Difference between revisions of "Monoskop:Contents"

Revision as of 17:37, 4 April 2017

Arts

	Avant-garde and modernist magazines
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).

	Full list
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39).

	Art and culture
Avant-garde and modernist magazines, Dance, Artists' publishing, Graphic design, Photography, Typewriter art, Multimedia environments, Design research, Video activism, Urban practices, Zine culture, Demoscene, VJing, Live cinema, Art and technology centres, Cyberfeminism, Art and activism, Community television, Hacktivism, Net culture, Community servers, Hackerspaces, CD-ROM art, Circuit bending, Pure Data, Media archives, VVVV, Maker culture, Glitch art, Live coding, Locative media, Libre graphics, Electromagnetism, Surf clubs, DIY biology, Decolonial aesthetics, Post-digital, Neural aesthetics. Visual art, Contents, Index, About.

	Visual art
Styles and movements – Historians – Writers – Museums – Care – 1990s – East Central Europe – Reference. Art and culture, Contents, Index, About.

	Art exhibitions and events
Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997)

	Art and design schools
Bauhaus (Weimar, Dessau, Berlin, 1919-33), Vitebsk Popular Art Institute (Vitebsk, 1919-22), VkHUTEMAS (Moscow, 1920-26), School of Arts and Crafts (Bratislava, 1928-39), Black Mountain College (Black Mountain/NC, 1933-57), Ulm School of Design (Ulm, 1953-68), Academy of Media Arts (Cologne, est. 1990), Piet Zwart Institute (Rotterdam, est. 2001)

	Moving Image communities of practice in film and video
Early cinema, Experimental film, Expanded cinema, Video art, Live cinema, Film labs, Media archives, Community television, Demoscene, VJing, VVVV, Live coding, Writers. Art and culture, Contents, Index, About.

	Sound and Music communities of practice
Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About.

	Literature groups, movements, cultures
Avant-garde and modernist magazines, Artists' publishing, Vorticism, Dada, Zenitism, Estridentismo, Surrealism, Concrete poetry, Zine culture, Afrofuturism, Shadow libraries, Code poetry, Conceptual writing, Alternative literature, Conceptual comics. Art and culture, Contents, Index, About.

	Software communities of practice
Art and technology centres, Circuit bending, Community servers, Copyright activism, Data activism, Demoscene, Digital libraries, DIY biology, Federated networks, File sharing, Free software, Game art, Hacker culture, Hackerspaces, Hacktivism, Internet activism, Libre graphics, Live coding, Live video, Maker culture, Media archives, Net art, Neural aesthetics, Open hardware, Permacomputing, Shadow libraries, Software art. Art and culture, Contents, Index, About.

	Countries avant-garde, modernism, experimental art, media culture, social practice
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States

	Artists, makers and writers (selection)

