Difference between revisions of "Chris Kraus"

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** ''Torpor: Roman'', trans. Stephanie Wurster, afterw. Karolin Meunier, Berlin: b-books, 2015, 276 pp. {{de}}
 
** ''Torpor: Roman'', trans. Stephanie Wurster, afterw. Karolin Meunier, Berlin: b-books, 2015, 276 pp. {{de}}
  
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* ''Summer of Hate'', New York: Semiotext(e) (Native Agents), 2012, 256 pp. [http://www.joylandmagazine.com/regions/new-york/summer-hate Excerpt]. [https://mitpress.mit.edu/books/summer-hate]
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* ''Summer of Hate'', New York: Semiotext(e) (Native Agents), 2012, 256 pp. [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0b238300 Part 1], [http://www.joylandmagazine.com/regions/new-york/summer-hate Excerpt]. [https://mitpress.mit.edu/books/summer-hate]
 
** ''Verano del odio'', Buenos Aires: Eterna Cadencia, 2014, 269 pp. {{es}}
 
** ''Verano del odio'', Buenos Aires: Eterna Cadencia, 2014, 269 pp. {{es}}
  
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* ''[https://monoskop.org/log/?p=14391 Video Green: Los Angeles Art and the Triumph of Nothingness]'', New York: Semiotext(e), 2004, 217 pp.
 
* ''[https://monoskop.org/log/?p=14391 Video Green: Los Angeles Art and the Triumph of Nothingness]'', New York: Semiotext(e), 2004, 217 pp.
 
* with Jan Tumlir and Jane McFadden, ''LA Artland: Contemporary Art from Los Angeles'', 2005.
 
* with Jan Tumlir and Jane McFadden, ''LA Artland: Contemporary Art from Los Angeles'', 2005.
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* ''Where Art Belongs'', New York: Semiotext(e) (Interventions), 2011, 176 pp. [http://semiotexte.com/?p=798] [https://mitpress.mit.edu/books/where-art-belongs]
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* ''Where Art Belongs'', New York: Semiotext(e) (Interventions), 2011, 176 pp. [http://aaaaarg.fail/thing/52d9b810307888a043000015 Chapter 1]. [http://semiotexte.com/?p=798] [https://mitpress.mit.edu/books/where-art-belongs]
 
** ''Sanat Nereye Aittir?'', trans. Zeynep Anlı, Ankara: Dost, 2016, 119 pp. {{tr}}
 
** ''Sanat Nereye Aittir?'', trans. Zeynep Anlı, Ankara: Dost, 2016, 119 pp. {{tr}}
 
* ''Kelly Lake Store and Other Stories'', Portland, OR: Douglas F. Cooley Memorial Art Gallery (Companion Editions), 2012, 39 pp; [https://nplusonemag.com/issue-17/essays/kelly-lake-store/ repr.] in ''n+1'' 17, Fall 2013. [http://www.mottodistribution.com/shop/kelly-lake-store-other-stories.html]
 
* ''Kelly Lake Store and Other Stories'', Portland, OR: Douglas F. Cooley Memorial Art Gallery (Companion Editions), 2012, 39 pp; [https://nplusonemag.com/issue-17/essays/kelly-lake-store/ repr.] in ''n+1'' 17, Fall 2013. [http://www.mottodistribution.com/shop/kelly-lake-store-other-stories.html]

Revision as of 18:23, 4 December 2017

Born March 5, 1955(1955-03-05)
New York City, United States
Lives in Los Angeles, United States
Web UbuWeb Film, Aaaaarg, Wikipedia

Chris Kraus (1955) is a writer and filmmaker. She is author of novels I Love Dick and Aliens & Anorexia and books of art and cultural criticism. Her films include Gravity & Grace, How To Shoot A Crime, and The Golden Bowl, or, Repression. In 1996, Kraus curated The Chance Event: Three Days in the Desert: Primm, Nevada. She now lives in Los Angeles.

Works

Films

Fiction

  • I Love Dick, New York: Semiotext(e) (Native Agents), 1997, 275 pp, ARG; repr., Los Angeles: Semiotext(e), 2006, 277 pp.
    • Ai ravu dikku, trans. Augustmoon Ochiishi, Tokyo: Shinchosha, 2000, 283 pp. (Japanese)
    • Amo a Dick, trans. Marcelo Cohen, Barcelona: Alpha Decay, 2013, 339 pp. (Spanish)
    • I love Dick, trans. Alice Zeniter, Paris: Flammarion, 2016, 269 pp. (French)
    • I Love Dick, Modernista, 2016, 288 pp. (Swedish)
    • I love Dick, trans. Evi Hoste and Anniek Kool, Amsterdam: Lebowski, 2016, 271 pp. (Dutch)
    • I love Dick, trans. Kevin Vennemann, Berlin: Matthes & Seitz, 2017, 250 pp. (German)
    • I love Dick: roman, trans. Louise Ardenfelt Ravnild, Copenhagen: Gyldendal, 2017, 302 pp. (Danish)
  • Aliens & Anorexia, Brooklyn, NY: Semiotext(e) (Native Agents), 2000, 236 pp; new ed., forew. Palle Yourgrau, 2013, 264 pp. [1] [2] [3]
    • Aliens & anorexia, trans. Patrizia Brighi, Milan: O barra O, 2011. (Italian)
  • Torpor, New York: Semiotext(e) (Native Agents), 2006; new ed., intro. Fanny Howe, 2015, 312 pp. [4] [5] [6]
    • Torpor: Roman, trans. Stephanie Wurster, afterw. Karolin Meunier, Berlin: b-books, 2015, 276 pp. (German)
  • Summer of Hate, New York: Semiotext(e) (Native Agents), 2012, 256 pp. Part 1, Excerpt. [7]
    • Verano del odio, Buenos Aires: Eterna Cadencia, 2014, 269 pp. (Spanish)

Nonfiction

Books
  • editor, with Sylvère Lotringer, Hatred of Capitalism: A Semiotext(e) Reader, New York: Semiotext(e) Journal, 2001, 421 pp.
  • Video Green: Los Angeles Art and the Triumph of Nothingness, New York: Semiotext(e), 2004, 217 pp.
  • with Jan Tumlir and Jane McFadden, LA Artland: Contemporary Art from Los Angeles, 2005.
  • Where Art Belongs, New York: Semiotext(e) (Interventions), 2011, 176 pp. Chapter 1. [8] [9]
    • Sanat Nereye Aittir?, trans. Zeynep Anlı, Ankara: Dost, 2016, 119 pp. (Turkish)
  • Kelly Lake Store and Other Stories, Portland, OR: Douglas F. Cooley Memorial Art Gallery (Companion Editions), 2012, 39 pp; repr. in n+1 17, Fall 2013. [10]
  • Lost Properties, Los Angeles: Semiotext(e), 2014, 31 pp.
  • After Kathy Acker: A Literary Biography, MIT Press, 2017, 352 pp. [11]
Book chapters, articles
  • "Introduction", in Willa Cather, O Pioneers!, New York: Barnes & Noble Classics, 2003.
  • "Hunger – Technology – Emotion", in Biting The Error: Writers Explore Narrative, eds. Mary Burger, Robert Gluck, Camille Roy, and Gail Scott, Coach House, 2004. [12]
  • "Art School", in Akademie X: Lessons in Art + Life, ed. Rebecca Morrill, London: Phaidon, 2015.
  • "Littoral Madness", Afterall 41, Spring/Summer 2016, pp 136-141. [13]

Interviews

Literature


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