https://monoskop.org/index.php?title=Claire_Bishop&feed=atom&action=history
Claire Bishop - Revision history
2024-03-28T20:06:22Z
Revision history for this page on the wiki
MediaWiki 1.33.0
https://monoskop.org/index.php?title=Claire_Bishop&diff=123635&oldid=prev
Dusan: /* Essays */
2024-02-20T08:37:58Z
<p><span dir="auto"><span class="autocomment">Essays</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 08:37, 20 February 2024</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Essays===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Essays===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [[Media:Bishop_Claire_2004_Antagonism_and_Relational_Aesthetics.pdf|"Antagonism and Relational Aesthetics"]], ''October'' 110, Fall 2004, pp 51-79. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins class="diffchange diffchange-inline">{{a|Bishop2004}}</ins>[[Media:Bishop_Claire_2004_Antagonism_and_Relational_Aesthetics.pdf|"Antagonism and Relational Aesthetics"]], ''October'' 110, Fall 2004, pp 51-79. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** [http://idea.ro/revista/ro/article/XMnLNCsAADoA1bqu/antagonism-si-estetica-relationala "Antagonism și estetică relațională"], trans. Alex Moldovan and Adrian T. Sîrbu, ''IDEA'' 19, Cluj, 2004, pp 10-25, [https://s3.eu-central-1.amazonaws.com/idea-revista/pdf/IDEA-%2319.pdf#page=7 PDF]. {{ro}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** [http://idea.ro/revista/ro/article/XMnLNCsAADoA1bqu/antagonism-si-estetica-relationala "Antagonism și estetică relațională"], trans. Alex Moldovan and Adrian T. Sîrbu, ''IDEA'' 19, Cluj, 2004, pp 10-25, [https://s3.eu-central-1.amazonaws.com/idea-revista/pdf/IDEA-%2319.pdf#page=7 PDF]. {{ro}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** [https://www.academia.edu/39539250/ "Antagonismo e estética relacional"], trans. Milena Durante, ''Tatuí'', 2011. {{pt}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** [https://www.academia.edu/39539250/ "Antagonismo e estética relacional"], trans. Milena Durante, ''Tatuí'', 2011. {{pt}}</div></td></tr>
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Dusan
https://monoskop.org/index.php?title=Claire_Bishop&diff=122839&oldid=prev
Dusan: /* Books */
2024-01-03T12:45:58Z
<p><span dir="auto"><span class="autocomment">Books</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 12:45, 3 January 2024</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Tania Bruguera in Conversation with / en Conversacion con Claire Bishop'', eds. Donna Wingate and Ileen Kohn, New York/Caracas: Cisneros, 2020, 296 pp. [https://www.academia.edu/44755969/ Chapter 2]. [https://www.coleccioncisneros.org/editorial/news/blurring-lines-between-art-and-activism] [https://www.artbook.com/9780984017393.html] {{en}}/{{es}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Tania Bruguera in Conversation with / en Conversacion con Claire Bishop'', eds. Donna Wingate and Ileen Kohn, New York/Caracas: Cisneros, 2020, 296 pp. [https://www.academia.edu/44755969/ Chapter 2]. [https://www.coleccioncisneros.org/editorial/news/blurring-lines-between-art-and-activism] [https://www.artbook.com/9780984017393.html] {{en}}/{{es}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ''Disordered Attention: How We <del class="diffchange diffchange-inline">See </del>Art and Performance Today'', London: Verso, forthcoming <del class="diffchange diffchange-inline">Jan </del>2024, <del class="diffchange diffchange-inline">352 </del>pp. Four essays about changing patterns of attention in contemporary art and performance since the early 1990s, incl. "Research-Based Art: Information Overload," "Performance Exhibitions: Black Box, White Cube, Gray Zone," "Interventions: Seizing The Moment," and "Appropriation as Invocation: Contemporary Art Quotes Modernist Architecture."</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* ''Disordered Attention: How We <ins class="diffchange diffchange-inline">Look at </ins>Art and Performance Today'', London: Verso, forthcoming <ins class="diffchange diffchange-inline">Jun </ins>2024, <ins class="diffchange diffchange-inline">288 </ins>pp. Four essays about changing patterns of attention in contemporary art and performance since the early 1990s, incl. "Research-Based Art: Information Overload," "Performance Exhibitions: Black Box, White Cube, Gray Zone," "Interventions: Seizing The Moment," and "Appropriation as Invocation: Contemporary Art Quotes Modernist Architecture." <ins class="diffchange diffchange-inline">[https://www.versobooks.com/en-gb/products/2942-disordered-attention Publisher].</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Merce Cunningham's Events: Key Concepts'', Koenig Books, forthcoming.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Merce Cunningham's Events: Key Concepts'', Koenig Books, forthcoming.</div></td></tr>
