Difference between revisions of "Expanded cinema"

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* ''Tulane Drama Review'' 11(1): "Film & Theatre", Aug 1966. [http://www.jstor.org/stable/i247122]
 
* ''Tulane Drama Review'' 11(1): "Film & Theatre", Aug 1966. [http://www.jstor.org/stable/i247122]
 
* ''Art in-sight'' 14 (''Filmwaves'' 27:1): "On Expanded Cinema", ed. Jackie Hatfield, 2005. Texts by [http://www.rewind.ac.uk/images/issue_27_1_2005.pdf Jackie Hatfield], Grahame Weinbren, Chris Hales. [http://www.filmwaves.co.uk/index.php?option=com_content&view=category&id=58:art-in-sigt-14-fw27&Itemid=3&layout=default]
 
* ''Art in-sight'' 14 (''Filmwaves'' 27:1): "On Expanded Cinema", ed. Jackie Hatfield, 2005. Texts by [http://www.rewind.ac.uk/images/issue_27_1_2005.pdf Jackie Hatfield], Grahame Weinbren, Chris Hales. [http://www.filmwaves.co.uk/index.php?option=com_content&view=category&id=58:art-in-sigt-14-fw27&Itemid=3&layout=default]
 +
* ''Art and Artists'': "Artists' Films", London, Dec 1972.
  
 
; Essays, book chapters
 
; Essays, book chapters
 +
* Jonas Mekas, "On the Expanding Eye", ''Village Voice'', 6 Feb 1964; [http://cdn.realitystudio.org/images/people/jonas_mekas/jonas-mekas.movie-journal.on-flicker.pdf#page=2 repr. in] Mekas, ''Movie Journal: The Rise of the New American Cinema, 1959-71'', New York: Collier, 1972, pp 118-120.
 +
* Jonas Mekas, "More On Expanded Cinema: Emshwiller, Stern, Ken Jacobs, Ken Dewey", ''Village Voice'', 2 Dec 1965; repr. in Mekas, ''Movie Journal: The Rise of the New American Cinema, 1959-71'', New York: Collier, 1972.
 +
* Jonas Mekas, "On the Plastic Inevitables and the Strobe Light", ''Village Voice'', 26 May 1966; [http://cdn.realitystudio.org/images/people/jonas_mekas/jonas-mekas.movie-journal.on-flicker.pdf#page=9 repr. in] Mekas, ''Movie Journal: The Rise of the New American Cinema, 1959-71'', New York: Collier, 1972, pp 242-244.
 
* Stan VanDerBeek, [http://monoskop.org/log/?p=9620 "“Culture: Intercom” and Expanded Cinema: A Proposal and Manifesto"], ''Film Culture'' 40 (Spring 1966), pp 15-18; repr. in ''Motive'', Nov 1966, pp 13-23; repr. in ''The Tulane Drama Review'' 11:1 (Autumn 1966), pp 38-48.
 
* Stan VanDerBeek, [http://monoskop.org/log/?p=9620 "“Culture: Intercom” and Expanded Cinema: A Proposal and Manifesto"], ''Film Culture'' 40 (Spring 1966), pp 15-18; repr. in ''Motive'', Nov 1966, pp 13-23; repr. in ''The Tulane Drama Review'' 11:1 (Autumn 1966), pp 38-48.
 
* Sheldon Renan, [http://archive.org/stream/introductiontoam00rena#page/226/mode/2up "Expanded Cinema"], ch 6 in Renan, ''An Introduction to the American Underground Film'', New York: Dutton, 1967, pp 227-257.
 
* Sheldon Renan, [http://archive.org/stream/introductiontoam00rena#page/226/mode/2up "Expanded Cinema"], ch 6 in Renan, ''An Introduction to the American Underground Film'', New York: Dutton, 1967, pp 227-257.
 +
* Annabel Nicolson, [http://www.luxonline.org.uk/articles/art_and_artists(1).html "Artist as Filmmaker"], ''Art and Artists'', Dec 1972; repr. in ''A Perspective on English Avant-Garde Film'', 1978.
 +
 
* John G. Hanhardt, [http://www.experimentaltvcenter.org/sites/default/files/history/pdf/hanhardtpassion_2512.pdf "The Passion for Perceiving: Expanded Forms of Film and Video Art"], ''Art Journal'' 45(3): "Video: The Reflexive Medium", Autumn 1985, pp 213-216.
 
