Difference between revisions of "Dance"

Revision as of 01:00, 28 January 2023

John Percival, Experimental Dance, London: Studio Vista, 1971; New York: Universe Books, 1971, 160 pp.
Jill Johnston, Marmalade Me, New York: Dutton, 1971; new ed., exp., University Press of New England, 1998. [1]
Ellen Graff, Stepping Left: Dance and Politics in New York City, 1928-1942, Durham: Duke University Press, 1997.
Carolyn Brown, Chance and Circumstance: Twenty Years with Cage and Cunningham, New York: Alfred A. Knopf, 2007. Memoir.
Robert Gottlieb, Reading Dance: A Gathering of Memoirs, Reportage, Criticism, Profiles, Interviews, and Some Uncategorizable Extras, New York, 2008.
André Lepecki (ed.), Dance, London: Whitechapel Gallery, 2012, 240 pp.
Cosmin Costinaş, Ana Janevski (eds.), Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions, Hong Kong: Para Site, and Berlin: Sternberg Press, 2017, 224 pp. [2] [3]
Claire Bishop, "Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention", TDR/The Drama Review 62:2, Summer 2018, pp 22-42.
Jill Johnston, The Disintegration of a Critic, eds. Fiona McGovern, Megan Francis Sullivan, and Axel Wieder, Bergen: Sternberg, and Bergen: Bergen Kunsthall, 2019, 224 pp. Collection of thirty texts published in Johnston's weekly column for The Village Voice between 1960 and 1974. [4] [5]

Another Modern Art: Dance and Theater, online companion to 2009 exhibition at MoMA
Moving Margins, an alter-archive and educational platform for diverse dance practitioners and researchers to exchange and elaborate upon the possible encounters of a variety of dance histories, 2019ff

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 * André Lepecki (ed.), ''[https://aaaaarg.fail/thing/5ee4bf8a9ff37c14472e81c6 Dance]'', London: Whitechapel Gallery, 2012, 240 pp.
 * Cosmin Costinaş, Ana Janevski (eds.), ''Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions'', Hong Kong: Para Site, and Berlin: Sternberg Press, 2017, 224 pp. [https://www.sternberg-press.com/product/is-the-living-body-the-last-thing-left-alive-the-new-performance-turn-its-histories-and-its-institutions/] [https://www.para-site.art/publications/is-the-living-body-the-last-thing-left-alive-the-new-performance-turn-its-histories-and-its-institutions/]
-* Claire Bishop, [https://sci-hub.se/10.1162/DRAM_a_00746 "Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention"], ''TDR/The Drama Review'' 62:2, Summer 2018, pp 22-42.
+* Claire Bishop, [https://sci-hub.st/10.1162/DRAM_a_00746 "Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention"], ''TDR/The Drama Review'' 62:2, Summer 2018, pp 22-42.
 * Jill Johnston, ''The Disintegration of a Critic'', eds. Fiona McGovern, Megan Francis Sullivan, and Axel Wieder, Bergen: Sternberg, and Bergen: Bergen Kunsthall, 2019, 224 pp. Collection of thirty texts published in Johnston's weekly column for ''The Village Voice'' between 1960 and 1974. [https://www.sternberg-press.com/product/the-disintegration-of-a-critic/] [http://www.kunsthall.no/en/?AID=3013&ID=27&K=1&AAR=2019&MND=5&index=16]