Difference between revisions of "Conceptual writing"

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* [http://www.ntamo.net/ ntamo], ed. Leevi Lehto, Helsinki, est 2007.
 
* [http://www.ntamo.net/ ntamo], ed. Leevi Lehto, Helsinki, est 2007.
 
* [http://www.oei.nu OEI editör], eds. Jonas Magnusson and Cecilia Grönberg, Stockholm, est 2002.
 
* [http://www.oei.nu OEI editör], eds. Jonas Magnusson and Cecilia Grönberg, Stockholm, est 2002.
 +
* [http://www.oodpress.net ood press], eds. Gregorio de Mattos e Guerra, Thiago Porciuncula and T. Pinto Brandao, Rio de Janeiro, est 2009.
 
* [http://www.roofbooks.com/ Roof Books], ed. James Sherry, New York City, est 1979.
 
* [http://www.roofbooks.com/ Roof Books], ed. James Sherry, New York City, est 1979.
 
* [http://staleobjectsdepress.tumblr.com/ sOd press], eds. a.j. carruthers and Amelia Dale, Sydney, est 2011.
 
* [http://staleobjectsdepress.tumblr.com/ sOd press], eds. a.j. carruthers and Amelia Dale, Sydney, est 2011.
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* Travis Macdonald, [http://jacketmagazine.com/38/macdonald-erasure.shtml "A Brief History of Erasure Poetics"], ''Jacket'' 38, 2009.
 
* Travis Macdonald, [http://jacketmagazine.com/38/macdonald-erasure.shtml "A Brief History of Erasure Poetics"], ''Jacket'' 38, 2009.
 
* Vanessa Place, ''[http://lemonhound.com/2013/02/25/vanessa-place-the-allegory-and-the-archive/ Allegory and the Archive]'', Oslo: Attåt, 2009; repr., Calgary: No Press, 2010. [https://forlagetattat.wordpress.com/35-vanessa-place-the-allegory-and-the-archive/]
 
* Vanessa Place, ''[http://lemonhound.com/2013/02/25/vanessa-place-the-allegory-and-the-archive/ Allegory and the Archive]'', Oslo: Attåt, 2009; repr., Calgary: No Press, 2010. [https://forlagetattat.wordpress.com/35-vanessa-place-the-allegory-and-the-archive/]
* Vanessa Place, ''[http://conceptualwriting101.blogspot.com/2010/10/vanessa-place-notes-on-why.html Notes on Why Conceptualism is better than Flarf]'', Calgary: No Press, 2010. [https://derekbeaulieu.wordpress.com/no-press/]
+
* Vanessa Place, ''[http://conceptualwriting101.blogspot.com/2010/10/vanessa-place-notes-on-why.html Notes on Why Conceptualism is better than Flarf]'', Calgary: No Press, 2010. [https://www.youtube.com/watch?v=PBTPXbIVbTk Talk given at AWP], 11 Mar 2010 (video). [https://derekbeaulieu.wordpress.com/no-press/]
 +
* Drew Gardner, [https://www.poetryfoundation.org/harriet/2010/04/ill-steal-your-poets-like-i-stole-your-bike/ "Why Flarf is better than Conceptualism"], ''Harriet'', 19 Apr 2010.
 
* Marjorie Perloff, [http://jacket2.org/article/towards-conceptual-lyric "Towards a Conceptual Lyric: From Content to Context"], ''Jacket2'', 28 Jul 2011. An analysis of Kenneth Goldsmith’s 2011 performance at the White House.
 
* Marjorie Perloff, [http://jacket2.org/article/towards-conceptual-lyric "Towards a Conceptual Lyric: From Content to Context"], ''Jacket2'', 28 Jul 2011. An analysis of Kenneth Goldsmith’s 2011 performance at the White House.
 
* Judith Goldman, [http://www.pomoculture.org/2013/05/18/re-thinking-non-retinal-literature-citation-radical-mimesis-and-phenomenologies-of-reading-in-conceptual-writing-1/ "Re-thinking 'Non-retinal Literature': Citation, 'Radical Mimesis,' and Phenomenologies of Reading in Conceptual Writing"], ''Postmodern Culture'' 22:1, Sep 2011.
 
