Difference between revisions of "Erwin Panofsky"

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|death_date = {{Death date and age|1968|03|14|1892|03|30|mf=y}}
 
|death_date = {{Death date and age|1968|03|14|1892|03|30|mf=y}}
 
|death_place = Princeton, New Jersey, USA
 
|death_place = Princeton, New Jersey, USA
 +
|web = [[Wikipedia::http://en.wikipedia.org/wiki/Erwin_Panofsky|Wikipedia]], [[Wikipedia::http://de.wikipedia.org/wiki/Erwin_Panofsky|Wikipedia-DE]]
 
}}
 
}}
 
'''Erwin Panofsky''' was a German art historian.  
 
'''Erwin Panofsky''' was a German art historian.  
Line 12: Line 13:
 
(in  German and English unles noted)
 
(in  German and English unles noted)
 
===Books===
 
===Books===
−
* ''Die theoretische Kuntlehre Albrecht Durers'', Berlin, 1914. (PhD Thesis)
+
* ''Die theoretische Kuntlehre Albrecht Durers'', Berlin, 1914. PhD dissertation. {{de}}
  
−
* ''Idea: A Concept in Art Theory'', Leipzig-Berlin, 1924; Berlin: Wissenschaftsverlag Volker Speiss, 1993.
+
* ''Idea: ein beitrag zur begriffsgeschichte der älteren kunsttheorie'', Leipzig/Berlin: Teubner, 1924; 2nd ed., rev., Berlin: Hessling, 1960. {{de}}
−
** ''Idea: Prilog povijesti pojma starije teorije umjetnosti'', trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002, [https://archive.org/details/ErwinPanofskyIdeaPrilogPovijestiPojmaStarijeTeorijeUmjetnosti IA]. {{cr}}  
+
** ''Idea: contributo alla storia dell'estetica'', trans. Edmondo Cione, Firenze: La Nuova Italia, 1952, xxii+204 pp. {{it}}
 +
** ''Idea: A Concept in Art Theory'', trans. Joseph J.S. Peake, University of South Carolina Press, 1968, xiii+268 pp; New York: Harper & Row, 1968. {{en}}
 +
** ''Idea: contribuição à história do conceito da antiga teoria da arte; a evolução do conceito de belo'', trans. Paulo Neves, São Paulo: Martins Fontes, 1994, 259 pp. {{br-pt}}
 +
** ''[http://archive.org/details/ErwinPanofskyIdeaPrilogPovijestiPojmaStarijeTeorijeUmjetnosti Idea: Prilog povijesti pojma starije teorije umjetnosti]'', trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002. {{cr}}  
  
−
* ''Perspective as Symbolic Form'', 1927–. [http://tems.umn.edu/pdf/Erwin%20Panofsky%20-%20Perspective%20as%20Symbolic%20Form.pdf] [http://monoskop.org/log/?p=9730 Log] {{de}}/{{es}}/{{es}} .
+
* [http://monoskop.org/log/?p=9730 "Die Perspektive als 'symbolische Form'"], in ''Vorträge der Bibliothek Warburg 1924-1925'', Leipzig/Berlin: Teubner, 1927, pp 258-330; repr. in Panofsky, ''Aufsätze zu Grundfragen der Kunstwissenschaft'', eds. Hariolf Oberer and Egon Verheyen, 1974; Berlin 1992, pp 99-167. {{de}}
 +
** ''La prospettiva come forma simbolica: e altri scritti'', ed. Guido D. Neri, comm. Maria Dalai, Milan: Feltrinelli, 1961, 237 pp; 2nd ed., 1973; 3rd ed., 1976; 4th ed., 1979; 1982; 1983; 1991; 10th ed., 1994; 12th ed., 1997; 13th ed., 1999; 2007; 2013. {{it}}
 +
** ''[[Media:Panofsky_Erwin_La_perspectiva_como_forma_simbolica.pdf|La perspectiva como forma simbolica]]'', trans. Virginia Careaga, Barcelona: Tusquets, 1973, 123 pp; 2nd ed., 1978; 3rd ed., 1980; 4th ed., 1983; 5th ed., 1985; 6th ed., 1990; 7th ed., 1995; 1999; 2003; 2008; 2010. {{es}}
 +
** ''La perspective comme forme symbolique et autres essais. Précédés de la question perspective'', trans. Guy Ballangé and Marisa Dalai Emiliani, Paris: Minuit, 1975, 273 pp; 1981; 1987; 1991; 2002. {{fr}}
 +
** ''[http://monoskop.org/log/?p=9730 Perspective as Symbolic Form]'', trans. Christopher S. Wood, New York: Zone Books, 1991, 196 pp, [http://tems.umn.edu/pdf/Erwin%20Panofsky%20-%20Perspective%20as%20Symbolic%20Form.pdf PDF]; 1997; 2002; 2005; 2009. Review: [http://gombricharchive.files.wordpress.com/2011/04/showrev7.pdf Gombrich] (NYRB 1997). {{en}}
 +
** ''A perspectiva como forma simbólica'', trans. Elisabete Nunes, Lisbon: Edições 70, 1993, 139 pp. {{pt}}
 +
** ''Perspektivet som symbolisk form'', trans. Sölve Olsson, Stockholm: B. Östlings bokförl. Symposion, 1994, 160 pp. {{sw}}
 +
** ''Perspektywa jako "forma symboliczna"'', trans. & intro. Grażyna Jurkowlaniec, Warsaw: Wydawnictwo Uniwersytetu Warszawskiego, 2008, 205 pp. {{pl}}
  
