Early media art in Czech Republic

under construction

Miroslav Klivar, painter, graphic artist, poet, curator. Organised Computer and Art exhibition in Prague 1968.
Zdeněk Sýkora is considered the first Czechoslovak artist to use computer. In 1964 in collaboration with the mathematician Jaroslav Blažek he created the visual computer-aided structures. In 1972 he created his first computer generated line paintings.
Aleš Svoboda
Stanislav Zippe
Pavel Rudolf
Lubomír Sochor
Radomír Leszczynski, painter. Since 1995 he has concentrated on the brushwork realization of "subjacent" work on a computer. Also produces electronic prints.

Woody Vasulka, artist. After producing a pioneering body of tapes in collaboration with Steina Vasulka since 1969 in the USA, he has investigated the narrative, syntactical and metaphorical potential of electronic imaging. Co-founded The Kitchen in 1971.
Video Salon. Radek Pilar was making video art tapes from 1987 and gathered a number of artists to form a video group. This "Video Salon" made their first exhibition in the summer of 1989 with numerous screenings and four video installations. The members had access to information on video installation because one of the members, Dr. Vancat, was then working for the National Art Archive where there were photos of works by Paik and Bill Viola. Filmmakers Petr Skala, Tomáš Kepka, Ivan Tatíček, photographers Pavel Scheufler, Pavel Jasanský, Michal Pacina, Jasoň Šilhan, visual artists Lucie Svobodová, Věra Geislerová, Lenka Štarmanová, Kateřina Scheuflerová, Roman Milerský, René Slauka, and architect Miro Dopita. Active til mid-1990s. Since 1993 directed by Petr Skala.
Petr Skala, video artist, film director, screenwriter. Since mid-1980s experiments with video technology.
Original Video Journal, the dissident video magazine started in 1986 with Vaclav and Olga Havel's initiative, was being edited and copied secretly on school equipment.

Vilém Flusser, theorist.
Keiko Sei, writer, curator and educator on media and media art. Until 2002 she has been teaching at the Video/Performance/Multimedia Studio FaVU Brno. Co-curated Orbis Fictus 1994.
Prague Media Symposium 1991-98, international and interdisciplinary symposium on the media development, communications philosophy and media art organized by Goethe-Institut Prag, AVU and SCCA.

Computer and Art exhibition in Filmový klub Prague, 1968
Expo '67 Montreal. Laterna magika, by Alfred Radok (film director) and Josef Svoboda (architect). Kinoautomat.

In 1990, when the Fluxus artist, deconstructivist Milan Knizak, was elected as a dean of the Academy of Fine Arts in Prague all the professors of the old regime were removed. He replaced them, and set up an atelier of video art with Fluxus star Paik's student Michael Bielicky, fulfilling his iconoclasm against the authorities and the hierachy in both politics and art-history. Another provocative, ex-banned performing artist, Tomas Ruler, received a TV studio at the Technical University in Brno after the revolution and now runs an atelier of video art and multimedia performance there. Video was also the most effective media for him. [1]
Milan Guštar, he's been providing technical support for the works by David Černý, Silver, Federico Diaz, Miloš Vojtěchovský, Michael Bielický and others since 1987.
Michal Bielický, Silver, Lucie Svobodová, Keiko Sei, ..
Orbis Fictus new media art exhibition Prague 1994, organised by SCCA. Curated by Ludvík Hlaváček and Marta Smolíková.
Dawn of the Magicians? exhibition Prague 1996-7, organised by National Gallery. Curators: Jaroslav Anděl, Miloš Vojtěchovský, Ivona Raimanová.
Hi-tech/Art Brno 1994-97, annual international exhibition and symposium, organised by Video-Multimedia-Performance FaVU.
Terminal Bar venue Prague.