Difference between revisions of "China"
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=Schools and Institutions= | =Schools and Institutions= | ||
| − | *China Academy of Arts | + | *Transmedia Department, China Academy of Arts |
| − | * | + | *School of Design, Tsinghua University |
| − | *[http://tasml.org/ TASML | + | *[http://tasml.org/ TASML] |
| − | + | *Digital Art department, Central Academy of Media Arts | |
| + | *New Media Art department, Renmin University | ||
=Sound Art= | =Sound Art= | ||
Revision as of 23:04, 4 January 2014
Contents
Exhibitions
Beijing
- Synthetic Times 2008
- invisible city Transmediale 2010
- Encode and Decode 2011
- Translife New Media Art Triennial 2012
- Motion is action 2013
Shanghai
- E-Arts 2006-2010
Hangzhou
Hongkong
- Microwave Festival
Schools and Institutions
- Transmedia Department, China Academy of Arts
- School of Design, Tsinghua University
- TASML
- Digital Art department, Central Academy of Media Arts
- New Media Art department, Renmin University
Sound Art
- Materials of the Future: Documenting Contemporary Chinese Art From 1980-1990.
- Paul Gladston, ‘Avant-garde’ Art Groups in China, 1979–1989, Intellect, 2013, 194 pp. [1]
- Gao Dasheng, Zou Tsing, "Philosophy of Technology in China", in Philosophy of Technology: Practical, Historical and Other Dimensions, ed. P. T. Durbin, Springer, 1989.
- Karin Grace Oen, Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China, MIT, 2012. PhD Thesis.
- http://www.aaa.org.hk
Video Art
Topics
- Ideology
- Politics
- surveillence
- society