−
* [[Media:Erwin_Panofsky_Studies_in_Iconology_1972.djvu|''Studies in Iconology'']], 1939, 1972.
+
* [[Media:Erwin_Panofsky_Studies_in_Iconology_1972.djvu|''Studies in Iconology: Humanistic Themes in the Art of the Renaissance'']], Oxford University Press, 1939; new ed., New York: Harper and Row, 1962; rev.ed., New York: Harper & Row, 1972, xliii+262 pp. The Mary Flexner Lectures, 1937. {{en}}
 +
** ''Essais d'iconologie, thèmes humanistes dans l'art de la Renaissance'', trans. Claude Herbette and Bernard Teyssèdre, intro. & annot. Bernard Teyssèdre, Paris: Gallimard, 1967, 396 pp. {{fr}}
 +
** ''Iconologie: thema's en symboliek bij de renaissanceschilders'', trans. Casper de Jong, Utrecht: Het Spectrum, 1970, 316+96 pp. {{nl}}
 +
** ''Estudios sobre iconología'', intro. Enrique Lafuente Ferrari, trans. Bernardo Fernández, Madrid: Alianza, 1971, xl+350 pp. {{es}}
 +
** ''Studi di iconologia: i temi umanistici nell'arte del Rinascimento'', intro. Giovanni Previtali, trans. Renato Pedio, Torino: Einaudi, 1975, xxxii+387 pp. {{it}}
 +
** ''Ikonološke studije: humanističke teme u renesansnoj umetnosti'', trans. Svetozar M Ignačević, Belgrade: Nolit, 1975, 284 pp. {{sr}}
 +
** ''Studien zur Ikonologie: humanistische Themen in der Kunst der Renaissance'', Cologne: DuMont, 1980, 356 pp. {{de}}
 +
** ''Estudos de iconologia: temas na arte do renascimento'', trans. Olinda Braga de Sousa, Lisbon: Estampa, 1986, 237 pp. {{pt}}
 +
** ''Meletes eikonologias: oumanistika themata stēn Technē tēs Anagennēsēs'', trans. Andreas Pappas, Athens: Nephelē, 1991, 427 pp. {{gr}}
 +
** ''Ikonorojī kenkyū: Runesansu bijutsu ni okeru jimbun shugi no sho-tēma'', trans. Tōru Asano, Tokyo: Bijutsu Shuppansha, 1993, xxii+374 pp. {{jp}}
 +
** ''Tosang haesŏkhak yŏn'gu: Rŭnesangsŭ misul esŏ ŭi Inmunjuŭijŏk chujedŭl'', trans. Yi Han-sun, Seoul: Sigongsa, 2002, 535 pp. {{ko}}
  
−
* ''Albrecht Durer'', Princenton, 1943; 2nd edition, 1945; 3rd edition, 1948; 4th edition reprint as ''The Life and Art of Albrecht Dürer'', 1995. (based on his thesis);
+
* ''Albrecht Dürer'', 2 vols., Princeton University Press, 1943; 2nd ed., rev., 1945; 3rd ed., 1948; 4th ed. as ''The Life and Art of Albrecht Dürer'', 1955, xxxii+317+148 pp. {{en}}
  