* Judith Goldman, [http://www.pomoculture.org/2013/05/18/re-thinking-non-retinal-literature-citation-radical-mimesis-and-phenomenologies-of-reading-in-conceptual-writing-1/ "Re-thinking 'Non-retinal Literature': Citation, 'Radical Mimesis,' and Phenomenologies of Reading in Conceptual Writing"], ''Postmodern Culture'' 22:1, Sep 2011.
 
* Paul Stephens, [http://www.digitalhumanities.org/dhq/vol/6/2/000124/000124.html "From the Personal to the Proprietary: Conceptual Writing's Critique of Metadata"], ''Digital Humanities Quarterly'' 6:2, 2012.
 
* Paul Stephens, [http://www.digitalhumanities.org/dhq/vol/6/2/000124/000124.html "From the Personal to the Proprietary: Conceptual Writing's Critique of Metadata"], ''Digital Humanities Quarterly'' 6:2, 2012.
 +
* Michael Leong, [http://deletepress.org/wp-content/uploads/2016/12/Notes-Toward-an-Interventionalist-Conceptualism.pdf#pgae=4 "Notes Toward an Interventionalist Conceptualism: On the Composition of ''The Philosophy of Decomposition''], ''Modern Language Studies'' 41:2, Winter 2012, 73-84. [https://www.jstor.org/stable/41445169]
 
* Andrew Epstein, [https://www.academia.edu/13208938 "Found Poetry, 'Uncreative Writing', and the Art of Appropriation"], in ''The Routledge Companion to Experimental Literature'', eds. Joe Bray, Alison Gibbons and Brian McHale, Routledge, 2012, pp 310-322. [https://books.google.com/books?id=D2e8x_0AwokC&pg=PA310]
 
* Andrew Epstein, [https://www.academia.edu/13208938 "Found Poetry, 'Uncreative Writing', and the Art of Appropriation"], in ''The Routledge Companion to Experimental Literature'', eds. Joe Bray, Alison Gibbons and Brian McHale, Routledge, 2012, pp 310-322. [https://books.google.com/books?id=D2e8x_0AwokC&pg=PA310]
 
* Marjorie Perloff, [http://bostonreview.net/archives/BR37.3/marjorie_perloff_poetry_lyric_reinvention.php "Poetry on the Brink: Reinventing the Lyric"], ''Boston Review'', May/Jun 2012.  
 
* Marjorie Perloff, [http://bostonreview.net/archives/BR37.3/marjorie_perloff_poetry_lyric_reinvention.php "Poetry on the Brink: Reinventing the Lyric"], ''Boston Review'', May/Jun 2012.  
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* Johanna Drucker, [http://poetryproject.org/wp-content/uploads/PPNL-231-FINAL-FOR-PRINTING.pdf#page=6 "Beyond Conceptualisms: Poetics after Critique and the End of the Individual Voice"], ''The Poetry Project Newsletter'' 231, May/Jun 2012, pp 6-9.
 
* Johanna Drucker, [http://poetryproject.org/wp-content/uploads/PPNL-231-FINAL-FOR-PRINTING.pdf#page=6 "Beyond Conceptualisms: Poetics after Critique and the End of the Individual Voice"], ''The Poetry Project Newsletter'' 231, May/Jun 2012, pp 6-9.
 
* Peli Grietzer, [https://lareviewofbooks.org/article/the-aesthetics-of-sufficiency-on-conceptual-writing/ "The Aesthetics of Sufficiency: On Conceptual Writing"], ''Los Angeles Review of Books'', 12 Oct 2012.
 
* Peli Grietzer, [https://lareviewofbooks.org/article/the-aesthetics-of-sufficiency-on-conceptual-writing/ "The Aesthetics of Sufficiency: On Conceptual Writing"], ''Los Angeles Review of Books'', 12 Oct 2012.
 +
* Vanessa Place, [https://www.academia.edu/2778773/ "Conceptualism is Feminism"], Jan 2013. [https://www.youtube.com/watch?v=AZsHxPyB5Dg Talk given at Smolny College], Jan 2013 (video).
 
* Darren Wershler, [http://www.alienated.net/academic-writing/conceptual-writing-fanfic/ "Conceptual Writing As Fanfic"], in ''Fic: Why Fanfiction is Taking Over the World'', ed. Anne Jamison, Dallas: Smart Pop, 2013.
 
