Difference between revisions of "Dance"

Revision as of 11:06, 18 December 2019

John Percival, Experimental Dance, London: Studio Vista, 1971; New York: Universe Books, 1971, 160 pp.
Jill Johnston, Marmalade Me, New York: Dutton, 1971; new ed., exp., University Press of New England, 1998. [1]
Ellen Graff, Stepping Left: Dance and Politics in New York City, 1928-1942, Durham, 1997.
Carolyn Brown, Chance and Circumstance: Twenty Years with Cage and Cunningham, New York: Alfred A. Knopf, 2007. Memoir.
Robert Gottlieb, Reading Dance: A Gathering of Memoirs, Reportage, Criticism, Profiles, Interviews, and Some Uncategorizable Extras, New York, 2008.
Claire Bishop, "Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention", TDR/The Drama Review 62:2, Summer 2018, pp 22-42.
Jill Johnston, The Disintegration of a Critic, eds. Fiona McGovern, Megan Francis Sullivan, and Axel Wieder, Bergen: Sternberg, and Bergen: Bergen Kunsthall, 2019, 224 pp. Collection of thirty texts published in Johnston's weekly column for The Village Voice between 1960 and 1974. [2] [3]

Another Modern Art: Dance and Theater, online companion to 2009 exhibition at MoMA

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 * Jill Johnston, ''Marmalade Me'', New York: Dutton, 1971; [http://gen.lib.rus.ec/book/index.php?md5=5A3C04BA5775256594916C2351122560 new ed., exp.], University Press of New England, 1998. [http://jilljohnston.com/?q=node/8]
 * Ellen Graff, ''[https://aaaaarg.fail/thing/5df8efd19ff37c28292e81bd Stepping Left: Dance and Politics in New York City, 1928-1942]'', Durham, 1997.
+* Carolyn Brown, ''[https://aaaaarg.fail/thing/5df8eeb39ff37c28292e81bb Chance and Circumstance: Twenty Years with Cage and Cunningham]'', New York: Alfred A. Knopf, 2007. Memoir.
 * Robert Gottlieb, ''[https://aaaaarg.fail/thing/5df8edec9ff37c28292e81b8 Reading Dance: A Gathering of Memoirs, Reportage, Criticism, Profiles, Interviews, and Some Uncategorizable Extras]'', New York, 2008.
 * Claire Bishop, [https://sci-hub.tw/10.1162/DRAM_a_00746 "Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention"], ''TDR/The Drama Review'' 62:2, Summer 2018, pp 22-42.