−
* ''Gothic Architecture and Scholasticism'', Latrobe, The Archabbley Press, 1951.
+
* ''Gothic Architecture and Scholasticism'', Latrobe: Archabbley Press, 1951, xviii+108 pp. Wimmer lecture, 1948. {{en}}
−
** [[Media:Panofsky_Erwin_Arquitectura_Gotica_y_Pensamiento_Escolastico_1986.pdf|''Arquitectura Gotica y Pensamiento Escolastico'']], trans. Julia Varela and Fernando Alvarez-Uria, Madrid: Las Ediciones de La Piqueta, 1986. {{es}}
+
** ''Architecture gothique et pensée scolastique. Précédé de L'abbé Suger de Saint-Denis'', trans. & postf. Pierre Bourdieu, Paris: Minuit, 1967, 217+38 pp. {{fr}}
−
** [[Media:Panofsky_Erwin_Arhitectura_gotica_si_gandire_scolastica_1999.Pdf|''Arhitectură gotică și gândire scolastică'']], trans. Marina Zavaca, Bucuresti: Anastasia, 1999. {{ro}}
+
** ''Architettura gotica e filosofia scolastica'', trans. & intro. Francesco Starace, Naples: Liguori, 1986, 103 pp. {{it}}
 +
** ''Arquitectura gótica y escolástica'', trans. Enrique Revol, Buenos Aires: Infinito, 1959, 132 pp. {{es}}
 +
** [[Media:Panofsky_Erwin_Arquitectura_Gotica_y_Pensamiento_Escolastico_1986.pdf|''Arquitectura Gotica y Pensamiento Escolastico'']], intro. Francisco Calvo Serraller, trans. Julia Varela and Fernando Alvarez-Uría, Madrid: La Piqueta, 1986, 140 pp. {{es}}
 +
** ''Gotische Architektur und Scholastik: zur Analogie von Kunst, Philosophie und Theologie im Mittelalter'', ed. & afterw. Thomas Frangenberg, trans. Helga Willinghöfer, Cologne: DuMont, 1989, 136+48 pp. {{de}}
 +
** ''Arquitetura gótica e escolástica: sobre a analogia entre arte, filosofia e teologia na Idade Média'', ed. & postf. Thomas Frangenberg, trans. Wolf Hörnke, São Paulo: Martins Fontes, 1991, 132 pp. {{br-pt}}
 +
** [[Media:Panofsky_Erwin_Arhitectura_gotica_si_gandire_scolastica_1999.Pdf|''Arhitectură gotică și gândire scolastică'']], trans. Marina Zavaca, Bucharest: Anastasia, 1999. {{ro}}
 +
** ''Goticheskata arkhitektura i skholasikata'', trans. Todor Todorov, Sofia: Agata-A, 2002, 263 pp. {{bg}}
  
−
* ''Early Netherlandish Painting'', 1953.
+
* ''Early Netherlandish Painting: Its Origins and Character'', 2 vols., Harvard University Press, 1953. Charles Eliot Norton lectures, 1947-1948. {{en}}
 +
** ''Los primitivos flamencos'', trans. Carmen Martínez Gimeno, Madrid: Cátedra, 1998, 593 pp. {{es}}
  
−
* ''Galileo as a Critic of the Arts'', The Hague: Martinus Nijhoff, 1954; 2nd edition, Springer, 1956, [https://archive.org/details/ErwinPanofskyauth.GalileoAsACriticOfTheArtsSpringerNetherlands1954 IA].
+
* ''[http://archive.org/details/ErwinPanofskyauth.GalileoAsACriticOfTheArtsSpringerNetherlands1954 Galileo as a Critic of the Arts]'', The Hague: Martinus Nijhoff, 1954, 41 pp; 2nd ed., Springer, 1956. {{en}}
 +
** ''Galileo critico delle arti'', trans. Maria Cecilia Mazzi, Venezia: Cluva, 1985, 114 pp. {{it}}
 +
** ''Galilée, critique d'art'', trans. & pref. Nathalie Heinich, Paris: Impressions nouvelles, 1992, 117 pp. With ''Attitude esthétique et pensée scientifique'' by Alexandre Koyré. {{fr}}
 +
** ''Galileo Galilei und die Bildkünste'', intro. Horst Bredekamp, trans. Heinz Jatho, Zürich: Diaphanes, 2012, 116 pp. {{de}}
  
