Difference between revisions of "Contents"

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==<center>Features</center>==
 
{{:Features}}
 
 
 
 
==<center>Avant-garde and modernism</center>==
 
==<center>Avant-garde and modernism</center>==
  
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{{Countries}}
 
{{Countries}}
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{| class="toccolours"
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|-
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|
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! width="100%" style="text-align: center;" | Artists, makers and writers (selection)
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|}
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<div class="dpl" style="-moz-column-count:5; -webkit-column-count:5; column-count:5; font-size: .95em">
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* [[Ludwig Angerer]]
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* [[Arkzin]]
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* [[Arseny Avraamov]]
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* [[Mikhail Bakhtin]]
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* [[Henryk Berlewi]]
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* [[Gábor Bódy]]
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* [[Vladimir Bonačić]]
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* [[Étienne-Louis Boullée]]
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* [[Bertolt Brecht]]
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* [[Lucius Burckhardt]]
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* [[Jack Burnham]]
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* [[Ernst Chladni]]
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* [[Leon Chwistek]]
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* [[Devětsil]]
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* [[Stanisław Dróżdż]]
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* [[Dvizheniye]]
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* [[Viking Eggeling]]
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* [[Sergei Eisenstein]]
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* [[P. K. Engelmeyer]]
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* [[Alexandra Exter]]
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* [[Harun Farocki]]
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* [[Fluxus]]
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* [[Naum Gabo]]
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* [[Bulat Galeyev]]
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* [[Aleksei Gan]]
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* [[Kenneth Goldsmith]]
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* [[Milan Grygar]]
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* [[Alexandr Hackenschmied]]
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* [[Dušan Hanák]]
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* [[Oskar Hansen]]
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* [[Francisco Infante]]
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* [[Štefan Anián Jedlík]]
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* [[György Kepes]]
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* [[Alexander Kluge]]
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* [[Milan Knížák]]
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* [[Katarzyna Kobro]]
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* [[Ede Kozics]]
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* [[Nikolai Kulbin]]
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* [[Jiří Lehovec]]
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* [[El Lissitzky]]
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* [[Tomás Maldonado]]
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* [[Kazimir Malevich]]
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* [[Jozef Malovec]]
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* [[MaMa]]
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* [[Manakis brothers]]
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* [[Chris Marker]]
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* [[Voldemārs Matvejs]]
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* [[Vladimir Mayakovsky]]
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* [[Trinh T. Minh-ha]]
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* [[Lucia Moholy]]
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* [[László Moholy-Nagy]]
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* [[Abraham Moles]]
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* [[Jozef Murgaš]]
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* [[Nettime]]
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* [[New Tendencies]]
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* [[Lev Nussberg]]
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* [[Zdeněk Pešánek]]
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* [[Joseph Petzval]]
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* [[Lyubov Popova]]
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* [[Prometei]]
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* [[Jan Evangelista Purkyně]]
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* [[Alexander Rodchenko]]
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* [[Aldo Rossi]]
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* [[Raymond Roussel]]
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* [[Zbigniew Rybczyński]]
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* [[Arnold Schoenberg]]
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* [[Nicolas Schöffer]]
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* [[Stefan Sebök]]
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* [[Situationist International]]
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* [[Robert Smithson]]
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* [[Varvara Stepanova]]
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* [[Władysław Strzemiński]]
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* [[Zdeněk Sýkora]]
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* [[Josef Svoboda]]
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* [[Mieczyslaw Szczuka]]
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* [[Vladimir Tatlin]]
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* [[Steina and Woody Vasulka]]
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* [[Otakar Vávra]]
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* [[Dziga Vertov]]
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</div>
  
  
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{{Theory}}
 
{{Theory}}
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{| class="toccolours"
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|-
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|
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! width="100%" style="text-align: center;" | Writers (selection)
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|}
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<div class="dpl" style="-moz-column-count:5; -webkit-column-count:5; column-count:5; font-size: .95em">
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<DynamicPageList>
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category            = Writers
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ordermethod          = sortkey
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order                = ascending
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</DynamicPageList>
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</div>
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__NOEDITSECTION__
 
__NOEDITSECTION__

Revision as of 10:14, 28 August 2015

Avant-garde and modernism

Art and Culture

Avant-garde and modernist magazines, Artists' publishing, Graphic design, Photography, Typewriter art, Multimedia environments, Design research, Video activism, Urban practices, Zine culture, Demoscene, VJing, Live cinema, Media labs, Cyberfeminism, Community television, Hacktivism, Art servers, Hackerspaces, CD-ROM art, Circuit bending, Pure Data, Media archives, VVVV, Maker culture, Glitch art, Live coding, Locative media, Libre graphics, Electromagnetism, Surf clubs, DIY biology, Post-digital, Neural aesthetics.
See also Art styles and movements.


Art exhibitions and events

Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997)


Art and design schools

Bauhaus (Weimar, Dessau, Berlin, 1919-33), Vitebsk Popular Art Institute (Vitebsk, 1919-22), VkHUTEMAS (Moscow, 1920-26), School of Arts and Crafts (Bratislava, 1928-39), Black Mountain College (Black Mountain/NC, 1933-57), Ulm School of Design (Ulm, 1953-68), Academy of Media Arts (Cologne, est. 1990), Piet Zwart Institute (Rotterdam, est. 2001)


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).


Countries
avant-garde, modernism and after

Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Macedonia, Malta, Mexico, Moldova, Montenegro, Netherlands, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States


Artists, makers and writers (selection)


Media culture

Cities
alternative base

Amsterdam, Bergen, Berlin, Bratislava, Budapest, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb


Media, theory and the humanities

Humanities

Fields and theories: Classics, Art history, History of architecture, Anthropology, Semiotics, Philosophy of technology, Marxist aesthetics, Design research, Humanities computing, Structuralism, Poststructuralism, Mediology, Media archaeology, Cyberfeminism, Cultural techniques, Neuroaesthetics, Posthumanities, Sensory ethnography, Media ecology, Digital humanities, Software studies, Modern periodical studies, Accelerationism.
Concepts: Faktura, Ostranenie, Biomechanics, Commons, Postmedia, Evil media.
Related theories: Systems theory, Information theory, Cybernetics.
Writers.


Writers (selection)