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Dusan
https://monoskop.org/index.php?title=Claire_Bishop&diff=122278&oldid=prev
Dusan: Text replacement - "Series:Art history" to "[[Series:Art history [[Series:Art writers"
2023-12-20T11:32:13Z
<p>Text replacement - "[[Series:Art history" to "[[Series:Art history]] [[Series:Art writers"</p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 11:32, 20 December 2023</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Series:Art history]] {{DEFAULTSORT:Bishop, Claire}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Series:Art history<ins class="diffchange diffchange-inline">]] [[Series:Art writers</ins>]] {{DEFAULTSORT:Bishop, Claire}}</div></td></tr>
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Dusan
https://monoskop.org/index.php?title=Claire_Bishop&diff=121718&oldid=prev
Dusan: /* Essays */
2023-12-05T21:24:25Z
<p><span dir="auto"><span class="autocomment">Essays</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:24, 5 December 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l99" >Line 99:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://www.artforum.com/print/202304/claire-bishop-on-the-superabundance-of-research-based-art-90274 "Information Overload"], ''Artforum'', Apr 2023.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://www.artforum.com/print/202304/claire-bishop-on-the-superabundance-of-research-based-art-90274 "Information Overload"], ''Artforum'', Apr 2023.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [https://www.artforum.com/features/claire-bishop-on-mike-nelsons-_magazin-byk-valide-han_-2003-252744/ "Close-Up: Seek, Memory"], ''Artforum'' 61:10, Summer 2023. On Mike Nelson’s ''MAGAZIN: Büyük Valide Han'', 2003.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [https://www.artforum.com/columns/claire-bishop-cultural-whiplash-warsaw-517919/ "Capital Offenses: Cultural Whiplash in Warsaw"], ''Artforum'', Nov 2023, pp 57-58, [[Media:Bishop Claire 2023 Capital Offenses Warsaw.pdf|PDF]].</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Interviews, conversations==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Interviews, conversations==</div></td></tr>
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Dusan
https://monoskop.org/index.php?title=Claire_Bishop&diff=120761&oldid=prev
Dusan at 11:58, 7 October 2023
2023-10-07T11:58:27Z
<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 11:58, 7 October 2023</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Publications==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Publications==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Books===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Books===</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''[http://library.memoryoftheworld.org/#/book/2e815ad0-cc8f-499a-a80b-da77117f9f92 Installation Art: A Critical History]'', London: Tate, and Routledge, 2005, 144 pp. [http://www.acastronovo.com/ClassHtms/ClassDocs/Bishop001.pdf Excerpt]. [https://monoskop.org/log/?p=5332]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''[http://library.memoryoftheworld.org/#/book/2e815ad0-cc8f-499a-a80b-da77117f9f92 Installation Art: A Critical History]'', London: Tate, and Routledge, 2005, 144 pp. [http://www.acastronovo.com/ClassHtms/ClassDocs/Bishop001.pdf Excerpt]. [https://monoskop.org/log/?p=5332]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">** ''Zhuang zhi yi shu: Yi bu pi ping shi'' [装置艺术: 一部批评史], Hangzhou: Zhong guo mei shu xue yuan chu ban she, 2021, 152 pp. {{cn}}</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* editor, ''[https://monoskop.org/log/?p=2405 Participation]'', London: Whitechapel, and MIT Press, 2006, 207 pp.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* editor, ''[https://monoskop.org/log/?p=2405 Participation]'', London: Whitechapel, and MIT Press, 2006, 207 pp.</div></td></tr>
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<td colspan="2" class="diff-lineno">Line 40:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** ''Vers un musée radical: réflexions pour une nouvelle muséologie'', pref. Daniel Jacobi, trans. Michaël Bourgatte, Paris: MKF, 2021, 91 pp. Review: [https://doi.org/10.4000/questionsdecommunication.27583 Gryspeerdt] (Q de communication). {{fr}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** ''Vers un musée radical: réflexions pour une nouvelle muséologie'', pref. Daniel Jacobi, trans. Michaël Bourgatte, Paris: MKF, 2021, 91 pp. Review: [https://doi.org/10.4000/questionsdecommunication.27583 Gryspeerdt] (Q de communication). {{fr}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ''<del class="diffchange diffchange-inline">[https://1lib.cz/book/18255870/69b8c7 </del>Tania Bruguera in Conversation with / en Conversacion con Claire Bishop<del class="diffchange