−
* [[Media:Panofsky_Erwin_Meaning_in_the_Visual_Arts.pdf|''Meaning in the Visual Arts'']], 1955.
+
* [[Media:Panofsky_Erwin_Meaning_in_the_Visual_Arts.pdf|''Meaning in the Visual Arts: Papers in and on Art History'']], Garden City, NY: Doubleday, 1955, xviii+384+64 pp. {{en}}
−
** ''Significado das Artes Visuais'', Sao Paolo: Editora Perspectiva, 2009. {{pt}}
+
** ''L'oeuvre d'art et ses significations : essai sur les "arts visuels"'', trans. Bernard Teyssèdre and Marthe Teyssèdre, Paris: Gallimard, 1969, 327 pp. {{fr}}
 +
** ''El significado en las artes visuales'', Buenos Aires: Infinito, 1970, 301+72 pp. {{es}}
 +
** ''Artă şi semnificaţie'', Ștefan Stoenescu, Bucharest: Meridiane, 1980, 441+72 pp. {{ro}}
 +
** ''Význam ve výtvarném umění'', trans. Lubomír Konečný, Prague: Odeon, 1981, 371 pp; 2nd ed., Prague: Academia, 2013, 399+44 pp. {{cz}}
 +
** ''A jelentés a vizuális művészetekben: tanulmányok'', trans. Beke László, Budapest: Gondolat, 1984, 410 pp. {{hu}}
 +
** ''Shi jue yi shu de han yi'' [视觉艺朮的含义], Shenyang Shi: Liaoning ren min chu ban she, 1987, 403+53 pp. {{cn}}
 +
** ''Significado das artes visuais'', São Paulo: Perspectiva, 2009. {{br-pt}}
  
−
* with Dora Panofsky, [[Media:Panofsky_Dora_and_Erwin_Pandoras_Box_The_Changing_Aspects_of_a_Mythical_Symbol.pdf|''Pandora's Box: the Changing Aspects of a Mythical Symbol'']], 1956
+
* with Dora Panofsky, [[Media:Panofsky_Dora_and_Erwin_Pandoras_Box_The_Changing_Aspects_of_a_Mythical_Symbol.pdf|''Pandora's Box: the Changing Aspects of a Mythical Symbol'']], 1956. {{en}}
  
−
* ''Renaissance and Renascences in Western Art'', Westview Press, 1960, [https://archive.org/details/0064300269 IA].
+
* ''[http://archive.org/details/0064300269 Renaissance and Renascences in Western Art]'', Westview Press, 1960. {{en}}
 +
** ''Rinascimento e rinascenze nell' arte occidentale'', ed. Gregor Paulsson, trans. Maurizio Taddei, Milan: Feltrinelli, 1971, 271+52 pp. {{it}}
 +
** ''Renacimiento y renacimientos en el arte occidental'', Madrid: Alianza, 1975, 338+103 pp. {{es}}
 +
** ''La Renaissance et ses avants-courriers dans l'art d'Occident'', trans. Laure Verron, Paris: Flammarion, 1976, 250 pp. {{fr}}
 +
** ''Renessans i 'renessansy' v isskusstve zapada'', trans. A.G. Gabrichevsky, Moscow: Iskusstvo, 1998, 362 pp. {{ru}}
  
−
* ''Tomb Sculpture'', 1964.
+
* ''Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini'', ed. H.W. Janson, New York: Harry N. Abrams, 1964, 319 pp. {{en}}
 +
** ''La sculpture funéraire : de l'ancienne Égypte au Bernin'', trans. Dennis Collins, Paris: Flammarion, 1995, 268 pp. {{fr}}
  
