Experimental film

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Pages

Resources

Literature

Journals and Magazines
Catalogues and Brochures
Anthologies
  • Peter Gidal (ed.), Structural Film Anthology, London: British Film Institute, 1976.
  • Gwendolyn Audrey Foster, Wheeler Winston-Dixon (eds.), Experimental Cinema: The Film Reader, Routledge, 2002.
  • Jackie Hatfield (ed.), Experimental Film and Video: An Anthology, Eastleigh: John Libbey Pub., 2006.
Books
  • Roger Manvell, Experiment in the Film, London: Grey Walls Press, 1949.
  • Sheldon Renan, An Introduction to the American Underground Film, New York: Dutton, 1967.
  • Gene Youngblood, Expanded Cinema, New York: Dutton, 1970. With an introduction by R. Buckminster Fuller.
  • Parker Tyler, Underground Film: A Critical History New York: Grove Press, 1970.
  • Birgit Hein, Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino, Frankfurt: Ullstein, 1971. (in German)
  • Jonas Mekas, Movie Journal; The Rise of the New American Cinema, 1959-1971, New York: Macmillan, 1972.
  • Gottfried Schlemmer (ed.), Avantgardistischer Film 1951-1971, Theorie, Munich: Hanser, 1973. (in German)
  • Hans Scheugl, Ernst Schmidt, Eine Subgeschichte des Films: Lexikon d. Avantgarde-, Experimental- u. Undergroundfilms, Frankurt am Main: Suhrkamp, 1974. (in German)
  • Jean Mitry, Le Cinema Experimental: Histoire et Perspectives, Paris: Seghers, 1974. (in French)
  • Malcolm Le Grice, Abstract Film and Beyond, MIT Press, 1977.
  • Ulrich Gregor (ed.), The German Experimental Film of the Seventies, Munich: Goethe-Institut, 1980.
  • P. Adams Sitney, Visionary Film: the American Avant-Garde, 1943-2000, Oxford University Press, 1974; Third edition, 2002.
  • Martin Walsh, The Brechtian aspect of radical cinema, London: BFI Publishing, 1981.
  • Dominique Noguez, Trente Ans de Cinema Experimental en France, 1950-1980, Paris: A.R.C.E.F., 1982. (in French)
  • Maureen Cheryn Turim, Abstraction in Avant-garde Films, Ann Arbor, Mich.: UMI Research Press, 1985.
  • Jairo Ferreira, Cinema de Invencao, Sao Paulo: Editora Max Limonad, 1986. (in Portuguese)
  • Helge Krarup, Carl Norrested, Eksperimentalfilm i Danmark, Copenhagen: Borgen, 1986. (in Danish)
  • Fernao Ramos, Cinema Marginal, 1968-1973: A Representacao em seu Limite, Sao Paulo: Editora Brasiliense, 1987. (in Portuguese)
  • Peter Gidal, Materialist Film, Routledge, 1989.
  • P. Adams Sitney, Modernist Montage: The Obscurity of Vision in Cinema and Literature, New York: Columbia University Press, 1990.
  • Patricia Mellencamp, Indiscretions: Avant-garde Film, Video & Feminism, Bloomington: Indiana University Press, 1990.
  • William C. Wees, Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film, University of California Press, 1992.
  • Scott MacDonald, Avant-garde Film: Motion Studies, Cambridge University Press, 1993.
  • Edward S. Small, Direct Theory: Experimental Film/Video as Major Genre, SIU Press, 1994, 122 pp.
  • James Peterson, Dreams of Chaos, Visions of Order: Understanding the American Avante-garde Cinema, Detroit: Wayne State University Press, 1994.
  • Jan-Christopher Horak (ed.), Lovers of Cinema: The First American Film Avant-garde, 1919-1945, Madison, Wis.: University of Wisconsin Press, 1995.
  • Rudolf E. Kuenzli (ed.), Dada and Surrealist Film, MIT Press, 1996.
  • Robert A. Haller (ed.), First Light, New York: Anthology Film Archives, 1998, 108 pp.
  • Beatriz Sarlo Sabajanes, La maquina cultural: maestras, traductores y vanguardistas, Buenos Aires: Ariel, 1998. (in Spanish)
  • A. L. Rees, A History of Experimental Film and Video: From Canonical Avant-garde to Contemporary British Practice, British Film Institute, 1999.
  • Emanuel Levy, Cinema of outsiders: the rise of American independent film, New York: New York University Press, 1999.
  • Joan M Minguet Batllori, Cinema, modernitat i avantguarda (1920-1936), Valencia: E. Climent, 2000. (in Spanish)
  • Barbara Wilinsky, Sure Seaters: the emergence of art house cinema, Minneapolis: University of Minnesota Press, 2001.
  • Nina Danino, Michael Maziere (eds.), The Undercut reader: critical writings on artists' film and video, London/New York: Wallflower, 2003.
  • Lauren Rabinovitz, Points of Resistance: Women, Power & Politics in the New York Avant-garde Cinema, 1943-71, Urbana: University of Illinois Press, 2003.
  • Maurice Lemaitre, 1967-1969, le cafe-cinema Lemaitre : suivi de Huit filmes lettristes, Paris: Paris experimental, 2003. (in French)
  • Michael O'Pray, Avant-Garde Film: Forms, Themes and Passions, London/New York: Wallflower, 2003.
  • Anna Abrahams, et al. (eds.), Mm2: experimental film in the Netherlands since 1960, Amsterdam: Filmbank, with de Balie, 2004.
  • Jeffrey Skoller, Shadows, Specters, Shards. Making History in Avant-Garde Film, University of Minnesota Press, 2005, 233 pp.
  • Jean Petrolle, Virginia Wright Wexman (eds.), Women and Experimental Filmmaking, Urbana: University of Illinois, 2005. [1]
  • Paul G. Pickowicz, Yingjin Zhang (eds.), From underground to independent: alternative film culture in contemporary China, Lanham, Md.: Rowman & Littlefield, 2006.
  • Robin Blaetz (ed.), Women's Experimental Cinema: Critical Frameworks, Durham: Duke University Press, 2007. [2]
  • P. Adams Sitney, Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson, 2008.
  • R. Bruce Elder, Harmony and Dissent: Film and Avant-garde Art Movements in the Early Twentieth Century, Waterloo: Wilfrid Laurier University Press, 2008.
  • Daniel Barnett, Movement as Meaning: In Experimental Film, Rodopi, 2008, 240 pp.
Bibliographies

See also


Art and Culture

Avant-garde and modernist magazines, Artists' publishing, Graphic design, Photography, Typewriter art, Multimedia environments, Design research, Video activism, Urban practices, Zine culture, Demoscene, VJing, Live cinema, Media labs, Cyberfeminism, Community television, Hacktivism, Art servers, Hackerspaces, CD-ROM art, Circuit bending, Pure Data, Media archives, VVVV, Maker culture, Glitch art, Live coding, Locative media, Libre graphics, Electromagnetism, Surf clubs, DIY biology, Post-digital, Neural aesthetics.
See also Art styles and movements.