Difference between revisions of "FEKS"

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[[Image:Eccentric_Manifesto.jpg|thumb|258px|''Eccentric Manifesto'', 1922/1992, [http://monoskop.org/log/?p=13050 Log], [[Media:Eccentric_Manifesto.pdf|PDF]], [http://reality.gn.apc.org/ecc/ecc.htm GIF].]]
 
The '''Factory of the Eccentric Actor''' (FEKS) was founded in 1921 in Petrograd by Grigori Kozintsev (1905–1972) and Leonid Trauberg (1902–1990) and combined the training of actors with collective artistic production in theatre and film. The FEKS group perceived Eccentrism as a new direction within the avant-garde that sought to find a place between Futurism, Surrealism and Dada.
 
The '''Factory of the Eccentric Actor''' (FEKS) was founded in 1921 in Petrograd by Grigori Kozintsev (1905–1972) and Leonid Trauberg (1902–1990) and combined the training of actors with collective artistic production in theatre and film. The FEKS group perceived Eccentrism as a new direction within the avant-garde that sought to find a place between Futurism, Surrealism and Dada.
  
 
==Publications==
 
==Publications==
* ''Ekstsentrizm'' [Эксцентризм], Petrograd, 1922. [http://www.gelos.ru/2012/bigimages/ag105-18.jpg]
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* ''Ekstsentrizm'' [Эксцентризм], Petrograd, 1922. [http://www.gelos.ru/2012/bigimages/ag105-18.jpg] {{ru}}
** ''[http://monoskop.org/log/?p=13050 Eccentric Manifesto]'', trans. & intro. Marek Pytel, London: Eccentric Press, 1992, 22 pp. (in English)
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** ''[http://monoskop.org/log/?p=13050 Eccentric Manifesto]'', trans. & intro. Marek Pytel, London: Eccentric Press, 1992, 22 pp. {{en}}
 
* ''Futurism / Formalism / FEKS: Eccentrism and Soviet Cinema, 1918-36'', eds. Ian Christie and John Gillett, London: British Film Institute, 1978, 74 pp. {{en}}
 
* ''Futurism / Formalism / FEKS: Eccentrism and Soviet Cinema, 1918-36'', eds. Ian Christie and John Gillett, London: British Film Institute, 1978, 74 pp. {{en}}
  

Revision as of 18:43, 16 August 2015

Eccentric Manifesto, 1922/1992, Log, PDF, GIF.

The Factory of the Eccentric Actor (FEKS) was founded in 1921 in Petrograd by Grigori Kozintsev (1905–1972) and Leonid Trauberg (1902–1990) and combined the training of actors with collective artistic production in theatre and film. The FEKS group perceived Eccentrism as a new direction within the avant-garde that sought to find a place between Futurism, Surrealism and Dada.

Publications

  • Ekstsentrizm [Эксцентризм], Petrograd, 1922. [1] (Russian)
    • Eccentric Manifesto, trans. & intro. Marek Pytel, London: Eccentric Press, 1992, 22 pp. (English)
  • Futurism / Formalism / FEKS: Eccentrism and Soviet Cinema, 1918-36, eds. Ian Christie and John Gillett, London: British Film Institute, 1978, 74 pp. (English)

Literature

  • Vladimir Nedobrovo (Владимир Недоброво), Viktor Shklovskiy (Виктор Шкловский), FEKS: Grigoriy Kozintsov, Leonid Trauberg [ФЭКС: Григорий Козинцов, Леонид Трауберг], 1928, 79 pp. (Russian)
  • Oksana Bulgakowa, "Das Phänomen FEKS: Boulevardisierung der Avantgarde", Montage / AV 2:1 (1993), pp 94-115. (German)
  • Oksana Bulgakowa, FEKS: Die Fabrik des Exzentrischen Schauspielers, Potemkin Press, 1996, 304 pp. [2] (German)
  • Cosima Ulrike Sindlhofer, "Die Fabrik des Exzentrischen Schauspielers (FEKS)", ch. 2.3.1 in Sindlhofer, Amerikanismus: Weimarer Republik und sowjetische Filmavantgarde, Vienna: University of Vienna, 2008, 49-58. Master's thesis. (German)
Encyclopedic entries