* Darren Wershler, [http://www.alienated.net/academic-writing/conceptual-writing-fanfic/ "Conceptual Writing As Fanfic"], in ''Fic: Why Fanfiction is Taking Over the World'', ed. Anne Jamison, Dallas: Smart Pop, 2013.
 
* Amy King, [http://therumpus.net/author/amy-king/ "Beauty and the Beastly Po-Biz"], ''The Rumpus'', 15-16 Jul 2013.
 
* Amy King, [http://therumpus.net/author/amy-king/ "Beauty and the Beastly Po-Biz"], ''The Rumpus'', 15-16 Jul 2013.
 
* Calvin Bedient, [http://bostonreview.net/poetry/against-conceptualism "Against Conceptualism: Defending the Poetry of Affect"], ''Boston Review'', 24 Jul 2013.
 
* Calvin Bedient, [http://bostonreview.net/poetry/against-conceptualism "Against Conceptualism: Defending the Poetry of Affect"], ''Boston Review'', 24 Jul 2013.
 
* Robert Archambeau, [https://www.poetryfoundation.org/harriet/2013/08/charming-and-interesting-what-conceptual-poetry-lacks-and-what-its-got/ "Charmless and Interesting: What Conceptual Poetry Lacks and What It’s Got"], ''Harriet'', 2 Aug 2013.
 
* Robert Archambeau, [https://www.poetryfoundation.org/harriet/2013/08/charming-and-interesting-what-conceptual-poetry-lacks-and-what-its-got/ "Charmless and Interesting: What Conceptual Poetry Lacks and What It’s Got"], ''Harriet'', 2 Aug 2013.
 +
* Vanessa Place, [http://jacket2.org/article/zombie-poetry "Zombie Poetry"], ''Jacket2'', 25 Sep 2013.
 
* Kenneth Goldsmith, [http://www.newyorker.com/books/page-turner/the-writer-as-meme-machine "The Writer as Meme Machine"], ''The New Yorker'', 22 Oct 2013.
 
* Kenneth Goldsmith, [http://www.newyorker.com/books/page-turner/the-writer-as-meme-machine "The Writer as Meme Machine"], ''The New Yorker'', 22 Oct 2013.
 
* Nicholas D. Nace, [http://users.clas.ufl.edu/burt/Bibliomania!/UnprintedMatterConceptualWritingandTristramShandysChasmofTenPages.pdf "Unprinted Matter: Conceptual Writing and Tristram Shandy's 'chasm of ten pages'"], ''The Shandean'' 24, Laurence Sterne Trust, Nov 2013, 31-58.
 
* Nicholas D. Nace, [http://users.clas.ufl.edu/burt/Bibliomania!/UnprintedMatterConceptualWritingandTristramShandysChasmofTenPages.pdf "Unprinted Matter: Conceptual Writing and Tristram Shandy's 'chasm of ten pages'"], ''The Shandean'' 24, Laurence Sterne Trust, Nov 2013, 31-58.
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* Hannes Bajohr, [http://hannesbajohr.de/wp-content/uploads/2014/06/Schreibenlassen.-MERKUR-7-2014.pdf "Schreibenlassen. Gegenwartsliteratur und die Furcht vorm Digitalen"], ''Merkur'' 68:7, Stuttgart: Klett-Cotta, Jul 2014, pp 651-658. {{de}}
 
* Hannes Bajohr, [http://hannesbajohr.de/wp-content/uploads/2014/06/Schreibenlassen.-MERKUR-7-2014.pdf "Schreibenlassen. Gegenwartsliteratur und die Furcht vorm Digitalen"], ''Merkur'' 68:7, Stuttgart: Klett-Cotta, Jul 2014, pp 651-658. {{de}}
 
** [http://0x0a.li/en/schreibenlassen-gegenwartsliteratur-und-die-furcht-vorm-digitalen/ "Let It Write: Contemporary Literature and the Fear of the Digital"], ''0x0a'', Nov 2014.
 
** [http://0x0a.li/en/schreibenlassen-gegenwartsliteratur-und-die-furcht-vorm-digitalen/ "Let It Write: Contemporary Literature and the Fear of the Digital"], ''0x0a'', Nov 2014.
 +
* Vanessa Place, [https://www.academia.edu/11711721/ "After Ideology"], Paris, 6 Nov 2014.
 
* Michael Nardone, [http://editingmodernism.ca/2014/11/conceptual-writing-and-the-avant-garde-in-canada/ "Conceptual Writing and the Avant-Garde in Canada"], ''Editing Modernism in Canada'', 11 Nov 2014.
 
