Difference between revisions of "Computer music"
Jump to navigation
Jump to search
| Line 12: | Line 12: | ||
* ''Computer Applications in Music'', ed. Gerald Lefkoff, Morgantown, WV, 1967. | * ''Computer Applications in Music'', ed. Gerald Lefkoff, Morgantown, WV, 1967. | ||
* ''Musicology and the Computer'', ed. Barry S. Brook, New York, 1970. | * ''Musicology and the Computer'', ed. Barry S. Brook, New York, 1970. | ||
| − | * ''The Computer and Music'', ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp. | + | * ''The Computer and Music'', ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL]. |
* [https://en.wikipedia.org/wiki/Computer_music#Further_reading more] | * [https://en.wikipedia.org/wiki/Computer_music#Further_reading more] | ||
Revision as of 20:28, 18 November 2018
Pages
Literature
- Elektronische Datenverarbeitung in der Musikwissenschaft, ed. Harald Heckmann, Regensburg, 1967. (German)
- Computer Applications in Music, ed. Gerald Lefkoff, Morgantown, WV, 1967.
- Musicology and the Computer, ed. Barry S. Brook, New York, 1970.
- The Computer and Music, ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, OL.
- more
See also
Electroacoustic music, Sound art
| Sound and Music communities of practice |
||
|---|---|---|
|
Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About. | ||