−
* with Raymond Klibansky and Fritz Saxl, [[Media:Raymond_Klibansky,_Erwin_Panofsky,_Fritz_Saxl_Saturn_and_melancholy_studies_in_the_history_of_natural_philosophy,_religion_and_art_1979.pdf|''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art'']], 1964, 1979.
+
* with Raymond Klibansky and Fritz Saxl, [[Media:Raymond_Klibansky,_Erwin_Panofsky,_Fritz_Saxl_Saturn_and_melancholy_studies_in_the_history_of_natural_philosophy,_religion_and_art_1979.pdf|''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art'']], London: Nelson, 1964, 429 pp; Nendeln: Kraus Reprint, 1979. {{en}}
 +
** ''Saturno e la melanconia: studi di storia della filosofia naturale, religione, arte'', trans. Renzo Federici, Torino: Einaudi, 1983, xxv+401 pp. {{it}}
 +
** ''Saturne et la mélancolie: études historiques et philosophiques: nature, religion, médecine et art'', Paris: Gallimard, 1989, 738 pp. {{fr}}
 +
** ''Saturn und Melancholie: Studien zur Geschichte der Naturphilosophie und Medizin, der Religion und der Kunst'', trans. Christa Buschendorf, Frankfurt am Main: Suhrkamp, 1990, 640+50 pp. {{de}}
 +
** ''Saturno y la melancolía : estudios de historia de la filosofía de la naturaleza, la religión y el arte'', trans. María Luisa Balseiro, Madrid: Alianza, 1991, 427 pp. {{es}}
 +
** ''Saturn şi melancolia: studii de filosofie a naturii, religie şi artă'', trans. Miruna Tătaru-Cazaban, Bogdan Tătaru-Cazaban and Adela Văetişi, postf. Bogdan Tătaru-Cazaban, Iaşi: Polirom, 2002. {{ro}}
  
−
* ''Problems in Titian, mostly iconographic'', 1969.
+
* ''Problems in Titian, Mostly Iconographic'', New York University Press, 1969, xv+208+134 pp; London: Phaidon, 1969. The Wrightsman lectures. {{en}}
  
−
* ''Three Essays on Style'', ed. Irving Lavin, 1995.
+
* ''Three Essays on Style'', ed. Irving Lavin, MIT Press, 1995, 245 pp. Review: [http://gombricharchive.files.wordpress.com/2011/04/showrev7.pdf Gombrich] (NYRB 1997). {{en}}
  
 
===Selected articles===
 
===Selected articles===
Line 62: Line 109:
  
 
===Bibliography===
 
===Bibliography===
−
* [http://www.uniurb.it/Filosofia/bibliografie/PANOFSKY/Bibliografia.htm compiled by Alessia Tacchi]
+
* [http://www.uniurb.it/Filosofia/bibliografie/PANOFSKY/Bibliografia.htm Compiled by Alessia Tacchi]
  
 
==Literature==
 
==Literature==
−
* Michael Ann Holly, ''Panofsky and the Foundations of Art History'', Ithaca, Cornell University Press, 1985.
+
* Michael Ann Holly, ''Panofsky and the Foundations of Art History'', Cornell University Press, 1985. {{en}}
−
* Sylvia Ferretti, ''Cassirer, Panofsky, Warburg: Symbol, Art, and History'', New Haven, Yale University Press, 1989.
+
* Sylvia Ferretti, ''Cassirer, Panofsky, Warburg: Symbol, Art, and History'', Yale University Press, 1989. {{en}}
  
 
==Links==
 
==Links==
−
* [http://en.wikipedia.org/wiki/Erwin_Panofsky Erwin Panofsky at Wikipedia]
+
* [http://www.dictionaryofarthistorians.org/panofskye.htm Panofsky at Dictionary of Art Historians]
−
* [http://de.wikipedia.org/wiki/Erwin_Panofsky Erwin Panofsky at German Wikipedia]
+
* [http://web.archive.org/web/20141111033232/http://kirjasto.sci.fi/panof.htm A biography of Panofsky by Petri Liukkonen]
−
* [http://www.kirjasto.sci.fi/panof.htm A biography of Panofsky]
 
−
* [http://www.dictionaryofarthistorians.org/panofskye.htm Panofsky at Dictionary of art historians]
 
−
* [http://barthesandpanofskibff.wordpress.com/introduction/barthes-and-panofsky-are-best-friends/ Barthes and Panofsky are best friends]
 
−
* [http://www.larici.it/culturadellest/icone/panofsky/index.htm Icone] (in Italian)
 
  
 
{{DEFAULTSORT:Panofsky, Erwin}}
 
{{DEFAULTSORT:Panofsky, Erwin}}
 
[[Category: Writers|Panofsky, Erwin]]
 
[[Category: Writers|Panofsky, Erwin]]

Revision as of 22:06, 4 September 2015

Born March 30, 1892(1892-03-30)
Hanover, Germany
Died March 14, 1968(1968-03-14) (aged 75)
Princeton, New Jersey, USA
Web Wikipedia, Wikipedia-DE

Erwin Panofsky was a German art historian.