* Michael Nardone, [http://editingmodernism.ca/2014/11/conceptual-writing-and-the-avant-garde-in-canada/ "Conceptual Writing and the Avant-Garde in Canada"], ''Editing Modernism in Canada'', 11 Nov 2014.
 
* Martin Glaz Serup, ''[http://static-curis.ku.dk/portal/files/135784962/Ph.d._2015_Serup.pdf Kulturel erindring og konceptuel vidnesbyrdlitteratur]'', Copenhagen University, 2015, 308 pp. PhD dissertation. [http://hum.ku.dk/kalender/2015/april/martin_serup/] {{da}}
 
* Martin Glaz Serup, ''[http://static-curis.ku.dk/portal/files/135784962/Ph.d._2015_Serup.pdf Kulturel erindring og konceptuel vidnesbyrdlitteratur]'', Copenhagen University, 2015, 308 pp. PhD dissertation. [http://hum.ku.dk/kalender/2015/april/martin_serup/] {{da}}
 +
* Laurent Milesi, [http://www.euppublishing.com/doi/pdfplus/10.3366/count.2015.0018 "Countertexting One Another: Conceptual Poetics, Flarf, and Derridean Countersignature"], ''CounterText'' 1:2 (2015), pp 207-231.
 
* Mettyu Uitli (Мэттью Уитли), "'Eti lyudi zhivut zdes': kontseptualizm i novaya dokumentalnaya poetika" [«Эти люди живут здесь»: Концептуализм и Новая Документальная Поэтика], ''Translit'' 17, St Petersburg, 2015. [http://www.trans-lit.info/vypuski/17-translit] {{ru}}
 
* Mettyu Uitli (Мэттью Уитли), "'Eti lyudi zhivut zdes': kontseptualizm i novaya dokumentalnaya poetika" [«Эти люди живут здесь»: Концептуализм и Новая Документальная Поэтика], ''Translit'' 17, St Petersburg, 2015. [http://www.trans-lit.info/vypuski/17-translit] {{ru}}
 
** Matthew Whitley, [http://arcade.stanford.edu/content/these-people-live-here-conceptualism-and-new-documentary-poetics These People Live Here: Conceptualism and the New Documentary Poetics], ''Arcade'', 11 Jul 2016.
 
** Matthew Whitley, [http://arcade.stanford.edu/content/these-people-live-here-conceptualism-and-new-documentary-poetics These People Live Here: Conceptualism and the New Documentary Poetics], ''Arcade'', 11 Jul 2016.

Revision as of 11:23, 19 April 2017

Also conceptualism, conceptual poetics, conceptual poetry, conceptual fiction, literary appropriation, ready-made poetry, uncreative writing.

Works

Anthologies

Against Expression: An Anthology of Conceptual Writing, 2011, Log.
  • Reprint: Appropriation (&) Literature, ed. Annette Gilbert, with Tobias Amslinger and Mirja Aye, Weisbaden: Lux Books, 2014, 580 pp. [3]. Reviews: Greaney (MLN), Gramatzki (KulturPoetik, DE). (German)/(English)

Journals

Bibliography

Writers

Only those with pages on Monoskop wiki are listed.

Presses

Note that none of these publishing houses are devoted to conceptual writing exclusively.

