Computer music

Pages

• Anastasia Georgaki
• Lejaren A. Hiller
• ICMC
• Institute of Sonology
• Gottfried Michael Koenig
• Max Mathews
• John R. Pierce
• Elisabeth Schimana

Literature

• Harald Heckmann (ed.), Elektronische Datenverarbeitung in der Musikwissenschaft, Regensburg, 1967. (German)

• Gerald Lefkoff (ed.), Computer Applications in Music, Morgantown, WV, 1967.

• Heinz von Foerster, James W. Beauchamp (eds.), Music by Computer, John Wiley & Sons, 1969, 139 pp.

• Barry S. Brook (ed.), Musicology and the Computer, New York, 1970.

• Harry B. Lincoln (ed.), The Computer and Music, Ithaca, NY: Cornell University Press, 1970, xvi+354 pp, OL.

• Computer Music Journal, quarterly, MIT Press, 1977-2020. [1]

• Curtis Roads (ed.), Composers and the Computer, Los Altos, CA: William Kaufmann, 1985, xx+201 pp.

• Curtis Roads, John Strawn (eds.), Foundations of Computer Music, Cambridge, MA: MIT Press, 1985, xiii+712 pp. [2]

• Peter Manning, Electronic and Computer Music, New York: Oxford University Press, 1985, 291+[8] pp; 2nd ed., 1993, viii+399 pp; rev. & exp. ed., 2004, x+474 pp; 4th ed., 2013, xii+543 pp.

• Max V. Mathews, John R. Pierce (eds.), Current Directions in Computer Music Research, Cambridge, MA: MIT Press, 1989.

• Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde, University of California Press, 1995, xvi+390 pp.

• Curtis Roads, et al., The Computer Music Tutorial, Cambridge, MA: MIT Press, 1996, xx+1234 pp.
  • L'audionumérique, trans. Jean de Reydellet, Paris: Dunod, 1999, 679 pp; 2nd ed. as L'audionumérique: musique et informatique, Paris: Dunod, 2007, 658 pp; 3rd ed., Paris: Dunod, 2016, 674 pp. (French)
  • Konpyūta ongaku: rekishi tekunorojī āto. [コンピュータ音楽 : 歴史・テクノロジー・アート], Tokyo: Tōkyō Denki Daigaku Shuppankyoku, 2001, 1054 pp. (Japanese)

• Curtis Roads, Microsound, Cambridge, MA: MIT Press, 2001, xii+409 pp. With an audio CD.

• Paul Doornbusch, The Music of CSIRAC: Australia’s First Computer Music, Common Ground Publishing, 2005.

• more

See also

Electroacoustic music, Sound art

	Sound and Music communities of practice
Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Zine culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding. See also Artists' cultures.