Difference between revisions of "Eliza Deac"
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Sorindanut (talk | contribs) (Created page with "'''Eliza Deac''' got her B.A. diploma in Romanian Literature in 2005 with a paper on the work of the Romanian literary critic Ion Negoiţescu. She earned a Master's degree in ...") |
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| − | '''Eliza Deac''' got her B.A. diploma in Romanian Literature in 2005 with a paper on the work of the Romanian literary critic Ion Negoiţescu. She earned a Master's degree in Romanian Literary Studies in 2006, with a paper on the subjectivity of literary criticism. In 2001 she received a certificate of specialization in literature and aesthetics at the | + | '''Eliza Deac''' got her B.A. diploma in Romanian Literature in 2005 with a paper on the work of the Romanian literary critic Ion Negoiţescu. She earned a Master's degree in Romanian Literary Studies in 2006, with a paper on the subjectivity of literary criticism. In 2001 she received a certificate of specialization in literature and aesthetics at the University of Geneva, where she presented a thesis on the editorial versions of [[Stéphane Mallarmé|Mallarmé]]'s ''Un coup de Dés''. She is currently a PD.D. student at the Faculty of Letters of Babeş Bolyai University, Cluj Napoca, preparing a dissertation on the mutations of the notion of poetry in the experimental literary trends of the 20th and 21st centuries. [http://books.google.com/books?id=EbtYKIc0_Q4C&pg=PA746] |
Latest revision as of 11:33, 4 February 2014
Eliza Deac got her B.A. diploma in Romanian Literature in 2005 with a paper on the work of the Romanian literary critic Ion Negoiţescu. She earned a Master's degree in Romanian Literary Studies in 2006, with a paper on the subjectivity of literary criticism. In 2001 she received a certificate of specialization in literature and aesthetics at the University of Geneva, where she presented a thesis on the editorial versions of Mallarmé's Un coup de Dés. She is currently a PD.D. student at the Faculty of Letters of Babeş Bolyai University, Cluj Napoca, preparing a dissertation on the mutations of the notion of poetry in the experimental literary trends of the 20th and 21st centuries. [1]
