Difference between revisions of "Compte-rendu des conditions météorologiques"
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m (Text replacement - "Category:Conceptual comics" to "Category:Conceptual comics Category:Artists' publishing") |
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|image_size = 250px | |image_size = 250px | ||
|language = [[language::French]] | |language = [[language::French]] | ||
| − | |publisher = | + | |publisher = Habeas Corpus (6€) |
|pub_city = Brussels | |pub_city = Brussels | ||
|pub_date = [[pub_date::2013]] | |pub_date = [[pub_date::2013]] | ||
|pages = 26 | |pages = 26 | ||
| − | |format = 29.7 | + | |format = 21 cm x 29.7 cm |
|fabrication = Xerox, Japanese-style binding | |fabrication = Xerox, Japanese-style binding | ||
| − | |ebook = [[Media:Puigros-Puigener Jerome Compte-rendu meteorologique 2013.pdf|PDF]] | + | |ebook = [[Media:Puigros-Puigener Jerome Compte-rendu meteorologique 2013.pdf|PDF]] (30 mb) |
}} | }} | ||
Following the practices of conceptual art, the title explicitly mentions the programmatic nature of this work. For two years, Puigros-Puijener observed and registered the weather on a daily basis in the city of Brussels where he lives and, drawing on a weather forecast website, compared it to two different cities for each month such as Alice Springs (Australia) or Biarritz (France). Using weather forecast graphics, a vernacular system of pictogrammatic representation, Puigros-Puijener's work brings to mind Cage's desire to have his music sound like the weather, only here in its digital, mediated, infographic variant. | Following the practices of conceptual art, the title explicitly mentions the programmatic nature of this work. For two years, Puigros-Puijener observed and registered the weather on a daily basis in the city of Brussels where he lives and, drawing on a weather forecast website, compared it to two different cities for each month such as Alice Springs (Australia) or Biarritz (France). Using weather forecast graphics, a vernacular system of pictogrammatic representation, Puigros-Puijener's work brings to mind Cage's desire to have his music sound like the weather, only here in its digital, mediated, infographic variant. | ||
</onlyinclude> | </onlyinclude> | ||
| − | [[Category:Conceptual comics | + | [[Category:Conceptual comics]] [[Category:Publication]] |
Revision as of 09:37, 11 May 2021
 | |
| Author | Jérôme Puigros-Puigener |
|---|---|
| Language | French |
| Publisher | Habeas Corpus (6€) |
| City | Brussels |
| Date | 2013 |
| Pages | 26 |
| Format | 21 cm x 29.7 cm |
| Fabrication | Xerox, Japanese-style binding |
| E-book | PDF (30 mb) |
Following the practices of conceptual art, the title explicitly mentions the programmatic nature of this work. For two years, Puigros-Puijener observed and registered the weather on a daily basis in the city of Brussels where he lives and, drawing on a weather forecast website, compared it to two different cities for each month such as Alice Springs (Australia) or Biarritz (France). Using weather forecast graphics, a vernacular system of pictogrammatic representation, Puigros-Puijener's work brings to mind Cage's desire to have his music sound like the weather, only here in its digital, mediated, infographic variant.