diffchange-inline">]</del>'', eds. Donna Wingate and Ileen Kohn, New York/Caracas: Cisneros, 2020, 296 pp. [https://www.academia.edu/44755969/ Chapter 2]. [https://www.coleccioncisneros.org/editorial/news/blurring-lines-between-art-and-activism] [https://www.artbook.com/9780984017393.html] {{en}}/{{es}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* ''Tania Bruguera in Conversation with / en Conversacion con Claire Bishop'', eds. Donna Wingate and Ileen Kohn, New York/Caracas: Cisneros, 2020, 296 pp. [https://www.academia.edu/44755969/ Chapter 2]. [https://www.coleccioncisneros.org/editorial/news/blurring-lines-between-art-and-activism] [https://www.artbook.com/9780984017393.html] {{en}}/{{es}}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* ''Disordered Attention: How We See Art and Performance Today'', London: Verso, forthcoming Jan 2024, 352 pp. Four essays about changing patterns of attention in contemporary art and performance since the early 1990s, incl. "Research-Based Art: Information Overload," "Performance Exhibitions: Black Box, White Cube, Gray Zone," "Interventions: Seizing The Moment," and "Appropriation as Invocation: Contemporary Art Quotes Modernist Architecture."</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* ''Merce Cunningham's Events: Key Concepts'', Koenig Books, forthcoming.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Essays===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Essays===</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Claire_Bishop&diff=120760&oldid=prev
Dusan: /* Interviews, conversations */
2023-10-07T11:51:28Z
<p><span dir="auto"><span class="autocomment">Interviews, conversations</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 11:51, 7 October 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l104" >Line 104:</td>
<td colspan="2" class="diff-lineno">Line 104:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Ines Kleesattel, "Über ExpertInnen, Kollaborationen und kunstbezogene Multiperspektivität: ein Gespräch mit Claire Bishop", in ''The Future Is Unwritten'', eds. Ines Kleesattel and Pablo Müller, Zürich: Diaphanes, 2018, pp 193-208. [https://www.diaphanes.net/artikel/ueber-expertinnen-kollaborationen-und-kunstbezogene-multiperspektivitaet-5849] {{de}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Ines Kleesattel, "Über ExpertInnen, Kollaborationen und kunstbezogene Multiperspektivität: ein Gespräch mit Claire Bishop", in ''The Future Is Unwritten'', eds. Ines Kleesattel and Pablo Müller, Zürich: Diaphanes, 2018, pp 193-208. [https://www.diaphanes.net/artikel/ueber-expertinnen-kollaborationen-und-kunstbezogene-multiperspektivitaet-5849] {{de}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* with Johanna Drucker, [https://dhdebates.gc.cuny.edu/read/untitled-f2acf72c-a469-49d8-be35-67f9ac1e3a60/section/3aedfd2c-280f-4029-b3f1-3e9a11794c01 "A Conversation on Digital Art History"], in ''Debates in the Digital Humanities'', eds. Matthew K. Gold and Lauren F. Klein, Minnesota University Press, 2019.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* with Johanna Drucker, [https://dhdebates.gc.cuny.edu/read/untitled-f2acf72c-a469-49d8-be35-67f9ac1e3a60/section/3aedfd2c-280f-4029-b3f1-3e9a11794c01 "A Conversation on Digital Art History"], in ''Debates in the Digital Humanities'', eds. Matthew K. Gold and Lauren F. Klein, Minnesota University Press, 2019.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [[Media:Liclair Christian et al 2023 Under Review.pdf|"Under Review. Roundtable between Claire Bishop, Jarrett Earnest, Eva Hayward, and Eric Otieno Sumba, moderated by Christian Liclair"]], ''Texte zur Kunst'', Sep 2023, pp 30-69. [https://www.academia.edu/106389592/] {{en}}/{{de}}</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Links==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Links==</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Claire_Bishop&diff=116928&oldid=prev
Dusan: /* Essays */
2023-04-02T15:19:49Z
<p><span dir="auto"><span class="autocomment">Essays</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:19, 2 April 2023</td>
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<td colspan="2" class="diff-lineno">Line 91:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* with Nikki Columbus, [https://nplusonemag.com/online-only/paper-monument/free-your-mind/ "Free Your Mind: A Speculative Review of #NewMoMA"], ''Paper Monument'', n+1, 7 Jan 2020.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* with Nikki Columbus, [https://nplusonemag.com/online-only/paper-monument/free-your-mind/ "Free Your Mind: A Speculative Review of #NewMoMA"], ''Paper Monument'', n+1, 7 Jan 2020.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [https://www.artforum.com/print/202304/claire-bishop-on-the-superabundance-of-research-based-art-90274 "Information Overload"], ''Artforum'', Apr 2023.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Interviews, conversations==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Interviews, conversations==</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Claire_Bishop&diff=116150&oldid=prev