* John G. Hanhardt, [http://www.experimentaltvcenter.org/sites/default/files/history/pdf/hanhardtpassion_2512.pdf "The Passion for Perceiving: Expanded Forms of Film and Video Art"], ''Art Journal'' 45(3): "Video: The Reflexive Medium", Autumn 1985, pp 213-216.
 
* Felicity Sparrow, [http://www.closeupfilmcentre.com/vertigo_magazine/volume-2-issue-1-spring-2001/light-illusions-artists-and-cinema-filmmakers-and-galleries/ "Light Illusions Artists and Cinema; Filmmakers and Galleries"], ''Vertigo'' 2:1 (Spring 2001).
 
* Felicity Sparrow, [http://www.closeupfilmcentre.com/vertigo_magazine/volume-2-issue-1-spring-2001/light-illusions-artists-and-cinema-filmmakers-and-galleries/ "Light Illusions Artists and Cinema; Filmmakers and Galleries"], ''Vertigo'' 2:1 (Spring 2001).

Revision as of 15:15, 4 March 2016

Filmmakers, artists

Events

Literature

For catalogues see Events above.

Books
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
    • Cine expandido, Buenos Aires: Eduntref, 2012, 456 pp. [9] (Spanish)
    • Expanded cinema, trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Hans Scheugl, Erweitertes Kino. Die Wiener Filme der 60er Jahre, Vienna: Triton, 2002. (German)
  • X-Screen: Film Installations and Actions in the 1960s and 1970s, ed. Matthias Michalka, Cologne: Walther König, 2004. Kotz's essay.
  • Fluid Screens, Expanded Cinema, eds. Janine Marchessault and Susan Lord, University of Toronto Press, 2008, 368 pp.
  • Expanded Cinema: Art, Performance and Film, eds. A.L. Rees, David Curtis, Duncan White, and Stephen Ball, London: Tate Publishing, 2011, 304 pp. Reviews: Utterson (Screen), MacDonald (MIRAJ).
  • Moving Image, ed. Omar Kholeif, London: Whitechapel Gallery, 2015, 239 pp.
Journal issues
  • Tulane Drama Review 11(1): "Film & Theatre", Aug 1966. [10]
  • Art in-sight 14 (Filmwaves 27:1): "On Expanded Cinema", ed. Jackie Hatfield, 2005. Texts by Jackie Hatfield, Grahame Weinbren, Chris Hales. [11]
  • Art and Artists: "Artists' Films", London, Dec 1972.
Essays, book chapters
  • Jonas Mekas, "On the Expanding Eye", Village Voice, 6 Feb 1964; repr. in Mekas, Movie Journal: The Rise of the New American Cinema, 1959-71, New York: Collier, 1972, pp 118-120.
  • Jonas Mekas, "More On Expanded Cinema: Emshwiller, Stern, Ken Jacobs, Ken Dewey", Village Voice, 2 Dec 1965; repr. in Mekas, Movie Journal: The Rise of the New American Cinema, 1959-71, New York: Collier, 1972.
  • Jonas Mekas, "On the Plastic Inevitables and the Strobe Light", Village Voice, 26 May 1966; repr. in Mekas, Movie Journal: The Rise of the New American Cinema, 1959-71, New York: Collier, 1972, pp 242-244.
  • Stan VanDerBeek, "“Culture: Intercom” and Expanded Cinema: A Proposal and Manifesto", Film Culture 40 (Spring 1966), pp 15-18; repr. in Motive, Nov 1966, pp 13-23; repr. in The Tulane Drama Review 11:1 (Autumn 1966), pp 38-48.
  • Sheldon Renan, "Expanded Cinema", ch 6 in Renan, An Introduction to the American Underground Film, New York: Dutton, 1967, pp 227-257.
  • Annabel Nicolson, "Artist as Filmmaker", Art and Artists, Dec 1972; repr. in A Perspective on English Avant-Garde Film, 1978.

See also

Experimental film, Video