Works

(in German and English unles noted)

Books

  • Die theoretische Kuntlehre Albrecht Durers, Berlin, 1914. PhD dissertation. (German)
  • Idea: ein beitrag zur begriffsgeschichte der älteren kunsttheorie, Leipzig/Berlin: Teubner, 1924; 2nd ed., rev., Berlin: Hessling, 1960. (German)
    • Idea: contributo alla storia dell'estetica, trans. Edmondo Cione, Firenze: La Nuova Italia, 1952, xxii+204 pp. (Italian)
    • Idea: A Concept in Art Theory, trans. Joseph J.S. Peake, University of South Carolina Press, 1968, xiii+268 pp; New York: Harper & Row, 1968. (English)
    • Idea: contribuição à história do conceito da antiga teoria da arte; a evolução do conceito de belo, trans. Paulo Neves, São Paulo: Martins Fontes, 1994, 259 pp. (Brazilian Portuguese)
    • Idea: Prilog povijesti pojma starije teorije umjetnosti, trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002. (Croatian)
  • "Die Perspektive als 'symbolische Form'", in Vorträge der Bibliothek Warburg 1924-1925, Leipzig/Berlin: Teubner, 1927, pp 258-330; repr. in Panofsky, Aufsätze zu Grundfragen der Kunstwissenschaft, eds. Hariolf Oberer and Egon Verheyen, 1974; Berlin 1992, pp 99-167. (German)
    • La prospettiva come forma simbolica: e altri scritti, ed. Guido D. Neri, comm. Maria Dalai, Milan: Feltrinelli, 1961, 237 pp; 2nd ed., 1973; 3rd ed., 1976; 4th ed., 1979; 1982; 1983; 1991; 10th ed., 1994; 12th ed., 1997; 13th ed., 1999; 2007; 2013. (Italian)
    • La perspectiva como forma simbolica, trans. Virginia Careaga, Barcelona: Tusquets, 1973, 123 pp; 2nd ed., 1978; 3rd ed., 1980; 4th ed., 1983; 5th ed., 1985; 6th ed., 1990; 7th ed., 1995; 1999; 2003; 2008; 2010. (Spanish)
    • La perspective comme forme symbolique et autres essais. Précédés de la question perspective, trans. Guy Ballangé and Marisa Dalai Emiliani, Paris: Minuit, 1975, 273 pp; 1981; 1987; 1991; 2002. (French)
    • Perspective as Symbolic Form, trans. Christopher S. Wood, New York: Zone Books, 1991, 196 pp, PDF; 1997; 2002; 2005; 2009. Review: Gombrich (NYRB 1997). (English)
    • A perspectiva como forma simbólica, trans. Elisabete Nunes, Lisbon: Edições 70, 1993, 139 pp. (Portuguese)
    • Perspektivet som symbolisk form, trans. Sölve Olsson, Stockholm: B. Östlings bokförl. Symposion, 1994, 160 pp. (Swedish)
    • Perspektywa jako "forma symboliczna", trans. & intro. Grażyna Jurkowlaniec, Warsaw: Wydawnictwo Uniwersytetu Warszawskiego, 2008, 205 pp. (Polish)
  • Studies in Iconology: Humanistic Themes in the Art of the Renaissance, Oxford University Press, 1939; new ed., New York: Harper and Row, 1962; rev.ed., New York: Harper & Row, 1972, xliii+262 pp. The Mary Flexner Lectures, 1937. (English)
    • Essais d'iconologie, thèmes humanistes dans l'art de la Renaissance, trans. Claude Herbette and Bernard Teyssèdre, intro. & annot. Bernard Teyssèdre, Paris: Gallimard, 1967, 396 pp. (French)
    • Iconologie: thema's en symboliek bij de renaissanceschilders, trans. Casper de Jong, Utrecht: Het Spectrum, 1970, 316+96 pp. (Dutch)
    • Estudios sobre iconología, intro. Enrique Lafuente Ferrari, trans. Bernardo Fernández, Madrid: Alianza, 1971, xl+350 pp. (Spanish)
    • Studi di iconologia: i temi umanistici nell'arte del Rinascimento, intro. Giovanni Previtali, trans. Renato Pedio, Torino: Einaudi, 1975, xxxii+387 pp. (Italian)
