Difference between revisions of "Dominic Lopes"
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==Works== | ==Works== | ||
| − | * ''Understanding Pictures'', Oxford: Oxford University Press, 1996; reprinted as ''Comprendre les images: Une théorie de la représentation iconique'', trans. Laure Blanc-Benon, Rennes: Presses Universitaires de Rennes, 2014. | + | * ''Understanding Pictures'', Oxford: Oxford University Press, 1996; 2004, [https://archive.org/details/DominicLopesUnderstandingPicturesOxfordPhilosophicalMonographs2004 IA]; reprinted as ''Comprendre les images: Une théorie de la représentation iconique'', trans. Laure Blanc-Benon, Rennes: Presses Universitaires de Rennes, 2014. |
| − | * with Berys Gaut (eds.), ''The Routledge Companion to Aesthetics'', London: Routledge, 2000; 2001, [[Media:Lopes_Dominic_Gaut_Berys_The_Routledge_Companiom_2001.pdf|PDF]]; 2002; 2nd edition, 2005; 3rd edition, 2013. | + | * with Berys Gaut (eds.), ''The Routledge Companion to Aesthetics'', London: Routledge, 2000; 2001, [[Media:Lopes_Dominic_Gaut_Berys_The_Routledge_Companiom_2001.pdf|PDF]]; 2002; 2nd edition, 2005, [https://archive.org/details/BerysGautDominicMcIverLopeseditorsTheRoutledgeCompanionToAesthetics2ndEditionRoutledge2005 IA]; 3rd edition, 2013, [https://archive.org/details/BerysGautDominicLopesTheRoutledgeCompanionToAestheticsRoutledge2013 IA]. |
* with Matthew Kieran (eds.), ''Imagination, Philosophy, and the Arts'', London: Routledge, 2003. | * with Matthew Kieran (eds.), ''Imagination, Philosophy, and the Arts'', London: Routledge, 2003. | ||
* ''Sight and Sensibility: Evaluating Pictures'', Oxford: Oxford University Press, 2005, [https://archive.org/details/DominicMcIverLopesSightAndSensibilityEvaluatingPicturesOxfordUniversityPress2005 IA]. | * ''Sight and Sensibility: Evaluating Pictures'', Oxford: Oxford University Press, 2005, [https://archive.org/details/DominicMcIverLopesSightAndSensibilityEvaluatingPicturesOxfordUniversityPress2005 IA]. | ||
Revision as of 22:43, 16 May 2015
Dominic McIver Lopes is aProfessor in the Department of Philosophy at the University of British Columbia. His research focusses on pictorial representation and perception; the aesthetic and epistemic value of pictures, including scientific images; theories of art and its value; the ontology of art; and computer art and new art forms.
Works
- Understanding Pictures, Oxford: Oxford University Press, 1996; 2004, IA; reprinted as Comprendre les images: Une théorie de la représentation iconique, trans. Laure Blanc-Benon, Rennes: Presses Universitaires de Rennes, 2014.
- with Berys Gaut (eds.), The Routledge Companion to Aesthetics, London: Routledge, 2000; 2001, PDF; 2002; 2nd edition, 2005, IA; 3rd edition, 2013, IA.
- with Matthew Kieran (eds.), Imagination, Philosophy, and the Arts, London: Routledge, 2003.
- Sight and Sensibility: Evaluating Pictures, Oxford: Oxford University Press, 2005, IA.
- with Matthew Kieran (eds.), Knowing Art: Aesthetics and Epistemology, Dordrecht: Springer, 2006, IA.
- A Philosophy of Computer Art, London: Routledge, 2009, IA.
- Beyond Art, Oxford: Oxford University Press, 2014, IA.
- Four Arts of Photography, Oxford: Wiley, 2015 [forthcoming].
