Difference between revisions of "China"

Revision as of 19:04, 16 February 2016

Liang Luo, The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics, University of Michigan Press, 2014, 386 pp. Introduction.

Copyleft: Appropriation Art in China, Power Station of Art, Shanghai, Aug-Nov 2015.

Julia F. Andrews, Kuiyi Shen, A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China, 1998, 336 pp. [1] [2]
Sherman Lee (ed.), China: 5,000 Years, Innovation and Transformation in the Arts, New York: Solomon R. Guggenheim Museum, 1998, 504 pp. Catalogue. [3] [4]
Xiaobing Tang, Origins of the Chinese Avant-Garde: The Modern Woodcut Movement, University of California Press, 2007, 318 pp. [5]
Xiaoping Lin, Children of Marx and Coca-Cola: Chinese Avant-Garde Art and Independent Cinema, University of Hawaii Press, 2009.
Minglu Gao, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art, MIT Press, 2011.
Karin Grace Oen, Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China, MIT, 2012. PhD Thesis.
Paul Gladston, ‘Avant-garde’ Art Groups in China, 1979–1989, Intellect, 2013, 194 pp. [6]
Materials of the Future: Documenting Contemporary Chinese Art From 1980-1990.

International Network for a Critical Philosophy of Media and Technics in China, initiated by Yuk Hui in 2014. Also runs 'Media Philosophy' series supported by the Shanghai Academy of Social Science Press.

	Countries avant-garde, modernism, experimental art, media culture, social practice
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States

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 ; Exhibitions
 * [http://www.powerstationofart.com/en/exhibition/detail/735erz.html Copyleft: Appropriation Art in China], Power Station of Art, Shanghai, Aug-Nov 2015.
+; Catalogues
+* ''[http://monoskop.org/log/?p=16331 China’s New Art, Post-1989, with a Retrospective from 1979-1989]'', Hong Kong: Hanart T Z Gallery, 1993, cvii+232 pp. {{en}}
 ; Resources