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(The catalog of Alternative Film/Video Festival Belgrade 2018 edition with the theme of "COLLECTIVism". Catalog presents over 70 alternative, innovative, experimental, avant-garde, personal, political films and video works from more than 30 countries. I...)
 
 
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[[File:Alternative_2018_korice.jpg|200px|thumb|left|Alternative Film/Video 2018 catalog Cover Page]]
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The catalog of Alternative Film/Video Festival Belgrade 2018 edition with the theme of "COLLECTIVism". Catalog presents over 70 alternative, innovative, experimental, avant-garde, personal, political films and video works from more than 30 countries. In the competition program there are new works by Igor Simić, Vivian Ostrovsky, Mike Hoolboom, Allan Brown, Benjamin & Stefan Ramirez Perez, Derek Woolfenden, Anne-Marie Bouchard, Igor Toholj and many others, while in the non-competition regional program South by Southeast works by artists such as Diana Vidrascu, Ivan Ramljak, Davorin Marc, belit sağ, Armando Lulaj, Peter Lichter, Vladislav Knežević are presented.
 
The catalog of Alternative Film/Video Festival Belgrade 2018 edition with the theme of "COLLECTIVism". Catalog presents over 70 alternative, innovative, experimental, avant-garde, personal, political films and video works from more than 30 countries. In the competition program there are new works by Igor Simić, Vivian Ostrovsky, Mike Hoolboom, Allan Brown, Benjamin & Stefan Ramirez Perez, Derek Woolfenden, Anne-Marie Bouchard, Igor Toholj and many others, while in the non-competition regional program South by Southeast works by artists such as Diana Vidrascu, Ivan Ramljak, Davorin Marc, belit sağ, Armando Lulaj, Peter Lichter, Vladislav Knežević are presented.
  
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A cinematic VR (virtual reality) workshop was realised in cooperation with the Trieste Film Festival, by the Italian artist Antonio Giacomin Fluido and sound designer Massimiliano Borghesi, who introduced participants to the principles of cinematic VR.
 
A cinematic VR (virtual reality) workshop was realised in cooperation with the Trieste Film Festival, by the Italian artist Antonio Giacomin Fluido and sound designer Massimiliano Borghesi, who introduced participants to the principles of cinematic VR.
 
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INTERNATIONAL COMPETITION (alphabetical order)
 
 
1440 fotograms: Focus Puller, Tara Najd Ahmadi, Jurij Meden, Davorin Marc (Slovenia, 2017, 35mm, 1’00)
 
3 Dreams of Horses, Mike Hoolboom (Canada, 2018, digital, 5’30)
 
A bar on Majorca, Marian Mayland (Germany, 2017, digital, 15’)
 
An Infinite Loop for Resistance, M. Woods  (USA, 2017, digital, 5’41)
 
Bottom of 6th Expos vs Mets July 3, 1973, Allan Brown (Canada, 2018, digital, 13’13)
 
Community, Maja Hodošček (Slovenia, 2017, digital, 9’22)
 
CONFLUENCE, Benjamin & Stefan Ramírez Pérez (Germany / Netherlands / Serbia, 2018, digital, 20’45)
 
Digital Trauma (And the Crystal Image), María Molina Peiró (Netherlands / Spain, 2018, digital, 8’10)
 
DizzyMess, Vivian Ostrovsky (USA, 2017, digital, 7’43)
 
Empire Valey, Ryan Ermacora (Canada, 2018, digital, 13’)
 
Field of Infinity, Guli Silberstein (UK, 2018, digital, 5’22)
 
Frequencies, Thomas Peeters (Belgium, 2018, digital, 12’50)
 
GEDE VIZYON, Jefferson Kielwagen, Jean-Daniel Lafontant, Marcos Serafim and Steevens Simeon (Haiti / Brazil, 2018, digital, 15’)
 
How Flowers Never Became a Food Group, Charlotte Clermont and Alain Lefebvre (Canada, 2017, digital, 4’44)
 
Instructions for making a film in an underdeveloped country, M. Dianela Torres (México, 2016, digital, 3’23)
 
It’s shit, Yves-Marie Mahé (France, 2018, digital, 4’)
 
July, Ian Menoyot (France, 2017, digital, 2’25)
 
Manus x Machina x Moralia, Igor Simic  (Serbia, 2018, digital, 8’50)
 
Marilyn Monroe Wants to Speak With Warhol, Christian Flores (Spain, 2018, digital, 3’26)
 
MIXED SIGNALS, Courtney Stephens (USA, 2018, digital, 8’45)
 
Pivot, Maki Satake (Japan, 2017, digital, 6’)
 
R_ don't give an inch, Anne-Marie Bouchard (Canada, 2014, digital, 9’42)
 
Running in Circles, Ei Toshinari & Duy Nguyen (USA / Japan, 2018, digital, 4’20)
 
Scipio’s Elephants, David Pantaleón, Pilar Aldea (Spain, 2018, digital, 5’49)
 
Speech, Steve Hawley (UK, 2018, digital, 8’30)
 
the_other_images, Iris Blauensteiner (Austria, 2018, digital, 17’)
 
TRACES:BIRDS, Jean-Michel ROLLAND (France, 2018, digital 1’00)
 
Transposition, Igor Toholj (Serbia, 5:25, digital)
 
Trenodija za žrtve Hirošime, Zorko Sirotić (Croatia, 2018, digital, 9’50)
 
UNAMERICA - Relocating memories, Luise Schrroeder  (Germany, 2018, digital, 16’31)
 
Urban Sculptures, Di Hu (China, 2017, digital, 6’15)
 
