buryzone, 2003. Catalogue. (Slovak)/(English)
  • Michaela Sečanská, Elektronické umenie na Slovensku po roku 1990, Trnava: Trnavská univerzita, 2004. Master's thesis. Consultant: Zora Rusinová. (Slovak)
  • Michal Murin, "Od utópií cez virtualitu k digitálnej realite", Profil 2, 2004, pp 80-94, PDF (Slovak)
  • Jana Geržová, "Rozhovor s Michaelom Bielickým", Profil 4, 2004, pp 88-90 (Slovak) PDF
  • Miloš Vojtěchovský, "Nástin: Gary Hill a videopoetika", Profil 4, 2004, pp 80-87 (Czech) PDF
Digital prints
  • Michal Murin: Digital Male. Central European project of Exhibition of digital prints. Interview with Michal Boďa. In: Profil 4/2000. [445] (Slovak)
  • Zuzana Habšudová, "What have computers got to do with classic art?", In: The Slovak Spectator. October 2002. [446]

Hungary[edit]

  • Drótos, Schiller, Karácsony, Beke, Moldován, Auby (eds.), Magyar tartalom. Írások a magyar webkultúráról, C3 Kulturális és Kommunikációs Központ, Budapest, 1997. (Hungarian) [447] [448]
  • Iván Horváth (ed.), Contentware, Gépeskönyv Contentware Labs, 1999. [449]
  • Zsuzsanna Tószegi, "A highly personal overview on Hungarian CD-ROMs", [450]
  • Miklós Peternák, "Art Beyond the Pictorial Turn", in Zoltán Szegedy-Maszák, Paks: Paksi Képtár, 2008-2009, pp 5-17. [451]
  • Flóra Barkóczi, "Képzőművészet és kollektivitás a korai magyar interneten. Az Artpool, a C3 és az Éjjeli Őrjárat 1990-es évekbeli weblapja és tevékenysége" [Art and Collectivity on the Early Hungarian Internet], in A magyar internet történetei, ed. Tamás Tófalvy, Budapest: Typotex, 2021, pp 161-173. [453] [454] (Hungarian)

Poland[edit]

Yugoslavia[edit]

Croatia[edit]

Slovenia[edit]

Resources

Serbia[edit]

Bosnia and Herzegovina[edit]

  • Darko Zovko, "Sarajevo Link", 1995. [467]
  • Seki Tatlic, "Fragmentation space. A brief overview of media and art in Bosnia", ISEA Newsletter #93, 2003. [468]

Romania[edit]

  • Eliza Deac, "On the matter of language in digital works", 2010. [469]
  • Calin Dan, "Media Arts Get Media Free: A Small Anthology of Older Views", in: Transitland: Video Art From Central and Eastern Europe: 1989-2009, 2009.

Bulgaria[edit]

Albania[edit]

Lithuania[edit]

  • Renata Šukaitytė, "New Media Art in Lithuania", Athena: Philosophical Studies (3/2008). [470], [471]
  • Renata Šukautytė, "Media art as a scientific-experimental space. The case of Lithuanian, Latvian and Estonian art in the 20th (2nd part)–21st centuries", Menotyra, vol 15, Nr 2, 2008, pp 50-61. [472]
  • Face the Unexpected: Media Art from Estonia, Latvia and Lithuania, catalogue, 2006, [473]

Latvia[edit]

  • Acoustic space, 1998 and 1999. Net audio publications. Both issues are collections of net activists writtings, presentations and interviews focusing on subjects of networking, media culture theory, models of collaboation and exchanging experience in technological and creative process. Both issues are complemented by presentation of on media culture projects in Latvia and projects developed by international collaborative organisations and individuals.
  • Māra Traumane, "Words - Worlds. New Media in Latvia", Mare Articum 2 (7), 2000. Includes interview with members of E-Lab. [474]
  • Māra Traumane, "The Question of Changes: The 1990s in Latvian Art", 2002. [475]
  • Māra Traumane, "Interview with Mara Traumane on her research in Latvia". [476]
  • Face the Unexpected: Media Art from Estonia, Latvia and Lithuania, catalogue, 2006, [477]

Estonia[edit]

  • Raivo Kelomees, "Kunstiserverid ja võrgukunstniku argileib" [Art Servers and Daily Bread of Net.Artist], 1998, [478]
  • Estonica encyclopedia, "Contemporary technologies and art". [479]
  • Face the Unexpected: Media Art from Estonia, Latvia and Lithuania, catalogue, 2006, [480]
  • Estonica encyclopedia, "Time of re-independence — the 1990s in art". [481]
  • Raivo Kelomees, "The State of Estonian Media Art AD 1998", in: Estonian Art, nr 1, 1998. [482]
  • Katrin Kivimaa, "Eine Identität or Keine Identität: Zeitgenössische Kunst und Neue Medien in Estland", Springerin 1999 (German), 5 pages.
  • Katrin Kivimaa, "Changing spaces: new media/art in Estonian Culture", Mare Articum 2 (7), 2000. 30 pages. [483]
  • Hanno Soans and Anders Härm, "We Are Glad it's All Over", 2002. [484] [485]
  • Katrin Kivimaa (ed.), Avalöök: uus meedia ja kunst Eestis [Opening acts: new media and art in Estonia], Estonian Academy of Arts, 2004. (Estonian), 108 pages, ISBN 998594657X
  • Raivo Kelomees, Meediakunsti ajalugu ja elektroonilise kunsti probleemid [History and Problems of Media Art]. Media art history teaching tool, 1996/99. [486] [487]

Ukraine[edit]

  • Ianina Prudenko. "Media Art in Ukraine: The state of the theory and practice". May 2011. [488] [489]
  • Ianina Prudenko. "Współczesna sztuka ukraińska i nowe technologie". Sierpień/wrzesień 2009. [490]
  • Aaron Moulton. "A Revolution on Standby. Author Aaron Moulton tries a 72 Hours jump into Kiev's Contemporary Art scene". August 2007. [491]
  • Katya Stukalova, "In Expectation of Reloading: Ukrainian Media Art", 2005. (English, Czech, Spanish). [492] [493]
  • Galina Miazhevich, "Recent Developments in the Post-Soviet New Media: Ukraine and Belarus", presented at the F3 RuNet in a Global Context conference, 2011. [494]
  • Ianina Prudenko, "Ukrainian Media Art: Twenty Years of Experience", 3/4 27/28, 2012. (English/Slovak)

See also[edit]

Colophon[edit]

The first phase of this research (2009-11) was supported by cOL-mE, International Visegrad Fund, and ERSTE Foundation.

Contributors include Dušan Barok, Guy van Belle, Nina Czegledy, Lenka Dolanová, Eva Krátká, Magdaléna Kobzová, Barbora Šedivá, Joanna Walewska, Darko Fritz, Miro A. Cimerman, Matko Meštrović, Paul Stubbs, Rarita Szakats, Călin Man, Raluca Velisar, Miklós Peternák, János Sugár, Pit Schultz, Diana McCarty, Barbara Huber, Maxigas, Miloš Vojtěchovský, Grzegorz Klaman, František Zachoval, Sølve N.T. Lauvås, and many others.