    • Ikonološke studije: humanističke teme u renesansnoj umetnosti, trans. Svetozar M Ignačević, Belgrade: Nolit, 1975, 284 pp. (Serbian)
    • Studien zur Ikonologie: humanistische Themen in der Kunst der Renaissance, Cologne: DuMont, 1980, 356 pp. (German)
    • Estudos de iconologia: temas na arte do renascimento, trans. Olinda Braga de Sousa, Lisbon: Estampa, 1986, 237 pp. (Portuguese)
    • Meletes eikonologias: oumanistika themata stēn Technē tēs Anagennēsēs, trans. Andreas Pappas, Athens: Nephelē, 1991, 427 pp. (Greek)
    • Ikonorojī kenkyū: Runesansu bijutsu ni okeru jimbun shugi no sho-tēma, trans. Tōru Asano, Tokyo: Bijutsu Shuppansha, 1993, xxii+374 pp. (Japanese)
    • Tosang haesŏkhak yŏn'gu: Rŭnesangsŭ misul esŏ ŭi Inmunjuŭijŏk chujedŭl, trans. Yi Han-sun, Seoul: Sigongsa, 2002, 535 pp. (Korean)
  • Albrecht Dürer, 2 vols., Princeton University Press, 1943; 2nd ed., rev., 1945; 3rd ed., 1948; 4th ed. as The Life and Art of Albrecht Dürer, 1955, xxxii+317+148 pp. (English)
  • Gothic Architecture and Scholasticism, Latrobe: Archabbley Press, 1951, xviii+108 pp. Wimmer lecture, 1948. (English)
    • Architecture gothique et pensée scolastique. Précédé de L'abbé Suger de Saint-Denis, trans. & postf. Pierre Bourdieu, Paris: Minuit, 1967, 217+38 pp. (French)
    • Architettura gotica e filosofia scolastica, trans. & intro. Francesco Starace, Naples: Liguori, 1986, 103 pp. (Italian)
    • Arquitectura gótica y escolástica, trans. Enrique Revol, Buenos Aires: Infinito, 1959, 132 pp. (Spanish)
    • Arquitectura Gotica y Pensamiento Escolastico, intro. Francisco Calvo Serraller, trans. Julia Varela and Fernando Alvarez-Uría, Madrid: La Piqueta, 1986, 140 pp. (Spanish)
    • Gotische Architektur und Scholastik: zur Analogie von Kunst, Philosophie und Theologie im Mittelalter, ed. & afterw. Thomas Frangenberg, trans. Helga Willinghöfer, Cologne: DuMont, 1989, 136+48 pp. (German)
    • Arquitetura gótica e escolástica: sobre a analogia entre arte, filosofia e teologia na Idade Média, ed. & postf. Thomas Frangenberg, trans. Wolf Hörnke, São Paulo: Martins Fontes, 1991, 132 pp. (Brazilian Portuguese)
    • Arhitectură gotică și gândire scolastică, trans. Marina Zavaca, Bucharest: Anastasia, 1999. (Romanian)
    • Goticheskata arkhitektura i skholasikata, trans. Todor Todorov, Sofia: Agata-A, 2002, 263 pp. (Bulgarian)
  • Early Netherlandish Painting: Its Origins and Character, 2 vols., Harvard University Press, 1953. Charles Eliot Norton lectures, 1947-1948. (English)
    • Los primitivos flamencos, trans. Carmen Martínez Gimeno, Madrid: Cátedra, 1998, 593 pp. (Spanish)
  • Galileo as a Critic of the Arts, The Hague: Martinus Nijhoff, 1954, 41 pp; 2nd ed., Springer, 1956. (English)
    • Galileo critico delle arti, trans. Maria Cecilia Mazzi, Venezia: Cluva, 1985, 114 pp. (Italian)
    • Galilée, critique d'art, trans. & pref. Nathalie Heinich, Paris: Impressions nouvelles, 1992, 117 pp. With Attitude esthétique et pensée scientifique by Alexandre Koyré. (French)
    • Galileo Galilei und die Bildkünste, intro. Horst Bredekamp, trans. Heinz Jatho, Zürich: Diaphanes, 2012, 116 pp. (German)
  • Meaning in the Visual Arts: Papers in and on Art History, Garden City, NY: Doubleday, 1955, xviii+384+64 pp. (English)