  • 0x0a, eds. Hannes Bajohr/Gregor Weichbrodt, Berlin/New York, est 2014.
  • Edition After Hand, eds. Henrik Have (1973-2014), Thomas Hvid Kromann and Mathias Kokholm, Aarhus, est 1973.
  • Forlaget Attåt, ed. Paal Bjelke Andersen, Oslo, est 2008.
  • Basilisk: Beta (book series), Copenhagen, since 2011. [4]
  • Bookthug, eds. Jay Millar and Malcolm Sutton, Toronto, est 2004.
  • Coach House Books, eds. Stan Bevington (1997-98), Darren Wershler-Henry (1998-2002), Alana Wilcox (2002-), Toronto, re-est. 1997.
  • Gauss PDF, ed. J. Gordon Faylor, Oakland, CA, est 2010.
  • information as material, eds. Simon Morris, Craig Dworkin and Nick Thurston, York, UK, est 2002.
  • Insert Blanc Press, ed. Mathew Timmons, Los Angeles, est 2005.
  • khora impex, eds. Sebastian Big and yigru zeltil, Romania, est 2017.
  • Krupskaya Books, eds. Jocelyn Saidenberg (1998-), Kevin Killian (2001-15), et al., San Francisco, est 1998.
  • Les Figues Press, eds. Teresa Carmody and Vanessa Place, Los Angeles, est 2005.
  • No Press, ed. derek beaulieu, Calgary, est 2005.
  • ntamo, ed. Leevi Lehto, Helsinki, est 2007.
  • OEI editör, eds. Jonas Magnusson and Cecilia Grönberg, Stockholm, est 2002.
  • ood press, eds. Gregorio de Mattos e Guerra, Thiago Porciuncula and T. Pinto Brandao, Rio de Janeiro, est 2009.
  • Roof Books, ed. James Sherry, New York City, est 1979.
  • sOd press, eds. a.j. carruthers and Amelia Dale, Sydney, est 2011.
  • edition taberna kritika, ed. Hartmut Abendschein, Bern, est 2007.
  • TROLL THREAD, eds. Chris Sylvester, Joseph Yearous-Algozin, Holly Melgard and Divya Victor, est 2010.
  • /ubu Editions: Publishing the Unpublishable, eds. Danny Snelson and Kenneth Goldsmith, New York City, 2003-10.
  • Veer Books, eds. William Rowe, et al., London, est 2003.
  • Ugly Duckling Presse, ed. Matvei Yankelevich, et al., Brooklyn, NY, est 1995.

Archives, Resources

Criticism, History, Theory

Monographs, pamphlets

Vanessa Place, Robert Fitterman, Notes on Conceptualisms, 2009, Log, PDF.
  • Marjorie Perloff, Unoriginal Genius: Poetry by Other Means in the New Century, University of Chicago Press, 2010, ix+201 pp. Excerpt. [9]. Reviews: Di Leo (Am Book Rev), Rowe (Full Stop), Scroggins (Bookforum), Golding (CompLit Studies), McCallum (English in Education), Mao (Common Knowledge), Wilkinson (Modern Philology), Paris (J Modern Lit), Lista (National Post), Dow (PN Rev), Lana Turner, Vriezen (deReactor, NL). [10]
    • O génio não original: poesia por outros meios no novo século, trans. Adriano Scandolara, Belo Horizonte: UFMG, 2013, 314 pp. [11] (Brazilian Portuguese)
  • Corrected Slogans: Reading and Writing Conceptualism, ed. Triple Canopy, New York: Triple Canopy & MCA Denver, 2013, 268 pp. [15]
  • Brian M. Reed, Nobody's Business: Twenty-First Century Avant-Garde Poetics, Cornell University Press, 2013, xix+222 pp. [16] [17]. Reviews: Nielsen (Am Lit), Chan (JMMLA), Stoehr (RMRLL).
  • Felix Bernstein, Notes on Post-Conceptual Poetry, pref. Trisha Low, Los Angeles: Insert Blanc Press, 2015, 170 pp, HTML. Notes amalgamated for the Poetry Will Be Made By All event conceived by Kenneth Goldsmith and Hans-Ulrich Obrist in 2014. Reviews: Seltman (LARB), Daniele (European J of Am Studies), Lawrence (Capilano Rev). [18] [19] [20]
  • Paul Stephens, The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing, University of Minnesota Press, 2015. Reviews: Thurston (Parallax), Baetens (Leonardo), Abbasi (AALL). [21] [22] [23]
  • Mirjam Horn, Postmodern Plagiarisms: Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970-2010), de Gruyter Mouton, 2015, vii+286 pp. TOC. Based on 2012 PhD dissertation at Giessen U. [24] [25]
  • Gaëlle Théval, Poésies ready-made, XXe-XXIe siècles, Paris: L'Harmattan, 2015, 288 pp. TOC. [26]. Based on 2011 PhD dissertation at U Paris-Diderot. Reviews: Huglo (Sitaudis), Tardy (Cahier Critique de Poésie). (French)
  • Code und Konzept: Literatur und das Digitale, ed. Hannes Bajohr, Berlin: Frohmann, 2016, 262 pp. [29] (German)

Journal issues and features

Interviews, surveys

National and regional surveys

See also anthologies.

Papers, articles, pamphlets, statements, theses

Primary historical references