Difference between revisions of "Daniel Grúň"

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Revision as of 14:10, 3 December 2022

Daniel Grúň (1977, Piešťany) is an art historian, curator, writer and art critic. He studied art history at Trnava University (Slovak Republic). In 2009 he completed his Ph.D. thesis and published a book titled Archeológia výtvarnej kritiky. Slovenské umenie šesťdesiatych rokov a jeho interpretácie [Archeology of Art Criticism. Slovak Art of the 1960s and its Interpretations]. Currently he works as an Assistant Professor in the Department of Theory and History of Art, Academy of Fine Arts and Design in Bratislava, and as a researcher of the Július Koller Society (since 2009). In 2010 he won the Igor Zabel Award for Culture and Theory. He lives in Bratislava.

Publications

Monographs

  • co-editor, Tomáš Štrauss, Beyond the Great Divide: Essays on European Avant-Gardes from East to West, trans. Hayley Haupt and Jonathan Owen, Dijon: Les presses du réel, and AICA International, 2020, 192 pp. Anthology. Review: Arnoux (Critique d'art, FR). [2] [3] (English)
  • editor, Subjektívne histórie. Seba-historizácia ako umelecká prax v stredovýchodnej Európe / Subjective Histories: Self-historicization as Artistic Practice in Central-East Europe, Bratislava: VEDA SAV, 2020, 320 pp. Publisher. Review: Gadó (ArtMargins). [4] (Slovak)/(English)
  • editor, AMA. Ľubomír Ďurček, Květoslava Fulierová, Július Koller a amatérski výtvarníci / Ľubomír Ďurček, Květoslava Fulierová, Július Koller and Amateur Artists, Vienna: Schlebrügge.Editor, Sep 2020, 340 pp. Texts by Ľubomír Ďurček, Květa Fulierová, Daniel Grúň, Július Koller, and interviews between Dagmar Gazdíková and Július Koller. Publisher. Review: Tuka (Artalk). [5] (Slovak)/(English)
  • editor, with Christian Höller and Kathrin Rhomberg, White Space in White Space / Biely priestor v bielom priestore, 1973-1982. Stano Filko, Miloš Laky, Ján Zavarský, Vienna: Schlebrügge, 2021, 228 pp. Project archive. Publisher. [6] [7] (English)

Edited catalogues

  • with Tomáš Pospiszyl, Július Koller Archive. Study Room, Prague: tranzit.cz, 2012, 24 pp. Catalogue. (Slovak),(Czech)/(English)
  • editor, with Barbora Klímová and Filip Cenek, Mutually: Communities of the 1970s and 1980s / Navzájem: Společenství 70. a 80. let, Prague: tranzitdisplay, and Brno: The House of Arts, 2013, 44 pp. Catalogue. (Slovak)/(Czech)/(English)
  • editor, Július Koller. Galéria Ganku, trans. John Minahane, Vienna: Schlebrügge, 2014. Catalogue. [8] (English)/(Slovak)
  • editor, with Kathrin Rhomberg and Georg Schöllhammer, Július Koller: One Man Anti Show, Vienna: mumok, and Cologne: Buchhandlung Walter König, 2016, 388 pp. Catalogue. [9] (German)
    • Július Koller: One Man Anti Show, Vienna: mumok, and Cologne: Buchhandlung Walter König, 2016, 320 pp. [10] (English)

Book chapters, Essays, Reviews, Talks

  • "Čo znamená cestovať v Bratislave metrom - Metro, Galéria Priestor for Contemporary Arts, Bratislava, 25.6.–1.8.2004", Umělec CZ 2, Prague: Divus, 2004. (Slovak)
  • "Zmysel negácie. Nefiguratívny výtvarný prejav a avantgardné princípy v teórii Oskára Čepana", ARS 39 (2006), pp 93-109. (Slovak)
  • "Ľudský rozmer abstraktného obrazu. K interpretácii diel Mariána Čunderlíka a Rudolfa Filu v štúdiách Oskára Čepana", in Obrazy Oskára Čepana, eds. P. Zajac and B. Bodorová, Bratislava: Vydavateľstvo Michala Vaška, 2006, pp 205-208. (Slovak)
  • "Chvála banálnych paradoxov", in Paradoxy a hranice racionality, eds. R. Slavkovský, J. Vydrová and A. Vydra, Pusté Úľany: Schola Philosophica, 2007, pp 188-194. (Slovak)
  • "Against Demons of Modernity? Towards Interpreting Art of Sculpture in the 1960s Dominik Tatarka's Essays", Acta Historiae Artium 49 (2008), pp 206-214. (English)
  • "Der Kosmos der Slowakischen Neoavantgarde zwischen Utopie, Fiktion und Politik", in Crossing 68/89, eds. Jürgen Danyel, Jennifer Schevardo and Stephan Kruhl, Berlin: Metropol, 2008, pp 136-155. (German)
    • "Red Planet: Cosmic Imagery of the Slovak Neo-Avant-Garde", in Star City: The Future Under Communism, eds. Łukasz Ronduda, Alex Farquarson and Barbara Piwowarska, MAMMAL Foundation, Nottingham Contemporary, and Vienna: tranzit.at, 2011, pp 52-68. (English)
  • "Performatívne písanie Milana Adamčiaka", in Třídit slova. Literatura a konceptuální tendence 1949–2015, eds. Ondřej Buddeus and Markéta Magidová, Prague: tranzit.cz, 2015, pp 122-137. [12] (Slovak)
  • "Das Leben als Signal. Die kommunikative Provokation von Július Kollers künstlerischer Praxis", in Július Koller: One Man Anti Show, eds. Daniel Grúň, Kathrin Rhomberg, and Georg Schöllhammer, Vienna: mumok, and Cologne: Buchhandlung Walter König, 2016, pp 20-28. (German)
  • "Úvaha o chýbaní. Biele práce Stana Filka a Mladena Stilinovića", in Umění a revoluce. Pro Milenu Bartlovou, eds. Johana Lomová and Jindřich Vybíral, Prague: UMPRUM, 2018, pp 574-595. (Slovak)

Interviews

Talks

Links

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