 
 
SOUTH BY SOUTHEAST
 
Regional survey
 
 
2202m, Irena Paskali, Macedonia, 2018, 3 min
 
A Gentle Breeze Passed Over Us, Pinar Ogrenci, Turkey, 2017, 5 min
 
About Eye Around, Miloš Peškir, Serbia, 2018, 2 min
 
Breaking Stones, Armando Lulaj, Albania, 2017, 10 min
 
Brief Conversation About the D Word, Teona Galgoțiu, Romania, 2017, 14 min
 
Dokument Parakozmik, Vladislav Knezevic, Croatia, 2018, 19 min
 
I Know, Jovana Ikonic, Serbia, 2018, 5 min
 
if you say it forty times, belit sağ, Turkey, 2017, 5 min
 
Intermezzo, Sasa Petrovic, Serbia, 2018, 5 min
 
Nutrition Fugue, Peter Lichter, Hungary, 2018, 4 min
 
Reassemble, Pleurad Xhafa, Albania, 2017, 7 min
 
Ships Still Don’t Come Ashore, Ivan Ramljak, Croatia, 2017, 3 min
 
The Dog Trace, Neno Belchev, Bulgaria, 2018, 11 min
 
The Silent Spring Seahorse, Bori Mate, Hungary, 2018, 8 min
 
Welcome, Davorin Marc, Slovenia, 2017, 3 min
 
What Time is Made Of, Diana Vidrascu, Romania / France, 2017, 10 min
 
  
 
File metadata:
 
File metadata:
  
Title              : Alternative Film/Video 2018: COLLECTIV(ism)
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Title              : Alternative Film/Video 2018: COLLECTIV(ism)<br>
Title sort          : Alternative Film/Video
+
Title sort          : Alternative Film/Video<br>
Publisher          : Dom kulture "Studentski grad", Beograd
+
Publisher          : Dom kulture "Studentski grad", Beograd<br>
Tags                : Experimental Film
+
Tags                : Experimental Film<br>
Series              : Alternative Film/Video #2018
+
Series              : Alternative Film/Video #2018<br>
Languages          : srp, eng
+
Languages          : srp, eng<br>

Latest revision as of 16:24, 13 May 2019

Alternative Film/Video 2018 catalog Cover Page

The catalog of Alternative Film/Video Festival Belgrade 2018 edition with the theme of "COLLECTIVism". Catalog presents over 70 alternative, innovative, experimental, avant-garde, personal, political films and video works from more than 30 countries. In the competition program there are new works by Igor Simić, Vivian Ostrovsky, Mike Hoolboom, Allan Brown, Benjamin & Stefan Ramirez Perez, Derek Woolfenden, Anne-Marie Bouchard, Igor Toholj and many others, while in the non-competition regional program South by Southeast works by artists such as Diana Vidrascu, Ivan Ramljak, Davorin Marc, belit sağ, Armando Lulaj, Peter Lichter, Vladislav Knežević are presented.

The artist duo Doplgenger (Boško Prostran and Isidora Ilić) formulated the concept of COLLECTIVism and selected the works for the international competition program, while independent curator Greg de Cuir Jr selected works for the survey program South by Southeast. The international jury consists of the British film artist Scott Barley, Gerald Weber, curator from sixpackfilm in Vienna, and Gordana Nikolić, curator at the Museum of Contemporary Art in Vojvodina.

Barley presents a selection of his short films and also his 2017 feature Sleep Has Her House. The artist Rouzbeh Rashidi from Dublin presents his 2018 experimental feature Phantom Islands. Spanish curator and archivist Almudena Escobar López brings a selection of works by the radical Mexican film collective Los Ingrávidos who deal with the dismantling of the codes of television and corporate visual aesthetics. The founders of the festival Images Contre Nature in Marseille present the program All We Need featuring films from their rich festival archive.

Among the retrospective and archival programs, jury member Gerald Weber curated Beyond Cinema, a selection of 16mm Austrian underground films from the 1960s and early 1970s (including work by Kurt Kren, Peter Weibel, Friedl vom Gröller and others), while Gordana Nikolić selected a number of works from the rich tradition of film and video practice in the Northern Serbian province of Vojvodina. Two historically important festivals for Yugoslav alternative and experimental film artists are explored. The Berlin-based curator Tobias Hering brings a selection of significant yet neglected 35mm Yugoslav works from the archive of the pioneering short film festival in Oberhausen (Internationale Kurzfilmtage Oberhausen). The cineastes Nikola Đurić, Ivko Šešić and Sava Trifković celebrate the memories of IF STAF, a festival that was a precursor to Alternative Film / Video, launched by Academic Kino Club in Belgrade in the late 1960s and early 1970s.

The festival presented two exhibitions: in the Main Gallery "stills from a film that is missing: promises of a New Form#, organised by the Swiss artists-curators Raphaël Cuomo and Maria Iorio, dedicated to the history of kino clubs in Tunisia, and in the Small Gallery the monographic exhibition Layers of Self by the Belgrade artist Marta Jelena Glišić.

A cinematic VR (virtual reality) workshop was realised in cooperation with the Trieste Film Festival, by the Italian artist Antonio Giacomin Fluido and sound designer Massimiliano Borghesi, who introduced participants to the principles of cinematic VR.

File metadata:

Title : Alternative Film/Video 2018: COLLECTIV(ism)
Title sort : Alternative Film/Video
Publisher : Dom kulture "Studentski grad", Beograd
Tags : Experimental Film
Series : Alternative Film/Video #2018
Languages : srp, eng

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