File:Mechtild Widrich, "The Naked Museum- Art, Urbanism, and Global Positioning in Singapore" (Art Journal, summer 2016).pdf

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Revision as of 16:55, 20 May 2020 by Ti (talk | contribs) (A discussion of the National Gallery of Singapore as part of a contemporary art geography, which is not purely tied to a fixed location, but as a shifting and malleable construction comprising real territory, its imagination, and its representation in various media. My interest is in the interconnections of history with national, regional, and global affiliations. Starting points are site-specificity, monuments and re-performance, as interrelated parts of a larger inquiry into the representat...)
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Summary[edit]

A discussion of the National Gallery of Singapore as part of a contemporary art geography, which is not purely tied to a fixed location, but as a shifting and malleable construction comprising real territory, its imagination, and its representation in various media. My interest is in the interconnections of history with national, regional, and global affiliations. Starting points are site-specificity, monuments and re-performance, as interrelated parts of a larger inquiry into the representation of artifacts and their institutions on a global stage.

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current16:55, 20 May 2020 (11.01 MB)Ti (talk | contribs)A discussion of the National Gallery of Singapore as part of a contemporary art geography, which is not purely tied to a fixed location, but as a shifting and malleable construction comprising real territory, its imagination, and its representation in various media. My interest is in the interconnections of history with national, regional, and global affiliations. Starting points are site-specificity, monuments and re-performance, as interrelated parts of a larger inquiry into the representat...
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