    • L'oeuvre d'art et ses significations : essai sur les "arts visuels", trans. Bernard Teyssèdre and Marthe Teyssèdre, Paris: Gallimard, 1969, 327 pp. (French)
    • El significado en las artes visuales, Buenos Aires: Infinito, 1970, 301+72 pp. (Spanish)
    • Artă şi semnificaţie, Ștefan Stoenescu, Bucharest: Meridiane, 1980, 441+72 pp. (Romanian)
    • Význam ve výtvarném umění, trans. Lubomír Konečný, Prague: Odeon, 1981, 371 pp; 2nd ed., Prague: Academia, 2013, 399+44 pp. (Czech)
    • A jelentés a vizuális művészetekben: tanulmányok, trans. Beke László, Budapest: Gondolat, 1984, 410 pp. (Hungarian)
    • Shi jue yi shu de han yi [视觉艺朮的含义], Shenyang Shi: Liaoning ren min chu ban she, 1987, 403+53 pp. (Chinese)
    • Significado das artes visuais, São Paulo: Perspectiva, 2009. (Brazilian Portuguese)
  • Renaissance and Renascences in Western Art, Westview Press, 1960. (English)
    • Rinascimento e rinascenze nell' arte occidentale, ed. Gregor Paulsson, trans. Maurizio Taddei, Milan: Feltrinelli, 1971, 271+52 pp. (Italian)
    • Renacimiento y renacimientos en el arte occidental, Madrid: Alianza, 1975, 338+103 pp. (Spanish)
    • La Renaissance et ses avants-courriers dans l'art d'Occident, trans. Laure Verron, Paris: Flammarion, 1976, 250 pp. (French)
    • Renessans i 'renessansy' v isskusstve zapada, trans. A.G. Gabrichevsky, Moscow: Iskusstvo, 1998, 362 pp. (Russian)
  • Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini, ed. H.W. Janson, New York: Harry N. Abrams, 1964, 319 pp. (English)
    • La sculpture funéraire : de l'ancienne Égypte au Bernin, trans. Dennis Collins, Paris: Flammarion, 1995, 268 pp. (French)
  • with Raymond Klibansky and Fritz Saxl, Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art, London: Nelson, 1964, 429 pp; Nendeln: Kraus Reprint, 1979. (English)
    • Saturno e la melanconia: studi di storia della filosofia naturale, religione, arte, trans. Renzo Federici, Torino: Einaudi, 1983, xxv+401 pp. (Italian)
    • Saturne et la mélancolie: études historiques et philosophiques: nature, religion, médecine et art, Paris: Gallimard, 1989, 738 pp. (French)
    • Saturn und Melancholie: Studien zur Geschichte der Naturphilosophie und Medizin, der Religion und der Kunst, trans. Christa Buschendorf, Frankfurt am Main: Suhrkamp, 1990, 640+50 pp. (German)
    • Saturno y la melancolía : estudios de historia de la filosofía de la naturaleza, la religión y el arte, trans. María Luisa Balseiro, Madrid: Alianza, 1991, 427 pp. (Spanish)
    • Saturn şi melancolia: studii de filosofie a naturii, religie şi artă, trans. Miruna Tătaru-Cazaban, Bogdan Tătaru-Cazaban and Adela Văetişi, postf. Bogdan Tătaru-Cazaban, Iaşi: Polirom, 2002. (Romanian)
  • Problems in Titian, Mostly Iconographic, New York University Press, 1969, xv+208+134 pp; London: Phaidon, 1969. The Wrightsman lectures. (English)
  • Three Essays on Style, ed. Irving Lavin, MIT Press, 1995, 245 pp. Review: Gombrich (NYRB 1997). (English)

Selected articles

Bibliography

Literature

  • Michael Ann Holly, Panofsky and the Foundations of Art History, Cornell University Press, 1985. (English)
  • Sylvia Ferretti, Cassirer, Panofsky, Warburg: Symbol, Art, and History, Yale University Press, 1989. (English)

Links

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