Difference between revisions of "Experimental film"

Revision as of 10:45, 5 January 2014

Cinim magazine, Nos. 1-3, 1967-1969.
Jump Cut: A Review of Contemporary Media, Nos. 1-54, 1974-2011. Edited by John Hess, Chuck Kleinhans and Julia Lesage.

Film as Film: Formal Experiment in Film, 1910-1975, London: Arts Council of Great Britain, 1979, 152 pp. Catalogue.
David Schwartz (ed.), Independent America: New Film 1978-1988, New York: American Museum of the Moving Image, 1988, 93 pp. Catalogue.
Gerald O’Grady, Bruce Posner (eds.), Articulated Light: The Emergence of Abstract Film in America, Boston: Harvard Film Archive & Anthology Film Archives, 1995, 16 pp. Catalogue.
Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative and British Avant-Garde Film 1966-1976, London: Lux, 2002.

Peter Gidal (ed.), Structural Film Anthology, London: British Film Institute, 1976.

Gene Youngblood, Expanded Cinema, Dutton, 1970.
P. Adams Sitney, Visionary Film: the American Avant-Garde, 1943-2000, Oxford University Press, 1974; Third edition, 2002.
William C. Wees, Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film, University of California Press, 1992.
Edward S. Small, Direct Theory: Experimental Film/Video as Major Genre, SIU Press, 1994, 122 pp.
Robert A. Haller (ed.), First Light, New York: Anthology Film Archives, 1998, 108 pp.
A. L. Rees, A History of Experimental Film and Video: From Canonical Avant-garde to Contemporary British Practice, British Film Institute, 1999.
Jeffrey Skoller, Shadows, Specters, Shards. Making History in Avant-Garde Film, University of Minnesota Press, 2005, 233 pp.
P. Adams Sitney, Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson, 2008.
Daniel Barnett, Movement as Meaning: In Experimental Film, Rodopi, 2008, 240 pp.

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 ; Catalogues and Brochures
-* ''Film as Film: Formal Experiment in Film, 1910-1975'', London: Arts Council of Great Britain, 1979, 152 pp. Catalogue.
+* ''[http://monoskop.org/log/?p=10154 Film as Film: Formal Experiment in Film, 1910-1975]'', London: Arts Council of Great Britain, 1979, 152 pp. Catalogue.
 * David Schwartz (ed.), ''[http://monoskop.org/log/?p=5857 Independent America: New Film 1978-1988]'', New York: American Museum of the Moving Image, 1988, 93 pp. Catalogue.
 * Gerald O’Grady, Bruce Posner (eds.), ''[http://monoskop.org/log/?p=10155 Articulated Light: The Emergence of Abstract Film in America]'', Boston: Harvard Film Archive & Anthology Film Archives, 1995, 16 pp. Catalogue.