Media culture

	Cities alternative base
Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb

	Full list
Aarhus, Amman, Amsterdam, Ankara, Arnhem, Athens, Baltimore, Banja Luka, Banská Bystrica, Barcelona, Barentsburg, Basel, Beirut, Belfast, Beijing, Belgrade, Bergen, Berlin, Bern, Bielefeld, Bilbao, Bochum, Bonn, Bournemouth, Bordeaux, Bratislava, Brighton, Bristol, Brno, Brussels, Bucharest, Budapest, Caen, Cairo, Cambridge, Chemnitz, Cluj, Cologne, Copenhagen, Coventry, Deventer, Dnepropetrovsk, Dordrecht, Dortmund, Dresden, Dublin, Dubrovnik, Edinburgh, Eindhoven, Enschede, Florence, Frankfurt, Galanta, Gdansk, Geneva, Ghent, Gijon, Giza, Glasgow, Gothenburg, Graz, Grenland, Grenoble, Grimstad, The Hague, Hainburg, Hallein, Hamburg, Helsingør, Helsinki, Hong Kong, Høvikodden, Innsbruck, Istanbul, Jerusalem, Karlsruhe, Katowice, Kaunas, Kharkiv, Kirkenes, Korčula, Kortrijk, Košice, Krakow, Krasnoyarsk, Krems, Kristiansand, Kvinesdal, Kyiv, Kyoto, Las Palmas, Lausanne, Leeds, Leiden, Leipzig, Limassol, Linköping, Linz, Lisbon, Liverpool, Ljubljana, Lodz, London, Lübeck, Lublin, Lucerne, Lugansk, Lund, Lviv, Lyon, Maastricht, Madrid, Malmö, Manchester, Maribor, Marseille, Melbourne, Michalovce, Milan, Minsk, Mons, Mooste, Moscow, Moss, Mostar, Mulhouse, Munich, Murcia, Nantes, New York City, Nice, Nicosia, Nida, Nijmegen, Nitra, Nottingham, Nové Zámky, Novigrad, Novi Sad, Olomouc, Omsk, Oradea, Osijek, Oslo, Osnabrück, Ostrava, Oulu, Paris, Pärnu, Pécs, Perast, Plovdiv, Plymouth, Plzeň, Podgorica, Porto, Považská Bystrica, Poznan, Prague, Prešov, Prishtina, Pula, Rabat, Ramallah, Regensburg, Reykjavík, Riga, Rijeka, Rome, Rotterdam, Rouen, Saint-Ouen, Salzburg, San Francisco, San Marino, Sandnes, Sarajevo, Sebastopol, Seoul, Sheffield, Skopje, Sofia, Split, St Petersburg, Stavanger, Stockholm, Strasbourg, Szczecin, Szeged, Tallin, Tbilisi, Tel Aviv, Thessaloniki, Tilburg, Timisoara, Tirana, Tokyo, Tottenham, Tromsø, Trondheim, Turin, Umeå, Ústí nad Labem, Utrecht, Valencia, Velika Gorica, Vienna, Vilnius, Vis, Warszawa, Weimar, Wroclaw, Zagreb, Zambrow, Zlín, Zürich

Humanities

	Studies
Anthropology, Art history, History of architecture, Biomechanics, Classics, Commons, Cultural techniques, Cyberfeminism, Cybernetics, Decolonial aesthetics, Design research, Digital humanities, Information theory, Marxist aesthetics, Media archaeology, Media ecology, Mediology, Modern periodical studies, Neuroaesthetics, Neural aesthetics, Philosophy of technology, Posthumanities, Postmedia, Poststructuralism, Semiotics, Sensory ethnography, Software studies, Structuralism, Systems theory. Art writers, Film writers, Music writers, Writers.

	Writers (selection)

@@ Line 1: / Line 1: @@
 {{TOC limit|3}}
-==<center>Avant-garde and modernism</center>==
+==<center>Arts</center>==
+{{Avant-garde and modernist magazines}}
 {{Art and culture}}
+{{Art}}
@@ Line 13: / Line 19: @@
-{{Avant-garde and modernist magazines}}
+{{Moving Image}}
+{{Sound and Music}}
+{{Literature}}
+{{Software}}
@@ Line 74: / Line 89: @@
 * [[Voldemārs Matvejs]]
 * [[Vladimir Mayakovsky]]
+* [[Gustav Metzger]]
 * [[Trinh T. Minh-ha]]
 * [[Lucia Moholy]]
@@ Line 102: / Line 118: @@
 * [[Mieczyslaw Szczuka]]
 * [[Vladimir Tatlin]]
+* [[Karel Teige]]
 * [[Steina and Woody Vasulka]]
 * [[Otakar Vávra]]
@@ Line 114: / Line 131: @@
-==<center>Media, theory and the humanities</center>==
+==<center>Humanities</center>==
-{{Theory}}
+{{Humanities}}

Difference between revisions of "Monoskop:Contents"

Revision as of 17:37, 4 April 2017

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