Monoskop:Contents

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Features

An index page from John Amos Comenius's Orbis Pictus, 1668. [1]

Introduction

The Monoskop Index brings together on one page selections from several sections of the Monoskop Wiki and Log. It contains topics, concepts, practices, places, events and persons relevant to the study of the arts and humanities. Its form combines elements of book index, library catalogue and tag cloud, listing alphabetically sorted topics with links to pages of organised source material.

By far the largest part is made up of the top 500 thematic tags from Monoskop Log, each linking to eight or more full-text publications, mostly books, while some themes also have dedicated wiki pages. The 100 persons--artists, makers and writers--are taken from the Features section and their linked wiki pages consist mainly of chronologies and bibliographies of their work, some accompanied with biographies. Artistic and cultural techniques and practices are represented by about 70 articles with wiki resources. Twentieth-century avant-garde and modern art is also organised by country, currently in 23 entries, while more than 50 included city entries map the "alternative base".

The index continues to grow as new material is added to the website. For an overview by section, see Contents.

Jump to 0, A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T, U, V, W, Y, Z.

Index

0

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

  • object, Log
  • OBMOKhU, info
  • occultism, Log
  • Occupy movement, Log
  • online library, see digital library
  • online video, Log
  • ontology, Log
  • open source, Log. See also free software
  • organization, Log
  • Oslo, alternative base

P

R

S

T

U

V

W

X

  • xenofeminism, see cyberfeminism

Y

Z

See also

  • Keywords, a toolbox of recent concepts and methods in arts and studies.



Avant-garde and modernism

Art and culture

Avant-garde and modernist magazines, Dance, Artists' publishing, Graphic design, Photography, Typewriter art, Multimedia environments, Design research, Video activism, Urban practices, Zine culture, Demoscene, VJing, Live cinema, Art and technology centres, Cyberfeminism, Art and activism, Community television, Hacktivism, Community servers, Hackerspaces, CD-ROM art, Circuit bending, Pure Data, Media archives, VVVV, Maker culture, Glitch art, Live coding, Locative media, Libre graphics, Electromagnetism, Surf clubs, DIY biology, Decolonial aesthetics, Post-digital, Neural aesthetics. Visual art, Contents, Index, About.


Art exhibitions and events

Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997)


Art and design schools

Bauhaus (Weimar, Dessau, Berlin, 1919-33), Vitebsk Popular Art Institute (Vitebsk, 1919-22), VkHUTEMAS (Moscow, 1920-26), School of Arts and Crafts (Bratislava, 1928-39), Black Mountain College (Black Mountain/NC, 1933-57), Ulm School of Design (Ulm, 1953-68), Academy of Media Arts (Cologne, est. 1990), Piet Zwart Institute (Rotterdam, est. 2001)


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).


Countries
avant-garde, modernism, experimental art, media culture, social practice

Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States


Media culture

Cities
alternative base

Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb


Media, theory and the humanities

  1. REDIRECT Template:Studies