Dusan: /* Books */
2023-03-01T13:22:23Z
<p><span dir="auto"><span class="autocomment">Books</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 13:22, 1 March 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15" >Line 15:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* editor, with Marta Dziewańska, ''[https://monoskop.org/log/?p=14379 1968/1989: Political Upheaval and Artistic Change / Momenty zwrotne w polityce i sztuce]'', Warsaw: Museum of Modern Art, 2010, 504 pp. {{en}}/{{pl}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* editor, with Marta Dziewańska, ''[https://monoskop.org/log/?p=14379 1968/1989: Political Upheaval and Artistic Change / Momenty zwrotne w polityce i sztuce]'', Warsaw: Museum of Modern Art, 2010, 504 pp. {{en}}/{{pl}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ''[https://monoskop.org/log/?p=4791 Artificial Hells: Participatory Art and the Politics of Spectatorship]'', London: Verso, 2012, 390 pp.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins class="diffchange diffchange-inline">{{a|Bishop2012}}</ins>''[https://monoskop.org/log/?p=4791 Artificial Hells: Participatory Art and the Politics of Spectatorship]'', London: Verso, 2012, 390 pp.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** ''Umetni pekli: participatorna umetnost in politika gledalstva'', trans. Aleksandra Rekar, afterw. Bojana Piškur, Ljubljana: Maska, 2012, 359 pp. [https://maska.si/knjiga/transformacije/claire-bishop-umetni-pekli-participatorna-umetnost-in-politika-gledalstva/] {{sl}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** ''Umetni pekli: participatorna umetnost in politika gledalstva'', trans. Aleksandra Rekar, afterw. Bojana Piškur, Ljubljana: Maska, 2012, 359 pp. [https://maska.si/knjiga/transformacije/claire-bishop-umetni-pekli-participatorna-umetnost-in-politika-gledalstva/] {{sl}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** [[Media:Bishop_Claire_2012_2013_Partycypacja_i_spektakl.pdf|"Partycypacja i spektakl"]], trans. Piotr Juskowiak, ''Kultura Współczesna'' 2, 2013, pp 26-36. Trans. of Conclusion. {{pl}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>** [[Media:Bishop_Claire_2012_2013_Partycypacja_i_spektakl.pdf|"Partycypacja i spektakl"]], trans. Piotr Juskowiak, ''Kultura Współczesna'' 2, 2013, pp 26-36. Trans. of Conclusion. {{pl}}</div></td></tr>
</table>
Dusan
https://monoskop.org/index.php?title=Claire_Bishop&diff=114612&oldid=prev
Dusan: Text replacement - "Personal website]" to "Website]"
2022-12-15T06:53:47Z
<p>Text replacement - "Personal website]" to "Website]"</p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 06:53, 15 December 2022</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Links==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Links==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [http://clairebishopresearch.blogspot.com <del class="diffchange diffchange-inline">Personal website</del>]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [http://clairebishopresearch.blogspot.com <ins class="diffchange diffchange-inline">Website</ins>]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://gc-cuny.academia.edu/ClaireBishop Academia.edu]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://gc-cuny.academia.edu/ClaireBishop Academia.edu]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://www.gc.cuny.edu/Faculty/Core-Bios/Claire-Bishop Profile on CUNY Graduate Center]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [https://www.gc.cuny.edu/Faculty/Core-Bios/Claire-Bishop Profile on CUNY Graduate Center]</div></td></tr>
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https://monoskop.org/index.php?title=Claire_Bishop&diff=113314&oldid=prev
Dusan: Text replacement - "[[Category:" to "[[Series:"
2022-12-03T12:08:59Z
<p>Text replacement - "[[Category:" to "[[Series:"</p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 12:08, 3 December 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l110" >Line 110:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* https://clairebishop.commons.gc.cuny.edu/</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* https://clairebishop.commons.gc.cuny.edu/</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[<del class="diffchange diffchange-inline">Category</del>:Art history]] {{DEFAULTSORT:Bishop, Claire}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[<ins class="diffchange diffchange-inline">Series</ins>:Art history]] {{DEFAULTSORT:Bishop, Claire}}</div></td></tr>
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